After dropping his Easy Star Records debut album Sharp & Ready to critical acclaim, Double Tiger (Jay Spaker) is back with The Journey, which is his most diverse and personal collection to date. The album is due on December 11th and features an all-star lineup of artists including Slightly Stoopid, The Movement, Ranking Joe, Elliot Martin (John Brown’s Body), Suckarie (New Kingston), and Karim Israel (Arise Roots). “Drop Sound,” featuring Slightly Stoopid, comes out October 23rd and is the first single off the album, launching a pre-order at the same time. Go to http://moremusic.at/TheJourney to pre-order or pre-save the record.
It has been a tumultuous couple of years for Spaker, and the music on The Journey reflects this. He began writing and recording the record when John Brown’s Body (for which he was guitarist/vocalist) was winding down and going on hiatus. He had recently moved to Los Angeles after a lifetime of living in New York (both upstate and in the city). The sound of the tunes manage to capture this balance between his East coast roots and the West coast sound he was suddenly immersed in, with a good portion of the album heavily influenced by California life, the ocean, mountains, and the vibrant left coast culture. As Spaker puts it, “this album is a blend of the many styles of reggae that inspire me. The previous one was straight rub a dub focused. When I got to L.A., I was in a more open place and started exploring other aspects I had always loved – like lovers rock, rockers – but never really messed with in my own writing.”
While mixing and finishing the record, Double Tiger had to relocate back to Ithaca, NY, to care for his father, who was battling an illness that eventually took his life in August 2020. Add in the situation around COVID-19 and the shutdown of the touring industry – a mainstay of Spaker’s musical career – and this record becomes the soundtrack of an even bigger journey for the veteran artist.
Besides being well known for his involvement with John Brown’s Body, Spaker is also half of Tour De Force, and co-founder of the hip Franco/Brooklyn sound system-focused label Dub Stuy Records. Spaker has also collaborated with legendary artists such as Luciano, Johnny Osbourne, Sly & Robbie, Brother Culture, Omar Perry, Al Campbell. Lutan Fyah, Eek A Mouse, and Scientist, contributing to a prolific output of releases.
You can hear Double Tiger pushing through a diversity of styles on the thirteen track album as he tackles heavier topics from politics and society to universal themes of love and humanity. “Drop Sound,” featuring Slightly Stoopid, is an anthem for all of the hard working musicians who tirelessly travel the globe to give musical “medicine” to the people. A song that reminds us why live music is so important and looks to future times when we can all gather again to listen. “Universal Love,” featuring Karim Israel of Arise Roots, is about how humanity seems to cling to fear-based thinking, but instead if we had a universal love and saw everyone as family, how that would make a more beautiful world. Switching things up is “Rub A Dub Party,” featuring Suckarie of New Kingston, bringing old school house party vibes. The fourth single to drop before the album is “Shadow Dweller,” featuring The Movement, which is about those that secretly want to see you fail. It’s a reminder to stay positive and to not deal with this type of energy.
The Journey showcases an artist hitting their stride, as Double Tiger creates one of the most exciting reggae albums of 2020. With his diverse background and different approaches to reggae, there aren’t many artists in the U.S. scene that sound much like Double Tiger. His vocal styles hearken back to reggae stars like Sugar Minott and Frankie Paul, from the earliest days of dancehall, while his music brings a fresh approach influenced plenty by current trends in the genre. Double Tiger concludes, “I am very privileged to make music and believe in its power to heal and bring folks together. This last year has been powerfully transformative with my father’s passing, COVID, etc. so having this album finally out in the world is a blessing and I would like to dedicate this one to Pops.”
Roots and Tings are excited to announce their timely double single release “Election Time” and the Headnodic Remix “Election Time” Ft. Rico Pabon! The new singles are a rally cry to the masses to exercise their voices and right to vote. Listen here: http://smarturl.it/electiontime.
Roots and Tings comments, “‘Election Time’ speaks to the complex feelings Americans have about the upcoming election. The phony political promises, the broken, intrinsically racist, sexist, classist and, in this time, a lying administration that is increasingly, dangerously authoritarian. The need to resist and fight includes- but is not limited to- voting. This song explores that, as well as the “why” behind it.”
They continue, “But the song also speaks to the joy and hope that ‘Election Time’ can embody. The way it can be a time to celebrate as the will of the people is made manifest.
A time to party for the hope of a better tomorrow.
A time to choose.
A time to self-define.
A time to fight at the ballot box for equality that only even showed up because of protests and riots.
A time to dance
Election Time”
The Bay Area based Revolutionary Culture Music creators, Roots and Tings, is comprised of Quannum and Solesides co-founder, Grammy nominated MC, Lateef the Truth Speaker, acclaimed Bay Area DJ and producer Jah Yzer and the multi-talented musician and reggae artist Winstrong. Together they have created their unique sound fusing together elements of dancehall and hip-hop into a stunning reggae tapestry with a catchy groove with subversive lyricism hitting hard on their revolutionary culture music stylings!
Winstrong states, "Our mission described best as learning and transmitting knowledge to succeeding generations. Roots and Tings is a community of curious souls with a generous goal to engage with each other thru the stories told."
Roots and Tings debuted with their critically acclaimed album All of This, out now and available everywhere. The new album is stacked with standouts including the recently released video for 'Dominoes,' a catchy groove with powerful and provocative lyricism. They also have new music on the Bandcamp exclusive TALK - ACTION = ZERO VOL. 2 compilation benefiting Spread the Vote, an album emphasizing the importance of voting and empowering citizens to be heard at the polls, with the new video and track "We".
For the past year, the trio has been touring Roots & Tings, as well as, new music and fan favorites, including a memorable run with Blackalicious! Today during the time of COVID-19, Roots and Tings look forward to returning to the stage and performing. In the meantime, you can catch Jah Yazer on his regular Twitch show: The Wake And Bake Show. For more information, follow the group on socials and check out their new site: www.rootsandtingsofficial.com for exclusive merch, vinyl, t-shirts and more!
Save “Election Time”: http://smarturl.it/electiontime
Watch the new video for “Dominos” here: https://youtu.be/nTmPYUXv8fA
Watch the new video for “We” here: https://youtu.be/d9cixW53E2Q
The Expanders – the Los Angeles-based roots reggae powerhouse band – began this project earlier this past summer, before Toots Hibbert became sick with coronavirus (which eventually took his life in September). They had been asked to record cover versions of two of their favorite Toots & The Maytals classics for an impending month-long celebration of Hibbert’s life and career that was happening on Rootfire.net in September. Sadly, Hibbert’s illness and death came quickly, just as the band was finishing these songs. Now they are releasing these as a single, with plans to distribute any proceeds made from the release to Hibbert’s family. Two For Toots, as the release is being called, comes out October 23, via the band’s longtime label partner, Easy Star Records. Pre-order/save at moremusic.at/TwoForToots.
Being the celebrated iconoclasts they are, The Expanders dug deep in choosing the two songs. They would not be satisfied doing rote covers of some of Toots’ better known hits, and instead, went for much more obscure, but still extremely powerful, tracks. “True Love” was first released in the ‘60s before the band had broken internationally and were still just popular in Jamaica, while “Love Is Gonna Let Me Down” is best known for appearing on the American version of the band’s breakthrough album Funky Kingston in 1972. Even for some of Toots’ biggest fans, these songs may sound new. Regardless, in The Expanders’ expert hands, they come as revelations, digging deep into the soulful strains that made Toots Hibbert such a unique talent in the history of music. “Toots personifies the ‘soul’ of – and in – reggae music,” says the band’s drummer John Asher. “His music speaks to my soul and makes me dance the dance of life.”
The recordings feature the current line-up of the band: John Butcher (guitar/vocals), Chiquis Lozoya (guitar/vocals), John Asher (drums), Roy Fishell (organ, piano), and Evan Highs (bass), along with Chris Brennan, who helped with production and added backing vocals. The band has been working on a new album, their first full-length album of original material since 2015’s celebrated Hustling Culture. Since then, they released a second collection of covers of classic, lesser known Jamaican hits, Old Time Something Come Back Again Vol. 2, as well as a single collaborating with Slightly Stoopid, “Sweet And Slow,” in 2019. The new record will come out in 2021.
The Expanders may play vintage reggae, but they’re more than revivalists. They champion classic ‘70s and early ‘80s roots reggae, heavy on three part vocal harmonies and conscious songwriting. Butcher grew up listening to the record collection of famed reggae archivist Roger Steffens, and credits much of his love and knowledge to the accessibility and education of those experiences. While many of their contemporaries in the current U.S. reggae scene play music that is one or two steps removed from these original influences – often coming at reggae by way of Sublime, for example – The Expanders are distinct in that they draw inspiration directly from these foundational tracks and bands, and manage to replicate the sound while bringing their own current style and approach.
Two For Toots is further evidence that The Expanders are simply the best in their field at interpreting the deepest classic cuts in the genre. Their further music coming in 2021 will show how they can also manage to twist these inspirations into of-the-moment masterpieces. Soon come!
The Austin based funk and soul band Honey Made follows up their recent EP, Couple Few, with their debut studio full length album Brand New. For Honey Made, the new album is an ode to looking forward, finding that newness in life that can make it so interesting, from love, to a journey, to a new musical venture, Brand New takes on so many meanings. Today they kick off the new records with the release of the title track, out now and available everywhere you stream music.
Today’s release of the title track and lead single, “Brand New,” had many meanings. Willie, lyric writer and singer, recalls “It’s the story about when you meet that person who takes you out of that dark place that seemed inescapable and shines a new light into your life. The funny thing is that I wrote this song about my wife when we started dating.” It is also a follow up to the story of a jilted lover in the song off the previous EP, “Like a Fool.” Wille continues, “We met, my wife and I, after both going through similar situations that I talk about in “Like a Fool.” A few years later we were married and we surprised her by playing “Brand New” to her during my vows. Everyone was in tears.” The song is also a nod to the fact that the band is brand new with a new attitude and sound. The new album Brand New features ten original tracks and display a diverse musical range from soul, funk, reggae to jazz elements.
Honey Made is a nine piece band, and an Austin, TX staple. They have uniquely honed their sound on stage and on many tours, with various iterations of the band before coming upon the final sonic signature for Honey Made. Willie Barnes II, vocalist and songwriter, comments “We are breathing fresh air into the soul genre. A lot of soul bands are trying to recreate a specific old school sound so much that there is no originality or advancement in the genre. This is a soul record on steroids.”
Honey Made consists of Willie Barnes II, Vocals; Donald R Ford Jr., Vocals; Brian Cokeley, Keys; Lee Braverman, Bass; Chris Barnes, Drums and Vocals; Mark Saldana, Percussion; Dustin Hunter, Tenor Saxophone and Baritone Saxophone; Joseph Morrow, Trumpet and Flugelhorn; and Donald McDaniel, Trombone. Together, their throwback sound recalls the likeness of soul legends James Brown, Sly and the Family Stone, and Earth Wind and Fire and adds a modern take on slamming primal soul fused with their R&B roots. A great sound that drew the very talented Grammy Award winning producer Steve Berlin to the project.
Honey Made came together in 2018 honing their classic sound on stage both locally and nationally, and have shared the stage with the likes of George Clinton & the Parliament Funkadelic, Sierra Leone Refugee Allstars, The Motet, Lee Fields, Roxy Roca and Flow Tribe, to name a few. They have become known as one of the best live bands and party bands in Austin, TX, and in the age of COVID, they plan to get back on stage and in front of audiences as soon as they can. For now fans can catch their live stream record release party on Purple Bee-TV on November 6th. And in Austin, at the Far Out Lounge on November 19th.
Brand New is the debut studio album from Honey Made due out November 6th, 2020!
Tracklisting:
“Chicken Sweats”
“Band New”
“Steppin Out”
“Be True”
“Smoove”
“Can You Feel It”
“Canadian Mist”
“Like You”
“Southern Fried Funk”
“So Good”
Blakkamoore is excited to announce the release of his new album Upward Spiral Deluxe out today with Lustre Kings Productions, and available on all streaming platforms, plus as a limited edition double CD. The album is a reflection of Blakkamoore’s growth and development from a culmination of working with A-list musicians, producers, along with Blakkamoore’s endless creativity and drive, to create a truly unique sonic experience. Stream the new album here: https://lustrekings.ffm.to/upwardspiral-deluxe
The album release is accompanied by the music video for Break Science remix of “Get Down Tonight” ft. Snoop Dogg! Reflecting back Blakkamoore states, “‘Get Down Tonight’ is a real special offering from my fam, Adam Dietch and Borahm Lee. Together they make up the futuristic duo, Break Science. Dietch and I used to play together in NYC all the time. Moon and I actually wrote a song for one of their releases years ago so Moon reached out to Adam to return the favor, knowing what they are capable of. Both of those cats are world class musicians having played with Kanye West to John Scofield. They really delivered something super funky, retro and fresh, all at the same time. Could not be happier with the results.”
Adam Deitch adds, “When our longtime friend and collaborator, Blakkamore asked us to remix his tune with HipHop legend Snoop Dogg, we were extremely honored. This remix has a west coast feel to it that’s perfect for a sunny day drive or just kickin it with a fat blunt.” Watch new video here: https://youtu.be/NhV1mk9T9bA
Looking back on the new album, Upward Spiral Deluxe reflects Blakkamoore’s envisioned trajectory for his future musical generations, and found the inspiration in the book “The Rise and Fall of Great Power” by Paul Kennedy. It was an idea that he has built upon and developed over the years like the new album and it became the perfect title for the new release. It first manifested to Blakkamoore and producer Andrew Moon Bain while working with Snoop Dogg on his album Reincarnated (2013). Blakkamoore recalls, “we had been going back and forth to Jamaica and watched the “reggae revival” unfold and start dominating the airwaves. We had so many great ideas left over from the Snoop sessions + previous Lustre Kings sessions we decided to put Upward Spiral on hold and focus on this other collection of songs and develop a few more to release the album you all know as “Order of Distinction.”
Although the duo had worked together, Blakkamoore and Andrew Moon Bain finally began writing and producing while working with Diplo and in-between projects they co-wrote songs that are on Upward Spiral Deluxe album. The succinct writing partnership, baring the moniker PaperStars*, has created a new album stacked with standout and amazing collaborations and confirms Blakkamoore’s place in the frontline of the Reggae Revival and beyond. Punctuating the writing prowess of the co-writers Blakkamoore and Andrew Moon Bain, the song “Get Down Tonight” features Snoop Dogg, and also has two remixed versions including the released Break Science remix and a dubby reggaeton vibe remix by Olo (On Dub Ground) – both very different vibes that tie together the album nicely.
The album’s lead single, available exclusively on the Upward Spiral Deluxe edition is “Mek it Play.” It finds the indomitable Blakkamoore styling sweetly over a heavy steppers riddim produced by Zion I Kings. Harkening to a bass heavy UK dance in the 80's, Blakkamoore pleads with the DJ to "turn it up, make it louder" and let the music transform the dance into a serene place of joy and rhythm. The new single was accompanied with a music video that debuted with Brooklyn Vegan who said, “The song's reverb-coated, bass-heavy groove (produced by Moon Bain's group Zion I Kings) is totally hypnotic, and Blakkamoore's chilled-out delivery is perfect for it.”
Upward Spiral Deluxe was recorded at Rarely Beagle, Andrew Moon Bain’s production studio in Greenpoint, Brooklyn, NY. Laurent “Tippy I” Alfred (I Grade Dub / I Grade Records / Zion I Kings) mastered the release. Other notable collaborations include the wildly creative French lyrists and reggae artist Biga Ranx* who has a huge following in his home country France and soon to extend to the rest of the world, contributed to “Sky Scrappers.” Akae Beka (Vaughn Benjamin/ Midnite) collaborated on “Earth Cry”, and iMark a.k.a. Mark Walcott a young Guyanese producer added “Spotlight” on the forthcoming album. There are several amazing tracks produced by Zion I Kings that were recorded with live musicians and give the album it’s rich and textured vibe. Zion I Kings is comprised of Andrew Moon Bain, Laurent Tippy Alfred, “Jah David” Goldfine, Andrew “Drew Keys” Stoch and recently Romaine “Teflon Zincfence” Arnett.
Blakkamoore is a multi-talented and Grammy Nominated artist and producer with writing and producing credits with artists like Snoop Dogg, Diplo, Major Lazer, Wyclef Jean, DJ Premiere – to name a few. Originally from Guyana, Blakkamoore lived in Brooklyn where he found and fell in love with hip-hop culture during his defining years. He began to mix his musical influences by creating and producing new sounds from genre blending hip-hop with dancehall and reggae; and has created a sound that nicely fits into any fan of conscious and soulful music.
In the time of COVID-19, Blakkamoore is spending more time at home producing, writing, and collaborating on new material. Although his tours were canceled, he hopes to get back on stage to share the new album with fans. He reflects, “I hope things can resume quickly and safely, I would love to tour this album and songs. Creating and recording songs are a total joy, the next best thing is performing it for the wonderful fans we created it to inspire on a live show. I pray we get that chance."
Tracklisting:
Upward Spiral Deluxe Edition
1. “Play the Role” (Big Slap Riddim)
2. “The Code”
3. “Spotlight”
4. “Get Down Tonight” feat Snoop Dogg
5. “Change”
6. “Amazing Grace”
7. “Sky Scrappers feat Bigga Ranx”
8. “Underneath the Lights”
9. “Mash Down Georgetown”
10. “Golden Lights”
11. “Tomorrow Belongs to Us” feat Alandon
12. “Earth Cry” feat Akae Beka
13. “Red Ites”
14. “Body Talk”
15. “Take Time” (Perfect Storm Riddim)
16. “Take Time” (I Grade Dub)
17. “Mek it Play”
18. “Get Down Tonight” (Break Science Remix)
19. “Get Down Tonight” OGD Remix
20. “Golden Dub of Infinity”
The Billboard chart topping band, Roots of Creations have created their second and most exciting collaboration yet with Jamaican reggae sensation Mighty Mystic on the new single “Light It Up.”
In current times of political upheaval, global distress, and shifting astrological tides, “Light It Up” reminds us that sometimes an anthem is all we need to reconnect to the here-and-now. Although RoC is known for diverse dynamics and sounds ranging from dub to hard rock, here the band settles into a propulsive rhythm that doesn't break for the track's 4:20 run time. Leave it to Brett Wilson's chorus “Damn, it feels good to be alive” to ring like medicine for a 2020 blight. And with Mighty Mystic providing slinky verses like “Yeah it’s a party yo/ spliff and Bacardi yo/ kick like karate yo/ sweat like a cardio” we have something fun, triumphant, and true to Reggae roots. So far new song has received critical accolades with their debuted on SiriusXM’s The Joint, and heavy rotation on Cali Roots radio.
“Light it Up” showcases the band’s collaborative spirit and diverse sound that keeps Roots Of Creation at the top of the Reggae charts, bridging both Reggae and mainstream festivals. The song features Mighty Mystic, best known as one of the leaders in the modern reggae revival. As a Billboard chart topping musician, Mighty Mystic has worked with some of the industry’s biggest and most respected artists like Lutan Fyah and reggae icon Shaggy, and today with Roots of Creation.
According to Roots Of Creation, “when going into the studio for this record our vision was to combine a roots reggae sound with electronic elements and analog dub techniques. The vibe is spacey, yet still has a driving Riddim behind it. We wanted warmth with a bite and I think that’s exactly what we ended up with.” The new song features Andy “AG” Geib from Slightly Stoopid on trumpet, Billy Kottage (formerly of Reel Big Fish) on trombone, and Alex Brander of Big D & The Kids Table on percussion. It was produced by Andrew Riordan (Dub King Productions) and Brett Wilson (Bombshelter Records), and mixed and mastered by Pete “Boardz” Peloquin (Boardz House Productions).
Roots of Creation has earned two #1 Billboard Reggae chart debuts, two #1 Relix/Jambands.com chart debuts, as well as chart debuts at NACC and FMQB. The new single “Light It Up” kicks off a series of releases coming soon, plus an EP and new album. Each release will be accompanied with limited edition merch. Check out the “Light it Up” series here.
“Light it Up” is out now and available everywhere you stream music. Catch it here: https://fanlink.to/Light_It_Up
The new single from Gentleman’s Dub Club, “Castle In The Sky,” is an appropriate way to kick off a new album cycle, as it perfectly captures the overall sonic direction of the new work, while showing off how the band continues to grow musically with each new creation. Building from the vibes of their recent, soulful cover of Bill Withers’ "Use Me," as well as continuing the loose themes explored on 2019's Lost In Space album, "Castle in the Sky" rides an infectious rhythm accentuated with lush, multi-tracked violins, over which lead singer Johnny Scratchley urges his love to join him and "build a castle in the sky." Scratchley says, “Castle in the Sky is a dream-filled love story where fantasies are woven into reality. Breaking down the walls to find the truth that binds us all.” While that may be true, the interesting thing here is that Scratchley and the band make such a strong argument for pursuing this endeavor that you almost forget that the title phrase itself is an idiom about chasing foolish, impossible dreams. The band collaborated again with Ben McKone, drummer from General Roots (Hollie Cook's band) and a dear friend and studio partner, to write and record this. You can stream it at http://moremusic.at/CastleInTheSky.
“Castle In The Sky” already debuted on Rodigan’s weekly BBC1xtra show (and was played the next week as well, showing how much the legendary DJ likes the single). The new album will be dropping in 2021. More info on this soon.
Since their formation in early 2006, Gentleman's Dub Club have made a name for themselves as one of the most respected names in U.K. reggae and dub music. GDC have been on tour for nearly 14 years, and are festival favorites across the UK and Europe, finding themselves regularly playing to crowds of 10,000 or more. With 7 studio albums and numerous singles and remixes under their belts, GDC rarely stop working. Since the release of their last full-length, Lost In Space, in early 2019, the band put out three additional singles: the aforementioned Bill Withers cover (which featured vocals from Kiko Bun), an original tune sung by Bitty McLean, and an intensely dubby version of Groove Armada’s “Superstylin’.” In addition, they were active touring over the last two years – until 2020 lockdown, that is, though they have done a number of full band and dub sets as live casts during this period as well. In fact, they have one scheduled for November 27, which should feature the live debut of the new song.
True connoisseurs of blending influences, GDC continues their mission to discover the ultimate bassline and vibe. Meeting every unique end of the spectrum, Gentleman’s Dub Club always draws on their incredible ability to fuse sounds together until they feel like they’ve always belonged together. Look out for more singles coming from the new album as well as videos and livecasts leading into 2021.
Auckland singer-songwriter Sammy Johnson has announced the tracklisting and cover art for his first entirely reggae album Cool & Easy, set to release on January 22nd, 2021 via tastemaker label Mensch House Records. The first single, “Cool & Easy” is out now and available instantly with a pre-save or pre-order of the album (https://fanlink.to/sjcoolandeasyalbum). Listen to “Cool & Easy” single online at https://youtu.be/4qzSs_52kIw
"'Cool & Easy' is so many things," said Sammy Johnson. "It’s the rekindling of my love for reggae music, it's my first reggae full album and it is a true authentic expression of how reggae music has touched my life and blessed me with the opportunity to do what I love.”
Sammy continues, "I know the world is in such a fragile state right now. As easy as it would have been for me to reflect on that, I felt so strongly to consciously create something that would provide a place of refuge, peace, love and happiness. I’m so proud of this album and I pray that you receive it with all the love and good vibes it's wrapped up in."
While Johnson is known for his genre-bending skills, he pays tribute to reggae and his icons on "Cool & Easy", bringing his signature croon to catchy, timeless beats. A staple at reggae festivals, Sammy Johnson has performed at tastemaker events including One Love, Cali Roots and more both in the US and abroad. Produced by Grammy Winning producer J-Vibe, Cool & Easy is an authentic expression of how reggae music has affected Johnson’s music and life. In a year of uncertainties, Sammy Johnson focuses on giving fans a bright escape, setting an optimistic path for the beginning of 2021.
While the COVID-19 pandemic forced most musicians to slow down, Sammy Johnson has remained active releasing a series of new singles and acoustic tracks as offerings to fans during the lockdown. His previous single “Amazing” charted in three countries on iTunes, hitting #2 in New Zealand on the R&B charts and #20 on the overall charts, and #51 in Australia on R&B charts. Sammy Johnson was also honored at the Island Music Awards in 2020, winning the "Best Collaboration" award for his contribution to “Queen Majesty” alongside reggae superstars Common Kings and The Green.
Pre-order / Pre-save Cool & Easy single here: https://fanlink.to/sjcoolandeasy
Sammy Johnson's "Cool & Easy" tracklist is as follows:
1 - Come a Little Closer
2 - She's a Keeper
3 - It's Alright
4 - For Your Love
5 - I Don't Wanna Know
6 - If You Knew
7 - Could You Be
8 - Cool & Easy
9 - The Edge
10 - Cool & Easy feat. Eli-Mac
LAW Records and the Nowell Family Foundation are back with an expanded edition of the critically acclaimed, fan-favorite album The House That Bradley Built. More than 30 never-before-released acoustic covers have been added to the compilation to create The House That Bradley Built Deluxe Edition – an impressive album with over 50 covers from the catalog of Bradley Nowell’s band, Sublime, performed by 50+ bands. The Deluxe Edition will be available January 15 on all streaming platforms and as a three-disc CD set. Profits from the album will go to the Nowell Family Foundation to help build Bradley’s House, an opioid abuse treatment facility in Southern California named in honor of late Sublime front man Bradley James Nowell.
The first edition of The House That Bradley Built impressively topped the charts with a debut at the #1 spot for Reggae Albums, #12 for Alternative Albums and #20 for Rock Albums on the MRC Data charts, as well as #7 for Compilation Albums, #8 for Reggae Albums and #69 for Current Albums on the Billboard charts. Critical acclaim followed with OC Music News declaring, “The compilation is a work of love.” The San Diego Union-Tribune said, “While the album stands as a testament to the many professional and personal lives that Sublime touched, its potential to truly make a difference for other musicians who are struggling with addiction should prove to be its greatest achievement.” So far, the album has raised over $25,000 (and counting) for the Nowell Family Foundation’s rehab center.
“Bradley James Nowell died of a heroin overdose on May 25, 1996. It was a devastating loss for his family, friends and fans,” comments Jim “Papa” Nowell, Bradley’s father. “From this pain came a burning desire to help others who battle with opioid addiction to overcome the disease before it takes their lives. That’s why we started the Nowell Family Foundation,” he states.
The Nowell Family Foundation has a mission to build and sustain Bradley’s House, a 6-bed opioid abuse treatment facility for economically disadvantaged and struggling musicians, and to offer free services while musicians recover. Papa Nowell reflects, “The vision for Bradley’s House is to create a place of hope and healing for people in the music industry. A place where creativity can be an outlet for transformation. A place where passion can be a motivation for change. A place where music can be a source of strength.” For The House That Bradley Built Deluxe Edition, musicians donated their time and music to take a stand against opioid abuse and to help support those battling addiction.
A true celebration of the prolific songwriter’s life, the Deluxe Edition continues to highlight the Cali-reggae rock scene Bradley Nowell helped establish through his mainstream success. Bradley, along with his band Sublime, influenced a generation of musicians who continue to sonically blend mixtures of punk rock, ska and reggae. Some of these inspired artists featured on the compilation include Iration, Pepper, The Expendables, KBong (Stick Figure), Bumpin Uglies, Jason DeVore (Authority Zero), Tropidelic, The Elovaters, Passafire and more.
Reflecting back, Papa Nowell says, “Bradley’s music lives on in the hearts and minds of his fans and fellow musicians. Through the combined effort of everyone who has been touched by his music, Bradley’s House will happen. People will be transformed. Lives will be saved. And it will truly be the house that Bradley built. Thank you all for helping to keep my son’s music alive.”
In advance of the new album, LAW Records will release two singles every week leading up to the January 15 release date. The compilation will be available digitally on all streaming platforms and as a three-disc CD set. The first release of The House That Bradley Built is available as a 180 gram collector’s edition two-disc vinyl set. Pre-save and pre-order at https://orcd.co/TheHouseThatBradleyBuilt_DeluxeEdition.
Track Listing
Disc 1:
Iration – DJs
Pepper – Date Rape
KBong – Foolish Fool
Kash’d Out – Slow Ride
Joe Sambo – 5446/Ball and Chain
Passafire – Greatest Hits
Tropidelic – Smoke Two Joints
Kyle Smith – Romeo
Mike Pinto – Superstar Punani
Shane Hall – Under My Voodoo
Seranation – Ebin
Ethan Tucker – Stepping Razor
Mic Dangerously – Freeway Time in
LA County Jail
Cheers to Nothing – We’re Only Gonna Die
Falling Idols – Falling Idols
Tomorrows Bad Seeds – Get Out
Disc 2:
Naughty Don – Ruca
The Expendables – Wrong Way
Fortunate Youth – Jailhouse
The Elovaters – Get Ready
E.N Young – Pawn Shop
Fayuca – Caress Me Down
Roots of Creation – Roots of Creation
The Supervillains – What Happened
Jason DeVore of Authority Zero – April 29th, 1992
theLine – Ebin
Bad Cop / Bad Cop – All You Need
Buck-O-Nine – Burritos
Bumpin Uglies – Same in the End
Through The Roots – Real Situation
Save Ferris – Santeria
Bret Bollinger – Mary
Disc 3:
Common Kings – Garden Grove
Descendents – Hope
Long Beach Dub Allstars – Little District
Half Pint – Lovin’
Pepper – Work That We Do
Johnny Cosmic – 40 oz. to Freedom
Trevor Young of SOJA – Santeria
HIRIE – Saw Red
Mad Caddies – New Song
The Skints – Get Ready
Cydeways – Let’s Go Get Stoned
The Movement – Get Out
Leilani Wolfgramm – New Realization
Ballyhoo! – S.T.P.
O.A.R. – Badfish
Vana Liya – The Ballad of Johnny Butt
The Expanders – Scarlet Begonias
Jim Lindberg of Pennywise – Boss D.J.
RAS 1 – Right Back
Tunnel Vision – Pool Shark
Nice Mike – Don’t Push
Bert Susanka of The Ziggens – Big Salty Tears
Jim and Jake Nowell – Rivers of Babylon
About the Nowell Family Foundation
Inspired by late Sublime front man Bradley Nowell, the Nowell Family Foundation provides addiction recovery services to the music community through the combined strength of the industry and those who have been touched by the power of music.
The Nowell Family Foundation is raising funds to open Bradley’s House, a six-bed recovery facility that will provide treatment for people in the music industry with opiate addiction, regardless of their financial situation. The goal is to offer a top level of clinical care, including medical detox and the ability to treat the most acute cases, through nationwide partnerships.
The Nowell Family Foundation is a nonprofit 501(c)(3) public benefit corporation.
California Roots, the premier destination live music event, first started as a casual streetwear clothing company. Grown from the spirit of the clothing company, the California Roots Music and Arts Festival has become known as the live music event with premier local vendors, artists, curated music ranging from Reggae to HipHop to Rock, drawing tens of thousands of fans from all over the world to the iconic Monterey County Fair and Event Center in Monterey, CA and on their livestream channels.
This year due to the COVID-19 health and safety measures taken, the festival had a unique opportunity presented to pivot back to their roots. Something that the producers had always envisioned for the event and now had time to fully realize their vision by focusing on branding and merchandising beyond the typical festival merch. Leveraging their relationships with local vendors and artists California Roots launched California Roots Brand with new attention to a casual coast lifestyle inspired by the nature of the Monterey Bay and music heard at the event.
Adding to the new collection is the annual tradition of the California Roots festival t-shirt. Every year the festival tee is designed by the Monterey Bay local artist Shaun Logan and reflective of the events eclectic line-up and natural surroundings. This year’s design honors live music with a simple and stylish statement “Save Live Music” for both hooded sweatshirts and t-shirts. The graphic tee’s and hoodies are made from 100% cotton, breathable, comfortable and casual with the bold serif-type “Save Live Music” on the front.
Celebrating Monterey Bay’s most precious sights, California Roots has partnered with Slowtide to created stylish custom towels (beach/pool size), made from 100% cotton. The reversable beach/pool towels come in 2 designs taken from various concert posters for the California Roots Music and Arts Festival. Designs include the Monterey Bay Otters with jellyfish in a kelp forest on the reverse side, and the second is the iconic redwood forest and golden state poppies collage with psychedelic patterns on the reverse side.
The new tees, hoodies, and towels are only the start of what the new site California Roots Brand has to offer. New items include necklaces, bracelets, grinders, sticker packs, causal wear including jogger sweat pants, hoodies, tank-tops and more. For now as live-events are limited, fans can bring the Cali Roots vibe home. Catch the new line and more at www.californiarootsbrand.com.
About:
California Roots Music and Arts festival is the premiere destination event that takes place in breathtaking Monterey, California. It has been recognized for its ongoing commitment to creating an environmentally conscious event that benefits the surrounding community, educates and engages the attending fans, and provides a music festival model that is truly sustainable. In addition, the festival is celebrating their eclectic line up ranging from Reggae, Rock to Hip Hop, with “Cali Roots Radio” every Friday, Saturday and Sunday on Sirius XM’s The Joint Channel 42. Follow California Roots on social media to keep up with their ongoing special events and announcements.
Acclaimed reggae-rock group Roots of Creation is proud to release their acoustic version of the Grateful Dead’s “Standing on the Moon,” marking the song’s 30th anniversary. The accompanying music video features live liquid light artist Brain Davidson, giving the stripped down song a nod to its psychedelic roots.
The new single was released earlier this year in celebration of Jerry Garcia’s birthday week. Roots of Creation honored the rock legend by performing the new song at the inaugural critically acclaimed by Rolling Stone, live-streamed Dazed Between festival which saw 2.5 million viewers. Dazed Between Festival was a fundraiser for the Grateful Dead’s non-profit the Rex Foundation. “Standing on the Moon” debuted, along with a few other RoC songs, on the festival Spotify curated playlist. Reflecting back, Brett Wilson, founder, guitarist and lead vocalist for Roots of Creations states, “‘Standing on the Moon’ holds a special place in my heart. I always have to choke back tears when I perform it. If I close my eyes when I belt it out I always envision Jerry Garcia standing on the moon looking down at humanity and smiling. If you look closely at the album cover, you might find him doing just that.”
“Standing on the Moon” originally appeared on Roots of Creation’s 2018 Billboard charting album Grateful Dub: A Reggae-infused Tribute to The Grateful Dead. Brett recalls the following story, “Errol Brown (album co-producer and mixer) also recorded Bob Marley's classic ‘Redemption Song’ and took a similar approach to our song. As the story goes, since ‘Redemption Song’ wasn't working with the band, he and the team suggested to Bob to do it solo acoustic ... and history was made. He gave us the same advice for our song, however we ended up adding layer by layer in the album version at the halfway mark and that was the version that appears on Grateful Dub.”
For the 2020 acoustic release, Roots of Creation stripped down “Standing on the Moon,” removing all instruments except vocals and acoustic guitar giving a glimpse at an unedited live studio performance done in one take. Serendipitously Brett placed the iPhone on a music stand and press record, later using the footage for director and live liquid light artist Brian Davidson’s music video. Brian and Brett met virtually on instagram when COVID put touring to a halt and Brian would tune into RoC’s live streams. Inspired by their music Brian reached out for a collaboration leading to the new music video. Leveraging his art form made popular in during the 1960’s psychedelic light shows, the light show uses layers of colored mineral oil with alcohol that move over a projector lens to produce changing color patterns. This technique combined with an archive of animated Grateful Dub album artwork by Catt Gould, brought the new re-mixed acoustic version to life.
Brian Davidson says of his accompanying video, “This was a fun and personally meaningful project for me. My goal was to create a liquid lightscape that would connect not just with the subject but also the emotion and aesthetic of the song. Above all though I wanted to do justice to Brett's stunning vocal performance. You can hear how genuinely he connects with Hunter's words. You’ve got to have a certain soulfulness to pull off a Jerry ballad and Brett’s got that Jerry soul for sure. It was an honor to collaborate with him on a song so near and dear to my heart.”
Jon Philips, founder of Silverback Music, co-producer of Grateful Dub, friend and confidant of the band reflects, “Wilson's version is one of the best vocal performances of the song I have heard outside of the official Grateful Dead version. This particular cut, not found on the full length Roots of Creation Grateful Dub album, is a B-side worthy of recognition by any Deadhead or fan of acoustic music. Wilson reaches deep and delivers the ghost of Garcia and then some with exquisite guitar and vocal prowess, and now accompanied by a liquid light video that ties in a perfect psychedelic touch. ‘Standin’ on the Moon..... I'd rather be with you!’”
The video is available here: https://fanlink.to/SOTM_MUSIC_VIDEO on Vevo/Youtube, Tidal, AppleMusic & more. Additionally in celebration of the new song Roots of Creation is offering a free MP3 digital download of “Standing on the Moon” when you connect to Facebook and Youtube via the Fanlink. Grab a copy of Grateful Dub on vinyl or CD plus more RoC merch and music here: rootsofcreation.com/store.
LAW Records and the Nowell Family Foundation announce the newest releases off the upcoming compilation The House That Bradley Built Deluxe Edition. Today Iration dropped their gorgeous acoustic version for "D.J.'s” taking the classic song to new heights in full harmony. And Joe Sambo, the New Hampshire based reggae-rock musician, released his acoustic rendition of "5446/ Ball and Chain."
The newly released singles are on the expanded edition of the critically acclaimed, fan-favorite album The House That Bradley Built. More than 30 never-before-released acoustic covers have been added to the compilation to create The House That Bradley Built Deluxe Edition – an impressive album with over 50 covers from the catalog of Bradley Nowell’s band, Sublime, performed by 50+ bands. The Deluxe Edition will be available January 15 on all streaming platforms and as a three-disc CD set. Profits from the album will go to the Nowell Family Foundation to help build Bradley’s House, an opioid abuse treatment facility in Southern California named in honor of late Sublime front man Bradley James Nowell.
The first edition of The House That Bradley Built impressively topped the charts with a debut at the #1 spot for Reggae Albums, #12 for Alternative Albums and #20 for Rock Albums on the MRC Data charts, as well as #7 for Compilation Albums, #8 for Reggae Albums and #69 for Current Albums on the Billboard charts. Critical acclaim followed with OC Music News declaring, “The compilation is a work of love.” The San Diego Union-Tribune said, “While the album stands as a testament to the many professional and personal lives that Sublime touched, its potential to truly make a difference for other musicians who are struggling with addiction should prove to be its greatest achievement.” So far, the album has raised over $25,000 (and counting) for the Nowell Family Foundation’s rehab center.
“Bradley James Nowell died of a heroin overdose on May 25, 1996. It was a devastating loss for his family, friends and fans,” comments Jim “Papa” Nowell, Bradley’s father. “From this pain came a burning desire to help others who battle with opioid addiction to overcome the disease before it takes their lives. That’s why we started the Nowell Family Foundation,” he states.
The Nowell Family Foundation has a mission to build and sustain Bradley’s House, a 6-bed opioid abuse treatment facility for economically disadvantaged and struggling musicians, and to offer free services while musicians recover. Papa Nowell reflects, “The vision for Bradley’s House is to create a place of hope and healing for people in the music industry. A place where creativity can be an outlet for transformation. A place where passion can be a motivation for change. A place where music can be a source of strength.” For The House That Bradley Built Deluxe Edition, musicians donated their time and music to take a stand against opioid abuse and to help support those battling addiction.
A true celebration of the prolific songwriter’s life, the Deluxe Edition continues to highlight the Cali-reggae rock scene Bradley Nowell helped establish through his mainstream success. Bradley, along with his band Sublime, influenced a generation of musicians who continue to sonically blend mixtures of punk rock, ska and reggae. Some of these inspired artists featured on the compilation include Iration, Pepper, The Expendables, KBong (Stick Figure), Bumpin Uglies, Jason DeVore (Authority Zero), Tropidelic, The Elovaters, Passafire and more.
Reflecting back, Papa Nowell says, “Bradley’s music lives on in the hearts and minds of his fans and fellow musicians. Through the combined effort of everyone who has been touched by his music, Bradley’s House will happen. People will be transformed. Lives will be saved. And it will truly be the house that Bradley built. Thank you all for helping to keep my son’s music alive.”
In advance of the new album, LAW Records will release two singles every week leading up to the January 15 release date. The compilation will be available digitally on all streaming platforms and as a three-disc CD set. The first release of The House That Bradley Built is available as a 180 gram collector’s edition two-disc vinyl set. Pre-save and pre-order at https://orcd.co/TheHouseThatBradleyBuilt_DeluxeEdition.
Iration "DJs" - https://youtu.be/vZVa2HL6_2k
Joe Sambo "5446 / Ball and Chain" - https://youtu.be/211gN-Dbj_A
Track Listing
Disc 1:
Iration – DJs
Pepper – Date Rape
KBong – Foolish Fool
Kash’d Out – Slow Ride
Joe Sambo – 5446/Ball and Chain
Passafire – Greatest Hits
Tropidelic – Smoke Two Joints
Kyle Smith – Romeo
Mike Pinto – Superstar Punani
Shane Hall – Under My Voodoo
Seranation – Ebin
Ethan Tucker – Stepping Razor
Mic Dangerously – Freeway Time in
LA County Jail
Cheers to Nothing – We’re Only Gonna Die
Falling Idols – Falling Idols
Tomorrows Bad Seeds – Get Out
Disc 2:
Naughty Don – Ruca
The Expendables – Wrong Way
Fortunate Youth – Jailhouse
The Elovaters – Get Ready
E.N Young – Pawn Shop
Fayuca – Caress Me Down
Roots of Creation – Roots of Creation
The Supervillains – What Happened
Jason DeVore of Authority Zero – April 29th, 1992
theLine – Ebin
Bad Cop / Bad Cop – All You Need
Buck-O-Nine – Burritos
Bumpin Uglies – Same in the End
Through The Roots – Real Situation
Save Ferris – Santeria
Bret Bollinger – Mary
Disc 3:
Common Kings – Garden Grove
Descendents – Hope
Long Beach Dub Allstars – Little District
Half Pint – Lovin’
Pepper – Work That We Do
Johnny Cosmic – 40 oz. to Freedom
Trevor Young of SOJA – Santeria
HIRIE – Saw Red
Mad Caddies – New Song
The Skints – Get Ready
Cydeways – Let’s Go Get Stoned
The Movement – Get Out
Leilani Wolfgramm – New Realization
Ballyhoo! – S.T.P.
O.A.R. – Badfish
Vana Liya – The Ballad of Johnny Butt
The Expanders – Scarlet Begonias
Jim Lindberg of Pennywise – Boss D.J.
RAS 1 – Right Back
Tunnel Vision – Pool Shark
Nice Mike – Don’t Push
Bert Susanka of The Ziggens – Big Salty Tears
Jim and Jake Nowell – Rivers of Babylon
The psychedelic, Hip Hop and Reggae genre-bending duo Space Kamp release their new single “Sunrays No Shade” on December 18th. The new single is the first release since their critically acclaimed and fan favorite album Electric Lemonade.
The soulful warm song “Sunrays No Shade” was born during the summer months of COVID-19 between Space Kamp’s home base in Allentown, PA and producer Rob the Viking’s studio at The Chamber Studio, in Nanaimo, Victoria Island, BC. From production to recording, the new song was impressively arranged and produced virtually from the live instrumentation to vocals. “Rob the Viking produced the track, it’s just had the good vibe, and it was one of those songs that writes itself. Not being able to tour we knew we wanted to stay busy and consistent,” Space Kamp continues, “Now more than ever we feel like it’s crucial to look on the bright side of things, find the good in bad situations. That’s all we are really saying. There is a lot of negative going around, it’s hard not to get consumed by it. Sunrays No Shade is like our mind state, stay positive and don’t feed into that negative energy.” “Sunrays No Shade” debuted with Glide Magazine who commented, "the song feels like the kind of anthem you could jump along to with a smile on your face, and its positive message is one we could all use right now."
Continuing to spread good vibes along with the release of the single, Space Kamp has announced the Rebel Hippies Community card. Space Kamp comments, “We have made some lifelong friends over the years through music. We are blessed to have supporters that have become friends and family. Seeing the same familiar faces come to 2 or 3 shows in a row feels good when you’re away from home. We wanted to show love and gratitude for everyone that has come to a show with a Space Kamp or Rebel Hippies tattoo, artwork and even home cooked meals! This community means the world to us.” The Rebel Hippies Community card offers access to exclusive discounts, music and events curated by Space Kamp and like-minded bands. Check it here: https://www.spacekamp420.com/rebel-hippies
Space Kamp, comprised of Oskee and Adoo, first came together in 2017 with the goal to create whatever felt right and without limitations. Their music exploded onto the scene with their first single “Stoner Chic” which garnered critical accolades from Hightimes Magazine, endorsements from, Illadelph Glass, Beard Bros Pharms, Weedmaps and SRH Productions; and currently resides on 150 Spotify playlists (and counting.) Soon after, they hit the road with the release of “Terpene Station” their collaboration album with lyricist Spit Divo and producer, Juno awards winner, Rob the Viking (Swollen Members, XL the Band). Magic was made once again with Rob The Viking, on the critically acclaimed and fan favorite album Electric Lemonade. It topped the charts at #7 on the Google Music Reggae Album Charts, #15 on iTunes Reggae Album Charts, and #80 on Neilson’s Rap Charts!
Previously touring had been a way of life for Space Kamp and have embarked on three U.S. tours, two tours in Canada, all the while gaining a dedicated following of Rebel Hippies along the way. Now in the time of COVID-19, Space Kamp continues to bring their high energy and good vibes to outdoor venues, socially distant events, and livestreaming. Follow them on socials to keep up with their streaming and touring schedule!
The Autos are excited to announce their debut single “Trespass” ft. Elliot Martin (John Brown’s Body). The one of a kind release kicks off the debut of the 4 member production crew, The Autos, with a fresh and hopeful start to 2021. The new single is due out on January 1, 2021.
Joining The Autos on “Trespass” is their long time friend Elliot Martin of the legendary band John’s Brown Body. Reflecting back The Autos recalls, “This is a special single because it's our first release as a production team. And, around the same time as we were making plans to release the song, Ian the head of The Autos was also told he was in remission. Great vibes for us all around.”
The new single is an excellent debut of the production crew’s collaborative nature, showcasing their beautiful, organic compositions and arrangements. The Autos is comprised of Ian Gastl, Nick Wimer, Taylor Kaufman and Pancho Tranmer. Mixed by Ian Gastl, and mastered by Danny Kalb, the single was produced and recorded at The Autos’ headquarters Turbo Snail Studios in the mile high city, Denver, CO. Catch the new single today on Rootfire!
Embodying the collaboration culture of the 1970’s Jamaican production culture, The Autos are not a band so much but rather a production environment with live instrumentation. Creating music with intent and purpose, the production team focuses on sustainability and community. Living their ethos, The Autos donate a percentage of every release to a charity of their choice living by the idea that giving back strengthens the communities to which they love and belong. They also are dedicating new 2021 releases to the late Drew Keys of Haze St. Studios and Common Kings and Dan Sherill.
LAW Records and the Nowell Family Foundation announce the newest releases off the upcoming compilation The House That Bradley Built Deluxe Edition. On New Year's Day, Roots Musician E.N Young dropped his acoustic version of "Pawn Shop." And Naughty Don (Kaleo Wassman of Pepper) released an acoustic rendition of "Waiting for my Ruca."
The newly released singles are on the expanded edition of the critically acclaimed, fan-favorite album The House That Bradley Built. More than 30 never-before-released acoustic covers have been added to the compilation to create The House That Bradley Built Deluxe Edition – an impressive album with over 50 covers from the catalog of Bradley Nowell’s band, Sublime, performed by 50+ bands. The Deluxe Edition will be available January 15 on all streaming platforms and as a three-disc CD set. Profits from the album will go to the Nowell Family Foundation to help build Bradley’s House, an opioid abuse treatment facility in Southern California named in honor of late Sublime front man Bradley James Nowell.
The first edition of The House That Bradley Built impressively topped the charts with a debut at the #1 spot for Reggae Albums, #12 for Alternative Albums and #20 for Rock Albums on the MRC Data charts, as well as #7 for Compilation Albums, #8 for Reggae Albums and #69 for Current Albums on the Billboard charts. Critical acclaim followed with OC Music News declaring, “The compilation is a work of love.” The San Diego Union-Tribune said, “While the album stands as a testament to the many professional and personal lives that Sublime touched, its potential to truly make a difference for other musicians who are struggling with addiction should prove to be its greatest achievement.” So far, the album has raised over $25,000 (and counting) for the Nowell Family Foundation’s rehab center.
“Bradley James Nowell died of a heroin overdose on May 25, 1996. It was a devastating loss for his family, friends and fans,” comments Jim “Papa” Nowell, Bradley’s father. “From this pain came a burning desire to help others who battle with opioid addiction to overcome the disease before it takes their lives. That’s why we started the Nowell Family Foundation,” he states.
The Nowell Family Foundation has a mission to build and sustain Bradley’s House, a 6-bed opioid abuse treatment facility for economically disadvantaged and struggling musicians, and to offer free services while musicians recover. Papa Nowell reflects, “The vision for Bradley’s House is to create a place of hope and healing for people in the music industry. A place where creativity can be an outlet for transformation. A place where passion can be a motivation for change. A place where music can be a source of strength.” For The House That Bradley Built Deluxe Edition, musicians donated their time and music to take a stand against opioid abuse and to help support those battling addiction.
A true celebration of the prolific songwriter’s life, the Deluxe Edition continues to highlight the Cali-reggae rock scene Bradley Nowell helped establish through his mainstream success. Bradley, along with his band Sublime, influenced a generation of musicians who continue to sonically blend mixtures of punk rock, ska and reggae. Some of these inspired artists featured on the compilation include Iration, Pepper, The Expendables, KBong (Stick Figure), Bumpin Uglies, Jason DeVore (Authority Zero), Tropidelic, The Elovaters, Passafire and more.
Reflecting back, Papa Nowell says, “Bradley’s music lives on in the hearts and minds of his fans and fellow musicians. Through the combined effort of everyone who has been touched by his music, Bradley’s House will happen. People will be transformed. Lives will be saved. And it will truly be the house that Bradley built. Thank you all for helping to keep my son’s music alive.”
In advance of the new album, LAW Records will release two singles every week leading up to the January 15 release date. The compilation will be available digitally on all streaming platforms and as a three-disc CD set. The first release of The House That Bradley Built is available as a 180 gram collector’s edition two-disc vinyl set. Pre-save and pre-order at https://orcd.co/TheHouseThatBradleyBuilt_DeluxeEdition.
Auckland singer-songwriter Sammy Johnson has announced the tracklisting and cover art for his first entirely reggae album Cool & Easy, set to release on January 22nd, 2021 via tastemaker label Mensch House Records. The first single, “Cool & Easy” is out now and available instantly with a pre-save or pre-order of the album. Listen to “Cool & Easy” single online at https://youtu.be/4qzSs_52kIw
"'Cool & Easy' is so many things," said Sammy Johnson. "It’s the rekindling of my love for reggae music, it's my first reggae full album and it is a true authentic expression of how reggae music has touched my life and blessed me with the opportunity to do what I love.”
Sammy continues, "I know the world is in such a fragile state right now. As easy as it would have been for me to reflect on that, I felt so strongly to consciously create something that would provide a place of refuge, peace, love and happiness. I’m so proud of this album and I pray that you receive it with all the love and good vibes it's wrapped up in."
While Johnson is known for his genre-bending skills, he pays tribute to reggae and his icons on "Cool & Easy", bringing his signature croon to catchy, timeless beats. A staple at reggae festivals, Sammy Johnson has performed at tastemaker events including One Love, Cali Roots and more both in the US and abroad. Produced by Grammy Winning producer J-Vibe, Cool & Easy is an authentic expression of how reggae music has affected Johnson’s music and life. In a year of uncertainties, Sammy Johnson focuses on giving fans a bright escape, setting an optimistic path for the beginning of 2021.
While the COVID-19 pandemic forced most musicians to slow down, Sammy Johnson has remained active releasing a series of new singles and acoustic tracks as offerings to fans during the lockdown. His previous single “Amazing” charted in three countries on iTunes, hitting #2 in New Zealand on the R&B charts and #20 on the overall charts, and #51 in Australia on R&B charts. Sammy Johnson was also honored at the Island Music Awards in 2020, winning the "Best Collaboration" award for his contribution to “Queen Majesty” alongside reggae superstars Common Kings and The Green.
Pre-order / Pre-save Cool & Easy single here: https://fanlink.to/sjcoolandeasy
Sammy Johnson's "Cool & Easy" track list is as follows:
1 - Come a Little Closer
2 - She's a Keeper
3 - It's Alright
4 - For Your Love
5 - I Don't Wanna Know
6 - If You Knew
7 - Could You Be
8 - Cool & Easy
9 - The Edge
10 - Cool & Easy feat. Eli-Mac
Acclaimed reggae-rock group Roots of Creation kicks off 2021 with new music! Dropping today is Roots of Creation cover of Sublime’s song “Roots of Creation” from the various artist compilation The House That Bradley Built Deluxe Edition. An impressive album that debuts today on the iTunes' Reggae chart at #1 and #19 for all genres. The new record has over 50 covers from the catalog of Bradley Nowell’s band, Sublime, performed by 50+ bands. Profits from the album will go to the Nowell Family Foundation to help build Bradley's House, a free of charge opioid abuse treatment facility for musicians in Southern California.
On the new single, the band is joined by long-time collaborator Jamaican reggae sensation Mighty Mystic who states, “From the moment I got in the studio with ROC it was clear that we were about to have tons of fun collaborating. Brett from RoC and I had a blast dissecting Bradley’s lyrics and flow. I felt honored to bring my interpretation and modern spin to the song.”
Roots Of Creation’s Brett Wilson explains, “when my friend Jon Phillips (Silverback Management) came to us with the opportunity to work on this charity tribute to Bradley we were honored! We have done a ton of work with the foundation to spread awareness and raise funds. Our band got our name from Bradley’s song around the year 2000. The first time I heard “Roots of Creation” I knew it was the perfect name for the band I wanted to create. Covering the song "Roots of Creation" was one of the most challenging studio experiences I've had. To attempt to recreate what seems like an intense freestyle demo over minimalistic instrumentation with no real breaks really pushed the boundaries of my vocal abilities to the point that even after two decades of celebrating and covering Bradley's music I had a newfound respect for his craft, which is a lot to say for my main vocal inspiration.” You can catch Roots of Creation this Friday, January 15th at 9:30 PM on Facebook Live performing a Sublime set with 50% of their tips going to the Nowell Family Foundation. Pre-order the new album here:
The always collaborative group regularly livestreams on Facebook live, IG TV, Twitch, and YouTube and over the past year, the band has made appearances at live-streamed festivals including California Roots, Dazed Between Festival and many more. Taking the road warriors virtual for most of 2020, Roots of Creation landed on the Pollstar’s Top 100 Livestreamers Chart for 2020 impressively at number 33!
And on January 29th, Roots of Creation is excited to announce their new Deluxe Single for “Light It Up” Ft. Mighty Mystic! In current times of political upheaval, global distress, and shifting astrological tides, “Light It Up” reminds us that sometimes an anthem is all we need to reconnect to the here-and-now. Although RoC is known for diverse dynamics and sounds ranging from dub to hard rock, here the band settles into a propulsive rhythm that doesn't break for the track's 4:20 run time. Leave it to Brett Wilson's chorus “Damn, it feels good to be alive” to ring like medicine for a 2020 blight. And with Mighty Mystic providing slinky verses like “Yeah it’s a party yo/ spliff and Bacardi yo/ kick like karate yo/ sweat like a cardio” we have something fun, triumphant, and true to Reggae roots. Pre-order the new release here:
Roots of Creation has earned two #1 Billboard Reggae chart debuts, two #1 Relix/Jambands.com chart debuts, as well as chart debuts at NACC and FMQB with their last two albums Grateful Dub, a reggae-infused tribute to the Grateful Dead, and Livin Free. The new Deluxe single “Light It Up” kicks off a series of releases coming soon in advance of their new album. Each release will be accompanied by limited-edition merch. Check out the “Light it Up” series here.
The California Roots Music & Arts Festival announced today that they are moving their 2021 event to May 2022, due to the ongoing public health and safety concerns surrounding the COVID-19 pandemic. The premier reggae, roots, and hip hop festival is also exapanding to four days, officially kicking off on Thursday, May 26, 2022. The additional day features Dirty Heads headlining alongside Fortunate Youth, Alborosie, and more. The stellar four day lineup includes Cali Roots favorites Rebelution, Atmosphere, Chronixx, and Damian Marley returning with debut performances from Sean Paul, Ice Cube and Sublime With Rome. Artist lineup and day by day breakdown is listed below with more artists to be announced. Tickets go on sale on January 25, 2021.
Dan Sheehan, Co-Producer states, “The past year has been very challenging, giving many of us more time to reflect on what’s important. The Cali Roots community is amazing, supportive, and made clear on how much this festival means to them. That is why we are commited to returning in 2022 for the strongest Cali Roots to date, including an additional day of music.” He adds, “To everyone that has stuck by us, bought our merch, or sent positive messages our way, we thank you from the bottom of our hearts. We are dedicated to producing another unforgettable event and are counting the days until we are together again.”
All 2021 tickets will be honored for Cali Roots 2022. Ticketholders that have questions or concerns can contact [email protected] for more details.
Thursday Lineup
Dirty Heads
Fortunate Youth
Alborosie
Tropidelic
DENM
Eli-Mac
Friday Lineup
Rebelution
Atmosphere
Chronixx
Pepper
J Boog
Trevor Hall
Tarrus Riley
The Movement
Satsang
Saturday Lineup
Headliner TBD
Sean Paul
Tribal Seeds
The Green
Collie Buddz
The Expanders
Iya Terra
Sunday Lineup
Damian Marley
Ice Cube
Sublime With Rome
Common Kings
Hirie
Natiruts
Mike Love
Keznamdi
Through The Roots
FESTIVAL DETAILS
California Roots Music and Arts Festival 2022
New Dates: Thursday, May 26, 2022 – Sunday, May 29, 2022
Time: 10:00 am – 11:00 pm PDT
Venue: Monterey County Fair and Event Center
Address: 2004 Fairground Road, Monterey, CA 93940
Admission: Varies
Age restrictions: All Ages
After finding themselves Lost In Space in early 2019, Gentleman’s Dub Club are continuing their voyage through some of the freshest sunshine sounds, and now is the time to unveil a new chapter. November 2020’s release of single “Castle In The Sky” started paving the way for things to come, and on January 29, they’re bringing us back Down To Earth with a brand new album announcement and new single “Honey,” which features the incredible Hollie Cook. Pre-order the album at https://moremusic.at/DownToEarth.
Exploring the diverse and expressive world of reggae over the last few years with their ‘Pound For Pound’ collaboration with The Nextmen, plus their cover of Bill Withers’ “Use Me” featuring Kiko Bun and their mission through time, space and bass in album #7, the Gents are now combining organic reggae roots with their own fresh approach to song-writing and new heights of production. Continuing their strong partnership with the mighty Easy Star Records and having a helping hand from Gardna and Hollie Cook is only ever going to have one outcome, and they would like to invite every single one of you to join them.
David Rodigan championed “Castle In The Sky” and debuted it on his BBC 1xtra show, and now it’s time for the next instalment. With a smooth-as-you-like bass groove, effortlessly flowing breakbeat rhythms, synth stabs and the inimitable partnering of Johnny Scratchley’s and Hollie Cook’s vocal harmonies, “Honey” hits the sweet spot from the get-go and it’s no surprise that Steve Lamacq has already given it a spin. Impossible not to bob your head to and oozing with the unmistakable GDC feel, this is the way to kickstart 2021. On their new album, the Gents added:
“The writing of Down To Earth coincided with a time not only of international existential crisis, but also of our own personal realization that the future for live music – the main platform and ultimately life force of GDC - was up in the air. We decided that Down To Earth should be a snapshot of that point in time, where everyone was able (for better or worse) to reflect on their role in the world around them and consider the past, present and future inside the vacuum of lockdown. While it’s a deeply personal album, the themes and sentiments on the album are universal, and point towards a future that values love and understanding over conflict and hate.”
March 19 sees the release of the full album, 10 tracks of inexplicably smooth dub, reggae, ska, jazz and electronica. Down To Earth is a seriously impressive journey through different eras of the genres that they hold dear. No stone is left unturned as the origins of dub are revisited, reinvented and reinstated in this production masterclass.
Armed with 7 studio albums and multiple single releases, Gentleman’s Dub Club haven’t taken their foot off the gas since starting out in 2006. Their relentless touring and onslaught of music has resulted in them playing to tens of thousands of people at a time. Without a doubt festival favorites, their explosive live shows are a gnarly experience of controlled chaos that have taken them from headlining tours to supporting reggae giants UB40 across UK arenas. They’re supported by some of the biggest names in the business including David Rodigan, Don Letts and Steve Lamacq too, and often receive mainstream radio support. There’s a reason why every show receives a sell-out performance, and why they’ve played such a huge part in the modern reggae revolution, it’s because they love what they do to the moon and back Down To Earth – who wants to get involved?
Tracklisting:
Castle In The Sky
Down To Earth
Honey (feat. Hollie Cook)
Sunshine Revolution
Moonlight Dreams
Night Shift (feat. Gardna)
More Than Memories
Sugar Rush
Smile
Last Chance
The critically acclaimed, fan-favorite album The House That Bradley Built Deluxe Edition, out now on LAW Records and in conjunction with Nowell Family Foundation has topped the Nielsen and Billboard Charts. The new album has impressively debuted on Billboard’s Compilation Album Chart at #8, and on the Nielsen charts at #1 Current Reggae Album, #29 Current Alternative Albums, #33 Record Label Independent Current Albums, #35 Current Rock Albums, #50 Current Digital Albums, #75 Current Digital Albums, and #109 Top Current Albums.
The expanded edition of The House That Bradley Built adds more than 30 never-before-released acoustic covers to create The House That Bradley Built Deluxe Edition – an impressive album with over 50 covers from the catalog of Bradley Nowell’s band, Sublime, performed by 50+ bands. The Deluxe Edition is out now and on all streaming platforms and as a three-disc CD set. Profits from the album are going to the Nowell Family Foundation to help build Bradley’s House, an opioid abuse treatment facility in Southern California named in honor of late Sublime front man Bradley James Nowell.
Critical acclaim has followed both albums with coverage appearing in Relix, SPIN, Brooklyn Vegan, and OC Music News who hailed, “The compilation is a work of love.” The San Diego Union-Tribune commented, “While the album stands as a testament to the many professional and personal lives that Sublime touched, its potential to truly make a difference for other musicians who are struggling with addiction should prove to be its greatest achievement.” So far, the two albums have raised over $25,000 (and counting) for the Nowell Family Foundation’s rehab center.
The Nowell Family Foundation has a mission to build and sustain Bradley’s House, a 6-bed opioid abuse treatment facility for economically disadvantaged and struggling musicians, and to offer free services while musicians recover. Papa Nowell reflects, “The vision for Bradley’s House is to create a place of hope and healing for people in the music industry. A place where creativity can be an outlet for transformation. A place where passion can be a motivation for change. A place where music can be a source of strength.” For The House That Bradley Built Deluxe Edition, musicians donated their time and music to take a stand against opioid abuse and to help support those battling addiction.
Reflecting back, Papa Nowell says, “Bradley’s music lives on in the hearts and minds of his fans and fellow musicians. Through the combined effort of everyone who has been touched by his music, Bradley’s House will happen. People will be transformed. Lives will be saved. And it will truly be the house that Bradley built. Thank you all for helping to keep my son’s music alive.”
The compilation is available digitally on all streaming platforms and as a three-disc CD set. The first release of The House That Bradley Built is available as a 180 gram collector’s edition two-disc vinyl set. Order at https://orcd.co/TheHouseThatBradleyBuilt_DeluxeEdition.
