Mon, 02/12/2018 - 10:37 am

Ain't nothing like the sizzling sound of rockabilly, and BRIAN SETZER always amps it up with his rockin' style and guitar assault to leave audiences smiling.

Beginning June 1 in Santa Ynez, CA, the iconic guitarist, songwriter, vocalist and three-time Grammy Award-winner will kick off his 2018 "ROCKABILLY RIOT!" Summer Tour. The U.S. dates will hit Sacramento, Napa, Austin, Tulsa, Atlanta, Charleston and Atlantic City, among other markets, before wrapping June 24 in the Boston area at the Lowell Summer Music Series Outdoors (see the full itinerary below). Tickets go on sale to the public on Friday, February 16 at 10:00am, local time. View the tour trailer here.

Pre-sale schedule as follows: 

Fan Club Presale: Tuesday, February 13 at 10:00am local time through Friday, February 16 at 10:00am local time. Be the first to get tickets by signing up for Brian's fan club here.

Local Presale: Thursday, February 15th at 10am local through 10pm local

Throughout the tour, expect a killer set list with Stray Cats gems like "Rock This Town,'" "Rumble In Brighton" and "Stray Cat Strut" plus other electrifying songs like "Let's Shake" from his latest solo studio album Rockabilly Riot!: All Original. Opening up most evenings will be Miss Mary Ann and the Ragtime Wranglers, from the Netherlands, who recently toured with the Rockabilly Riot last year in Europe.

SETZER's red hot compadres for the "ROCKABILLY RIOT!" Summer Tour are Noah Levy on drums, Kevin McKendree on piano/guitar and Mark Winchester on bass.

"When you look up rockabilly in the dictionary there is a picture of Mark Winchester," notes SETZER. "He grew up slapping the bass and is in a class of his own.  The relationship with the drummer and the bass player in rockabilly is very unique. The slap bass is a rhythmic sounding instrument, so the drummer has to be very in time with him in order not to sound sloppy.  Noah Levy is a very on-the-beat solid drummer, whereas me, as a guitar player, I push everything while they hold it all in place.  And when you're talking about the great rockabilly piano players, it's a very short list, and Kevin McKendree is on it. And he also plays guitar incredibly well. We all just complement each other."

Asked what he'd like to overhear fans saying after a gig, SETZER says: "I would love to hear, 'You know, that Rockabilly Riot squad has all the energy and great things I like about the original rockabilly sound, yet they're a modern band making this music sound new."

In late 2016, SETZER released his live Blu-Ray/CD package, BRIAN SETZER'S ROCKABILLY RIOT: OSAKA ROCKA! - LIVE IN JAPAN, a sizzling rockabilly album from start to finish that highlights the same band. More information on the Blu-Ray/CD can be found here.

U.S. DATES FOR THE "ROCKABILLY RIOT!" 2018 SUMMER TOUR:

DATE

CITY

VENUE

Fri 6/1

Santa Ynez, CA

Chumash Casino 

Sat 6/2

Pala, CA

Pala Casino - Starlight Theater

Sun 6/3

Sacramento, CA

Crest Theatre

Wed 6/6

Napa, CA

The Uptown Theatre

Fri 6/8

West Wendover, NV

Peppermill Concert Hall

Sat 6/9

Grand Junction, CO

Las Colonias Amphitheater

Tue 6/12

Austin, TX

Stubb's Waller Creek Amphitheater

Thu 6/14

Tulsa, OK

Paradise Cove Margaritaville

Fri 6/15

Robinsonville, MS

Gold Strike Casino - Millennium Theatre

Sat 6/16

Peachtree City, GA

Frederick Brown Jr. Amphitheater

Mon 6/18

Charleston, SC

Charleston Music Hall

Tue 6/19

Virginia Beach, VA

Sandler Center For the Performing Arts

Wed 6/20

Charlottesville, VA

The Paramount Theater

Fri 6/22

Atlantic City, NJ

Tropicana Showroom 

Sun 6/24

Lowell, MA

Lowell Summer Music Series Outdoors

More dates to be announced soon!

Tue, 03/06/2018 - 8:35 am

Following a year-long successful solo tour, iconic vocalist ANN WILSON of HEART is spending the early part of 2018 recording her new solo release and debut album for BMG.  Due out this summer (exact release date TBA) and with a working title of SONGS FOR THE LIVING: VOL. 1, ANN has teamed with original Heart producer Mike Flicker (Dreamboat Annie, Magazine, Little Queen, Dog and Butterfly and Bebe Le Strange, among others) for an album that will pay homage to musicians lost in the past few years.

