Newswire

Mimi Fishman Foundation's New Charity Auction is Live!

Bonnaroo tixs up for auction- for the Grateful Web

The new Mimi Fishman Foundation charity auction is up and running.  The Foundation's first auction of 2009 includes amazing items donated by Phish, String Cheese Incident, Umphrey's McGee, Bonnaroo Music Festival, Jack Johnson, Scramble Campbell, moe, Dave Matthews Band, and Yonder Mountain String Band.  The auction proceeds will benefit the Delta Gamma Center for Children With Visual Impairments.

One of the more unique items on the auction is a lunch with Phish drummer Jon Fishman.  The winner and one guest will enjoy lunch and conversation with the Phish drummer.  In addition, Fishman will hand the winner a pair of tickets for the next evenings Phish show at the Fox Theatre in St. Louis.

The auction, which concludes Feb 26, also features:

·       Phish Summer 2009 Ticket/DVD Packages
·       Dave Matthews Band Ticket/Pass Package
·       Yonder Mountain String Band Ticket/Signed Poster Package
·       Bonnaroo Ticket/Phish Laminate Package
·       Umphrey's McGee VIP Package
·       String Cheese Incident Signed Posters
·       .moe Ticket/Pass Package
·       Scramble Campbell Original Phish Artwork
·       Jack Johnson Signed CD/DVD Package

To view and/or bid on the auction, as well as read about the charities the auction supports, please visit the Mimi Fishman Foundation Auction Page.

Tom Constanten & Zen Tricksters Together For Fillmore 40th

LiveDead- for the Grateful Web

In celebration of the return of the Dead, the historic 3/2/69 Fillmore West show will be brought back to life by The Zen Tricksters on 3/2/09 at Mexicali Live in Teaneck, NJ to give all who missed it an opportunity to experience it live. The Zen Tricksters, New York-based jamband who Phil Lesh termed as "brilliant players" (Jeff Mattson, Klyph Black, Tom Circosta, and Dave Diamond) will be joined by special guest Tom Constanten, Grateful Dead pianist who performed at the original show, and former Zen Tricksters drummer, Joe Chirco, to fill out the second drummer position. 3/2/69 was the last of a four-day run at the Fillmore, and some of the material from that show was included in the classic Grateful Dead album "Live Dead." The entire
run of these shows was released in 2005 by Rhino Records in a limited edition boxed set, and sold out immediately.

"In 1969, at the height of the Grateful Dead's rise from the San Francisco ballroom scene, the band recorded a live album over four nights at the Fillmore West, "Live/Dead," that's considered not only one of the band's best, but one of the best live albums ever made." Joel Selvin - SF Chronicle

THE 40th ANNIVERSARY of the Grateful Dead at Fillmore West March 2, 1969
The Zen Tricksters with special guest TOM CONSTANTEN (Grateful Dead) and Joe Chirco will perform the entire show forty years to the day on March 2, 2009 at Mexicali Live

THE SHOW

Set ONE
1. Dark Star
2. St. Stephen
3. The Eleven
4. Turn On Your Love Light

SET TWO
1. Doin' That Rag
2. That's It For The Other One
3. Death Don't Have No Mercy
4. Morning Dew

SET THREE
1. Alligator
2. Drums
3. Jam
4. Caution (Do Not Stop On Tracks)
5. Feedback
6. We Bid You Goodnight

Ukulele Master Jake Shimabukuro Releases His First LIVE CD

photos by Phil & Janie- for the Grateful Web

Perhaps you were in the audience at one of Jake Shimabukuro's shows last year when he "entered the zone, created unforgettable music, and wowed the crowd. The odds are that Jake's tech crew recorded that concert, and the moment is captured on Live, his upcoming HITCHHIKE RECORDS release (distributed by Thirty Tigers/RED, April 14 release). This is Jake's first full-length CD since 2006's best-selling Gently Weeps. After taping dozens of U.S. and overseas performances Jake chose these tracks as representing the best of the best of his live playing.

I've always wanted to release a live CD because there's something magical about capturing the energy of the audience during a performance, says Jake. "Every cheer and chuckle writes itself into each tune and becomes a part of the arrangement. Every track reveals a different side of the ukulele. Soft and sensitive at times, other times cheery and playful, occasionally dramatic, and, once in a while, hard and aggressive.