On February 2 at 12 Noon EST NPR Tiny Desk Celebrates Black History Month series kicks off with the YouTube premiere of the Jazz at Lincoln Center Orchestra Septet with Wynton Marsalis’ live performance of movements from The Democracy! Suite. The live performance was filmed for NPR Tiny Desk at Jazz at Lincoln Center's Dizzy's Club.
Wynton Marsalis’ The Democracy! Suite is the follow-up to the Pulitzer Prize-winning composer’s provocative work, The Ever Fonky Lowdown, which was released in 2020. Featuring a hand-picked lineup consisting of members of the Jazz at Lincoln Center Orchestra, The Democracy! Suite is available globally as a digital album on Blue Engine Records.
Composed by Marsalis during the ongoing Covid-19 crisis as a response to the political, social, and economic struggles facing our nation, The Democracy! Suite is a swinging and stimulating instrumental rumination on both the issues that have recently dominated our lives, as well as the beauty that could emerge from a collective effort to create a better future.
The Democracy Suite! selects performed:
1. Sloganize, Patronize, Realize, Revolutionize (Black Lives Matters)
Solos: Walter Blanding (tenor saxophone), Carlos Henriquez (bass), Obed Calvaire (drums), Ted Nash (alto saxophone), Wynton Marsalis (trumpet), Elliot Mason (trombone)
2. Deeper than Dreams
Solos: Wynton Marsalis (trumpet), Ted Nash (alto saxophone), Walter Blanding (tenor saxophone), Elliot Mason (trombone), Dan Nimmer (piano)
3. That Dance We Do (That You Love Too)
Solos: Walter Blanding (soprano saxophone), Elliot Mason (trombone), Ted Nash (alto saxophone), Dan Nimmer (piano), Carlos Henriquez (bass), Obed Calvaire (drums), Wynton Marsalis (trumpet)
PERSONNEL:
THE JAZZ AT LINCOLN CENTER ORCHESTRA SEPTET WITH WYNTON MARSALIS
Wynton Marsalis - trumpet
Ted Nash - alto saxophone
Walter Blanding - tenor saxophone
Elliot Mason - trombone
Dan Nimmer - piano
Carlos Henriquez - bass
Obed Calvaire - drums
Filmed at Jazz at Lincoln Center's Dizzy's Club
In 1977, on the eve of independence of the Republic of Djibouti, a small country on the Red Sea in East Africa, a densely packed archive was pieced together in a quiet corner of the national radio. Over the years, it became a premier but largely unknown African archive housing thousands of master reels and cassettes of the finest East African sounds.
It has endured fires and theft of invaluable recordings. Those scars linger on the delicate films of quarter-inch reels and cassette tapes. It remains one of the most expansive, well-maintained archives in Africa – but also one of the most restrictive. For decades, the archive remained off-limits to foreign entities of any kind.
In 2019, after negotiations spanning many years, Ostinato Records became the first label granted access to the grand Archives of Radiodiffusion-Télévision de Djibouti (RTD), a vault of secrets and stories—from East Africa, Somalia, Ethiopia, and of course Djibouti itself.
The story of epic Somali supergroup 4 Mars, authors of one of the most popular songs on our Grammy-nominated Sweet As Broken Dates compilation, is the first chapter in our “Djibouti Archives” series because their rich globalized sound reveals a brand new history of the world.
For centuries, all roads led to this corner of Africa, not Rome. As the major transit point connecting Africa, Asia, and the Mediterranean, goods, ideas, peoples, and culture were briskly exchanged. Egyptian, Turkish, Arab, Persian, Indian, and Chinese traders and tastemakers dropped anchor in Djibouti’s Gulf of Tadjoura, each arrival deliciously peppering a deeply layered sound.
Egyptian and Yemeni rhythms. Sudanese music structures. The synth melodies? Turkish-inspired. The signature off-beat licks of reggae? Depending on who you ask, they came from Jamaica’s greatest export or are simply identical to the Somali Dhaanto rhythm. The horns are courtesy of master saxophonist Mohamed Abdi Alto, first featured on our contemporary studio album, “The Dancing Devils of Djibouti” by Groupe RTD. 4 Mars was his first gig. Alto was a distant but diligent apprentice of Harlem’s jazz era. Both the flute traditions and the instrument itself were imported from China and Mongolia. The vocals? Somali singers infatuated with Bollywood.
Today, a third of world trade again passes through Djibouti’s straits and a similar mix of characters roam the streets and docks. A South African diplomat pointed to Djibouti on a map and told us, “This is the future.”
4 Mars offers a bright window into its past, when an African country was building itself from scratch. Their name—Quatre Mars in French—translates as the 4th of March (1977), the founding date of The People’s Rally for Progress, the political party in charge of Djibouti since independence. 4 Mars was the party’s band.
Young countries need unity. Djibouti’s leaders saw music, and 4 Mars especially, as the ideal soundtrack to an independent era. Almost all music was brought under the state’s wing. But this is not propaganda music. In the context of a new country, think about what “propaganda” means. You have a divided society. You need to build a national identity and instill values. Look at the track titles: Power. Compassion. Motherland. Gratitude. Hello, Peace! These are not just songs, but the nurturing of a country performed by world-class musicians.
An off-limits archive aside, 4 Mars is unknown outside the region because of its 40-member Olympic-style entourage, staffed by actors, singers, dancers, musicians, and percussionists. Only wealthy leaders like Libya’s Muammar Gaddafi brought them on tour.
At home, the once-lavish national theater, dilapidated and out of commission for years, was the center stage of 4 Mars’ legendary live shows. A new 800-seat theater built by China and training in analog music technology at Chinese universities for the young archivists at RTD offer opportunities for a revival.
Ostinato operates on the guiding principle that no physical historic recordings should leave a country and agreements with archives should be a win-win trade, not aid. Part of the deal for archival access and licensing rights included a finely refurbished Technics reel-to-reel player from the ‘70s with upgraded software to replace a worn-out model for RTD to continue their digital preservation of the entire archive in high-quality.
Compiled from master tapes and reels, all recordings were done in RTD’s studios and during live performances at the national theater between 1977 and 1994. Authorized by both RTD and The Palace of the People, which founded and oversees 4 Mars, this seminal anthology of a Goliath of a Somali group is a perspective-shifting journey through ancient trade routes and the currents of history that gave this small but grand Red Sea hub a signature music style that in every sense reveals a truer story of our world. Listen to Djibouti’s past so you can keep an eye on its promising future.
The Los Sundowns is a breezy record of Psychedelic Soul conceptualized by Beto Martinez (Grammy-winning Guitarist/Producer-Grupo Fantasma, Brownout, Money Chicha) and Daniel Villarreal (Drummer and DJ, Dos Santos). Written, Recorded and Produced by Martinez at his studio, Lechehouse Music, and featuring a host of friends across the 6 tracks, the reverb-laden platter conjures the sound of Latin American balladeers and crooners of the 60s, updating the vibe and transporting the listener to a beachside hang from sunup to sundown. The duo have just released their new video "Los Angeles," encapsulating the vibe of the record and the spirit behind it. It features the haunting background vocals of Fermin Sanchez of CDMX based band The Guadaloops, and transports the listener to a quiet beach at sunset with equal parts blissful relaxation and introspective melancholy.
The Los Sundowns began as a concept between longtime collaborators Beto Martinez & Daniel Villarreal. Beto explains, “We discussed this idea and concept for about a year, before I finally found myself with some significant time off at the end of 2019 after heavy summer touring. I had set in motion a general plan to initiate multiple collaborations with musicians I knew and make 2020 a year of releases for me outside of my main bands. I began to demo some songs and send the ideas to Daniel and we set a date in January for him to fly down from Chicago and begin tracking these songs.” Luckily the duo was able to get the foundation laid through their initial January session in Buda, TX at Beto’s Lechehouse Music studio, before COVID-19 changed the course of the year. These sessions evolved with overdubs and final arrangements before they tapped into their talented pool of friends.
Alex Chavez, lead singer of Dos Santos contributes to the first single “Al Final de La Tarde.” “Al Final de La Tarde” is a classic, yearning ballad, awash in reverb and sorrowful lament. It suggests the range of emotion that can be teased up while watching a beautiful sunset, from content satisfaction giving way to a lover’s remorse of what is and what could be. “Al Final de La Tarde” was written by Chilean Crooner Buddy Richard and interpreted by Los Angeles Negros, whose version The Los Sundowns adapted. Alex Chavez lends lead vocals and perfectly captures the emotion of the song.
“Darksides” was the second song written for the record. It implies a more sinister turn from the rest of the record. Driving guitars and heavy drums drive an emotional change and tides shift to more aggressive attitudes as slightly darker vibes emerge from the shadows. “Quiereme” is a classic, soulful low-rider ballad. Vocalist and drummer Alex Marrero (Brownout) sings of yearning to be loved and to have his lover by his side alongside bass from Greg Gonzalez (Grupo Fantasma, Brownout, Money Chicha). The style and instrumentation suggest an uncomplicated nostalgia, old-school Chicano Soul. The band closes the record with “Se Cae El Sol.” The final track is built on a driving and emotive bass line. The Farfisa Organ, played by Peter Stopschinski (Brownout), lends an almost classical flair to the cinematic and reverb-drenched guitar, which climbs from a haunting melody to a climactic staccato solo.
For 20 years Beto Martinez has written and released music in the context of bands Grupo Fantasma, Brownout, and Money Chicha. Each have their unique voice and his songwriting has filtered through those collectives. Martinez concludes, “With this release, I hope to reveal another side, to showcase my myriad influences and also present a more concise depiction of my songwriting as direct from the source, unadulterated and without the inevitable filter of the larger band dynamic, or the considerations of the live environment. The project was developed conceptually with Daniel Villarreal, who initially suggested exploring the vibes and sounds of the Latin Psychedelic Soul we both have a strong affinity for. His initial suggestions led me to write these songs and ultimately, his drumming tied the record together.”
The self-titled debut EP is out on vinyl and digitally on February 12th on Martinez's new record label, Lechehouse Music, in partnership with Fat Beats Distribution. Pre-order the record at https://www.fatbeats.com/products/the-los-sundowns-the-los-sundowns-ep.
Roots of Creation is excited to release their newest single “Arabia” ft. Mihali! The new single is the first release from their upcoming album Dub Free or Die Vol #1 due out this April 30th!
The new song features a unique team-up with Roots of Creation and Mihali, Twiddle-famed bandleader, to share lead on RoC's first instrumental original in many years. “Arabia” was originally conceived for Roots of Creation’s 2006 album Rise Up and has found its way to completion through a solid instrumental arrangement. The new song was created by packing the studio with guest musicians, including a horn section filled out by acclaimed trumpeter Andy “AG” Geib from Slightly Stoopid, longtime collaborator Billy Kottage on Trombone, alongside Roots of Creation’s own Andrew Riordan on Saxophone. The highlight is guitar solos performed by Brett Wilson and Mihali, taking turns from Brett slowly building the melody to Mihali speed picking, and finally to scorching layers. With all of those musicians diving into a simple-yet-energetic melody, the song harkens back to the style of Jamaican reggae guitarist Ernest Ranglin.
Brett recalls, “‘Arabia’ is a song that I’ve been working on for over a decade… we usually put 1-2 instrumental pieces on each studio or live album. This is finally a chance to showcase this signature style we have developed over time at the forefront. I always wanted “Arabia” to emulate Jamaican Treasure - Ernest Ranglin with some good ol’ hard rock’n’roll blended in.” Mihali continues, “When I first heard the song it reminded me of Ernest Ranglin, who is and has been my favorite guitar player since I was 13 and felt like a great fit from the start! ‘Arabia’ combines two of my favorite styles of music, Reggae and Instrumental music."
Brett adds, “My longtime friend Mihali (from Twiddle) is one of my favorite guitarists in the scene. We've always bonded over a love of all thing’s Jamaican music. You may know him from his incredible group of Jambanding brothers, Twiddle...selling out theatres and constantly innovating. However, don’t sleep on his incredible solo material whether its live solo multi-instrumentalist looping or a more singer-songwriter skank studio-focused style. I knew through our mutual adoration of Ernest, jamming and Reggae/Rock that he would be able to crush a guitar solo that took you on a journey through time and space.” He continues, “It’s the 802 meets the 603! I added guitar army layers at the end to bring the listener to a peak before the riffs kick back in. I’m super stoked for everyone to hear this epic collab and join us for a ton of new music coming out in 2021 and beyond!”
“Arabia” kicks off the announcement of our new album due out this April. Reflecting back, Brett says, “the upcoming record Dub Free or Die vol #1 is all about focusing on our instrumental songwriting. It was created for our diehard fans who travel to multiple shows a year, listen to bootlegs, pay attention to set lists and always score the latest merch drops. We are extremely blessed to have our tribe of ‘RoC family’ members to be there to support us through these crazy uncertain times and let us experiment, create and have a blast. These compositions tend to lend themselves to progressive rock, improvisation, songscapes, rapid genre switches, and Dub Reggae EFX.”
Roots of Creation has earned two #1 Billboard Reggae chart debuts, two #1 Relix/Jambands.com chart debuts, along with charting at NACC and FMQB. Their most recent song on the various artists compilation The House That Bradley Built reached #8 on Billboard Compilation Charts and hit the Nielsen charts at #1 Current Reggae Album! Roots of Creation regularly livestreams on Facebook live, IG TV, Twitch, and You Tube and over the past year the band has made appearances at live streamed festivals including California Roots, Dazed Between Festival, and many more, landing Roots of Creation on Pollstar’s Top 100 Livestreamers Chart for 2020 at an impressive number 33! Check out their livestream and tour date schedule below and catch the new single here: https://fanlink.to/RoC_Arabia_ft_Mihali.
Livestream and Upcoming Tour Dates:
February 20th @ 1 pm PT/ 4 pm ET on Rootfire & Law Records Youtube channels [Livestream]
March 4 - Portsmouth, NH - The Goat - Facebook event page
March 6 - Hampton Beach, NH - Wally’s - Facebook event page
March 13 - Portsmouth, NH - The Goat - Facebook event page
April 1 - Portsmouth, NH - The Goat - Facebook event page
July 2 - Hampton Beach, NH - Hampton Beach Casino Ballroom - Tickets
August 28 - Pittsburgh, PA - Rock, Reggae and Relief 2021 @ Market Square and Forbes Avenue - Tickets
Multi-talented Reggae and R&B band Jus Goodie is excited to announce their new album due out this Fall! The first single from the album will be “Light On The Runway,” due out March 19th on their own imprint and produced by Dan Grossman of Loud City.
The San Diego based band, Jus Goodie, is led by band leaders Jus Goodie and Zan. Together with their band, they combine the elements of modern and vintage reggae, rock, Motown soul, and classic R&B to form music rooted in messages of liberation and love. The band is known for their production concepts, performance skills that hypnotize, powerful silky-smooth vocals and harmonies, and diversity of sounds and lyricism. Having honed their sound on the road, Jus Goodie has headline tours throughout the US and has graced the stage alongside iconic acts including Luciano, Gregory Isaacs, Morgan Heritage, Anthony B, Damian Marley, Matisyahu, and Tribal Seeds to name a few.
The new album is a collection of songs that feature the bands current artistic vibe. Jus Goodie comments, “We’re really out to express an authentic version of ourselves through music.” They continue, “We exceeded our own expectation of the Jus Goodie sound, crafting and pushing each new song to limits unforeseen.”
The album announcement comes out on the heels of a series of recently released songs including “Changes.” The released music features longtime friend, collaborator and co-producer Eric Hirschhorn of Rebelution and has become a fan favorite! Along the way it has garnered critical accolades from iHeartRadio and Top Shelf Music who perfectly captures the song by commenting, “Jus Goodie outlines optimism in “Changes”, a concept conspicuously missing in the current state of affairs.”
Jus Goodie captivates and uplifts, and will have you humming their tunes long after you see the show or listen to an album. Jus Goodie plans to release the first album single later this March with their 4th studio album, due out in September.
Watch the video for “Changes” here: https://www.youtube.com/watch?v=VglPD0agWRc
Indubious, the unique Oregon-based reggae trio who topped the Billboard Reggae Chart with their last full-length in 2019, returns with the launch of a pre-order for their new album, The Bridge, and a new single featuring the legendary Capleton. The Bridge – the band’s first record for tastemaker label Easy Star Records – comes out April 9, and features an all-star cast of collaborators. “The Throne” was just released and follows the initial single, “Neva Bow,” featuring Zion I, which came out last November. Pre-order/pre-save the album now at http://moremusic.at/TheBridge.
Skip Burton (bass/vocals) explains how the new single came together in such a special way: “We had a track we had built that had such a powerful energy - Evan (keyboards/vocals) got in the vocal booth, and belted out the hook for the song, and we knew almost immediately who we were feeling for the featured guest.” He adds, “Capleton is literally one of our very favorite artists from the time of being very young, so it was an absolute honor that he loved the track so much. His contribution was so inspired and clear, it took the track to new heights. Truly a master of his craft and a great source of inspiration. The way this track came together with a life of its own was such a beautiful thing.”
“The Throne,” along with “Neva Bow,” can be gotten as instant downloads with any pre-order of The Bridge, while Indubious has cooked up exclusive merch for the physical pre-order, including a 6’ x 6’ tapestry with album cover art, signed posters, die-cut metal pins, and shirts. The vinyl version of the record is made with colored vinyl featuring a heavy splatter pattern of green and black.
Evton and Skip, brothers and bandmates (along with drummer Matty T. Wells), have cultivated a dedicated fan base, affectionately called Indubians, with their impressive instrumental skill, powerful harmonies, and an electrifying stage presence. In addition to their memorable live shows, which have put them on numerous U.S. festival stages, as well as on tour with The Movement, Stephen Marley, and others, Indubious are no strangers to chart success. Their 2019 album Beleaf debuted at #1 on the Billboard Reggae Chart and #2 on the iTunes Reggae Chart, which marked a new high for the band building on the previous success of their2017 album From Zero, which debuted at #6 on the Billboard Reggae Chart and #8 on the iTunes Reggae Charts. With The Bridge, Indubious is poised for a big breakout year.
The band will follow up “The Throne” with another single, “Ease and Flow,” featuring Mike Love, and accompanied by a stunning music video, which shows that there is no slowing down. Evton and Skip hope their album The Bridge reminds people “That in times of world upheaval, that the source of all life, LOVE, is ever present and that all of us are so needed. Time for us all to know our worth, our power, and our care for one another.”
Roots of Creation is excited to release the new music video for “Light It Up!” The single first debuted late 2020 and is the first of many singles coming out from the upcoming album “Dub Free or Die Vol 1,” due out this Spring.
“Light it Up” showcases the band’s collaborative spirit and diverse sound that keeps Roots Of Creation at the top of the Reggae charts, bridging both Reggae and mainstream festivals. The song features Mighty Mystic, best known as one of the leaders in the modern reggae revival. As a Billboard chart topping musician, Mighty Mystic has worked with some of the industry’s biggest and most respected artists like Lutan Fyah and reggae icon Shaggy, and today with Roots of Creation.
Reflecting back on the song and video Tal Pearson, Roots of Creation Keyboardist, says,“Light it Up is a song meant to celebrate cannabis culture and cannabis itself! It’s supposed to be an upbeat party song that makes you want to spark one up with your friends or at a show with other people (when it’s safe again!) and hopefully people are feelin’ that! I look forward to when we can play this live and feel the vibe with the audience.”
Brett Wilson, RoC’s vocals and guitar, adds, “The chorus came from my friend Paul (aka Granite Lion Entertainment) and I were smoking a joint together after a long tour and freestyin to a beat, trying to channel my inner Nate Dogg. It amazes me how it all came together. Our team crushed the music, Mystic killed two verses and the visuals are on fire thanks to Jeff Pliskin from Raised Fist Propaganda. Pliskin, was able to capture my vision and make it come to life at Harry Browns Farm which is a legendary cannabis freedom fighters music venue and cannabis farm.”
The new music video brings the 2020 party anthem to life with belly and fire dancers, and lots of historical weed. Film at Harry Brown’s Farm home to the first cannabis liberation festival, the new video not only celebrates life but also pays homage to history. “Always forward, never straight! The War Against Some Drugs has seen many veterans, battles won and lost, and victories on the cannabis front. Up on The Hill in Starks Maine we have been on the front lines, supporting efforts to expand legal access since 1991. First with medical marijuana in the State in 1998, expanding access in 2009, and finally recreational in 2016. Popular referendums and people across the state voting, not legislators in Augusta won those victories. There is still a long way to go to protect the medical program, expand recreational access, support growers, and expunge records of all drug war veterans.
Roots of Creation has graced our stage during periods of prohibition and celebration of our right to Light It Up on The Hill. When the opportunity to have Mighty Mystic and Roots of Creation shoot a video during 2020, a year when people could not come to shows, we knew it was the right thing to do. Firebenders, artists, dancers, the community came together to help in any way they could. While we wait to welcome back to The Hill all those who call it home, we hope that Hillcats everywhere know our burning desire to gather in celebration and love again,” comments Jodi Stebbins festival publicist and operations director.
The new song features Andy “AG” Geib from Slightly Stoopid on trumpet, Billy Kottage (formerly of Reel Big Fish) on trombone, and Alex Brander of Big D & The Kids Table on percussion. It was produced by Andrew Riordan (Dub King Productions) and Brett Wilson (Bombshelter Records), and mixed and mastered by Pete “Boardz” Peloquin (Boardz House Productions). The video was directed by Jeff Pliskin of Raised Fist Propaganda and features belly dancers from the Barefoot Truth Dance Company and fire dancers Jodi Joy Stebbins, Dillybear 420, & BusBoy (Tremblaze Entertainment).
Indubious, the unique Oregon-based reggae trio who topped the Billboard Reggae Chart with their last full-length in 2019, returns with its third single, “Ease and Flow,” from their new album The Bridge (out April 9), and the band’s first album on Easy Star Records. The song’s fun and playful video, which recently premiered at Parade, follows Indubious and Hawaiian reggae singer-songwriter Mike Love road tripping through scenic and frozen Okanogan County, WA. The video was directed by Tim Cash of Far From Earth Films. Pre-order/pre-save the album now at http://moremusic.at/TheBridge.
“’Ease and Flow’ is an invitation to enter the realm of effortless emotional invulnerability,” explains Evton Burton (keyboards/vocals). “That tasty place in life where you don't have to try too hard and you don't have to worry at all, because of your deep inner knowing that it is all going to unfold perfectly. It is this place where we let our guard down, get out of our minds, and tune ourselves to the place where we are one with the divine flow of existence. Look at all we've been through to get where we are now. Did it all work out just fine? Yes. Will it continue to get better and better? Absolutely. We invite and encourage you join us in this ease and flow.”
“Ease and Flow” and “The Throne,” along with “Neva Bow,” are available as instant downloads with any pre-order of The Bridge, while Indubious has cooked up exclusive merch for the physical pre-order, including a 6’ x 6’ tapestry with album cover art, signed posters, die-cut metal pins, and shirts. The vinyl version of the record is made with colored vinyl featuring a heavy splatter pattern of green and black.
Evton and Skip, brothers and bandmates (along with drummer Matty T. Wells), have cultivated a dedicated fan base, affectionately called Indubians, with their impressive instrumental skill, powerful harmonies, and an electrifying stage presence. In addition to their memorable live shows, which have put them on numerous U.S. festival stages, as well as on tour with The Movement, Stephen Marley, and others, Indubious are no strangers to chart success. Their 2019 album Beleaf debuted at #1 on the Billboard Reggae Chart and #2 on the iTunes Reggae Chart, which marked a new high for the band building on the previous success of their2017 album From Zero, which debuted at #6 on the Billboard Reggae Chart and #8 on the iTunes Reggae Charts. With The Bridge, Indubious is poised for a big breakout year.
San Diego based band Jus Goodie is excited to announce their new song “Better Left Unsaid.” Delivering thought provoking lyrics with an infectious groove, Jus Goodie presents a cool fresh sound with a powerful message. “Better Left Unsaid” with Bobby Hustle is out now and available everywhere! Listen to the new single here.
Reflecting back on the new song, JUS GOODIE’s comments, “It is a song about the importance of being tenacious, and showing that actions speak much louder than words. The title “Better Left Unsaid” delivers the overall message of this song in three short words, while encouraging the idea that some things are simply “Better Left Unsaid.”” The new song is a fusion of vibrant reggae sounds mixed in with a little Jazz for a laid back flavor. Packed with pointed lyricism that inspires reservation over exaggeration Jus Goodie sings Don’t tell me bout how great you are and what you can do if what you say is true just show me the proof // Even when you don’t wanna // just put a smile on your face…
The new song came about after a writing session with Bubby Hustle. They recall, “This song was created in a very cool and original way, much different than our typical approach. The lyrics were written for this song and passed over to Eric Hirschhorn as an A cappella. Eric crafted the amazing arrangements underneath lyrics and melodies that were already formed.”
With the lyrics in hand Eric Hirschhorn (Rebelution) composed and arranged the song. He also added in his brassy touches to pull together the truly unique song. Other notable musicians include Zeb Dekofsky (Tribal Seeds) on Drums and Dauven Ducusin on Guitar. The new song was tracked at various locations including Tribal Studios and Rockaway Studios, andit was Mixed and Mastered by Nic Chaffee of Woodshed Music.
“Better Left Unsaid” is the newest single from JUS GOODIE and will be on the highly anticipated album due out this Fall. Delivering fully on their ethos to reach people through music, the new song delivers sonically, and presents positive change while it captivates the listener with uplifting lyricism, and catchy rhythms.
The San Diego based band, Jus Goodie, is led by band leaders Jus Goodie and Zan. Together with their band, they combine the elements of modern and vintage reggae, rock, Motown soul, and classic R&B to form music rooted in messages of liberation and love. The band is known for their production concepts,performance skills that hypnotize, powerful silky smooth vocals and harmonies, and diversity of sounds and lyricism. Having honed their sound on the road, Jus Goodie has headline tours throughout the US and has graced the stage alongside iconic acts including Luciano, Gregory Isaacs, Morgan Heritage, Anthony B, Damian Marley, Matisyahu, and Tribal Seeds to name a few.
Jus Goodie plans to release their 4th studio album September 2021. In the meantime, catch the new song here: https://ps.onerpm.com/6712492044 and watch here: https://youtu.be/2VUEmzI6XjU
And check out their socially distant and COVID cautious tour dates here: https://www.jusgoodiemusic.com/tour.
Tour Dates:
April 16 Hit & Run Spring Tour Arcata, CA
April 17 Hit & Run Spring Tour Yuba City, CA
Austin’s fast rising multilingual folk fusion group, Ley Line, release their new single “En Busca del Agua” today on all digital platforms including Spotify, Apple Music, and more. The single was previously released as a Bandcamp exclusive with the proceeds going to support the Austin Youth River Watch, and with so much positive feedback from fans that love and resonate with the song, Ley Line decided to release it officially during the week of Earth Day.
Ley Line is hot on the heels of performing virtually at SXSW Online 2021 where they were just featured as a top SXSW pick from Bob Boilen who called the band “a super talented group” on NPR’s All Things Considered. NPR Music also included them as a SXSW pick on All Songs Considered too.
For Ley Line, water conservation has always been an important issue dating back to their 2019 breakout single and ode to fresh water, “Oxum.” Along with the release of “Oxum,” Ley Line worked with local organizations including Save Our Springs Alliance and Colorado River Alliance to call activism and awareness around protected and healthy fresh water.
“En Busca del Agua” was inspired by an invitation to collaborate on the soundtrack for Fé de Francisca; a film dedicated to a 107 year old spiritual leader in Chapada dos Guimarães, Brazil. The band explains, “We were asked to write a song about our own connection to healing and living in integrity with the land. Our inspiration is inextricably linked to the waters that connect us across the world.” “En Busca del Agua” is Spanish for “In search of water.” The mantra-like lyrics were written by Emilie Basez as a meditation on days when she would go to Barton Springs in Austin to collect drinking water. The lyrics and melody serve as a reminder of how precious this life-sustaining resource is. Emilie adds, “It’s easy to take it for granted when we turn the sink on and water flows, but here in Texas we all had a very eye-opening experience back in February when winter storms cut off water supply to millions of us across the state.”
Oddly enough, Ley Line had recorded this song just one day before the storm hit and as if by premonition the words “let’s go search for water” seemed all too appropriate. After the worst of the weather was over, the band pitched in volunteering to help provide water and resources to Austinites in need.
Madeleine Fronceck describes the magic of what makes the new single so special, “This is our first single entirely in Spanish, it’s also the fastest we’ve ever written, recorded and produced a track and the first time we’ve done almost the entirety of the production by ourselves! We spent such a long time working on We Saw Blue and really slaved over every detail and it really tells a story of our evolution over these last three years, but I think we all wanted the next thing we released to feel easy and of the moment. It has the element of a mantra that much of our work does and of course the close harmonies that are central to the Ley Line sound, but there’s a more electronic feel to it with the synth that makes it feel very current and new to us.”
The band concludes, “The theme of water and the connection to Brazil is central to the album We Saw Blue and accompanying visual album premiering on May 14th. This single carries on those same components. It is about how we are all connected by the waterways that connect the planet and by this humbling human experience. We hope the song offers you that feeling of connection and that you will tune in for the premier of the visual album so we can dive deeper into this exploration of our human connection.”
Tickets to Ley Line’s live streaming event (5/14) for their visual album launch can be found here https://leylinesound.bandcamp.com/merch/visual-album-premiere.
The east coast based psychedelic reggae hip-hop duo Space Kamp is excited to announce their new single “Waiting for Summer” out now! Catch the new song here: https://www.spacekamp420.com/tunes
The east coasters, dreaming of warmer days, wrote the new song in the dead of winter. Featuring Space Kamp’s upbeat positive outlook both lyrically and sonically Space Kamp notes, “We wanted to release a song that gives everybody that summer feel a little early!” They continue, “We all tend to just feel better and stay on a higher vibration in the summer, being in the North East winter can get pretty grim. In some ways we are all Waiting for Summer.. We try to stay on that vibe all year round.” Set to be this season’s jam “Waiting for Summer” sweeps the listener away into summer bliss as Adoo sings, “Summer forever //Palm trees all day //sunrays no shade //Lemonade homemade //Highway unpaved //Renegades, eyes glazed...”
For the new song, Space Kamp worked virtually with B.C. based, Juno award winning producer Rob the Viking. Due to COVID-19 travel restrictions Space Kamp was unable to travel to Canada to lay down the song with their friend and long time producer. Vocals were recorded at Marsten House in Philadelphia with engineer Ethan Mintz and sent to Rob the Viking who arranged and composed song using live instrumentation at The Chamber studios. Space Kamp comments, “Rob is really dialed in to our sound and where to take us sonically, the studio musicians he is bringing in are amazing and are really helping us create something honest and timeless.”
Known for looking at the brighter side and reflecting back at 2020 Space Kamp comments, “Outside of personal struggles we all have had over the last year, the downtime has actually really helped us as a group. Not being able to tour has been rough but we have been able to really dial-in and get more creative. We have also grown tighter as friends.”
The new song will be on the upcoming album Butterfly Effect (BE). Taking their time to pull together the album, Space Kamp will be releasing new material regularly with tour dates coming together. Kicking off this Spring, Space Kamp is due to hit the stage at PennCanna Fest on April 17th and 18th at the stony hour of 4:20!
Catch the new song here: https://www.spacekamp420.com/tunes
And PennCanna fest here: http://www.penncannafest.com
Jah Sun & The Rising Tide are proud to announce “Rock Paper Scissors,” the first single from their upcoming album Running Through Walls, due out this Summer. The single drops May 14, 2021 and will be accompanied by a vibrant video filmed on location in Goa, India. The band will be on tour starting in May to showcase music from the upcoming release. Full tour dates below.
“Rock Paper Scissors” is a song about the games we play when we’re in love. Everyone can relate to the confusion when we fall for someone. The song is about the ups and downs of love. Like love, it has an intoxicating vibe that oddly makes you feel good even though you might be hurting. Jah Sun elaborates, “The song title and lyrics throughout are a fun play on words to what would otherwise be a sad love story. We’ve all had someone play with our heart - and it especially hurts when we’ve fallen for them. Rock Paper Scissors is that song, but with our positive, feel good spin on it.” He adds, “It takes the pain of love and turns it into a playful song with clever lyrics. The music takes the mind off the pain and lets it heal as the body grooves to the music. It’s special because it will help people get past heartbreak and who knows - find someone new to vibe with!” The single was produced with producer/multi-instrumentalist Jallanzo "Dub MatriXx,” who collaborated to spread the message of positivity and love through uplifting sounds.
The single has a strong connection to Goa, India, where Jah Sun performed in early 2020. It was recorded at AMT Studios and the music video filmed on location in Goa India by Seen Productions.
The Rising Tide features lead vocalist/singer songwriter Jah Sun, Tony Thompson on guitar, Lexington Mainard on keys, Beau "Arrow" Sheppard on bass/harmonies, Nick "Kirbz" Kirby on drums/harmonies, and producer/multi-instrumentalist Omar “Jallanzo” Johnson.
Combined, these musicians form Jah Sun and The Rising Tide. Through their music, these artists are spreading waves of positivity, love, and respect in the hopes of awaking in their audience a desire to live to their ultimate potential. Look out for another single dropping June 25th before the full album release and don’t miss the opportunity to catch them at a city near you. Watch the tour teaser here.
Jah Sun & The Rising Tide will be releasing their album through their new record deal with AMT Entertainment and also signed for booking and management with Hip Joint Creative.
At AMT Entertainment our goal is to discover talent and foster creativity for independent musicians and artists both nationally and internationally. Located in the beautiful Rogue Valley of Southern Oregon, our team and facilities create the perfect environment for musicians and artists to feel inspired and experience the “magic” that all artists long to create.
TOUR DATES:
5.21 Cottage Grove, OR Coast Fork Brewing
5.22 Grants Pass, OR Sound Lounge
5.27 Bend, OR River’s Place
5.28 Beaverton, OR The Garages Satellite Pub
5.30 Virginia City, NV Red Dog Saloon
6.4 Salt Lake City, UT Liquid Joe’s
6.5 Twin Falls, IF Koto Brewing Company
6.9 & 6.10 Albuquerque, NM Eclipse
6.11 Pueblo, CO Brues Alehouse
6.12 Phoenix, AZ Last Exit
6.16 Colorado Springs, CO Black Sheep
6.17 Denver, CO Mile High Station
6.18 Cheyenne, WY Concerts On The Green
6.19 Grand Junction, CO Warehouse 2565
6.20 Aztec, NM Tico Time River Resort
6.22 Denver, CO Your Mom’s House
6.23 Austin, TX Empire Control Room
6.25 Fort Worth, TX Ridglea Theater
6.26 San Antonio, TX Reggae Bar
During the time of a massive pandemic, global warming awareness, and rampant school shootings comes an album with a glimmer of hope. Elektric Voodoo presents their newest album Telescope due out August 20th. The new album is an eclectic mix of driving rhythmic textures and influences that create modern global soundscapes set against thought provoking lyricism. The new album will be released digitally, available everywhere you stream music, and on vinyl.
Elektric Voodoo is comprised of an all-star ensemble with songwriter, guitarist and band leader Scott Tournet, Matt Bozzone (drums/percussion, vocals), Ty Kiernan (congas, timbales, percussion), Travis Klein (tenor sax, keyboards, guitar, percussion, vocals), Brad Nash (baritone sax, keyboards, percussion, vocals), and Luke Henning (bass, vocals, percussion). Each player is immersed in a particular discipline; jazz, classical, Latin, indie, reggae, world, New Orleans music and other global influences. Building upon this, they have created a rhythmic foundation that requires human beings interacting, not technology and mechanics to fuse perfectly into what Tournet refers to as an “imperfectly perfect human band.” Elektric Voodoo has created a true analog sound hailed by Relix as, “intriguing, enticing and engaging all at the same time— evidence of Elektric Voodoo’s ability to cast a hypnotic spell.”
Created and crafted with intent, Telescope is a concept album that presents a conscious shift from internal to external, and intended to be listened straight through. Telescope is 9-songs deep that tunes-in the listener to the main character who goes through a journey of self-reflection, evaluation of mortality, confrontation of death and eventually dawns a new perspective. Written over the course of six months, Scott Tournet reflects, “The first 6 songs were initially inspired by my own issues with addiction, anxiety, and depression as well as a search for meaning. That being said, they were also inspired by other people who I know who were struggling with the same issues.” He continues, “One day I was hitting a wall and I took a break and started watching a show called “One Strange Rock.” The first episode told the stories of 5 or 6 different astronauts and the “overview effect syndrome”. Overview effect syndrome can happen when an astronaut looks back at Earth and is blown away by seeing our planet from up above. This had a profound effect on me and the concept of rising up above one’s self and seeing the world from a fresh perspective with more clarity and a wider view inspired me creatively and personally.”
Tournet continues, “The record is about being jolted into seeing the world from a fresh perspective. It’s also about how you can be doing endless self-analysis but that often the thing you’re looking for lies outside of yourself.”
The new album compels the listener’s attention all the way through with many standouts to be released as singles including, “Wake Up” set to be released on May 21st. The track sets the stage with afrobeat guitars, blissed out synths, heavy percussion and presents a song about addiction and realizing one needs to reach out for help. Tournet comments, “It’s a pop song craft and production dealing with a heavy topic, yet an ultimately optimistic message. At first the refrain ‘can’t let go’ is referring to their addiction but by the last chorus ‘can’t let go’ is referring to this new, healthier path that they have found. Funky verses, soaring choruses, and a bridge that sounds like Quentin Tarantino made a movie somewhere in the Middle East.”
Another advance single and music video will be the title track, “Telescope.” The title track hits at the heart of the story, and it jolts the main character into a fresh perspective as heard in the lyrics” I’ve been peering through a Telescope…looking at the world up close…but never opening up both eyes.” Scott says, “these lyrics from the title track summarize the plight of the main character through the first half of the record. On top of a heavy afrobeat groove, this song stacks analog keyboards and delayed guitars that drift along with a song that could work in a stripped down singer-songwriter setting. An amalgamation of genres and elements that are disparate but blend in a natural way.”
The new album closes out with “Children Are The Revolution” in which the narrator focuses on the next generation and through the searching and spiritual questioning concludes, “Love shines through it all.” Tournet recalls, “I was inspired by how the children from Stoneman Douglas High School responded by taking political action after the “Parkland school shooting.” It’s further inspired by Greta Thunberg and thousands of other kids who are trying to make the world a better place.”
The band rehearsed the new album for three months 3-4 hours a night. They worked and re- worked new rhythms, wrote horn lines, rearranged parts, sped up and slowed down tempos.
Scott comments, “Our percussionists like to get creative in utilizing unique sounds. In addition to a smorgasbord of percussion, they recorded a jawbone and a turtle shell. In addition to analog synths, rare organs, vintage drums, guitars, and amps, there was Baritone Sax, Tenor Sax, Flute, Bass Clarinet. Beyond that, the majority of the songs were written on a Wurlitzer Electric Piano that used to be in Waylon Jenning’s band.”
Reflecting back Scott says, “We kind of took a reverse technological approach. I started by writing to a rhythm that inspires me. Next, I jumped on Waylon’s Wurlitzer and found some chords that seemed to fit. I’d hum some sounds that felt rhythmically fitting and would come up with a section of a song. I’d play the songs for the guys and they would pick out the ones they liked the best.”
They recorded at Studio West in San Diego as it can accommodate the large band with added musicians in the live room to capture the excitement of a real “performance”. Tournet comments, “This is the most collaborative record we have made to date. It is also the first time we’ve recorded as a full band. The first record I recorded the instruments one at a time. The second record, we recorded bass, drums, guitar, and percussion first and then added horns, vocals and keyboards later. Since we had been touring, rehearsing, and playing together so much we really wanted to capture the energy and the spirit of the band, together in a room, performing the songs. Sonically, it’s a couple levels up than anything we’ve done.” Collin Dupuis (Dan Auerbach of The Black Keys, Dr. John), a Grammy award winning engineer, mixed the new record at his Easy Eye Studio in Nashville, TN. Dave Cooley (Tame Impala, J Dilla, Spoon, Animal Collective, Dr. Dog) mastered the record.
Elektric Voodoo first came together in 2016 around the time Tournet left the band he had built up for 12 years with Grace Potter and Nocturnals. Together they took a leap of faith to create something new. Tournet says, “We share in common creative vision and a true bond has been formed through many many hours together…on the road, in the rehearsal room, on endless phone calls during this crazy year of the pandemic. I think it can’t be stressed enough that we’ve really done this thing the old fashioned way and all of that heart is in the music. The music is pure in that way.”
He concludes, “Whatever The Voice or American Idol is, we are the opposite of that.”
Tracklisting
• “Chasing Ghosts”
• “In The Dark”
• “Telescope”
• “Cross That Line”
• “Wake Up”
• “The Curtain”
• “People of The Earth”
• “Water”
• “Children Are the Revolution”
Jah Sun & The Rising Tide are proud to announce “Rock Paper Scissors,” the first single from their upcoming album Running Through Walls, due out this Summer. The single is out now and is accompanied by a vibrant video filmed on location in Goa, India. The band will be on tour starting in May to showcase music from the upcoming release. Full tour dates below.
“Rock Paper Scissors” is a song about the games we play when we’re in love. Everyone can relate to the confusion when we fall for someone. The song is about the ups and downs of love. Like love, it has an intoxicating vibe that oddly makes you feel good even though you might be hurting. Jah Sun elaborates, “The song title and lyrics throughout are a fun play on words to what would otherwise be a sad love story. We’ve all had someone play with our heart - and it especially hurts when we’ve fallen for them. Rock Paper Scissors is that song, but with our positive, feel good spin on it.” He adds, “It takes the pain of love and turns it into a playful song with clever lyrics. The music takes the mind off the pain and lets it heal as the body grooves to the music. It’s special because it will help people get past heartbreak and who knows - find someone new to vibe with!” The single was produced with producer/multi-instrumentalist Jallanzo "Dub MatriXx,” who collaborated to spread the message of positivity and love through uplifting sounds.
The single has a strong connection to Goa, India, where Jah Sun performed in early 2020. It was recorded at AMT Studios and the music video filmed on location in Goa India by Seen Productions and features the actress Elyseah Shaikh.
The Rising Tide features lead vocalist/singer songwriter Jah Sun, Tony Thompson on guitar, Lexington Mainard on keys, Beau "Arrow" Sheppard on bass/harmonies, Nick "Kirbz" Kirby on drums/harmonies, and producer/multi-instrumentalist Omar “Jallanzo” Johnson.
Combined, these musicians form Jah Sun and The Rising Tide. Through their music, these artists are spreading waves of positivity, love, and respect in the hopes of awaking in their audience a desire to live to their ultimate potential. Look out for another single dropping June 25th before the full album release and don’t miss the opportunity to catch them at a city near you. Watch the tour teaser here.
Jah Sun & The Rising Tide will be releasing their album through their new record deal with AMT Entertainment and also signed for booking and management with Hip Joint Creative.
At AMT Entertainment our goal is to discover talent and foster creativity for independent musicians and artists both nationally and internationally. Located in the beautiful Rogue Valley of Southern Oregon, our team and facilities create the perfect environment for musicians and artists to feel inspired and experience the “magic” that all artists long to create.
Listen to Rock Paper Scissors: https://ffm.to/rockpaperscissorssingle
TOUR DATES:
5.21 Cottage Grove, OR Coast Fork Brewing
5.22 Grants Pass, OR Sound Lounge
5.27 Bend, OR River’s Place
5.28 Beaverton, OR The Garages Satellite Pub
5.30 Virginia City, NV Red Dog Saloon
6.4 Salt Lake City, UT Liquid Joe’s
6.5 Twin Falls, IF Koto Brewing Company
6.6 Las Vegas, NV Dive Bar
6.9 & 6.10 Albuquerque, NM Eclipse
6.11 Pueblo, CO Brues Alehouse
6.12 Phoenix, AZ Last Exit
6.16 Colorado Springs, CO Black Sheep
6.17 Denver, CO Mile High Station
6.18 Cheyenne, WY Fridays on the Plaza
6.19 Grand Junction, CO Warehouse 2565
6.20 Aztec, NM Tico Time River Resort
6.22 Denver, CO Your Mom’s House
6.23 Austin, TX Empire Control Room
6.25 Fort Worth, TX Ridglea Theater
6.26 San Antonio, TX Reggae Bar
MORE TBD
The California Roots Music & Arts Festival is excited to announce additions to the line-up. Joining the already exceptional line-up is Stephen Marley, Jimmy Cliff, Protoje Feat Lila Iké and Sevana, Brother Ali, Sa-Roc, Slightly Stoopid, to name a few. The destination festival’s new additions will share the stage with Cali Roots main stays Rebelution, Atmosphere, Chronixx, and Damian Marley and sees debut performances from renown Sean Paul, Ice Cube and Sublime With Rome. Continuing to grow the premier reggae, roots, and hip hop festival, Cali Roots has expanded to four days, officially kicking off on Thursday, May 26, 2022. The new artist announcement and day by day breakdown is listed below with more artists to be announced. Tickets are on sale and slated to go fast, purchase here: https://californiarootsfestival.com
Dan Sheehan, Co-Producer states, “The past year has been very challenging, giving many of us more time to reflect on what’s important. The Cali Roots community is amazing, supportive, and made clear on how much this festival means to them. We want our community to know that we have been listening and expanded the festival to ensure the best programming yet! We are excited about the artists joining us in 2022, and feel that we have put together something for everyone to enjoy.” He adds, “To everyone that has stuck by us, bought our merch, or sent positive messages our way, we thank you from the bottom of our hearts. We are dedicated to producing another unforgettable event and are counting the days until we are together again.”
Ticketholders that have questions or concerns can contact [email protected] for more details.
Cali Roots fans can still celebrate this year with the Can't Stop The Music 2021 an online festival experience. It kicks off this year on May 28-30th for THREE incredible days of Cali Roots magic from the comforts of home. The online festival experience will feature a mix of new and classic Cali Roots sets from all of the fan favorites from 311, Dirty Heads, SOJA, Trevor Hall, HIRIE, Alborosie Official Page, Nattali Rize to so many more! In celebration of the event, Can't Stop The Music gear is available at CaliforniaRootsBrand.com. RSVP to the online fest now at: https://fb.me/e/TDeUcOfI.
Cali Roots 2022 Line-Up
THURSDAY, May 26
Dirty Heads
Stephen Marley
Protoje Feat Lila Iké and Sevana
Fortunate Youth
Alborosie
Demarco
DENM
Turbulence
Tropidelic
Eli Mac
FRIDAY, May 27
Rebelution
Atmosphere
Chronixx
Pepper
J Boog
Brother Ali
Tarrus Riley
The Movement
Satsang
Nattali Rize
Sa-Roc
EarthKry
Natural Vibrations
Arise Roots
Kash’d Out
SATURDAY, May 28
Slightly Stoopid
Sean Paul
Tribal Seeds
Trevor Hall
The Green
Collie Buddz
The Expendables
HIRIE
Dub Inc
Bumpin Uglies
The Elovaters
FIA
Sensi Trails
SUNDAY, May 29
Damian Marley
Ice Cube
Jimmy Cliff
Common Kings
Durand Jones and The Indications
Anthony B
Cultura Profética
Iya Terra
Mike Love
Keznamdi
Through The Roots
Artikal Sound System
Vana Liya
Sublime With Rome
FESTIVAL DETAILS
California Roots Music and Arts Festival 2022
Dates: Thursday, May 26, 2022 – Sunday, May 29, 2022
Time: 10:00 am – 11:00 pm PDT
Venue: Monterey County Fair and Event Center
Address: 2004 Fairground Road, Monterey, CA 93940
Admission: Varies
Age restrictions: All Ages
Purchase Tickets: https://californiarootsfestival.com/
Curt Ramm is excited to announce his newest album, Rogue Island, due out this July on Rocktorium Records. Born in the throes of 2020’s COVID-19 shutdowns, the new album is a beacon of positivity and uplifting vibes. This instrumental soundscape is set to be the perfect Summer soundtrack, and will be available everywhere you stream music on July 2nd.
Curt Ramm is one of the preeminent horn players in rock and roll. As well as being an in-demand studio session player, Curt’s playing has kept him very busy over the years with electrifying live performances throughout the US, Europe and Japan. Some of his recording and performance credits include Bruce Springsteen and the E Street Band, Bruce Springsteen Sessions Band, Nile Rodgers and CHIC, They Might Be Giants, Radiohead, The Levon Helm Band, Glen Hansard and Little Steven.
Curt is certainly no stranger to jazz either. From his roots in Kansas City, playing lead trumpet with the Charlie Parker Memorial Foundation Jazz Orchestra, through the release of his album “Foundations” with fellow jazz luminaries Bill Cunliffe and Dan Moretti, jazz music is never far from Curt's heart or playing.
Touring has for many years been a mainstay of Curt's musical career, but road work came to a screeching halt in the Spring of 2020. Curt recalls “the Damn-Panic was in full swing, so I had to face the fact that, for the foreseeable future, I wouldn’t be playing live shows, and definitely not touring.”
Around that time, he was working with his long time friend and Rhode Island Music Hall of Famer, producer, musician, Ray Gennari ( Akae Beka (Midnite), Turbulence, Protoje, Roomful Of Blues, The Temptations, Lustre Kings Productions) to orchestrate and play instrumental versions of songs by Clatta Bumboo (aka Sheldon Townsend), a Jamaican born, and now RI based, reggae artist. “This collaboration was a joy and a success,” says Curt, “and with the pandemic at its peak, as a way to keep playing and have some fun, Ray and I started to create new songs, similar in style to what I had worked on with Sheldon's Project.”
Unable to gather and perform with other musicians due to pandemic restrictions, Curt Ramm and Ray Gennari took a different and unusual approach to the recording process of Rogue Island. Tapping into Ray's recording experience with notable reggae artists they reimagined drum tracks from Aston Barrett, Jr. (The Wailers) and Brady Robinson (Pentateuch Movement) from earlier Rocktorium Records projects, and the heart of Rogue Island was born.
Curt recalls “Ray would play bass, guitar, and some keyboard parts to set up the arrangement and vibe, and send the track to me to write horn melodies and background brass parts. We bounced the ideas back and forth, sometimes three or four times - changing the form, adding a bridge, and deciding on endings. Being unable to work together in the studio in person, we talked constantly on the phone until the song was feeling complete.”
To round out the album, Curt and Ray decided to incorporate remotely recorded performances from friends on the record, and eventually, when Covid restrictions eased, to invite local musicians and friends to record in person to finish up Rogue Island.
Reflecting back on the process, Curt comments, “Ray and I were both thankful to have a fun and creative escape from the pressures of the pandemic, and the few people we had shared our creations with really loved the positive and uplifting vibe of the songs.”
From those sessions emerged Rogue Island, an eleven track LP, packed full of collaborations and standouts. Included on the new album are performances from Bill Holloman (Nile Rodgers, Danny Gatton) on saxophone, and Charlie Giordano (E Street Band) on piano and accordion. Noted reggae producer Andrew “Moon” Bain (Lustre Kings, Zion I Kings) contributed guitar to a song, and Andrew “Drew Keys” Stoch (Shaggy, Common Kings) played piano and organ on another. Curt's son, Gerard, even plays the sax solo on the album's opening song. Rogue Island was mixed by Ray Gennari and mastered by Robert Vosgien at Robert Vosgien Mastering.
The new record leans deep into its reggae influences but also showcases the diversity and versatility that has defined Curt's musical career, and his gift for melodies and horn arranging brings the album to a unique musical place. An album that takes the listener through a range of emotions and vibes ranging from the bouncing energy of “Smuggler's Cove” to the lazy New Orleans stroll of “Pontchartrain” to the slow burn of “Blue Wave.” The album closes with “From The Baseline” the track that started it all- Curt's instrumental version of Clatta Bumboo's vocal track “Baseline.”
“We are so proud and excited to be releasing Curt Ramm's Rogue Island. To work with such an incredible musician was an honor and a joy, especially on such an amazing record,” comments Ray Gennari, album producer and owner of Rocktorium Records.
Four singles off of Rogue Island will be released to streamimg starting June 4th, leading up to the full length drop on July 2nd. Signed CDs and digital downloads are available now at Curtramm.com
Tracklisting:
1. “Smuggler's Cove”
2. “Full Boat”
3. “Ripped”
4. “Sandown”
5. “Pontchartrain”
6. “Surfer's End”
7. “Blue Wave”
8. “Dancehall Dreams”
9. “Everyday Beach”
10. “Limetree”
11. “From The Baseline” Clatta Bumboo feat. Curt Ramm
Jah Sun & The Rising Tide are proud to announce “Rock Paper Scissors,” the first single from their upcoming album Running Through Walls, due out this Summer. The single is out now and will be accompanied by a vibrant video filmed on location in Goa, India. The band will be on tour starting in May to showcase music from the upcoming release.
“Rock Paper Scissors” is a song about the games we play when we’re in love. Everyone can relate to the confusion when we fall for someone. The song is about the ups and downs of love. Like love, it has an intoxicating vibe that oddly makes you feel good even though you might be hurting. Jah Sun elaborates, “The song title and lyrics throughout are a fun play on words to what would otherwise be a sad love story. We’ve all had someone play with our heart – and it especially hurts when we’ve fallen for them. Rock Paper Scissors is that song, but with our positive, feel good spin on it.” He adds, “It takes the pain of love and turns it into a playful song with clever lyrics. The music takes the mind off the pain and lets it heal as the body grooves to the music. It’s special because it will help people get past heartbreak and who knows – find someone new to vibe with!” The single was produced with producer/multi-instrumentalist Jallanzo “Dub MatriXx,” who collaborated to spread the message of positivity and love through uplifting sounds.
The single has a strong connection to Goa, India, where Jah Sun performed in early 2020. It was recorded at AMT Studios and the music video filmed on location in Goa India by Seen Productions.
The Rising Tide features lead vocalist/singer songwriter Jah Sun, Tony Thompson on guitar, Lexington Mainard on keys, Beau “Arrow” Sheppard on bass/harmonies, Nick “Kirbz” Kirby on drums/harmonies, and producer/multi-instrumentalist Omar “Jallanzo” Johnson.
Combined, these musicians form Jah Sun and The Rising Tide. Through their music, these artists are spreading waves of positivity, love, and respect in the hopes of awaking in their audience a desire to live to their ultimate potential. Look out for another single dropping June 25th before the full album release and don’t miss the opportunity to catch them at a city near you. Watch the tour teaser here.
Jah Sun & The Rising Tide will be releasing their album through their new record deal with AMT Entertainment and also signed for booking and management with Hip Joint Creative.
At AMT Entertainment our goal is to discover talent and foster creativity for independent musicians and artists both nationally and internationally. Located in the beautiful Rogue Valley of Southern Oregon, our team and facilities create the perfect environment for musicians and artists to feel inspired and experience the “magic” that all artists long to create.
Stream Rock Paper Scissors: https://ffm.to/rockpaperscissorssingle
6/16 @ Black Sheep
2106 E Platte Ave
Colorado Springs, CO 80909
8:00pm
6/17 @ Mile High Station
2027 W Colfax Ave
Denver, CO 80204
6:00pm
6/19 @ The Warehouse
1137 Riverside Ave
Fort Collins, CO 80524
6:00pm
California Roots is excited to announce the newest edition to the Cali Roots family: Cali Roots: Baja Sessions! The newly formed getaway brings the best parts of Cali Roots to a destination beach resort to create the ultimate experience. Baja Sessions will take place November 3-7, 2021.
The newly renovated ME by Meliã Cabo is a premier beach resort steps away from downtown Cabo and host to Cali Roots: Baja Sessions. Crafted with luxury in mind, ME Cabo is located on the perfect swimming beach in Los Cabos with views of the famous picturesque El Arco rock formation. The newly minted experience will bring the Cali Roots vibes south of the border with beachside resort amenities. Attendees will be able to enjoy exclusive activities including jam sessions on the beach, poolside DJ sets, boat parties, snorkeling excursions, and more. The four day experience will be packed with unique performances and collaborations taking place on multiple stages located poolside and beachside. Headlining the experience is Dirty Heads, Sublime with Rome, SOJA, Atmosphere, Steel Pulse, Tribal Seeds, Collie Buddz, and more!
California Roots Music and Arts Festival is partnering with Pollen to craft this one of a kind experience. Pollen is a leading travel company building, curating, and delivering the best experiences for members all over the world. Pollen Members enjoy these experiences together with the people they love, creating stronger relationships and unforgettable memories. Members immerse themselves in multi-day itineraries that combine live entertainment, parties, and relaxation time in more than 50 popular destinations. Members can discover and book these experiences exclusively on pollen.co and the Pollen app. Pollen has already launched bespoke mini-breaks with mega stars like J Balvin, Marshawn Lynch and Ozuna, and now with Cali Roots!
Dan Sheehan comments, “We are thrilled to expand the Cali Roots brand and offer new live music experiences like the Baja Sessions! Proving that the Cali Roots community has no boundaries. And we are excited to announce the partnership with Pollen to provide a one of a kind experience for Cali Roots fans. We will see you in Cabo!"
Cali Roots: Baja Sessions
Dates: November 3-7, 2021
Location: ME Cabo, Cabo San Lucas, MX
Ages: 18+
Tickets: Sign up now more info and to get first access once we go on sale ---> Tickets
Line Up:
Dirty Heads
Sublime with Rome
Atmosphere
SOJA
Steel Pulse
Tribal Seeds
Collie Buddz
Mike Love
The Elovaters
Bumpin Uglies
Artikal Sound System
Special Performance from Rome and Duddy
Howie Spangler from Ballyhoo (Acoustic)
Covid-19 Update:
Due to the Covid-19 health crisis, ME Cabo Hotel operations have been adapted to guarantee safety for customers and compliance with regulations. Additional cleaning and hygiene measures have been implemented and some procedures and spaces have been adjusted.
Pollen offers a COVID-19 money back guarantee, for more information see here (https://pollen.co/covid)
It is a sad and tragic fact that those with albinism living in East Africa are persecuted and literally hunted, based on the belief that their body parts can transmit magical powers and that they are in some way “demonic”. Because of this prejudice and hate they are regularly dismembered— often while still alive— or killed, which has led most to understandably live in fear. Estimates are that over one-hundred Tanzanians with albinism have been murdered in the past decade, many of them children. The murder and mutilation of six children this past week in Tanzania is another sad and grisly reminder of this.
The Tanzania Albinism Collective’s story alone though is not enough. The songs must stand on their own. And they do. (It would be convenient, but misguided to dismiss them all too readily as a novelty and miss the point entirely of just how avant-garde and original the sounds that these artists have made are.) Instead, they should be identified as the genre defying, psychedelia-tinged, and DIY, street-level music that they are.
The StandingVoice.org NGO staff have worked with the members of the collective for over a decade. They said that seeing individuals that had been unable to make eye contact or raise their voices above a whisper when they first met them, today twerking and rapping onstage in front of thousands in a foreign land was beyond their wildest imaginings.
All but one of the Tanzania Albinism Collective were previously non-musicians. In fact, the majority had been actively discouraged from singing, even in church. In spite of this, they have gone on to release two albums— both produced by Ian Brennan— and their story and music have been covered around the world.
Brennan states that, “The greatest triumph, though, is that by their own initiative the collective continues to gather and meet two nights a week on the island, with no goal other than the sheer joy of making music together.”
Ian Brennan is a Grammy-winning music producer (Tinariwen, Malawi Mouse Boys, Ramblin’ Jack Elliott, The Good Ones [Rwanda], Zomba Prison Project) and author. His seventh book, Muse-sick: a music manifesto in fifty-nine notes will be published in the fall of 2021.
Conscious reggae/hip-hop hybrid band The Late Ones are known for using their music as a tool to speak out against oppression and injustice by bringing a youthful and powerful presence to the reggae community, along with a unique spin by bringing in old school hip hop to the mix. Think of the Pharcyde, Souls of Mischief, and A Tribe Called Quest collaborating with The Mighty Diamonds or Culture, and you get a sense of what this band’s sound is like. The group’s 2020 EP Lately showcased their inspired music coupled with universal messages of love and hope, while standing up for social, racial, and economic equality for all. Now, The Late Ones are encouraging their reggae contemporaries to do the same on their new single and music video “Fake Reggae” (out June 4 on Easy Star Records).
“Fake Reggae” is a call to action. Since its genesis, reggae music has been used as a form of resistance against oppression. With this single, The Late Ones challenge artists within the genre to use their platforms to make change and push the envelope. The band passionately states, “If you use this music correctly it can affect real change!”
Singer/guitarist Tui Avei adds, “We had already been feeling some type of way about the direction that the scene was heading. Actually a lot of people all over the nation were telling me they felt the same, but would do it in hushed conversation. We decided to speak for the people -- in true Late Ones form – and ‘Fake Reggae’ was birthed. Long goes the history of the black man/woman who gets no credit for the work we have done. This is not whining or begging. We know what is ours and we know our power. As those who represent our ancestors, it is our place to make sure we can preserve the roots of this music and continue to use it to fight against evil forces.”
The single is accompanied by a music video directed by Kat Faith @ Mint Street Vision. The video is packed with subliminal messages making the listener think and dig deeper than the surface. The visuals are created in very obvious sets, emphasizing the “fake” theme encompassed in the song. Brooklyn Vegan premiered the video and calls their music “…a seamless fusion of the grooves and harmonies of mid/late '70s reggae with the incisive bars of '90s Native Tongues-style rap, and The Late Ones bring that same appealing hybrid to their powerful new single ‘Fake Reggae,’ which is the first single from their upcoming album The Fourth Quarter.”
Though some may find the song to be controversial, the message behind it is pure. The Late Ones conclude, “Don’t take this personally. We are not singling anyone out, but rather hope to start a conversation within the community. We don’t want our culture, music, or message to be watered down any longer.” More singles and powerful messages can be expected on their debut studio album, The Fourth Quarter, due out later this year on Easy Star Records.
Listen and order single: https://moremusic.at/FakeReggae
Jah Sun & The Rising Tide are proud to announce “No Profit In Peace,” the second single from their upcoming album Running Through Walls, due out this Summer. The single drops today and will be followed by another stellar music video. The band continues to showcase their new music from the upcoming album during their current summer tour. Full tour dates below with more fall dates in the works through Hip Joint Creative Talent Agency.
“No Profit In Peace” is a song that reflects on the deep and destructive forces behind the for profit wars fought around the globe. Jah Sun elaborates, “No Profit in Peace holds a great deal of meaning to us as a band. As we reflect on the endless wars we’ve experienced just in our lifetime, one thing is very clear, there is no profit in peace.” He passionately adds, “While this may be a bit of a dark departure from some of our more upbeat songs, this song fits into our catalog of work in that it helps us and our fans work through the troubling world we live in. In order to feed the military-industrial complex, the wealthy wage war in distant lands. It destroys our selfless, idealistic youth who go to fight for a flag. While the wealthy get wealthier from blood money, foreign lands are devastated and the refugee crisis grows. It’s a heavy topic, but the only way to fight darkness is to bring it into the light. And what better way to bring awareness to it than through our music?”
The single was produced with producer/multi-instrumentalist Jallanzo "Dub MatriXx,” who collaborated to spread the message of positivity and love through uplifting sounds. The Rising Tide features lead vocalist/singer songwriter Jah Sun, Tony Thompson on guitar, Lexington Mainard on keys, Beau "Arrow" Sheppard on bass/harmonies, Nick "Kirbz" Kirby on drums/harmonies, and producer/multi-instrumentalist Omar “Jallanzo” Johnson.
Combined, these musicians form Jah Sun and The Rising Tide. Through their music, these artists are spreading waves of positivity, love, and respect in the hopes of awaking in their audience a desire to live to their ultimate potential. Jah Sun & The Rising Tide will be releasing their album through their new record deal with AMT Entertainment and also signed for booking and management with Hip Joint Creative.
