Interviews
In James McMurtry’s latest album, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with an elegant, yet no-bullshit approach. McMurtry recorded the album with legendary producer Ross Hogarth (Ozzy Osbourne, John Fogerty, Van Halen, Keb’ Mo’) at Jackson Browne’s Groove Masters Studio in Santa Monica, California, a world class studio that has housed such legends as Bob Dylan, David Crosby, as well as Browne himself for I’m Alive.
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This past weekend, LA by-way-of NY artist, Shira Elias, formerly of Turkuaz, sat down with Grateful Web to discuss her newly released single “Earth Sun” from sophomore companion EP Services, as well as her upcoming debut as a solo performer.
The production of Services was a collaboration between Shira and husband/producer MEGA, and is scheduled to release on Friday, December 2, 2022.
Railroad Earth will be celebrating New Year’s Eve in Chicago at the Vic Theatre for a two-night bluegrass extravaganza, featuring the legendary Peter Rowan. Friday night’s show is a tribute to Peter Rowan’s former outfit, Old & In The Way. The party kicks off at 8:00 on both nights. | Get tickets here: 12/30/22 | 12/31/22
Peter Rowan will share the stage with Railroad Earth on New Year’s Eve at the Vic Theatre in Chicago and Grateful Web was thrilled to have a chance to talk to Peter leading up to the shows...
DEC 30TH @ 8:00PM
Chicago (The Vic Theatre)
Musketeer Gripweed was the name of a character played by John Lennon in the 1967 British comedy film titled “How I Won The War." The name is unique and memorable and that is what the band has portrayed with their music since their beginning in 2005. The line-up consists of Jason Downing on vocals, guitar and harmonica, Stu Crair on drums, Matthew Goldberg on keyboards, Ben Hockett on bass, and Lance Ruby on guitar. Together these five gifted musicians take you on a nothing-but-net wild ride of goodness through music.
Sicard Hollow is one of the most exciting new artists on the scene today. Hailing from Nashville, Tennessee, the jam-inspired bluegrass outfit has been making waves with their innovative take on the timeless bluegrass tradition, mixing the members’ various backgrounds in electronic music, rock, and all points in between, creating a new sound that’s unique and fresh.
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There’s a lot of David Bowie suddenly in the air again this year, roughly coinciding with the 75th birthday of the famed genre-fluid singer/songwriter/showman. Earlier this year, there was the Bowie extended-musical-family production – dubbed the Bowie Celebration – featuring former DB sidemen, such as Mike Garson, Gerry Leonard and Carmine Rojas, just to name a few.
At this point, the Grateful Dead family of musicians has become so large that it’s easy to miss many of its component parts. So many of the fabulous artists that make up the backdrop of our glorious musical bloom get overlooked by the simple adage, “So much good music, so little time.” Yet despite what we Deadheads might miss in the plethora of it all, Bob Weir doesn’t.
Rising Appalachia has certainly put their mark on Appalachian Folk Music. They have curated these traditional folk roots with other musical cultures that span the globe. Their ambitious creativity, exceptional musical craftsmanship, and highly independent personalities has yielded them world wide appeal and massive respect in the music industry. They march to the beat of their own drums.
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