I enjoyed putting this album together because it preserved the feeling of each concert. Every venue had a refreshingly intimate vibe that made the creation of music pleasurable. My favorite moments are the spontaneous ones of laughter and joy between songs. Music should bring happiness. The sound of the ukulele always makes me smile. I think the world would be a greater place if everyone played the ukulele.

The 17-song CD includes 12 Shimabukuro originals (Nine versions of his best-known compositions, plus three brand-new tunes) and five covers (including a jaw-dropping version of J.S. Bach's "Two-Part Invention No. 4 in D Minor"and a memorable interpretation of Thriller," the Rod Temperton song made famous by Michael Jackson). Of course there's a live version of George Harrison's While My Guitar Gently Weeps"which might be Jake's best-recorded version yet!

Live documents the fascinating journey and musical growth of one of the most original musical talents on the planet, Jake Shimabukuro.

Ben Harper, Akron/Family & Howlin' Rain in Darrow Tribute

Ben Harper - photos by Phil Emma- for the Grateful Web

Ben Harper, Akron/Family and Howlin' Rain will be among the artists who pay tribute to singer/songwriter Chris Darrow in "Take Good Care of Yourself: The Songs of Chris Darrow" on Sunday, March 1, 7 p.m., at McCabe's Guitar Shop, 3101 Pico Blvd., Santa Monica, (310) 828-4497. Joining these artists will be very special guests Charlie Wadhams, Michael Andrews, Jonathan Wilson and Elisa Randazzo. The show is presented by the Everloving record label, concert promoters Folk Yeah and KCRW 89.9. Tickets for the event are $20 in advance at www.mccabes.com or at the door.
 
Chris Darrow may not be a household name — yet. But throughout the history of Southern California country-rock, folk, surf, psychedelic and world music, he has cast a welcome presence. His trail-blazing, country-rock-leaning pair of solo albums, Chris Darrow (1973) and Under My Own Disguise (1974, never before available in the U.S.), soon will be released by Everloving Records, the home of Inara George & Van Dyke Parks, Cornelius and Herman Dune. The Darrow collection, titled Chris Darrow/Under My Own Disguise, will be available as a deluxe two-CD, two-LP (180 gram vinyl) with a 48-page 12" x 12" photo book. Street date is March 10, 2009. The music will also be available through digital retailers without all the fancy stuff.
 
The Chris Darrow story begins with Kaleidoscope, a late '60s L.A.-based band cited by Led Zeppelin's Jimmy Page as his "favorite band of all time." Elektra Records founder Jac Holzman wrote in his book Follow the Music that the first Kaleidoscope album, Side Trips, is his favorite album of all time. Why this cult mania? Kaleidoscope was the first to blend country, rock, folk, blues, psychedelic and world music and have been called the first "world beat" band. They were also precursors to the Flying Burrito Brothers. Singer/songwriter/guitarist David Lindley was also a member.
 
But the Chris Darrow story did not end with his departure from Kaleidoscope. He joined the Nitty Gritty Dirt Band, and then broke off with the Dirt Band's Jeff Hanna to form The Corvettes, who released two Mike Nesmith-produced singles on Dot. The Corvettes soon became Linda Ronstadt's backing band, with Chris doing double duty as Ronstadt's road manager. When Jeff Hanna left The Corvettes to rejoin the Dirt Band, Bernie Leadon took his place. The group officially dissolved when Leadon was recruited into the Flying Burrito Brothers and John Ware and John London joined Nesmith's First National Band. (Is this saga Southern California enough for you?) Darrow later recorded and toured with Hoyt Axton, John Stewart, James Taylor, Sonny & Cher, Gene Vincent, John Fahey and Helen Reddy. As the Chris Darrow reputation continued to develop, he crafted a pair of legendary solo albums for the United Artists label: Chris Darrow and Under My Own Disguise.
 