At AMT Entertainment our goal is to discover talent and foster creativity for independent musicians and artists both nationally and internationally. Located in the beautiful Rogue Valley of Southern Oregon, our team and facilities create the perfect environment for musicians and artists to feel inspired and experience the “magic” that all artists long to create.
Jah Sun concludes, “Our music is meant to be healing to the soul. While this single may take people to uncomfortable depths, it is important to face the darkness in this world and consider what part we play in it. Let us also be empathetic. This song puts us in a place to consider everyone affected by war. Perhaps we all embrace a simpler lifestyle for the good of our planet. Good vibes are free, let’s spread them everywhere we go."
Listen: https://ffm.to/noprofit
TOUR DATES:
6.26 San Antonio, TX Reggae Bar*
8.28 Lake Park, FL Kelsey Theater
9.17 Terre Haute, IN The Verve
9.18 Milton, DE The Milton Theatre
Currently routing East Coast tour dates August & September
*with The Mighty Mystic
Curt Ramm is excited to announce the release of the fourth single ‘Pontchartrain’ off his stellar and critically acclaimed island influenced, Reggae instrumental album Rogue Island. The new song mixes Curt’s swinging horns with classic reggae riffs to create an ode to the Big Easy and the resilience of the city. The forthcoming album is due out July 2nd on Rocktorium Records. Catch the new song here.
The port city of New Orleans was hit by one of the largest storms and most devastating in history, Hurricane Katrina. Curt Ramm recalls, "In 2006, following hurricane Katrina in New Orleans, I was asked to play the Jazz Fest with Bruce Springsteen and the Seeger Sessions Band. When we arrived, it was easy to see the devastation that was brought down on the city.” He continues, “ I was able to take a contemplative walk around the downtown area and you could feel not only deep loss and sorrow, but also hope and confidence that the people of New Orleans would rebuild and once again celebrate their own style of jazzy, bluesy music.”
Inspired by the heart and soul of the city, Curt says, “They did rebuild - and my interpretation of both that sorrow and hope is what I tried to capture in ‘Pontchartrain.” Charlie Giordano from the E-Street band joins me on piano and accordion on this track, and together we bring a bit of the NOLA Jazz vibe to the song."
Other notable musicians on the new single,“Pontchartrain” is the Wailers own Aston Barrett Jr. Ray Gennari, producer and label owner, recalls, “ If someone had started with a plan for how this track ended up- with Aston Barrett Jr from the Wailers and Curt and Charlie Giordano from the E Street Band on the same song, a moment where the guitars start to dub out into a far delay and then a mournful accordion enters, a mash of roots Reggae and New Orleans Jazz, Curt's plunger solo that just explodes from seemingly nowhere- it would have just seemed crazy. But this song is just so hauntingly beautiful and moving, it is definitely more than a sum of its parts. I absolutely love everything about it.”
Curt Ramm is one of the preeminent horn players in rock and roll. As well as being an in-demand studio session player, Curt’s playing has kept him very busy over the years with electrifying live performances throughout the US, Europe and Japan. Some of his recording and performance credits include Bruce Springsteen and the E Street Band, Bruce Springsteen Sessions Band, Nile Rodgers and CHIC, They Might Be Giants, Radiohead, The Levon Helm Band, Glen Hansard and Little Steven.
With live performance on hold during the pandemic, Curt started working with his long time friend and Rhode Island Music Hall of Famer, producer, musician, Ray Gennari ( Akae Beka (Midnite), Turbulence, Protoje, Roomful Of Blues, The Temptations, Lustre Kings Productions) to orchestrate and play instrumental versions of songs by reggae artist Clatta Bumboo that Ray had produced. “This collaboration was a joy and a success,” says Curt, “and with the pandemic at its peak, as a way to keep playing and have some fun, Ray and I started to create new songs, similar in style to what I had worked on with Clatta's Project.”
Unable to gather and perform with other musicians due to pandemic restrictions, Curt Ramm and Ray Gennari took a different and unusual approach to the recording process of Rogue Island. Tapping into Ray's recording experience with notable reggae artists they reimagined drum tracks from Aston Barrett, Jr. (The Wailers) and Brady Robinson (Pentateuch Movement) from earlier Rocktorium Records projects, and the heart of Rogue Island was born.
Curt recalls “Ray would play bass, guitar, and some keyboard parts to set up the arrangement and vibe, and send the track to me to write horn melodies and background brass parts. We bounced the ideas back and forth, sometimes three or four times - changing the form, adding a bridge, and deciding on endings. Being unable to work together in the studio in person, we talked constantly on the phone until the song was feeling complete.”
Reflecting back on the process, Curt comments, “Ray and I were both thankful to have a fun and creative escape from the pressures of the pandemic, and the few people we had shared our creations with really loved the positive and uplifting vibe of the songs.”
“We are so proud and excited to be releasing Curt Ramm's Rogue Island. To work with such an incredible musician was an honor and a joy, especially on such an amazing record,” comments Ray Gennari, album producer and owner of Rocktorium Records.
Rogue Island is due out July 2nd, pre-save the new album here: https://distrokid.com/hyperfollow/curtramm/rogue-island and signed CDs and digital downloads are available now at Curtramm.com
Tracklisting:
1. “Smuggler's Cove”
2. “Full Boat”
3. “Ripped”
4. “Sandown”
5. “Pontchartrain”
6. “Surfer's End”
7. “Blue Wave”
8. “Dancehall Dreams”
9. “Everyday Beach”
10. “Limetree”
11. “From The Baseline” Clatta Bumboo feat. Curt Ramm
Marcus Gad, the fast-rising reggae artist hailing from New Caledonia, a French island in the South Pacific Ocean, embodies a spiritual movement of soul music and meditative roots that is uniquely his. For his latest single “Tempo,” he teams up with French producer Tamal to give us a slice of their dynamic, globally influenced reggae style from their upcoming album Brave New World, due out later this year on Easy Star Records. “Tempo” is out July 9th and is accompanied by a vibrant music video, where Marcus Gad takes a colorful journey in Morocco from the ancient maze of the Medina of Fez to an oasis on the edge of the Atlas Mountains and Sahara desert, vividly bringing visuals to the story told in the song.
Morocco was a huge inspiration for “Tempo.” The North African country has long been one of Gad’s favorite destinations, and he spent three months over lockdown there. The single is steeped in the sights and sounds of the country, including the use of a traditional fretless lute he acquired there, which drives the tune forward. “Tempo” combines the sounds of ancient instruments with contemporary electronic production, resulting in an infectious tune perfect for summer BBQs and head nodding playlists.
Marcus elaborates, “‘Tempo’ is an invitation to travel in a timeless land. An open calling to walk in rhythm on the path of discovery. The lyrics to the song naturally flowed from the bustling memories of colors and smells brought back from my travels and, thus I returned to film this beautiful story of the song.”
This is not the first time Gad and Tamal have collaborated. They most recently dropped the single “Brave New World,” written in response to the European pandemic lockdowns, after their initial work together resulted in the EP Enter a Space in 2019. Their forthcoming album features 12 tracks that showcase the studio chemistry between the two, and from first listen you know why they are poised to breakthrough in 2021.
Easy Star Records, one of the premier reggae labels in the world, instantly recognized Marcus Gad and Tamal’s vision, and knew they would be a great fit to their roster. Gad adds, “I’m truly looking forward to working together with Easy Star Records and reaching a wider audience in the US. Coming from a mostly unknown island in the South Pacific Ocean, it has always been magical for me to see how far and wide music and its message can travel. It is important for us island nations to express ourselves and to be heard on an international scale, to be more than just silent witnesses to the current global situation."
Prior to the pandemic, Marcus Gad (along with his band Tribe) had been very active touring, especially in Europe, playing over 150 shows since 2016, including many major festivals in Europe, including Rototom, Reggae Sun Ska, Ostroda Reggae Fest, Shambala, and Boomtown. He also has toured with Alborosie, Akae Beka, Horace Andy, and Christopher Martin, and is ready to bring his live experience to the U.S.
Listen and order single: https://orcd.co/temposingle
Elektric Voodoo, the Afrobeat-inspired psych dance-rock ensemble founded by Scott Tournet, just released the music video for their title track “Telescope.” Already being hailed by the press like Glide Magazine who stated, “Telescope encompasses a sonic parade of drums, horns, and guitars with a shake-up the masses mission.” The music video filmed by Michael Cacciabaudo perfectly captures the intimate recording session and vibe. “Telescope” is the second single from Elektric Voodoo’s upcoming album of the same name, due out August 20th. The band has also announced their first tour dates in support of the album kicking off August 7th. Full tour dates below.
Scott Tournet discusses the single, “I’ve been peering through a Telescope...looking at the world up close...but never opening up both eyes. These lyrics from the track summarize the plight of the main character through the first half of the record. On top of a heavy funk and afrobeat groove, this song stacks blissed out synths and delayed guitars that drift along with a song that could work in a stripped down singer-songwriter setting. An amalgamation of genres and elements that are disparate but blend in a natural way.”
When it came to the video, director Michael Cacciabaudo adds, “Telescope was a fun experiment where I played with different shutter speeds while the band was backed by changing party light. I knew that we would get some funky imagery that would give a different feel to the space. I’m fortunate enough to have collaborated on the post production with the very talented Nathan Henning who helped apply a polish to the video. I’m very glad that the concept translated clearly enough to turn into a nice music video.
Elektric Voodoo is comprised of an all-star ensemble with songwriter, guitarist and band leader Scott Tournet, Matt Bozzone (drums/percussion, vocals), Ty Kiernan (congas, timbales, percussion), Travis Klein (tenor sax, keyboards, guitar, percussion, vocals), Brad Nash (baritone sax, keyboards, percussion, vocals), and Luke Henning (bass, vocals, percussion). They first came together in 2016 around the time Tournet left the band he had built up for 12 years with Grace Potter and Nocturnals. Together they took a leap of faith to create something new. Tournet says, “We share a common creative vision and a true bond has been formed through many many hours together…on the road, in the rehearsal room, on endless phone calls during this crazy year of the pandemic. I think it can’t be stressed enough that we’ve really done this thing the old fashioned way and all of that heart is in the music. The music is pure in that way.”
Telescope is a concept album that presents a conscious shift from internal to external, and intended to be listened straight through. The album is 9-songs deep that tells a story of a journey through self-reflection, evaluation of mortality, confrontation of death and eventually dawns a new perspective. The new album was produced by the gold-selling producer and songwriter Scott Tournet who beautifully captured the energy and spirit of Elektric Voodoo’s live performance.
Elektric Voodoo has created a true analog sound acknowledged by Relix as, “intriguing, enticing and engaging all at the same time— evidence of Elektric Voodoo’s ability to cast a hypnotic spell.”
Watch “Telescope”
Tour Dates
08/07 @ Mammoth Festival of Beers & Bluesaplooza – Mammoth Lakes, CA
08/13 @ Winston’s – San Diego, CA
08/15 @ Soundwell – Salt Lake City, UT
08/18 @ The Hook and Ladder Theater & Lounge – Minneapolis, MN
08/19 @ Ignition Music Garage - Goshen, IN
08/20 @ Beachland Ballroom – Cleveland, OH
08/21 @ Water Street Music Hall – Rochester, NY
08/22 @ The Tupelo Music Hall – Derry, NH
08/27 @ Michael Arnone's Crawfish Fest – Augusta, NJ
08/29 @ Rams Head On Stage – Annapolis, MD
Cali Roots is excited to announce the welcome back to Monterey concert taking place August 28th. This is the first event from the organizers set to take place at the iconic venue Monterey County fair and Event center since California’s re-opening announcement. The concert is a celebration of both the festival and bringing live music back to the fairgrounds, the festival’s home since the inception of the event over 11 years ago. Nestled in the picturesque coastal town of Monterey, California with ocean views and sprawling lawn space, concert goers will enjoy a solid line up including stellar performances from Stephen Marley, J Boog, Josh Heinrichs, and Saritah.
Dan Sheehan, Co-Producer comments, “As concerts return we are thrilled to kick off a series of events leading up to our 2022 festival. Our team is excited to get back into production mode and connect with our music family with good music, local food and drinks, all at a beautiful venue. We missed our Cali Roots family and look forward to starting our festival session off in our home town location the Monterey County Fair and Event Center!”
Tickets are set to go on sale on July 16th with a special pre-sale for Cali Roots festival ticket holders on July 15th.
Cali Roots 2022 is due to officially kick off on Thursday, May 26, 2022 at the Monterey County Fair and Event Center. The ever evolving premier reggae, roots, and hip hop festival, Cali Roots has expanded to four full days of live music and art. The 2022 exceptional line-up includes Stephen Marley, Jimmy Cliff, Protoje Feat Lila Iké and Sevana, Brother Ali, Sa-Roc, Slightly Stoopid, to name a few. They will share the stage with Cali Roots mainstays Rebelution, Atmosphere, Chronixx, and Damian Marley and 2022 sees debut performances from the renown Sean Paul, Ice Cube and Sublime With Rome. Tickets are on sale and available here. And catch the current line-up here.
EVENT DETAILS
Cali Roots Welcome Back: Monterey, CA
Dates: Saturday, August 28th
Time: Gates Open 4 PM, Show @ 5 PM
Venue: Monterey County Fair and Event Center
Address: 2004 Fairground Road, Monterey, CA 93940
Admission: Varies
Age restrictions: All Ages
Line-Up
Stephen Marley
J Boog
Josh Heinrichs
Saritah
Cali Roots in partnership with Pollen are excited to announce Cali Roots: Baja Sessions! The newly formed getaway brings the best parts of Cali Roots to a destination beach resort to create the ultimate experience. Baja Sessions will take place November 3-7, 2021. This is expected to sell out quickly, be sure to get yours here!
The newly renovated ME by Meliã Cabo is a premier beach resort steps away from downtown Cabo and host to Cali Roots: Baja Sessions. Crafted with luxury in mind, ME Cabo is located on the perfect swimming beach in Los Cabos with views of the famous picturesque El Arco rock formation. The newly minted experience will bring the Cali Roots vibes south of the border with beachside resort amenities. Attendees will be able to enjoy exclusive activities including jam sessions on the beach, poolside DJ sets, boat parties, snorkeling excursions, and more. The four day experience will be packed with unique performances and collaborations taking place on multiple stages located poolside and beachside. Headlining the experience is Dirty Heads, Sublime with Rome, SOJA, Atmosphere, Steel Pulse, Tribal Seeds, Collie Buddz, and more!
California Roots Music and Arts Festival is partnering with Pollen to craft this one of a kind experience. Pollen is a leading travel company building, curating, and delivering the best experiences for members all over the world. Pollen Members enjoy these experiences together with the people they love, creating stronger relationships and unforgettable memories.
Cali Roots: Baja Sessions
Dates: November 3-7, 2021
Location: ME Cabo, Cabo San Lucas, MX
Ages: 18+
Tickets
Line Up:
• Dirty Heads
• Sublime with Rome
• Atmosphere
• SOJA
• Steel Pulse
• Tribal Seeds
• Collie Buddz
• Mike Love
• The Elovaters
• Bumpin Uglies
• Artikal Sound System
• Special Performance from Rome and Duddy
• Howie Spangler from Ballyhoo (Acoustic)
WEDNESDAY
• Kick off Party at the ME CABO
THURSDAY
• Rise n’ Shine Beach Yoga Curated by Cali Roots “Save Our Ocean!”
• Beach Clean up & Eco tour with Cali Roots Owners & Artists
• Baja Pool Bash
• Poolside Golden Hour Acoustic Jam Session
• OG Stage Nighttime Concert
FRIDAY
• Rise n’ Shine (or Wake & Bake) Beach Yoga Curated by Cali Roots
• The Bowl Pool Stage Takeover
SATURDAY
• Rise n’ Shine Beach Yoga Curated by Cali Roots
• Baja Cali Roots Day and Night Pool party
Covid-19 Update:
Due to the Covid-19 health crisis, ME Cabo Hotel operations have been adapted to guarantee safety for customers and compliance with regulations. Additional cleaning and hygiene measures have been implemented and some procedures and spaces have been adjusted.
Pollen offers a COVID-19 money back guarantee, for more information see here.
“Kingston Bolero” is a concept, project, and single that takes the iconic original “Bolero” orchestral piece and transforms it into a dub ballad that is the perfect soundtrack for the summer. Produced by Emanuele Della Valle who was raised with his grandfather playing him this tune as a child, the producer went into the legendary Tuff Gong Studios to create an astounding dub version of the original, aptly titled “Kingston Bolero.” The single is dropping July 30 on Hen House Studios alongside a stellar music video directed by Randi Malkin Steinberger and Emanuele Della Valle. A full length sixteen minute version of the song was also created that takes the listener on a full length journey. The single version was edited by Harlan Steinberger.
The single will be available digitally worldwide, while the record will be launched in Jamaica, where it was born; it will play the dangerous alleys of Kingston Town, the dirt roads up in the Trelawny jungle, it will shake the dancehalls of Falmouth, it will soothe the mellow afternoons by the beach in Mo’Bay and its horns will carry through a hundred sound systems in the thick of the mystic fog up the Blue Mountains.
“Kingston Bolero” was recorded at Tuff Gong Studios in Kingston, Jamaica during April, May, and June of 2021. Tuff Gong is Bob Marley’s studio and is considered the holy grounds of Reggae Music. During those three mega jam sessions, a cast of talented Jamaican artists came together to bring to life a new Bolero.
Emanuele Della Valle concludes, “After a year stuck in strict Jamaican pandemic rules, the band came together for a moment of joy and creation and that feeling permeated our session and enlightened the path to this musical gem.”
Reflecting on the release, Corey Draskovich (bass, guitar, keys), comments “Embracing the new, and reflecting on the old. Every album we make is a new process, we learn from each experience and try to incorporate those lessons into our new music. If there’s one thing that we hope people take away from the album is, enjoy the moment and memories last a lifetime.” Adding perspective to the title Jared Draskovich (keys/bass) comments, “We are all living through this global event and to me we chose the title to help ensure that Good Times are indeed going to roll on regardless of all the hardships that our recent environment has provided for everyone.”
Crafted over the last year Good Times (Roll On) is reflective of its time. “This is probably the first time we’ve put an album together where we had the time to review and refine each song for as long as we felt necessary. 2020 was a tough year, especially for the touring music industry. With the down time at home, we were able to spread out the sessions and take our time,” comments Cory. Comparing the recording process from previous albums, what would typically take the band 3-4 weeks, lasted about 9 months to piece together as they took time with each track and to create a stellar 12 track album.
The new album is stacked with standouts including the glistening title track, “Good Times (Roll On),” out now. With the new song, Fortunate Youth turns a slightly nostalgic eye to its humble beginnings in the backyard, plus a few new tasty surprises under the lid. “We always hope our music can change the outlook of anyone’s day,” comments Dan. Cory adds, “The lyrics are true to us as a band, and reflect where we come from and the things we appreciate in life. Dan’s vocals on this track still give me goosebumps.”
With more time to craft the new album the band reflected on their ever evolving sound. Over the last 2 years Fortunate Youth had toured with a sax player and trumpeter, so they added parts for a horn section and enlisted premier players John, Art, Bryan, and Geoff. They also include features and special guests including Nathan Feinstein (Iya Terra) on “Groovin” and were joined by their good friend Gonzo (Tribal Seeds/ Fortunate Youth) for background vocals. Additionally, “Around the World” features Italy's own twin fronted group Mellow Mood backed by stellar horns that really hits home on the global reach of reggae music. “Burning With You” showcases the band’s soul and R&B chopps. And what started as a backstage jam session while on tour in Mesa, AZ became “Riddim Rydah” feat. Skillinjah & Dread Kennedy. Cory comments “Dread Kennedy and Skillinjah were hanging out and we randomly just did a live dub plate/ toasting version of the song and these guys absolutely killed it.”
Ever evolving and always collaborative, the writing and composing process is a band effort. Songs are fleshed out on the road or created with a riff or melody. While working the new album the band did a handful of pre production recordings at Kona Town Studio. And in July of 2020, mid-lock down, they tracked key essentials at Total Access Recording. Looking back, Jared recalls, “It was definitely weird having to wear masks in the studio when we first started tracking... it was our first time recording at Total Access which is in our minds, a legendary spot (Pennywise, Sublime) so that was rad…” Cory adds, “Total Access being located in the area we grew up in and with its history of great recordings we were all excited to get in there. With the state of the world at the time we had to maneuver around a handful of obstacles and move our recording dates around to accommodate.” They also worked with Lewis Richards at 17th Street Studios and tracked the horns remotely at Kromatic Sound recording studio in the East coast.
The band is comprised of long time friends Dan Kelly (vocals), Travis “Travi Bongo” Walpole (percussion), Jered Draskovich (keys/bass), Greg Gelb (bass, guitar), Corey Draskovich (bass, guitar, keys), Revelation Kalauli (drums). Since its inception in 2009, Fortunate Youth remains devoted to its roots and a simple mission: Spread peace, love, and unity with music. It’s a mantra of sorts for the multi-faceted sextet from Hermosa Beach, driving a relentless thirst for live performances and an ever-evolving cache of original material. Including the forthcoming Good Times, Fortunate Youth has also cataloged over a dozen releases and notably, all have been recorded, produced, and distributed, in DIY style, by the self-invested band. Garnering top Billboard charting success the band has seen their albums hit #1 Billboard Reggae Album Chart 5x, Billboard Heatseekers Chart 2x, #1 iTunes Reggae Chart 10x plus millions of streams across all platforms!
They are devoted to their fans as much today as they were when they started performing live, ticking off countless miles in the van crisscrossing the U.S. Fortunate Youth has graced the stage in support of brethren such as Slightly Stoopid, Stick Figure, and SOJA on major tours as well as continuing to headline national treks of their own; totaling over 27 tours since their inception. Over the last year the band has missed their normality of tour life but is also grateful for the time they have with loved ones. They look forward to seeing their fans and performing live again. Catch their full tour here.
The new album is due out October 1st and will be available everywhere you stream music. Stream + Download the new single and pre-save the album.
Track Listing:
1) "Too Big"
2) "Around The World" (Feat. Mellow Mood)
3) "Burning With You"
4) "Sunlight"
5) "The City"
6) "The Situation"
7) "Good Times (Roll On)"
8) "Friend"
9) "Emin Interlude"
10) "Riddim Rydah" feat. Skillinjah & Dread Kennedy
11) "Groovin" feat. Iya Terra
12) "The Cure"
With over a decade of experience working various Reggae acts, musician/producer Drumwise a.k.a Calvin Canha announces his debut album “Reflection Riddim” out now and available everywhere you stream music, via Greenstone and his newly created Drumwise label. Produced entirely by Calvin Canha, “Reflection Riddim” celebrates the traditional Jamaican juggling culture and features powerhouse reggae artists Peetah Morgan, Jemere Morgan, Through The Roots, The Steppas, Fiji, Siaosi, Gavinchi Brown and more. Stream & Download: https://moremusic.at/ReflectionRiddim
Born and raised in Maui, Hawaiʻi, Calvin Canha is a musician, producer and media hyphenate who channels his creativity through music and visual arts. A true veteran of the scene, Canha began performing in various reggae bands starting in 2004, and has been working as a producer, studio drummer and touring musician ever since. As a professional drummer and producer for over a decade, he has worked with award-winning musicians and traveled both domestically and internationally for the likes of acclaimed reggae artists JBoog, Mike Love, Inna Vision, The Late Ones, Kolohe Kai, Lion Fiyah, Landon McNamara, Kimie Miner, Paula Fuga and many more.
“Reflection Riddim” is a beautifully crafted compilation that showcases the diverse talents and sounds that exist in the global reggae community. Created amidst a global pandemic, each song on the album tells a unique story. Canha explains the title,
“2020 was a tough year for everyone, and as I listened to each of the finished songs I realized how much of that was reflected in the music. Each of the artists were going through very different things throughout the making of this album and each song tells a very unique story. It felt like I was holding a mirror up to each artist through the riddim and they reflected their story or message in my production. The artistry itself informed the title, so I decided to call the project “Reflection Riddim.””
Though Canha began production for “Reflection Riddim” in March 2020, the concept of the album and producing an authentic, Jamaican juggler has been on his bucket list for over 10 years. Canha states, “I wanted to pay homage to the juggling style and culture with artists who are both close friends as well as artists that I’ve looked up to.” With touring and live performances canceled due to COVID, Canha decided to channel his energy and creativity into creating his debut album.
Canha recorded all of the instruments from his home studio in Kaimukī, except for the drums, which were recorded at Blue Planet Sound in Kalihi. The entire album was mastered by Canha’s close friend Noah Cronin of Sea Major Seven studio in Kalihi Valley.
For over 10 years, Calvin Canha has produced music for amazing Reggae artists. Now, Canha is proud to present his very first album under his own imprint Drumwise label.
Cali Roots is excited to kick off a series of shows leading up to the 2022 California Roots Music and Arts Festival. Included in the series is Cali Roots Sessions: San Francisco slated for October 23-24. Set to take place at The Midway, located in the Dogpatch district of San Francisco, this event includes performances from legendary reggae artists Stephen Marley, J Boog, The Green, FIJI, Anthony B, Yellowman, Don Carlos and more! Tickets for the San Francisco Sessions are available starting July 29th here: https://www.californiarootspresents.com
This announcement comes on the heels of the Welcome Back to Monterey concert taking place August 28th. And later this fall, Cali Roots is going south of the border for Baja Sessions mixing the Cali Roots vibes with beachside resort amenities in Cabo San Lucas, MX, November 3-7, 2021. Attendees will be able to enjoy exclusive activities including jam sessions on the beach, poolside DJ sets, boat parties, snorkeling excursions, and more. The four day experience will be packed with unique performances and collaborations taking place on multiple stages located poolside and beachside. Headlining the destination festival are Dirty Heads, Sublime with Rome, SOJA, Atmosphere, Steel Pulse, Tribal Seeds, Collie Buddz, and more! Tickets for the Baja Sessions are on sale now and available here.
All of this is leading up to Cali Roots 2022! The ever evolving premier reggae, roots, and hip hop festival, Cali Roots has expanded to four full days of live music and art. The world class destination event is due to officially kick off on Thursday, May 26, 2022 at the Monterey County Fair and Event Center. The 2022 exceptional line-up includes Jimmy Cliff, Protoje Feat Lila Iké and Sevana, Brother Ali, Sa-Roc, Slightly Stoopid, to name a few. The new additions will share the stage with Cali Roots mainstays Rebelution, Atmosphere, Chronixx, and Damian Marley and debut performances from Sean Paul, Ice Cube and Sublime With Rome.
Dan Sheehan, festival co-producer states, “We are thrilled that live concerts have returned and we are building up to our 2022 festival with a series of intimate concerts stacked with reggae greats. Our team is dedicated to bringing our community back together through a series of events before we can celebrate in full in May 2022.”
Tickets for the San Francisco Sessions are available starting July 29th here: https://www.californiarootspresents.com/
Cali Roots Sessions: San Francisco Line-Up
Oct 23
J Boog
The Green
FIJI
Maoli
CRSB
Western Conference
Oct 24
Stephen Marley
Anthony B
Don Carlos
Yellowman
Arise Roots
Jah Warrior Shelter HiFi
Acclaimed Reggae-Rock group Roots of Creation (A.K.A. ROC) is excited to announce the release of new music and show dates! The newest single “Soulshine” is out now and is the latest release from ROC’s upcoming album Dub Free or Die Vol. 1, due out September 17th! Stream & Download here: https://ffm.to/roc_soushine_reggae
The new music comes out ahead of ROC’s fan funded new album Dub Free or Die Vol. 1! For the new single, the band pays homage to the Allman Brothers song "Soulshine" written by Warren Haynes. Digging deep into the vibe of the original song with an epic guitar solo, ROC seamlessly transforms the track into a roots reggae song. Taking the song home is the soulful vocals of Jesse Wagner (The Aggrolites) who bridges a cast of outstanding players. Musicians featured on the new song include ROC’s Brett Wilson on guitars and backing vocals, Chris Regan on bass, Andrew Riodan playing horns, Paul Wolstencraft (Slightly Stoopid) on Hammond organ, DELA (Slightly Stoopid) playing the sax solo, Nick Asta (The Elovaters) on percussion, Morgan Keating and Kaylea Verville sing background vocals, and the esteemed Green Lion Crew provided the drum sample. The new song was produced, mixed, and mastered by Pete “Boardz” Peloquin (@BoardzHouseProductions).
The release of the new single will be celebrated by the start of ROC’s tour! Returning at full throttle the band embarks on a two month east coast tour that ends by celebrating their new album release at Bernie's Beach Bar in Hampton Beach, NH! ROC is beyond excited to get back on the road and in front of their fans after a year of virtual shows and lots of social media connections. Audiences can expect to hear ROC perform fan favorites, including songs from the Billboard charting album Grateful Dub: A Reggae-Infused Tribute to the Grateful Dead, as well as choice selections off their upcoming album Dub Free or Die Vol. 1! Catch the full tour and purchase tickets here: https://rootsofcreation.com/shows
This year ROC has released a slew of outstanding singles including “7 Nation Army” (White Stripes) ft. Hayley Jane, “Mammoth,” and “Arabia” Ft. Mihali (of Twiddle), and “Light it Up” ft. Mighty Mystic. So far the songs have garnered critical accolades from Relix, Live for Live Music, Reggaeville, Celebstoner, Top Shelf Music, and more. All of the songs will be featured on the forthcoming album Dub Free or Die Vol. 1 which is set to be released on September 17th. The new album will be available on all digital platforms, including CD and vinyl. Stream & Download here: https://ffm.to/roc_soushine_reggae
Tour Dates:
• 7/30/21: Mason, NH
• 8/7/21: Westernville, NY
• 8/9/21: Block Island, RI
• 8/13/21: South Kingston, RI
• 8/26/21: Atlantic City, NJ
• 8/27/21: Imperial, PA
• 8/28/21: Pittsburgh, PA
• 9/3/21: Somerset, MA
• 9/3/21 - 9/5/21: Lake George, NY
• 9/17/21: Hampton Beach, NH
• 9/18/21: Private Event
• 11/18/21: Rutland, VT
• 4/7/22-4/10/22: Ventura, CA
Cali Roots is excited to add The Green to the welcome back to Monterey concert line-up taking place August 28th. This is the first event from the organizers set to take place at the iconic venue Monterey County fair and Event center since California’s re-opening announcement. The concert is a celebration of both the festival and bringing live music back to the fairgrounds, the festival’s home since the inception of the event over 11 years ago. Nestled in the picturesque coastal town of Monterey, California with ocean views and sprawling lawn space, concert goers will enjoy a solid line up including stellar performances from J Boog, The Green, Josh Heinrichs, and Saritah. Unfortunately, Stephen Marley will not be performing as previously announced. Tickets are on sale and available here.
Dan Sheehan, Co-Producer comments, “As concerts return we are thrilled to kick off a series of events leading up to our 2022 festival. Our team is excited to get back into production mode and connect with our music family with good music, local food and drinks, all at a beautiful venue. We missed our Cali Roots family and look forward to starting our festival session off in our home town location the Monterey County Fair and Event Center!”
Cali Roots 2022 is due to officially kick off on Thursday, May 26, 2022 at the Monterey County Fair and Event Center. The ever evolving premier reggae, roots, and hip hop festival, Cali Roots has expanded to four full days of live music and art. The 2022 exceptional line-up includes Stephen Marley, Jimmy Cliff, Protoje Feat Lila Iké and Sevana, Brother Ali, Sa-Roc, Slightly Stoopid, to name a few. They will share the stage with Cali Roots mainstays Rebelution, Atmosphere, Chronixx, and Damian Marley and 2022 sees debut performances from the renown Sean Paul, Ice Cube and Sublime With Rome. Tickets are on sale and available here. And catch the current line-up here.
EVENT DETAILS
Cali Roots Welcome Back: Monterey, CA
Dates: Saturday, August 28th
Time: Gates Open 4 PM, Show @ 5 PM
Venue: Monterey County Fair and Event Center
Address: 2004 Fairground Road, Monterey, CA 93940
Admission: Varies
Age restrictions: All Ages
Tickets: Tickets are on sale and available here.
Line-Up
J Boog
The Green
Josh Heinrichs
Saritah
Brazilian soul rocker Frederico7 has been making waves since 2019 as his debut album Exótico Americano charted #1 in the North American World Music Radio charts among greats Salif Keita and Bomba Estéreo. Rolling Stone Magazine took notice declaring it “A delicious cocktail of bossa, soul, funk & dub with a dash of psychedelia.”
Now he's back releasing two powerful songs about the universality of love, loss, mental illness and the search for truth within. Scheduled for worldwide release on September 17th plus a special live show to celebrate on Saturday, September 18th at SouthAmericano fest (at the FarOut lounge in Austin, TX). The tracks were recorded during the 2020 quarantine with seasoned musicians in São Paulo Brazil, Nashville and Austin. Pre-save the singles “Truth is Power” at https://distrokid.com/hyperfollow/frederico7/truth-is-power and “Missing my Children” at https://distrokid.com/hyperfollow/frederico7/missing-my-children.
“Truth is Power,” a song with a classic 80's pop feel, bumping bass lines and sultry vocals takes us on a journey of self-acceptance and liberation illuminating the central questions about the nature of truth and our grasping of reality in the post-modern world.
“Missing my Children” is groovy, soulful Pop Reggae dedicated to all who for different reasons (economic, emotional trauma, migration, alienation, war, pandemic, death, etc.) find themselves missing their children and/or their parents.
With master bassist and producer Sidão Santos (of Seu Jorge); Brazilian guitar legend Sergio Yazbek (of Cidade Negra) and producer/engineer Beto Martinez (Grupo Fantasma/Brownout) lending their talent and creativity to Frederico7's vocals and poignant lyrics (in English this time!), the tracks solidify Frederico7's place in the Global Pop/Worldbeat scene in Austin and beyond.
Frederico7 enthusiastically states, “I continue to write music in Portuguese and Spanish however at this time I am working on an EP of English songs only (due in 2022) as a way to thank and share a deeper side of myself with the American public that has welcomed my music with open hearts and ears. Music allows us to share the essence of our soul and these songs accomplished that.”
The 2 tracks are accompanied by music videos as well, which will debut on his Youtube channel (www.bit.ly/frederico7channel). 100% of the revenue from songs downloaded from Frederico7's Bandcamp will be donated to the SIMS foundation.
Southern California Reggae rockers Fortunate Youth releases their newest single “Sunlight” from their upcoming album Good Times (Roll On). The new song, inspired by tour life, comes on the eve of their Fall tour announcement! Stream + Download “Sunlight”: https://orcd.co/sunlightsingle.
“Sunlight” is the third release from Fortunate Youth’s album set for release on October 1st via Controlled Substance Sound Labs. The new song is uptempo horn-driven reggae that is the perfect end of the summer jam and just what we need. Corey Draskovich comments, “This track is that uptempo fun filled song you hope for on every album. The raging bass line and the story of life on the road really make this song for me. I feel like most people can relate to the premise of this song at one point in their life.”
The release of “Sunlight” and tour announcement is amplified by the news of their sold-out show at Colorado’s legendary Red Rocks Amphitheatre. The concert was broadcast by live stream and viewed world wide courtesy of Relix TV. Continuing the momentum, Fortunate Youth is looking forward to their 2021 Fall tour kicking off this September. With this tour the band will perform across the U.S. starting in Mesa AZ, with a quick stop at the Beach Life Festival in Redondo Beach, CA; then taking them for a few dates in Florida before they head back to CA with a stop in Denver. At the shows, fans can expect to hear the fan favorites alongside top cuts from the new album. The full tour is listed below and also catch and follow the band here: https://www.fortunate-youth.com
Born in the throes of lockdowns and conceived around 2018, the new album Good Times (Roll On) is a range of throwback sounds to current vibes. With the new album, Fortunate Youth rekindles the spirit of their early days from backyard grillin’ and chillin'. Bringing a fresh sound dotted with influences of blues, ska, rock, world, soul, and punk with the hope to reunite, once again, with their fans worldwide. And also, there’s a wish: that the return of those feel-good vibes finds brighter days for the planet. “We’re trying to change the world through the music we write and play, and the lives we live out performing on stage,” says singer Dan Kelly.
The band is comprised of long time friends Dan Kelly (vocals), Travis “Travi Bongo” Walpole (percussion), Jered Draskovich (keys/bass), Greg Gelb (bass, guitar), Corey Draskovich (bass, guitar, keys), Revelation Kalauli (drums). Since its inception in 2009, Fortunate Youth remains devoted to its roots and a simple mission: Spread peace, love, and unity with music. It’s a mantra of sorts for the multi-faceted sextet from Hermosa Beach, driving a relentless thirst for live performances and an ever-evolving cache of original material. Including the forthcoming Good Times, Fortunate Youth has also cataloged over a dozen releases and notably, all have been recorded, produced, and distributed, in DIY style, by the self-invested band. Garnering top Billboard charting success the band has seen their albums hit #1 Billboard Reggae Album Chart 5x, Billboard Heatseekers Chart 2x, #1 iTunes Reggae Chart 10x plus millions of streams across all platforms!
They are devoted to their fans as much today as they were when they started performing live, ticking off countless miles in the van crisscrossing the U.S. Fortunate Youth has graced the stage in support of brethren such as Slightly Stoopid, Stick Figure, and SOJA on major tours as well as continuing to headline national treks of their own; totaling over 27 tours since their inception. Over the last year the band has missed their normality of tour life but is also grateful for the time they have with loved ones. They look forward to seeing their fans and performing live again. Check out the full list of tour dates below & pre-save the album here: https://moremusic.at/GoodTimesRollOn.
Out Now Stream + Download “Sunlight”: https://orcd.co/sunlightsingle.
Tour Dates
10 Sep Mesa Amphitheatre - Mesa, AZ
12 Sep BeachLife Festival 2021 - Redondo Beach, CA
10 Oct Downtown Las Vegas Events Center - DLVEC Las Vegas, NV
20 Oct The Ranch Concert Hall & Saloon - Fort Myers, FL
21 Oct Ace Cafe Orlando - Orlando, FL
23 Oct North Beach Bandshell - Miami Beach, FL
24 Oct Terra Fermata - Stuart, FL
12 Nov Cervantes Masterpiece Ballroom - Denver, CO
17 Nov Mystic Theatre - Petaluma, CA
18 Nov Montbleu Resort, Casino and Spa - Stateline, NV
19 Nov Catalyst Santa - Cruz, CA
20 Nov Cornerstone Craft Beer & Live Music - Berkeley, CA
21 Nov Kilokilo Brewing Company - Paso Robles, CA
24 Nov Music Box - San Diego, CA
26 Nov Belly Up Tavern - Solana Beach, CA
Conscious reggae/hip-hop hybrid band The Late Ones are known for using their music as a tool to speak out against oppression and injustice by bringing a youthful and powerful presence to the reggae community, along with a unique spin by bringing in old school hip hop to the mix. Think of the Pharcyde, Souls of Mischief, and A Tribe Called Quest collaborating with The Mighty Diamonds or Culture, and you get a sense of what this band’s sound is like.
Now they are releasing a new single “Feeling Myself,” the latest release from their highly anticipated debut studio album, The Fourth Quarter (October 8, via Easy Star Records). The track is an upbeat, feel-good summertime jam which embodies empowerment and confidence given to us daily by a higher power. The band is excited to present The Fourth Quarter, saying, “The album has a couple jams you’ve probably heard and some new ones that will blow you back to the Bible or the ‘90s, lol! So lace up those J’s because it’s crunch time and The Late Ones are on the line!”
Pre-order and pre-save The Fourth Quarter album here: http://moremusic.at/TheFourthQuarter
Stream and Download the “Feeling Myself” single here: http://moremusic.at/FeelingMyself
Acclaimed Reggae-Rock group Roots of Creation (A.K.A. RoC) is excited to announce the release of “Dub Free or Die Vol. 1,” out now!
Ahead of the new album ROC has released a slew of outstanding singles including "Seven Nation Army"(White Stripes Reggae/Rock cover) ft. Hayley Jane, "Mammoth” and "Arabia" Ft. Mihali (of Twiddle), and "Light It Up" ft. Mighty Mystic. And most recently with their Reggae/Rock rendition cover of Allman Brothers’ “Soulshine.” So far the songs have garnered critical accolades from Relix, Live for Live Music, Reggaeville, Celebstoner, Top Shelf Music and more. All of the songs will be featured on the album, Dub Free or Die Vol. 1.
Like many artists, Roots of Creation wasn’t immune to the effects of the pandemic on the touring industry. Utilizing a platform that almost seemed built for navigating a disaster, RoC utilized the power of their tremendous fan base with Kickstarter. That support allowed them to properly record “Dub Free or Die vol #1” as a collaborative effort with the fans. The band first started recording the new album before “Grateful Dub (2018)” and deleted almost everything to only then start over. Soon after the pandemic wiped out their budget and with nothing but time at hand due to lock downs and zero in-person performances, they turned to Kickstarter and the fans saved the day! It is their first self-produced album made for the Roots of Creation DIE HARD fans who love that progressive Rock-and-Jam-meets-Reggae sound. The new album is chock-full of brand new, original Dub/Jammy instrumental compositions, with a handful of truly unique covers.
Frontman Brett Wilson adds, “the upcoming record “Dub Free or Die vol #1” is all about focusing on our instrumental songwriting. It was created for our diehard fans who travel to multiple shows a year, listen to bootlegs, pay attention to setlists and always score the latest merch drops. We are extremely blessed to have our tribe of ‘RoC family’ members to be there to support us through these crazy uncertain times and let us experiment, create and have a blast. These compositions tend to lend themselves to progressive rock, improvisation, soundscapes, rapid genre switches, and Dub Reggae EFX.”
Andrew Riordan (Dub King Productions) RoC sax player and album producer adds, “Personally, this album is very special to me. The band was kind enough to let me produce and take the reins of a lot of the music in this project. It was also the last project I completed in my old studio before I remodeled and gave it an overhaul. There are pieces of gear that I used that are no longer in service, that I think gives the record a certain sound. That also makes this project feel special. I’m really happy and excited for all our fans to hear the record.”
Musicians featured on the new album include RoC’s Brett Wilson: Guitar/Vocals; Tal Pearson: Keyboards/Melodica; Andrew Riordan: Sax, Harmony Vocals, Drum Programming, Production,
Key, & Melodica; Chris Regan: Bass/Sticky Guitar; Alex Brander: Drums/Percussion. And includes special guests: Trumpet: Andy Geib (Slightly Stoopid); Trombone: Billy Kottage (toured in live band & recorded with The Interrupters, Reel Big Fish, Goldfinger); Guitar: Mihali (Twiddle) on Arabia; Vocals: Hayley Jane on Seven Nation Army (White Stripes); Vocals: Mighty Mystic on Light it Up; Saxophone Solo: Daniel ‘DELA’ Delacruz (Slightly Stoopid) on Soulshine; Vocals:Jesse Wagner (The Aggrolites) on Soulshine; Hammond Organ: Paul Wolstencroft (Slightly Stoopid) on Soulshine; Percussion: Nick Asta (The Elovaters) on Soulshine. The new album was mixed and mastered by longtime collaborator, friend and RoC live front of house engineer - Pete “Boardz” Peloquin (Gov’t Mule, Seether, Ani Difranco, Oasis) of Boardz House Productions based in the band’s hometown of Brookline, NH.
The release of the new album will be celebrated on Friday, September 17th at Bernie's Beach Bar in Hampton Beach, NH and the news of three New England Music Award nominations! RoC is beyond excited to get back on the road and in front of their fans after a year of virtual shows and lots of social media connections -- so many that RoC landed on Pollstar’s 2020 Live Stream Year End Chart at #33. At shows audiences can expect to hear RoC perform fan favorites, including songs from the #1 Reggae Billboard and Relix/Jambands.com radio charting albums “Grateful Dub: A Reggae-Infused Tribute to the Grateful Dead” and “Livin Free”, as well as choice selections off their upcoming album “Dub Free or Die Vol. 1!” Catch the full tour and purchase tickets HERE.
The new album is out now on all digital platforms & CD and on limited edition vinyl early 2022. Stream & download HERE.
ROOTS OF CREATION
• 11/10/21: Boston, MA | The Paradise Rock Club
Grateful Dub + Teton Gravity Research: Stoke the Fire (Movie Premiere)
• 11/18/21: Rutland, VT | Paramount Theatre w/ Badfish
• 4/7/22-4/10/22: Ventura, CA | Skull & Roses Festival @ Ventura County Fair
BRETT WILSON
• 9/30/21: Webster, MA | Indian Ranch w/ Ziggy Marley
• 10/8/21, 10/15/21, 10/22/21: Hudson, NH | '"Island Fridays" @ Luk's. FREE
• 10/16/21: Portland, ME | Thirsty Pig. 1 Original set. 1 Grateful Dub set
• 11/21/21: Paso Robles, CA | KILOFEST 2021 @ Kilokilo Brewing
w/ Fortunate Youth, KBong (of Stick Figure), Kaleo Wassman (of Pepper), Katastro & Artikal Sound System.
Though JonQuan is relatively new to the reggae scene, you’d never know it by listening to the music on the upcoming EASY STAR PRESENTS JONQUAN & ASSOCIATES. Working closely with two-time GRAMMY winner Victor Rice (Easy Star All-Stars, Bixiga 70, Ticklah), JonQuan has fashioned an album’s worth of brand-new tunes that evoke the power and soul of the golden age of reggae. These tracks are being released as singles (with dub versions mixed by Rice) over the course of the late summer and fall, culminating in an album release in early December.
Coming off the heels of the well-received debut release of “Accidental Badman,” featuring Carlton Livingston, JonQuan is back in our earbuds with new singles. The latest includes “When Ya Hold Me,” featuring Screechy Dan, out today. Screechy, originally born and raised in Jamaica, moved to Brooklyn at a young age and eventually became part of a community of artists – including Shaggy, Redd Foxx, Bajja Jedd, and others – that put Brooklyn and NYC on the map for dancehall in the early to mid ’90s. He was one of the first reggae artists to incorporate hip hop style and flow into his work and had some key tracks with the legendary producer Bobby Konders, including a song on the soundtrack for the Wesley Snipes film “Sugar Hill.” JonQuan says, “Screechy Dan is such a G. Lyrics for ages and style to match. His voice still echoes his early style. You’ll be hearing more from Screechy in this camp.”
Two weeks ago, “One Bright Road,” featuring Elliot Martin of John Brown’s Body, was released. “This was the first riddim I made for the project,” JonQuan explains. “Elliot Martin is quite a magnanimous human being. His voice is one of a kind and unmistakable, and turned this tough, punchy song into an anthem to stay the course and keep doing the right thing. His lyrical content always kept me interested on JBB releases, and I’m fortunate to have him as an Associate.” Martin has recently been making solo appearances and guest spots while JBB continues to be on hiatus, including work with Double Tiger, Iya Terra, and others.
When it came to putting the album together, JonQuan says he “…was inspired over the pandemic to create my own original riddims to cure the boredom and woes of being off stage and locked down.” JonQuan has been the front man, songwriter, and keyboard player for Buddha Council, based out of Virginia Beach, for the past few years, along with touring with a number of bands, including the Pietasters. “This is my first project where I produced the riddims myself. I wanted to leave the door open for the players of all other instruments for maximum creative input, but within certain parameters. I personally chose who I wanted to play what instrument on what song. I’m most accustomed to live writing with a band while feeling for a groove.” Once he had an album’s worth of riddims, he set about finding great vocalists to collaborate with, which ended up also including Sammy Dread, Vernon Maytone, JonnyGo Figure, Kelly Di Filipo (of The Loving Paupers), among others.
Once JonQuan had the record finished, Victor Rice made the connection to Easy Star Records, his label for the past few years. For the team at Easy Star, they felt like they were reconnecting with their own origins as a label, as their very first release was a similar project, EASY STAR VOL. ONE, which paired their own foundation-inspired original riddims with vocals from both Jamaican veterans and New York City-based newcomers. A generation has passed since that project, with the label since becoming a major player in the genre, and an entire U.S. reggae scene evolving into a major force, so getting involved with this scrappy upstart project that had so much energy and creativity was a joy for the label.
Stream and download the single & dub version “When Ya Hold Me” with Screechy Dan:
http://moremusic.at/WhenYaHoldMe
Stream and download the single & dub version “One Bright Road” with Elliot Martin here:
http://moremusic.at/OneBrightRoad
Listen and order “Accidental Badman” with Carlton Livingston:
When LPT emerged with their debut album Sin Parar (2018), it was met with critical acclaim (Billboard, Sounds & Colours, PopMatters, and more), leading them to win the “Best Latin Album at the 18th Annual Independent Music Awards” and resulted in a very busy touring schedule. Then their momentum came to a crashing halt when COVID-19 hit, making it all disappear. Instead of sulking in the tough times, the band dusted themselves off, re-grouped and got back into the studio to create their most personal and powerful release to date. The album, Se Quema El Mundo was born both out of frustration and perseverance, and is the band’s response to the low points of the pandemic. The album is out October 15, 2021 and is preceded by the title track and video (https://youtu.be/upiW72QdACY), which has already gained support from NPR Alt.Latino and Jazziz.
The album title, Se Quema El Mundo (The World is Burning) is aptly titled to reflect these times. Lead vocalist Josué A. Cruz expresses, “The album name taken from our title track is, yes, the world is burning, but we are all just trying to find a way to continue. We’re all working on not failing. The world is burning and here’s what we’re doing about it. This is our hopeful contribution to the eventual, positive resolution of things. We wanted to find inspiration in adversity. Not just through the global pandemic, but all of the adversity that we share in as a community and as humans.” He adds, “The noise gets maddening and so obtrusive that the world actually seems to be burning. Hell, some days the world actually IS burning: heat waves, wild fires, oil spills. All of the heated exchanges between humans that fry nerve endings. All of it. But, we still have to move forward as a people. Eradicate all of the poisons that ruin us: racism, poverty, inequality. We still have to find a way not to fail our future generations. That may sound trite and obvious, but it is no less true right now.”
Similar to their debut, Se Quema El Mundo is an electrifying and evocative project that pushes the theme of “salsa con conciencia” (salsa with consciousness), creating music that makes listeners dance and critically think at the same time. But the new album follows the progression of the band as they evolve. Cruz sums it up, stating “What makes the new release special is that it is both timely and timeless.” This was done with the majority of the songwriting handled by Ángel García combined with Josué Cruz’s lyrical content and vocal melodies. Steve Strawley and Bryant Patterson, trumpet and trombone respectively, both added a song each. The band again worked exclusively with Ryan Leroy to engineer and mix the album. Ryan Leroy took it upon himself to use room mics and placements to create the space for the instruments. There is very little effects processing on this album, whatsoever. What you hear is what was captured and blended into the mix.
The results are an album that is rich and diverse, filled with power, emotion, and an infectious passion expertly delivered in the span of nine songs. The album features tracks like “¡Ya Basta! (Enough!)” addressing the state of our nation and “Se Quema El Mundo” a call for perseverance. There are also songs such as “Se Me Perdio,” which has a more jovial vibe to it, and the fun descarga “La Guagua.” The bolero “Delito,” a song about a frivolous lover that plays with their partners love and emotions, is LPT’s largest production to date with the inclusion of a live string section, bringing the song to life. The album runs a whole gamut of emotions and vibes, all delivered in LPT’s signature swagger and style.
For LPT, the 10-piece orchestra out of Jacksonville, Se Quema El Mundo is an album of internal and self-imposed pressure and expectation to push the band forward. Cruz concludes, “We took it upon ourselves to try and surpass what we’d achieved on Sin Parar, artistically, thematically, and musically.”
Tour Dates:
10/17 @ Viva La Fiesta (JWJ Park) – Jacksonville, FL
11/06 @ Porchfest – Springfield, Jax, FL
The So Cal powerhouse reggae-rock band Fortunate Youth has released their fifth full length studio album Good Times (Roll On) today on Controlled Substance Sound Labs. Bringing a fresh sound dotted with influences of blues, ska, rock, world, and soul, while they reunite once again with their fans on tour. The new album is out now and available everywhere you stream music, stream + download Good Times (Roll On): https://moremusic.at/GoodTimesRollOn.
Born in the throes of lockdowns and conceived around 2018, the new album Good Times (Roll On) is a range of throwback sounds to current vibes. With the new release, Fortunate Youth rekindles the spirit of their early days from backyard grillin’ and chillin' with a wish: that the return of those feel-good vibes finds brighter days for the planet. “We’re trying to change the world through the music we write and play, and the lives we live out performing on stage,” says singer Dan Kelly. Adding Jared Draskovich (keys/bass) comments, “We are all living through this global event and to me we chose the title to help ensure that Good Times are indeed going to roll on regardless of all the hardships that our recent environment has provided for everyone.”
Good Times (Roll On) is stacked with standouts including the glistening title track and music video “Good Times (Roll On).” With the new song, Fortunate Youth turns a slightly nostalgic eye to its humble beginnings in the backyard, plus a few new tasty surprises under the lid. “We always hope our music can change the outlook of anyone’s day,” comments Dan. Cory Draskovich (bass, guitar, keys) adds, “The lyrics are true to us as a band, and reflect where we come from and the things we appreciate in life. Dan’s vocals on this track still give me goosebumps.”
The new album reflects on Fortunate Youth’s ever evolving sound including capturing the horn section from their past tours. For the album they enlisted premier horn players John, Art, Bryan, and Geoff. They also include features and special guests like Nathan Feinstein (Iya Terra) on “Groovin” and their good friend Gonzo (Tribal Seeds/ Fortunate Youth) for background vocals. “Around the World” features Italy's own twin fronted group Mellow Mood backed by stellar horns that really hits home on the global reach of reggae music. And “Sunlight” is horn-driven reggae that is the perfect end of the summer jam. Corey Draskovich comments, “This track is that uptempo fun filled song you hope for on every album. The raging bass line and the story of life on the road really make this song for me. I feel like most people can relate to the premise of this song at one point in their life.”
Ever evolving and always collaborative, the writing and composing process for Fortunate Youth is a band effort. Songs are fleshed out on the road or created with a riff or melody. While working on the new album the band recorded pre-production at Kona Town Studio. And in July of 2020, mid-lock down, they tracked key essentials at Total Access Recording. They also worked with Lewis Richards at 17th Street Studios and tracked the horns remotely at Kromatic Sound recording studio in the East coast.
The band is comprised of long time friends Dan Kelly (vocals), Travis “Travi Bongo” Walpole (percussion), Jered Draskovich (keys/bass), Greg Gelb (bass, guitar), Corey Draskovich (bass, guitar, keys), Revelation Kalauli (drums). Since its inception in 2009, Fortunate Youth remains devoted to its roots and a simple mission: Spread peace, love, and unity with music. It’s a mantra of sorts for the multi-faceted sextet from Hermosa Beach, driving a relentless thirst for live performances and an ever-evolving cache of original material. Including the forthcoming Good Times, Fortunate Youth has also cataloged over a dozen releases and notably, all have been recorded, produced, and distributed, in DIY style, by the self-invested band. Garnering top Billboard charting success the band has seen their albums hit #1 Billboard Reggae Album Chart 5x, Billboard Heatseekers Chart 2x, #1 iTunes Reggae Chart 10x plus millions of streams across all platforms!
Fortunate Youth has graced the stage in support of brethren such as Slightly Stoopid, Stick Figure, and SOJA on major tours as well as continuing to headline national treks of their own; totaling over 27 tours since their inception. They are devoted to their fans as much today as they were when they started performing live, ticking off countless miles in the van crisscrossing the U.S.
With the new release and the return to touring, Fortunate Youth is excited to bring the good times back on the road to reciprocate all of the love and support they’ve seen so far. From the sold out Red Rock’s in Colorado show to their hometown performance at Beach Life Festival in Redondo Beach, CA. The next stop takes the band to Las Vegas before a few dates in Florida with a stop in Denver and back to the West coast. At the shows, fans can expect to hear their favorites alongside choice cuts from the new album. The full 2021 tour is listed below and also here: https://www.fortunate-youth.com/
The new album is out now and available everywhere you stream music. Stream + Download:
https://moremusic.at/GoodTimesRollOn
Track Listing:
1) "Too Big"
2) "Around The World" (Feat. Mellow Mood)
3) "Burning With You"
4) "Sunlight"
5) "The City"
6) "The Situation"
7) "Good Times (Roll On)"
8) "Friend"
9) "Emin Interlude"
10) "Riddim Rydah" feat. Skillinjah & Dread Kennedy
11) "Groovin" feat. Iya Terra
12) "The Cure"
Tour Dates
10 Oct Downtown Las Vegas Events Center - DLVEC Las Vegas, NV
20 Oct The Ranch Concert Hall & Saloon - Fort Myers, FL
21 Oct Ace Cafe Orlando - Orlando, FL
23 Oct North Beach Bandshell - Miami Beach, FL
24 Oct Terra Fermata - Stuart, FL
12 Nov Cervantes Masterpiece Ballroom - Denver, CO
17 Nov Mystic Theatre - Petaluma, CA
18 Nov Montbleu Resort, Casino and Spa - Stateline, NV
19 Nov Catalyst Santa - Cruz, CA
20 Nov Cornerstone Craft Beer & Live Music - Berkeley, CA
21 Nov Kilokilo Brewing Company - Paso Robles, CA
24 Nov Music Box - San Diego, CA
26 Nov Belly Up Tavern - Solana Beach, CA
Austin, TX based band Superfónicos is the musical meeting point between Colombia, Africa and the U.S. Their music pays homage to all three locales with a foundation in Cumbia, sprinkled with healthy doses of Afrobeat and marinated in the school of funk. The eight piece act has received critical praise for their debut EP Suelta from Rolling Stone, NPR, Billboard, PRI The World, PopMatters, Afropop, and more. They are confirmed to play the Austin City Limits Music Festival (Weekend Two) BMI stage on Sunday, October 10th.
Superfónicos was formed when bassist Nico Sanchez and guitarist Erick Bohorquez began discussions about creating a group with a foundation in Afro-Colombian rhythms. They soon teamed up with guitarist Andres Villegas and percussionist Daniel Sanchez, and started rehearsing together during time away from their other projects. That core group developed the band’s unique sound, laying the foundation for what was to come. In 2016, gaitero and vocalist Jaime Ospina relocated from Colombia to Austin, where he met and instantly connected with the group.
The band’s success has been the outcome of organic growth and auspicious timing. Their EP and handful of singles have all been met with critical acclaim and featured on prominent Spotify playlists, pushing streams to over 500,000 plays and counting. The band is currently recording new music at Electric Deluxe Studios, owned and operated by GRAMMY winning artist and producer Adrian Quesada of the Black Pumas. They were also recently featured on BBC World News (https://youtu.be/8nocAvGNGJ4) promoting ACL Fest and Austin, the live music capital of the world!
Their next single is titled “Carroña” (Carrion), and is a scathing rebuke of corrupt politicians and their penchant for saying what the people want to hear in hopes of maintaining their dynastic grip on power and money. The band explains, “Politicians will continue to play their games with the lives of the people unless we collectively as a society stand up and realize we are being eaten alive by these ‘vultures’ in power. They ravenously steal all the money and resources and leave nothing for future generations. There is however, a feeling across the globe, that the people have had enough and are beginning to wake up from their slumber of indifference and that gives us hope in these times.”
Don’t miss the chance to catch what NPR calls, “Lively, dynamic, colorful, full sound blending funk, cumbia, merengue…Commanding sound and presence with great vocals and harmonies," when the scorching eight-piece Colombian Funk band performs during their set at the upcoming Austin City Limits Music Festival on October 10th at the BMI Stage.
Acclaimed Reggae-Rock group Roots of Creation (A.K.A. RoC) fun funded full length studio album “Dub Free or Die Vol. 1” has impressively debuted at #1 on the sales-driven U.S. Current Reggae Albums chart reported by the Jamaica Observer.
Ahead of the stellar album ROC has released a slew of outstanding singles including “Seven Nation Army” (White Stripes Reggae/Rock cover) ft. Hayley Jane, “Mammoth,” and “Arabia” Ft. Mihali (of Twiddle), and “Light it Up” ft. Mighty Mystic. And most recently with their Reggae/Rock rendition cover of Allman Brothers’ “Soulshine.” So far the songs have garnered critical accolades from Relix, Live for Live Music, Reggaeville, Celebstoner, Top Shelf Music and more. All of the songs will be featured on the forthcoming album “Dub Free or Die Vol. 1.”
Like many artists, Roots of Creation wasn’t immune to the effects of the pandemic on the touring industry. Utilizing a platform that almost seemed built for navigating a disaster, RoC utilized the power of their tremendous fan base with Kickstarter. That support allowed them to properly record “Dub Free or Die vol #1” as a collaborative effort with the fans. The band first started recording the new album before “Grateful Dub (2018)” and deleted almost everything to only then start over. Soon after the pandemic wiped out their budget and with nothing but time at hand due to lock downs and zero in-person performances, they turned to kickstarter and the fans saved the day! It is their first self produced album made for the Roots of Creation DIE HARD fans who love that progressive Rock-and-Jam-meets-Reggae sound. The new album is chalk full of brand new, original Dub/Jammy instrumental compositions, with a handful of truly unique covers.
Frontman Brett Wilson adds, “the upcoming record “Dub Free or Die vol #1” is all about focusing on our instrumental songwriting. It was created for our diehard fans who travel to multiple shows a year, listen to bootlegs, pay attention to set lists and always score the latest merch drops. We are extremely blessed to have our tribe of ‘RoC family’ members to be there to support us through these crazy uncertain times and let us experiment, create and have a blast. These compositions tend to lend themselves to progressive rock, improvisation, songscapes, rapid genre switches, and Dub Reggae EFX.”
Andrew Riordan (Dub King Productions) RoC sax player and album producer adds, “Personally, this album is very special to me. The band was kind enough to let me produce and take the reins of a lot of the music in this project. It was also the last project I completed in my old studio before I remodeled and gave it an overhaul. There are pieces of gear that I used that are no longer in service, that I think gives the record a certain sound. That also makes this project feel special. I’m really happy and excited for all our fans to hear the record.”
Musicians featured on the new album include RoC’s Brett Wilson: Guitar/Vocals; Tal Pearson: Keyboards/Melodica; Andrew Riordan: Sax, Harmony Vocals, Drum Programming, Production, Key, & Melodica; Chris Regan: Bass/Sticky Guitar; Alex Brander: Drums/Percussion. And includes special guests: Trumpet: Andy Geib (Slightly Stoopid); Trombone: Billy Kottage (toured in live band & recorded with The Interrupters, Reel Big Fish, Goldfinger); Guitar: Mihali (Twiddle) on Arabia; Vocals: Hayley Jane on Seven Nation Army (White Stripes); Vocals: Mighty Mystic on Light it Up; Saxophone Solo: Daniel ‘DELA’ Delacruz (Slightly Stoopid) on Soulshine; Vocals: Jesse Wagner (The Aggrolites) on Soulshine; Hammond Organ: Paul Wolstencroft (Slightly Stoopid) on Soulshine; Percussion: Nick Asta (The Elovaters) on Soulshine. The new album was mixed and mastered by longtime collaborator, friend and RoC live front of house engineer - Pete “Boardz” Peloquin (Gov’t Mule, Seether, Ani Difranco, Oasis) of Boardz House Productions based in the band’s hometown of Brookline, NH.
The release saw an epic record release party at Bernie's Beach Bar in Hampton Beach, NH and they celebrated the news of three New England Music Award nominations! RoC is beyond excited to get back on the road and in front of their fans after a year of virtual shows and lots of social media connections -- so many that RoC landed on Pollstar’s 2020 Live Stream Year End Chart at #33. At shows audiences can expect to hear RoC perform fan favorites, including songs from the #1 Reggae Billboard and Relix/Jambands.com radio charting albums “Grateful Dub: A Reggae-Infused Tribute to the Grateful Dead” and “Livin Free”, as well as choice selections off their upcoming album “Dub Free or Die Vol. 1!” Catch the full tour and purchase tickets here: https://rootsofcreation.com/shows
The new album is out now on all digital platforms & CD, and will be available on limited edition vinyl in early 2022.