"It's a project very dear to me--a collection of songs by artists who have departed in the last several years including Leonard Cohen, David Bowie, Tom Petty, Chris Cornell and Amy Winehouse to name a few," ANN explains. "I feel these souls have made a real, lasting contribution to the art of the popular song and to honor them is my deepest pleasure."

The album will feature some of the singer's favorite musicians, with the full track list to be announced in the coming weeks.  With the recording still in progress in Los Angeles, the first three songs confirmed are Lesley Gore's "You Don't Own Me," Amy Winehouse's "Back to Black," and The Eagles' "Life in the Fast Lane" in honor of Glenn Frey.

"Once again I am pushing my limits as a singer and it is thrilling work," ANN says.  "It's my way of showing gratitude for these amazing expressions in words and music. This record was made in the old school way...on an actual tape recorder, so the sound is vibrant, present and powerful. This sound will not just massage the listener's ego, it will stoke their heart and soul."

Following a handful of solo headlining tour dates this spring, WILSON will join Jeff Beck and Paul Rodgers for the "Stars Align Tour," as the album is released. Kicking off July 18 in West Valley City, Utah, the tour stops in 19 cities across the U.S. and Canada including Dallas, St. Louis, Chicago, Toronto and Nashville, before wrapping August 26 in Tampa.  At these upcoming shows, ANN's fans can expect to hear an assortment of Heart hits, along with tracks from her solo career.

"I am thrilled to have been asked to perform on the 'Stars Align Tour' with Jeff Beck and Paul Rodgers," shares ANN. "They are both long time favorites of mine! They are masters at their craft and it is an honor to share the stage this summer."

ANN WILSON of HEART's 2018 tour dates are listed below.  Meanwhile, on March 15, ANN will be among the artists performing at the LOVE ROCKS NYC! benefit concert--presented by iconic fashion designer John Varvatos and NYC real estate broker Greg Williamson--for God's Love We Deliver, at the historic Beacon Theatre in NYC.

DATE

 

CITY

VENUE

Headlining Dates:

 

Fri

3/16

Portland, ME

Aura

Sat

3/17

Silver Spring, MD

The Fillmore

Thu

4/5

Niagara Falls, ON

Fallsview Casino

Sat

4/7

Northfield, OH

Hard Rock Rocksino

Sun

4/8

St. Charles, IL

Arcada Theatre

Stars Align Tour with Jeff Beck and Paul Rodgers:

Wed

7/18

West Valley City, UT

USANA Amphitheatre

Fri

7/20

Irvine, CA

Five Point Amphitheatre

Sun

7/22

Chula Vista, CA

Mattress Firm Amphitheatre

Tue

7/24

Houston, TX

Smart Financial Centre at Sugar Land

Wed

7/25

Dallas, TX

The Pavilion at Toyota Music Factory

Sat

7/28

St. Louis, MO

Hollywood Casino Amphitheatre

Sun

7/29

Chicago, IL

Huntington Bank Pavilion at Northerly Island

Tue

7/31

Detroit, MI

DTE Energy Music Theatre

Wed

8/1

Toronto, ON

Budweiser Stage

Fri

8/3

Boston, MA

Blue Hills Bank Pavilion

Sat

8/4

Camden, NJ

BB&T Pavilion

Wed

8/8

Cincinnati, OH

Riverbend Music Center

Fri

8/10

Indianapolis, IN

Ruoff Home Mortgage Music Center

Sun

8/12

Holmdel, NJ

PNC Bank Arts Center

Tue

8/14

Wantagh, NY

Northwell Health at Jones Beach Theater

Fri

8/17

Nashville, TN

Nashville Municipal Auditorium

Sun

8/19

Charlotte, NC

PNC Music Pavilion

Sat

8/25

West Palm Beach, FL

Coral Sky Amphitheatre

Sun

8/26

Tampa, FL

MIDFLORIDA Credit Union Amphitheatre

Tue, 03/13/2018 - 11:11 am

The year 2018 marks half a century since the formation of the legendary group YES, one of the biggest bands in prog rock history and true pioneers of the genre. To celebrate the milestone, YES--Steve Howe (guitar since 1970), Alan White (drums since 1972), Geoff Downes (keyboards; first joined in 1980), Jon Davison (vocals since 2011) and Billy Sherwood (guitar/keyboards in the 1990s and the late Chris Squire's choice to take over bass/vocals in 2015)--will embark on a 50th Anniversary North American summer tour, on the heels of a European outing which kicks off tonight (March 13) in the UK.

Beginning June 2018, the cross-country trek will bring the 2017 Rock & Roll Hall of Fame inductees to such markets as Philadelphia, New York and Seattle, among many others. Look for the official details and dates to be revealed next week.