The story goes on and on — Darrow went on to record with Nesmith, Kaleidoscope briefly reunited, he recorded with Chris D's Divine Horsemen, formed an unlikely working relationship with colorful producer Kim Fowley and an even less likely collaboration with the Surf Punks' Dennis Dragon. As Darrow continued his 40-year (so far) career in the music business, a new generation of artists discovered him.
 
Ben Harper, who grew up in Darrow's long-time roost of Claremont, Calif. and who will appear in the McCabe's tribute show, covered the song "Whipping Boy" from Chris Darrow. The Dust Brothers later remixed it. Mudhoney's Steve Turner has come to idolize Darrow, writing: "It's these solo albums that keep finding their way onto the turntable around my house They have slowly, through the years, wound up in the hands of the right people. People like you and me. And that's no accident."
 
Enter Everloving Records, the esoteric label from L.A.'s Loz Feliz, known for its relationship with the Claremont musical community that begat both Darrow and Ben Harper. The LA Weekly's Randall Roberts described Everloving as "globetrotting this year, putting out thrilling music by Germans, French, Japanese and Angelenos. The label since 2003 has delivered hot music action from wherever it arrives. They cherry-pick choice little records from across the globe and deliver them stateside."

Hot Buttered Rum in Eugene & Portland - Mar 19 & 20

photo by Sanjay Suchak- for the Grateful Web

In the Fall of 2006, itching to release their first live album, Hot Buttered Rum announced that it would be recording a handful of shows for official release.  Live in the Northeast (released May 2007) beautifully reveals the true core of live Butter: music that is forceful without being flashy, serious without being stuffy, intricate without being inaccessible, and diverse without being distracting.  The performances were professionally multi-tracked and later carefully mixed by Butter's long-time sound engineer, Josh Osmond. The result is striking, presenting the unique energy and improvisational spirit of a Hot Buttered Rum live performance in studio-quality sound.

Often described as a rock band playing bluegrass instruments, no prior Butter recording has so perfectly displayed the band's bolder and heavier side.  Their full sound permeates Live in the Northeast - from the reggae-tinged "Return Someday" and psychedelica of "Desert Rat" through definitive covers of the Grateful Dead's "Cumberland Blues" and Leo Sayer's "Feel Like Dancin'" - winding the listener through a robust and intense set of acoustic rock.

Hailing from the San Francisco Bay area, the guys of Hot Buttered Rum grew up on the trails, in the mountains, and on the slopes.  Their ties with nature have only grown and as a group, the band has dedicated much time and energy to reducing their carbon footprint and promoting alternative fuel sources.  As a heavily touring band, Hot Buttered Rum had to face the tough reality of how a national tour can affect the environment and counter it with a positive change.  In response, the band helped to promote the biofuel renaissance, touring the country on recycled vegetable oil and biodiesel as early as 2003.  Band members have participated in numerous Renewable Energy and Biofuel conferences, as well as sitting on discussion panels at such renowned music festivals as Bonnaroo and High Sierra.  Highlighted in the November/December 2005 issue of E: Environmental Magazine, Hot Buttered Rum is commended for trying to "leave an impact on its fans, and not solely on the road that passes beneath its bus tires as it travels from coast to coast".  For more information on Hot Buttered Rum and their greening efforts, visit the band's website.

The band's current list of confirmed tour dates is as follows:

February 11 Roxy's Los Angeles CA
February 12-13 Winston's Beach Club San Diego CA
February 14 SOhO Santa Barbara CA
February 20-21 Wintergrass Tacoma WA
March 19 McDonald Theatre Eugene OR co-bill with Everyone Orchestra featuring Michael Kang
March 20 Wonder Ballroom Portland OR
March 21 Crocodile Cafe Seattle WA co-bill with Everyone Orchestra featuring Michael Kang
March 26 El Rey Theater Chico CA
March 27 Marilyn's On K Sacramento CA
March 28 Crystal Bay Club and Casino Crystal Bay NV co-bill with Blue Turtle Seduction
April 03 Papa Charlie's Saloon & Grill Lutsen MN
April 08 Belly Up Aspen CO co-bill with the Travelin' McCourys
April 09 Boulder Theater Boulder CO co-bill with the Travelin' McCourys
April 10 Aggie Theater Fort Collins CO co-bill with the Travelin' McCourys
April 11 Ogden Theatre Denver CO co-bill with the Travelin' McCourys
July 04 Marin County Fair San Rafael CA

More dates to be announced. 