The So Cal powerhouse reggae-rock band Fortunate Youth fifth full length studio album Good Times (Roll On) has impressively debuted on #1 on iTunes Reggae Chart, #5 on iTunes Charts (All Genres) and have become a favorite of the Seattle Mariners who have added the title song to their on-field walk up playlist! The new album is out now on Controlled Substance Sound Labs and available everywhere you stream music, stream + download Good Times (Roll On): https://moremusic.at/GoodTimesRollOn
The Hermosa Beach based band is comprised of long time friends Dan Kelly (vocals), Travis “Travi Bongo” Walpole (percussion), Jered Draskovich (keys/bass), Greg Gelb (bass, guitar), Corey Draskovich (bass, guitar, keys), Revelation Kalauli (drums). Since its inception in 2009, Fortunate Youth has garnered top Billboard charting success and has seen their albums hit #1 Billboard Reggae Album Chart 5x, Billboard Heatseekers Chart 2x, #1 iTunes Reggae Chart 10x plus millions of streams across all platforms! And now with the new record Good Times (Roll On), Fortunate Youth continues to see national and international success with top charting on iTunes and over 1.1 million album streams within the first week of release!
On the new release, Good Times (Roll On), Fortunate Youth rekindles the spirit of their early days from backyard grillin’ and chillin' with a wish: that the return of those feel-good vibes finds brighter days for the planet. And reflects on their ever evolving sound most obvious with the glistening title track and music video “Good Times (Roll On),” which has appeared on editorial playlists across multiple streaming platforms! It is stacked with standouts and collaborations with special guests like Nathan Feinstein (Iya Terra) on “Groovin” along with their good friend Gonzo (Tribal Seeds/ Fortunate Youth) for background vocals. Mellow Mood, taly's own twin fronted group, joins Fortunate Youth on “Around the World” and “Sunlight” is horn-driven reggae that is the perfect end of the summer jam and an ode to touring life.
Over the years, Fortunate Youth has graced the stage in support of brethren such as Slightly Stoopid, Stick Figure, and SOJA on major tours as well as continuing to headline national treks of their own; totaling over 27 tours and counting since their inception. They are devoted to their fans as much today as they were when they started performing live, ticking off countless miles in the van crisscrossing the U.S.
With the new release and the return to touring, Fortunate Youth is excited to bring the good times back on the road to reciprocate all of the love and support they’ve seen so far. From the sold out Red Rock’s in Colorado show to their hometown performance at Beach Life Festival in Redondo Beach, CA. The next stop takes the band to Las Vegas before a few dates in Florida with a stop in Denver and back to the West coast. At the shows, fans can expect to hear their favorites alongside choice cuts from the new album. The full 2021 tour is listed below and also here: https://www.fortunate-youth.com
The new album is out now and available everywhere you stream music. Stream + Download:
https://moremusic.at/GoodTimesRollOn
Track Listing:
1) "Too Big"
2) "Around The World" (Feat. Mellow Mood)
3) "Burning With You"
4) "Sunlight"
5) "The City"
6) "The Situation"
7) "Good Times (Roll On)"
8) "Friend"
9) "Emin Interlude"
10) "Riddim Rydah" feat. Skillinjah & Dread Kennedy
11) "Groovin" feat. Iya Terra
12) "The Cure"
Tour Dates
20 Oct The Ranch Concert Hall & Saloon - Fort Myers, FL
21 Oct Ace Cafe Orlando - Orlando, FL
23 Oct North Beach Bandshell - Miami Beach, FL
24 Oct Terra Fermata - Stuart, FL
12 Nov Cervantes Masterpiece Ballroom - Denver, CO
17 Nov Mystic Theatre - Petaluma, CA
18 Nov Montbleu Resort, Casino and Spa - Stateline, NV
19 Nov Catalyst Santa - Cruz, CA
20 Nov Cornerstone Craft Beer & Live Music - Berkeley, CA
21 Nov Kilokilo Brewing Company - Paso Robles, CA
24 Nov Music Box - San Diego, CA
26 Nov Belly Up Tavern - Solana Beach, CA
Austin’s multilingual folk fusion group, Ley Line, is proud to announce a run of Colorado shows starting in November. The band is hot on the heels of their critically acclaimed album We Saw Blue, that saw praise from NPR, Billboard, Brooklyn Vegan, PopMatters, alongside high profile Spotify playlists boosting play counts to 800,000 and rising. Ley Line also received a grant from the prestigious Black Fret organization in 2019 and performed at the esteemed Austin City Limits Festival the same year. In addition, they also released a visual album “We Saw Blue: An audio-visual journey through Brasil” which was filmed & produced by Ley Line, combining footage from their 2017 tour through Brasil with the songs featured on the band’s sophomore album. It’s like a music video, travel documentary, and art film all in one. The band will be screening the visual album at select venues. Full tour dates below.
The band has strong ties to Colorado as Ley Line member Kate Robberson attended CU Boulder in the mid 2000s. It was there, where Kate was submerged into Brazilian music and culture, since her neighbor was the one who invited her to do an exchange program in Brazil. Kate’s Grandpa also attended CU Boulder and her Dad was born in Denver. Ley Line first crossed paths in Colorado in 2013 at the Telluride Bluegrass Festival. This eventually led to the two duos merging into Ley Line (Austinites Kate Robberson and Emilie Basez and twin sisters Madeleine and Lydia Froncek). In 2018, Ley Line performed again at the Telluride Bluegrass Festival with Bonnie Paine of Elephant Revival. With these roots, it make sense, on why Colorado has been such a key market for the rising Ley Line band.
We Saw Blue is in many ways the origin story of Ley Line. Bandmembers Kate Robberson and Emilie Basez met in Brazil in 2012 and travelled the country playing shows, learning traditional folk songs and writing their own music along the way. When twins Madeleine and Lydia Froncek joined their duo project in 2016, much of the band’s repertoire was influenced by the sounds and experiences Kate and Emilie had gathered during their time in Brazil. In 2017, Ley Line decided to return to where it all began. They raised money to buy a van and took off for a four month long tour from the south of Brazil to the Northeast. Their self-managed tour included stops around the country playing venues, cultural centres, leading workshops in schools and all the while staying with new and old friends they met along the way. We Saw Blue is comprised of songs the four women learned and composed in Brazil and songs written after their return home. Kate explains, “Not only was this adventure a way to dive deeper into our study of Brazilian music, it was also an opportunity for the four of us to solidify our bond by experiencing the rewards and challenges of traveling together.”
The album carries a strong connection that runs through the songs and highlights the name We Saw Blue. Maddy elaborates, “The theme of water is central to the album and has become a metaphor for both the process of creating the songs and the experience we hope to offer to our listeners. Water has the ability to make its way around any obstacle, as Margaret Atwood said, ‘Water doesn’t resist, it flows.’ The process of making We Saw Blue has been a winding journey but the intention has always been to connect deeply with each other and the world around us. This album documents Ley Line really refining our unique sound through an exploration of Brazilian folklore and the spirituality embedded in nature.” Emilie adds, “Water is universal and symbolizes the connection every human on earth has to each other and the natural world. Music has that same ability to connect across language and culture. In the story of Ley Line, our travels have always revolved around visits to oceans, rivers and waterfalls and we sing of our reverence for water in songs like ‘Sereia’ and ‘Oxum.’ The songs on this album speak to the way we integrate our surroundings and our influences into the music we create.” Lydia echoes the sentiment, “Our hope is that listeners will be transported to the adventure, beauty, growth, and healing that inspired this album.”
COLORADO TOUR DATES:
11/03 @ Sherbino Theater - Ridgeway CO*
11/05 @ The Contemporary Theater – Basalt, CO*
11/06 @ eTown - Boulder, CO
11/07 @ Swallow Hill – Denver, CO*
11/11 @ Aggie Theater – Fort Collins, CO*
11/12 @ Lulu’s Downstairs – Manitou Springs, CO
11/13 @ Ivy Ballroom – Buena Vista, CO*
*Screening visual album
MEMBERS:
Emilie Basez: Guitar/Vocals
Madeleine Froncek: Upright Bass/Vocals
Kate Robberson: Ukulele/Vocals
Lydia Froncek: Percussion/Vocals
Conscious reggae/hip-hop hybrid band The Late Ones have been on the rise, dropping compelling singles and videos, which embody empowerment, social commentary, and protest music. Their debut album The Fourth Quarter, out now on Easy Star Records, is the result of the group’s work, finding their voice and sound during a global pandemic, social injustices, and a hunger for conscious music to return. Listen, save, and download the album at http://moremusic.at/TheFourthQuarter.
The Late Ones are known for using their music as a tool to speak out against oppression and injustice, bringing a youthful and powerful presence to the reggae community, along with a unique spin by throwing old school hip hop to the mix. Think of the Pharcyde, Souls of Mischief, and A Tribe Called Quest collaborating with The Mighty Diamonds or Culture, and you get a sense of what this band’s sound is like. The group consists of brothers Tui Avei (lead vocals) and Tau Avei (vocals), along with their cousin Josh Brunson (vocals), combined to blend “…a seamless fusion of the grooves and harmonies of mid/late '70s reggae with the incisive bars of '90s Native Tongues-style rap,” according to Brooklyn Vegan.
The Late Ones first teased the album on their 2020 Lately EP, a powerful mix of conscious reggae and hip hop combined with protest music, social commentary, and uplifting messages. The EP featured the tracks “Babylon Exists,” “Troubled Streets,” “Brother’s Keeper,” and “The Noose.” The trio kept the momentum into 2021 with their thought provoking single “Fake Reggae,” challenging their contemporaries to use their platforms to address social change, and to use their music to affect real change. The Fourth Quarter gathers these songs along with a few previous single releases (the funky “Thunder & Sun,” “Thrive,” and the love song “Tell Me Not”) and brand new, unheard songs like the pensive, acoustic “Unbalanced,” the roots reggae epic “Jah Is,” and more up-tempo hip hop-forward tracks like “Bob & Weave” and “Have To Pay.” Their most recent single “Feeling Myself” is accompanied by a video, directed by Kat Faith, that captures the upbeat, feel-good summery jam, which the bands says “embodies empowerment and confidence given to us daily by a higher power.” The video has a surreal feel, turning a typical party video into something more spiritual and meditative, while retaining all the fun. Watch the video here.
The Fourth Quarter is the culmination of the band's 5-year journey battling through adversity whilst recording the album that addresses the current state of the world from the perspective of three young conscious men of color. The songwriting process for the project was unreal and natural. “We would take some really simple chords but put the hip hop cadence with it and some really special lyrics and vibes and bam we would have the foundation for a dope track,” says Tui. “It continues to amaze me to this day, how this all fell into place as we worked on it. I remember the Bible was a guiding light lyrically and we have always looked there for topics for songs. It’s the TLO style.”
The band is excited to present The Fourth Quarter, stating, “The album has a couple jams you’ve probably heard and some new ones that will blow you back to the Bible or the ‘90s, lol! So lace up those J’s because it’s crunch time and The Late Ones are on the line!” Although the pandemic may have slowed down the band’s touring schedule, they are prepared to bring The Fourth Quarter live to venues near you in 2022.
Listen to The Fourth Quarter album here: http://moremusic.at/TheFourthQuarter
Marcus Gad, the fast-rising reggae artist hailing from New Caledonia, a French-controlled island in the South Pacific, embodies a spiritual movement of soul music and meditative roots that is uniquely his. For his latest project he has teamed up once again with his long-time collaborator and friend, French producer Tamal. Together they give us a slice of their dynamic, globally influenced reggae style on their just released project Brave New World. The new album is out now on Easy Star Records. Stream or buy it here.
Marcus Gad and Tamal first met in 2009 when Tamal, beatmaker and sound engineer, was working at the famous Davout Studios in Paris. He recorded Marcus Gad’s first songs in 2011, as well as Marcus’s acclaimed debut album Chanting. Tamal later joined Marcus Gad & Tribe on tour as their official live sound engineer. The duo officially debuted as Marcus Gad Meets Tamal with the release of their first EP Enter A Space, which included their breakout hit “River.”
Brave New World first came together in April 2020 when the entire world shut down due to the COVID-19 pandemic. Marcus had just released his album Rhythm Of Serenity, produced by Zion I Kings, and was forced to postpone his biggest European tour ever. Despite this, the album came as a musical remedy for his fans and grew his overseas fan base. After spending almost 3 months in lockdown in a little village in the South of France, Gad went to Paris where he met up with his long-time friend Tamal to begin work on the single “Brave New World” as a positive response to the situation.
“After Enter A Space was released in 2019, Brave New World was an obvious name for the second opus,” says Tamal. “Brave New World refers to this new space we’ve now entered, the world we continuously try to create in our music. Also, this project was born during the pandemic and the lockdown, when the entire world was facing this new crisis.” Marcus adds, “There was this dystopian atmosphere overshadowing the whole situation that made a lot of us wonder if we wanted to be a part of this brand new world out there.”
The record was written at Tamal’s home studio in Paris and recorded at Stereobox Studios in Paris. Due to the sound they were trying to achieve, the duo approached the new record in a DIY fashion using digital beat production and a minimalistic approach. Composed mostly of riddims produced by Tamal, Marcus then completed the compositions, resulting in a more modern sound, while keeping the influences that the duo grew up with: the result is a blend of reggae, soul, and hip-hop. The urban beats and modern sounds mixed with traditional elements form the overall aesthetic of the album, finding a meeting place of old and new. In the same song, you can hear a reggae rhythm over an 808 beat, or a hip hop beat mixed with a traditional Moroccan loutar, all the while still tuned in at 432hz. According to the duo, “resonating at this frequency prevents stress, promotes relaxation, and can heal our internal systems.”
Beyond the title track, the album is packed with standout songs. “Tempo,” which was released as a single and had a striking and popular music video, was inspired by Marcus’ last trip to Morocco, where he spent 3 months during lockdown, steeped in the country's sounds and sights. It was there that he acquired the traditional fretless lute originating from the high Atlas mountains called a loutar, and combined the sounds of the ancient instrument with contemporary electronic production. Another single was “Sunshine,” which was the first song written for the new project. “We were about to end our 2018 tour and Tamal and I had been speaking about exploring some new sounds,” says Marcus. “On a long drive between two shows, I ended up recording the first version of ‘Sunshine,’ and thus the project was born.”
The listening experience will serve as an internal spiritual journey as well as a musical adventure without borders. The album touches on various topics ranging from the excess of our modern societies to hope and resilience for humanity. “Between the Lines” is about the warming and rising of the oceans and a warning from a South Pacific Islander who has seen the impacts of global warming firsthand. “Callin I Tribe” is a shout out to Marcus’ band Tribe and anyone who recognizes themselves as workers for light. “One Day” is a song about maintaining your faith in an ever evolving world. “Treasure” is about Marcus’ relationship with mycelium, the knowledge gained from the study of mushrooms, which can help open your mind to the great macrocosm. “Look Around” is a meditation and invitation to reflect and be present in the moment. The soulful “Young One” is dedicated to the younger generation. “From The Ashes” calls out for man to live in respect with nature, and asks us to reconnect to the natural rhythm that we have long disconnected from. The album concludes with “Be Careful What You Wish For,” a song about being grateful for what we have and setting intentions to what might come next.
Easy Star Records, one of the premier reggae labels in the world, instantly recognized Marcus Gad and Tamal’s vision, and knew they would be a great fit to their roster. Gad adds, “I’m truly looking forward to working together with Easy Star Records and reaching a wider audience in the US. Coming from a mostly unknown island in the South Pacific Ocean, it has always been magical for me to see how far and wide music and its message can travel. It is important for us island nations to express ourselves and to be heard on an international scale, to be more than just silent witnesses to the current global situation." Add Marcus’s music to a growing list of great reggae coming out of the Pacific ocean, from Hawaiian-based artists like The Green and J Boog to New Zealand’s The Black Seeds, Katchafire, and Fat Freddy’s Drop.
Mamak Khadem — who the Los Angeles Times calls “one of the wonders of world trance music” — is proud to announce her new single “Across the Oceans,” with special guest Chris Martin (Coldplay) on piano and vocals, and is out now on Six Degrees Records.
It will be accompanied by a striking video directed by the award-winning director and cinematographer Sam Javadi. “Across the Oceans” is the first single from Khadem’s forthcoming REMEMBRANCE album, a work that pays tribute to her late father as she addresses themes of profound loss and transcendence. Watch the video at https://youtu.be/xvOdlV4gzo8.
Mamak Khadem has walked many roads in her remarkable life. She spent her childhood and youth in Tehran during a critical juncture in Iranian history that transformed her life. After leaving Iran to study in the U.S., she spent years as an educator before pursuing her career as a professional singer and composer. Traveling to study with music masters in Iran over the years, her artistic and activist paths dually shaped her voice, and to this day she continues to be a devoted advocate for cultural diversity, appreciation of Persian musical tradition, and human rights.
Stunning audiences with her striking blend of classical Persian vocal stylings and diverse contemporary musical influences, she was a founding member of Axiom of Choice, the groundbreaking Los Angeles-based Iranian fusion band who influenced and opened doors for other musicians in the genre. The band released three albums — Beyond Denial (Faray-e Enkaar) (1996), Niya Yesh(2000), and Unfolding (Goshayesh) (2002). Khadem subsequently released three critically acclaimed solo albums Jostojoo: Forever Seeking (2007), A Window to Color (2011), and The Road (2015).
“Across the Oceans” is inspired by Khadem’s work in refugee camps where she sings and hosts workshops for underprivileged children. One of her goals is for the kids to find strength and hope through music. During the COVID pandemic, she couldn’t do such work in person, but she still managed to record the children’s choir remotely, bringing a youthful uplifting energy to the song. The track also features the vocals and piano of special guest Chris Martin (Coldplay), whose performance was key to the song’s foundation. Khadem also enlisted the renowned poet Coleman Barks to recite the verse of Rumi. Barks is considered one of the world’s leading Rumi scholars and Mamak notes “It was an honor when Coleman accepted my invitation to record and translate the beautiful poetry of Rumi for this song.”
Khadem worked with Iranian director and cinematographer Sam Javadi on the creation of the song’s striking video, which visually illuminates many of the key themes. The children in the video transcend their impoverished circumstances with the purity of their intention, while the whales they are trying to save symbolize the Earth and the current state of global warming, environmental degradation and ongoing water issues. Filming in Bushehr, Iran and Northern California, Javadi and his team used special effects and editing to bring the visual manifestation of the song to life, with brilliantly magical results.
Khadem and her music are no strangers to the worlds of film and television. She has recorded with Hans Zimmer on the feature soundtrack to the film Peace Maker; with Jeff Rona on the score of TV series Traffic and Profiler; with Marco Beltrami on the feature soundtrack to Dracula 2000; Chris Beck (Buffy the Vampire Slayer); Richard Gibbs (Battlestar Galactica); and Jamshied Sharifi (Persona Non Grata), to name only a few. Tony Award-winning producer Jamshied Sharifi co-produced and appears on the forthcoming REMEMBRANCEalbum with Khadem.
Khadem has contributed to the advancement of music on a global scale, teaching classes and workshops in the U.S., Canada, Greece and Ireland. Not surprisingly, she believes musicians play a crucial role in the world of politics; she observes, “Music offers a language that is close to people’s hearts rather than their brains. Music offers tools to break boundaries that politics have forced on us.”
Her new album REMEMBRANCE, scheduled for early 2022, is her fourth solo release and her first with Six Degrees Records. It is a powerfully deep and loving tribute to her late father, written in the isolation of her Santa Monica home during the pandemic as her beloved father lived out his final days back in Iran. Due to travel restrictions she was unable to be with him for the last time. With her new album, composed entirely to honor her father, Khadem has poignantly captured a profound sense of beauty, love, separation, and loss.
Download and listen to the single here: https://mamakkhadem.lnk.to/acrosstheoceans
Slightly Stoopid has just dropped their new “Everyday People (Headhunter remix).” The new single features hip-hop legend B-Real of Cypress Hill, and long time collaborator and friend G. Love (G. Love & Special Sauce). The track is available on all digital streaming platforms, download and stream here: https://moremusic.at/EverydayPeopleRemix
“Everyday People (Remix)” was produced by Miguel Happoldt (Sublime/Skunk Records) and George Spits (Llama Beats). The foundation of the remix is built upon a drum sample from Herbie Hancock’s Headhunters’ 1975 anthem, "God Make Me Funky,'' lending a brillant jazz fusion and funk vibe. Elevated by B-Real’s (of Cypress Hill) fresh bars and coupled with G. Love’s original lyrics, the remix straddles multiple genres and is ripe for any end of the year playlist!
In addition to the new release, Cypress Hill, while celebrating their 30 year anniversary, is slated to join Slightly Stoopid at their annual sold out destination music festival Closer To The Sun, happening December 8-12 at Hard Rock Riviera Maya, just off the shores of Cancun, Mexico. Both groups are fortuitously slated to perform back to back at the festival on December 10, the release day of the new remix!
“Everyday People” originally appeared on Slightly Stoopid’s chart topping album Everyday Life, Everyday People. Released June 2018, it was the band's 9th studio album and impressively peaked at #9 on Billboard's Top 200 Chart, #2 on Billboard's Alternative Albums chart, #3 on Billboard's Rock Albums Chart, and #5 on Billboard's Digital Albums chart! The album, Everyday Life, Everyday People, was inspired by the band's hometown, Ocean Beach/San Diego, CA. When asked about the the 2018 album Miles Doughty (Slightly Stoopid) had commented at the time, "I think for us, at the point we are at in our lives; all of us have kids, and we've been touring for so long and seen so much, I think all of it is reflected in the new record (Everyday Life, Everyday People) and relates to everyone."
For nearly 3 decades, Slightly Stoopid is and continues to be a musical brotherhood that always welcomes guest musicians and the art of collaboration. Founded by Miles Doughty and Kyle McDonald, two musicians determined to succeed on their own terms, they had created a multi-genre fusion of rock, reggae and blues with hip-hop, funk, American folk, metal, and punk. They remain unwavering in their principles of independence, honoring their diversity of influences and mentors, and furthering their inherited legacy of the Southern California sound.
Save and download the new song here: https://moremusic.at/EverydayPeopleRemix
More than two decades into a storied career, Groundation returns this year with their 10th studio album, One Rock. The band, formed in 1998 by vocalist/guitarist Harrison Stafford, has helped define American roots reggae, while building a large and loyal following in Europe and Brazil, where they have been a consistent major headliner and festival attraction for years. One Rock keeps their sound and legacy moving ever forward through 9 intense songs featuring complex arrangements, moving melodies, and lyrics that touch on the human condition, human spirit, and the state of the world. Always a group to respect their elders and forebears, Groundation makes history yet again by bringing together the legendary reggae vocal groups Israel Vibration and The Abyssinians on the record’s first single, while also working with The Congos on another track. One Rock is set for release May 13, via a partnership between France’s BACO Records and the U.S.’s Easy Star Records. You can pre-save or pre-order vinyl, cd, and an exclusive tee shirt at http://moremusic.at/OneRockAlbum.
The album’s first single, “Original Riddim,” drops January 13, kicking off the pre-order period for the release. This song tells a universal story of how music is a part of the spark that began our human experience, “opening up the heavens of possibilities” and “expanding our minds into infinite degrees.'' “Original Riddim” also welcomes the listener into the conversation, as Stafford provokes listeners with the line, “Before man walked and talked about, they formed a union where no tribe was left out, you are not left out!” A music video for the song, directed by Roger Hall and filmed on location in Jamaica, New York, Texas, Florida, and California, is being released the same day as the single. Just as the song brings together Israel Vibration and The Abyssinians for the first time, the video also treads new ground by having both groups, along with The Congos, alongside Groundation. View/stream/download the single and video at http://moremusic.at/OriginalRiddim
Speaking about the new single, Stafford says, “I cannot wait for all the lovers of reggae music to hear this one! In a time when we're losing so many of our elders, the ones who braved the path when it was not cool and not socially acceptable to be Rasta, the ones who overcame great tribulations to bring this music to the world, it feels so good to sing and play music alongside Israel Vibration and The Abyssinians and to share their sound with today’s fans of the music.”
Groundation formed in 1998 when Stafford began a roots reggae/jazz fusion group with bassist Ryan Newman, keyboardist Marcus Urani, and drummer James Stafford, all of whom were in the same Jazz Performance program at Sonoma State University. The group’s first 2 albums (Young Tree and Each One Teach One) established their unique roots sound, while also beginning the band’s long affiliation with foundational reggae artists, as Each One Teach One features vocalist Marcia Higgs and drumming master Ras Michael. Stafford’s deep knowledge of the reggae genre led to him developing a course he taught at Sonoma State called “The History of Reggae Music,” where legends like Joseph Hill of Culture and historical icons like Abba Melchezadek (Haile Selassie’s private secretary) would come to share their personal experiences.
In 1999, while in Jamaica, Harrison met the legendary engineer Jim Fox, who was involved with the production of many of RAS Records’ most iconic releases. Fox remastered both Young Tree and Each One Teach One and recorded Hebron Gate (2002), the album that launched Groundation to international acclaim. Fox has continued working with the band on every subsequent release, helping to shape their sound on We Free Again (2004), Upon The Bridge (2006), Here I Am (2009), and Building An Ark (2012), creating a catalog of genre-bending, deep, progressive roots reggae music. Similarly, Groundation’s artwork had a consistent look and feel, in collaboration with Stafford's childhood friend, Giovanni Maki, creating all visual designs from the very beginning.
Through the years, Groundation has performed in over 35 countries on 5 continents. The band, which had number of personnel changes over the years, but always built around Harrison Stafford’s leadership, continued to bring reggae into new worlds, with their last studio album, The Next Generation (2018) opening with a full jazz big band (featuring 12 horn players). This album beat out Ziggy Marley and others to win Reggae.fr's “Best Roots Reggae Album of 2018,” voted on by over 16,000 media members, musicians, producers, and fans. The band has extensive tour dates and festivals set up for the coming year in Europe, especially in France, South America, and in the USA.
Look for much more news about Groundation and One Rock in the coming months leading up to the album’s release.
Artikal Sound System is proud to release their new single featuring Little Stranger “When I Wanna.” The new song, out now, drops ahead of their album Welcome to Florida due out February 1, 2022 on the tastemaker and iconic record label Silverback Music's Controlled Substance Sound Labs. Welcome to Florida will be available everywhere you stream music. Pre-Save and Pre-Order here: https://cssl.fanlink.to/welcome-to-florida
With the new song Artikal Sound System seamlessly hones their emerging sound that can be heard throughout the forthcoming album. The newest single “When I Wanna” features a stellar collaboration with the Philadelphia based hip hop duo, Little Stranger. The two rising bands kindle a seductive vibe with the new song. Artikal Sound System comments, "You can get high on lots of things… This song is less a smoking tune and more about getting high on each other. Weed is just the perfect trap to lay to seduce a lover." “When I Wanna” is out now and available everywhere, save and download here: https://cssl.fanlink.to/when-i-wanna.
Honing their sound which brings an R&B twist to the reggae-rock genre, the band worked with the renowned reggae-rock producer Danny Kalb on Welcome to Florida. They recorded at both Chris Montague’s home studio Oceanside Audio in Boynton Beach, FL, at the band’s good friend Dean Fishback’s studio Seven Hills in Lauderhill, FL. Logan Rex spent a few days up at White Star Studio outside Charlottesville, VA laying down the vocals.
Artikal Sound System is Chris Montague (guitar), Fabian Acuña (bass), Christopher Cope (keys), Adam Kampf (drums), and Logan Rex (vocals). Together on the album, they have created a sound that is edgy and raw with emotion but presented with an authentic voice that is based on life events and fused with personal feelings. To date, Artikal Sound System has released 5 songs off the album. New music includes “When I Wanna,” “Stayed,” “Spiritual Broadcaster,” ft. The Elovaters, “Dissolve” and “You’re An Asshole.”
Ever such the road warriors, Artikal Sound System have graced the stage with fan celebrated artists like Dirty Heads, Common Kings, Eli Mac, Fortunate Youth, The Hip Abduction, The Green, Badfish, Ballyhoo, Bumpin Uglies, Josh Heinrichs and The Elovaters. And have been included on influential festival rosters including Reggae Rise Up, Arizona Roots, Summerfest, Dirty Heads Orlando Vacation, Dry Diggings, Reggae in the Rockies, Gasparilla Festival, Summerfest, and California Roots: BAJA Sessions. The band is excited for their 2022 tour, select dates are listed below and check out the complete tour here.
“When I Wanna” is out now and available everywhere. Stream & download here: https://cssl.fanlink.to/when-i-wanna
Pre-Save and Pre-Order Welcome to Florida here: https://cssl.fanlink.to/welcome-to-florida
Tour Dates:
Thu, JAN 13 Black Sheep CO Springs, CO*
Fri, JAN 14 Fox Theatre Boulder, CO*
Sat, JAN 15 Moxi Theater Greeley, CO*
Sun, JAN 16 Soundwell Salt Lake City, UT*
Tue, JAN 18 The Olympic Boise, ID*
Thu, JAN 20 Sessions Music Hall Eugene, OR*
Fri, JAN 21 Nectar Lounge Seattle, WA*
Sat, JAN 22 Star Theater Portland, OR*
Sun, JAN 23 Volcanic Theatre Pub Bend, OR*
Wed, JAN 26 Arcata Theatre Lounge Arcata, CA*
Thu, JAN 27 Cornerstone Berkeley, CA*
Fri, JAN 28 Goldfield Trading Post Sacramento, CA*
Sat, JAN 29 Felton Music Hall Felton, CA*
Sun, JAN 30 Fulton 55 Fresno, CA*
Thu, FEB 3 SLO Brew San Luis Obispo, CA*
Thu, FEB 4 Backstage Bar & Billiards Las Vegas, NV*
Sat, FEB 5 California Vibrations Festival Long Beach, CA
Sun, FEB 6 Last Exit Phoenix, AZ*
Tue, FEB 8 Launchpad Albuquerque, NM*
Thu, FEB 10 Deep Ellum Dallas, TX*
Fri, FEB 11 Scout Bar Houston, TX*
Sat, FEB 12 Sam’s San Antonio, TX*
Sat, MAR 19 Reggae Rise Up Florida St. Petersburg, FL
Sat, MAR 26 Lumina Festival Wilmington, NC
Thu, MAY 26 California Roots Festival 2022 Monterey, CA*
* Bumpin Uglies w/ Artikal Sound System
NIN3S dives straight into 2022 with the release of ‘Adeve,’ an experimental odyssey of jazz electronica created in collaboration with Teal Jazz, released on January 19th. It’s the second single taken from his forthcoming album, ‘Hopeyard’, a stripped back, sophisticated, jazz-inflected recording and his debut album out March 2022 on Dorado Records.
‘Adeve’ which means ‘visionary,’ is propelled by NIN3S (pronounced ‘Nines’), a classically trained pianist whose keys are the central instrument to the track. Having turned heads with debut single ‘So Far So Close’ released last autumn, the follow-up is an elegant, epic and inventive track featuring the flugelhorn, saxophone and trumpet of featured artist Teal Jazz, a Cuban artist who has collaborated with Chucho Valdes, Pat Metheny, Pablo Alboran. ‘Adeve’ takes the listener on an atmospheric, ever-evolving sonic journey, with jazz brass, spacey synths, melancholic piano and relentlessly grooving drums.
Formerly known as DJ and producer Uner, who has won over 10 awards as an international producer/artist and numerous accolades including Best Newcomer at the Ibiza DJ Awards, NIN3S is an enigmatic studio wizard, composer, arranger and songwriter. NIN3S sheds his former moniker, plus years of progressive house sounds to showcase the breadth of his musicality, storytelling and moods.
NIN3S has created ‘Hopeyard’ in response to the emptiness he felt through endless touring and self-searching through his time in lockdown. In evidence is his deep love of the piano which he places at its heart. His desire to reconnect with his classical roots sees NIN3S combining the acoustic with the electronic to create jazzy broken beats and captivating melodies. Alongside ‘Adeve’ and ‘So Far So Close,’ the collection includes the epic, emotive anthem ‘Khokhoba’ featuring the heart-drenched vocals of South African Zulu vocalist Toshi and the shimmering tech tour de force ‘Innerlight’ featuring vocalist Lombardo that contrasts beautifully with the closing track, a dazzling, delicate Hans Zimmer-esque piano piece ‘Devil’s Hopyard.
The multi-talented singer, songwriter, and reggae pop star HIRIE is due to release her newest collaboration “YOUniverse'' with Arise Roots! The new song is out now on Silverback Music’s Controlled Substance Sound Labs and is available everywhere you stream music.
Pre-save here: https://cssl.fanlink.to/youniverse
HIRIE comments, " 'YOUniverse' is an all-encompassing song, marrying the past, present and future into one. Energy is not lost: your ancestry, your purpose and the purpose of those who came before you encircle the Universe indefinitely. Hence, 'YOUniverse' is a message to those who know they are here — not by chance, but by master design. So, stay firm, rooted and move forward knowing that you were brought into the 'YOUniverse' with intention."
"Karim Israel (of Arise Roots) brings a very powerful message that further upholds my vision for 'YOUniverse'. The lyrics are dense, creating an even more transcendental energy stream. I hope you can find your own meaning with this track and, remember, all things flow through YOU."
The new single is accompanied by an award winning music video directed by Hans Boysen. The video crosses between the astral plane of the present to the past demonstrating the endless circle of one's life- past, present and future. So far the music video “YOUniverse” has received critical acclaim with an honorable mention at the Los Angeles Film Awards 2021 for Best Music Video, won Best Music Video at the South Film and Arts Academy Festival 2021 and received a nomination for Best Music Video at the Caribbean Sea International Film Festival. Watch here: https://youtu.be/GcMXAcDrg2M
HIRIE is most known for her timeless melodies blended with reggae rock and pop sensibilities. Her catchy songs sonically evoke empathy, lyrically push for change and embody self limitations. Garnering accolades from critics and fans alike HIRIE has seen charting success with her albums landing on the top ten Billboard Reggae and/or i-Tunes Reggae Charts, and she has amassed more than 20 Million streams across all platforms. She embodies a new era of pop celebrity that, we can only hope, continues through her example as she uses her superstar platform to make the world a better place as she goes.
A world traveler at heart the Hawaiian-raised and based HIRIE, boldly paves the way for women across all industries: she performs musical stages around the world, all the while preaching positivity, enlisting an open ear to those in need and remaining a loving wife and mother, to boot.
In celebration of the new song, HIRIE is set to perform at the California Vibrations Festival on Sunday February 6th!
California Roots Music and Arts Festival is excited to return, after a two year hiatus due to COVID-19, on May 26th! For the first time ever Cali Roots has expanded into a four day event of reggae, roots and hip hop music! The expanded event has been curated into an experience to include more music, local food and beverage vendors, added art exhibits, exhibitions and installations, interactive workshops, intimate pop-up performances, on-site greening initiatives, and community focused non-profits to learn about. The festival is set to take place at the Monterey County Fair and Event Center May 26-29, 2022.
Started in 2009, Cali Roots was the first major event to capture the sound and culture of roots music, reggae, rock, and hip hop, and bring it to the fans that are so passionate about it. Every year since the start, the audience has grown exponentially into the movement that it is today. The annual event has spawned many copycats, but none can live up to the lineup, vibe, spirit, and loyal fanbase that Cali Roots has built over the past decade. They continually present a stellar cohesive line-up that ranges from Billboard chart topping artists to emergent musicians in complementing genres of reggae rock, island reggae, roots reggae, folk, and conscious hip hop. Today with the festival's 11th edition, as they continue the legacy of an iconic line-up, comes the announcement of the newest and final edition to the already rock-star line-up: Stick Figure, Beenie Man, and Tunnel Vision!
Stick Figure's meteoric rise has garnered him top billing at the festival alongside the stacked line-up that includes debut performances from Sean Paul, Ice Cube, and Sublime with Rome. Jamaica’s own Beenie Man, and King of the Dancehall, will also see his debut California Roots festival performance this year. Plus the festival sees the return of mainstays Rebelution, Atmosphere, Chronixx, and Damian ‘Jr Gong” Marley. Additional billing includes fan favorite artists Stephen Marley, Protoje featuring Lila Iké and Sevana, Brother Ali, Sa-Roc, and Slightly Stoopid– to name a few. And Sean Paul, who previously was billed Saturday, will be joining Sunday’s killer line-up with Ice Cube and Damian ‘Jr Gong” Marley - an epic night indeed!
“I can’t believe it’s been almost three years since the Cali Roots family has come together. What makes the event so special, is the spirit, comradery, and fans that unite behind the music and culture. The energy and vibes will be amplified ten fold for this year's event. With the new additions announced and an additional day, this will be the most unique Cali Roots to date. One that will be remembered in the history books and one you don’t want to miss,” states Dan Sheehan, co-producer of Cali Roots.
For 2022, Cali Roots has curated an experience that is guaranteed to stimulate all senses that can be heard, felt, seen, and embodied throughout the festival. In addition to mainstages, this year the festival offers unique Glamping experience, an art retreat, captivating installations, interactive workshops, on-site green initiatives, intimate pop-up performances with fan favorites, and non-overlapping set times so concert goers can catch every performance! Plus, Cali Roots has partnered with Fuse Ignited to offer ticket and hotel packages that include exclusive add-ons available for purchase like open bar, brunch, and single day tickets. Fuse Ignited’s Co-Founder Daren Libonati says, "We couldn't be more excited to provide an all-inclusive ticket, hotel and event experience bundle with Cali Roots on our booking solution.”
This event will sell out, purchase tickets here: https://californiarootsfestival.com/
FESTIVAL DETAILS
California Roots Music and Arts Festival 2022
Dates: Thursday, May 26 - Sunday, May 29, 2022
Time: 10:00 am – 11:00 pm PDT
Venue: Monterey County Fair and Event Center
Address: 2004 Fairground Road, Monterey, CA 93940
Admission: Varies
Age restrictions: All Ages
TRAVEL PACKAGES
Cali Roots Ticket & Hotel Packages ON SALE NOW! Each package includes a two to five night hotel stay at partner hotels in Monterey, CA; plus exclusive add-ons for purchase like Open Bar, Brunch, and Single Day Tickets! You don't want to miss out on this exciting weekend!
Buy Packages Here: https://portal.fuseignited.com/events/california-roots
Already have a ticket? Hotel Only options available here: https://portal.fuseignited.com/events/california-roots
4 Days of Music
THURSDAY May 26
Dirty Heads l Stephen Marley l Protoje Feat Lila Ike and Sevana l Fortunate Youth l Alborosie Demarco l DENM l Turbulence l Tropidelic l Eli Mac l Tunnel Vision
FRIDAY May 27
Rebelution l Atmosphere l Chronixx l Pepper l J Boog l The Movement l Brother Ali
Tarrus Riley l Satsang l Nattli Rize l Sa-Roc l EarthKry l Arise Roots l Natural Vibrations Kash’d Out
Saturday May 28
Slightly Stoopid l Stick Figure l Beenie Man l Tribal Seeds l Trevor Hall l The Green l Collie Buddz l The Expendables l Dub Inc l Bumpin Uglies l The Elovaters l FIA l Sensi Trails
Sunday May 29
Damian Marley l Ice Cube l Sean Paul l Sublime With Rome l Common Kings
Durand Jones and The Indications l Anthony B l Hirie l Iya Terra l Mike Love l Keznamdi Through The Roots l Artikal Sound System l Vana Liya
THE DJS
AMP Live - Duke Massive - Green B - Green Lion Crew - Jah Mikey - Jah Warrior Shelter -Man-Like-Devin - Plain Ole Bil - Westafa
THE MCS:
Allison Hagendorf - Big Body Cisco -Irie Dole - Otis Otes - Rocky Bailey
From the windy hills of Te Whanganui-a-Tara, Aotearoa (Wellington, New Zealand), the multi-platinum selling band The Black Seeds have masterfully honed South Pacific soul, by blending deep grooves of reggae, funk, afrobeat and dub into an undeniably infectious mix. Today, the unstoppable eight-piece The Black Seeds return with the invigorating new single “Bring The Sun.” It is the third track released from their upcoming new album due out later this year.
Listen to “Bring The Sun” HERE
Following on from the release of last year’s single, “Let The Sunshine Through,” the new single sees The Black Seeds once again delivering a perfect summer single. Of course, here in North America, on this side of the globe, freezing temperatures during winter might make it seem silly to be talking about a “summer single,” but this uptempo future-funk track lives up to its title and can help warm the most frozen of hearts and minds. ”Bring The Sun” has already proven itself on dancefloors across New Zealand, and soon it will do the same in Europe and the Americas.
The brainchild of co-frontman Daniel Weetman, “Bring The Sun” showcases Weetman’s contemporary composition style coupled with sincere and meaningful lyrics. Dedicated to Weetman’s son Jarley, the song speaks to the challenges of modern parenting, focusing on themes of love, resilience and togetherness. The song was crafted initially from a demo on Weetman’s phone and then transferred to Pro Tools during Auckland’s second lockdown. “It was a classic COVID co-lab effort,” says Weetman.
“A week-long marathon Zoom session that had everyone sending in their tracks and giving their feedback as Nigel and I sculpted the track into place”.
The track also features a knockout debut performance of new guitarist Ryan Prebble (The Nudge, Fly My Pretties) who adds another sonic dimension to the band and a sensational climatic solo to “Bring the Sun.”
The video accompanying the single is a light take on how people have picked up new digital habits during the pandemic. Cleverly directed by Garth Badger for Thievery Studio it plays with some of the new trends that have evolved around online, from live streamed concerts to virtual meetings.
Talking about how the video concept relates to the song, Weetman explains: “My eldest son lives in Sydney and due to the Covid restrictions with travel I started to wonder and worry about when I would see him again. We keep in contact a lot over video calls and when we speak it is for hours and we connect well through this technology at a distance. So the song revealed itself to be about the strong bond my son and I have and that the distance between us is nothing when our love for each other is unbreakable.”
Watch the video HERE.
Long established as one of New Zealand’s finest bands and with a solid foothold in Europe and North America, The Black Seeds have carved out their reputation on the back of multi-platinum selling albums, and a masterful live show that has been filling dance floors across the globe for years. While firmly based in the island grooves that inspired the birth of the band over a decade ago, The Black Seeds’ sound casts a wide net, layering funk, soul, Afrobeat, and other eclectic elements over their dub/reggae foundations.
The Black Seeds released their debut album KEEP ON PUSHING in 2001, which despite a minimal marketing budget, went on to reach platinum sales in New Zealand. The second album, 2004’s ON THE SUN, added a heavy dose of funk and soul to their dub reggae sound. Third album INTO THE DOJO signalled the beginning of the band’s introduction to the rest of the world. 2008’s follow-up SOLID GROUND, 2012’s DUST AND DIRT, and 2017’s FABRIC continued to build the band’s global following after they were successfully released through trailblazing North American label Easy Star Records. Easy Star subsequently re-released the entire catalogue from the band in North America.
Consistent touring throughout Europe, North and South America has led to over 60 million Spotify streams since 2015, as well as placings on the US Billboard Reggae chart, and the iTunes Reggae Charts in the United Kingdom and Germany. Their tracks have found placements on cable classics Breaking Bad and Weeds, as well on the big screen in movies like Eight Below and The Inbetweeners II. Highlights from two decades of international press have included The Huffington Post describing their sound as “thick, bottom-heavy, and melodic," and Clash Music deeming them “one of the best live reggae acts on the planet”.
The Black Seeds’ new single “Bring The Sun” is out now - HERE
For over 20 years, multi-talented Reggae artist, Mighty Mystic has masterfully managed to hold firm to his Jamaican roots while coining his own identifiable sound “HARD ROOTS’ by adding elements of Hip Hop and Rock to the Roots Reggae sound. Today he is proud to announce his 5th full length studio album Giant. The most musically diverse album Mystic has released to date! Giant is due out on March 18th and will be available everywhere you stream music. Pre-save and pre-order here.
“There is truly something for everyone on this album. If you love rock and roll there are two or three heavy rock influenced tracks waiting for you (“King me Now”). If you’re a fan of ballads you will enjoy “Michael”. Pop? Yeah we have that as well in “Giant” and “Nervous.” And off course we have the classic reggae in songs like “Goshen” and “Far from Jamaica”. All you have to do is open your mind and dive in – no swimsuit needed.” - Mighty Mystic
The new album came to fruition at the beginning of the COVID-19 pandemic in 2020, when Mighty Mystic was spending lots of time at home like the rest of the world. During this year of uncertainty, he spent his time rifling through old musings, notes and tape recordings filled with ideas and songs. He recalls, “While I didn’t write a single song about the pandemic, it certainly played a huge role in the fruition of the album.”
The album is 13 songs deep of Mystic’s HARD ROOTS sound that brings this multi-talented musician’s genre bending styles center stage. Included on the new album is the recently released hard-hitting single titled “Far From Jamaica” featuring Reggae icon Sizzla Kalonji and Tyler Loyal. “Far from Jamaica” is a catchy and relatable track. It is musically entertaining but with a message as the new song calls attention to a deeper conversation about Jamaicans living abroad working in harsh conditions to provide for their family back home in Jamaica.
For Mighty Mystic, creating the new single was an opportunity to work with legendary Jamaican musicians. He recalls, “From when I was a kid growing up and listening to reggae music I’ve always been a fan of Sizzla. So, When I spoke to him about the idea of us doing a song together and him saying yes and actually doing it was truly a dream come true. And on top of it the song came out even better than I had imagined. Actually you all should go check that one out “Far from Jamaica” with Sizzla and Tyler Loyal its fire.” The new single has seen over 50K and counting streams across all platforms! Listen here: https://youtu.be/iO81_-wQk1o
Another stand out is his single “King me Now,” released in late 2021. “King me Now” embraces the HARD ROOTS sound with Hard Rock, Dub, and Jam blended elements. “King me Now” was released with a music video (https://youtu.be/tduRoVroIYg) that debuted with Reggaeville! Mystic comments, “It’s Epic! Infused with shredding style rock guitars reminiscent of 1980’s stadium hard rock. The theme of this song is, even in the sight of failure or death, don't give up, keep fighting ‘cause kingship awaits.”
When it came time to name the album Mystic looked to the title track. “Giant” is a simple yet catchy track about Mystic’s mom, and a tribute to all single mothers in the world. Reflecting on the new album Mystic comments, “The story behind the title Giant is one that is near and dear to me. There is a song on the album which is also titled “Giant” and that song is a dedication to my mother. The song is about a single mother raising her 3 children, working multiple jobs, sleeping very little and yet achieving huge or should I say “Giant” things with the cards she was dealt. It’s something that has always inspired me and taught me never to give up.
Giant was recorded late 2020 through Spring of 2021. With the pandemic top of mind, Mighty Mystic had always planned to record the album remotely but found the real magic was made with the band in the room. They ultimately ended up recording at Maritime Music Studio in Peabody MA with Tim Phillips at the helm. Maritime has the state-of-the-art equipment needed for the new album and also the appropriate space for social distancing to work. Mystic comments, “It felt so good to be in the same space as my crew playing and creating music.”
Mystic’s vocals were recorded by Jared Hancock at Surefire Creative Studios in Lowell, MA. And additional recording and tracking were done by Tim at Phillips Sound Studios. This album marks the 2nd time Mystic has worked with the young and super talented Tim Phillips.
Mighty Mystic is a Globally respected and sought-after artist on the reggae scene. His brand of “HARD ROOTS” with his high energy stage performance has been a magnet for the enthusiastic reggae fan base. He has managed to hold firm to his Jamaican roots while adding elements of Hip Hop and Rock giving Mystic his own identifiable sound. To date Mystic has released 4 top 10 charting albums (Wake up the World in 2010, Concrete World in 2014, The Art of Balance in 2016 & Enter the Mystic in 2019). A dozen chart topping singles and thousands of radio plays!
Since his early days of performing at school talent shows Mystic has gone on to tour and/or shared the stage with Ziggy Marley, Steel Pulse, Damian Marley, Buju Banton, Stephen Marley, Shaggy, SOJA, Toots and the Maytals, Collie Buddz, Sean Paul, Lee Scratch Perry, Barrington Levy, The Wailers, John Brownʼs Body, Luciano, Third World, Freddie McGregor, Capleton, Badfish, the Dirty Heads and the list goes on and on and on…with over 30 national tours and several international tours. Kicking off 2022 was the announcement of Mighty Mystic’s Hungry Lion tour! The winter tour started in January with packed dates and picked up on March 16th in New York, circling around the New England states before heading straight west! Check out the full tour here.
Reflecting back on the new album Mystic says, “This is my 5th studio album in a 20-year career. I’m going to enjoy this release and all it entails. Not going to rush to do the next one just focus on enjoying the days as they come. If it's one thing I’ve learned during this pandemic, life is precious and we are all blessed to be here so live a little, love a lot and enjoy life.”
Giant is due out March 18th! Pre-save and Order here.
Giant Track Listing
“King me Now”
“Far from Jamaica” (feat. Sizzla & Tyler Loyal)
“Goshen”
“Giant”
“Nervous”
“Ready for a G”
“Michael” (Piano Version)
“Elevator”
“Champion”
“Satellites”
“Dream” (feat. MediSun)
“Shades of Grey”
“Michael” (Remix)
The pioneer of Roots Reggae music and legend Clinton Fearon is due to release a new song this February. The reggae icon looks toward love with his newest single “Guiding Star” due out on Naya Records. Reflecting back on the new single Clinton comments, “I love how the simplicity of the riddim carries the emotions all along the song, it brings back a lot of memories to heart and soul. I'm happy how the song turned out.”
He is joined by the truly talented house band Naya Rockers who bring the heart and soul to life on the new single. The new song is due out Feb. 25th on Naya Records. Pre-save and order here: https://ffm.to/guidingstar
Cultural Icon, and Roots Reggae superstar, Jamaican Clinton Fearon found his musical roots in the late 60’s in Kingston as the bassist, vocalist and lyricist of the mythic Gladiators. For 20 years he performed and penned iconic roots reggae songs with the renowned band. His musical development also brought him to the studio’s of famed producers, as a session player, including Coxsone Dodd at Studio One, Lee ‘Scratch’ Perry’s at Black Ark, Chanel One, Aquarius, Harry J, Randy’s, to name a few. In these studios, Clinton Fearon composed some everlasting bass lines for well-known artists like Yabby You, Jimmy Riley, Max Romeo, Junior Byles and many others. The now Seattle based musician has found a new home with the latest single and with the esteemed producer and bassist Nathan Sabanayagam at Naya Records.
Naya Rockers is the house band for Naya Records, anchored by US-based drummer Nathan Sabanayagam, Bassist Nate Edgar, they have individually and together spent the past two decades touring and recording with the foundation of reggae including: The Skatalites, Stephen Marley, John Brown’s Body, Kiddus I, Barrington Levy, Bushman, Earl Chinna Smith, Ernie Smith, Big Youth, Junior Reid, The Congos, Johnny Clarke, Ken Boothe, Mikey General, Tinga Stewart, The Toasters. As well as the next generation of rising reggae stars including: Kenyatta Hill, Asadenaki Livingston, Blakkamoore, Addis Pablo, Iba Mhar, Hector Lewis and Jah’Mila Smith. Today they present their newest collaboration with Clinton Fearon’s “Guiding Star.”
“Guiding Star” is due out Feb. 25th on Naya Records, pre-save and order here: https://ffm.to/guidingstar
Track Listing:
1) "Guiding Star"
Credits:
Mixed by Zeke Stern @GreenLionCrew
Mastered by Will Holland @Chillhousestudios
Special thanks to @andybassford Nylon string Guitar and @jakepardee Electric Guitar and Binghi @maritimemusicstudio
GROUNDATION made waves with the announcement that their new album ONE ROCK will be released May 13, via a partnership between France’s BACO Music and Easy Star Records. Last month, the groundbreaking band, led by vocalist/guitarist Harrison Stafford, unveiled their first single from the upcoming album, "Original Riddim," featuring guest vocals from the legendary roots harmony groups ISRAEL VIBRATION and THE ABYSSINIANS. This first single, which has already created a great deal of excitement in the band’s fanbase, deals with the universal history of music and its role in sparking the journey of our existence.
Today, Groundation presents “Human Race,” the second release from ONE ROCK. This track crackles with infectious energy, with Stafford singing about love and unification. “If love was the rule, would all this remain the same?” he asks, making a powerful statement in these polarizing times. The result is an instantly memorable song, well balanced between roots reggae and jazz, which has been Groundation’s signature style that has brought so many fans into their music. A corresponding official music video will also be released this week.
Stream "Human Race" on all streaming platforms here: http://moremusic.at/HumanRace
Harrison expresses about the song, “I love how this song carries the listener into so many different places; the lyrics coming in just after the blazing intro, the 6/8 section with the sax solo, the string trio arrangement, all while the band is locked into a groove of perpetual forward motion.” He adds, "I am very proud of 'Human Race' and what it's saying lyrically, the song reaches the listener's heart like an arrow!"
Groundation formed in 1998 when Stafford began a roots reggae/jazz fusion group with bassist Ryan Newman, keyboardist Marcus Urani, and drummer James Stafford, all of whom were in the same Jazz Performance program at Sonoma State University. The group’s first 2 albums (Young Tree and Each One Teach One) established their unique roots sound, while also beginning the band’s long affiliation with foundational reggae artists, as Each One Teach One features vocalist Marcia Higgs and drumming master Ras Michael. Stafford’s deep knowledge of the reggae genre led to him developing a course he taught at Sonoma State called “The History of Reggae Music,” where legends like Joseph Hill of Culture and historical icons like Abba Melchezadek (Haile Selassie’s private secretary) would come to share their personal experiences.
In 1999, while in Jamaica, Harrison met the legendary engineer Jim Fox, who was involved with the production of many of RAS Records’ most iconic releases. Fox remastered both Young Tree and Each One Teach One and recorded Hebron Gate (2002), the album that launched Groundation to international acclaim. Fox has continued working with the band on every subsequent release, helping to shape their sound on We Free Again (2004), Upon The Bridge (2006), Here I Am (2009), and Building An Ark (2012), creating a catalog of genre-bending, deep, progressive roots reggae music. Similarly, Groundation’s artwork had a consistent look and feel, in collaboration with Stafford's childhood friend, Giovanni Maki, creating all visual designs from the very beginning.
Through the years, Groundation has performed in over 35 countries on 5 continents. The band, which had number of personnel changes over the years, but always built around Harrison Stafford’s leadership, continued to bring reggae into new worlds, with their last studio album, The Next Generation (2018) opening with a full jazz big band (featuring 12 horn players). This album beat out Ziggy Marley and others to win Reggae.fr's “Best Roots Reggae Album of 2018,” voted on by over 16,000 media members, musicians, producers, and fans. This year, the group will be on tour in support of ONE ROCK. Groundation will be on stage in Europe, notably in France, but also in South America and the United States.
You can pre-save or pre-order vinyl, cd, and an exclusive tee shirt at http://moremusic.at/OneRockAlbum.
Kolohe Kai presents his brand new Reggae/Pop Single “I Think You’re Beautiful,” out now. The song is inspired by the overwhelming struggle that our youth face to feel accepted and beautiful. “I Think You’re Beautiful” is the first of a series of singles leading up to Kolohe Kai’s forthcoming album due out later this year. Stream: https://ffm.to/ithinkyourebeautiful
Inspired by the overwhelming struggle that our youth face to feel accepted and beautiful, Kolohe Kai’s “I think You’re Beautiful” is an uplifting song with an empowering anti-bullying message. Kolohe Kai explains, “The verbal, emotional and even physical abuse they sadly endure can blind them from seeing the true beauty and value they have. The desire to be accepted is real and many kids don’t feel good enough.” He continues, “This song is very special to me. It’s brought me to tears more lately than ever. I think knowing that this song can empower a listener and has the potential to even save a life, humbles me completely. I want my fans to feel beautiful about themselves and I hope this song will help.”
“I Think You’re Beautiful” was produced by Imua Garza and recorded at Zeo Music Studios in Oahu. With a Pop style and a smooth island R&B blend, the single perfectly captures Kolohe Kai’s signature sound. Garza’s expertly crafted bass lines provide the quintessential backdrop for Kolohe Kai’s gorgeous vocal melodies as he delivers a powerful message.
Kolohe Kai has been releasing music in Hawaii for over 12 years, with the goal of creating songs that can help others. In 2019, Kolohe Kai released “Round and Around” which became the graduation song for many schools in Hawaii because of its inspirational theme around overcoming daily obstacles. With “I Think You’re Beautiful,” he hopes to once again reach the youth to promote inner beauty and empowerment as he continues on his anti-bullying agenda.
With more music on the horizon, Kolohe Kai is proud to present his powerful new single “I Think You’re Beautiful." He concludes, “As a student at Kapolei Elementary school, I desired to fit in, but due to a prominent scar on my face, kids would tease me. I’d tried to hide my scar by covering it with makeup and felt horrible about myself. You can hear that specifically in the 2nd verse. In a sense, I wrote this song to my younger self that didn’t feel good about himself and dedicate it to anyone else out there that feels that way. I hope that they take the lyrics to heart and are reminded that no matter what anyone says, they are beautiful and worthy. It’s my mission for this song to be heard around the world and reach the hearts of those depressed and burdened down. I feel it’s my privilege to have the opportunity to help boost self love in others through music. And so it is with deep pleasure for me to introduce to you my new favorite single, I Think You’re Beautiful.”
Ley Line is set to perform at SXSW 2022. Ushering in a new chapter after their release of their sophomore album We Saw Blue, Ley Line has been putting out new singles like “En Busca Del Agua'' and “Postcards.” Their newest single “High Tide” is a stand out departure from the traditional instrumentation the band is known for.
Austin’s multilingual folk fusion group, Ley Line, is proud to announce a new single “High Tide,” which will be released on March 11, 2022. This is the first single of 2022 and corresponds with the band’s official SXSW 2022 performance happening on March 16 at Stephen F’s Bar. This performance is their first live show of 2022, since the band chose to take a pause from live shows and touring last year. Ley Line’s 2021’s virtual SXSW performance made waves with NPR’s Bob Boilen, who included them in his “top picks” he saw from the festival. Fans and tastemakers can catch them IRL as they play new music and classics from their critically acclaimed album, We Saw Blue (2020), which gained support from Billboard, Brooklyn Vegan, PopMatters, NPR, and more.
“High Tide” is a single that makes up part of a new collage of songs written by the collective of Ley Line. These songs branch out into new musical directions and “High Tide” sets the stage for this transition. Lydia Froncek explains, “There are familiar elements of acoustic instruments and lyrics that blend fluidly between Portuguese and English, but there is a more pronounced pop sensibility that permeates this track.” The song is inspired by transforming the emotional intensity of heartbreak into power and joy. Emilie Basez, whose relationship spawned the song adds, “The waves come to cleanse and create a new canvas of sand. ‘High Tide’ brings the force of the ocean closer to us on the shore, awakening all of the emotions that come with that, be it anxiety, joy, loneliness, celebration or whatever else. Amidst all of that, the track ‘High Tide’ is the journey of rediscovering and following our own light within.”
Kate Robberson describes how the recording came about, “While the band was on tour in February of 2020, right before the pandemic hit, Emilie’s relationship ended. We were talking about what was going on in our lives while driving in the van. Emilie brought out the uke and started playing the ‘High Tide’ chords to help process what she was going through. We ended up getting into LA that day and went straight to our friend Josh Jacobson’s house. Josh is an amazing musician and producer. When we got there, he was like ‘what do you want to work on?’ and Emilie’s lyrics came to the forefront.” Building out the song with new lyrics, layers of percussive instruments, bass, and ukulele, the song felt complete within just a few hours. It was so captivating, it felt like a time warp. Unlike working in a regular studio where you’re super aware of the clock, we just relaxed into the flow of creation. We all put a piece of ourselves in this song and you can really feel it.” Emilie adds, “High Tide explores textures, rhythm and multi-lingual lyrics like our previous releases, but there’s a pop influence in our collaboration with Josh.”
Lydia concludes, “Usually we create songs acoustically and then when it comes time to record, we find a way to translate it in the studio. In the case of ‘High Tide,’ the song was written and recorded on the spot. This brings a unique raw emotional element to the recording. We even tried to go back and re-record Emilie’s lead vocals but we could not re-create the feeling of that first take she sang as the song was being developed. Josh contributed his pop sensibility to the chords and melody of the hook. Through a mix of live instruments and samples he quickly developed a rhythmic bed for us to record the bass, ukulele and vocals on top of. It was a very organic process but the end result is a slightly more electronic sound. His signature sound infused with rich harmony and rhythmic elements of Ley Line really sets this song apart from previous releases.
“High Tide” is a special single for the band since all four of their voices are highlighted in such unique ways in this song. In the beginning you hear Emilie’s emotional Portuguese ballad, reminiscent of Natalia LaFourcade. Then Lydia arrives with the hook, reminiscent of the 90’s R&B of their childhood. In the bridge, Maddy and Kate’s rhythmic storytelling weaves together, adding a unique element to the song that sets it apart from their previous work. Don’t miss Ley Line as they perform this song and more during their SXSW 2022 performance.
MEMBERS:
Emilie Basez: Guitar/Vocals
Madeleine Froncek: Upright Bass/Vocals
Kate Robberson: Ukulele/Vocals
Lydia Froncek: Percussion/Vocals
For over a decade, California Roots Music & Arts Festival has been bringing the best reggae, roots music, rock, hip hop and psychedelic art center stage at the iconic Monterey County Fair and Event Center. This month they celebrate Women in Music for “Women’s History Month!” Highlighting their on-going support for Women in Music, this year’s festival features a stellar line-up of women fronted musical acts like HIRIE, Nattali Rize, Vana Liya, Sa-Roc, Eli-Mac, Lila Iké, Sevana and Artikal Sound System’s Logan Rex. In addition to the talent on stage, the driving force behind the scenes of the festival is comprised of over 70% women bosses!
HIRIE is a pop reggae act led by front woman Trish Jetton. The mainstay at the festival and headliner act, HIRIE has boldly paved the way for women across the industry. Already a long-time Cali Roots favorite, get ready to hear one of the most inspiring and successful women in the scene take center stage. Nattali Rize will also be returning to Cali Roots this year! Of mixed global heritage, with dominant Native American and Samoan roots, Nattali Rize is known around the world for her work fronting epic roots band Blue King Brown as well as for her unwavering commitment to using her voice and music for the global struggle toward the realization of Full Freedom and the movement of Truth and Justice over the systemic exploitation of the people and our planet. Returning once again to dazzle the Cali-Roots audience is Eli-Mac. Since her American Idol story took the world by storm, Eli-Mac has gone on to tour with acts like Lauren Hill, Shaggy and SOJA. Eli-Mac has received critical praise with her recent song “Roots Girl,” a collaboration with Cali Roots artist Nattali Rize and Paula Fuga.
There are a handful of women artists making their Cali Roots debut this year! Included is the fast rising Vana Liya. Vana Liya is a New York native who grew up surrounded by soca, calypso, dancehall and reggae music. She is currently signed to LAW Records. Sa-Roc is the critically acclaimed Atlanta based hip-hop artist currently signed to Rhymesayers. She is best known for her lyrical prowess dealing with themes of social awareness and personal experience. Lila Iké is a Jamaican singer and songwriter who fuses contemporary reggae with soul, hip-hop and dancehall. Joining Lila Iké on stage is Sevena who will be performing alongside Protoje at Cali Roots. Sevena is the Jamaican singer, actress and model currently signed to In.Digg.Nation whose sultry vocals won over fans and audiences alike on her recent NPR Tiny Desk performance. Another artist making their debut at Cali Roots is Artikal Sound System. The Delray Beach, Florida band is led by the fierce front woman Logan Rex, blending roots and modern sounds with Logan’s jazzy and soulful vocals.
