Reviews

Kurt Vile's fifth long player is a humble opus if there’s such a thing. His lyrics could be hopeful, could be melancholy, it’s tough to tell – the almost-eponymous opening track (substitute “Day” for Daze in the title) sums it simply, it’s hard to explain, (my love) in this daze. Vile’s vocals throughout Wakin On A Pretty Daze are soft and flatline, yet they tend to hint at a humble crispness around the edges. As warning, his melodies keep alongside his voice, slow and meandering with only the slightest deviance.

While every state has their bevy of Grateful Dead cover bands, Colorado is proud to put Shakedown Street at the top of their list. Playing shows all over the Front Range and Rocky Mountains, they’ve built themselves into the beloved act they are today. Even Rob Eaton of Dark Star Orchestra plays with members on occasion when jamming around Colorado.

The date was March 30th, 2013. Or was it October 9th, 1977? Either way, the city of Denver held camp to the throngs of Deadheads along Colfax. On our way into McNichols Arena, I mean The Ogden Theater; there was a buzz in the air that only a live concert can produce.

The young D.C. trio going by Mission South is set to release their sophomore extended play, Migration Vol. 2. No doubt, these boys are rather proficient (and workers, too, as their extensive touring schedule can attest to).

Minneapolis-based band Night Moves is drawing fans in for a number of reasons, whether it’s the addicting, breezy hooks that pepper their debut album Colored Emotions; singer John Pelant’s distinct, gritty warble; or even their ode to Bob Seger.

With TAUK, it's best to ignore the foursome's wordy pandering (We really wanted this new album to be a statement... Homunculus has everything to do with how we as humans interpret ourselves and our surroundings. It acknowledges the inherent duality that exists between our mental and physical beings and to me that's where it relates to our creative process... Cool, Zhongfeng, now enough with the koans, please) and just listen to the music. Yes, these fellows are formally trained one-and-all.

I was very impressed with the message and playing abilities found on this second studio album released by the band WhiteWater Ramble. The band’s name specifies the style; beautiful, fluid, flowing music rambled with determination.

An unlikely collaboration between two roots music legends needed a proper introduction. Multi-instrumentalist, bandleader, and vocalist Sam Bush is second only to John Hartford the most influential player in creating the style of newgrass music. A progressive take on bluegrass that fused elements of rock, psychedelia, and reggae was developed in the late 1960s and became incredibly influential on generations of successors to come.

It’s free and restrained, naive and formulaic; it’s the trajectory of what’s to come in tune these days and going forward. Palenke Soultribe’s second entry in their recent audio trilogy, the foreign MAR, is right out of the textbook of the ethnic familiar-obscure.Lately, there’s been increasing notice given to these eclectic EDM-roots crossover acts. Everything needs a drop these days in the realm of pop, but the devil’s in the details and a lot of artists are emerging from the clutter dead to rites.

Can you seriously tell me that you can spin the mental Rolodex to a particular song or artist when I describe music as “Turkish influenced?” If so, stop reading now because you already know more about this style of music then I do and you damn sure know about 3 Trees. But if, like me, you are a Turkish music newbie, or are a fan of the traditional stylings of everyone from Ahmed Adnan Saygun to Zerrin Özer, but have overlooked the western band 3 Trees, read on.

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