The widespread appeal of Hot Buttered Rum's music stems not only from the band's musical versatility and prolific songwriting, but also from the magnetic chemistry the group creates onstage together.  It is this chemistry that is propelling the band to ever greater success. The band has performed at festivals as diverse as the Newport Folk Festival, Bonnaroo, Grey Fox, High Sierra and the Telluride Bluegrass Festival, and has shared the stage with such artists as Phil Lesh, Bela Fleck, Ben Harper, Chris Thile, Mike Marshall and Peter Rowan, the last two of whom worked with the band on its critically-acclaimed studio release, Well-Oiled Machine.

Umphrey's McGee's Mantis Debuts on the Billboard 200 Chart

photos by Sam Holloway- for the Grateful Web

Umphrey's McGee's new album, Mantis, debuts at #62 on the Billboard 200 Chart, and #6 on the Indie Chart.  Mantis also reached #25 on the Itunes Album Chart and #9 on the Itunes Rock Chart.

With Mantis' week-of-release sales numbers at more than double that of the band's previous album (The Bottom Half 2005), Umphrey's McGee has defied the record industry's downward trend in sales.  This is due in part to Mantis' innovative digital strategy, where fans who pre-ordered the album gained access to exclusive bonus material, and as more pre-orders were received, fans participated in "unlocking" new levels of content. Billboard Magazine recognized Umphrey's McGee for their creative marketing savvy, calling the Mantis pre-order campaign "...a likely template for emerging and established acts [looking to] kick-start interest in a new release."

 

Indeed, Umphrey's McGee has forged a new path in digital music delivery by building a grassroots and viral grassroots marketing plan that super-serves their fan base.  The strategy relies on fan support, and is a win- win for both the fans and the band. As Umphrey's McGee guitarist Jake Cinninger explains, "Our fans have always been there for us, and we wanted to return the favor and do something for them. We knew that this was a program that they'd love and that's a good thing, because without them, it wouldn't have worked."  Umphrey's McGee manager Vincent Iwinski adds, "This was certainly an experiment in which we didn't know what would happen, but we are pleased that the fans supported the idea, and ran with it." 

 

In addition to a one-of-a kind pre-order campaign where fans can participate in "unlocking" exclusive bonus material, Mantis incorporates PUSH(TM) technology by Digital Insert to deliver new content throughout 2009.  PUSH requires no software installation or serial number; by simply putting the Mantis CD in your CD-ROM drive, the disc will act as a "key" to an Umphreys.com micro-site where fans get access to exclusive 2009 content as it becomes available.  

 

Mantis is yet another innovative music experience to be offered by Umphrey's McGee, who have proven adaptive and inventive both in music and business over the last 10 years. Through online community building, creative web-based promotions, and open taping policies allowing live music sharing among fans, Umphrey's McGee has harnessed the internet's momentum to spread their music far and wide. The band's download store UMLive.net is an archive of their ever-diverse live performances, hosting downloads of over 300 shows with 750,000 tracks sold since 2004. Umphreys.com hosts the iTunes friendly UM Podcast which releases two 75-minute episodes of live material each month to its 20,000 subscribers. Since 2001, Umphrey's has released soundboard recordings of each night's concert immediately after the show in both physical and digital formats - and each show typically sells upwards of 300 copies per night. The band's unique approach to online and digital distribution, paired with word of mouth buzz, has helped Umphrey's McGee sell out shows nationwide while keeping their fans a top priority.

Look for Umphrey's McGee on tour now.

