PAT METHENY was born in Lee's Summit, MO on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974.

Highlighted by spirited headlining performances by The Devil Makes Three (Saturday), The Infamous Stringdusters (Friday), and Railroad Earth (Sunday), there was a profound additional component to this year’s WinterWonderGrass Tahoe. The weather. Before turning all sunny on Sunday, Friday and Saturday’s proceedings included periodic showers of snow, graupel (look it up), and a little rain.

After a 3-year hiatus, the OC Music Festival (OCMF), announces the schedule for the popular weekend music and camping festival held at Irvine Lake in Orange, CA May 4-6th.  Expanding from a two (2) day (Friday & Saturday) event to a three (3) event (Friday, Saturday & Sunday) for 2018, the OC Music Festival will feature the best jam and improvisational bands from Southern California on two stages.

2018 OC Music Festival Line-Up

CUBENSIS (Grateful Dead Experience)

GrooveSession

Emerging from the emerald twilight of Portland, OR, Sepiatonic’s work represents its hometown’s unique, innovative, and sometimes quirky energy.  Having looked back in time to the historic roots of vaudeville and forward to the booty-shaking horizons of electronic dance music, Sepiatonic’s producers have found home in a junction of both worlds. Larger than life characters, burlesque, and variety acts bring to life the soundscape of original electronic and live music on stage.

Today, Let’s Danza! announces “Moneyhook”, its debut studio release.

The catchy synth-driven single was written and produced by Tom McKee and Clay Parnell, both of whom cut their teeth as members of Philadelphia-based indie-electronic pioneers Brothers Past starting back in 2000.

“The song is meant be sort of a commentary on the inevitable arc of fame,” McKee said.

Lord Huron is launching a Vide Noir public access television show in select cities nationwide. A true multi-media artist, singer/songwriter/producer Ben Schneider has created an immersive program that expands upon the album’s narratives and themes while showcasing the hidden world that inhabits Vide Noir. Fans can tune in to their local listings or see below for a current airing schedule. Additional local airings will be announced soon.

Black Hen Music announces a June 15 release date for multiple Juno-award-winning musician/producer Steve Dawson’s new instrumental acoustic album, Lucky Hand. The new recording showcases Dawson’s brilliant fingerstyle work on a variety of instruments, accompanied by special guests Jesse Zubot on violin, harmonica legend Charlie McCoy and mandolinist John Reischman, as well as the presence of a string quartet on a number of tracks. The album will be available on both CD and vinyl LP formats.

Gretchen and the Pickpockets announce an April 25 release date for their new full-length album, Falling Rising, on their Pickpocket Records imprint. The new disc, which showcases 10 all-original songs, was recorded in Boston at Dimension Sounds Studio, with engineering by Dan Cardinal (Darlingside, Ballroom Thieves), mixing by Nick Nagurka (Vulfpeck) and mastering by Grammy-nominated Emily Lazar (Foo Fighters).

The Pour House Music Hall and NC Music Magazine Present : Caravan to the Creek - an all-day music and charter bus experience. The first Caravan to the Creek is on Friday July 13th for Tedeschi Trucks Wheels of Soul Tour with Drive By Truckers and The Marcus King Band. The July 13th pre-party will feature Downtown Abby & The Echoes and the July 13th post-party will feature Travers Brothership & Friends.

The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up.