In other news, on March 25, YES will release Fly From Here - Return Trip, a new version of their album, Fly From Here, featuring the Drama lineup and new lead vocals by Trevor Horn. The original 2011 release of the album featured the late Chris Squire, Howe, White and Downes, with Benoit David on lead vocals and Horn as producer. In addition to featuring Horn on lead vocals and remixed parts, Fly From Here - Return Trip--a labor of love for all involved, recorded over the last two years following Horn's guest appearance with YES at London's Royal Albert Hall in 2016--also contains a previously unreleased song, "Don't Take No For an Answer," recorded in 2011 featuring Howe on lead vocals, and the full-length version of "Hour of Need," previously only available as a Japanese bonus track. Fly From Here - Return Trip is a long-awaited treat for all YES fans and, following Squire's passing in 2015, represents the last chance for fans to hear a follow-up to the classic YES release Drama. The album is available to pre-order now exclusively via PledgeMusic here: https://yesthedramalineup.pmstores.co

Wed, 03/14/2018 - 7:31 pm

THE SHEEPDOGS--the Canadian-based five-piece guitar-driven rock band--have released a humorous dive bar performance-themed video (think Patrick Swayze’s Road House) for the song “Nobody,” off their new album CHANGING COLOURS. Click here to watch the video that premiered yesterday with Team Rock (in the UK) and Exclaim (in Canada) and dynamically climaxes to a bar room brawl which was shot in a country roadhouse.

“Coming up as a band, we booked a lot of shows that were us playing at the wrong bar,” says the band’s bassist Ryan Gullen. “Playing these shows, everyone in the band wants to kill each other. Now we finally got our chance and I got to make it a reality. We shot the video at a bar called the Commercial Tavern in Maryhill, ON, one of the oldest still active country roadhouses in Canada.”'

THE SHEEPDOGS’ vocalist/guitarist Ewan Currie adds: “It’s my favorite song on the record and just all around represents what rock ‘n roll is all about. It's been a longtime dream of mine to make a video where we just beat the tar out of each other for a music video. Ryan was able to make it a reality.”

CHANGING COLOURS--released digitally February 2 via Dine Alone Records (in the U.S.) and Warner Music (in Canada)--marks the sixth full-length album release for the four-time JUNO Award-winning group who graced the cover of Rolling Stone in 2011 when they made history as the first unsigned band to appear on the cover of the famed magazine by beating out 15 other artists in the Choose the Cover contest (Issue 1137). For CHANGING COLOURS, the band expanded their sound, encompassing more styles and hues to enhance their trademark beef-and-boogie twin-axe riffs, hooks, shuffles and long-haired aesthetic. Look for the physical album to be released on May 11.

THE SHEEPDOGS--Currie (vocals, guitars), Gullen (bass, backing vocals), Sam Corbett (drums, backing vocals), Shamus Currie (keyboards, trombone) and Jimmy Bowskill (guitars)--deliver passionate music born out of spontaneity on CHANGING COLOURS, their follow-up to 2015’s Future Nostalgia. Opening up the 17-song album is the euphoric “Nobody” alongside the electrifying “Saturday Night” and the driving “I’ve Got A Hole Where My Heart Should Be,” the record’s infectious first single. Watch the official music video for “I’ve Got A Hole Where My Heart Should Be” here.

THE SHEEPDOGS haven’t only stretched their sonic palate on their new album, they’ve also expanded stylistically, tastefully embracing other genres as well. There’s the country-lite feel of “Let It Roll,” the Stax-soul aura of the mid-tempo anthem “I Ain’t Cool” that features trombone, and the resplendent Latin-rock vibe that fuels “The Big Nowhere.” The CHANGING COLOURS sessions also marked the recording debut of the newest Sheepdog: guitar wiz Jimmy Bowskill, who parachuted into the lineup as a live, last-minute replacement. The band honors Bowskill’s addition with an instrumental tribute to his Bailieboro, Ontario hometown in the folk-flavored “The Bailieboro Turnaround,” part of a six-song medley that begins with “Born A Restless Man” and concludes with “Run Baby Run.” Medleys, in general, have become something of a SHEEPDOGS signature.

In support of the album’s release, THE SHEEPDOGS—who’ve toured with Kings of Leon and John Fogerty, performed at Bonnaroo, South By Southwest (SXSW) and Canada’s Bluesfest and appeared on Late Night with Jimmy Fallon—are spending the first half of March on the road touring throughout Canada before heading to Europe in April. THE SHEEPDOGS will return to the U.S. this summer, with dates to be announced soon.