 

January 31      First Avenue Minneapolis, MN
February 01     First Avenue Minneapolis, MN
February 12     Barrymore Theatre Madison, WI
February 13     Barrymore Theatre Madison, WI
February 14     Barrymore Theatre Madison, WI
February 15     Barrymore Theatre Madison, WI
February 19     Variety Playhouse Atlanta, GA
February 20     Variety Playhouse Atlanta, GA
February 21     The Orange Peel Asheville, NC
February 22     Neighborhood Theatre Charlotte, NC
March 04        Workplay Soundstage Birmingham, AL
March 05        Workplay Soundstage Birmingham, AL
March 07        Langerado Music Festival Miami Beach, FL
March 12        Royal Oak Music Theatre Royal Oak, MI
March 13        Egyptian Room Indianapolis, IN
March 14        Egyptian Room Indianapolis, IN
March 25        Cain's Ballroom Tulsa, OK
March 26        Liberty Hall Lawrence, KS
March 27        The Pageant St. Louis, MO
March 28        Minglewood Hall Memphis, TN
April 01        Town Ballroom Buffalo, NY
April 02        The Grand Opera House Wilmington, DE
April 03        Penn's Peak Jim Thorpe, PA
April 04        Ram's Head Live! Baltimore, MD
April 05        Toad's Place New Haven, CT
April 07        Lupo's Heartbreak Hotel Providence, R
April 08        Calvin Theatre Northampton, MA
April 09        House of Blues Boston, MA
April 10        Nokia Theatre Times Square New York, NY
April 11        Nokia Theatre Times Square New York, NY
April 16        Taft Theatre Cincinnati, OH
April 17        Egyptian Theatre Dekalb, IL
April 18        Morris Performing Arts Center South Bend, IN
April 29        Bama Theatre Tuscaloosa, AL
April 30        House of Blues New Orleans, LA
May 01          House of Blues New Orleans, LA
May 02          The Lyric  Oxford MS
May 22          Summer Camp Chillicothe, IL
July 22         10,000 Lakes Festival Detroit Lakes, MN

Black Moth Super Rainbow's 'Eating Us' Streets May 26th

Eating Us- for the Grateful Web

After a year of eerie, stilted silence, the sun shines and the shadows reappear. Black Moth Super Rainbow has crept from the forests and cities to make Eating Us, their dark bubblegum freakout for 2009.  The first fully hi-fi BMSR record, Eating Us, adds space and dimension to the band's sticky, off-kilter melodies. This isn't an album about witches and woods, and this time around the band isn't letting on to what it all might mean. Because to them, it's just better that way.  

The modern musical unit known as Black Moth Super Rainbow first emerged from an obscure Pennsylvania forest glen in 2003 to relay a somewhat confounding sound with Falling Through a Field. Over the next few years, that peculiar sound developed, and the cult of BMSR began. With the release of their naturally-sweetened, candy-coated, and acclaimed 2007 treat, Dandelion Gum, a number of curious listeners bent their ears and adjusted their listening habits to incorporate Black Moth Super Rainbow's oddly creepy and off-beat sweet audio plyings. With support slots opening for Flaming Lips and Aesop Rock, the oft-camera shy outfit was soon positioned in front of thousands of brand new sonically adventurous music enthusiasts who weren't necessarily prepared for the eccentric visuals of BMSR's surreal live show, but would hopefully emerge changed, and be better off for it.

Their new full length presentation for 2009, Eating Us, promises to up the ante on the fidelity and melodies that BMSR have become known for. Here, the merry cryptic band has added some new flavors to their already well-established rainbow of sounds, with even more dense layers of lushly complex orchestration, intensely rhythmic drumming from a live, human drummer, vocoder vocals that are anything but robotic, and thick, undulating bass tones. Recorded at Tarbox Road Studios, Eating Us marks the first time BMSR has ventured into a modern recording studio. Production and partial tracking were handled by Dave Fridmann (The Flaming Lips, MGMT, Weezer) whose hands and ears were the only ones trusted to keep the freaked out wiggles and hairy candies fully in-tact, while also expanding them in a more realistic space.  

Now a six piece, BMSR could come or go at any time, however 2009 promises a return to touring.  

Eating Us will be released May 26, 2009 on Graveface. The full deluxe CD version features a 16 page art booklet and hairy summer jewel case jacket.