Leading the Operations team of Cali Roots is Amy Sheehan who oversees all festival logistics; from marketing to production to HR. She is the glue that keeps the team together, connecting the pieces between artists, ticketing, marketing, and so much more. She works closely with Ana Elizabeth who heads up artist relations, and connects often with Lauren Langone head of hospitality. Keisha Murray coordinates the artist transportation team and Jayashri Triolo has been promoted this year to Stage Manager, overseeing a team of stage hands and working directly with sound and light crews to keep a tight stage schedule.
Lindsay Freedman manages over 100 volunteers for the festival, everything from recruitment to training. Every staffer is thankful for Brandalyn Raymond, who is Supply Depot Manager, in charge of getting supplies to all the teams. Katie Hovis has recently been promoted to Operations Manager, overseeing so many logistical moving parts. Front of house, you can find Meesh Baraga watching over the entrances as head of the front gates, Emily Tanzer as our Box Office Manager and Katie Wilson managing all Festival Merchandise from design conception to sales. Dana Greer leads the in-house media team through social media, managing talented photographers and bloggers through compelling content. The above mentioned is only a sample of the 50 plus other women who make the festival run so smoothly.
Amy Sheehan has also been a pivotal part of Cali Roots’ reputation for putting on an impressive “green” and environmentally conscious event. She states, “Cali Roots has paved its own unique way in the festival circuit, leading by example on how our event can do more than just entertain. Cali Roots’ ethos is to reduce our impact on the environment by aligning with other like-minded organizations, making earth-wise choices regarding the products purchased, promoting environmental awareness to fans, staff & artists, and continuing to set the bar higher each year in our commitment to sustainability. Every year we continue to find new ways to stand out and make a difference and so much credit is due to the women leaders on our staff. I am proud to be surrounded by such a passionate and talented community of women.”
This event will sell out, purchase tickets here: https://californiarootsfestival.com/
FESTIVAL DETAILS
California Roots Music and Arts Festival 2022
Dates: Thursday, May 26 - Sunday, May 29, 2022
Time: 10:00 am – 11:00 pm PDT
Venue: Monterey County Fair and Event Center
Address: 2004 Fairground Road, Monterey, CA 93940
Admission: Varies
Age restrictions: All Ages
TRAVEL PACKAGES
Cali Roots Ticket & Hotel Packages ON SALE NOW! Each package includes a two to five night hotel stay at partner hotels in Monterey, CA; plus exclusive add-ons for purchase like Open Bar, Brunch, and Single Day Tickets! You don't want to miss out on this exciting weekend!
Buy Packages Here: https://portal.fuseignited.com/events/california-roots
Already have a ticket? Hotel Only options available here: https://portal.fuseignited.com/events/california-roots
4 Days of Music
THURSDAY, May 26
Dirty Heads l Stephen Marley l Protoje Feat Lila Ike and Sevana l Fortunate Youth l Alborosie Demarco l DENM l Turbulence l Tropidelic l Eli Mac l Tunnel Vision
FRIDAY, May 27
Rebelution l Atmosphere l Chronixx l Pepper l J Boog l The Movement l Brother Ali
Tarrus Riley l Satsang l Nattli Rize l Sa-Roc l EarthKry l Arise Roots l Natural Vibrations Kash’d Out
SATURDAY, May 28
Slightly Stoopid l Stick Figure l Beenie Man l Tribal Seeds l Trevor Hall l The Green l Collie Buddz l The Expendables l Dub Inc l Bumpin Uglies l The Elovaters l FIA l Sensi Trails
SUNDAY, May 29
Damian Marley l Ice Cube l Sean Paul l Sublime With Rome l Common Kings
Durand Jones and The Indications l Anthony B l Hirie l Iya Terra l Mike Love l Keznamdi Through The Roots l Artikal Sound System l Vana Liya
Easy Star All-Stars – one of the best-selling and most revered reggae bands of the 21st century – return to touring for the first time since 2019. This spring, the band will be headlining five shows in the Northeast and Mid-Atlantic, as well as appearing at two festivals in New England and one in Mexico. The band will be performing full versions of their best-known album, Dub Side of the Moon – their beloved reggae re-interpretation of Pink Floyd’s Dark Side of the Moon album –along with well-known tracks from their other tribute albums: Radiodread, Easy Star’s Lonely Hearts Dub Band, and Easy Star’s Thrillah. Tickets can be bought here: http://easystarallstars.net.
Fans of the band will be very happy to know that the All-Stars have been hard at work in the studio, working on their first tribute album since the 2012 release of Thrillah. Exactly which classic album will get the band’s unique reggae arrangement has yet to be revealed, but it remains to be seen whether the secret will be spilled by the time these shows happen.
Singer Kirsty Rock, who is the featured vocalist on a number of ESA’s best known tracks, including “The Great Gig In The Sky,” “Paranoid Android,” “She’s Leaving Home,” and “P.Y.T. (Pretty Young Thing),” is also pleased to announce that her first solo album will be coming out May 6, with two singles dropping in late March and mid-April. Songs from this album, entitled Slow Burn, are likely to find their way into the Easy Star live set, especially because much of the album features playing by current and former members of the New York-based musical collective. Look for more info on Kirsty Rock’s album to come in the next month.
The band kicks off these dates with a headlining play at the Mt. Snow ski resort in Vermont on the weekend of March 26. This is followed by another headlining appearance at a reggae festival at Sugarloaf ski resort in Maine on April 9. The band then plays a matinee show on Sunday, April 10, at the Middle East in Cambridge, MA. This is followed by the band’s first 420 show at Brooklyn Bowl in Brooklyn, NY, since 2015. This has been a staple sold-out event over the years. That play will include support by two up and coming bands out of New York, The Far East, and SunDub, who recently signed with Easy Star Records. (SunDub’s first album will be coming out on Easy Star Records later this year.) After that show, the band plays Brooklyn Bowl Philadelphia for the first time, followed by returns to The Hamilton in Washington, DC, and Soundstage in Baltimore, MD. Lastly, in mid-May, ESA flies to Tequila, Mexico, to appear at Akamba Fest.
Blending musical versatility, instrumental prowess, beautiful vocal harmonies and a premier rhythm section, Easy Star All-Stars have established themselves as one of the top international reggae acts on the scene today. Easy Star All-Stars have built a growing, dedicated fan base throughout the world, bringing together fans of reggae, classic rock, dub, and indie rock into one big family. The band has played in over 30 countries on 6 continents since first touring in 2003.
Tour Dates:
March 26 – Mt. Snow, VT – Mount Snow Reggaefest
April 09 – Sugarloaf, ME – Reggaefest
April 10 – Cambridge, MA – Middle East (Matinee show)
April 20 – Brooklyn, NY – Brooklyn Bowl (with The Far East and SunDub)
April 21 – Philadelphia, PA – Brooklyn Bowl Philadelphia
April 22 – Washington, DC – The Hamilton
April 23 – Baltimore, MD – Soundstage
May 14 – Tequila, MX – Akamba Festival
Nnstoppable New Zealand eight-piece The Black Seeds, tease the upcoming release of their upcoming seventh album ‘Love & Fire’ due on June 17, with another cracking single – the funk-filled ‘It’s So Real’, accompanied by an epic video of superhero proportions. The album will be released via Proville Records/Kartel Music Group in Europe and seminal New York City-based reggae label Easy Star Records in North America in Summer 2022. Pre-order ‘Love & Fire Here. Stream/Watch ‘It’s So Real’ Here.
Following on the release of recent singles ‘Bring The Sun’ and last year’s perfect summertime banger ‘Let The Sunshine Through,’ and destined for dancefloors worldwide, ‘It’s So Real’ is The Black Seeds at their party best. Driven by an infectious muted guitar riff and backed by a rock-solid bass and drum groove, ‘It’s So Real’ weaves and tantalizes. The groove constantly evolves, dropping in and out creating an enticing labyrinth of rhythm and melody with The Black Seeds co-frontman, Barnaby Weir, and his distinct vocals, the glue that holds the track together.
All big statement tunes deserve a big statement video, and ‘It’s So Real’ is no exception. Director Ria Simmons worked closely with Barnaby to visually capture the sentiment of the tune and its “gritty, sexy, funky undertones.” “Barnaby rang me and told me it was a song basically about the domestic grind and trying to make things work with your partner,” says Ria. “With the title of the song, we knew it needed to hold some home truths. We got onto the idea of following Barnaby and his son Miles on their daily grind – a week of stay-at-home dad activities. Then weaving the idea that it's all to impress the Mrs, and we stumbled into the idea of mashing up super heroism with domesticity. From there the concept grew to the super powers needed to get through life in general. We want to encourage people to see the fun and magic in the normal everyday grind and believe that super heroism can be the smallest of acts, like washing the dishes!”
‘LOVE & FIRE’ is The Black Seeds’ seventh studio album. The 10-track record features ‘It’s So Real,’ plus previously released singles ‘Bring The Sun,’ ‘Let The Sunshine Through’ and ‘Raised With Love’.
Long established as one of New Zealand’s finest bands and with a solid foothold in Europe and North America, The Black Seeds have carved out their reputation on the back of multi-platinum selling albums, and a masterful live show that has been filling dance floors across the globe for years. While firmly based in the island grooves that inspired the birth of the band over a decade ago, The Black Seeds’ sound casts a wide net, layering funk, soul, Afrobeat, and other eclectic elements over their dub/reggae foundations.
The Black Seeds released their debut album ‘Keep On Pushing’ in 2001, which despite a minimal marketing budget, went on to reach platinum sales in New Zealand. The second album, 2004’s ‘On The Sun,’ added a heavy dose of funk and soul to their dub reggae sound. Third album ‘Into The Dojo,’ signaled the beginning of the band’s introduction to the rest of the world. 2008’s follow up ‘Solid Ground’ and 2012’s ‘Dust And Dirt’ and 2017’s ‘FABRIC’ continued to build the band’s global following after they were successfully released through trailblazing North American label Easy Star Records. Easy Star subsequently re-released the entire catalogue from the band in North America.
Consistent touring throughout Europe, North and South America has led to over 60 million Spotify streams since 2015, and their tracks have found placements on cable classics ‘Breaking Bad’ and ‘Weeds,’ as well on the big screen in movies like ‘Eight Below’ and ‘The Inbetweeners II’. 2017 saw the band continuing to push the boundaries of reggae with the release of their progressive 6th studio album ‘Fabric,’ featuring new guitarist Ned Ngatae and Francis Harawira on bass. The album, which included the popular single ‘’Better Days,” reached the #3 spot on the Billboard Reggae Charts & NZ Album Charts, number #3 on the UK & German iTunes Reggae Charts. Highlights from two decades of international press have included The Huffington Post describing their sound as “thick, bottom-heavy, and melodic," and Clash Music deeming them “one of the best live reggae acts on the planet…a broad, vastly creative return..matching low-end weight against some mature, soulful songwriting.”
The Black Seeds new single ‘It’s So Real’ is out now - Stream it /Watch the video here. New Album ‘Love & Fire’ due on June 17 - Pre-order ‘Love & Fire Here.
Love & Fire Tracklist
Let The Sunshine Through
Love & Fire
Raised With Love
Bring The Sun
It’s So Real
Non Justice
Greatest Expectations
Mediation
Game Over
Raised With Love dub
After dropping two stellar singles, Groundation unleashes the title track from its upcoming new studio album, One Rock, and this new song lives up to its name. If "Original Riddim" and "Human Race" were infused with jazz sounds, this track ventures into fuzzed out electric guitar riffs balanced over laidback reggae rhythms. "One Rock" also features vocals from the legendary CONGOS, well known for their work with Lee “Scratch” Perry, and their impressive vocal range. An official video, also featuring The Congos, is also being released today in conjunction with the audio track. The single "One Rock" is available on all streaming platforms here: http://moremusic.at/OneRockSingle. The video can be watched here: https://youtu.be/CHk2wzwVIao.
More than two decades into a storied career, Groundation returns this year with their 10th studio album, One Rock. The band, formed in 1998 by vocalist/guitarist Harrison Stafford, has helped define American roots reggae, while building a large and loyal following in Europe and Brazil, where they have been a consistent major headliner and festival attraction for years. One Rock keeps their sound and legacy moving ever forward through 9 intense songs featuring complex arrangements, moving melodies, and lyrics that touch on the human condition, human spirit, and the state of the world. Always a group to respect their elders and forebears, Groundation makes history yet again by bringing together the legendary reggae vocal groups lik Israel Vibration, The Abyssinians, and The Congos. One Rock is set for release May 13, via a partnership between France’s BACO Records and the U.S.’s Easy Star Records. You can pre-save or pre-order vinyl, cd, and an exclusive tee shirt at http://moremusic.at/OneRockAlbum.
The album’s previous singles include “Original Riddim,” a song revolving around the universal story of how music is a part of the spark that began our human experience, and “Original Riddim.” The latter welcomes the listener into the conversation, as Stafford provokes listeners with the line, “Before man walked and talked about, they formed a union where no tribe was left out, you are not left out!” A music video for the song, directed by Roger Hall and filmed on location in Jamaica, New York, Texas, Florida, and California, accompanies the single. Just as the song brings together Israel Vibration and The Abyssinians for the first time, the video also treads new ground by having both groups, along with The Congos and Groundation. View/stream/download the single and video at http://moremusic.at/OriginalRiddim
Groundation formed in 1998 when Stafford began a roots reggae/jazz fusion group with fellow students at the Jazz Performance program at Sonoma State University. The group’s first 2 albums (Young Tree and Each One Teach One) established their unique roots sound, while also beginning the band’s long affiliation with foundational reggae artists, as Each One Teach One features vocalist Marcia Higgs and drumming master Ras Michael. Stafford’s deep knowledge of the reggae genre led to him developing a course he taught at Sonoma State called “The History of Reggae Music,” where legends like Joseph Hill of Culture and historical icons like Abba Melchezadek (Haile Selassie’s private secretary) would come to share their personal experiences.
In 1999, while in Jamaica, Harrison met the legendary engineer Jim Fox, who was involved with the production of many of RAS Records’ most iconic releases. Fox remastered both Young Tree and Each One Teach One and recorded Hebron Gate (2002), the album that launched Groundation to international acclaim. Fox has continued working with the band on every subsequent release, helping to shape their sound on We Free Again (2004), Upon The Bridge (2006), Here I Am (2009), and Building An Ark (2012), creating a catalog of genre-bending, deep, progressive roots reggae music. Similarly, Groundation’s artwork had a consistent look and feel, in collaboration with Stafford's childhood friend, Giovanni Maki, creating all visual designs from the very beginning.
Through the years, Groundation has performed in over 35 countries on 5 continents. The band, which had number of personnel changes over the years, but always built around Harrison Stafford’s leadership, continued to bring reggae into new worlds, with their last studio album, The Next Generation (2018) opening with a full jazz big band (featuring 12 horn players). This album beat out Ziggy Marley and others to win Reggae.fr's “Best Roots Reggae Album of 2018,” voted on by over 16,000 media members, musicians, producers, and fans. The band has extensive tour dates and festivals set up for the coming year in Europe, especially in France, South America, and in the USA.
International singer, songwriter, and guitarist Jason Tamba is proud to announce his debut solo album “Don’t Give Up” out today on Playing For Change Records. The Congolese born artist has toured globally and appeared in numerous videos with the Playing For Change Band, Afro Fiesta and world-renowned musicians such as Peter Gabriel, Angélique Kidjo, John Paul Jones, Bono, Sara Bareilles and more. Now, with his infectious smile, compelling story-telling and powerful vocals, Jason embarks on his solo musical journey with a level of passion and soul that transcends boundaries. "Don't Give Up" is out now, stream HERE.
Gethsemane is the second single from Jason Tamba's debut album “Don't Give Up.” This reflective song, sung in Tamba's native language of Kikongo, "speaks of the last words of Jesus at Mount Gethsemane where he warns of being aware of those who you surround yourself with." Tamba goes on to explain about the song: "The message is: choose your friends wisely!!" The new song comes out on the heels of the first album single released in December, Maasai, which is a beautiful, introspective song with a soul-stirring energy that evokes a time of innocence.
“Don’t Give Up” is a culmination of Jason Tamba’s musical experiences around the world, and a fusion of sound, bridging the Congo with the West. Recorded in May 2021 with engineer Harlan Steinberg at Hen House Studios, the album features a combination of traditional instruments from Africa along with instruments more generally associated with contemporary and rock music. Tamba says, “The room in Hen is set up for live recording and the acoustics of the room are great for capturing the feel and sound I was going for. I am very happy with the sound we achieved.”
Tamba is joined by an all-star cast of skilled musicians on “Don’t Give Up,” including Whynot Jansveld (active touring member for The Wallflowers) on bass and mastering, Greg Leisz (recording credits with John Mayer, Aaron Neville, Eric Clapton and more) on pedal steel guitar, award-winning guitarist/producer Louis Mhlanga, Matt DeMerritt on saxophone, Roberto Luti on slide guitar, Grammy award-winning producer Mark Johnson on production, and Yasu Takeuchi. Tamba is also joined by PFC Band members Mermans Mosengo (vocal/ percussion/harmonica) and Robin Moxey (guitar).
For Tamba, the new album conveys the sentiment that one should always listen to their inner voice, for in doing so you are able to live and manifest your destiny. The title "Don't Give Up" stems from the lyrics in the song Loti, which appears on the album. This concept is the essence of the message of the whole album, Tamba explains, “My fundamental hope is that others can listen to these songs and gain inspiration to never allow challenges to dissuade you from your heart's desire and vision for, indeed, those are gifts placed inside you by God as a unique expression to the world.”
Born in Kinshasa, the capital of the Democratic Republic of Congo, Jason Tamba, a self-taught musician, has been playing guitar since age seven, when he made his own instrument out of wood and four strings. He later pursued his musical aspirations, culminating in earning a degree in classical guitar and traveling to South Africa to explore more opportunities. It was there that he became a singer, songwriter and guitarist for the Afro/Latin/reggae group, Afro Fiesta, who are widely regarded as innovators in the entertainment industry, fusing elements of Afro-jazz, Kwasa-Kwasa, Makossa and hints of Latin music. Since 2008, Jason has been a lead singer, guitarist and touring performer in the Playing For Change Band most notably performing with musical legends in some of PFC’s most popular Songs Around The World videos that have been viewed by over 300 million people internationally.
As a touring singer/musician, Tamba has traveled to over 25 countries, globally spreading a musical message of hope and unity, sharing concert stages with artists such as Robert Plant, Taj Mahal, Keb’ Mo’, Ziggy Marley, Toots Hibbert and many more. He is excited to perform the songs on “Don’t Give Up” live with audiences in 2022, most notably his upcoming performance at NOLA Jazz Fest in May.
Jason Tamba has warmed the hearts of millions and continues to make an impact on world music with his charismatic presence and limitless talent. Tamba’s highly-anticipated debut solo album “Don’t Give Up” is out now on Playing For Change Records.
Stream Don’t Give Up: https://ingroov.es/don-t-give-up-1xp5v
“Don’t Give Up” Tracklist
1. Masele
2. Maasai
3. Nda
4. Loti
5. Nkomba Mi
6. Faria
7. Sevana
8. Mount Gethsemane
For over a decade now, California Roots Music and Arts Festival has been a leader in festival sustainability. As the festival returns to the Monterey County Fair and Event Center for their 11th edition, they are proud to be the first festival in the state to earn the Green Business certification.
The music, lifestyle and destination event is dedicated to incorporating sustainability onsite and into their core daily business operations. Amy Sheehan, operations manager for Cali Roots, proudly explains the brand’s mission stating, “We pledge to reduce our impact on the environment by aligning ourselves with other like-minded organizations, making earth-wise choices regarding the products we purchase, promoting environmental awareness to our fans, staff & artists, & continuing to set the bar higher each year in our commitment to sustainability.” She adds, “We wouldn’t be able to do these sustainable initiatives if it wasn’t for the support of our community and fans. We feel lucky to know our festival attendees back our earth-friendly decisions for future generations to come.”
The festival’s mission and work has not gone unnoticed as it was honored to receive its certification as the first Green Festival in the state by California Green Business Network in 2020. For years the festival has been working with key partners, led by Amy Sheehan to ensure their commitment to sustainability. Through this work Cali Roots has become a leader in California businesses for those who are making a positive impact on people and the planet. Acknowledging this achievement, and in addition to their green certification, the festival earned the highest verifiable standards of sustainability with the title Green Innovators by the CGBN.
Brooke Wright, Director of Programs and Strategy for Environmental Innovations, worked with the festival and commented, "Prior to working with Dan and Amy, we didn’t have standards for event producers or events in the California Green Business Network. Certifying Cali Roots helped us solidify the benchmarks on what needs to be done during these gatherings. We are thrilled to have Cali Roots as a partner to our program to help develop the standards we are using for events moving forwards."
Partnering with the festival for this year’s greening initiatives include like-minded companies: Blue Strike Environmental, California Green Business Network, Green Pedal Courier, Redwood Forest Foundation Inc (RFFI), REVERB, Save Our Shores, The Last Plastic Straw and TripZero.
Through the years, Cali Roots’ partnership with Blue Strike Environmental has helped the festival to create a robust and successful waste diversion program. By implementing simple changes like compostable dining ware, to elimination of single use cups and food waste diversion programs, California Roots has successfully eliminated almost all landfill waste generated. This year the festival aims to impressively divert 90% of waste from landfills.
With the introduction of their “Redwood Pass” over five years ago, the festival offers a unique VIP experience. In partnership with Redwood Forest Foundation Inc (RFFI), for every VIP Redwood Pass sold two redwood trees are planted. A successful endeavor that has resulted in over 7,400 redwoods planted to date!
Cali Roots was an early adopter of self-serve water stations which first made an appearance at the festival in 2013. But it was in 2015 with the help of the environmental nonprofit REVERB and their #RockNRefill Campaign that the festival keyed into eliminating single-use plastic bottles. The #RockNRefill Campaign is a partnership between REVERB and Nalgene and offers music fans free water stations and custom designed reusable water bottles at concerts, festivals, and venues as an alternative to single-use bottles. 100% of the donations for the #RockNRefill bottles support nonprofit and environmental causes, raising over $20,000 for local nonprofits at Cali Roots.
In conjunction with these partnerships, the festival offers many more notable conscious efforts including requiring all vendors to serve compostable greenware, the free bike and skate valet, and the ability for local environmental nonprofits to raise awareness and funds. These on-going initiatives bolster their commitment while encouraging collaborative partnerships with fellow California Green Certified Businesses. Through their leadership Cali Roots inspires other events who strive to ‘go green.’ These achievements are years in the making for the festival and they are committed to work in concert with state and local leaders to help create green event guidelines.
The festival has impressive numbers to showcase how their environmental partnerships and initiatives have already made an impact.
Certified as the first Green Festival in the state of California in 2020
Diverted 500,000+ single use plastic cups & bottles through our Steel Pint & REVERB’s Rock n’ Refill Programs
Sold over 40,000 multi-use steel pint cups & Nalgene bottles
Enhanced local vineyards with 50,000 lbs of composted food waste
Collected 86 tons of recyclables via our partnership with Blue Strike Environmental
Planted over 5,000 Redwood tree seedlings on behalf of our Redwood (VIP) ticket holders with RFFI
Offset over 12 million pounds of carbon over our 4 year partnership with TripZero
Raised over $11,000 for Save Our Shores & Last Plastic Straw via REVERB’s Rock n’ Refill Program
Parked 3,500 skateboards at our free, onsite Bike & Skate Valet run by Green Pedal Courier
Conducted a festival-wide clean up with Save Our Shores, focusing on collecting cigarette butts & education about the path they can take directly to the ocean via storm drains
Donated 1,300 pounds of leftover food from catering, hospitality & vendors to the Monterey County Food Bank
Additional information about Cali Roots and the greening programs can be found here: https://www.californiarootsfestival.com/information/experience/greening/
FESTIVAL DETAILS
California Roots Music and Arts Festival 2022
Dates: Thursday, May 26 - Sunday, May 29, 2022
Time: 10:00 am – 11:00 pm PDT
Venue: Monterey County Fair and Event Center
Address: 2004 Fairground Road, Monterey, CA 93940
Admission: Varies
Age restrictions: All Ages
TRAVEL PACKAGES
Cali Roots Ticket & Hotel Packages ON SALE NOW! Each package includes a two to five night hotel stay at partner hotels in Monterey, CA; plus exclusive add-ons for purchase like Open Bar, Brunch, and Single Day Tickets! You don't want to miss out on this exciting weekend!
Buy Packages Here: https://portal.fuseignited.com/events/california-roots
Already have a ticket? Hotel Only options available here: https://www.californiarootsfestival.com/hotels/
4 Days of Music
THURSDAY, May 26
Dirty Heads | Stephen Marley | Protoje Featuring Lila Ike | Fortunate Youth | Alborosie | Demarco | DENM | Turbulence l Tropidelic | Eli Mac | Tunnel Vision
FRIDAY, May 27
Rebelution | Atmosphere | Chronixx | Pepper | J Boog | The Movement | Brother Ali | Satsang | Nattali Rize | Sa-Roc | Arise Roots | Natural Vibrations | Kash’d Out
SATURDAY, May 28
Slightly Stoopid | Stick Figure | Beenie Man | Tribal Seeds | Trevor Hall | The Green | Collie Buddz | The Expendables | Dub Inc | Bumpin Uglies | The Elovaters | FIA | Sensi Trails
SUNDAY, May 29
Damian Marley | Ice Cube | Sean Paul | Sublime With Rome | Common Kings | Durand Jones and The Indications | Anthony B | Hirie | Iya Terra | Mike Love | Keznamdi Through The Roots | Artikal Sound System | Vana Liya
Cali Roots in partnership with Pollen are excited to announce their second year of Cali Roots: The Mexico Sessions 2022! The Puerto Vallarta getaway brings the best parts of Cali Roots to an all-inclusive destination beach resort to create the ultimate experience. This year’s Mexico Sessions will take place at Meliá Puerto Vallarta, November 2-6, 2022. This amazing experience is expected to sell out quickly, packages go on-sale April 26th at 10 AM, be sure to get yours here!
Taking place at Meliá Puerto Vallarta, the four-star luxury resort is located bayside in the heart of the city’s rich history and nearby cultural landmarks. A timeless, tropical charm surrounds the resort thanks to large, open, airy communal spaces, serene eco-friendly gardens (alive with iguanas, ducks, coy, birds) and wide-open views of the Bay of Banderas! Meliá is just one of the five all-inclusive resorts that offer Cali Roots Mexico Session packages, each having their own variety of dining options and recreational activities.
As part of the experience, attendees will have access to exclusive activities including jam sessions on the beach, poolside DJ sets, volleyball tournaments, and more. The four day experience will be packed with unique performances and collaborations taking place on multiple stages located throughout the Meliá resort. With a stacked line-up ready to go, Cali Roots: The Mexico Sessions is excited to announce the first round of musical acts including Common Kings, HIRIE, Steel Pulse, Protoje, Skip Marley, PEPPER, J Boog, and More!
California Roots Music and Arts Festival is partnering with Pollen to craft this one of a kind experience. Pollen is a leading travel company building, curating, and delivering the best experiences for members all over the world. Pollen Members enjoy these experiences together with the people they love, creating stronger relationships and unforgettable memories.
Cali Roots: The Mexico Sessions
Dates: November 2-6, 2022
Location: MELIÁ Puerto Vallarta, MX
Ages: 18+
Packages
Line Up:
Alborosie
Common Kings
Hirie
J Boog
Kolohe Kai
Protoje
Skip Marley
Steel Pulse
The Movement
Tropidelic
Wednesday | Nov. 2nd
Check-In
Party on the Playa Welcome Party @ Melia Beach Stage
Thursday | Nov. 3rd
Morning Wellness Activities
Beach Volleyball Tournament @ Melia Volleyball Courts
Puff Puff Splash @ Melia Pool Stage
Party on the Playa @ Melia Beach Stage
Friday | Nov. 4th
Morning Wellness Activities
Beach Volleyball Semi-Finals @ Melia Volleyball Courts
Puff Puff Splash @ Melia Pool Stage
Party on the Playa @ Melia Beach Stage
Saturday | Nov. 5th
Morning Wellness Activities
Beach Volleyball Finals @ Melia Volleyball Courts
Puff Puff Splash @ Melia Pool Stage
Party on the Playa @ Melia Beach Stage
Sunday | Nov. 6th
Check Out
After dropping three notable singles, Groundation releases “Market Price,” an inspiring spiritual track showcasing the diversity of the group’s upcoming studio album One Rock. The fourth single kicks off with slow dreamy piano notes, before breaking into an uptempo jazz melody that then slides into sunny, soothing reggae. The music creates a sonic reflection with the music balancing out the heaviness of the lyric. On "Market Price," bandleader and songwriter Harrison Stafford rages against a sick, immoral society, stating, “Please don’t judge man’s soul tonight, we’re not ready, Lord.” In the end, the song’s message is one of hope and optimism: “This is not the end you see, for I believe in prophecy, and there’s a riddim inside of we a gonna shift society!” As with the first three singles, a video for “Market Price” has been produced by Harrison’s childhood friend Roger Hall, being released the same day. In speaking about this new single, Harrison Stafford said the song “represents one of the most complex and lyrically potent songs of the entire Groundation catalog.” Stream the new single here: http://moremusic.at/MarketPrice alongside the music video (https://www.youtube.com/watch?v=bs8yRBCzoO0).
More than two decades into a storied career, Groundation returns this year with their 10th studio album, One Rock. The band, formed in 1998 by vocalist/guitarist Harrison Stafford, has helped define American roots reggae, while building a large and loyal following in Europe and South America, where they have been a consistent major headliner and festival attraction for years. One Rock keeps their sound and legacy moving ever forward through 9 intense songs featuring complex arrangements, moving melodies, and lyrics that touch on the human condition, human spirit, and the state of the world. Always a group to respect their elders and forebears, Groundation makes history yet again by bringing together the legendary reggae vocal groups Israel Vibration, The Abyssinians, and The Congos. One Rock is set for release May 13, via a partnership between France’s BACO Records and the U.S.’s Easy Star Records. You can pre-save or pre-order vinyl, cd, and an exclusive tee shirt at http://moremusic.at/OneRockAlbum.
The album’s previous singles include “Original Riddim,” a song revolving around the universal story of how music is a part of the spark that began our human experience. In that track, Stafford welcomes the listener into the conversation, “Before man walked and talked about, they formed a union where no tribe was left out, you are not left out!” A music video for the song, directed by Roger Hall and filmed on location in Jamaica, New York, Texas, Florida, and California, accompanies the single. Just as the song brings together Israel Vibration and The Abyssinians for the first time, the video also treads new ground by having both groups, along with The Congos and the members of Groundation, all together in one place. View/stream/download the single and video at http://moremusic.at/OriginalRiddim.
Second single “Human Race” crackles with infectious energy, with Stafford singing about love and unification. “If love was the rule, would all this remain the same?” he asks, making a powerful statement in these polarizing times. The result is an instantly memorable song, well balanced between roots reggae and jazz, which has been Groundation’s signature style that has brought so many fans into their music. The third single released was the title track “One Rock,” featuring the legendary Congos, well known for their work with Lee “Scratch” Perry, and their impressive vocal range. The single can be streamed here: http://moremusic.at/OneRockSingle alongside the music video https://youtu.be/CHk2wzwVIao.
Groundation formed in 1998 when Stafford began a roots reggae/jazz fusion group with fellow students at the Jazz Performance program at Sonoma State University. The group’s first 2 albums (Young Tree and Each One Teach One) established their unique roots sound, while also beginning the band’s long affiliation with foundational reggae artists, as Each One Teach One features vocalist Marcia Higgs and drumming master Ras Michael. Stafford’s deep knowledge of the reggae genre led to him developing a course he taught at Sonoma State called “The History of Reggae Music,” where legends like Joseph Hill of Culture and historical icons like Abba Melchezadek (Haile Selassie’s private secretary) would come to share their personal experiences.
In 1999, while in Jamaica, Harrison met the legendary engineer Jim Fox, who was involved with the production of many of RAS Records’ most iconic releases. Fox remastered both Young Tree and Each One Teach One and recorded Hebron Gate (2002), the album that launched Groundation to international acclaim. Fox has continued working with the band on every subsequent release, helping to shape their sound on We Free Again (2004), Upon The Bridge (2006), Here I Am (2009), Building An Ark (2012), and A Miracle (2014) creating a catalog of genre-bending, deep, progressive roots reggae music. Similarly, Groundation’s artwork had a consistent look and feel, in collaboration with Stafford's childhood friend, Giovanni Maki, creating all visual designs from the very beginning.
Through the years, Groundation has performed in over 35 countries on 5 continents. The band, which had number of personnel changes over the years, but always built around Harrison Stafford’s leadership, continued to bring reggae into new worlds, with their last studio album, The Next Generation (2018) opening with a full jazz big band (featuring 12 horn players). This album beat out Ziggy Marley and others to win Reggae.fr's “Best Roots Reggae Album of 2018,” voted on by over 16,000 media members, musicians, producers, and fans. The band has extensive tour dates and festivals set up for the coming year in Europe, South America, and in the USA.
Kirsty Rock, best known around the world as a member of the internationally renowned reggae super group Easy Star All-Stars, brings the fire with her own distinctive, soulful, and earthy reggae sound on her solo album debut, Slow Burn, out now on Easy Star Records. The release coincides with an official video release of the title track, which was a collaboration between acrobatic dancer Julia Baccellier, Rock, and Rock’s long standing collaborator D888. Rock says about the video: “The visuals and movements are an unveiling in which we accentuate the beauty of that journey – vulnerability, a shedding, and in finality, empowerment. It’s a personal journey with a universal message.” Stream the album here and watch the video here.
Kirsty Rock came up in the Brooklyn music scene of the 1990s, including her celebrated stint in Trumystic Sound System (at one time, this band included Dr. Israel as a member and collaborator). Her first lead vocal with Easy Star All-Stars was on their 2003 album Dub Side of the Moon, performing “The Great Gig In The Sky,” which has garnered millions of streams, and earned praise from Clare Torry, the original vocalist on Pink Floyd’s Dark Side of the Moon. In 2003, she joined the touring version of Easy Star All-Stars and since then has toured in over 30 countries on 6 continents with the band. She was featured on vocals on their studio albums Radiodread (“Paranoid Android,” 2006), Easy Star’s Lonely Hearts Dub Band (“She’s Leaving Home,” 2009), and Easy Star’s Thrillah (“P.Y.T. (Pretty Young Thing),” 2012), as well as on First Light, the band’s album of original songs from 2008. Rock is currently back on the road with ESA after a COVID hiatus, while there is a new record due from the band for the first time since 2012.
The first single “The Feeling” may appear to be the most lighthearted song on the album, it “was the most difficult and cathartic to write,” Rock recently said. “It’s a reminder to myself that when we release grief, sorrow, pain, and anger, it leaves so much room for love and joy.” Her next single, “L.E.O.” pulses with a steady bass groove and slapping drums that draws you in with Rock’s lyrics: “The space between us pulls me in with thoughts darker than your skin. It's incredible. Burn my solar wings and carry me towards L.E.O.”
Many of the songs on Slow Burn were started on the road with Easy Star All-Stars and with her own long-running band Trumystic, as Rock often found inspiration while in motion. With a busy tour schedule, no intention to be a solo artist, and no rush to put out “product,” she left all expectations behind and let the songs evolve. Observing how relationships unfolded and how political agendas came and went – and what was left in their wake – inspired much of the lyrical content of the record. After the bones of the songs were recorded in her home in Vermont, Rock began reaching out to her friends to breathe more life into the fire until finally the record was ablaze.
The first few tracks completed were co-produced and mixed by Grammy-nominated producer (and longtime friend and collaborator) Matt Stein (Method Man & Redman, DMX, Jason Mraz, Bill Laswell, Blondie). The rest of the album brought in many of Rock’s closest collaborators in Easy Star All-Stars, including guitarist/vocalist Shelton Garner Jr. (who co-produced some of the songs), keyboardist/vocalist Elenna Canlas (who also co-produced the title track, while co-writing and performing on others), drummers Ivan Katz and Cliff Simpson, and the horn section of Jennifer Hill, Buford O’Sullivan, and Matt Bauder. Keyboardist Matt Goodwin – also a member of The Movement – sat in on some sessions, while bassist Nate Edgar of John Brown’s Body and The Nth Power, also laid down grooves. Easy Star All-Stars bassist Ras Droppa is a featured vocalist and bassist on the track “It’s Not The Same.” Other reggae veteran horn players, including Pam Fleming (Burning Brass), Anant Pradhan, and Billy Aukstick also contributed. As you can see, Rock really did call on her extended musical family to finish this labor of love.
Slow Burn is a stunning “debut” for Kirsty Rock. She is already at work on new songs and looking forward to bringing this music on the road with both ESA and on her own in the coming year.
New Zealand eight-piece The Black Seeds have today released their heavy new reggae single “Game Over,” accompanied by a dub-version. Also out today is a captivating video for the song set on the inside of a pinball machine. “Game Over” is the fourth single to be released from the band’s upcoming seventh studio album LOVE & FIRE, out June 17 via Proville Records/Kartel Music Group in Europe and seminal New York City-based reggae label Easy Star Records in North America.
Packed with muted guitar riffs, driving bass and drums, and an infectious horn section, “Game Over” is a classic reggae track that showcases The Black Seeds’ iconic sound. Led from the front by vocalist Barnaby Weir, “Game Over” tackles the challenging subjects of adversity, depression, and the daily domestic grind.
“The lyrical content of this song describes some of the challenges and feelings of life as a musician and parent in this world,” says Weir. “It’s about the struggle to be the best you can while maintaining relationships and careers - as well as feeling like you’re achieving something. It’s definitely a feeling we all have at times.”
Accompanying the single is a 70’s pinball inspired music video by Wellington Video Director Ed Davis. Playing on the track’s title, Ed created digital versions of each of the eight band members inside a virtual gaming world.
“A lot of work went into making meshes of their faces from selfies, customizing their avatars, instruments, clothes and sunglasses”, explained Ed. “I filmed myself miming all their moves - guitar, drums, sax, trumpet - so I could mocap their avatars into life.”
“I love the old analog games, where you're up against physics and gravity, making a little steel ball shoot up the rails and find the high score bumpers and bonuses. There's some very convincing VR pinball games that tap into the exact same reflexes and timing. I can see a Black Seeds themed pinball game coming from all this.”
Watch the video for ‘Game Over’ HERE
The Black Seeds released their debut album ‘Keep On Pushing’ in 2001, which despite a minimal marketing budget, went on to reach platinum sales in New Zealand. The second album, 2004’s ‘On The Sun,’ added a heavy dose of funk and soul to their dub reggae sound. Third album ‘Into The Dojo,’ signaled the beginning of the band’s introduction to the rest of the world. 2008’s follow up ‘Solid Ground’ and 2012’s ‘Dust And Dirt’ and 2017’s ‘FABRIC’ continued to build the band’s global following after they were successfully released through trailblazing North American label Easy Star Records. Easy Star subsequently re-released the entire catalogue from the band in North America.
Consistent touring throughout Europe, North and South America, has led to over 80 million Spotify streams since 2015, as well as placings on the US Billboard Reggae chart, and the iTunes Reggae Charts in the United Kingdom and Germany. Their tracks have found placements on cable classics Breaking Bad and Weeds, as well on the big screen in movies like Eight Below and The Inbetweeners II. Highlights from two decades of international press have included The Huffington Post describing their sound as “thick, bottom-heavy, and melodic," and Clash Music deeming them “one of the best live reggae acts on the planet”.
The Blacks Seeds’ new album, LOVE & FIRE, is released Friday, June 17, and features new single “Game Over,” alongside the already-released singles “It’s So Real,” “Bring The Sun,” and “Let The Sunshine Through.”
Groundation just released their highly anticipated tenth studio album, One Rock, via a partnership between France’s BACO Records and the U.S.’s Easy Star Records. The band, formed in 1998 by vocalist/guitarist Harrison Stafford, has helped define American roots reggae, while building a large and loyal following in Europe and South America, where they have been a consistent major headliner and festival attraction for years. One Rock keeps their sound and legacy moving ever forward through 9 intense songs featuring complex arrangements, moving melodies, and lyrics that touch on the human condition, human spirit, and the state of the world. Listen and purchase the album on vinyl, CD, and digitally with an exclusive tee shirt HERE.
In many ways, One Rock can be seen as a product of the global pandemic of the last two years. During this period, Groundation became even more aware of the issues of selfishness and greed that have emerged, which they address throughout the record, while also paying tribute to the victims and honoring the many reggae legends who have left us too soon since 2020. The group's desire to honor the "veterans" on this album was therefore obvious. Always a group to respect their elders and forebears, Groundation makes history yet again by bringing together the legendary reggae vocal groups Israel Vibration, The Abyssinians, and The Congos into the fold on the new album.
The relationship with these three bands was seeded from before Groundation was formed, through Harrison’s longstanding connections beginning as a teenager, and would continue through years of touring and sharing stages around the world. To implement these collaborations, Groundation wrote and arranged parts specifically for these unique singers, taking into account their style, range, tone, and phrasing. The track "Original Riddim" was calibrated to accommodate the talent of the Abyssinians and Israel Vibration. The Israel Vibration duo, made up of singers Wiss and Skelly, are also invited on the up-tempo heavy groove track "Iron" that closes the album. As for the Congos, who had already participated in the albums Hebron Gate released in 2002 and Here I Am in 2009, it seemed obvious for Groundation to call upon them on the eponymous title track "One Rock.”
Normally comprised of two guitars, drums, bass, piano, Rhodes, B3 organ, three horns and three harmony voices, Groundation also welcomes a classical string trio on this new album. This was a great first for the band, bringing a unique texture and emotion to the album’s first three songs. Tracks such as 'Greed' and 'Silver and Gold' venture into unexplored polyrhythmic worlds, while 'Absolutely Clear' and 'Day When The Computer Done' explore new harmonic movements. "Market Price” features a solo piano intro that leads into a frenzied brass arrangement, before turning into a slow odd-meter one-drop. The song goes on to create a world of dichotomy between the upbeat, joyous musical atmosphere and the intense lyrics that depict the megalomania behind many of the world's leaders and the millions of people who follow their madness. The 9 tracks were recorded on 2" analog tape at Prairie Sun Studios in Sonoma Country, California.
Stafford formed Groundation in 1998, when he began a roots reggae/jazz fusion group with fellow students at the Jazz Performance program at Sonoma State University. The group’s first 2 albums (Young Tree and Each One Teach One) established their unique roots sound, while also beginning the band’s long affiliation with foundational reggae artists, as Each One Teach One features vocalist Marcia Higgs and drumming master Ras Michael. Stafford’s deep knowledge of the reggae genre led to him developing a course he taught at Sonoma State called “The History of Reggae Music,” where legends like Joseph Hill of Culture and historical icons like Abba Melchezadek (Haile Selassie’s private secretary) would come to share their personal experiences.
In 1999, while in Jamaica, Harrison met the legendary engineer Jim Fox, who was involved with the production of many of RAS Records’ most iconic releases. Fox remastered both Young Tree and Each One Teach One and recorded Hebron Gate (2002), the album that launched Groundation to international acclaim. Fox has continued working with the band on every subsequent release, helping to shape their sound on We Free Again (2004), Upon The Bridge (2006), Here I Am (2009), Building An Ark (2012), and A Miracle (2014) creating a catalog of genre-bending, deep, progressive roots reggae music. Similarly, Groundation’s artwork had a consistent look and feel, in collaboration with Stafford's childhood friend, Giovanni Maki, creating all visual designs from the very beginning.
Through the years, Groundation has performed in over 35 countries on 5 continents. The band, which had a number of personnel changes over the years, but always built around Harrison Stafford’s leadership, continued to bring reggae into new worlds, with their last studio album, The Next Generation (2018) opening with a full jazz big band (featuring 12 horn players). This album beat out Ziggy Marley and others to win Reggae.fr's “Best Roots Reggae Album of 2018,” voted on by over 16,000 media members, musicians, producers, and fans. The band has extensive tour dates and festivals set up for the coming year in Europe, South America, and in the USA. Tour dates can be found at https://groundation.com/live.
This album is a soundtrack of Sudan’s revolution.
In late 2021, Ostinato Records returned to Khartoum, Sudan shortly after a November military coup and country-wide protests to capture the sound of an ongoing, inspiring democratic revolution that began in 2019.
Scrolling Sudanese Tik Tok, we scouted a mysterious band in Port Sudan, a city on the Red Sea coast and the country’s biggest port. One short social media video opened the gates into a world few have ventured, let alone heard, a world that reorients our understanding of ancient history and politically empowers the present.
In the early 1990s, a young musician named Noori ventured near the scrap yards of Port Sudan only to find the well-preserved neck of a guitar, an uncommon instrument in these parts.
He was later gifted a vintage tambour from the ‘70s, a traditional four-string instrument strummed across the region, by his father, a renowned instrumentalist. Using his own special technique of welding and tuning, Noori forged the two and gave birth to an electrified tambo-guitar, the only hybrid of its kind in existence.
Then only 18, Noori was driven by a passionate cause to keep Beja (pronounced Bee-Jah) music alive and fresh. Beja culture is little known—for very deliberate reasons. Their land in eastern Sudan by the Red Sea is blessed and cursed with vast deposits of gold, largely sold off to foreign companies. Successive Sudanese governments have turned a blind eye to Beja calls for recognition and access to the mined wealth of their own soil.
Under the harsh rule of Sudan’s former strongman, Omar al-Bashir, a campaign was waged to erase Beja language, music, and culture, and deny the right to a dignified livelihood. Their conditions have changed little since Bashir’s ouster in 2019.
The Beja community has been on the forefront of political change in Sudan for decades and Noori believes an unleashing of Beja music would form the most potent act of resistance, in line with the rebellious closure Sudan’s biggest port, a regular demonstration of civil disobedience by Beja activists in their quest for equity and justice.
Few older Beja recordings were produced. Even fewer, if any, remain. This is the first ever international release of the Beja sound, a six-track portal to another time and place, of melodies long forgotten and never before interpreted by an electric and brass-driven ensemble. Beja Power! is a living archive of the finest, most heartfelt Beja songs—each composed at a different stage in its long history, each in its own world.
A truly ancient community, Beja trace their ancestry back millennia. Some historians say they are among the living descendants of Ancient Egypt and the Kingdom of Kush. They are even depicted in the hieroglyphics.
Beja melodies—nostalgic, hopeful and sweet, ambiguous and honest—are thousands of years old, which explains an evocative composition like “Qwal” and the mystifying, regal imagery of the pharaoh’s courts it conjures. Yet, somehow, their sounds are also reminiscent of Dick Dale’s 1963 “Misirlou” and jazz great Charlie Rouse’s 1968 “Meci Bon Dieu”.
This album could be 6,000 years, 60 years, or 6 months old and the only difference would be the instruments used—and only a truly special instrument is worthy of the Beja cause: Noori’s tambo-guitar. Along with his Dorpa Band, formed in 2006, their instrumental Beja music forms the latest link in an unbroken chain of an inherited, arresting sound that is local as it is global, a gift of a storied past and the exchanges of the well-traveled, fabled Red Sea.
Electric soul, blues, jazz, rock, surf, even hints of country, speak fluently to styles and chords that could be Tuareg, Ethiopian, Peruvian or Thai—all grounded by hypnotic Sudanese grooves and Naji’s impeccable, airy tenor sax. The world is quite literally housed in Beja music.
Ostinato Records is honored to bring the nearly forgotten Beja sound in all its nostalgia, sweetness, honesty, and power, recorded and mastered to maintain the warmth of Sudan’s signature aesthetic, to your sound system.
This album is a testament to music’s timeless ability to realign the world’s ear and heart towards a long marginalized people’s enduring struggle, ensuring Beja culture, their true gold, is never again discarded to the scrap heaps of its own country or history. There is, as the track “Al Amal” translates in English, hope.
On June 3, Cumbancha releases the album Mista Savona Presents Havana Meets Kingston Part 2 featuring an all-star lineup of musicians from Cuba and Jamaica. An epic set of 15 tracks, Havana Meets Kingston Part 2 unites the deep roots grooves of reggae, dancehall and rocksteady with the scorching soul of Cuban son, timba and salsa.
While connected by common African roots and colonial histories, the music of Cuba and Jamaica have traveled largely in separate directions. Their influence on the music of the world has been immeasurable, but their influence on each other has been less evident – until now.
It took an Australian to bring these two musically rich cultures together. Melbourne producer and musician Jake Savona had already fallen in love with the music of Jamaica, having released a string of successful reggae and dub albums under his stage name Mista Savona since 2007. He first traveled to Cuba in 2014 and on his last day in Havana, he was struck with a vision: he could imagine the sounds of Cuban rumba mixed with Jamaican nyabinghi, the spiritual & folkloric styles unique to each island.
A year later, supported by a grant from the Australian Council, Savona returned to Cuba, joined by a quartet of Jamaican legends including Sly & Robbie (drummer Sly Dunbar and bassist Robbie Shakespeare), guitarist Winston “Bopee” Bowen (known for his work with Dennis Brown) and Studio One percussionist Bongo Herman. They spent the next ten days at the legendary EGREM studios recording with many of Cuba’s top musicians and vocalists. “It felt like a project that wanted to be born, and I was the one lucky enough to be in the right place at the right time,” recalls Savona.
More sessions followed, other guests were invited, and after years of painstaking effort, the first volume of Mista Savona Presents Havana Meets Kingston was released in 2017 to worldwide acclaim. By 2018 a live version of the project had performed three world tours, culminating in an incendiary show for the BBC Proms at The Royal Albert Hall in the summer of 2018.
Shortly thereafter Savona was back in the Caribbean to work on new recordings with a range of famous and rising stars in the Cuban and Jamaican music scenes. Much of this new record was also recorded at the famous EGREM Studio (Estudios Areito 101) in Havana, where the equipment and atmosphere has remained unchanged since the 1950s. This is the very same studio in which the famous Buena Vista Social Club album was recorded in 1996, and the Havana Meets Kingston albums share that unique sonic character and warm, woody room sound that EGREM is famous for. According to Savona “The Cubans told me an angel lives in the studio and that she blesses the music recorded there - and I believe it! Other studios we recorded at include Nelson’s Studio in Vedado, and Bob Marley’s Tuff Gong studio in Kingston, Jamaica.”
Havana Meets Kingston Part 2 includes guest appearances from Jamaican singers Clinton Fearon (The Gladiators), Randy Valentine, Prince Alla, Stevie Culture, The Jewels and Micah Shemaiah. Featured Cuban guests include Cimafunk, Barbarito Torres, Changuito, Brenda Navarrete, Solis, Beatriz Marquez, Dayán Carrera Fernández and many more. This second album simmers with energy that comes from the magic created by musicians discovering exciting new sounds and collaborators.
Savona first saw Cimafunk performing with the band Interactivo in 2015, years before he became a household name in Cuba. The music for “Beat Con Flow,” which Savona describes as “an old-school, funky, hip-hop and reggae jam,” was recorded at EGREM Studios by a top-notch band that included Sly Dunbar, Winston “Bopee” Bowen, as well as Cuban virtuoso bassist Gaston Joya and trumpeter Julito Padrón. Savona plays piano and Hammond organ and DJ Wasabi is on the turntables.
Cimafunk later recorded his vocals at a small, rundown Havana recording studio, bragging in Cuban slang about his talents as a singer and the infectious rhythm and vibe of the song. “I live at my own cool and easy tempo / And if is there are any problems / I solve them little by little / So go ahead, lose yourself to the beat / If being quiet is getting you down / Don’t worry, dance and sing / And you will see how it lifts your soul.” The song’s uplifting message and positive vibe is the perfect antidote for these challenging times.
“The Human Chain” is a powerful and uplifting rocksteady roots anthem about the looming threats to humanity. Clinton Fearon, an icon of Jamaican music who was the lead singer for the legendary band The Gladiators, sings in his trademark gravel-toned and soulful voice, “A chain is only as strong / As its weakest link / Greed and poverty / Weaken the chain / Now is the time to reflect / On what's gone wrong / With the human chain.”
The single is accompanied by an epic music video filmed on the rooftop of a skyscraper in Fearon’s current home in Seattle interspersed with stirring clips of protest and conflict drawn straight from the headlines. The sixth single to be released so far from the upcoming Havana Meets Kingston Part 2 album, “The Human Chain” offers a stark warning and an uplifting message of hope that we can come together to strengthen the ties that bind us all.
“Guarachará,” featuring Cuban singer Dayán Carrera Fernández and a host of other stars from the island, is a scorching dance number that blends Cuban timba, salsa, flamenco and Afrobeat. The song opens with a touch of flamenco, then builds into a classic Cuban son before exploding into a high-energy salsa/timba groove that dancers will find impossible to ignore. As many parts of the world begin to open up, the lyrics to “Guarachará” couldn’t be timelier. Lead singer Dayán Carrera Fernández calls for all of his friends to join him at his home for a much-needed dance party. While the past year has seen most of us stuck in our homes longing for a social life, “Guarachará” invites people to get back together for a house party like no other. “A few days ago,” sings Fernández, “I had a feeling / My soul was hurting / And I didn't know where my friends were / But we got together / In the end my people will get together / And we’re going to sing and dance.
The stunning music video for “Guarachará,” which was produced by Luis Toledo & Jake Savona, was filmed at an historic 1910 estate near the Havana airport. It begins with a 1940's theme as old cars pull up to the house to deliver the musicians and flamenco dancers, who are meeting Dayán and guitarist Raynier Monserrat Gonzalez in their living room. The song soon picks up into an old-school Cuban son and moves outside as salsa dancers dressed in colorful vintage clothes show off their best moves. Once the song has reached the second bridge we are transported to modern day Havana, with the party raging inside the house all through the day and night. As morning approaches and the sun begins to rise, Dayan closes the doors to his house and pianist Rolando Luna is left alone on the verandah playing the piano, for a beautiful outro to the song.
These are just a few of the many highlights on an album that will go down in history as groundbreaking masterpiece.
Mista Savona Presents Havana Meets Kingston Part 2 will be released by Baco Records in Europe, ABC Music in Australia and New Zealand and Cumbancha in the US, Canada, Latin America and the rest of the world. It will be available in deluxe CD and double LP packages filled with photos from the historic sessions and tours.
The Havana Meets Kingston live project will be touring this summer in Europe and later in 2022 and early 2023 in North America.
For updates and more information, visit www.cumbancha.com/havanameetskingston
This year Cali Roots sees the epic return to the Monterey County Fair and Event Center after a two year hiatus due to COVID-19. The legendary event started in Monterey in 2009 and continues to bring the best lineup for musical acts, visual artists, and food trucks to the community they love. Today the festival celebrates Monterey with locals taking center stage.
Making deeper connections with their community during the pandemic, Amy Sheehan, Operations Manager and Community Outreach Director, along with the Cali Roots team created the Night Market 831. Inspired by the open-air street bazaars found around the world, Night Market 831 is an inclusive, collaborative space for friends and families to come together to check out a rotating roster of local performers, creatives and entrepreneurs. With deeper partnerships formed, Cali Roots can offer the festival insight into Monterey’s vast and talented local communities for food and art; giving the local creators a much larger and far reaching platform to showcase their talents – the Cali Roots audience!
Esselen Tribe Opening Blessing & Surf Rider Foundation:
Cali Roots is committed to bring awareness to the fact Monterey is located on land inhabited by the Esselen Tribe. To honor the tribe and to spread awareness, Esselen Tribe will be both on site with a booth, and opening the festival with blessing. Amy comments, “We are honored that the Esselen Tribe is joining us in two ways this year. They are featured as one of our nonprofits, with a booth onsite to bring awareness for their tribe and they will be performing an Opening Blessing at 6:15pm on the Bowl Stage on Thursday with Chief Tom Little Bear Nason and members of their tribe.” Additionally Surf Rider Foundation Monterey has paired up with Cali Roots’ REVERB Rockin Refill Program and proceeds from reusable water bottles will go directly to Surf Rider!
Artisanal Food & Crafts:
Another special touch for this year's Cali Roots is the deep interactions with vendors and attendees. The festival has organized and curated wonderful pop-ups for those lucky VIP Roodwood pass holders and some vendors will also have booths within the festival. Including Small Kind Soaps, a local soap maker specializing in hand poured soap who will offer VIPs an opportunity to cut their own bar of Cali Roots soap. What’s Popp’n Popcorn the best organic, gluten free, nonGMO popcorn on the coast, is run by a local BIOPIC couple who have created signature flavors including our favorite - sweet white cheddar! Miss Lippe's Dumpling Party, local dumpling goddess, will be filling bellies with tempting dumplings.
Johnny Wicks a Black owned, local candle maker, has created a number of Cali Roots collab candles for the festival over the past year. This year he is hooking up the Redwood VIPs with their very own Johnny Wicks Big Sur candle and will be selling a variety of candles and incense at his booth located inside the festival near the Art Retreat area. ZumZum Tea is a local tea provider who will be offering hot tea perfect for when that marine layer rolls in. Sweet Reba's is a woman owned bakery and a phenomenal baker who will be hooking up VIPs with tempting, Cali Roots branded sweet treats; and selling her confections at her booth inside the festival. Leah Mark Designs is a woman owned, local earring and necklace creator. Her signature style stands out from the rest, with a success story that grew from market booths, like the one she will have at Cali Roots, into her own brick and mortar in Carmel! And Marple will have a booth too, they are a Salinas based artist with a huge Cali Roots following!
This year's food court is stacked with sensational foodie dishes that will bring the tastes and flavors of Monterey to Cali Roots. Mmm Churros are handmade, vegan churros and the best in the 831. They will be serving churros, churro bites and churro bouquets by the dozen. Central Coastan Pizza has the best wood fired pizza from Chris Elkins of Seaside. Casas De Humo BBQ has a cult following best known for their BBQ brisket nachos, and the infamous Jelly D, a brisket sandwich in between jelly donuts. NitroCycle is the one and only local bike powered coffee cart run by Mike Baroni. He also runs the festival’s free bike and skate valet! Pupuseria Nathalia is a BIOPIC, woman owned pupuseria with the most delicious, authentic, handmade El Salvadorian pupusas and tamales. India Gourmet is a local foodie who creates delectable Indian food including the coveted curry naan wrap. Maha's Catering offers the best Lebanese and authentic Arabic dishes in Monterey. And also, locals Carnival Catering will be selling their outstanding kettle corn.
Visual Art
Interactive installations set up at the festival will surely dazzle attendees' senses. Included this year are partners like Progress Not Perfection which is run by local artist Jess Ansberry who is bringing her wildly popular paint party to Cali Roots this year. For $10 anyone can join the freestyle paint party in the Art Retreat. She will provide the supplies & the vibes of Cali Roots the inspiration. Throughout the festival a number of local artists will be onsite during the weekend creating murals live including Arsenio Baca, Calee Dunlap (aka Babybob Ross) and The Jams Brand – Jessica Carmen and AugieWK. There will be various interactive art opportunities throughout the four days by local artists including Ryann’s Signature Glass, a Dirty Girl Plant workshop, Urtha Angel macrame, Sea Maid seaglass and Chris Powers screenprinting. And the talented Shaun Logan who masterminds the look and feel of Cali Roots branding will have a booth showcasing his work with collectable posters and unique prints!
Sponsors:
And all of this is not possible without Cali Roots sponsors. This years sponsors include
Big Sur Canna + Botanicals who are the only locally owned dispensary in the Monterey area that serves our diverse community. Merge 4 an awesome sock company based in Santa Cruz. El Jefe is a locally owned tequila company.
Local Music
And Salinas’ own reggae band, The Rudians will be making their Cali Roots debut on Thursday, May 26th on the Pop Up Stage!
Every year since the start of Cali Roots, the audience has grown exponentially and has become the movement that it is today. The annual event has spawned many copycats, but none can live up to the lineup, vibe, spirit, and loyal fanbase that Cali Roots has built over the past decade. With the return of the 11th edition, Cali Roots will be bringing the flavors, art and sounds that Monterey has to offer alongside a stellar line-up of today’s best Roots music including, reggae, hip hop, and folk!
The festival is set to take place at the Monterey County Fair and Event Center on May 26-29, 2022.
FESTIVAL DETAILS
California Roots Music and Arts Festival 2022
Dates: Thursday, May 26 - Sunday, May 29, 2022
Time: 10:00 am – 11:00 pm PDT
Venue: Monterey County Fair and Event Center
Address: 2004 Fairground Road, Monterey, CA 93940
Admission: Varies
Age restrictions: All Ages
Single Day Tickets On-Sale Here
Full Line-Up is Here
California Roots Music and Arts Festival is excited to return, after a two year hiatus due to COVID-19, on May 26th! And for those who are unable make it to Monterey County Fair and Event Center this year, the festival is thrilled to announce the return of Cali Roots Live - The Return, the livestreaming event for Cali Roots 2022.
This year, for the first time ever Cali Roots has expanded into a four day event of reggae, roots and hip hop music! Cali Roots Live - The Return will take viewers directly to Monterey County Fair and Event Center for the full four days (May 26 - May 29) without leaving home with over 33 hours of broadcasting premium live music across four days. And giving the global reggae community access to live performances from over 20 internationally known artists. Live performances from renowned artists include Sean Paul, Ice Cube, Sublime with Rome, Stick Figure, and Jamaica’s own king of dancehall, Beanie Man. Plus viewers can enjoy performances from Cali Roots mainstays like Rebelution, Atmosphere, Chronixx, and Damian ‘Jr Gong” Marley. Additional billing includes fan favorite artists Stephen Marley, Protoje featuring Lila Iké and Jaz Elise, Brother Ali, Sa-Roc, and Slightly Stoopid - to name a few.
Fans can watch the livestream on CaliforniaRootsFestival.com, Cali Roots Youtube, and other affiliated distribution partners. Additionally California Roots is providing distribution opportunities of the live stream to select partners in the music & cannabis space.
Cali Roots 2022 has been curated to include more music, local food and beverage vendors, added art exhibits, exhibitions and installations, interactive workshops, intimate pop-up performances, on-site greening initiatives, and community focused non-profits to learn about. Plus festival goers will be delighted by Cali Roots greening initiatives that have earned the festival the title of the only certified Green Festival in California!
The festival is set to take place at the Monterey County Fair and Event Center May 26-29, 2022 with tickets are on-sale here:
And for those who cant make it to Monterey, follow Cali Roots on socials to catch Cali Roots Live - The Return! Meanwhile, counting down the days until the premier festival, fans can follow and stream from either the official Cali Roots playlist and Her World on Spotify, and the official Cali Roots playlist on Tidal!
TRAVEL PACKAGES
Cali Roots Ticket & Hotel Packages ON SALE NOW! Each package includes a two to five night hotel stay at partner hotels in Monterey, CA; plus exclusive add-ons for purchase like Open Bar, Brunch, and Single Day Tickets! You don't want to miss out on this exciting weekend!
Buy Packages Here: https://portal.fuseignited.com/events/california-roots
Already have a ticket? Hotel Only options available here: https://www.californiarootsfestival.com/hotels/
4 Days of Music
THURSDAY May 26
Dirty Heads | Stephen Marley | Protoje Featuring Lila Ike and Jaz Elise | Fortunate Youth | Alborosie | Demarco | DENM | Turbulence l Tropidelic | Eli Mac | Tunnel Vision
FRIDAY May 27
Rebelution | Atmosphere | Chronixx | Pepper | J Boog | The Movement | Brother Ali | Satsang | Nattali Rize | Sa-Roc | Arise Roots | Natural Vibrations | Kash’d Out
SATURDAY May 28
Slightly Stoopid | Stick Figure | Beenie Man | Tribal Seeds | Trevor Hall | The Green | Collie Buddz | The Expendables | Dub Inc | Bumpin Uglies | The Elovaters | FIA | Sensi Trails
SUNDAY May 29
Damian Marley | Ice Cube | Sean Paul | Sublime With Rome | Common Kings
Durand Jones and The Indications | Anthony B | Hirie | Iya Terra | Mike Love | Through The Roots | Artikal Sound System | Vana Liya
THE DJS
AMP Live - Duke Massive - Green B - Green Lion Crew - Jah Mikey - Jah Warrior Shelter -Man-Like-Devin - Plain Ole Bill - Westafa
THE MCS:
Rocky Bailey - Allison Hagendorf - Big Body Cisco - Irie Dole - Otis Otes
Playing For Change is proud to announce their debut album The Real Revolution featuring the Playing For Change Band! The new album is a purpose-driven record with a compelling message of connecting the world through music. The songs embody the spirit of love, truth and unity that binds us all together and leads us from the darkness to the light. Pre-save & order here: https://playingforchangeband.ampl.ink/TheRealRevolutionAlbum
Although this is the first studio album from the renowned band, they have been a unique fusion of influences and talents in constant evolution since their start in 2008. The band currently consists of 10 musicians from 10 countries, carrying music from the streets to the stage to the hearts of people. Even though the musicians come from many different countries and cultures, it is through music that they speak the same language. It is a tangible, traveling representation of the Playing For Change mission: to inspire, connect and bring peace to the world through music.