Thu, 03/22/2018 - 10:07 am

SLASH FT. MYLES KENNEDY & THE CONSPIRATORS will return this fall with their as-yet-untitled third studio album. The group-SLASH (Guitar), MYLES KENNEDY (Vocals), BRENT FITZ (Drums), TODD KERNS (Bass & Vocals) and FRANK SIDORIS (Guitar & Vocals)--has entered the studio with producer Michael “Elvis” Baskette (Alter Bridge, Iggy Pop, Incubus). Expect the group to announce a full North American tour for the fall.

This same team worked on the group’s last album World On Fire, tagged by Guitar World as “another bold and unapologetically riffy statement” and “a varied, immersive and incredibly hard rocking effort” (December 2014). Rolling Stone described Apocalyptic Love--the band’s debut album and SLASH’s second solo release overall--as “filled with head bangers and plenty of fancy fretwork” and Revolver declared it “a collection of lean, high-octane rock-and-roll tunes built to be blasted out of open-top sports cars, or more suitably, open-air stadiums” (May 2012).

“I'm excited about the new stuff we put together for this next record; it's got some cool songs and it's got a great live feel.” explains SLASH. "I've been working with Myles, Brent and Todd for about 8 years now. It's been an amazing ride so far; as a band we continue to get better which is great. With the addition of Frank since the ‘World On Fire’ tour, I feel we have hit a great, creative stride which I definitely think shows on this next record.” SLASH adds, “Guns N’ Roses will be headlining European festivals this summer, it’s going to be a 110% performance and a huge blast. I love doing European fests and this is the first time we’ve done any proper festivals over there on the ‘Not In This Lifetime Tour’. It’s indescribable to explain these shows. I’m looking over and seeing Axl, Duff and Dizzy whom I’ve known forever, but it also feels like an entirely new experience with Richard, Frank and Melissa. It’s like being in a new band, except there’s a chemistry that is established from days of old, so it’s a natural thing that’s always been there.”

For more information on SLASH FT. MYLES KENNEDY & THE CONSPIRATORS, visit:

WEBSITE | FACEBOOK | TWITTER | SPOTIFY | INSTAGRAM | YOUTUBE

Mon, 03/26/2018 - 8:19 am

YES, one of the biggest bands in prog rock history and true pioneers of the genre, today (March 26) revealed the dates and details for this summer's 50th Anniversary North American tour titled #YES50: Celebrating 50 Years of YES. Tickets for the 30-plus date outing, which kicks off June 5 and 6 with a two-night engagement at the Arcada Theatre in St. Charles, IL, will go on sale to the public beginning this Friday, March 30 or Saturday, March 31, with select shows going on sale in early April. A handful of additional dates will be announced soon.

"Much has changed since I joined Yes in 1970, but the core elements of the band have remained consistent," shares guitarist Steve Howe. "We want to mark this anniversary with a tour that encompasses some of our best-loved work and revisit a few classic pieces that have been lost for a while. We look forward to sharing the 50th anniversary with the fanbase, playing classic songs that celebrate the broad musical style of Yes."

"I have been blessed to be a member of this amazing band's rhythm section for the past 46 years, mostly in the company of my great friend Chris Squire, and latterly alongside Chris' chosen successor, Billy Sherwood, who is receiving recognition for stepping into Chris' pre-eminent bass and vocals," says drummer Alan White. "Each night we are pausing to reflect on Chris' importance to Yes, his desire that we should continue to share Yes music on stages worldwide, and the specific dedication of 'Onward' to his huge memory. I'm so grateful to continue to be performing on stages for our dedicated fans and look forward to celebrating our 50th Anniversary in America.  It has been a great ride!"

"Being a member of the band during its 50th anniversary is a privilege and honor," adds Geoff Downes (keys). "It is awe-inspiring to reflect on the caliber and invention of the musicians who have forged the legacy of Yes since 1968, always pushing the boundaries. Playing on stage with founder member Tony Kaye to launch the 50th anniversary [on this year's Cruise to the Edge] was a wonderful experience for the band and our fans, to whom we dedicate this special tour."

During this summer's "Evening with YES" shows, YES--Steve Howe (guitar since 1970), Alan White (drums since 1972), Geoff Downes (keyboards; first joined in 1980), Jon Davison (vocals since 2011) and Billy Sherwood (guitar/keyboards in the 1990s and the late Chris Squire's choice to take over bass/vocals in 2015)--will perform a special classic hits concert to commemorate the landmark occasion.