Tracklisting:
01 Born On A Day The Sun Didn't Rise
02 Dark Bubbles
03 Twin Of Myself
04 Gold Splatter
05 Iron Lemonade
06 Tooth Decay
07 Fields Are Breathing
08 Smile The Day After Today
09 The Sticky
10 Bubblegum Animals
11 American Face Dust

The Five Corners Quintet's 'Hot Corner'

Hot Corner- for the Grateful Web

In 2005, The Five Corners Quintet from Helsinki took the international dancefloor jazz scene by a storm. "Chasin' the Jazz Gone By", their debut for Ricky-Tick Records, a label that was initially conceived of as a vehicle for releasing the very first TFCQ vinyl single, proved out to be both an artistic and a commercial success story. For once and for all, the album proved that it is possible to look back while moving forward. The touch of producer-composer Tuomas Kallio was true to the golden era of modern jazz, and his vision in updating form rather than feeling resulted in music that is truly "postmodern jazz", if there ever was some.

Three years, some 50,000 sold records, and 100+ international gigs later, The Five Corners Quintet are set to return with their sophomore effort. The album, out on Milan Records in April is entitled "Hot Corner", and everything about it indicates that the scene-leading Finnish ensemble has upped the ante. Rather, theirs will be the task of taking 2000 Century dancefloor jazz into another level.

Some things remain, of course. The sports axiom about not changing a winning team reigns true here, with a guest appearance by jazz vocalist par excellance, Mr. Mark Murphy, who also lent his golden voice to three tracks on the debut. This time around, however, it should come as no big suprise that a bunch of Finns manage to lure a living jazz legend to take part in their production, for TFCQ face high expectations when it comes to their return in recorded form.

The enormously successful live band consisting of Teppo Mäkynen (drums/bandleader), Timo Lassy (sax), Jukka Eskola (trumpet), Mikael Jakobsson (piano), and Antti Lötjönen (double bass), also remains. On "Hot Corner", however, the band takes a larger role in comparison to the first album. Tuomas Kallio is the "commander-in-chief" once again, but there's a stronger sense of community also in the studio.

The new sound of TFCQ could be described as leaning towards the "Hot" of the album title more than the cool of their previously recorded work. Here, the impact of the live band is evident. Kallio's compositions also move away from standard jazz into fresh new territories, where even the occasional flirt with genres such as rockabilly is to be expected. The EP preceding the album release already showed marks of the band "rocking" rather than "swinging", and those directions are further explored on the upcoming album. 

One thing is certain: The Five Corners Quintet have a knack at searching and finding new directions instead of following paths trampled by others. Of this, their new album "Hot Corner" is an ample piece of evidence.

Backyard Tire Fire To Record w/ Steve Berlin | New Tour Dates

Photo by Brad Hodge- for the Grateful Web

Backyard Tire Fire return to the studio next month to begin work on the follow up to their critically-acclaimed 2008 release, The Places We Lived. They'll be joined by Grammy Award-winning producer Steve Berlin behind the boards. Berlin first discovered Backyard Tire Fire when they opened for his band Los Lobos last October. Backyard Tire Fire's Ed Anderson counted the legendary East Los Angeles group among his biggest influences, so the opportunity to join them on a bill was a career high point. What Anderson didn't expect, however, was that Los Lobos would watch Backyard Tire Fire's entire set from the side of the stage and later invite Anderson and company to sit in for the encore. Berlin was so taken by Backyard Tire Fire's performance that he reached out the following week to inquire about the possibility of producing their next record.

"It takes a pretty special band to rivet the attention of Los Lobos, and Backyard Tire Fire are exactly that," states Berlin. "Great songs, great playing and great guys. I'm really looking forward to the recording sessions. They've come up with another amazing batch of songs. In my opinion they are one of America's best young bands."

Steve Berlin and Backyard Tire Fire will commence recording in late February. Jeff Stuart Saltzman (Death Cab for Cutie, Stephen Malkmus, The Decemberists) will engineer the sessions at Type Foundry Studio in Portland, Oregon where many  of M. Ward's projects have been recorded, including last year's hit, She & Him. As has been Backyard Tire Fire's aesthetic for all of its previous recordings, the sessions will be cut to tape and completely analog.