The Real Revolution features members of the Playing For Change Band as well as special guests. The core group of 10 musicians from 10 countries recorded the new album over the course of five years as they toured the world to several different countries. The worldly influences are prominent in shaping The Real Revolution sound, and the body of work is a reflection of the power of the human spirit, witnessed first hand throughout their global travels.
The PFC Band recorded at the famous Tuff Gong Studio and teamed up with members of Damian Marley’s band to create an album that is a fusion of various languages and cultures, combining world music and reggae. Bob Marley has been one of the most pivotal figures in the DNA of Playing For Change and The Real Revolution is a celebration in that spirit of transforming people with music from the inside out. The record was produced by Mark Johnson, Mermans Mosengo, and Robin Moxey. Mixed by Greg Morgenstein at Astound Studios, Los Angeles, and mastered by Greg Morgenstein in Los Angeles.
The full album is 10 songs stacked with potent messages centered around unity and social justice that vibrate to the core of the Playing For Change Band. The powerful lead single, showcasing the vocals of Congolese musicians Mermans Mosengo and Jason Tamba and also titled “The Real Revolution,” lives in the spirit of the people and offers an empowering message. Reflecting on the new song, Mark Johnson comments, “I wrote this song a few years ago knowing that I would have the full power of Mermans Mosengo and Jason Tamba's voices and their shared conviction to tell the story. The Real Revolution lives in the spirit of the people and true change comes from within. Fear is the enemy.”
The second release, “Me Pierdo,” written by Pierre Minetti, is a perfect blend of reggae and Latin music and speaks of the journey to our inner nature and the longing for freedom while feeling lost in a world full of injustice and stress. Tula Ben Ari comments, “I introduced the song to the band back in 2009 and it became a favorite in the band’s live show!”
The Real Revolution album will be released alongside the focus track “Run” due out on June 24, 2022. “Run” is an uplifting song written by PFC Band member Claire Finley that inspires feelings of hopefulness, focusing on the good in life instead of dwelling on the past. She comments, “When writing the song ‘Run,’ I thought it would be cool to play with the concept of running towards the good things in life instead of only focusing on getting away from bad thoughts or situations holding you back. In life, I believe it’s very important to think about the things you aspire to instead of continuing to dwell on situations of the past.”
The release of The Real Revolution album commences the 20 year anniversary of Playing For Change, with exclusively designed cover art by Neville Garrick (longtime Art Director for Bob Marley and the Wailers), and perfectly represents the PFC belief that music has the power to break down boundaries and overcome distances between people.
Single “The Real Revolution”:
Track List:
1. The Real Revolution
2. Young People
3. Lamuka
4. Me Pierdo
5. Right Foot Forward
6. 54-46 That’s My Number
7. Bibamba
8. Run
9. Bwanya
10. When The Music Comes Around
Tour Dates
May 27th- Hard Rock Cafe Hollywood
June 24th & 25th- Kate Wolf Festival
The legendary Reggae musician, Clinton Fearon’s newest full length album, Breaking News, was written in just a few months during the COVID-19 pandemic. During this time, Clinton Fearon was staying at home with his wife and together they created and broadcasted a livestreaming series which helped them to stay connected with the outside world. These moments were emotional bright lights for Clinton and his wife throughout the pandemic and inspired Clinton to stay positive. But it was in contrast to the seemingly daily stream of constant bad news that the media reported and that took its toll on Clinton. The songwriter felt the urge to fight back and wrote a collection of songs with his signature lyrics filled with common sense and compassion.
For the making of “Breaking News” Clinton Fearon took a different approach. Previous records with the legendary musician had started with recording a guide track for each song. Typically, the initial recording is with just his voice and a guitar recorded in one take and from there other parts are laid down track-by-track with his band in Seattle. But instead, Clinton Fearon ended up recording a proper demo in Seattle with most of the tracks on file, and except for drums and keyboards, he played all instrument parts himself along with sound engineer Pete Remine at Dubtrain Studio. The demo was then sent to the musicians in France to practice. A couple of months later, Clinton Fearon flew from Seattle to Bordeaux and started recording with his band in session with sound engineer Damien ‘Bobby’ Coutrot in Baco Studio.
On the new album, Breaking News Clinton Fearon is backed by The Riddim Source who are comprised of the great musicians, Xavier ‘Kubix’ Bègue (guitar), Julien ‘Manjul’ Souletie (vocals and percussions), Simon ‘Saymon’ Coutant (drums), Thomas ‘Mato’ Cirade (bass) and Muctaru Wurie (keyboards). All who Clinton regards as, “the best set of musicians I’ve ever played with.” The Riddim Source first met with Clinton Fearon in spring 2019, to record a live session for the promotion of his previous album “History Say.” And by the summer of 2021, they started touring with the renowned Jamaican singer and songwriter and have since become his backing band. The recording of “Breaking News” happened during the days off this first summer tour together, and through these two projects, Clinton Fearon and The Riddim Source created a tight bond fueled by the love and care of music and friendship.
This album is therapeutic for Clinton Fearon, whose life completely changed during the pandemic along with a whole community of musicians and artists. As Manjul said to his brother Clinton: “What a pleasure for ears, and medicine for mind, body and soul!”
Breaking News is Clinton Fearon 13th full-length solo album, and the first one not entirely self-produced. After three years of successful partnership, Boogie Brown Productions (Clinton Fearon and his wife Catherine) and Baco Music decided to co-produce this magnificent album. It is due to be released on Kool Yu Foot and Baco Records on June 3rd.
Pre-save & Order here: https://Baco.lnk.to/BreakingNews
Order CDs here: https://clintonfearon.company.site
Tracklisting:
“Breaking News”
“Don’t Dump It”
“Social Unrest”
“New Chapter”
“Have Some Fun”
“Sweet Morning Sun”
“Brace Yourself”
“I Wanna Dance”
“Trod On”
“I Am Thankful”
“Unbeatable Dub”
Tour:
June 4 @ Nectar Lounge, Seattle, WA
June 9 - June 11 @ Creekbend Café, Hope, AK
June 17 @ Star Theater, Portland, OR
6.18 @ Earthdance Re/Evolution, Veneta, OR
Playing For Change is proud to announce their debut album The Real Revolution featuring the Playing For Change Band! The new album is a purpose-driven record with a compelling message of connecting the world through music. The songs embody the spirit of love, truth and unity that binds us all together and leads us from the darkness to the light. Pre-save & order here: https://playingforchangeband.ampl.ink/TheRealRevolutionAlbumRelease
Although this is the first studio album from the renowned band, they have been a unique fusion of influences and talents in constant evolution since their start in 2008. The band currently consists of 10 musicians from 10 countries, carrying music from the streets to the stage to the hearts of people. Even though the musicians come from many different countries and cultures, it is through music that they speak the same language. It is a tangible, traveling representation of the Playing For Change mission: to inspire, connect and bring peace to the world through music.
The Real Revolution features members of the Playing For Change Band as well as special guests. The core group of 10 musicians from 10 countries recorded the new album over the course of five years as they toured the world to several different countries. The worldly influences are prominent in shaping The Real Revolution sound, and the body of work is a reflection of the power of the human spirit, witnessed first hand throughout their global travels.
The PFC Band recorded at the famous Tuff Gong Studio and teamed up with members of Damian Marley’s band to create an album that is a fusion of various languages and cultures, combining world music and reggae. Bob Marley has been one of the most pivotal figures in the DNA of Playing For Change and The Real Revolution is a celebration in that spirit of transforming people with music from the inside out. The record was produced by Mark Johnson, Mermans Mosengo, and Robin Moxey. Mixed by Greg Morgenstein at Astound Studios, Los Angeles, and mastered by Greg Morgenstein in Los Angeles.
The full album is 10 songs stacked with potent messages centered around unity and social justice that vibrate to the core of the Playing For Change Band. The powerful lead single, showcasing the vocals of Congolese musicians Mermans Mosengo and Jason Tamba and also titled “The Real Revolution,” lives in the spirit of the people and offers an empowering message. Reflecting on the new song, Mark Johnson comments, “I wrote this song a few years ago knowing that I would have the full power of Mermans Mosengo and Jason Tamba's voices and their shared conviction to tell the story. The Real Revolution lives in the spirit of the people and true change comes from within. Fear is the enemy.”
The second release, “Me Pierdo,” written by Pierre Minetti, is a perfect blend of reggae and Latin music and speaks of the journey to our inner nature and the longing for freedom while feeling lost in a world full of injustice and stress. Tula Ben Ari comments, “I introduced the song to the band back in 2009 and it became a favorite in the band’s live show!”
The Real Revolution album will be released alongside the focus track “Run” due out on June 24, 2022. “Run” is an uplifting song written by PFC Band member Claire Finley that inspires feelings of hopefulness, focusing on the good in life instead of dwelling on the past. She comments, “When writing the song ‘Run,’ I thought it would be cool to play with the concept of running towards the good things in life instead of only focusing on getting away from bad thoughts or situations holding you back. In life, I believe it’s very important to think about the things you aspire to instead of continuing to dwell on situations of the past.”
The release of The Real Revolution album commences the 20 year anniversary of Playing For Change, with exclusively designed cover art by Neville Garrick (longtime Art Director for Bob Marley and the Wailers), and perfectly represents the PFC belief that music has the power to break down boundaries and overcome distances between people.
Single “The Real Revolution”:
Six Degrees Records is proud to announce the debut album from Punku, a new project created by Sylvia Falcón and Grimaldo del Solar (Novalima) that mixes Andean traditional music with ancestral instruments and modern genres including electronic music and rock. The self-titled album showcases Punku’s unique vision that will deepen the connection between the listener and Andean culture throughout 9 fresh songs. The album is out June 17, 2022 on Six Degrees Records. Pre-save at https://punku.lnk.to/punku.
Sylvia Falcón is an innovative singer who brings a wealth of talent and history to the duo. Her music has travelled from the traditional songs of the Peruvian Andes, through the mestizo folk melodies and the Andean coloratura repertoire that made Yma Sumac (whose life centennial will be celebrated in 2022) well known around the globe. Grimaldo del Solar is a Lima born producer and musician known for exploring traditional Peruvian music through an electronic music lens with his group Novalima; a collective that fuses traditional Afro Peruvian music with DJ culture. Grimaldo was experimenting with new Quechua rhythms with Novalima and found Sylvia Falcón on YouTube with her amazing Andean lyrical style and invited her to collaborate on the single “Chusay.” After working together at several concerts with Novalima, Grimaldo and Sylvia wanted to join forces to continue a new sound they were developing and Punku was born.
The name Punku means “door” “access” or “portal.” For the Inca’s, the Punkus were doors or portals to communicate with their “gods” (mamapacha, mother earth; sun; apus mountains) and their ancestors. The duo elaborates, “It was not only a physical door, but also a way to communicate with other dimensions and perceptions. For us, the music that we create in Punku is a door to connect with nature and our ancestors' knowledge of nature.”
The Punku project released their infectious first single “Ancestral” in February, which evokes a ceremony to connect with the past with the teachings of Peruvian ancestors. Featured on the track is chamán Rawa Muñoz singing an Icaro, a magical and sacred chant used in traditional Peruvian Amazonian medicinal ceremonies with Ayahuasca. The chants talk about the teachings left by his ancestors and how all this knowledge is being lost in modern Peruvian society and forgetting about indigenous communities. As a bonus, “Ancestral” got a driving remix from Novalima, keeping Sylvia’s hypnotic vocals over dubbed-out basslines and compelling rhythms. The second single “Tutamanta” (which means darkness/dawn in Quechua) continues Punku’s sonic mysticism. The lyric is a musicalization of a Quechua poem called “Pachapa Warmi Churin” (Daughter of Time) by Nora Alarcón, an organic farmer, journalist, and composer who dedicated her life to the defense of Andean intangible cultural heritage. The lyric evokes the story of a woman that finds inspiration in nature to create (in this case writing) and help her find inner peace. The song will also have a remix from Bay Area duo Bang Data, coming out on June 1st.
“Ch’usay” (Punku Remix) is a new reggae take on a song originally released on Novalima’s 2018 album of the same name and was the kick start to the new project Punku. It includes a collaboration by one of the founders of the Quechua Rap movement, Liberato Kani. The result is a refreshing take on an already classic song. “Chuncho” is a modern take on a song by Peruvian composer Moises Vivanco which he wrote for his wife Yma Sumac. Chunchos are the ancestral guardians of the Amazon jungle and this song conjures the sounds of the deep jungle where Sylvia shows her vast vocal range by recreating animal sounds. “Pukllay” represents the folkloric festivals found in the small towns in the Andes. The song was written in collaboration with Ayacucho multi-instrumentalist and composer Chano Diaz Limaco, who plays the charango (Andean small guitar), panpipes, and Andean flutes.
“Kuntar Hina” is based on the traditional song “El Condor Pasa” written by Daniel Albia Robles, and made popular by Simon and Garfunkel. Punku’s take includes a collaboration with Pepe Cespedes on piano, Horacio Camargo on panpipes and Andean flutes, alongside Sylvia's haunting vocals which once again shows her vast 4 octave vocal range. Then we move to “Arpa” based on a hypnotic Andean harp loop over a dubby sax ensemble combined with vocals by Sylvia and guest singer Sara Vignolo Huertas (Sara Van). “Takiy” floats with Gisella Giuffra on drums along with the talented Andean guitarist Ricardo Villanueva. The album finishes with “Simi,” which means “language” in Quechua and is an acapella ceremony lead by Sylvia's amazing melodies on top of a melodic rhythm based on a sample of her own vocals. It’s minimalist and dark electronic arrangements set the mood for a stunning closing track.
Sylvia and Grimaldo conclude “Since Punku was recorded during the pandemic, it also represents the process of how music can move us forward in life even though someone may be grieving the loss of a loved one.” They add, “It is also important that we take this new Andean music around the world so people can learn about ancient Andean culture and its connection and respect to nature.”
The Black Seeds, New Zealand’s celebrated, double platinum-selling, eight-piece, have today released their seventh studio album LOVE & FIRE via Proville Records/Kartel Music Group in Europe and the seminal New York City-based reggae label Easy Star Records in North America.
This carefully crafted 10-track album is a “big slice of The Black Seeds’ love and musical heat.” Featuring previously released singles, “It’s So Real,” “Bring The Sun,” “Let The Sunshine Through,” “Raised With Love” and, most recently, “Game Over.” In addition to the aforementioned singles, LOVE & FIRE adds four new tracks that are sure to hit just as hard!
The title track, came about following the online purchase of a prized vintage synthesizer by keyboardist Nigel Patterson, who describes the track as “…a winning combo of authentic keyboard and synthesizer tones, coupled with a fat rhythm from Jarney Murphy and a killer vocal from lead singer Barnaby Weir.”
“Non Justice” is the contribution of bass player and “legend in the Aotearoa roots scene” Francis Simeon Bassie. Barnaby Weir’s lyrics capture the essence of the music, making a conscious statement that touches on issues of justice, inequality, and isolation.
“Greatest Expectations” is a gentle, uplifting track perfect for those hot summer days, with some wispy organ from Patterson and a layer of “ear candy” paired with classy horn lines from Barret Hocking and Matthew Benton.
”Meditation” has a great vocal by Daniel Weetman, supported by a heavyweight band rhythm. This track showcases the band's versatility as it moves effortlessly from upbeat dancefloor tracks to heavier, more conscious material.
LOVE & FIRE began with jams and demos at The Surgery in Wellington, NZ, back in mid-2018, resulting in a “huge collection of ideas and song demos that were to be refined over the next two years to become LOVE & FIRE,” says Barnaby Weir. Originally planned as a classic ‘band-in-a-room’ recording, like many other creative projects, the album took an unexpected turn with the arrival of COVID to New Zealand. Lockdowns saw studio sessions cancelled and bandmates unable to gather - resulting in a lot of zoom-based creativity. Weir and keyboardist Nigel Patterson’s studios became the hubs for pulling everything together into a cohesive body of work.
“Ideally, each member sent in one or two takes of what they were feeling they wanted to add to the track, and this worked well. In some ways – without being together gave the lads that creative mind space to lay down something meaningful,” says Weir.
LOVE & FIRE is a skillfully woven album of soul, dub, roots, reggae, funk, Afrobeat and other elements brought together by well-honed musicianship and production - in other words, The Black Seeds!
The Black Seeds released their debut album Keep On Pushing in 2001, which despite a minimal marketing budget, went on to reach platinum sales in New Zealand. The second album, 2004’s On The Sun, added a heavy dose of funk and soul to their dub reggae sound. Third album Into The Dojo, signaled the beginning of the band’s introduction to the rest of the world. 2008’s follow up Solid Ground and 2012’s Dust And Dirt and 2017’s FABRIC continued to build the band’s global following after they were successfully released through trailblazing North American label Easy Star Records. Easy Star subsequently re-released the entire catalogue from the band in North America.
Consistent touring throughout Europe, North America, and South America has led to over 80 million Spotify streams since 2015, as well as placings on the US Billboard Reggae chart, and the iTunes Reggae Charts in the United Kingdom and Germany. Their tracks have found placements on cable classics Breaking Bad and Weeds, as well on the big screen in movies like Eight Below and The Inbetweeners II. Highlights from two decades of international press have included The Huffington Post describing their sound as “thick, bottom-heavy, and melodic," and Clash Music deeming them “one of the best live reggae acts on the planet.”
Austin’s Kalu & The Electric Joint are back with a stellar new single “Garden of Eden,” which is out now. The track will be accompanied by a stunning new music video [https://youtu.be/tefQt2Eb9DQ] directed, shot, and edited by Barbara FG. “Garden of Eden” is the latest in a string of singles the band has released during the pandemic and is part of a bigger body of work they’ve been working on since 2019. Kalu shares the inspiration, “‘Garden of Eden’ centers around the struggles of remaining open and vulnerable in relationships, partnerships, and life without letting past experiences negatively dictate the future, often robbing us of the gift of the present, which is now.” Pre-save at https://ffm.to/y1on1ne.OIS.
Kalu and the Electric Joint blend the powers of psychedelic soul music with the driving beat of rock and roll and the ancient rhythms of Africa. Born in Nigeria, Kalu at age 18 first moved to New York before relocating to Austin, Texas, where he and JT Holt (Guitarist, Producer/Engineer) put together a stellar ensemble of players who graciously fuel and follow his deep well of eclectic influences. This musical chemistry comes from the bond forged by frontman Kalu James, and guitarist Jonathan “JT” Holt, who adds a touch of American soul to Kalu’s West African heritage.
Their debut album Time Undone (Spaceflight Records) showcased what Billboard called a "blending [of] both West African and American brands of funk with bluesy grit and psychedelic ambience, along with a chin-out attitude.” Continued critical praise came in from NPR’s All Things Considered, American Songwriter, KUTX, Austin Chronicle, Austin American Statesman, Texas Monthly and more, solidifying their spot onto the music scene!
Other poignant singles recently released include “Downfall” in 2021, an offering channeling the late Martin Luther King, and an uncanny foreshadowing (when recorded) of what was to come less than a year later with the BLM movement. And 2020’s “Shadows” and “Mirror” delivering a positive, yet cautionary tale in these turbulent times, uplifting their listeners and compelling them to speak out.
These singles are just a taste of what’s to come from KEJ’s upcoming full length. After two years of touring hard behind the band’s first release, KEJ went through rhythm section personnel transitions. That didn’t stop them from recording new music and in March 2019 they worked with Dallas producer Jason Burt, who’s collaborated with Leon Bridges, John Mayer, and worked with Texas Gentlemen, Paul Cauthen, SirWoman, and David Ramirez. This session would be the direction of the new record. Kalu explains, “We had become our own rhythm section with the abilities Burt came armed with using Synthetic drum/Synths/Keys. JT Holt playing the acoustic drums, guitars, lap steel, and both trading bass duties. We continued working on the album throughout the pandemic and as the record moved along in production, Robb Kidd and Johnny Radelat re-cut acoustic drums on 3 songs.”
Live, Kalu & The Electric Joint deliver captivating and invigorating shows that have secured sets at Bonnaroo, Panic En La Playa, 420 Sweet Water Music Fest, and opening for acts like Questlove, George Clinton & The Parliament Funkadelic, Moon Taxi amongst many others.
Kalu concludes, “With all the madness surrounding us, the incessant questions plus finger pointing, we are turning them inwards to find how to help. For us, it is to keep making music we want to hear, with everyday themes that hopefully connects and inspires others to embrace themselves with a reminder that there’s room for us all, here on Earth. We can nurture this ‘Garden of Eden’ or be the Villain.”
Tour Dates:
07/08 @ The Continental Club – Houston, TX [LINK]
07/22 @ The 04 Center (Acoustic Set) – Austin, TX [LINK]
Freekbass & The Bump Assembly are proud to announce the 2022 Funk The World Tour featuring Sammi Garett (formerly of Turkuaz). Freekbass & The Bump Assembly is a high-energy live show like no other. Part musical journey, part Ohio-Funk experience, everyone from bass guitar enthusiasts, to Funk and Live music fans will want to plan a party around this show when it comes to their town. The tour kicks off in Youngstown, OH on July 22 and will head through Denver, Chicago, and more before concluding in Freekbass’ hometown of Cincinnati on September 10. Tickets for Freekbass’ Funk The World tour are available at https://freekbass.com/.
Freekbass has cemented himself as a groundbreaking bass player and funk guru. His innovative styling including his signature double thumb strumming technique has garnered critical acclaim and a cult fan following. Hailed by the legendary Bootsy Collins as “the new spiritual warrior for the funk,” Freekbass has graced stages across the country and has been a staple in the festival and touring circuit. His notable performances have taken place alongside Bernie Worrell, Umphrey’s McGee, Turkuaz, Dumpstaphunk, George Porter Jr., Buckethead, DJ Logic and Mike Gordon.
Amidst the disruption of live music over the last couple of years, Freekbass kept the music moving forward by releasing a single & video a month throughout the shutdown from 2020-2021. During this time he collaborated and released music with musicians such as Stefan Lessard (DMB), Billy Sheehan, Doug Wimbish (Living Colour), Eric Nally (Foxy Shazam), Gary Mudbone Cooper (P-Funk / Bootsy’s Rubberband), and Karina Rykman. Many of these songs, and others from that period will be making their debut live.
The Bump Assembly is comprised of Sammi Garett on vocals (Formerly with Turkuaz), Dione Howard on drums, Reilly Comisar on vocals, and for select dates: Nate Lewis on guitar (Ernie Johnson from Detroit), and Craig Brodhead on guitars & keys ( formerly of Turkuaz). In addition to Freekbass songs, The Bump Assembly set will include some of Sammi's new material, also. Sammi Garett is currently releasing her solo singles which are produced and mixed by Freekbass.
When Freekbass is not on the road, you can always find him live-streaming on his new Twitch channel, http://twitch.tv/freekbass. On “Live Grooves with Freekbass,” Freekbass creates new bass guitar-centric grooves and songs on each stream, along with the participation of the chat/audience.
You won’t want to miss the infectious energy that is showcased in a Freekbass & The Bump Assembly live show. Freekbass states, “Recordings are the blueprint/ template for the live show. With Funk & Dance music, the Live Medium always takes these songs created in a studio to a higher level.” Catch the Funk The World Tour here and listed below.
Tour Dates
July 22 - Youngstown, OH - Westside Bowl
July 28 - Fort Collins, CO - 830 North
July 29 - Steamboat Springs, CO - Schmiggity's
July 30 - Denver, CO - Knew Conscious
August 5 - Pagosa Springs, CO - Motel SOCO
August 11 - Chicago, IL - HVAC Pub
August 12 - Ferndale, MI - Otus Supply
August 18 - Ashbury Park, NJ - Wonder Bar
August 19 - Harrisburg, PA - XL Live
September 2 - Kempton, PA - Karnival Of The Arts Festival
September 10 - Cincinnati, OH - Riverfront Live
Austin’s Kalu & The Electric Joint are back with a stellar new single “Garden of Eden,” which is out now. The track will be accompanied by a stunning new music video [https://youtu.be/tefQt2Eb9DQ] directed, shot, and edited by Barbara FG. “Garden of Eden” is the latest in a string of singles the band has released during the pandemic and is part of a bigger body of work they’ve been working on since 2019. Kalu shares the inspiration, “‘Garden of Eden’ centers around the struggles of remaining open and vulnerable in relationships, partnerships, and life without letting past experiences negatively dictate the future, often robbing us of the gift of the present, which is now.” Pre-save at https://ffm.to/y1on1ne.OIS.
Kalu and the Electric Joint blend the powers of psychedelic soul music with the driving beat of rock and roll and the ancient rhythms of Africa. Born in Nigeria, Kalu at age 18 first moved to New York before relocating to Austin, Texas, where he and JT Holt (Guitarist, Producer/Engineer) put together a stellar ensemble of players who graciously fuel and follow his deep well of eclectic influences. This musical chemistry comes from the bond forged by frontman Kalu James, and guitarist Jonathan “JT” Holt, who adds a touch of American soul to Kalu’s West African heritage.
Their debut album Time Undone (Spaceflight Records) showcased what Billboard called a "blending [of] both West African and American brands of funk with bluesy grit and psychedelic ambience, along with a chin-out attitude.” Continued critical praise came in from NPR’s All Things Considered, American Songwriter, KUTX, Austin Chronicle, Austin American Statesman, Texas Monthly and more, solidifying their spot onto the music scene!
Other poignant singles recently released include “Downfall” in 2021, an offering channeling the late Martin Luther King, and an uncanny foreshadowing (when recorded) of what was to come less than a year later with the BLM movement. And 2020’s “Shadows” and “Mirror” delivering a positive, yet cautionary tale in these turbulent times, uplifting their listeners and compelling them to speak out.
These singles are just a taste of what’s to come from KEJ’s upcoming full length. After two years of touring hard behind the band’s first release, KEJ went through rhythm section personnel transitions. That didn’t stop them from recording new music and in March 2019 they worked with Dallas producer Jason Burt, who’s collaborated with Leon Bridges, John Mayer, and worked with Texas Gentlemen, Paul Cauthen, SirWoman, and David Ramirez. This session would be the direction of the new record. Kalu explains, “We had become our own rhythm section with the abilities Burt came armed with using Synthetic drum/Synths/Keys. JT Holt playing the acoustic drums, guitars, lap steel, and both trading bass duties. We continued working on the album throughout the pandemic and as the record moved along in production, Robb Kidd and Johnny Radelat re-cut acoustic drums on 3 songs.”
Live, Kalu & The Electric Joint deliver captivating and invigorating shows that have secured sets at Bonnaroo, Panic En La Playa, 420 Sweet Water Music Fest, and opening for acts like Questlove, George Clinton & The Parliament Funkadelic, Moon Taxi amongst many others.
Kalu concludes, “With all the madness surrounding us, the incessant questions plus finger pointing, we are turning them inwards to find how to help. For us, it is to keep making music we want to hear, with everyday themes that hopefully connects and inspires others to embrace themselves with a reminder that there’s room for us all, here on Earth. We can nurture this ‘Garden of Eden’ or be the Villain.”
Tour Dates:
07/08 @ The Continental Club – Houston, TX [LINK]
07/22 @ The 04 Center (Acoustic Set) – Austin, TX [LINK]
Freekbass & The Bump Assembly are proud to announce the 2022 Funk The World Tour featuring Sammi Garett (formerly of Turkuaz). Freekbass & The Bump Assembly is a high-energy live show like no other. Part musical journey, part Ohio-Funk experience, everyone from bass guitar enthusiasts, to Funk and Live music fans will want to plan a party around this show when it comes to their town. The tour takes the band to Knew Conscious on July 30th! Tickets for Freekbass’ Funk The World tour are available at https://freekbass.com/.
Freekbass has cemented himself as a groundbreaking bass player and funk guru. His innovative styling including his signature double thumb strumming technique has garnered critical acclaim and a cult fan following. Hailed by the legendary Bootsy Collins as “the new spiritual warrior for the funk,” Freekbass has graced stages across the country and has been a staple in the festival and touring circuit. His notable performances have taken place alongside Bernie Worrell, Umphrey’s McGee, Turkuaz, Dumpstaphunk, George Porter Jr., Buckethead, DJ Logic and Mike Gordon.
Amidst the disruption of live music over the last couple of years, Freekbass kept the music moving forward by releasing a single & video a month throughout the shutdown from 2020-2021. During this time he collaborated and released music with musicians such as Stefan Lessard (DMB), Billy Sheehan, Doug Wimbish (Living Colour), Eric Nally (Foxy Shazam), Gary Mudbone Cooper (P-Funk / Bootsy’s Rubberband), and Karina Rykman. Many of these songs, and others from that period will be making their debut live.
The Bump Assembly is comprised of Sammi Garett on vocals (Formerly with Turkuaz), Dione Howard on drums, Reilly Comisar on vocals, and for select dates: Nate Lewis on guitar (Ernie Johnson from Detroit), and Craig Brodhead on guitars & keys ( formerly of Turkuaz). In addition to Freekbass songs, The Bump Assembly set will include some of Sammi's new material, also. Sammi Garett is currently releasing her solo singles which are produced and mixed by Freekbass.
When Freekbass is not on the road, you can always find him live-streaming on his new Twitch channel, http://twitch.tv/freekbass. On “Live Grooves with Freekbass,” Freekbass creates new bass guitar-centric grooves and songs on each stream, along with the participation of the chat/audience.
You won’t want to miss the infectious energy that is showcased in a Freekbass & The Bump Assembly live show. Freekbass states, “Recordings are the blueprint/ template for the live show. With Funk & Dance music, the Live Medium always takes these songs created in a studio to a higher level.”
Catch the Funk The World Tour:
Date: Sat, July 30
Venue: Knew Conscious
Address: 2350 Lawrence Street, Denver, Colorado 80205
Time: 11pm
Tickets
Tour Dates
July 22 - Youngstown, OH - Westside Bowl
July 28 - Fort Collins, CO - 830 North
July 29 - Steamboat Springs, CO - Schmiggity's
July 30 - Denver, CO - Knew Conscious
August 5 - Pagosa Springs, CO - Motel SOCO
August 11 - Chicago, IL - HVAC Pub
August 12 - Ferndale, MI - Otus Supply
August 18 - Ashbury Park, NJ - Wonder Bar
August 19 - Harrisburg, PA - XL Live
September 2 - Kempton, PA - Karnival Of The Arts Festival
September 10 - Cincinnati, OH - Riverfront Live
Hawaii based, singer songwriter, and renowned big-wave surfer Landon McNamara has released a new video for his recent single “If You Only Knew,” out now on Controlled Substance Sound Labs / Silverback Music. In the video, we see McNamara with his family capturing the best parts of life, the in-between times of serenity while celebrating day-to-day quality time. All while the song shines a light on a life lived and asks: “If you were to die tomorrow, what would you do today? When you take that last breath, would you feel content on how your time was spent?” Watch the new video here: https://youtu.be/XaCJdfVgZfs
With profound lyricism, the song is carried by melancholy tinged island reggae and soulful harmonies. Reflecting on the song, Landon recalls, “At the moment I made the song, my drummer and good friend Kimo ( who also produced this song)… He had just left from visiting his father who had been in the hospital just before he passed away and he shared what he was going through, it filled me with the feelings that this song was born from.”
He continues, “I think a lot of us including myself get blinded by a lot of bullshit that we think is so important, but at the end of it all, what really matters? If you only knew it was all bullshit before it was too late and you're at death's door, I guess that's what I’m tryna have people think about, figure it out and go for it while you still can. Love conquers all,” comments Landon.
Landon McNamara’s “If You Only Knew” is out now with Controlled Substance Sound Labs / Silverback Music and is available everywhere you stream music!
Save and download the single here: https://cssl.fanlink.to/IfYouOnlyKnew
Young Gun Silver Fox, the acclaimed indie duo with yacht-rock tendencies comprising of Andy Platts of Mamas Gun and Shawn Lee (vagabond award-winning video game composer) release their second single “Winners” with the launch of pre-save/pre-order for their new album Ticket To Shangri-La out October 21, 2022. This is the band’s fourth studio album and first for tastemaker label Mixto Records. Listen and pre-save at https://sym.ffm.to/winners.
“Winners” follows on the heels of the first single “West Side Jet,” which was a perfect introduction to the new album accompanied by a cool retro style music video directed by Jack Pell. “Winners” is a breezy and laid back track that continues to take us into the hot summer months with ease and style. Shawn explains, “This tune is as silky as it gets. A slinky R&B groove with a super tasty harmonica solo by Pat Levitt. A real deep cut.” Andy adds, “Shawn suggested we take things in a Caldwell flavoured direction, so that’s where it went. I loved laying down the bass on this! Originally we had Candy Dulfer in mind for the solo but for various reasons we couldn’t bring it together. Hooray for silver linings though - Pat Levitt is one of the classiest harmonica players out there so it was amazing to have him on this cut - I couldn’t imagine anything else in that solo spot now!”
The duo’s fourth studio album, Ticket To Shangri La showcases a band at the very top of their game, fine-tuning their potent brew of sun-kissed pop-soul, west coast AOR and natural groove with a skill for composition and production that sees them forging ahead down a musical highway blessed with blue skies and positive vibrations. For both participants, the chance to make a new record together is always a liberating experience, as Andy explains; “I always come back to Young Gun Silver Fox like taking a drive to the coast and I just smell the ocean and the air and it’s like ‘wicked I’m back here again’ and I can just kick back and enjoy it.”
Dropping on October 21st but guaranteed to generate some rays of winter sun, the chemistry and craftmanship on Ticket To Shangri La means that Young Gun Silver Fox do exactly as the title suggests, transporting the listener to a magical, mythical world of sunshine and good vibes, a musical and spiritual ethos born from the minds of two gifted musicians that stands as the embodiment of all they do best, whilst providing the perfect invitation into their unique world.
Ticket To Shangri La-Tracklist
1) Still Got It Goin’ On
2) West Side Jet
3) Tip Of The Flame
4) Rolling Back
5) Simple Imagination
6) Sierra Nights
7) Lodestar
8) Winners
9) Starting Wars
10) Freak Flag
Mortimer returns with his latest single, “Whole Heap,” the first taste of music from his highly-anticipated debut full-length dropping on Overstand Entertainment/Easy Star Records. “Whole Heap” blends a reggae bassline and traditional Rastafarian Nyabinghi percussion with an R&B sensibility that keeps evolving Mortimer’s sound. Listen and download at http://moremusic.at/wholeheap.
After some high profile collaborations on Protoje albums (“Protection” from Ancient Future and “Truth & Rights” from the GRAMMY-nominated A Matter of Time), Mortimer’sFight The Fight EP (2019) continued the buzz that had been heating up around this talented singer/songwriter. Fight The Fight made an impact by debuting in the top 3 of the Billboard Reggae Chart and hitting #1 on the iTunes Reggae Chart. The first two singles from the EP made waves in the reggae world with “Careful” being championed by BBC Radio’s David Rodigan and selected by Apple Music Editors as one of only two Jamaican records to be featured on their “Best of 2018” Editorial Playlist. The second single, “Lightning,” quickly became a summer anthem as a classic down-tempo reggae love song with a modern update. The endearing video directed by Pete Beng premiered at The Fader and has reached over 16 million views and climbing. The single also earned him awards for “Breakthrough Artist Of The Year” and “Song Of The Year” at the 2020 Jamaica Reggae Industry Association (JaRIA) Honour Awards.
Mortimer continues to push his sound and it’s evident in “Whole Heap,” produced at the legendary Tuff Gong Studios with long-time collaborator and GRAMMY-nominatedproducer Winta James. He explains the inspiration behind the song as, “simply the whole heap of things I've been through....The things I've experienced and observed within my own life and around me. Life’s lessons. The absence of tears isn't the absence of pain, neither is the absence of scars to the naked eye equivalent to the absence of experience.” The song has an accompanying video, also directed by Pete Beng, which is set to premiere soon after the single release. Mortimer eloquently adds, “We all go through various things in our lives and we all face them differently. Some give up without a fight. Some fight to stay alive. We should be patient with ourselves and others, and be careful never to project our insecurities on another. Love and be loved. Dare to dream. People will say and people will do, but it all comes down to you. So press on and keep your head above water.”
Mortimer recently finished his European tour, playing notable reggae festivals in Austria (Hill Vibes), Switzerland (Rote Fabrik), Sweden (Uppsala), Germany (Reggae Jam), Netherlands (Paradiso), and Belgium (Reggae Geel), and looks forward to more touring to support the upcoming album in early 2023.
Mortimer concludes, “I write songs to express what’s in my heart and on my mind. I wanted to make this body of work – this single and the upcoming album - just as honest as my thoughts were in the moment. I'm aware that we all struggle from time to time and I want people to know that they're not alone.”
Online:
https://www.instagram.com/mortimermusic
https://www.facebook.com/MortimerMusic876
https://mortimerofficial.bandcamp.com/
https://www.mortimerofficial.com/
On September 30th, Putumayo will release Feels Like Home: Songs from the Sonoran Borderlands—Linda Ronstadt’s Musical Odyssey, a musical accompaniment to the acclaimed singer’s new book, Feels Like Home: A Song for the Sonoran Borderlands, published by Heyday Books. The musical collection was co-curated by Ronstadt and Putumayo founder Dan Storper and includes influential songs from her childhood and career, as well as several of her own interpretations of classic Mexican songs. Participating artists include legends and musical explorers Lalo Guerrero, Ry Cooder, Jackson Browne, Dolly Parton, Emmylou Harris, Neil Young, Taj Mahal and David Hidalgo. The CD package will include an album download card and informative booklet with an introduction by Linda. The album will also be available for download and streaming on major platforms.
The featured songs on the musical collection are an excellent companion and illustrate the influences that helped mold Linda Ronstadt into the artist she became. Lalo Guerrero, known as the “father of Chicano Music” would often visit his good friend, Linda’s father, Gilbert, early in Linda’s life, teaching her and her siblings traditional Mexican songs. Here, in collaboration with Ry Cooder, Guerrero sings “Barrio Viejo,” a poignant song he wrote about the loss of old neighborhoods and ways of life.
For Ronstadt, her home has always been a place of creativity and she is joined by her brothers, Peter and Mike, to sing the lovelorn “El Sueño.” Roots music revivalists Los Cenzontles follow with the Mexican folk song, “Palomas Que Andan Volando” (Pigeons That Are Flying). The ever-musical Ronstadt family continues to shine with “Canadian Moon,” a previously unreleased version by Ronstadt family members known as P.D. Ronstadt & The Co.
The underlying story Ronstadt expresses in her book and this collection is illustrated in several of the featured songs. The Sonoran region was long home to Indigenous people, Mexicans and Southwesterners who lived and worked in close proximity. Several songs demonstrate the importance of cultural openness and acceptance rather than living in fear of our neighbors to the South. “Across the Border” is both a love song and a voyage of escape by Linda Ronstadt with Emmylou Harris. Their rendition of this Bruce Springsteen composition features another legend, Neil Young, on harmonica. Jackson Browne’s “The Dreamer” featuring Los Cenzontles, tells a sobering story of a family divided by the border and unjust immigration laws. Los Cenzontles return with “Naninan Upirin,” sung in the indigenous language P’urhépecha and showcasing the distinct folk music tradition of this ancient people and their culture.
The sweetly melancholic Appalachian folk song “I Never Will Marry,” performed by Linda Ronstadt with Dolly Parton, fits in well with the broken-hearted Mexican ballads that accompany it. After a sweeping tour of the music of Mexico and the borderlands which inspired her, “Piel Canela” sees Linda and her band interpreting another Latin musical style that was ever-present in her childhood home: Cuban mambo. The collection concludes with a final offering from Los Cenzontles, joined by David Hidalgo (of Los Lobos) and folk and blues icon Taj Mahal, who perform “Voy Caminando” about a young migrant’s journey towards his dream.
Feels Like Home: A Song for the Sonoran Borderlands is a fascinating memoir of Linda’s growing up in the culturally rich Sonoran borderlands of the Southwest. Together, the book and this album evoke the magical panorama of the Sonoran desert and offer a personal tour of the memories and music of the region where Linda Ronstadt came of age. The book, written by Ronstadt and Lawrence Downes with photographs by Bill Steen, can be found at fine bookstores everywhere, online and by visiting heydaybooks.com.
The full tracklist for Feels Like Home: Songs from the Sonoran Borderlands—Linda Ronstadt’s Musical Odyssey is:
Ry Cooder with Lalo Guerrero – Barrio Viejo
Linda Ronstadt – El Sueño
Los Cenzontles – Palomas Que Andan Volando
D. Ronstadt & The Co. – Canadian Moon
Linda Ronstadt with Emmylou Harris – Across the Border
Jackson Browne with Los Cenzontles – The Dreamer
Los Cenzontles with David Hidalgo – Naninan Upirin
Linda Ronstadt with Dolly Parton – I Never Will Marry
Linda Ronstadt – Piel Canela
Los Cenzontles – Voy Caminando
To prepare for his ambitious new musical project, Tradisyon, the uniquely talented Haitian-Canadian songwriter, guitarist and producer Wesli (Wesley Louissaint) had to return to his roots. He embarked on a multi-year musical pilgrimage to explore often hidden facets of Haitian traditions. Wesli traveled across his homeland, visiting lakous, gathering places and community groups for practitioners of Haiti’s voodoo religion, to learn songs in African languages brought to Haiti hundreds of years ago. He honed his skills at a wide range of local musical instruments, from powerful interlocking rara horns to intricate drums in all shapes and sizes, not to mention folk instruments such as the Haitian banjo. And he reconnected with the profound spirituality and rich life philosophy of Afro-Haitian beliefs, which represent the inspiration and motivation, indeed the very soul, of Haitian culture.
The result of this ambitious research is Tradisyon, the sixth album of Wesli’s celebrated career, and the first of a two-part set that retells the story of Haiti’s past and imagines its future. The encyclopedic first album features 19 songs, original compositions and treasures from the expansive Haitian music repertoire. By drawing on these traditions, Africa inevitably emerges -- through the rara, petro, nago, congo and yanvalou rhythms, and the lyrics sung both in Creole and the African languages of Yoruba, Ewe and Fon. They are all accompanied by local instruments such as the bamboo, the kata, the segon, the boula, the manman and the banjo, an originally African instrument that had been adopted by European colonizers.
Of Haitian origin and Montreal adoption––but above all a citizen of the world––Wesli is one of those rare artists capable of exploring different sounds while keeping his identity and his roots firmly anchored in his traditions. Ever since the release of his first album Kouraj in 2009, Wesli’s creativity has been unstoppable, leading to the acclaimed album Liberté dans le noir in 2011, the star-studded ImmiGrand and the more traditional Ayiti Étoile Nouvelle in 2015 and an expanded version of ImmiGrand in 2017. Only a year later, the prolific artist released Rapadou Kréyol, an exploration of African rhythms and instruments Wesli believes Haitian musical culture has neglected as it is increasingly drawn towards the commercial music encouraged by globalization. In 2019, the astonishing album was awarded the prestigious JUNO award for World Music Album of the Year. For Wesli, winning the JUNO award proved to him that the musical and cultural value he brings to the world had been accepted and welcomed, a message he hopes other young Haitian musicians will see as a sign that they too can inspire change with their craft.
The Tradisyon project, named after the Haitian and African diasporic traditions it honors, is a continuation and deepening of the goals of Rapadou Kreyôl. This previous album “was something that I wanted to do for the Creole culture” Wesli explains, “but I did so much research into the culture, I felt like one album wasn’t enough.” After years spent visiting various Haitian villages, learning lyrics in new languages, and recording the album’s percussion tracks in Haiti to capture a truly authentic, island sound, Wesli returned to Montreal to finish putting the epic albums together. When asked about the immense scope of the project, Wesli reflects, “I wanted to write a story, but a story that I didn’t create, because the story has been there for hundreds of years. I’m talking about the traditions, the core elements of a great culture: the Haitian culture.” In Tradisyon and the upcoming Tradisyon, Vol. 2, Wesli accomplishes the incredible feat of weaving this magical musical story through complex and ambitious arrangements.
Wesli has himself been a character in the epic story of Haitian culture. Born in 1980 to a poor family of seven children in Port-au-Prince, Haiti, Wesli built his first guitar at the age of eight by stringing an old oil can with nylon fishing line. His musical adventure began at a young age when he sang alongside his mother in the gospel choir of the local church. His father, Henri Louissaint, was a well-known banjo and percussion player of twoubadou, a popular Haitian folk music style. Inspired by his parents, Wesli began playing the guitar as his primary instrument along with banjo and a wide range of traditional percussion. Growing up in a poor household, Wesli was often told that he had to be seven times better than anyone else to make it out of poverty. After experiencing the joyful, passionate music played around him as a child, both by his parents and his broader community, he dreamed of becoming a professional musician. He likes to say, “music chose me to share its spirit.”
His own spirit was challenged at a young age, when his family fled to a Cuban refugee camp during the violence that erupted after the 1991 Haitian coup d'état. Just 11 years old at the time, this difficult experience taught him “resilience, reconciliation and forgiveness” in the face of conflict. “No matter what,” Wesli says, “you can rebuild yourself and give yourself a positive direction, and make yourself into a new person that is useful to the society that you are living in.” This desire to serve his society has driven Wesli throughout his life, encouraging him to create change and bring Haitian culture to new audiences through the power of his music.
At the age of 21, the musical prodigy won a scholarship contest sponsored by the Canadian government which allowed him to study arrangement and percussion in Montreal. Since then, Wesli has made Montreal his home, a process of integrating his home culture with an unfamiliar world which he describes as difficult but transformational: “I always like to say that I have two hearts. I have one heart in Haiti and I have one in heart Montreal, and that makes me who I am now.”
Wesli put both of his hearts into the making of Tradisyon. The album starts with the thrilling call of the koné, a metal trumpet used in carnival parades. The opening song “Peyizan Yo” is a rallying cry for the farmers of Haiti who form the core of the island’s economy. Inspired by arrangements of voodoo music from the 1990s, the song asks people not to steal land from the farmers, who provide the nation with its sustenance.
That is followed by “Fè Yo Wè Kongo Banda,” a traditional song used in the beginning of Lakou Congo ceremonies to call the spirits to gather. Sung by a Samba, preachers of the Afro-Haitian cultural tradition, the song often begins a Capella before the entire community lifts their voices and pounds their drums in celebration.
A number of the songs on Tradisyon pay tribute to legends of Haiti’s musical past. “Samba” is an homage to Azor Rasin Mapou, one of the most influential artists in voodoo culture, while the rara composition “Wawa sé rèl O” celebrates the efforts of roots musician Wawa Rasin Kanga to pull the shroud of secrecy from Afro-Haitian traditions. “Konté M Rakonté M” sings the praises of Éric Charles, one of the founders of the band Haiti Twoubadou, which in the 1990s revived the twoudabou folk music style.
Tradisyon features a number of banjo-led twoubadou tracks, notably “Kay Koulé Trouba” in which Wesli describes a leaking house––a metaphor for his interpretation of the fragile condition of Haiti’s cultural values in the present day. “Makonay” is a call for unity, singing of the circle created by the coming together of people from all the provinces of Haiti who each bring their own values to create a diverse, unified culture. “Trouba Ewa” aims to elevate the twoubadou musical style by bringing together a modern lover’s story with the traditional sounds of Haitian folk music, creating a unique, captivating arrangement dedicated to present-day Haiti.
The upbeat reggae-influenced song "Le Soleil Descend” was the first single of the album and its colorful video launched the Tradisyon project in June 2021. Featuring Quebec singer-songwriter Paul Cargnello. the two artists sing about uniting under the sun. As Wesli says, “The sun breaks down all cultural, social and political borders and barriers. Under this sun we are all one people because it is this same light that inspires us and illuminates our paths.”
Congolese drummer Kizaba joins Wesli in “Peze Café”, which blends the igbo rhythm with the classic folk song about a child sent to buy coffee for his family before being wrongfully arrested on his way home. Sung in Haiti during the dictatorship of François Duvalier to protest military brutality, this age-old song and the parable it tells gathers new meaning and power each time it is performed. In Wesli’s rendition, his striking vocals take center stage, backed by his stripped-down guitar accompaniment and Kizaba’s expert cajón playing.
Overflowing with these and other highlights, Tradisyon honors and reveals Haiti’s rich musical history. The upcoming follow up, Tradisyon, Pt. 2, explores the new directions for the island’s music, blending traditional genres with electronic music, Afrobeat, soul, funk, hip-hop and more to create a rich, festive and uniquely engaging sound. Always thinking about the future and the legacy he leaves, Wesli’s aim with Tradisyon Pt. 2 is to give young Haitian musicians a “formula to merge ancient and new sounds. We are coming from somewhere, now we are somewhere else. You have to know where you’re from to know where you’re going. Tradisyon is where we’re coming from, and Tradisyon, Pt. 2 is where we’re going.”
Wesli will be touring in Europe and North America in 2022 and 2023.
For updates and more information, visit www.cumbancha.com/wesli
TRADISYON TOUR
October 27 - Arts at the Armory - Somerville, MA
October 28 - Pentangle Arts - Woodstock, VT
October 29 - SOBs - New York, NY
October 30 - Bossa - Washington, DC
The cult funk ensemble Brooklyn Funk Essentials release their infectious new jazz-funk jam ‘AA Side Single’ today on Dorado Records, to follow up the critically acclaimed recent single ‘Scream!’.
‘AA Side Single’ is a funk stomper, with a classic groove, squelchy bass, Tower Of Power style brass and Alison Limerick’s seductive vocals. With its lyrics “Won’t be your B-side, baby I’d rather not get played, I’m double A side single”, the track is all fun, vinyl-themed innuendo about having no intention of getting played.
Both ‘Scream!’ and ‘AA Side Single’ are taken from the group’s hotly anticipated seventh studio album ‘Intuition’, which will come out in early 2023 on Dorado Records, the original label who first signed Brooklyn Funk Essentials in 1994.
Across a career that stretches 28 years and six albums, Brooklyn Funk Essentials have established themselves as an audacious project fusing soul, hip hop, spoken word, jazz, Latin and of course, funk. BFE have built up a loyal international cult following on every continent since inception in 1993 by iconic producer Arthur Baker and bassist Lati Kronlund. The band was born out of New York’s buzzing hip hop, jazz and slam poetry scenes in the early 90s, rotating some of the finest musicians, DJs, poets, rappers and singers. BFE’s celebrated debut album ‘Cool & Steady & Easy’ (Dorado/RCA 1995) scored an underground hit with the version of Pharoah Sanders' ‘The Creator Has a Master Plan’, while tracks like ‘Take The L Train’ and ‘Big Apple Boogaloo’ became DJ favorites.
BFE released ‘Funk Ain’t Ova’ on Dorado Records in 2015 and during touring the band were joined by UK soul singer Alison Limerick, for whom Lati Kronlund had originally written and produced the stone-cold classic house anthem ‘Where Love Lives’ in the early 90s. Limerick took over as the band’s lead singer in 2016 and eventually became co-writer.
BFE are on a European Tour through summer to autumn, with European festival dates across Sweden, Norway, France, Belgium, Czech Republic, Turkey and more.
Today Putumayo World Music releases Feels Like Home: Songs from the Sonoran Borderlands—Linda Ronstadt’s Musical Odyssey, a musical accompaniment to the acclaimed singer’s new book, Feels Like Home: A Song for the Sonoran Borderlands, published by Heyday Books.
The musical collection was co-curated by Ronstadt and Putumayo founder Dan Storper and includes influential songs from her childhood and career, as well as several of her own interpretations of classic Mexican songs. Participating artists include legends and musical explorers Lalo Guerrero, Ry Cooder, Jackson Browne, Dolly Parton, Emmylou Harris, Neil Young, Taj Mahal and David Hidalgo. The CD package will include an album download card and informative booklet with an introduction by Linda. The album will also be available for download and streaming on major platforms. Order and Download here: https://putumayo.lnk.to/feelslikehome
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The featured songs on the musical collection are an excellent companion and illustrate the influences that helped mold Linda Ronstadt into the artist she became. Lalo Guerrero, known as the “father of Chicano Music” would often visit his good friend, Linda’s father, Gilbert, early in Linda’s life, teaching her and her siblings' traditional Mexican songs. Here, in collaboration with Ry Cooder, Guerrero sings “Barrio Viejo,” a poignant song he wrote about the loss of old neighborhoods and ways of life.
For Ronstadt, her home has always been a place of creativity and she is joined by her brothers, Peter and Mike, to sing the lovelorn “El Sueño.” Roots music revivalists Los Cenzontles follow with the Mexican folk song, “Palomas Que Andan Volando” (Pigeons That Are Flying). The ever-musical Ronstadt family continues to shine with “Canadian Moon,” a previously unreleased version by Ronstadt family members known as P.D. Ronstadt & The Co.
The underlying story Ronstadt expresses in her book and this collection is illustrated in several of the featured songs. The Sonoran region was long home to Indigenous people, Mexicans and Southwesterners who lived and worked in close proximity. Several songs demonstrate the importance of cultural openness and acceptance rather than living in fear of our neighbors to the South. “Across the Border” is both a love song and a voyage of escape by Linda Ronstadt with Emmylou Harris. Their rendition of this Bruce Springsteen composition features another legend, Neil Young, on harmonica. Jackson Browne’s “The Dreamer” featuring Los Cenzontles, tells a sobering story of a family divided by the border and unjust immigration laws. Los Cenzontles return with “Naninan Upirin,” sung in the indigenous language P’urhépecha and showcasing the distinct folk music tradition of this ancient people and their culture.
The sweetly melancholic Appalachian folk song “I Never Will Marry,” performed by Linda Ronstadt with Dolly Parton, fits in well with the broken-hearted Mexican ballads that accompany it. After a sweeping tour of the music of Mexico and the borderlands which inspired her, “Piel Canela” sees Linda and her band interpreting another Latin musical style that was ever-present in her childhood home: Cuban mambo. The collection concludes with a final offering from Los Cenzontles, joined by David Hidalgo (of Los Lobos) and folk and blues icon Taj Mahal, who perform “Voy Caminando” about a young migrant’s journey towards his dream.
Feels Like Home: A Song for the Sonoran Borderlands is a fascinating memoir of Linda’s growing up in the culturally rich Sonoran borderlands of the Southwest. Together, the book and this album evoke the magical panorama of the Sonoran desert and offer a personal tour of the memories and music of the region where Linda Ronstadt came of age. The book, written by Ronstadt and Lawrence Downes with photographs by Bill Steen, can be found at fine bookstores everywhere, online and by visiting heydaybooks.com.
The full tracklist for Feels Like Home: Songs from the Sonoran Borderlands—Linda Ronstadt’s Musical Odyssey is:
Ry Cooder with Lalo Guerrero – Barrio Viejo
Linda Ronstadt – El Sueño
Los Cenzontles – Palomas Que Andan Volando
D. Ronstadt & The Co. – Canadian Moon (New version)
Linda Ronstadt with Emmylou Harris – Across the Border
Jackson Browne with Los Cenzontles – The Dreamer
Los Cenzontles with David Hidalgo – Naninan Upirin
Linda Ronstadt with Dolly Parton – I Never Will Marry
Linda Ronstadt – Piel Canela
Los Cenzontles – Voy Caminando
Order and Download: https://putumayo.lnk.to/feelslikehome
King Canyon, the supergroup collaboration consisting of Eric Krasno, Otis McDonald, and Mike Chiavaro are proud to announce their debut single “Keep on Movin,” which is due out October 7th. “Keep on Movin” is the first single from King Canyon and part of their forthcoming full length due this winter that features guest spots from Derek Trucks and Son Little.
Eric Krasno is a two-time GRAMMY winning guitarist, musician and producer best known for his work with Soulive, Lettuce, Tedeschi Trucks Band & Pretty Lights. Krasno has been nominated for a GRAMMY a total of seven times for Best Blues Album, Best Contemporary Blues, Best R&B, and Best Electronic Album. Otis McDonald is a producer/multi-instrumentalist best known for his large catalog that continues to be used in millions of videos across the internet. Mike Chiavaro is a Brooklyn based electric and upright bass player whose played with Richard Marx, Boy & Bear, among others. Combined they form King Canyon, blending their unique styles into an infectious groove filled project with healthy doses of R&B/Soul and funk. The vibe will resonate with fans of Khruangbin, Bobby Caldwell, Allman Brothers, Soulive, Lettuce, El Michels Affair, Unknown Mortal Orchestra, Menehan Street Band, Durand Jones and the Indications, and Son Little.
In the perfect quarantine story the trio forged a relationship and has yet to meet in person. In April of 2020 in the midst of quarantine, Eric Krasno came across Otis McDonald’s music on Instagram and immediately became a fan. Months later, McDonald who had been working on music with his longtime friend, Mike Chiavaro, enlisted Krasno to add in some guitar to the mix and before they knew it, the trio had an albums worth of material and thus King Canyon was born. The guys have still yet to meet in person, but despite this, the grooves are insatiable. The writing and feel are unlike any other projects these musicians have been involved with previously. Stay tuned for more music and the forthcoming self-titled debut album, dropping December 2, 2022 on Mixto Records.
The Naya Rockers are back with a remaster of their much-loved 2014 studio album, Naya Sound System. It features plenty of good vibes, irresistible riddims, and star collaborations across its nine tracks. Naya Sound System is due out Oct. 14th and will be available everywhere you stream music. Pre-save and download here: https://ffm.to/nayasoundsystem_pr
Naya Sound System first came about when Nathan Sabanayagam, drummer and one half of the Naya Rockers duo, started traveling to Kingston, Jamaica in 2004. With riddims recorded from his band back in Boston in hand, the idea was to collaborate with other musicians. The seemingly simple idea expanded into a two year journey with home base becoming a rented room in Havendale. After spending several years meeting local artists and becoming familiar with Jamaica’s reggae scene, Nathan put together a short list of stellar artists ready to lend their voices and talents to the album. But by this time the band in Boston was no longer interested in the project thus he needed new riddims. Nathan recalls, “This left me in a tough situation, with many years invested I had to take matters into my own hands. I took the vocals I recorded and produced new riddims to match and out of this remix process was born Naya Sound System Vol. 1 released back in 2014.” He continues, “Almost a decade later, I have remastered the record for release. A dub remix by the Mad Professor of Reggae Train and other versions to follow.”
Naya Sound System is 9 songs deep that catalogs that time in Nathan’s life. “The new release/re-release is a look back for me, a reflective moment where I can revisit my early work and see where I have been,” said Sabanayagam. “As a fan and dedicated student of reggae, I have gone to the source and have been fortunate enough to drink from the well,” he added.
While in Jamacia recording the record Nathan met legendary musicians, worked at legendary venues, record labels, and recording studios. Nathan recalls, “The first track I voiced was Babylon Stress at Tuff Gong during my second trip down.” Among the other legends were the likes of Kiddus I, Mikey General, Frankie Paul, Big Youth, Errol Dunkley, and Johnny Clarke. He worked around the clock recording their voices using a portable rig in hotel rooms, the artists’ homes, and his own makeshift production base in the rented room in Havendale. One frequent haunt was the veranda in the home of guitarist and producer Earl “Chinna” Smith.
“In Jamaica, you record where the music is, and ‘Chinna’s Yard’ has music flowing 24 hours a day,” said Sabanayagam. “This is also where I would eventually be doing most of my production work in Kingston. Having an MBox, ProTools, and a laptop, I was able to capture recordings wherever I was.”
He continues, “Most of the tunes were written on the spot, a chorus would form and we would work from there laying out the arrangement for the verses to fit in between. Lyrics were worked out over the riddim then written on paper or in the case of Frankie Paul who was blind just straight from his head into the mic. We could finish writing the song and recording all vocals including harmonies, lead and adlibs in 3 hours.”
Once he’d recorded all the vocals, Sabanayagam began the arduous task of producing riddims to match. The band on Naya Sound System includes Earl “Chinna” Smith who contributed guitar and some percussion on “Illusions” and “Reggae Train.” Nate Edgar (The Nth Power, John Brown’s Body), the second half of Naya Rockers, on bass.
Nearly a decade later, The Naya Rockers have remastered their iconic record to stunning audio effect. When asked about his process back in Jamaica compared to now, he comments, “As far as gear, I fundamentally stay the same… but have switched my DAW from ProTools and ProTools hardware to Digital Performer and UAD Apollo hardware. The Roland Space Echo is a staple in my production and appears throughout the production as well as a host of plugins, automation and outboard compressors and EQ.” They also added in a few more musicians on the remastered version, including guitar by Van Martin, Mike Keenan and Johnny Trama, keyboards by Zack Brines, and Sabrina Pallini on Backing Vocals for “Don’t give up.” The remastered version was mixed by Nathan Sabanayagam and Will Holland and Chillhouse Studios, and mastered by Jason “Jocko” Randall at More Sound Studios.
Naya Sound System was Nathan’s master class in the business of music. He recalls, “I had to use all the skills I had in order to finish this project and learn a few more. From learning the musical landscape of Kingston to the best way to record vocals in the field. Rebuilding riddims, working with artists, contracts, copyrights, PRO’s at the same time trying to maintain a consistent vision.” He continues, “I always enjoy working and collaborating best. But the nature of this project required that it mostly came from me and it is my interpretation and take of this style and genre. It is what’s in my ears.”
The newly remastered album will see a few remixes, one coming soon with be from the renowned dub artist Mad Professor for “Reggae Train.” And although all the songs are standouts in their own, “Illusions” featuring Kiddus I is a special one for Nathan. He says, “we were recording on the veranda and Just as the track began at the end of Kiddus I’s intro lines a very loud Thunder Clap sounded and Chinna yells “Jah”. Perhaps people may think this is an added effect or overdub but this was truly a mystical occurrence. It was from that moment I would begin working Inna De Yard also eventually, recording and producing a full length LP for Kiddus Green Fa Life.”
In the works is a possible Europe tour with a few of the album collaborators joining Naya Rockers. The live shows will reflect the album as much as possible and even bring in a few dub engineers to help keep the iconic sound of Naya Sound System!
The remastered version of Naya Sound System will be available for streaming and purchase on Oct. 14th, available for pre-save and order here: https://ffm.to/nayasoundsystem. See the full tracklist below:
1. Illusions feat. Kiddus 1
2. Can’t Fool We feat. Mikey General
3. Don’t Give Up feat. Frankie Paul
4. Cast Thy Bread feat. Big Youth
5. My Lady feat. Errol Dunkley
6. Reggae Train feat. Johnny Clarke
7. Babylon Stress feat. Prince Theo
8. Juggling feat. UT Ras
9. Illusions (Dub Version by Mad Professor)
Starling Arrow is an all-star cast of spirit-folk songstresses featuring Leah Song and Chloe Smith of Rising Appalachia, Tina Malia, Ayla Nereo, and Marya Stark. Powerhouse songwriters in their own right, and innovative leaders within the industry, the joining of the 5 songwriters and singers have created a potent gift of synergy. All share a common devotion for the love of songwriting which they have elegantly captured in their debut album, Cradle, due out January 2023.