The cross-country trek will take the 2017 Rock & Roll Hall of Fame inductees to Kansas City, Denver, Los Angeles (June 19 at the Ford Theater), San Jose, Detroit, Cincinnati, Pittsburgh, Boston, Staten Island, Philadelphia, Washington, DC and Orlando, among many other cities, before wrapping July 28 in Atlanta. See below for full list of tour dates and go to www.yesworld.com for ticketing information.

YES 2018 Summer Tour Dates:

DATE

 

CITY

VENUE

Tue

6/5

St. Charles, IL

Arcada Theatre

Wed

6/6

St. Charles, IL

Arcada Theatre

^Fri

6/8

New Buffalo, MI

Four Winds Casino Ballroom

^Sun

6/10

Kansas City, MO

Midland Theatre

^Mon

6/11

Denver, CO

Paramount Theatre

^Wed

6/13

Boise, ID

CenturyLink Arena

~Thu

6/14

Woodinville, WA

Chateau Ste. Michelle Winery

-Sat

6/16

Bakersfield, CA

Spectrum Amphitheater

-Sun

6/17

Anaheim, CA

City National Grove of Anaheim

-Tue

6/19

Los Angeles, CA

Ford Theatre

-Wed

6/20

San Jose, CA

City National Civic

+Fri

6/22

Wendover, NV

Peppermill Casino Hall

Sat

6/23

Laughlin, NV

Edgewater Hotel & Casino

^Sun

6/24

Temecula, CA

Pechanga Resort & Casino

*Thu

6/28

Interlochen, MI

Kresge Auditorium

Fri

6/29

Grand Rapids, MI

20 Monroe Live

-Sat

6/30

Detroit, MI

Fox Theatre

^Mon

7/2

Cincinnati, OH

PNC Pavilion at Riverbend Music Center

Thu

7/5

Pittsburgh, PA

Carnegie of Homestead Music Hall

~Fri

7/6

Jim Thorpe, PA

Penn's Peak

Sat

7/7

Montclair, NJ

The Wellmont Theater

^Tue

7/10

Boston, MA

The Wilbur Theatre

^Wed

7/11

Hampton Beach, NH

Hampton Beach Casino Ballroom

^Sat

7/14

Atlantic City, NJ

Tropicana Casino

^Sun

7/15

Staten Island, NY

St. George Theatre

Tue

7/17

Peekskill, NY

Paramount Hudson Valley

^Wed

7/18

Westbury, NY

Theatre at Westbury

^Fri

7/20

Philadelphia, PA

The Fillmore

^Sat

7/21

Philadelphia, PA

The Fillmore

Mon

7/23

Washington, DC

Warner Theatre

Thu

7/26

Clearwater, FL

Capitol Theatre

Fri

7/27

Orlando, FL

The Plaza Live

^Sat

7/28

Atlanta, GA

Atlanta Symphony Hall

Wed, 03/28/2018 - 1:13 pm

Details for the sixth annual CRUISE TO THE EDGE excursion -- prog-rock's premier festival at sea hosted by classic rock icons, YES -- have been announced.

The 2019 CRUISE TO THE EDGE, Proggers of the Caribbean, progressive rock's preeminent fan/artist experience, kicks off its public on sale beginning today (3/28). Cabins are available at CruiseToTheEdge.com, with prices beginning at $1,299 per person, double occupancy. Government fees, taxes, and gratuities are additional and mandatory for all passengers, regardless of age.

Anchored by prog rock icons, YES, the event features some of the world's greatest prog-rock musical artists. This magical 5-night cruise sails from Tampa, Florida next February 4-9th aboard Royal Caribbean's award-winning Brilliance Of The Seas, visiting two ports of call: Key West, Florida and Cozumel, Mexico.

Joining YES will be Steve Hackett, Mike Portnoy and newcomer Riverside, making their long-awaited debut aboard Cruise to the Edge in 2019. Finally, FISH, the respected former lead vocalist of the band Marillion, will be making a rare North American appearance and first on the cruise, performing selections from his old band along with solo material from his illustrious career.

The 2019 lineup will also feature several other iconic newcomers, including: Jordan Rudess from Dream Theater, Pendragon, Gazpacho, Brand X, Marbin, UniKuE, Magic Pie and Alan Hewitt's One Nation.Other esteemed CTTE alumni confirmed to return include: PFM, Frost, Soft Machine, Spock's Beard, Enchant, Airbag, Baraka, Electric Asturias, IO Earth, Dave Kerzner's In Continuum, District 97,and the David Cross Band.Also, special guest and new Rock and Roll Hall of Famer, John Lodge of The Moody Blues will be making his encore appearance with his 10,000 Light Years Band, playing solo material and Moody Blues favorites.Finally, UK journalist and YES historian, Jon Kirkman, will emcee and moderate the cruise.