Backyard Tire Fire's 2008 effort, The Places We Lived fed a growing buzz in the U.S. based around principle songwriter Ed Anderson's ability to combine working class lyrical sentiment with eccentric indie rock songcraft. The album finished on year-end "best of" lists with writers at No Depression, Blurt, Jambase and Glide Magazine. In addition, Sirius XM U has kept "Shoulda Shut It" in regular rotation since early Fall. On the performance front, Backyard Tire Fire toured relentlessly playing both headline dates and opening slots with Reverend Horton Heat, Rose Hill Drive and Squirrel Nut Zippers among others. In February, they'll join JJ Grey & Mofro for a run of shows in the midwest and in March they'll tape their debut appearance on the nationally-syndicated radio show Mountain Stage.

Upcoming Backyard Tire Fire tour dates are:

January 30 & 31 / Louie's / Bloomington, IL
February 3 / Bluebird / Bloomington, IN*
February 4 / Downing University Center Theatre / Bowling Green, KY*
February 5 / The Intersection / Grand Rapids, MI*
February 6 / The Magic Bag / Ferndale, MI*
February 7 / The Dame / Lexington, KY*
February 8 / Industry / Iowa City, IA*
March 13 / Chicago Street / Joliet, IL
March 15 / Mountain Stage / Charleston, WV
March 19 / 40 Watt Club / Athens, GA**
March 20 / Emerald Lounge / Asheville, NC**
March 21 / Gottrocks / Greenville, SC**
April 2 / Locals Only / Indianapolis, IN***
April 3 / Southgate House / Cincinnati, OH
April 4 / Barley's Taproom / Knoxville, TN
April 10 / Mojo's / Columbia, MO
April 11 / Off Broadway / St. Louis, MO****
April 14 / Wisconsin Public TV / Madison, WI
April 16 / Gerstle's / Louisville, KY**
April 17 / Hangar 9 / Carbondale, IL**
April 18 / Double Door / Chicago, IL**
April 23 / 7th Street / Minneapolis, MN
April 24 / High Noon Saloon / Madison, WI
April 25 / Green Room / Sheboygan, WI
April 26 / Brown Baer / Elkhart Lake, WI
April 30 / Redstone Room / Davenport, IA
May 1 / Nutty's North / Sioux Falls, SD
May 2 / Vaudeville Mews / Des Moines, IA
 
* Supporting JJ Grey & Mofro
** Co-bill with Bloodkin
***Co-bill with Steepwater Band
****Co-bill with Pokey LaFarge

Toubab Krewe Winter 2009 Dates

photos by Sam Holloway- for the Grateful Web

Toubab Krewe is touring close to home over the next couple weeks, playing some of their favorite venues in the Southeast. Toubab Krewe caps off their regional run with a show at the Bijou Theatre in Knoxville and a Valentine's Day party at Smith's Olde Bar in Atlanta. From there, Toubab Krewe heads westward, circling through the Midwest and Rockies. Look for the band to add more dates soon, including some exciting festivals.

TOUR DATES

 

DATE      CITY               VENUE                   Special Guests

1-30      Greensboro, NC     The Blind Tiger         Agobi Project

2-5       Wilmington. NC     Soapbox                 Jar-E

2-6       Carrboro, NC       Cat's Cradle            Jar-E

2-7       Charlotte, NC      Neighborhood Theatre    Jar-E

2-13      Knoxville, TN      Bijou Theatre           Co-bill w/ Dubconscious

2-14      Atlanta, GA        Smith's Olde Bar        Eastern Standard

2-18      Nashville, TN      Exit In

2-19      Bloomington, IN    Bluebird Nightclub

2-20      Champaign, IL      Cowboy Monkey           Mhondoro Rhythm Success

2-21      Kansas City, MO    Crosstown Station 

2-26      Boulder, CO        Fox Theatre             Co-bill w/ B-Side Players

2-27      Denver, CO         Cervantes               Co-bill w/ B-Side Players

2-28      Dillon, CO         Arapahoe Basin Ski & Snowboard Area (2 p.m.)

2-28      Breckenridge, CO   Three20South (10 p.m.)

3-3       Lincoln, NE        Box Awesome

3-4       Iowa City, IA      Yacht Club

3-5       Minneapolis, MN    Cabooze

3-6       Madison, WI        Majestic Theatre 

3-7       Chicago, IL        Martyrs