Starling Arrow was unintentionally conceived during the pandemic’s lockdown. In the wake of canceled tours, the 5 musicians were inspired to meet weekly over Zoom to collectively sing and alchemize the chaos of a changing world into their craft of songwriting. Each week they choose a topic and style of song to inspire their writing. Then, the following week, they would share what they had created, in the round, each taking a turn to unveil their song. It was during these sessions from which the new album was born.
The first song off the new album is “Wild Sweet.” It is a stunning new song, that shines a bright light on their songwriting and harmonies. The new song is due out Friday, October 7th, and will be available everywhere you stream music:
Ayla Nero wrote and shared the song “Wild Sweet” with the ensemble and recalls, “Each of us was tasked with bringing two original songs to record. While I had a few options of lullabies to bring, and even started recording 1 of them, I felt something else wanting to come through. Tina encouraged me to keep searching and in the wee midnight hours, I rediscovered this melody from the archives of my recordings.” She says, “The foundation of Wild Sweet was born out of a loop pedal improv on a New Year's sunrise set at a small festival many years ago. But the song was fully written during our recording process together in Asheville.”
“One of our songwriting prompts during our group mastermind had been ‘polishing an old gem’, so I dove into polishing this song seed. The lyrics came swiftly, inspired by the energy of being in the cocoon of staying at home during lockdown, as well as the cocoon of our songwriting immersion, and the magic of recording this album together. It was the final song to be written during this cycle of our collective song-catching journey and captures the essence of what we were gathering. Wild Sweet sings to the emergence of widened wings after a deep season of rest, just as humanity is re-emerging into a new season of becoming."
Over the course of 2 years, the collective wrote countless songs. Deep in their own creative exploration, the 5 muses chose to keep the music to themselves. But the universe had other plans. And thanks to a spontaneous meetup in person, the desire to sing together, the group began to record with Tina Malia at the helm as producer and engineer. These songs are what fed the creation of Cradle, to be shared January 2023, with 2 more singles coming this fall.
Pre-save the new single here: https://sym.ffm.to/wild-sweet
Tracklisting for Cradle:
“Name Of The Wind”
“Into The River”
“Hush Hush”
“Swoon and Wander”
“By The Jordan”
“Wild Sweet”
“Fly Away”
“Rock Me”
“Oh Darlin”
“Volar”
“Pretty Horses”
“Midnight Hum”
Freekbass & The Bump Assembly are proud to announce The Annual FunksGiving Show featuring Sammi Garett (formerly of Turkuaz). Freekbass & The Bump Assembly is a high-energy live show like no other. Part musical journey, part Ohio-Funk experience, everyone from bass guitar enthusiasts, to Funk and Live music fans will want to plan a party around this show. The all ages show is at Ludlow Garage on Nov. 25th! Tickets for FunksGiving are available at Ludlow Garage.
Freekbass has cemented himself as a groundbreaking bass player and funk guru. His innovative styling including his signature double thumb strumming technique has garnered critical acclaim and a cult fan following. Hailed by the legendary Bootsy Collins as “the new spiritual warrior for the funk,” Freekbass has graced stages across the country and has been a staple in the festival and touring circuit. His notable performances have taken place alongside Bernie Worrell, Umphrey’s McGee, Turkuaz, Dumpstaphunk, George Porter Jr., Buckethead, DJ Logic and Mike Gordon.
Amidst the disruption of live music over the last couple of years, Freekbass kept the music moving forward by releasing a single & video a month throughout the shutdown from 2020-2021. During this time he collaborated and released music with musicians such as Stefan Lessard (DMB), Billy Sheehan, Doug Wimbish (Living Colour), Eric Nally (Foxy Shazam), Gary Mudbone Cooper (P-Funk / Bootsy’s Rubberband), and Karina Rykman. Many of these songs, and others from that period will be making their debut live.
The Bump Assembly is comprised of Sammi Garett on vocals (Formerly with Turkuaz), Dione Howard on drums, Reilly Comisar on vocals, and for select dates: Nate Lewis on guitar (Ernie Johnson from Detroit), and Craig Brodhead on guitars & keys ( formerly of Turkuaz). In addition to Freekbass songs, The Bump Assembly set will include some of Sammi's new material, also. Sammi Garett is currently releasing her solo singles which are produced and mixed by Freekbass.
When Freekbass is not on the road, you can always find him live-streaming on his new Twitch channel, http://twitch.tv/freekbass. On “Live Grooves with Freekbass,” Freekbass creates new bass guitar-centric grooves and songs on each stream, along with the participation of the chat/audience.
You won’t want to miss the infectious energy that is showcased in a Freekbass & The Bump Assembly live show. Freekbass states, “Recordings are the blueprint/ template for the live show. With Funk & Dance music, the Live Medium always takes these songs created in a studio to a higher level."
Show Details
Date: Fri, Nov. 25
Venue: Ludlow Garage
Address: 342 LUDLOW AVE, CINCINNATI, OH 45220
Time: 7pm // Show 8:30
Price: $15 advance, $18 day of show
All Ages
Tickets
Today, in a new plot twist, California Roots, the premier Reggae, Roots and Hip-hop music festival in Northern California, announced their massive 2023 line up. Releasing nearly the entire line up in one heavy-hitting drop, the 12th Annual Cali Roots will once again return for four incredible days, May 25-28, 2023 to Monterey, CA. The star-studded lineup features debut performances from legendary hip-hop collective, Wu-Tang Clan, rollicking ska-punk band The Interrupters and Mr. Boombastic himself, Shaggy as well as the return of mainstay favorites Dirty Heads, Hirie, Atmosphere, Cypress Hill, Iration, SOJA, Michael Franti and Spearhead, Dispatch and Sublime with Rome.
In true Cali Roots style, the festival organizers have built an impressive line up with an eclectic blend of the best in live music with artists hailing from the four corners of the globe including Collie Buddz, Jesse Royal, Kes, Lila Iké, and Mykal Rose from the Caribbean and Gentleman, Alborosie, Dub Inc and The Skints from Europe to Hawaii’s Anuhea, Kolohe Kai and Maoli and New Zealand’s L.A.B. and Katchafire. The already massive line up will have two more headliners announced early next year.
Festival goers will be enthralled by the unique curated experiences that are guaranteed to stimulate all senses that can be heard, felt, seen and embodied throughout the festival. “Every year we sit down as a team, and brainstorm how we can continue to connect with the fans and create an original experience.” says Dan Sheehan, festival producer. “It’s not only in the overall big details like ground breaking performances and collaborations that fans have come to enjoy but it’s also the little details like partnering with local small businesses. I’m really excited to once again be bringing a special experience the fans will love.” In addition to mainstages, the festival offers local food and beverage vendors, captivating art installations, on-site greening initiatives, community focused nonprofits and intimate pop-up performances.
Limited Early Bird 3-day & 4-day tickets as well as Fuse Travel packages go on sale on Monday, November 7 at 10 am PST (Purchase Link: http://californiarootsfestival.com/tickets).
Artist Line-Up Announcement:
Thursday:
*Thursday headliner still to be announced
Michael Franti and Spearhead
Atmosphere
SOJA
Katchafire
Dub Inc
Mihali
Mykal Rose + Subatomic Sound System
Anuhea
Thrive
Friday:
Wu-Tang Clan
Sublime with Rome
Cypress Hill
Steel Pulse
Common Kings
The Interrupters
L.A.B.
Maoli
Jesse Royal
Lila Iké
Surfer Girl
Joe Samba
Kyle Smith
Soulwise
Saturday:
* Saturday headliner still to be announced
Shaggy
Collie Buddz and Friends
Hieroglyphics feat. Del the Funky Homosapien
Gentleman
Hirie
Ozomatli feat. Chali 2na and Cut Chemist
Alborosie
BadFish
Kes
The Skints
The Hip Abduction
Little Stranger
Cydeways
Sunday:
Dirty Heads
Iration
Dispatch
Kolohe Kai
Matisyahu
The Movement
Natiruts
The Elovaters
Long Beach Dub Allstars
Denm
Thee Sacred Souls
Shwayze
KBong and Johnny Cosmic
Tunnel Vision
B Foundation
The Rudians
The 12th Annual California Roots Music and Arts Festival
Dates: Thursday, May 25 - Sunday, May 28, 2023
Time: 10:00 am – 11:00 pm PDT
Venue: Monterey County Fair and Event Center - 2004 Fairground Road, Monterey, CA 93940
Admission: Varies - Purchase Link: http://californiarootsfestival.com/tickets
Travel Packages: https://www.fuseexperiences.com/events/cali-roots
Age restrictions: All Ages Welcome, kids 10 & under free
Starling Arrow is an all-star cast of spirit-folk songstresses featuring Leah Song and Chloe Smith of Rising Appalachia, Tina Malia, Ayla Nereo, and Marya Stark. Powerhouse songwriters in their own right, and innovative leaders within the industry, the joining of the 5 songwriters and singers have created a potent gift of synergy. All share a common devotion for the love of songwriting which they have elegantly captured in their debut album, Cradle, due out January 2023.
Starling Arrow was unintentionally conceived during the pandemic’s lockdown. In the wake of canceled tours, the 5 musicians were inspired to meet weekly over Zoom to collectively sing and alchemize the chaos of a changing world into their craft of songwriting. Each week they choose a topic and style of song to inspire their writing. Then, the following week, they would share what they had created, in the round, each taking a turn to unveil their song. It was during these sessions from which the new album was born.
The second song tout now off the new album is “Into The River.” Pre-save here: https://sa.ffm.to/intotheriver
'Into The River' is a song for acapella vocals and the interplay of harmonics that can happen when you open up to the spontaneity of the voice. Meant as a collective song, it was written by Chloe from Rising Appalachia whilst sitting by a river listening to the rhythm of the moving rocks and churning water. Repetitive. Playful. Overlapping and overlaying so as to be new each time it is sung. Starling Arrow sang this song in free form for the album, with less notes and arrangements than some of the other tracks and more of a vocal jam type air. It is a joyous homage to laying ones tired body down in the water and letting trials and tribulations be washed away, a theme found in gospel music and traditional music from around the world. As rain finds the rivers, our voices found one another's for this sweet collaboration and merged into one.
Over the course of 2 years, the collective wrote countless songs. Deep in their own creative exploration, the 5 muses chose to keep the music to themselves. But the universe had other plans. And thanks to a spontaneous meetup in person, the desire to sing together, the group began to record with Tina Malia at the helm as producer and engineer. These songs are what fed the creation of Cradle, to be shared on January 2023, with 1 more single coming this fall.
Pre-save the new single here: https://sa.ffm.to/intotheriver
Tracklisting for Cradle:
“Name Of The Wind”
“Into The River”
“Hush Hush”
“Swoon and Wander”
“By The Jordan”
“Wild Sweet”
“Fly Away”
“Rock Me”
“Oh Darlin”
“Volar”
“Pretty Horses”
“Midnight Hum”
Spadei, the supergroup consisting of Wally Ingram, Tom Freund, and Stevie Blacke are thrilled to announce their debut album Left Right Here forthcoming on Six Degrees Records on January 27, 2023. Lead single “Grateful Winds” exemplifies Spadei’s blissful meditative grooves. The track eases you into an atmosphere where vocals, flute, sitar, bass, and percussion beautifully intertwine to uplift your mood. “Grateful Winds” is out now with a Kaya Project remix dropping November 30. Stream and download “Grateful Winds”: https://spadei.lnk.to/gratefulwinds
All the members of Spadei are accomplished music veterans in their own right. Wally Ingram is the rock world’s version of Kevin Bacon: there aren’t too many degrees of separation between him and just about every star on stage over the past decades. He’s been a favorite of everyone from Sheryl Crow and Eric Burdon to Jackson Browne, Bonnie Raitt, David Lindley, Bob Weir & Phil Lesh of the Grateful Dead, JJ Cale, Crosby, Stills & Nash, Bruce Hornsby, Shawn Colvin, John Trudell, Tracy Chapman, Steve Kimock, Anders Osborne, Blues Traveler, Crowded House and was one of the members of the popular GRAMMY-nominated band Timbuk3.
Singer/songwriter Tom Freund’s musical resume is just as impressive as he has released more than a dozen records, collaborated with legends such as Elvis Costello and Jackson Browne, and his longtime collaborator Ben Harper with whom he’s made numerous albums and toured the world. Tom has also recorded and toured with rock legend Graham Parker as well as appearing with him in Judd Apatow’s “This Is 40.” Tom has spent much of his career traversing genres, melding whatever sounds that have happened to catch his whimsy. His songs have been featured on TV shows including Better Things, Parenthood and One Tree Hill. For his latest television project, the Amazon show Pete The Cat, Freund has co-written, sung and played songs with Elvis Costello, KT Tunstall, Dave Matthews and Diana Krall.
In the last 20 years, Stevie Blacke has had an illustrious career as a string arranger and multi-instrumentalist. He plays just about everything with strings and has recorded and/or performed with the most successful people in the business including Snoop Dogg, Olivia Rodrigo, Dua Lipa, Alice in Chains, Cher, Weezer, Beck, Pink, Miley Cyrus, Mark Ronson, Steve Vai, Elton John with Timbaland, Rihanna, Madonna and more. It’s a virtual who’s who of popular music.
The executive producer, Joby Pritzker is SpaDei’s 5th Beatle or rather the “4th SpaDei” whose participation was instrumental in launching the new project. Joby is a multi-instrumentalist, music/burning man event producer, and record producer for his newly launched label. He has been a longtime creative conspirator with all the members of the band going back to his college days with Tom.
Although the members have had illustrious musical careers, the Spadei project is truly special for each of them. Wally states, “This recording project was born out of the collaborative improvisational sessions at Stevie Blacke’s amazing studio full of stringed and percussion instruments from all over the world. A musical wonderland for creativity and capturing magic in a bottle! There was no preconception really. We first got together with Tom Freund to basically JAM and see what might come of it!? We are all old friends and between the 3 of us we cover a lot of musical bases and there was no limit to where the music might take us.” Tom Freund adds, “We have been cooking this up for some time, it was a need to hear some music we could all feel was good for our mind and bodies, at a spa, or while doing yoga, meditation or even on a train to St Louis! To chill.” Stevie Blacke concurs, “We started this project out of a desire to create improvisational live music, which is how we recorded the basic tracks for all our songs… live. We would just go in the studio and play, all together…at the SAME TIME!!! Such a novelty in this day and age of home studios. Then we’d do overdubs and make something of it. It was a labor of love over a span of 3-4 years of recording.”
The result is Left Right Here, a collection of musical soundscapes created for the soul and set to the tempos of your resting heart rate. It came about after conversations about how uncreative “spa” or “relaxation” music was and the desire to create something that was enjoyable to listen to and at the same time help elevate your mood. And coming from more of a Rock n Roll and psychedelic approach. The perfect soundtrack when dealing with the stressful and uncertain post pandemic era.
The album was also a therapeutic exercise for the musicians to help navigate through life’s anxieties. Wally Ingram, being a stage four cancer survivor, learned the value of meditation and visualization to manage it. He explains, “I feel like this music goes hand in hand with the incredibly powerful and often overlooked practices of mindfulness, breathing and physical movement (yoga/dance). All of these are just as important and along with medical and psychological treatments are mutually beneficial.”
The guest musicians who rounded out the sound on Left Right Here include Kirtan vocalist, musician Amritakripa aka Kripa, as well as the amazing singer Donna DeLory (Madonna, Solo Artist). David Immergluck of the Counting Crows on Pedal Steel and even some background vocals. Joel Harper contributed some wood flutes and didgeridoo. While Left Right Here music executive producer and the 4th Spadei member Joby Pritzker played piano and percussion.
Eventhough the musicians involved in this project have their own ongoing projects, Spadei would very much love to take the band on the road. The band looks forward to getting more involved with like-minded events centered around healing music, yoga, or perhaps spas and retreats.
Looking back the band concludes, “We’ve loved making this body of music over the course of the past few years now. We hope that it is another toolset to use for mindful maintenance. And that it helps provide a soundtrack for navigating your journey through life’s hills and valleys.
Enjoy the Ride!”
Earlier this summer, as they began rolling out music from their second full-length album, SunDub kicked things off by showcasing three diverse singles showing multiple facets of their musical approach on Spirits Eat Music. Starting with “Jump And Dance,” featuring Lutan Fyah, the Brooklyn-based five-piece delivered an irresistible feel good tune perfect for the warm summer months. Switching it up, next came the title track “Spirits Eat Music,” a catchy tune with a heavier theme that speaks to a personal message of love and loss for the band. The latest single “New Ways To Love,” featuring GRAMMY-winning vocalist Peetah Morgan (of Morgan Heritage), inspires an optimistic outlook towards life through its uplifting lyrics. The official video for the song (https://youtu.be/NTh2UPrsLZ0) was just released, further showcasing the playful and positive nature of the track. The video was filmed on location in Florida and was directed, shot, and edited by David Svedosh.
The three singles garnered positive press, accolades, and radio support from tastemakers, including BBC’s Sir David Rodigan, which added to the anticipation for the album. Now the wait is over with Spirits Eat Music finally dropping on all digital platforms through Easy Star Records. Simultaneously, vinyl and CD editions of the record can be pre-ordered, along with a new, exclusive T-shirt design. All copies pre-ordered will be autographed by the band. The physical versions of the album will be released January 13.
Spirits Eat Music was recorded at Lydgate Sound in Kauai, HI, in May 2021. Joanna Teters explains, “We got an invitation to record at Lydgate Sound, a special studio located on a remote cacao farm. The island and farm envelopes its visitors with lush nature and sweet sunshine, offering a beautiful kind of inspiration that can only come from being disconnected to our everyday lives and distractions.” Ben Teters enthusiastically adds, “We enlisted Sidney Mills (Steel Pulse) to engineer and co-produce the album. We worked with Sidney on our first album Burden of Love - the opportunity to go deep for two weeks in the studio with him took the project to new heights.”
SunDub is a testament to the power of inclusion, diversity, and unity; their music and community rallies around the concept that we are strongest when people of different backgrounds can work together to create positive change. These core values were first showcased on SunDub’s debut album, Burden of Love (2019), which has amassed millions of streams since coming out. Anchored by a core quintet—Ben and Joanna, along with Finn Singer (guitar), Josh T Carter (bass), Eric "The General'' Toussaint (vocals-keys)—the band is ready to breakthrough to even more fans worldwide with their sophomore album, showcasing the evolution of their sound over the past few years. Joanna Teters' commanding and soulfully smoky lead vocals blend seamlessly with the air-tight arrangements of the SunDub rhythm section. The result is a stand-out expression of reggae’s classic undulating pulse and lush subterranean grooves, reinvented for listeners of all times and genres.
Outside of the studio and off of the stage, the band members that make up SunDub put their talents to work in a myriad of ways: using their music as a platform to advocate for political movements, teaching music lessons to New York City youth, and collaborating with non-profits to create change, to name a few. Like so many other bands, SunDub was hit hard by the onset of the pandemic of 2020 — tours canceled, opportunities postponed, income lost. Instead of being discouraged, the band came together on a Brooklyn patio and figured out how to make the most of the situation. During weekly, COVID-safe live stream performances in the summer of 2020, SunDub raised over $1,000 for the NAACP Education and Legal Defense Fund, using their platform to rally their community around the importance of political activism and dismantling unjust racial and societal structures.
SunDub’s spiritual and altruistic themes are found on the whole album combining with different moods on the record – from the romantic to the political to the hedonistic – to provide a catchy and complex statement of the moment from this young band, which rewards with repeat listens of the entire sequence.
Tour Dates:
11/17 @ Deep Dive – Ithaca, NY (w/ Baked Shrimp)
11/18 @ 99 Franklin – Brooklyn, NY (Official Record Release Party)
11/20 @ Higher Ground – Burlington, VT
11/26 @ Colony – Woodstock, NY
The 7 Day Weekend duo are back with the single “Show and Tell” featuring Nephrok! The new song is the first release from their upcoming album Dream Fantastic and is due out with High Wire Records (https://www.vintageleaguemusic.com/high-wire-records).
7 Day Weekend was born from and influenced by the sounds and compositions of 60’s and 70’s film composers. Comprised of Alan Evans (Soulive, Alan Evans Trio) and Kris Yunker (Alan Evans Trio), the duo has combined their songwriting and production esthetic to create what they describe as “electrorganic music.” Kicking off the new album roll out with “Show and Tell” the band highlights their continuous evolution as songwriters and musicians.
Nephrok! the lead singer of the Somerville, MA based Nephrok! Allstars wrote the new song “Show and Tell.” Nephrok! expresses, "There’s always been a challenge in the synchronicity between words and actions in the human experience. It transcends all aspects of life, but this particular song was inspired by a relationship I was in. The struggle of bringing into harmony thoughts and emotions while healing from traumas and managing impulses was life’s beautiful poetry.”
He continues, “The title and hook came to me while I was scribbling lyrics and trying to write what I was feeling while my son was simultaneously asking me what to bring to school for show and tell.”
“Show and Tell” was recorded at Alan Evans’ Iron Wax Studios in Erving, MA. Kris Yunker and Alan Evans produced the single together and Alan recorded, mixed and mastered it. Reflecting back on the new single, they conclude, “We wanted to explore new sounds and feelings for this new album and “Show and Tell” is the perfect intro to the new album. We are really excited about where we are heading.”
High Wire Records brings the same aesthetic for quality, authentic music to releases as its parent label Vintage League Music (VLM). However, the focus of High Wire is genres from outside of the soul funk domain. “Show and Tell” continues to showcase the imprint's dynamic and diverse sound.
The new single is out now, listen here:https://www.vintageleaguemusic.com/high-wire-records
Marcus Gad returns with the single "Ready For Battle," the title track from his upcoming album, scheduled for a February 2023 release. Gad, the rising reggae star from the island nation of New Caledonia, returns here to work with his usual backing band, Tribe, for a more organic, roots oriented sound, after his last project where he and his producer Tamal dived into modern, programmed beats on the Brave New World album (2021). Regardless of the style of music, Marcus continues to put forth conscious messages in his music; on this track, he leads a fight for the planet, battling the manipulations of multinationals and governments who have taken our resources and lives hostage. This song clearly spells out the mood and tone of what's to come on the full album. Stream the song at http://moremusic.at/ReadyForBattle and see the video there as well.
The music video for the song illustrates solutions for resisting these powerful entities, adding a positive creativity to the song’s lyrical approach. Being ready for battle is not a call to go out and fight yet another war, but a call to active ongoing resistance. A resistance that implies, above all, a spiritual fight against our own feelings of helplessness that finds its embodiment in inaction. Our weapons – our tools – to lead this battle are our pickaxes, our pitchforks, our spades, and sickles; they are our seeds, our tubers, to bear more fruit and more seeds for us and generations to come. As Marcus says at the end of each live show, “Take care of yourselves; take care of each other; but, most of all, take care of the Earth. The time is now!”
Ready For Battle, the album, is slated for February 2023 release, in a partnership between Easy Star Records and France’s BACO Music. More music and videos will be coming in January and following the release. Marcus Gad & Tribe will be active touring in Europe throughout the spring and summer festival season, and the hope is for the band to make it to North America sometime after that. This record follows Brave New World, the first album that Marcus officially released in North America via Easy Star Records, which spawned successful singles and videos for the songs “Tempo,” “One Day,” and “Brave New World,” among others.
Spadei, the supergroup consisting of Wally Ingram, Tom Freund, and Stevie Blacke are thrilled to announce their debut album Left Right Here forthcoming on Six Degrees Records on January 27, 2023. Lead single “Grateful Winds” exemplifies Spadei’s blissful meditative grooves. The track eases you into an atmosphere where vocals, flute, sitar, bass, and percussion beautifully intertwine to uplift your mood. “Grateful Winds” is out now with a Kaya Project remix dropping November 30. Stream and download “Grateful Winds” Kaya Project Remix: https://spadei.lnk.to/gratefulwindskayaremix
All the members of Spadei are accomplished music veterans in their own right. Wally Ingram is the rock world’s version of Kevin Bacon: there aren’t too many degrees of separation between him and just about every star on stage over the past decades. He’s been a favorite of everyone from Sheryl Crow and Eric Burdon to Jackson Browne, Bonnie Raitt, David Lindley, Bob Weir & Phil Lesh of the Grateful Dead, JJ Cale, Crosby, Stills & Nash, Bruce Hornsby, Shawn Colvin, John Trudell, Tracy Chapman, Steve Kimock, Anders Osborne, Blues Traveler, Crowded House and was one of the members of the popular GRAMMY-nominated band Timbuk3.
Singer/songwriter Tom Freund’s musical resume is just as impressive as he has released more than a dozen records, collaborated with legends such as Elvis Costello and Jackson Browne, and his longtime collaborator Ben Harper with whom he’s made numerous albums and toured the world. Tom has also recorded and toured with rock legend Graham Parker as well as appearing with him in Judd Apatow’s “This Is 40.” Tom has spent much of his career traversing genres, melding whatever sounds that have happened to catch his whimsy. His songs have been featured on TV shows including Better Things, Parenthood and One Tree Hill. For his latest television project, the Amazon show Pete The Cat, Freund has co-written, sung and played songs with Elvis Costello, KT Tunstall, Dave Matthews and Diana Krall.
In the last 20 years, Stevie Blacke has had an illustrious career as a string arranger and multi-instrumentalist. He plays just about everything with strings and has recorded and/or performed with the most successful people in the business including Snoop Dogg, Olivia Rodrigo, Dua Lipa, Alice in Chains, Cher, Weezer, Beck, Pink, Miley Cyrus, Mark Ronson, Steve Vai, Elton John with Timbaland, Rihanna, Madonna and more. It’s a virtual who’s who of popular music.
The executive producer, Joby Pritzker is SpaDei’s 5th Beatle or rather the “4th SpaDei” whose participation was instrumental in launching the new project. Joby is a multi-instrumentalist, music/burning man event producer, and record producer for his newly launched label. He has been a longtime creative conspirator with all the members of the band going back to his college days with Tom.
Although the members have had illustrious musical careers, the Spadei project is truly special for each of them. Wally states, “This recording project was born out of the collaborative improvisational sessions at Stevie Blacke’s amazing studio full of stringed and percussion instruments from all over the world. A musical wonderland for creativity and capturing magic in a bottle! There was no preconception really. We first got together with Tom Freund to basically JAM and see what might come of it!? We are all old friends and between the 3 of us we cover a lot of musical bases and there was no limit to where the music might take us.” Tom Freund adds, “We have been cooking this up for some time, it was a need to hear some music we could all feel was good for our mind and bodies, at a spa, or while doing yoga, meditation or even on a train to St Louis! To chill.” Stevie Blacke concurs, “We started this project out of a desire to create improvisational live music, which is how we recorded the basic tracks for all our songs… live. We would just go in the studio and play, all together…at the SAME TIME!!! Such a novelty in this day and age of home studios. Then we’d do overdubs and make something of it. It was a labor of love over a span of 3-4 years of recording.”
The result is Left Right Here, a collection of musical soundscapes created for the soul and set to the tempos of your resting heart rate. It came about after conversations about how uncreative “spa” or “relaxation” music was and the desire to create something that was enjoyable to listen to and at the same time help elevate your mood. And coming from more of a Rock n Roll and psychedelic approach. The perfect soundtrack when dealing with the stressful and uncertain post pandemic era.
The album was also a therapeutic exercise for the musicians to help navigate through life’s anxieties. Wally Ingram, being a stage four cancer survivor, learned the value of meditation and visualization to manage it. He explains, “I feel like this music goes hand in hand with the incredibly powerful and often overlooked practices of mindfulness, breathing and physical movement (yoga/dance). All of these are just as important and along with medical and psychological treatments are mutually beneficial.”
The guest musicians who rounded out the sound on Left Right Here include Kirtan vocalist, musician Amritakripa aka Kripa, as well as the amazing singer Donna DeLory (Madonna, Solo Artist). David Immergluck of the Counting Crows on Pedal Steel and even some background vocals. Joel Harper contributed some wood flutes and didgeridoo. While Left Right Here music executive producer and the 4th Spadei member Joby Pritzker played piano and percussion.
Even though the musicians involved in this project have their own ongoing projects, Spadei would very much love to take the band on the road. The band looks forward to getting more involved with like-minded events centered around healing music, yoga, or perhaps spas and retreats.
Looking back the band concludes, “We’ve loved making this body of music over the course of the past few years now. We hope that it is another toolset to use for mindful maintenance. And that it helps provide a soundtrack for navigating your journey through life’s hills and valleys. Enjoy the Ride!”
King Canyon, the supergroup collaboration consisting of Eric Krasno, Otis McDonald, and Mike Chiavaro are excited to release their newest single “Ice & Fire” with Son Little on December 2. The new single comes out ahead of the self-titled debut album due out early 2023. So far King Canyon have a few singles including “Mulholland” featuring Derek Trucks, with Will Blades on organ; and their debut single “Keep On Movin.”
For "Ice & Fire," Eric Krasno comments, "Son Little and I met a few years back at a festival. We had a lot of mutual respect for each other’s music and decided to start writing together. We instantly became tight as friends and frequent collaborators. Ice & Fire is a perfect mixture of the sounds of Son Little & King Canyon. Son’s lyrical imagery blends with the KC’s soundscape creating a unique and soulful sound.“
Eric Krasno is a two-time GRAMMY winning guitarist, musician and producer best known for his work with Soulive, Lettuce, Tedeschi Trucks Band & Pretty Lights. Krasno has been nominated for a GRAMMY a total of seven times for Best Blues Album, Best Contemporary Blues, Best R&B, and Best Electronic Album. Otis McDonald is a producer/multi-instrumentalist best known for his large catalog that continues to be used in millions of videos across the internet. Mike Chiavaro is a Brooklyn-based electric and upright bass player who has played with Richard Marx, Boy & Bear, among others. Combined they form King Canyon, blending their unique styles into an infectious groove filled project with healthy doses of R&B/Soul and funk. The vibe will resonate with fans of Khruangbin, Bobby Caldwell, Allman Brothers, Soulive, Lettuce, El Michels Affair, Unknown Mortal Orchestra, Menahan Street Band, Durand Jones and the Indications, and Son Little.
In the perfect quarantine story, the trio forged a relationship and has yet to meet in person. In April 2020 in the midst of quarantine, Eric Krasno came across Otis McDonald’s music on Instagram and immediately became a fan. Months later, McDonald who had been working on music with his longtime friend, Mike Chiavaro, enlisted Krasno to add some guitar to the mix and before they knew it, the trio had an album's worth of material and thus King Canyon was born. The guys have still yet to meet in person, but despite this, the grooves are insatiable. The writing and feel are unlike any other projects these musicians have been involved with previously.
The new singles have garnered critical accolades from Live for Live Music, Jambands.com, and Relix who said the song “Mulholland” and album, “resonates on the same sonic field groups like Khruangbin, Bobby Caldwell, Allman Brothers, Unknown Mortal Orchestra, and Son Little.”
Eric Krasno adds, “Mulholland is a “feel good” track. I came up with the original gospel-ish guitar riff and thought it fit the King Canyon album perfectly. I sent it to the boys and what they sent back brought it to a whole other level! As we were finishing the song I thought it needed a slide guitar solo at the end. It just so happened I was heading to Derek Trucks' studio that week. After I played some guitar on the new Tedeschi Trucks album I played him the track… he loved it and decided to play on it. His solo was exactly what the song needed and gives it that “ride off into the sunset” moment.”
“Keep On Movin’” was the first single to be released, Krasnos reflects, “Sometimes in life (all the time in life!), you just have to keep on moving. The only thing in life that remains constant is change. The music becomes the soundtrack. Keep on moving on!”
It is clear that King Canyon was born out of the love of good music and friendship. Looking back on how it all started, Otis McDonald comments, "It was easy and fun. Exactly what it should be. It didn't take long before we had a couple of albums' worth of songs. Some tracks feature special guests and others showcase the power trio format. King Canyon is fresh and rooted in nostalgia." Stay tuned for more music from King Canyon!
Stream Ice & Fire: https://sym.ffm.to/ice-and-fire
Starling Arrow is an all-star cast of spirit-folk songstresses featuring Leah Song and Chloe Smith of Rising Appalachia, Tina Malia, Ayla Nereo, and Marya Stark. Powerhouse songwriters in their own right, and innovative leaders within the industry, the joining of the 5 songwriters and singers have created a potent gift of synergy. All share a common devotion for the love of songwriting which they have elegantly captured in their debut album, Cradle, due out January 2023.
Starling Arrow was unintentionally conceived during the pandemic’s lockdown. In the wake of canceled tours, the 5 musicians were inspired to meet weekly over Zoom to collectively sing and alchemize the chaos of a changing world into their craft of songwriting. Each week they choose a topic and style of song to inspire their writing. Then, the following week, they would share what they had created, in the round, each taking a turn to unveil their song. It was during these sessions from which the new album was born.
The 3rd song off the new album is “By The Jordan” and is written by Tina Malia. The new song is out now and available everywhere you stream music. ‘By The Jordan” is based on the title of the upcoming album, Cradle, out February 2023. It is languid and warm, meant to hold the listener in the feeling of home. It is a winter song with the spirit of the holidays within.
Over the course of 2 years, the collective wrote countless songs. Deep in their own creative exploration, the 5 muses chose to keep the music to themselves. But the universe had other plans. And thanks to a spontaneous meetup in person, the desire to sing together, the group began to record with Tina Malia at the helm as producer and engineer. These songs are what fed the creation of Cradle, to be shared February 2023, with 2 more singles coming out in January.
Pre-save the new single here: https://sa.ffm.to/bythejordan
Tracklisting for Cradle:
“Name Of The Wind”
“Into The River”
“Hush Hush”
“Swoon and Wander”
“By The Jordan”
“Wild Sweet”
“Fly Away”
“Rock Me”
“Oh Darlin”
“Volar”
“Pretty Horses”
“Midnight Hum”
King Canyon is the supergroup collaboration between Eric Krasno, Otis McDonald, and Mike Chiavaro. They are proud to announce their self-titled debut album due out on January 13, 2023, on Mixto Records. The album features notable guests including Derek Trucks and Son Little and has been getting praise from critics and peers including Khruangbin, John Mayer and Adrian Quesada of the Black Pumas.
The trio first came together remotely during COVID-19 lockdowns of 2020 to create music and keep their musical talent fresh. From those sessions came a fresh record rooted in nostalgia and a friendship foraged from the love of music. With each musician based in different cities, Eric in LA, Otis in SF and Mike in NYC they have become known as the tightest band whose never played a gig! The new record will be available everywhere you stream music. Pre-save and order here: https://sym.ffm.to/king-canyon
Eric Krasno is a two-time GRAMMY winning guitarist, musician and producer best known for his work with Soulive, Lettuce, Tedeschi Trucks Band & Pretty Lights. Krasno has been nominated for a GRAMMY a total of seven times for Best Blues Album, Best Contemporary Blues, Best R&B, and Best Electronic Album. Otis McDonald is a producer/multi-instrumentalist best known for his large catalog that continues to be used in millions of videos across the internet. Mike Chiavaro is a Brooklyn-based electric and upright bass player who has played with Richard Marx, Boy & Bear, among others. Combined they form King Canyon, blending their unique styles into an infectious groove filled project with healthy doses of R&B/Soul and funk. The vibe will resonate with fans of Khruangbin, Bobby Caldwell, Allman Brothers, Soulive, Lettuce, El Michels Affair, Unknown Mortal Orchestra, Menahan Street Band, Durand Jones and the Indications, and Son Little.
The new album was created from the perfect quarantine story. In April 2020 in the midst of quarantine, Eric Krasno came across Otis McDonald’s music on Instagram and immediately became a fan. Months later, McDonald who had been working on music with his longtime friend, Mike Chiavaro, enlisted Krasno to add some guitar to the mix and before they knew it, the trio had an album's worth of material and thus King Canyon was born. For the band, the writing and feel captured on the new album, are unlike any other projects these musicians have been involved with previously.
Rooted in nostalgia, the 7 track LP takes the listener on a sonic journey to a time long forgotten. Bringing in featured guest spots from great musicians like Derek Trucks and Son Little hits home the bluesy Americana vibe. The record roll out had a few singles released ahead of the release with “Keep on Movin’” as the first single. Krasno reflected on the song and commented, “Sometimes in life (all the time in life!), you just have to keep on moving. The only thing in life that remains constant is change. The music becomes the soundtrack. Keep on moving on!”
“Mulholland” was the second single released and featured Derek Trucks and Will Blades on organ. Eric Krasno added, “Mulholland is a “feel good” track. I came up with the original gospel-ish guitar riff and thought it fit the King Canyon album perfectly. I sent it to the boys and what they sent back brought it to a whole other level! As we were finishing the song I thought it needed a slide guitar solo at the end. It just so happened I was heading to Derek Trucks' studio that week. After I played some guitar on the new Tedeschi Trucks album I played him the track… he loved it and decided to play on it. His solo was exactly what the song needed and gives it that “ride off into the sunset” moment.”
It debuted with Relix who said “For their new grooving desert trip of a track, which resonates on the same sonic field groups like Khruangbin, Bobby Caldwell, Allman Brothers, Unknown Mortal Orchestra, and Son Little so gracefully traverse, King Canyon recruited the slide guitar master to add yet another layer of silk to their already lustrous sound.”
The most recent release was "Ice & Fire" with Son Little. The new single has received glowing accolades with Celebmix calling it an “undulating rhythm dripping with retro soul flavors, vaguely reminiscent of Sam & Dave and Otis Redding.” Looking back at the new release Eric Krasno comments, "Son Little and I met a few years back at a festival. We had a lot of mutual respect for each other’s music and decided to start writing together. We instantly became tight as friends and frequent collaborators. Ice & Fire is a perfect mixture of the sounds of Son Little & King Canyon. Son’s lyrical imagery blends with the KC’s soundscape creating a unique and soulful sound.“
It is clear that King Canyon was born out of the love of good music and friendship. Looking back on how it all started, Otis McDonald comments, "It was easy and fun. Exactly what it should be. It didn't take long before we had a couple of albums' worth of songs. Some tracks feature special guests and others showcase the power trio format. King Canyon is fresh and rooted in nostalgia." Stay tuned for more music from King Canyon!
“Long Way Home” is the second single and video from Marcus Gad & Tribe’s upcoming new album titled Ready For Battle, which is scheduled for a February 10, 2023, release. Gad, the rising reggae star from the island nation of New Caledonia, returns here to work with his usual backing band, Tribe, for a more organic, roots oriented sound. A warm contrast from his last project where he and his producer Tamal dived into modern, programmed beats on the Brave New World album (2021). This track is a love song of sorts for Gad’s home Pacific Island nation of New Caledonia. Watch the video and stream the song at http://moremusic.at/LongWayHome (though be warned that viewing during winter in the Northern Hemisphere may cause extreme longing for the beautiful vistas of the Pacific).
“’Long Way Home’ is a song I wrote for my country, my island, when I was far away and felt the distance the most,” Marcus says. “When you're away from home, surprisingly realistic memories sometimes pop up. They take on various forms: the smell of freshly squeezed kava, the texture of laterite gravel under one’s foot, the particular light of sunrise on a Pacific island, or the intonation of an Elder telling a tale in a local dialect. So many things that bring me back to my land despite the distance that separates me from it..."
Ready For Battle comes out on February 10, in a partnership between Easy Star Records and France’s BACO Music. Look for more videos to come around release. Marcus Gad & Tribe will be actively touring in Europe throughout the spring and summer festival season, with North American dates in sight sometime after that.
The cult funk ensemble Brooklyn Funk Essentials have returned to chase the January blues away with the release today of joyous, new R&B-disco-funk jam ‘How Happy’, to follow up on the success of last year’s singles ‘Scream!’ and ‘AA Side Single’.
‘How Happy’ once again features the legendary, inimitable Alison Limerick on vocals and is released ahead of the group’s hotly anticipated seventh studio album ‘Intuition’, which will come out in Spring 2023 on Dorado Records, the original label who first signed Brooklyn Funk Essentials in 1994.
‘How Happy’ is accompanied by an effervescent video, featuring Alison Limerick, BFE founder and bassist Lati Kronlund and the entire BFE lineup (singer/guitarist/co-writer Desmond Foster, drummer Hux Flux, Kristoffer Wallman on keys and Ebba Asman on trombone/vocals), performing and vibing together in the studio.
The uplifting bop shares the joy and connection from the early days of meeting someone, the uncontrollable butterflies and romantic fantasy of ultimately being together. Originally written, yet unreleased, in the early ’90s, ‘How Happy’ was a distinctive, boogie-funk groove inspired by The S.O.S Band, Jennifer Lara and Grace Jones. For the new album, the track developed further into a mid-tempo, R&B-disco stomp with the addition of the band’s signature horns and strings for good measure.
BFE received a huge welcome when they returned in summer 2022 to release new material and tour Europe. Of the first single ‘Scream!’, Jazz FM said “I’m a little bit addicted to it” and “Here is a tune that we’re all loving, it’s just so good”, and Blues & Soul called it “A stonking cut of Afro Funk blessedness”. The follow up ‘AA Side Single’ was equally well received, Jazz FM said “It sounds particularly good on a Friday!” and Blues & Soul called it “A funk behemoth”.
Across a career that stretches 28 years and six albums, BFE have established themselves as an audacious project, fusing soul, hip hop, spoken word, jazz, Latin and of course, funk. The band have built up a loyal international cult following on every continent since inception in 1993 by iconic producer Arthur Baker and bassist Lati Kronlund. BFE was born out of New York’s buzzing hip hop, jazz and slam poetry scenes in the early 90s, rotating some of the finest musicians, DJs, poets, rappers and singers. BFE’s celebrated debut album ‘Cool & Steady & Easy’ (Dorado/RCA 1995) scored an underground hit with the version of Pharoah Sanders' ‘The Creator Has a Master Plan’, while tracks like ‘Take The L Train’ and ‘Big Apple Boogaloo’ became DJ favorites.
BFE released ‘Funk Ain’t Ova’ on Dorado Records in 2015 and during touring the band were joined by UK soul singer Alison Limerick, for whom Lati Kronlund had originally written and produced the stone-cold classic house anthem ‘Where Love Lives’ in the early 90s. Limerick took over as the band’s lead singer in 2016 and eventually became co-writer.
Save and Download "How Happy" here: https://lnk.to/howhappy
Spadei, the supergroup consisting of Wally Ingram, Tom Freund, and Stevie Blacke, is back with their newest single “Shine a Light” due out January 24th. It is the second release from their upcoming album Left Right Here with Six Degrees Records.
The new single opens on a meditative groove with the mantra “Shine a Light” and steps into a smooth, uplifting composition of strings, percussion, and layered vocals. Spadei’s Tom Freund, who is on bass, main vocals, and glockenspiel for the new single comments, “‘Shine a Light’ came from the search for light and the giving of light, we all must pursue as humans.” He continues, “We got together in the studio on our various instruments and started with music first, then came the words with my vocals along with the title and the whole song started to become a mantra.”
“When we caught wind of the direction that this composition was moving, we thought it would be a perfect fit for the beautiful Kirtan vocals of Amritakripa, who did the “om na va shivaya” (salutations to the spirit) mantra. And that’s also why at the end it felt right to add the words ``Bringing it all back home” to our place of refuge, peace of mind, with our family and our spiritual family. A reminder to be the good for people, to take us back to the center where we can recover from anything that has hurt us. It’s a song about bringing in the positive light into our daily consciousness. As a bonus, we also had David Immergluck (Counting Crows) on background vocals.``
The new song will be followed by a music video produced by Kenny Greenbaum/Majic Robot Films. Spadei recruited the dynamic producer to unite the very cinematic music of “Shine a Light '' with intriguing visuals! The end resulted in a fantastic voyage of sights and sounds.
The new album, Left Right Here, was conceived after conversations about how to reimagine “spa” or “relaxation” music. Spadei desired to create something that was enjoyable and at the same time elevates your mood with a Rock n Roll and psychedelic approach. As they progressed, the album became a therapeutic exercise for the musicians to help navigate through life’s anxieties. Wally Ingram, being a stage four cancer survivor, had learned the value of meditation and visualization to manage it. He explains, “I feel like this music goes hand in hand with the incredibly powerful and often overlooked practices of mindfulness, breathing and physical movement (yoga/dance). All of these are just as important and along with medical and psychological treatments are mutually beneficial.”
Although the members have illustrious musical careers, the Spadei project is truly special for each of them. Wally states, “This recording project was born out of the collaborative improvisational sessions at Stevie Blacke’s amazing studio full of stringed and percussion instruments from all over the world. A musical wonderland for creativity and capturing magic in a bottle! There was no preconception really. We first got together with Tom Freund to basically JAM and see what might come of it!? We are all old friends and between the 3 of us we cover a lot of musical bases and there was no limit to where the music might take us.” Tom Freund adds, “We have been cooking this up for some time, it was a need to hear some music we could all feel was good for our mind and bodies, at a spa, or while doing yoga, meditation or even on a train to St Louis! To chill.” Stevie Blacke concurs, “We started this project out of a desire to create improvisational live music, which is how we recorded the basic tracks for all our songs… live. We would just go in the studio and play, all together…at the SAME TIME!!! Such a novelty in this day and age of home studios. Then we’d do overdubs and make something of it. It was a labor of love over a span of 3-4 years of recording.”
Left Right here is a collection of musical soundscapes created for the soul and set to the tempos of your resting heart rate. It is the perfect soundtrack to deal with the stressful and uncertain post-pandemic era.
Left Right Here is due out on February 10th with Six Degrees Records.
“Shine a Light” is due out Jan. 24. Save here: https://spadei.lnk.to/shine
“Shine a Light” Credits:
Wally Ingram - Drum Set, Djembe, Finger Cymbals, Shaker, Triangle
Tom Freund - Bass, Main Vocals, glockenspiel
Stevie Blacke - Cello, Electric Guitar, Dobro
Amritakripa - Chanting Vocals
David Immergluck - BG Vocals
Spadei album pre-order link: https://spadei.lnk.to/leftrighthere
Hailed as “a young musician and composer with a mature touch and rare combination of talent, creativity, humility and honesty” by NPR, pianist Isaiah J. Thompson is an emerging generational talent. This March 17th, his first live album—The Power of the Spirit—will be released digitally and as a CD on Jazz at Lincoln Center’s in-house record label, Blue Engine.
Today, Isaiah debuts the first single from the upcoming record, “The IT Department.” It is a play on his initials, but also a tribute to Isaiah's father. Isaiah states, “I don’t come from a particularly musical family, but they have always supported me. When someone would ask my parents if they had been involved in my musical education, my father would respond by saying, ‘music is his department.’”
Captured in front of a rapturous audience at Jazz at Lincoln Center's Dizzy’s Club,The Power of the Spirit finds Thompson’s seasoned quartet delivering a locked-in performance of their repertoire. On full display are the pianist's stunning dexterity and soulful original material; combining crisp technicality with a gospel-inflected sound, Thompson nods to forebears like Bobby Timmons, Phineas Newborn Jr., and Cedar Walton while blazing a trail of his own.
Thompson has played with legends including Wynton Marsalis, Christian McBride, Steve Turre, John Pizzarelli, and Buster Williams. You've seen his NPR Tiny Desk concert, his inclusion in the Jazz Night in America’s Youngblood series, heard him as a special guest on the Jazz at Lincoln Center Orchestra's Handful of Keys, and can catch him at the upcoming American Pianists Association events. Now, get ready for the powerhouse personal statement that is The Power of the Spirit.
The mission of Jazz at Lincoln Center is to entertain, enrich, and expand a global community for jazz through performance, education, and advocacy. We believe jazz is a metaphor for Democracy. Because jazz is improvisational, it celebrates personal freedom and encourages individual expression. Because jazz is swinging, it dedicates that freedom to finding and maintaining common ground with others. Because jazz is rooted in the blues, it inspires us to face adversity with persistent optimism.
Track List:
01 Welcome
02 The IT Department
03 The Soul Messenger
04 For Phineas (Intro)
05 For Phineas
06 Tales of the Elephant and Butterfly
07 Good Intentions (learn our names, say them right)
08 Thank You Betsy
09 The Power of the Spirit
Personnel:
Isaiah J. Thompson, piano
Julian Lee, tenor saxophone
Philip Norris, bass
TJ Reddick, drums (tracks 2, 3, & 9)
Domo Branch, drums (tracks 5, 6, 7, & 8)
About Blue Engine Records
Blue Engine Records, Jazz at Lincoln Center’s platform that makes its vast archive of recorded concerts available to jazz audiences everywhere, launched on June 30, 2015. Blue Engine Records releases new studio and live recordings as well as archival recordings from Jazz at Lincoln Center’s performance history that date back to 1987 and are part of the R. Theodore Ammon Archives and Music Library. Since the institution’s founding in 1987, each year’s programming is conceived and developed by Managing and Artistic Director Wynton Marsalis with a vision toward building a comprehensive library of iconic and wide-ranging compositions that, taken together, make up a canon of music. These archives include accurate, complete charts for the compositions – both old and new – performed each season. Coupled with consistently well-executed and recorded music performed by Marsalis and the Jazz at Lincoln Center Orchestra, this archive has grown to include thousands of songs from hundreds of concert dates. The launch of Blue Engine is aligned with Jazz at Lincoln Center’s efforts to cultivate existing jazz fans worldwide and turn new audiences onto jazz. For more information on Blue Engine Records, visit blueenginerecords.org.
“It’s exciting to work with talented people outside the strict structure of a band,” says bassist/singer James Searl of Giant Panda Guerilla Dub Squad (GPGDS). That statement rang true during the creation of their diverse new album Love In Time, which comes out April 7th via Easy Star Records. Influenced by the need for more social and personal connection during the pandemic, GPGDS wanted to lean into the “squad” in their name by working and collaborating with artists outside of their tight knit circle. Their powerful first single “Chants” exemplifies the approach with the help of legendary vocalist Clinton Fearon (of Gladiators fame) and Ghanaian atenteben player Dela Botri. The track is available now and can be heard here. The band also launched a pre-order for the vinyl version of the full album here, which includes mostly clear, slightly smoky colored vinyl, along with a new long sleeve tee design, and a bundle that includes a poster, handmade incense and incense holders, and more.
The writing of “Chants” began one month before the band toured with Fearon in 2018. The song was originally written for bass player James Searl’s son, as a reminder to remember the power of music when facing times of trouble. The roots of the unmistakable sound of the track comes from the involvement of Dela Botri, who has been a close contact, collaborator, and teacher to Searl for over twenty years. Two of the earliest foundational songs in the Panda songbook (“Burkina Faso” and “Missing You More”) were directly influenced by Searl working with Botri at the time, and Panda has always wanted to get back to making music with the Ghanaian master. His instrument, the atenteben, is a Ghanaian bamboo flute, and it adds the distinctive musical hook heard throughout the song. The presence of these two musical elders certainly shows the collaborative nature of both the single and the rest of the album. A forthcoming music video also captures a similar vibe embodying the beautiful reality of travel and musical collaboration, as it was filmed in Istanbul, Turkey; Accra, Ghana; Seattle, Washington; as well as at many Panda shows along the way.
The album’s songwriting process was a stark contrast from their previous technique of recording one song at a time with a focused pace. The start of the sessions had a similar trajectory until the pandemic hit. Since the band was facing a potential six-month separation at the start of 2020, they rushed into the studio to record as many tracks as possible. After laying down more than 25 song ideas and riddims in a week, recording with longtime friend Matthew Goodwin (of The Movement and Easy Star All-Stars), the band then turned to outside producers, collaborators, and other old colleagues to finish things out. It was perfect timing as everyone was looking to make a connection, even remotely. The various tracks were sent to three different camps of musicians, engineers and producers: the production trio Zion I Kings, who have produced and mixed tracks for Protoje, Akae Beka, Midnite, Lutan Fyah, and many more; Italian-born international reggae icon Alborosie, who is best known for his own long string of hits and albums since the early 2000s; and Danny Kalb, a longtime partner of GPGDS who produced their biggest hit, “Steady,” but is also known for his productions of The Movement, The Green, Ben Harper, and many others. Originally the idea was to build towards three different releases, but the diversity of the songs and production styles all complemented each other in ways the band had not expected. (In fact, it was working with Danny Kalb on the “Steady” single in 2014 that helped lead to this record; it was one of the first times they had worked with an outside collaborator, and the process and result were so powerful for the band, that they strived for similar vibes this time around.) Add in a list of featured guest artists, starting with Fearon and Botri, plus The Movement, Anthony B, Double Tiger, Blakkamoore, and Skribe Da God, and it became obvious that selecting the best tracks from all of these sessions would make for a very dynamic full-length record. The result is Love In Time.
Formed in 2001 in Rochester, NY, Giant Panda first received praise for their live show, which combined world beats and reggae rhythms with an urgent energy and jamband dynamics. The twenty year-old band consists of Dylan Savage (guitar, vocals), James Searl (bass, vocals), Chris O'Brian (drums, vocals), Eli Flynn (guitar, vocals), and Tony Gallicchio (keyboards). Beyond their celebrated live energy, Panda has also released six studio albums, ranging from their alternative Americana releases Country (2012) and Bright Days (2015) to their Billboard Reggae Chart toppers Steady (2014) and Make It Better (2016), Giant Panda has built an extensive and eclectic catalog that stands the test of time. Love In Time delivers a fresh new evolution of the band’s trademark sound that results from their newly collaborative approach.
In conclusion, Searl summarizes, “In the end, Love In Time became exactly what our original intention was - to make a collaborative record with incredible musicians, producers, and collected friends worldwide that would stretch our spectrum musically while combining all of the elements that have defined Giant Pandaʼs sound in the past. Often those sounds and styles have been found separated on different Giant Panda records, but Love In Time is the best combination of them all yet.”
After three years of waiting, Marcus Gad & Tribe finally deliver their new creation, Ready For Battle. It’s the fourth studio album by the New Caledonian artist working together with his band Tribe, which began backing Gad in 2017 for the album Chanting. The record releases digitally in North America on February 10, with the physical versions (double LP vinyl and CD) coming out on March 3 within the territory. Check it out here.
Ready For Battle revisits recurring themes that Marcus Gad has wrestled with in his music throughout his young career: cultivating a spiritual conscience in yourself; deep love and praise for nature; pushing for a collective awakening to change our current way of living before it destroys us and our world. These topics have always been important but have become even more essential to champion in our post-pandemic existence. With this album, Marcus Gad shares a message that stays true to his guiding principle: two feet planted on the ground, head in the cosmos.
Although the album was written and recorded between 2018 and 2019, in a world not yet subject to the drastic rules put in place to survive the global health crisis, Marcus was already practicing what he preached, striving to live consciously, and urging others to follow his lead. At that time, the songs Gad wrote for this album in many ways foretold what awaited us, but they feel just as resonant now: an invitation to take advantage of our fundamental rights, which for many seemed to be taken for granted. Ready For Battle was prescient: we were going to have to prepare to defend our rights, our humanity, and our resources. This has only become clearer upon release of the album a few years later.
Marcus Gad reminds us that we are up against the manipulations of multinationals and complicit governments that, in the name of economic growth, privatize and dispossess primordial resources such as water, or genetically modify the staple crops that feed humanity. For this reason, he calls for battle; not of actual physical war, but of resistance to a model that he considers outdated, armed with our spiritual, individual, and collective consciences, our will to maintain our status as free human beings, and to rethink our lives to be more in accordance with our environment. Ready For Battle’s 14 tracks are a call for solidarity in opposition to the individualistic, profit-driven world that divides us and conquers us.
Musically, this record also exemplifies this collective approach, as it was recorded live in the studio, with all the musicians playing together at the same time, as opposed to the more traditional method of individual studio sessions and overdubs. This group work in the studio allows for artistic emulation, small changes in tempo, spontaneous touches of color, and a tighter overall sound, especially with a top notch band like Tribe working so hard to achieve unity in the sessions. Following the unique sidestep release of Brave New World (also out on Easy Star - 2021), which featured Marcus working with producer Tamal on more programmed and electronically created tracks, Ready For Battle returns Gad & Tribe to their unique musical family unit, sounding a sonic war cry that cannot be ignored.
Starling Arrow is an all-star cast of spirit-folk songstresses featuring Leah Song and Chloe Smith of Rising Appalachia, Tina Malia, Ayla Nereo, and Marya Stark. The members of the female-fronted super-group share a common devotion for the love of songwriting, which they elegantly capture in their debut album, Cradle, out now. The artists of Starling Arrow are brought together by a mutual love of beauty, the power of music as a sanctuary, and the deep joy of encountering the muse. Powerhouse songwriters individually and innovative leaders within the industry, this joining is a potent gift of synergy. The new album is out now and available everywhere you stream music, download and save here: https://sa.ffm.to/cradle.
The ensemble of Starling Arrow was unintentionally conceived during the pandemic’s lockdown. In the wake of canceled tours, the 5 musicians were inspired to meet weekly over Zoom to collectively sing and alchemize the chaos of a changing world into their craft of songwriting. Each week they choose a topic and style of song to inspire their writing. The following week, they would share what they had created in the round, each taking a turn to unveil their song.
The collective wrote countless songs over nearly 2 years of this weekly communing and creating. Deep in their own creative exploration, the 5 muses chose to keep the music to themselves, but the universe had other plans. Thanks to a spontaneous gathering in person, the desire to sing as a collective, and Tina Malia bringing mics at the last minute, an album began to record itself. These songs are what fed the creation of Cradle.
Cradle is a time capsule of a selection of this music, 2 original songs from each artist, all layered in gorgeous 5 part harmonies, with all 5 singing on each other’s compositions. The songs range in topic and style, documenting the story of a shared human experience, colored by the backdrop of a unique history in the making. It is an album to soothe the body and mind, lullabies for the child in all of us. In addition to 10 original songs, the mostly acoustic album includes 1 traditional lullaby and an improvisational hum track. Produced and engineered by Tina Malia in Nevada City, California and Asheville, North Carolina, Cradle is a musical offering of nourishment, melodies for restoration, healing for the pandemic weary soul.
The group name, Starling Arrow, was born after learning more about the starling, an iridescent songbird known for its cooperation with its fellow birds to create beautiful murmuration patterns in the sky. Arrow speaks to the aim all 5 artists have together as songbirds, to create a song from collaborative inspiration and have it land in a place of unique beauty. Starling Arrow is meant to convey “The song sent with aim from the bow of the muse."
5 singles and 5 music videos accompany the release, focusing on and individually share the magic of each muse as part of this collective whole. The group’s 1st single, ‘Wild Sweet’ by Ayla Nereo, was released October 7, 2022. The reaction to the song on Spotify was robust after being added to the official playlist Fresh Folk and encouraging their Spotify listenership grow from 0 to 60,000 monthly listeners in 2 months. Footage from their debut performance at the Hawk and Hawthorne in North Carolina in July 2022 will be shared soon. Additionally, a handful of performances to support the release will be announced across the U.S. for late 2023. Until then, there are these amazing recordings to let go into...
~ C R A D L E ~
A Collaborative Album by Starling Arrow aka
Leah Song + Chloe Smith of Rising Appalachia, Ayla Nereo, Tina Malia,
and Marya Stark
Audio Singles from Cradle
Wild Sweet (written by Ayla Nereo, out 10/7/22)
Into The River (written by Chloe Smith, out 11/4/22)
By The Jordan (written by Tina Malia, out 12/2/22)
Fly Away (written by Marya Stark out 1/6/23)
Oh Darlin’ (written by Leah Song out 1/27/23)
Music Video for Singles from Cradle
Wild Sweet (out 10/14/22)
Into The River (out 11/11/22)
By The Jordan (out 12/9/22)
Fly Away (out 1/13/23)
Oh Darlin’ (out 2/3/23)
Giant Panda Guerilla Dub Squad’s fresh collaborative approach on their upcoming album Love In Time (out April 7 on Easy Star Records) - which finds the band leaning hard into the “squad” in their band name - is on full display on the record’s second single: “Revolution,” co-produced with Alborosie, and featuring Josh Swain of The Movement on vocals. The powerful track is available now and can be listened to here with a full music video to follow.
The spirit of collaboration was truly in the air with the creation of this track. GPGDS bassist James Searl explained that “’Revolution’ was originally a late-night studio jam that we sent to Alborosie to see what he could cook up. ‘You want me to add the spicy sauce, yeah?’ he said. With that, he took the drums and vocals and crafted an absolute bomb of a musical collaboration, with horns from Milan and bass lines from Jamaica. We knew that this was the tune that we wanted our east-coast-grinding homie of nearly twenty years, Josh Swain, of the Movement, to spit hot fire on. Josh came with his southern sticky Goodie-Mob-a-licious rapid fire delivery to bring the song up to 1,000%. Exactly the kind of collaborative style we were going for as we dove deep into creating Love In Time.”
The initial back and forth between GPGDS and Alborosie helped shape “Revolution” into a song that can only be created by complete openness and trust in the process. Searl added, “That’s why we sent out half-finished ideas. We wanted to collaborate and be excited about hearing our music with a tweaked formula.”
The album’s songwriting process was a stark contrast from their previous technique of recording one song at a time with a focused pace. The start of the sessions had a similar trajectory until the pandemic hit. Since the band was facing a potential six-month separation at the start of 2020, they rushed into the studio to record as many tracks as possible. After laying down more than 25 song ideas and riddims in a week, recording with longtime friend Matthew Goodwin (of The Movement and Easy Star All-Stars), the band then turned to outside producers, collaborators, and other old colleagues to finish things out. It was perfect timing as everyone was looking to make a connection, even remotely. The various tracks were sent to three different camps of musicians, engineers and producers: the production trio Zion I Kings, who have produced and mixed tracks for Protoje, Akae Beka, Midnite, Lutan Fyah, and many more; Italian-born international reggae icon Alborosie, who is best known for his own long string of hits and albums since the early 2000s; and Danny Kalb, a longtime partner of GPGDS who produced their biggest hit, “Steady,” but is also known for his productions of The Movement, The Green, Ben Harper, and many others. Originally the idea was to build towards three different releases, but the diversity of the songs and production styles all complemented each other in ways the band had not expected. (In fact, it was working with Danny Kalb on the “Steady” single in 2014 that helped lead to this record; it was one of the first times they had worked with an outside collaborator, and the process and result were so powerful for the band, that they strived for similar vibes this time around.) Add in a list of featured guest artists, starting with Fearon and Botri, plus The Movement, Anthony B, Double Tiger, Blakkamoore, and Skribe Da God, and it became obvious that selecting the best tracks from all of these sessions would make for a very dynamic full-length record. The result is Love In Time.
Formed in 2001 in Rochester, NY, Giant Panda first received praise for their live show, which combined world beats and reggae rhythms with an urgent energy and jamband dynamics. It’s no surprise that Live For Live Music called the band, “…one of the most innovative and genre-pushing reggae bands out there.” The band consists of Dylan Savage (guitar, vocals), James Searl (bass, vocals), Chris O'Brian (drums, vocals), Eli Flynn (guitar, vocals), and Tony Gallicchio (keyboards). Beyond their celebrated live energy, Panda has also released six studio albums, ranging from their alternative Americana releases Country (2012) and Bright Days (2015) to their Billboard Reggae Chart-toppers Steady (2014) and Make It Better (2016). Giant Panda has built an extensive and eclectic catalog that stands the test of time. Love In Time delivers a fresh new evolution of the band’s trademark sound that results from their newly collaborative approach.
Pre-orders for physical vinyl (pressed with a mostly clear/slightly smoky colored vinyl) and The Full Panda bundles (including a long sleeve tee, poster, and handmade incense with holders) are available now. Every pre-ordered record will be signed by the band. All vinyl pre-orders will include digital downloads of any singles released and whole album on release date.
Brooklyn Funk Essentials are on a roll as they release their feelgood, rollerskating jam ‘Rollin’ (Love Will Be Here)’ today on Dorado Records.
‘Rollin’ (Love Will Be Here)’ is the 4th single from ‘Intuition’, Brooklyn Funk Essentials' seventh album of stellar, master-crafted R&B, discofunk, poly-riddims and pop-laced hooks, which will drop on 5th May, ahead of two UK shows at Jazz Café London May 10th and Blues Kitchen Manchester May 11th.