Beyond the sun, fun and exquisite dining, there will be Artist/Cruiser Photo Experiences, Q&A Sessions, Special Theme Nights and other events designed to optimize the Artist/Fan Experience. This year will once again feature the unparalleled CTTE Late Night Live, where fans can sign up to showcase their own musical talents in four different performance scenarios: Late Night Live Pro Jam (guests are invited to play with a headline act), Artist's Choice (featuring fans and Prog legends performing together), The Main Event (where guests can shine with fellow Late Night Live musicians), and Overtime Jam (where guests can choose a song to be featured in a late-night jam). For more info on the CTTE Late Night Live, please visit: ctte-grid.com.

Royal Caribbean's Brilliance Of The Seas, combines acres of glass enclosing a nine-story central atrium, elevators facing the sea, and floor-to-ceiling windows throughout. Passengers can enjoy the tranquil Solarium pool, recharge at VitalitySM Spa, or reach new heights climbing Royal Caribbean's signature rock-climbing wall. When the sun goes down, the night heats up with epic Prog Performances on stages throughout the vessel. Combined with some of the best food and service afloat, Cruise to the Edge is truly the greatest Prog Rock Show on Earth and is a can't-miss event for Prog enthusiasts throughout the world. For more info, visit CruiseToTheEdge.com and follow @cruisetotheedge on Facebook and Twitter.

Mon, 04/02/2018 - 10:03 am

After more than two decades and 20 million albums sold globally, Counting Crows will celebrate 25 years of making music by hitting the road for a worldwide "25 YEARS AND COUNTING" tour, starting with a 40+ city trek across North America this summer. Presented by Live Nation, the tour will begin June 27 in Boise, ID and travel across cities such as San Diego, Las Vegas, Denver, Atlanta, Tampa, New York, Boston, Toronto and Chicago before concluding September 22 in Nashville, TN. Joining the tour is multi-platinum band +LIVE+.

Tickets for the tour will go on sale to the general public in select cities starting Friday, April 6 at 10am local time. Counting Crows and +LIVE+ fan presales will begin tomorrow, April 3 at 10am local time. Please see below for full tour itinerary and visit www.livenation.com for full details.

"The nice thing about having 25 years of music to celebrate and seven studio albums we absolutely love to choose from is that we can play a different show every night," said Crows vocalist Adam Duritz. "The nice thing about touring with +LIVE+ is that we get to spend yet another summer with old friends who play great music. We can't wait!"

+LIVE+ vocalist & guitarist Ed Kowalczyk echoed those sentiments: "+LIVE+ is beyond excited to get out on the road this summer and play for our fans. We are freshly reunited and performing with a confidence and ferocity that we can't wait for people to experience. The fact that we will be sharing the stage once again with the incomparable Counting Crows is icing on the cake!"

In addition to celebrating 25 years of music in 2018, Duritz has also launched a new podcast, Underwater Sunshine! - a series of conversations between noted non-journalist Duritz and his pal, author and music journalist James Campion, about life, music, and whatever comes into their large and incredibly handsome brains. The weekly podcast, published every Monday, currently holds a five-star rating. View it on iTunes HERE.

Counting Crows - Adam Duritz (vocals), Jim Bogios (drums), David Bryson (guitar), Charlie Gillingham (keyboards), David Immergluck (guitar), Millard Powers (bass) and Dan Vickrey (guitar) - have sold more than 20 million albums worldwide after exploding onto the music scene with their multiplatinum breakout album August and Everything After in 1993. Known for creating unique and innovative concert experiences year after year, Counting Crows is recognized as one of the world's most pre-eminent touring live rock bands. The band released their seventh studio album Somewhere Under Wonderland in September 2014, which earned critical acclaim as one of the "band's best," scored a top 10 debut and was recognized as one of the group's "stronger works (USA Today)," claiming a spot on Rolling Stone's Top 50 Songs of the 2014 list with the track "Dislocation". For more information on Counting Crows visit www.countingcrows.com

+LIVE+, the multi-platinum band from Pennsylvania--Ed Kowalczyk (vocals, guitar), Chad Taylor (guitar, backing vocals), Patrick Dahlheimer (bass) and Chad Gracey (drums, percussion)--have sold over 22 million albums worldwide and earned two number one albums (Throwing Copper, Secret Samadhi). Their catalog is filled with such gems as "Lightning Crashes," "I Alone," "All Over You," and "Lakini's Juice," which live on today as classics at rock radio. Throwing Copper produced the band's biggest single, "Lightning Crashes," which was #1 at Modern Rock radio for 10 consecutive weeks. Throwing Copper reached #1 on the Billboard Top 200 and eventually surpassed sales of 10 million albums sold with Rolling Stone honoring the album with placement on their "1994: The 40 Best Records From Mainstream Alternative's Greatest Year." Secret Samadhi (1997) immediately shot to #1 on the Billboard Top 200 and eventually went double platinum. The release of the platinum-selling The Distance to Here (1999) turned +LIVE+ into an international powerhouse and moved the band from arenas into stadiums. +LIVE+ has been and remains today a global concert juggernaut. For more information on +LIVE+ visit: http://freaks4live.com

Counting Crows - 25 Years And Counting 2018 Tour with +LIVE+

All dates featuring +LIVE+ unless marked with a *

All dates promoted by Live Nation unless marked with a ^

DATE

CITY

VENUE

Wed, June 27^

Boise, ID

Taco Bell Arena

Fri, June 29

Auburn, WA

White River Amphitheatre

Sat, June 30

Ridgefield, WA

Sunlight Supply Amphitheatre

Mon, July 2

Reno, NV

Grand Theatre - Grand Sierra Resort

Tues, July 3^

Murphys, CA

Ironstone Amphitheatre

Fri, July 6

Mountain View, CA

Shoreline Amphitheatre

Sun, July 8

Irvine, CA

FivePoint Amphitheatre

Tues, July 10

Chula Vista, CA

Mattress Firm Amphitheatre

Fri, July 13*^

Indio, CA

Fantasy Springs Casino

Sat, July 14*^

Las Vegas, NV

The Joint

Mon, July 16*^

Salt Lake City, UT

Red Butte Garden Amphitheatre

Wed, July 18

Denver, CO

Pepsi Center

Sat, July 21

Austin, TX

Austin360 Amphitheater

Sun, July 22

Houston, TX

Cynthia Woods Mitchell Pavilion presented by Huntsman

Tues, July 24

Irving, TX

The Pavilion at Toyota Music Factory

Thu, July 26

Tupelo, MS

Bancorp Arena

Sat, July 28

Pelham, AL

Oak Mountain Amphitheatre

Sun, July 29

Atlanta, GA

Chastain Park Amphitheatre

Tues, July 31

St. Petersburg, FL

Al Lang Stadium

Wed, Aug 1

West Palm Beach, FL

Coral Sky Amphitheatre

Sat, Aug 4

Jacksonville, FL

Daily's Place

Sun, Aug 5

Charlotte, NC

PNC Music Pavilion

Tues, Aug 7

Virginia Beach, VA

Veterans United Home Loans Amphitheater

Wed, Aug 8

Bristow, VA

Jiffy Lube Live

Fri, Aug 10

Hershey, PA

Hersheypark Stadium

Sat, Aug 11

Camden, NJ

BB&T Pavilion

Tues, Aug 14

Holmdel, NJ

PNC. Bank Arts Center

Wed, Aug 15

Hartford, CT

The XFINITY Theatre

Fri, Aug 17

Boston, MA

Xfinity Center

Sat, Aug 18

Gilford, NH

Bank of New Hampshire Pavilion

Wed, Aug 22

Wantagh, NY

Northwell Health at Jones Beach Theater

Sat, Aug 25

Syracuse, NY

New York State Fair

Sun, Aug 26

Cleveland, OH

Blossom Music Center

Wed, Aug 29

Toronto, ON

Budweiser Stage

Thu, Aug 30

Pittsburgh, PA

KeyBank Pavilion

Sat, Sept 1

Cincinnati, OH

Riverbend Music Center

Sun, Sept 2

Detroit, MI

DTE Energy Music Theatre

Wed, Sept 5*

Champaign, IL

State Farm Center

Thu, Sept 6

Indianapolis, IN

Ruoff Home Mortgage Music Center

Sat, Sept 8

Chicago, IL

Hollywood Casino Amphitheater

Sun, Sept 9

St. Louis, MO

Hollywood Casino Amphitheater - St. Louis

Tues, Sept 11

Kansas City, MO

Starlight Theatre

Thu, Sept 13^

Council Bluffs, IA

Stir Cove at Harrah's Casino

Sat, Sept 15^

Sioux City, IA

Hard Rock Hotel & Casino

Sun, Sept 16^

Minneapolis, MN

Mystic Lake - Amphitheater

Tue, Sept 18*

Cedar Rapids, IA

U.S. Cellular Center

Wed, Sept 19*^

Madison, WI

Breese Stevens Field

Sat, Sept 22*^

Nashville, TN

Pilgrimage Festival

Wed, 04/25/2018 - 7:22 pm