This ’70s soul inspired roller romp and sinewy thump with the luscious vocals of Alison Limerick has its roots in the forever earworms of Ohio Players, Mary Jane Girls and Roy Ayers, complete with Brass Construction-esque horns and a Chuck Brown-inspired go-go break thrown in for good measure. The infectious tune was co-written with original Brooklyn Funk Essentials member and creator Hanifah Walidah (aka Sha-Key), who combined the hooky groove with lyrics capturing the relief when lockdown was finally over and we could party again.
BFE also have made ‘Intuition’ available today for their legions of fans to pre-save. The album is Brooklyn Funk Essentials’ first long player since 6th album ‘Stay Good’ in 2019. It sees BFE lay out their new ‘all killer no filler’ long player across eight tracks of laid back grooves and arrangements that still remain cool, steady and easy. Alison Limerick (vocals), Desmond Foster (guitar, vocals), Ebba Âsman (trombone, backing vocals), Hux Nettermalm (drums, percussion), Kristoffer Wallman (keys, vibraphone and synths) and bandleader Lati Kronlund (bass, guitars, keys and producer) deliver a confident and vibrant set of originals.
From the roller disco-esque Brass Construction meets S.O.S. Band-like stomp of party selects like ‘AA Side Single’ and ‘How Happy’ to jams like the signature horn-fuelled arrangements, chunky grooves and vox fierceness of ‘Scream!’, ‘Sho'Nuff’ and the hook-laden title track ‘Intuition’. The album also welcomes dub poet Everton Sylvester from the original 1993 BFE band line-up. Sylvester’s honeyed contribution ‘Mama’ celebrates single mothers and was originally written for the band’s 2008 ‘Watcha Playin’ long player, but now fused with a sinewy jam lead by Ebba’s dreamy trombone. BFE closes out the 8-track with the quiet storm-ish ‘Unkissed’, a reflective R&B paean about the difficulties of expressing love to those we care about the most when everyday life gets in the way.
BFE received a huge welcome when they returned in summer 2022 to release new material and tour Europe. Of the first single ‘Scream!’, Jazz FM said “I’m a little bit addicted to it” and “Here is a tune that we’re all loving, it’s just so good”, and Blues & Soul called it “A stonking cut of Afro Funk blessedness”. The follow up ‘AA Side Single’ was equally well received, Jazz FM said “It sounds particularly good on a Friday!” and Blues & Soul called it “A funk behemoth”. Most recently, BFE shared 3rd single ‘How Happy’ to blow the January blues away, for which Jazz FM gushed “Alison Limerick sounding sublime on that choppy, funky tune!”.
Across a career that stretches 30 years and seven albums, BFE have established themselves as an audacious project, fusing soul, hip hop, spoken word, jazz, Latin and of course, funk. The band have built up a loyal international cult following on every continent since inception in 1993 by iconic producer Arthur Baker and bassist Lati Kronlund. BFE was born out of New York’s buzzing hip hop, jazz and slam poetry scenes in the early 90s, rotating some of the finest musicians, DJs, poets, rappers and singers. BFE’s celebrated debut album ‘Cool & Steady & Easy’ (Dorado/RCA 1995) scored an underground hit with the version of Pharoah Sanders and Leon Thomas’ ‘The Creator Has a Master Plan’, while tracks like ‘Take The L Train’ and ‘Big Apple Boogaloo’ became DJ favorites.
BFE released 5th album ‘Funk Ain’t Ova’ on Dorado Records in 2015, and during touring the band were joined by UK soul singer Alison Limerick, for whom Lati Kronlund had originally written and produced the stone-cold classic house anthem ‘Where Love Lives’ in the early 90s. Limerick took over as the band’s lead singer in 2016 and eventually became co-writer, debuting on vocals on the ‘Stay Good’ album.
BFE Bandleader and founder Lati Kronlund says, "The organic approach is part of a confidence in our own groove and sound. We don’t need technology to sound good. BFE’s identity is in the way we play and the songs we write. This trust is the basis for the intuition that we experience when we are playing together. To let the music lead the way and not technology. I feel like I used to hide behind computers and drum machines, but 30 years in, we just jam until we feel the groove and then we record it. Old school. We get there almost instantly with no effort - just flow. In the time since we started BFE, so many musical trends have come and gone. So many sounds that were the 'hot new thing' are now old hat. We know that the music that inspires us to play is still stuff like classic Isley Brothers, Grace Jones, Sly Stone, Patrice Rushen and Roy Ayers…that’s where we’re coming from and we stay true to that.”
Stream "Rollin" Here: https://lnk.to/lovewillbehere
Pre-Save and Order Intuition Here: https://lnk.to/intuitionpresave
Intuition Tracklisting
1. Scream! 5. Rollin’ (Love Will Be Here)
2. How Happy 6. Sho’Nuff
3. Intuition 7. Mama
4. AA Side Single 8. Unkissed
The Naya Rockers are excited to announce their new single Reggae Train Dub ft. Johnny Clark, a Mad Professor Remix. The legendary producer gives the dub treatment to “Reggae Train,” a highlight from the band’s album Naya Sound System. Last year, the Naya Rockers released the remastered edition of the much-loved 2014 studio album. Reggae Train Dub ft. Johnny Clark a Mad Professor Remix is due out April 7th! Pre-save and order here: https://ffm.to/reggaetrainmadprofdub.OPR
The critically acclaimed and renowned sound system producer Mad Professor is a disciple of Lee Scratch Perry. His Dub me Crazy albums catapulted the genre into the digital age in the 80’s during a time when electronic productions took over. By the mid-'90s, he brought the sound full circle by debuting a more retro-sounding style on the Black Liberation Dub series. A truly gifted producer and musician and with his own studio and label, Ariwa Studios, he created some of the finest British reggae productions of the era. Working with Mad Professor on the new single was a dream come true for the Naya Rockers. The band recalls, "It was a collaborative dream that originated in Jamaica and continued in England, bearing the mark of Mad Professor." Looking back at the new remix, Mad Professor added, "The remix is like looking at a project through X-Ray Eyes, Big Up to the band Naya Rockers!!!"
The remix “Reggae Dub Train” single features the lyrics and vocals of Johnny Clarke who is one of Jamaica's most outstanding vocal talents. His ability to write new lyrics, mostly in a cultural vein, to classic rocksteady hits opened the dancehall door for vocalists, and most critics acknowledge him as the first of the dancehall singers. Putting his trademark sound on the single, Johnny Clarke’s vocals are given the dubby reverb by the outstanding Mad Professor remix.
The remixed single is from the Naya Sound System album which first came about when Nathan Sabanayagam, drummer and one half of the Naya Rockers duo, started traveling to Kingston, Jamaica in 2004. Through his time there Nathan created the Naya Sound System album comprised of 9 songs that catalogs his time in Jamaica - the talent he met,worked with and was inspired by. Nearly a decade later, The Naya Rockers remastered their iconic record to stunning audio effect. They recall, “The new release/re-release is a look back for me, a reflective moment where I can revisit my early work and see where I have been,” said Sabanayagam. “As a fan and dedicated student of reggae, I have gone to the source and have been fortunate enough to drink from the well,” he added.
Naya Sound System was Nathan’s master class in the business of music. He recalls, “I had to use all the skills I had in order to finish this project and learn a few more. From learning the musical landscape of Kingston to the best way to record vocals in the field. Rebuilding riddims, working with artists, contracts, copyrights, PRO’s at the same time trying to maintain a consistent vision.” He continues, “I always enjoy working and collaborating best. But the nature of this project required that it mostly came from me and it is my interpretation and take of this style and genre. It is what’s in my ears.”
And with the new remix, Nathan continues to evolve by taking the classic release into new refreshing directions. Johnny Clarke’s vocals were recorded in Jamaica at M-Box by Nathan, the song was re-mastered at Chillhouse Studios is Boston by Will Holland and Nathan Sabanayagam. The remix was Dubbed by Mad Professor at his Ariwa Studios in the UK.
Naya Rockers new single Reggae Train Dub ft. Johnny Clark, a Mad Professor Remix will be available on April 7th. Nathan concludes, "Working with Johnny Clarke was an awesome and unforgettable experience and now dubbing with the Mad Professor has taken it to the next level"
Pre-save and order here: https://ffm.to/reggaetrainmadprofdub.OPR
Gentleman’s Dub Club have teamed up with the inimitable force of nature Eva Lazarus on their new single, “High Hopes,” which comes out today via Easy Star Records. It’s the next cut coming from their upcoming new studio album due out June 9. The song is a heavy-grooving one drop riddim that has all the hallmarks of another classic GDC sing-along anthem. Laced with the songwriting and production wizardry of Brad Baloo (The Nextmen), “High Hopes” is an already essential cut for lovers of feel-good summertime reggae. Watch the new music video here: https://youtu.be/ky61raYFQoo
“’High Hopes’ came out of a bunch of writing sessions we did with the genius Brad Baloo prior to starting the LP sessions,” says GDC’s bassist/vocalist Toby Davies. “We wanted to make something heavy but uplifting; something we could play in the club and at festivals. Once we’d got the main hook written, we realized it would be a great opportunity to have Johnny play off a female vocalist, and the first name that came to mind was Eva Lazarus: she’s an unbelievable singer and we thought had the perfect delivery to jump on the song. The way Johnny and Eva lock in and bounce off each other on the record is so satisfying, and already, after one tour with it in the set, when we perform it live the place goes absolutely bonkers!”
Lazarus, best known for her own recordings with Mungo’s Hi Fi, Zed Axis, and many others, also was a featured guest on GDC’s earlier single, “Fire In The Hole,” from their album Dubtopia. So her presence on the song is a welcome return to the GDC family. She joined the band when they played two sold out shows in Bristol at the start of March, which is where the music video for the track was filmed. The music video segues partly through to a drum & bass remix version (produced by Selecta J-Man) of the song, but, don’t worry – the remix will be coming out later this year.
Look for more news about the upcoming full-length Gentleman’s Dub Club album, produced by Brad Baloo, coming soon.
Earlier this year, as they began rolling out music from Love In Time, their seventh full-length album, Giant Panda Guerilla Dub Squad (GPGDS) kicked things off by showcasing two diverse singles. The album features a fresh collaborative approach that embraces the "squad" in their name. First came “Chants” featuring legendary vocalist Clinton Fearon (of Gladiators fame) and Ghanaian musician Dela Botri, which has a distinctive and infectious sound brought to life by Fearon's powerful vocals and Botri's antenteben mastery. The second single, “Revolution,” co-produced with Alborosie and featuring Josh Swain of The Movement on vocals, also exemplified this new creative approach. Both singles were accompanied by enthralling music videos that added another dimension to the listening experience. Listen, stream, and purchase the album here.
Love In Time is unique in GPGDS's catalog due to the contrast in their songwriting process. The band previously followed a traditional recording method of one song at a time with a focused pace. Initially, the recording sessions followed a similar trajectory until the pandemic disrupted their plans. Facing the possibility of a six-month separation, the band hurried to the studio to capture as many basic tracks as they could. Working with their longtime friend Matthew Goodwin (The Movement, Easy Star All-Stars), they were able to produce more than 25 song ideas and riddims within a week. The band then reached out to outside producers and collaborators to complete the album. The timing worked out as everyone was looking to make a connection, even remotely.
The various tracks were sent to three different camps of musicians, engineers and producers: the production trio Zion I Kings, who have produced and mixed tracks for Protoje, Akae Beka, Midnite, Lutan Fyah, and more; Italian-born international reggae icon Alborosie, who is best known for his own long string of hits and albums since the early 2000s; and Danny Kalb, a longtime partner of GPGDS who produced their biggest hit, “Steady,” but is also known for his productions of The Movement, The Green, Ben Harper, and many others.
Originally the idea was to build towards three different releases, but the diversity of the songs and production styles all complemented each other in ways the band had not expected. (In fact, it was working with Danny Kalb on the “Steady” single in 2014 that helped lead to this record; it was one of the first times they had worked with an outside collaborator, and the process and result were so powerful for the band that they strived for similar vibes this time around.) Add in a list of featured guest artists, including Fearon, Botri, and The Movement, plus Anthony B, Double Tiger, Blakkamoore, and Skribe Da God, and it became obvious that selecting the best tracks from all of these sessions would make for a versatile full-length record. The result is Love In Time.
Formed in 2001 in Rochester, NY, Giant Panda first received praise for their live shows, which combined world beats and reggae rhythms with an urgent energy and jamband dynamics. It’s no surprise that Live For Live Music called the band, “…one of the most innovative and genre-pushing reggae bands out there.” The band consists of Dylan Savage (guitar, vocals), James Searl (bass, vocals), Chris O'Brian (drums, vocals), Eli Flynn (guitar, vocals), and Tony Gallicchio (keyboards). Beyond their celebrated live energy, Panda has also released six studio albums, ranging from their alternative Americana releases Country (2012) and Bright Days (2015) to their Billboard Reggae Chart-toppers Steady (2014) and Make It Better (2016). Giant Panda has built an extensive and eclectic catalog that stands the test of time.
Love In Time is a perfect addition to their body of work that delivers a fresh new evolution of the band’s trademark sound.
Tour Dates:
04/20 @ Brighton Music Hall - Boston, MA*
04/21 @ Arch Street Tavern – Hartford, CT#
04/22 @ Westcott Theater – Syracuse, NY~
05/12 @ Lee’s Palace – Toronto, ON+
05/13 @ The Sanctuary – Ridgeway, ON+
*SunDub
#Tales of Joy
~Dirty Blanket
+Street Pharmacy
Argentinian artist Chancha Via Circuito (aka Pedro Canale) makes his return to Wonderwheel Recordings with his fifth full length: “La Estrella.” Cutting his teeth early at Buenos Aires’s legendary ZZK digital cumbia parties, the Chancha moniker became known worldwide as the originator of the cumbia-inspired electronic music that takes cues from environmental sounds and South American folkloric traditions. Pedro’s musical progeny include names such as Nicola Cruz, El Búho, Dengue Dengue Dengue, King Coya and many more.
Texturally rich and highly emotive, the album spans 11 songs that meander between lush instrumental soundscapes and upbeat vocal numbers, all tied together by Chancha’s signature production style. “La Estrella” – meaning “the star” in Spanish – opens with “Dandeleon,” which plays like a meditation of fluttering vocalesque pads and sonorous bass; while Pedro is joined by the acclaimed Argentinian trio Fémina on “Cometa,” where his refined beat offers an ideal space for the three singers’ voices to inhabit. “Cometa” (“comet”) also furthers the album’s celestial themes, which also touch on spirituality, love, ephemerality, and nature.
Frequent collaborator, (Polaris Prize-winning / Grammy-nominated) Lido Pimienta offers her vocal chops on “Amor en silencio,” which showcases the Colombian-Canadian’s harmonizing prowess over an instrumental of panning percussion and syncopated xylophone chords. Additional features come by way of artists such as the Meridian Brothers (recently acclaimed in a longform New York Times piece) on “El pavo real”, as well as Las Añez (“Ese peso”), Manu Ranks (“Ouh Lord ouh Dios”), and María José Montijo (“Aguacero”), whose various nationalities, backgrounds, and styles help give the album a pan-Latin feel as refracted through Pedro’s mystical, multi-colored lens.
Watch the new music video here: https://youtu.be/AydIhEKknsk
Pedro Canale has been working on Chancha Vía Circuito, a musical project that has allowed him to travel the world and put his mark on what is now known as Latin American electronic music, since 2005. Beginning his explorations in digital cumbia, but soon moving into electro-acoustic experiments inspired by his travels and encounters with Indigineous traditions of the Andes and beyond, the “Chancha sound” has transformed into a notable reference for an entire new generation of artists, in turn birthing a new sound that spans the globe. To date, he’s released 5 albums (including “La Estrella”) which have expanded far outside of Latin America and can be heard playing at the top festivals in Europe and the U.S. such as MUTEK, Roskilde, and Vive Latino. The general public will recognize Chancha’s sound thanks to one of their remixes, “Quimey Neuquén,” being used in an unforgettable scene in “Breaking Bad.”
Groundation is celebrating the 20th anniversary of their groundbreaking album Hebron Gate with the release of Groundation Meets Brain Damage – Dreaming From An Iron Gate. The album is out now via a partnership between France’s BACO Records and the U.S.’s Easy Star Records. Stream here.
"And I don't want just a bare dub album!" That was Groundation founder Harrison Stafford's last directive to Martin Nathan, the French producer and dub artist known as Brain Damage, after entrusting him with the original tapes of one of the most captivating reggae albums of the past few decades: Hebron Gate. To commemorate the milestone 20th anniversary, the leader of the band asked Brain Damage to remix and rework these nine tracks from top to bottom. It's an exciting new way to hear it for longtime fans and a new door opened for those who haven't experienced the power of Hebron's Gate.
Groundation Meets Damage – Dreaming From An Iron Gate is not a project where the original versions are only briefly referred to, but it is a second birth that holds the spirit of Hebron Gate, while also being accessible and consistent. Keen on this kind of challenging exercise, the French producer Brain Damage tackles it with the precision he is known for, and initially dissects the piece, daring to extract and isolate each note. With this colossal work done, all sorts of moves are now possible: re-composition, harmony changes, integration of recording scraps, outer and new part additions. The Californians’ unique style, melting reggae and jazz, fills here with a different energy, psychedelic, more introspective, surely confusing at first for the fans, but soon exciting, for them as for the neophytes. A true reinvention of a monument of contemporary reggae for a completely new album, in essence highly recommended for Groundation fans for an “Alice in Wonderland” like trip, but also for all reggae and dub enthusiasts and curious music-lovers.
Fans got a taste of the project with the release of “Deaf Ears.” Right from the start, "Deaf Ears" takes a song that originally began as a one chord groove and recreates it into a whole series of chordal movements leading to the entrance of the lead vocal. It's a complete reimagining of "Weeping Pirates." The fading out of the group ensemble during the B3 organ solo is brilliant and all the added reverbs, delays, and effects send us on to the epic conclusion.
The rest of the songs fit perfectly into the whole album, which is meant to be listened to in its entirety for the full effects of the sonic journey. Dreaming From An Iron Gate, just like the original album Hebron Gate, works best as one cohesive piece of music, and is meant to be digested in one sitting. The songs, their arrangements, and the musical construct all work together as a whole. Harrison adds, “The fact that Martin (Brain Damage) really went inside the music and completely chopped up and rearranged the soundscapes presents this release as a standalone body of work.”
Groundation is currently on a European tour to support the 20th anniversary of Hebron Gate. Harrison enthusiastically states, “The tour is going phenomenal. The crowds every night have been so energetic, so full of positive vibes, you can really see the power of this Hebron Gate music. For all of us on stage, it truly is a wonderful experience. An album released 20 years ago can be performed live from beginning to end and for all of us each night, it is still so moving and inspiring.”
Ley Line, Austin’s multilingual folk fusion group, is proud to announce a new single “Desde Lejos,” which will be released on June 9, 2023. The band, consisting of Kate Robberson, Emilie Basez, and twin sisters Madeleine and Lydia Froncek add this beautiful new song to their celebrated catalog which includes a combined total of over 5 million plays on Spotify and rising. Their critically acclaimed releases have support from NPR, Billboard, Brooklyn Vegan, KUTX, and more.
“Desde Lejos” is a poetic samba describing the metaphoric river of how our good intentions and prayers make their way. The lyrics describe the way our thoughts, as though they ride a current of hope that creates healing Guitarist/vocalist Emilie Basez describes the inspiration to the song stating “’Desde Lejos’ means ‘from afar’ and was initially written by me about a long distance love that I had met in my younger years of traveling. It was a connection that endured oceans apart yet was strong enough to keep circling back around though it was nearly impossible to ever come to fruition.” She adds, “On a trip to Oaxaca, Mexico with a dear friend and exquisite musician, Pedro Morales, we worked on the poetry and song structure and the theme shifted towards a more universal idea: the power of prayer. Soon the song felt more like an innate quality within us all to wish the best for human kind, especially those who have touched our hearts.”
The single was recorded at the Church House in east Austin in 2021. At that time Ley Line’s manager graciously connected them with the renowned producer David Garza, and sound engineer David Boyle. Garza plays rhythm guitar in the track and enhances the chord structure and key of the song to accompany Emilie’s vocal range. Emilie elaborates, “I adore collaborating with musicians who can hear and apply chord inversions and key changes. David really took ‘Desde’ to a new place within just a few minutes which actually inspired me to write the second verse.”
Madeleine Froncek paints the picture of the process stating, “‘Desde Lejos’ is the first samba we have recorded and this recording is specifically important to us because it features so many artists that we deeply respect in our Austin community. This song was the last one we decided to squeeze in on a day packed with recording at Church House Studios with engineer David Boyle and producer, David Garza. We laid down as much of a structure as we could for the song and took advantage of a surprise visit from local jazz legend Ephraim Owens. Ephraim had stopped by with his trumpet and played one take of improvisation with the scratch track Emilie had recorded for the vocals. His contribution was what laid the groundwork for the rest of the production. His trumpet playing transported us to a vintage Brazilian jazz bar and that landscape set a mood for what was to come.”
Madeline concludes the importance of collaboration to make this song come to life, “We took a long break from the recordings before we were ready to move forward and by that time a friendship with the incredible Javier Jara had blossomed. A year after the initial recordings, Javier added the samba guitar part from a home recording session at Emilie’s house. This song is unique in the collaborative and intuitive journey it took to its completion. Emilie was rewriting lyrics moments before recording them with the input of David Garza as he tweaked the guitar and bass parts. Claudio Ramirez contributed to the final version of the backing vocals as the four of us circled around a condenser mic playing random hand percussion without clarity on how it would fit into the final song.”
Catch Ley Line live on June 8th at The Pershing in Austin, TX and June 9th at the Kerrville Folk Festival to hear their new song alongside their classic and new music from their illustrious catalog.
Band Members:
Emilie Basez: Guitar/Vocals
Madeleine Froncek: Upright Bass/Vocals
Kate Robberson: Ukulele/Vocals
Lydia Froncek: Percussion/Vocals
Song Credits:
David Garza - producer, songwriting, intro guitar
David Boyle - sound engineer
Claudio Ramirez - mix, master
Javier Jara - guitar
Ephraim Owens - trumpet
Let’s rewrite the story. Tell other perspectives. Let’s celebrate the overlooked, the outcast, those who knew differently. And when we can, because we should, let’s dance.
“We listen to the ones who fed it / The ones who won and won’t forget it / Let it go,” sings Malika Tirolien on the title track of History, the frankly superb third album by globally-engaged supergroup Bokanté.
History. Nine tracks that tell — with lyrics sung mainly in Tirolien’s Guadeloupean Creole — ofoutsiders and seers, memories and joy; of black history, global unity and the futility of war. Of taking time to rest, feel, love. Of the redemptive power of music — as a conduit, a change maker, a muse.
“Used positively, in moments of vulnerability music can make us more receptive to messages,” says Michael League, the multi-instrumentalist, composer and (Snarky Puppy) bandleader who formed Bokanté (which means ‘exchange’) in 2016.
“In that sense Bokanté tries to open the listener up to the unique perspectives shared among the group’s members. We are multi-lingual, multicultural and multi-generational but there’s a connection we feel as musicians and people.” A smile. “It’s a really beautiful thing.”
After two acclaimed albums — 2017’s Strange Circles and What Heat, the band’s Grammy-nominated 2018 acoustic collaboration with the Metropole Orkest — and a whole lot of touring, the vibe is stronger than ever.
The blues help. From the get-go, Bokanté have plugged into the blues, tracing the genre’s roots in West Africa and the Arab world through the diaspora into the retro-modern present.
History finds them exploring further, dressing folkloric instruments including the Arabic oud, West African ngoni and North African guembri, the bass lute favoured by Morocco’s Gnawa maalems, in western clothes. Interweaving layers of percussion with all the nuanced skill expected of four percussion maestros: André Ferrari of Swedish folk renegades Väsen. Ex-Berklee music professor Jamey Haddad (Sting, Paul Simon). Nagasaki-raised, New York-based Keita Ogawa (Cecile McLorin Salvant). Ghanaian-New Orleanian drum king Weedie Braimah (Christian Scott), a special guest on What Heat, a vital band member now.
“History is very bass and percussion heavy,” says League. “Texturally, it is our freshest, most interesting project yet. We changed the process, which always changes the product.”
Band members including Snarky Puppy guitarists Chris McQueen and Bob Lanzetti and South Florida raised-lap steel player Roosevelt Collier had previously recorded remotely, absorbing and embellishing the music sent to them in files by co-writers Tirolien and League, who was often elsewhere with other projects. While History’s painterly lyrics were primarily written by the Guadalupe-born Tirolien during lockdown in Montreal, the re-opening of the world saw the entire ensemble — nine musicians from five countries and four continents — converge on League’s home in a tiny village outside Barcelona, Spain.
There, they worked on ideas as a unit. The ideas flew. The colours flashed. The sound got bigger.
“It was an incredible experience,” says Tirolien, “We hadn’t seen each other physically for two years so we got to chill, re-bond, have fun. Musically, we followed exciting new directions.”
League nods. “Everyone had been pursuing different musical interests during their time away and they brought these to table,” he says. “So I play a lot of guembri. There are percussion instruments from my collection that we’ve never used before. The guitars have a new role, providing contrast rather than riffs.”
The riffs, when they come (and do they ever), are peeled off guembri and electric oud, instruments whose lack of frets enable a more expressive palate, greater freedom of expression.
Dig the Prince-esque guembri riff on the album’s title track, the only song sung in English. “This is a really funky tune intended to show the power of the band,” says League, who wrote the music and the lyrics.
“I fell in love with the guembri when I fell in love with Gnawa music in Morocco. I’ve always been a frustrated drummer and the guembri is an instrument that feels like you’re playing bass, drums and melody at the same time. On this song (‘History’), the combination of guembri, bass, lap steel and electric guitar playing in unison is a nice foundation for Malika to soar over.”
And soar Tirolien does, her honeyed voice channeling a zeitgeist recently focused on issues including identity, decolonisation and alternative histories/herstories/theirstories.
“We know there was a lot more going on in the last 500 years than what we’ve read or were taught,” League says. “Many things came to light with movements like #MeToo and Black Lives
Matter. There’s an increasing desire to understand a more comprehensive history, to acknowledge marginalised figures.”
Opener ‘Bliss’ is a grunge-like riposte to the willfully ignorant, a track with a stoner-riff written on oud then guembri and buoyed by spirited percussion, textured guitars and a prominent melodic bassline.
“It’s a song about not wanting to think about the world,” says Tirolien, whose lyrical and vocal gifts convey a range of emotion, invariably prompting the listener to discover what, exactly, she is singing about.
Which, on the bluesy, sometimes psychedelic ‘Pa Domi’ — a Morocco-meets-Mali desert trip with the lap steel up front — is life’s relentless grind. Recalling rhythms from West Africa as well as those of Guadeloupe’s drum-centric Gwo ka, ‘Adjoni’ is a story of a life on the spectrum and of brilliance in the margins; the lyrics of ‘Iliminé’ speak to the protective properties of love, offer a mantra to keep us joyful regardless.
‘Ah, now is the time to come together,’ sings Tirolien in Creole. ‘Ah, not tomorrow, we’re doing it today.’
League wrote the music for ‘Iliminé’ in New York a few years ago, saving it onto his phone in case an up-tempo tune was ever needed: “In Spain it was a fun excuse to get all four percussionists playing in a very featured way,” he says. “There’s space for Malika to showcase how rhythmic she is as a vocalist” — Guadeloupean Creole has a percussive flow — “and I got to play my Sixties Hofner bass as well as the ngoni.”
Bokante’s founder has long been a student of instruments from elsewhere. League has learned Turkish percussion in Istanbul and traditional guembri techniques from Gnawa mentors. He has immersed himself in the oeuvres of such feted Malian musicians as Ali Farke Touré and ngoni-wizard Bassekou Kouyaté.
Being a jazz musician, League also likes to go his own way. “I always enjoy learning and respecting the history and role of each folkloric instrument I’ve studied,” he says. “But I never lose that outsider mentality of pushing an instrument beyond what it is traditionally meant to do.”
A song about the comfort found in nostalgia, ‘Flè A Mémwa’ was born out of an improvisation magicked by League and Tirolien during a workshop they hosted at Virginia’s Jefferson Center. Together in Spain, Bokante’s four percussionists then recorded their contributions live, with Haddad’s passages of vocal percussion breaking up the instrumentation, heightening the intimacy.
Featuring melodic exchanges between Tirolien’s vocals and Collier’s shimmering lap steel, ‘Ta Voix’ is a paean to the power and beauty of song and music; the dreamy ‘Mikrob’, History’s most mellow track, is a perspective re-set, and an exercise in meta-kindness.
Driven by a groove written on guembri and wielded, with solos, on darbouka hand drums, ‘Tandé’ addresses black history. “It’s about the struggles black people have experienced for centuries,” says Tirolien. “Many black figureheads tried to tell the world what was happening. They’re only just being heard.”
History, then. An album that looks back in order to go forward. Words by Jane Cornwell.
History is due out June 30th with Real World Records!
Some might say that Gentleman’s Dub Club has been on a mission since their earliest beginnings 15 years ago at Leeds University; through constant touring, and a steady release of recordings, the band has become one of the most popular and best-known UK-based reggae groups in the world. However, it is only now that GDC is officially ON A MISSION, which is the title of their 7th full-length studio album, out June 9 via Easy Star Records. After a very successful collaboration with The Nextmen on the Pound for Pound album, GDC brought in The Nextmen's Bradford Ellis (a.k.a. Brad Baloo) to produce this one. The album also features guest appearances by Hollie Cook, Gardna, Josh Waters Rudge (of The Skints), Eva Lazarus, and Sara Lugo. Stream or purchase it here.
“Over the years we have honed the writing process to the point where we’re pretty confident in our ability to come up with ideas in the studio that could eventually become finished album tracks,” says bassist Toby Davies. “Getting Brad Baloo on board kind of supercharged this process, as it’s what he does day in, day out. Most of the tracks began as instrumentals, with our keys man Luke Allwood often kicking things off with a fruity chord progression; meantime, Brad would build the drums and have them knocking hard in just a couple of minutes. I would work on the low end, aiming for our signature chugging basslines, and Johnny would riff ideas for lyrics and melodies over the top. We’d then all focus on particular phrases or hooks that he threw out and decide pretty quickly whether they were working or not. So, within an hour we would usually have something resembling a song!”
These songs from ON A MISSION have already been making waves at radio in the UK, with plenty of support from David Rodigan at BBC 1Xtra (who has played every single and is having the band in for an interview to air on his show on June 12), BBC 6 Music (Craig Charles, Don Letts, and Steve Lamacq), BBC Wales, Gadio, Jazz FM, Forest FM, JFS, and many others. The band is also due to do a live acoustic session and interview with Robert Elms on BBC London on June 11.
GDC also has a busy summer planned for festival season with appearances lined up at Beautiful Days, Lindisfarne Festival, Boardmasters, Good Vibrations Society, and the Cambridge Folk Festival. In the fall, the band will headline more shows including in London, Sheffield, Newcastle, Falmouth, Milton Keynes, Brighton, Southampton, Bristol, Leicester, and more.
The album’s early singles – “Run for Cover,” “Sugar Coated Lies,” and “High Hopes” (featuring Eva Lazarus) – all were instant smashes when debuted live earlier this spring during a co-headlining tour with The Skints throughout England. The latest two – “Play My Games” (featuring Hollie Cook) and “Gone” – will both surely become singalongs in the live setting as well. The craftsmanship of Brad Baloo, working closely with the Gentlemen, shines through on these, and on the entire record, bringing a new level of consistency, invention, and catchiness to the GDC catalog.
Tour Dates:
July 08 @ Rochester Castle – Rochester, UK
July 14 – 15 @ The Godney Gathering – Godney, UK
July 27 – 30 @ Cambride Folk Festival – Cambridge, UK
August 04 – 06 @ Good Vibrations Society – Nutley, UK
August 09 – 13 @ Boardmasters – Newquay, UK
August 18 – 20 @ Beautiful Days Festival – Tiverton, UK
August 31 – September 03 @ Lindisfarne Festival – Blyth UK
November 02 @ Newcastle Wylam Brewery – Newcastle-upon-tyne, UK
November 03 @ Sheffield Corporation – Sheffield, UK
November 04 @ Bexhill De La Warr Pavilion – Bexhil On Sea, UK
November 09 @ Milton Keynes MK 11 – Milton Keynes, UK
November 10 @ Falmouth Princess Pavilion – Falmouth, UK
November 11 @ Brighton CHALK – Brighton, UK
November 15 @ London HERA at Outernet – London, UK
November 16 @ Southampton Engine Room – Southampton, UK
November 17 @ Forest Row Hop Yard – Forest Row, UK
November 18 @ Bristol O2 Academy – Bristol, UK
November 29 @ Leicester O2 Academy – Leicester, UK
November 30 @ Liverpool Camp and Furnance – Liverpool, UK
December 01 @ Lancaster Kanteena – Lancaster, UK
December 02 @ Hull The Welly – Hull, UK
Common Kings have announced their highly anticipated sophomore album ‘CELEBRATION’ – a follow-up to 2017’s GRAMMY-nominated ‘Lost in Paradise’ – due out August 25, 2023 via Island Empire/Mensch House Records. The record is expected to captivate fans, with the Kings’ seductive island rhythms and pop-infused choruses making the album instantly contagious. Alongside the announcement, they’ve shared the title track for the album “Celebration (One Shot)."
Pre-save the record HERE.
Stream the first single HERE
Music is the common bond for the Pacific Islanders that includes Samoan-born Hawaiian lead singer Sasualei “JR. King” Maliga and Hawaii-raised Samoan guitarist Taumata “Mata” Grey; Fiji-born bassist Ivan “Uncle Lui” Kirimaua, and L.A.-born Tongan drummer Jerome “Big Rome” Taito. Together they have transcended their 2011 Polynesian reggae beginnings to achieve pop crossover success.
The new album came about over the course of almost two years that spanned during and after the pandemic. It is the product of various songwriting and recording sessions that took place around the country including Miami, Hawaii, Orange County, Nashville, and L.A.. “We’ve got two albums’ worth of material, 24 songs in all, finished,” explains guitarist Mata about ‘CELEBRATION’, which is the first of two upcoming releases. Adding to the decision to record in so many locations Mata continues, “it was to explore different atmospheres and absorb diverse creative energies.”
On ‘CELEBRATION’, Common Kings kicks off with a groove that evokes JR’s funky James Brown-esq vocals on the dancehall/hip-hop/reggae track “Do My Thing” featuring the Jamaican rising star Royal Blu. “We wanted to capture the listeners right away,” insists the vocalist. It then turns to vintage ska horns on “Raggamuffin” featuring fellow 2017 Best Reggae Album nominee J Boog.
The title track says it all, it is about taking that “one shot,” adds Ivan “Uncle Lui,” whose backyard was where the band first met, “It’s a celebration of doing things our way. We’ve made a lot of things happen in an unconventional, unorthodox way. It’s a celebration of where we are today. We’re able to live in so many different musical worlds.”
While the infectious “Came Up” featuring Kabaka Pyramid and SpreadLof is an autobiographical, hip-hop flavored joint that tells the band’s story – “We came up from Hawaii to the streets of L.A./To Miami where the Kings like to play... From the bottom to the top.” Reflecting back Mata says, “That song just came to us in Miami. It’s all about doubling down and betting on ourselves. We put in so much work, we created this lane that never existed. It’s not reggae, it’s not rock, it’s not R&B... It’s just feel-good music.”
JR.’s keening falsetto characterizes the yearning on “Stay with Me,” which offers to fly his lover “to the moon, Saturn and Venus,” while “Wild Out” featuring Big Body Cisco is a full-on, let’s get down and dirty party anthem – “If you wanna/You can take it back to my house.”
“City of Champions,” is an ode to the group’s adopted hometown, Los Angeles. It was a product of the Miami session with producer Poo Bear (Justin Bieber). “Poo Bear is a good friend of ours, just an amazing singer/songwriter/producer,” explains Mata. “We were just looking for something that represents who we are, where we come from. It shows the love we have for Southern California, a Common Kings signature vibe that’s all our own.”
The album ends with the glorious one-two punch of the old-school dancehall toasting of “Queen Majesty” featuring longtime labelmate Sammy Johnson and The Green, a song made for a booming sound system. And closes with the silky-smooth R&B soul vibe of “Just One of Those Days” featuring Demarco.
With musical influences that include Van Morrison, Stevie Wonder, George Benson, Jim Croce, Michael Jackson, The Who, Led Zeppelin, Gypsy Kings, Earth Wind and Fire, Bob Marley, Common Kings’ approach brings diverse people together for a good time. There’s also a strong connection with the post-punk ska scene that includes the likes of Sublime, Slightly Stoopid and OGs No Doubt.
It is Jr. King’s vocal range that truly distinguishes Common Kings. “He’s a master impersonator,” says Mata. “He can sing like anyone from Luther Vandross and Prince to Axl Rose and Mick Jagger.”
“We draw from many different kinds of music,” acknowledges Big Rome. “Growing up, I loved the rock-reggae feel. When I was in high school, I used to love 311, the way they fused the two.”
“We all have diverse musical backgrounds, and bring different elements,” says Ivan aka Uncle Liu, “Which we then fuse together, because Jr. can sing just about anything and everything. Our music has an edge but with a smooth polished overtone.”
“Our take on reggae is more feel-good, fun and loving, relaxed in that Hawaiian way,” says JR “We’re not a political band.”
Reflecting back on the new album JR comments., “It’s a culmination of our careers, jamming 20 years, raising families, living life and making music, all of it coming together and being able to share that with the world.”
‘CELEBRATION’ is just that for Common Kings...a way to toast more than a decade of musical excellence and have a really good time doing it.
Tour Dates:
JUL 8, 2023 @ San Diego Bayfest Waterfront Park – San Diego, CA
JUL 9, 2023 @ Pacific Feats Festival - Plaza de Cesar Chavez – San Jose, CA
SEP 2, 2023 @ The Pacific Amphitheatre –Costa Mesa, CA
with Fiji, Sammy Johnson, Jakobs Castle, & Western Conference
SEP 9, 2023 - SEP 10, 2023 @ Sutter Health Park – West Sacramento, CA
SEP 15, 2023 @ The Cuthbert Amphitheater – Eugene, OR
with Steel Pulse and Jakobs Castle
SEP 16, 2023 @ Marymoor Park – Redmond, WA
OCT 6, 2023 - OCT 8, 2023 @ Reggae Rise Up Music Festival – Las Vegas, NV
DEC 7, 2023 - DEC 11, 2023 @ Hard Rock Hotel Riviera Maya - Unico – Riviera Maya, Q.R.
Additional ‘CELEBRATION’ tour dates to be announced soon.
Common Kings have released their latest single “Hideaway”, the second song to drop from their highly anticipated sophomore album ‘CELEBRATION’. The new record is due out on August 25th, 2023, on Island Empire/Mensch House Records.
Stream “Hideaway” HERE.
Pre-save & pre-order the record HERE.
The new single is a contagious hit highlighting lead singer JR King’s signature silky smooth falsetto range against an island rhythm as seductive as a lazy ocean breeze. “He’s a master impersonator,” says band guitarist Mata. “He can sing like anyone from Luther Vandross and Prince to Axl Rose and Mick Jagger.” “Hideaway” gives the band’s avid reggae fanbase a solid nod, as it comes on the heels of the pop-leaning title track “Celebration (One Shot).”
The full-length ‘CELEBRATION’ is expected to continue highlighting Common Kings’ seductive island rhythms and pop-infused choruses. JR comments, “Our take on reggae is more feel-good, fun and loving, relaxed in that Hawaiian way,” he continues, “We’re not a political band.”
Reflecting back on the new album JR says, “It’s a culmination of our careers, jamming 20 years, raising families, living life and making music, all of it coming together and being able to share that with the world.”
Music is the common bond for the Pacific Islanders that includes Samoan-born Hawaiian lead singer Sasualei “JR. King” Maliga and Hawaii-raised Samoan guitarist Taumata “Mata” Grey; Fiji-born bassist Ivan “Uncle Lui” Kirimaua, and L.A.-born Tongan drummer Jerome “Big Rome” Taito. Together they have transcended their 2011 Polynesian reggae beginnings to achieve pop crossover success.
‘CELEBRATION’ is just that for Common Kings...a way to toast more than a decade of musical excellence and have a really good time doing it.
Alongside the new single comes the announcement of new tour dates, with more to be added in the coming weeks. The tour includes some co-headline shows with reggae legends Steel Pulse, as well as support from artists like Jakobs Castle & American Idol winner Iam Tongi. Check out the full tour and grab tickets here.
Tour Dates:
Sep 1, 2023 @ Majestic Ventura Theater - Ventura, CA
Sep 2, 2023 @ The Pacific Amphitheatre - Costa Mesa, CA
Sep 3, 2023 @ The Orpheum Theater - Flagstaff, AZ
Sep 6, 2023 @ Rialto Theatre - Tucson, AZ
Sep 7, 2023 @ Marquee Theatre - Tempe, AZ
Sep 9, 2023 @ The Catalyst - Santa Cruz, CA
Sep 10, 2023 @ Holo Holo Festival - West Sacramento, CA
Sep 13, 2023 @ Vina Robles Amphitheatre - Paso Robles, CA
Sep 14, 2023 @ SOMO Village Event Center - Rohnert Park, CA
Sep 15, 2023 @ The Cuthbert Amphitheater - Eugene, OR
Sep 16, 2023 @ Marymoor Live - Redmond, WA
Sep 17, 2023 @ Revolution Concert House - Boise, ID
Sep 21, 2023 @ Fillmore Auditorium - Denver, CO
Sep 22, 2023 @ WAVE - Wichita, KS
Sep 23, 2023 @ The Big Top - St. Louis, MO
Sep 26, 2023 @ Uptown Theater - Minneapolis, MN
Sep 27, 2023 @ Thalia Hall - Chicago, IL
Oct 6-8, 2023 @ Reggae Rise Up Music Festival – Las Vegas, NV
Eric Krasno, the name synonymous with the sonic wonders of Soulive, Lettuce, and countless GRAMMY® wins, has struck the right chord once again. Today, he announced not only the dates for the much-anticipated Park City Song Summit but also the release of a limited edition vinyl from his brand-new musical venture, King Canyon.
Prepare your eardrums, music lovers, because Krasno is also taking center stage as Eric Krasno and Friends, serenading audiences alongside the legendary Anders Osborne and Ivan Neville.
For those yet to secure their tickets, Park City Song Summit isn't just a music event; it's an experience. This multi-day fusion of music and wellness promises not only toe-tapping performances but also intimate, soul-stirring conversations. And speaking of line-ups that promise an audio-aural feast, catch Bob Weir and the Wolf Brothers, the iconic Chuck D, the maestro Anders Osborne, and - for the first time live - Krasno's newest brainchild, King Canyon.
A silver lining of the pandemic? The formation and remote recording of King Canyon. This collaborative supergroup, comprising Eric Krasno, Otis McDonald, and Mike Chiavaro, has birthed a self-titled album that is nothing short of a psychedelic, funk & soul odyssey. It's no surprise that the digital release has already caught fire in the music community. And for those vinyl aficionados, a limited edition blue marble 140G vinyl is now up for grabs.
For a more in-depth dive into the minds behind the music, don't miss the Working Songwriter podcast with Eric Krasno, Mike Chiavaro, and Joe Pug, as well as the Plus One Podcast with Matisyahu. Oh, and we've heard whispers of even more from the King Canyon camp, with fresh collaborations due out later this year.
Ready for a musical journey? Pre-order King Canyon’s vinyl at Mixto Records, Bandcamp, and Fatbeats. And for all the Krasno enthusiasts out there, follow the maestro here for updates.
Upcoming Park City Song Summit Shows:
Sept. 7, Park City, UT
3:00 PM: Working Songwriter Podcast
4:30 PM: Plus One Podcast with Matisyahu
10 PM: King Canyon Performance at The Cabin
Sept. 9, Park City, UT
5 PM: Eric Krasno & Friends at the Canyon Village Amphitheater
For a deep dive into the Park City Song Summit, click here.
Captivating fans with their seductive island rhythms and pop-infused choruses, Common Kings have added to their studio repertoire with a new full-length offering– ‘CELEBRATION’ is out today, Friday, August 25th, 2023. In support of the new record, Common Kings will embark on a massive fall tour, which kicks off September 1st in their home state of California.
The release of this highly anticipated album – a follow-up to 2017’s GRAMMY-nominated ‘Lost in Paradise’ – is out now via Island Empire/Mensch House Records.
Stream/Purchase ‘CELEBRATION’ HERE.
Music is the common bond for the Pacific Islanders that includes Samoan-born Hawaiian lead singer Sasualei “Junyer King” Maliga and Hawaii-raised Samoan guitarist Taumata “Mata” Grey; Fiji-born bassist Ivan “Uncle Lui” Kirimaua, and L.A.-born Tongan drummer Jerome “Big Rome” Taito. Together they have transcended their 2011 Polynesian reggae beginnings to achieve pop crossover success.
The new album came about over the course of almost two years that spanned during and after the pandemic. It is the product of various songwriting and recording sessions that took place around the country including Miami, Hawaii, Orange County, Nashville, and L.A. “We’ve got two albums’ worth of material, 24 songs in all, finished,” explains guitarist Mata about ‘CELEBRATION’, which is the first of two upcoming releases. Adding to the decision to record in so many locations Mata continues, “it was to explore different atmospheres and absorb diverse creative energies.”
On ‘CELEBRATION’, Common Kings kicks off with a groove that evokes Junyer King’s funky James Brown-esq vocals on the dancehall/hip-hop/reggae track “Do My Thing” featuring the Jamaican rising star Royal Blu. “We wanted to capture the listeners right away,” insists the vocalist. It then turns to vintage ska horns on “Raggamuffin” featuring fellow two time Best Reggae Album nominee J Boog.
The title track, “Celebration (One Shot)” released earlier this year, says it all, “it is about taking that ‘one shot’,” adds Uncle Lui, whose backyard was where the band first met, “It’s a celebration of doing things our way. We’ve made a lot of things happen in an unconventional, unorthodox way. It’s a celebration of where we are today. We’re able to live in so many different musical worlds.” “Hideaway,” released ahead of the album, gives the band’s avid reggae fanbase a solid nod - it came out on the heels of the pop-leaning title track.
While the infectious “Came Up” featuring Kabaka Pyramid and SpreadLof is an autobiographical, hip-hop flavored joint that tells the band’s story – “We came up from Hawaii to the streets of L.A./To Miami where the Kings like to play... From the bottom to the top.” Reflecting back Mata says, “That song just came to us in Miami. It’s all about doubling down and betting on ourselves. We put in so much work, we created this lane that never existed. It’s not reggae, it’s not rock, it’s not R&B... It’s just feel-good music.”
Junyer King’s keening falsetto characterizes the yearning on “Stay with Me,” which offers to fly his lover “to the moon, Saturn and Venus,” while “Wild Out” featuring Big Body Cisco is a full-on, let’s get down and dirty party anthem – “If you wanna/You can take it back to my house.”
“A homage to our beloved adopted city, Los Angeles, 'City of Champions' was born during a Miami session with producer Poo Bear, renowned as the primary songwriter
for Justin Bieber.” “Poo Bear is a good friend of ours, just an amazing singer/songwriter/producer,” explains Mata. “We were just looking for something that represents who we are, where we come from. It shows the love we have for Southern California, a Common Kings signature vibe that’s all our own.”
The album ends with the glorious one-two punch of the old-school dancehall toasting of “Queen Majesty” featuring longtime brother Sammy Johnson and The Green, a song made for a booming sound system. And closes with the silky-smooth R&B soul vibe of “Just One of Those Days” featuring Demarco.
With musical influences that include Van Morrison, Stevie Wonder, George Benson, Jim Croce, Michael Jackson, The Who, Led Zeppelin, Gypsy Kings, Earth Wind and Fire, Bob Marley, Common Kings’ approach brings diverse people together for a good time. There’s also a strong connection with the post-punk ska scene that includes the likes of Sublime, Slightly Stoopid and OGs No Doubt.
It is Junyer King’s vocal range that truly distinguishes Common Kings. “He’s a master impersonator,” says Mata. “He can sing like anyone from Luther Vandross and Prince to Axl Rose and Mick Jagger.”
“We draw from many different kinds of music,” acknowledges Big Rome. “Growing up, I loved the rock-reggae feel. When I was in high school, I used to love 311, the way they fused the two.”
“We all have diverse musical backgrounds, and bring different elements,” says Ivan aka Uncle Lui, “Which we then fuse together, because JR can sing just about anything and everything. Our music has an edge but with a smooth polished overtone.”
“Our take on reggae is more feel-good, fun and loving, relaxed in that Hawaiian way,” says Junyer King “We’re not a political band.”
Reflecting back on the new album JR comments., “It’s a culmination of our careers, jamming 20 years, raising families, living life and making music, all of it coming together and being able to share that with the world.”
‘CELEBRATION’ is just that for Common Kings...a way to toast more than a decade of musical excellence and have a really good time doing it.
In support of the new album Common Kings will be touring, starting September 1st at The Majestic Theater in Ventura, CA. The tour includes some co-headline shows with reggae legends Steel Pulse, as well as support from artists like Jakobs Castle & American Idol winner Iam Tongi. Check out the full tour & exclusive CELEBRATION VIP offering, and purchase tickets at commonkings.com/live.
Tour Dates:
Sep 1, 2023 @ Majestic Ventura Theater - Ventura, CA
Sep 2, 2023 @ The Pacific Amphitheatre - Costa Mesa, CA
Sep 3, 2023 @ The Orpheum Theater - Flagstaff, AZ
Sep 6, 2023 @ Rialto Theatre - Tucson, AZ
Sep 7, 2023 @ Marquee Theatre - Tempe, AZ
Sep 9, 2023 @ The Catalyst - Santa Cruz, CA
Sep 10, 2023 @ Holo Holo Festival - West Sacramento, CA
Sep 13, 2023 @ Vina Robles Amphitheatre - Paso Robles, CA
Sep 14, 2023 @ SOMO Village Event Center - Rohnert Park, CA
Sep 15, 2023 @ The Cuthbert Amphitheater - Eugene, OR
Sep 16, 2023 @ Marymoor Live - Redmond, WA
Sep 17, 2023 @ Revolution Concert House - Boise, ID
Sep 20, 2023 @ Granary Live - Salt Lake City, UT
Sep 21, 2023 @ Fillmore Auditorium - Denver, CO
Sep 22, 2023 @ WAVE - Wichita, KS
Sep 23, 2023 @ The Big Top - St. Louis, MO
Sep 24, 2023 @ Slowdown - Omaha, NE
Sep 26, 2023 @ Uptown Theater - Minneapolis, MN
Sep 27, 2023 @ Thalia Hall - Chicago, IL
Sep 30, 2023 @ Wally’s - Hampton Beach, NH
Oct 1, 2023 @ Aura - Portland, ME
Oct 3, 2023 @ Big Night Live - Boston, MA
Oct 4, 2023 @ Brooklyn Bowl - Brooklyn, NY
Oct 6, 2023 @ Reggae Rise Up Music Festival - Las Vegas, NV
Oct 8, 2023 @ Brooklyn Bowl Philadelphia - Philadelphia, PA
Oct 11, 2023 @ The Stone Pony - Asbury Park, NJ
Oct 12, 2023 @ The NorVA - Norfolk, VA
Oct 13, 2023 @ Greenfield Lake Amphitheater - Wilmington, NC
Oct 14, 2023 @ Rub-A-Dub Reggae Festival - Raleigh, NC
Oct 15, 2023 @ Music Farm - Charleston, SC
Oct 18, 2023 @ Terra Fermata - Stuart, FL
Oct 19, 2023 @ Jannus Live - St. Petersburg, FL
Oct 21, 2023 @ The Ranch - Ft. Myers, FL
Oct 22, 2023 @ House of Blues - Orlando, FL
Captivating fans with their seductive island rhythms and pop-infused choruses, Common Kings have embarked on their Fall 2023 Tour in support of their new full-length offering– ‘CELEBRATION,’ out now.
Today they are proud to announce that in part, the tour will be a fundraiser to support Maui recovery efforts for families devastated from the Lāhainā fires. A portion of the proceeds from the newly renamed Road to Maui Tour will go to the Kīnā’ole Foundation’s Road to Maui Fund. Common Kings kicked off their tour at the end of August in the Big Island with a special stop at Lāhainā for an impromptu performance for residents and aid workers.
“It is with humble intentions we express our immediate desires to assist the people of Maui during this critical time. Together we are coordinating efforts with community leaders and Maui based organizations to develop a Road to Maui Campaign dedicated to providing immediate support and sustained contingency recovery efforts,” comments Common Kings.
They continue, “We invite our fans, family, and network to join us in our endeavors to restore spirits, revive communities, and rebuild the historic city of Lāhainā. Existing plans are in the works to end our Road to Maui Tour with a community event in Maui focused around rejuvenating spirits and fostering community resilience.”
While on tour they are due to perform with a variety of bands including the renowned Jamaican band Steel Pulse. However, in a recent announcement, due to uncertain logistical and external challenges, Steel Pulse were forced to pull off of the tour with Common Kings.
Nevertheless, in a short amount of time, Common Kings coordinated with CELEBRATION album collaborator Sammy Johnson and legendary Julian Marley to join the Road to Maui Tour for select west coast and midwest dates! In addition, American Idol winner Iam Tongi and Jakobs Castle will be supporting Common Kings on tour too. To find out more information and purchase tickets (+ the CELEBRATION VIP offering), head to commonkings.com/live.
The Road to Maui Tour will showcase music and merchandise from Common Kings’ new album CELEBRATION, out now via Mensch House/Island Empire Records.
Stream/Purchase ‘CELEBRATION’ HERE.
Music is the common bond for the Pacific Islanders that includes Samoan-born Hawaiian lead singer Sasualei “Junyer King” Maliga and Hawaii-raised Samoan guitarist Taumata “Mata” Grey; Fiji-born bassist Ivan “Uncle Lui” Kirimaua, and L.A.-born Tongan drummer Jerome “Big Rome” Taito. Together they have transcended their 2011 Polynesian reggae beginnings to achieve pop crossover success.
The full-length ‘CELEBRATION’ continues highlighting Common Kings’ seductive island rhythms and pop-infused choruses. JR comments, “Our take on reggae is more feel-good, fun and loving, relaxed in that Hawaiian way,” he continues, “We’re not a political band.”
Reflecting back on the new album JR says, “It’s a culmination of our careers, jamming 20 years, raising families, living life and making music, all of it coming together and being able to share that with the world.”
‘CELEBRATION’ is just that for Common Kings...a way to toast more than a decade of musical excellence and have a really good time doing it.
Tour Dates:
Sep 14, 2023 @ SOMO Village Event Center - Rohnert Park, CA
Sep 15, 2023 @ The Cuthbert Amphitheater - Eugene, OR
Sep 16, 2023 @ Marymoor Live - Redmond, WA
Sep 17, 2023 @ Revolution Concert House - Boise, ID
Sep 20, 2023 @ Granary Live - Salt Lake City, UT
Sep 21, 2023 @ Fillmore Auditorium - Denver, CO
Sep 22, 2023 @ WAVE - Wichita, KS
Sep 23, 2023 @ The Big Top - St. Louis, MO
Sep 24, 2023 @ Slowdown - Omaha, NE
Sep 26, 2023 @ Uptown Theater - Minneapolis, MN
Sep 27, 2023 @ Thalia Hall - Chicago, IL
Sep 30, 2023 @ Wally’s - Hampton Beach, NH
Oct 1, 2023 @ Aura - Portland, ME
Oct 3, 2023 @ Big Night Live - Boston, MA
Oct 4, 2023 @ Brooklyn Bowl - Brooklyn, NY
Oct 6, 2023 @ Reggae Rise Up Music Festival - Las Vegas, NV
Oct 8, 2023 @ Brooklyn Bowl Philadelphia - Philadelphia, PA
Oct 11, 2023 @ The Stone Pony - Asbury Park, NJ
Oct 12, 2023 @ The NorVA - Norfolk, VA
Oct 13, 2023 @ Greenfield Lake Amphitheater - Wilmington, NC
Oct 14, 2023 @ Rub-A-Dub Reggae Festival - Raleigh, NC
Oct 15, 2023 @ Music Farm - Charleston, SC
Oct 18, 2023 @ Terra Fermata - Stuart, FL
Oct 19, 2023 @ Jannus Live - St. Petersburg, FL
Oct 21, 2023 @ The Ranch - Ft. Myers, FL
Oct 22, 2023 @ House of Blues - Orlando, FL
Oct 28, 2023 @ Community Event TBA - Maui, HI
For details on the lineup for each date, visit commonkings.com/live.
King Canyon is the supergroup collaboration between Eric Krasno, Otis McDonald, and Mike Chiavaro. They are proud to release the new single “Charmer” off the upcoming King Canyon Deluxe LP album out now everywhere you stream music.
“Charmer” first appeared on King Canyon’s self-titled debut album’s vinyl release. It is an album rooted in nostalgia and a friendship foraged from the love of music. The trio first came together remotely amidst the quarantine in April 2020, Eric Krasno discovered Otis McDonald's music on Instagram and swiftly became a fan. McDonald, already collaborating with longtime friend Mike Chiavaro, invited Krasno to contribute guitar work. This sparked the birth of King Canyon.
Together the trio swiftly generated enough material for the album, King Canyon. Reaching out to their friends and network, the album features notable guests including Derek Trucks and Son Little and has received praise from critics and peers including Khruangbin, John Mayer and Adrian Quesada of the Black Pumas
The record was released as a limited edition blue marble 140G vinyl, available now at Mixto Records, Bandcamp and Fatbeats. And today for the first time, “Charmer” is due out digitally and available everywhere you stream music.
King Canyon has garnered critical accolades from the likes of Live for Live Music, Jambands.com, and Relix who said they, “resonate on the same sonic field groups like Khruangbin, Bobby Caldwell, Allman Brothers, Unknown Mortal Orchestra, and Son Little.”
The supergroup is comprised of Eric Krasno, a three-time GRAMMY winning guitarist, musician and producer best known for his work with Soulive, Lettuce, Tedeschi Trucks Band & Pretty Lights. Krasno has been nominated for a GRAMMY a total of eight times for Best Blues Album, Best Contemporary Blues, Best R&B, and Best Electronic Album. Otis McDonald is a producer/multi-instrumentalist best known for his large catalog that continues to be used in millions of videos across the internet. Mike Chiavaro is a Brooklyn-based electric and upright bass player who has played with Richard Marx, Boy & Bear, among others. Combined they form King Canyon, blending their unique styles into an infectious groove filled project with healthy doses of R&B/Soul and funk.
The vibe of the new song and album will resonate with fans of Khruangbin, Bobby Caldwell, Allman Brothers, Soulive, Lettuce, El Michels Affair, Unknown Mortal Orchestra, Menahan Street Band, Durand Jones and the Indications, and Son Little.
Eric Krasno is the acclaimed songwriter, producer, Soulive and Lettuce co-founder, singer, multi-instrumentalist, and three-time GRAMMY® Award-winner.
Krasno announces the debut single “Unconditional Love” from his upcoming all acoustic album titled 'Wood and Strings' and set for a summer 2024 release. On the new single the renowned electric guitarist Eric Krasno strips down his sound to an acoustic guitar, piano and vocals on this version of his original song.
Eric Krasno comments, " 'Unconditional Love' is the 1st single from my new acoustic project called Wood and Strings. The album will feature a mix of original compositions and some of my favorite covers. The project will also showcase some of the songs I’ve written for other artists over the years. I loved the idea of creating stripped down versions of these songs featuring all acoustic instruments. I simplified the arrangements and played all the instruments and percussion (I had a little help with some background vocals). I’m excited to continue to release tracks from this project throughout 2024."
In celebration of the new song Krasno is having a release party and a charity drive for the homeless non-profit City Pak at The Mint in LA. This will be followed by an East Coast tour that includes a headlining performance at Brooklyn Bowl on Dec 15th!
The highly anticipated Los Angeles date is a must see event with the musicians promising to bring high vibe funk and raging jams. Billed as the Eric Krasno and Friends Holiday Rager, the curated show is an all-star cast of musical royalty including Joe Bonamasa, Steve Swatkins, Nick Cambell, Curtis Kelley! Audiences can expect surprise guests and un-announced jams.
Show Details:
Venue: The Mint
Address: 6010 West Pico Blvd, Los Angeles, CA 90035
Doors at 7:15PM / Show at 8:00PM
21+
Tickets
The Colombian-based trio, BALTHVS, most known for their eclectic, psychedelic funk sound is excited to announce their first release of 2024, "Mango Season" on Mixto Records. "Mango Season" is a laid back, funky and soulful instrumental groove that is perfect for relaxing, skateboarding and looking at clouds. It's very much in the vein of other instrumental artists such as Tommy Guerrero, OfftheWally and Orion's Belte.
The new music is the band's 4th single from their upcoming 4th album. On the new album BALTHVS has not only captured the essence of a tropical escape but also a pivotal moment in the band's artistic evolution.
This release follows Balthvs' successful collaborations and critically acclaimed tracks, establishing them as an artist who consistently delivers music that resonates with a diverse audience. "Mango Season" is poised to become a must-have addition to playlists, offering a perfect blend of feel-good vibes and musical innovation.
The single is available on all major streaming platforms and fans can connect with Balthvs on social media for updates on upcoming releases and live performances. Don't miss out on the musical journey that "Mango Season" promises to take you on – press play and let the tropical magic unfold.
BALTHVS is embarking on U.S. and LATAM tour dates in March, that include a marquee artist performance at SXSW, Jazz is Dead tour with stops across the West Coast! Catch the full tour and for more information visit: https://balthvs.com/tour-dates/.
About:
BALTHVS is a Colombian psychedelic funk trio formed in 2020. Best known for their eclectic style, which fuses elements of Middle Eastern Music, Disco, House, Funk, Psychedelia, Indie, Dub Reggae, Surf Rock and Cumbia into a cohesive whole. The band is notable for their energetic shows, live improvisation and prolific output. Since their formation, the band has released over 28 singles and 2 full length albums, accumulating over 4.8 million streams worldwide. With 3 US Tours under their belt and having played the biggest music festival in Colombia (Rock al Parque), the band is eager to make more music and share their sonic voyage with the world.
Renowned musicians Eric Krasno and Otis McDonald are thrilled to release their latest single, "Everything Is Changing," out now and available everywhere you stream music on Feel Music Group label.
The new song follows their recent success with the well-received "Be A Man," showcasing a dynamic synergy between the two artists. Their musical journey began during the challenging times of the COVID-19 pandemic, leading to the creation of the trio, King Canyon, and the critically acclaimed self-titled album "King Canyon." Now on their third collaborative single, they continue to captivate audiences with their unique blend and musical prowess, "Everything Is Changing" emerges as a soulful testament to their collaborative genius.
The newest single, "Everything Is Changing," is a captivating R&B soulful groove in which Eric Krasno and Otis McDonald have seamlessly weaved together their distinct styles into a musical tapestry. It showcases their individual talents but also highlights the magic that happens when two musical forces come together.
Having met during the height of the pandemic, Eric Krasno and Otis McDonald discovered an undeniable musical chemistry that led to the birth of not only their collaborative trio, King Canyon but also three singles. With their proven track record of delivering soulful and genre-defying compositions, the duo continues to be at the forefront of musical exploration, promising more sonic adventures for audiences worldwide. Keep an eye out for more music and EP releasing this summer!
In the meantime, Eric Krasno and Friends will be performing at The Mint LA on February 16th! Joining him will be Nick Campbell, Carey Frank, Curtis Kelley, Jams The Eighth, Raquel Rodriquez, and Marc Broussard. For tickets and more information visit The Mint LA website here.