Brian Setzer, Lee Rocker and Slim Jim Phantom--original founding members of the acclaimed American rock and roll trio, the STRAY CATS--reunited for their first North American performance in 10 years this past Saturday, April 21 in Las Vegas at The Orleans when they headlined the 15,000 capacity "Viva Las Vegas Rockabilly Weekend." The iconic group, known for their high-energy performances with hits such as "Stray Cat Strut," "(She's) Sexy + 17," and "Rock This Town," played before a sold-out and wildly enthusiastic audience who gave them a true hero's welcome. Look for the band to perform July 4 at Ribfest in Naperville, IL and August 17 at the Pacific Amphitheatre in Costa Mesa, CA.

Fri, 04/27/2018 - 12:45 pm

CHRISTIE LENÉE--singer, songwriter and 2017 international fingerstyle guitar champion--has released "Castle On The Hill," herinnovative renditionof the Ed Sheeran hit song. Released on April 25, LENÉE's arrangement bridges the gap between virtuosic tapping style guitar and contemporary singer/songwriter."Castle on The Hill" is available now via iTunes here and on Spotify here. "My intention with this project is to artistically weave the tapestries of modern fingerstyle guitar with contemporary folk-pop," says LENÉE. "I'm doing my best to bridge the gap so it's not 'instrumental' or 'vocal,' and so that every song has a little bit of both. Even when it means light vocalizations on an instrumental piece, or a lyrical song with orchestral segments, I am enjoying combining the two."

LENÉEis featured in the May print issue of Guitar Player magazine (on stands now) which dives deep into the musician's fingerstyle guitar technique. AXS.com's Jim Wood noted "through the use of harmonics and tapping, Lenée's infectious style utilizes all parts of the guitar and combines elements of folk, rock and pop into one tasty and eclectic musical stew." (April 14, 2018) She recently told Digital Journal that "years ago, I set my intention to be an inspirational songwriter, though over time I've come to realize that inspiration comes in many forms. Talking about the dark and the light, the beauty and moments of pain are all forms of inspiration." (April 19, 2018)

After wrapping up a performance earlier this week in New York City at Rockwood Music Hall, LENÉE is continuing on her national 29-date tour which will make additional stops in Richmond, VA, Mobile, AL, Palo Alto, CA, Los Angeles, CA, Nashville, TN and Ashville, NC, among many others, before wrapping in Tampa, FL at Straz Center for the Performing Arts on November 18. More information on tour dates can be found here.

During off time while touring, LENÉE has been spending countless hours in the studio recording songs for an upcoming full-length album. Three new singles are next on deck for digital release (details TBA).

"For new fans who discover my music, I hope they feel a little closer to the heart," says LENÉE. "Many have expressed at live shows that when they see a performance, it's as if I'm entering another dimension. This is true in the fact that music is an infinite universe, and with that, I'm beyond grateful to contribute to it and invite others in."

Watch a performance video of LENÉE's rendition of "Castle On The Hill" here and performance video of her original, "Song for Michael Pukac,"here.

CATCH CHRISTIE LENÉE ON TOUR:

DATE

VENUE

CITY/STATE

4/27

Christie Lenèe at The Tin Pan

Richmond, VA

5/11

Down East Folk Arts Society

New Bern, NC

5/12

Down East Folk Arts Society

Morehead City, NC

5/19

Artsplosure

Raleigh, NC

5/25

Christie Lenée Live at the Listening Room

Mobile, AL

5/26

Christie Lenée at The Shed Series

Birmingham, AL

6/6

Shingle Springs Opera House

Shingle Springs, CA

6/9

AM GUITAR WORKSHOP w/Christie Lenee

Palo Alto, CA

6/10

Christie Lenee at CLUB FOX

Redwood City, CA

6/13

 Socrates Coffee House

Atascadero, CA

6/14

Christie Lenée at Coffee Gallery Backstage

Altadena, CA

6/15

Boulevard Music

Culver City, CA

6/16

Thousand Oaks Library

Thousand Oaks, CA

6/24

Christie Lenée at Skyline Music

Westlake, OH

6/26

Seven Steps Up

Spring Lake, MI

6/29

Christie Lenée at 20 Front Street

Lake Orion, MI

6/30

Toronto Fingerstyle Guitar Assn Presents Christie Lenée

Toronto, ON,

7/15

Guitar Workshop Plus w/Christie Lenee and Andy McKee

Nashville, TN

7/27

Asheville Yoga Festival

Asheville, NC

8/4

Christie Lenee at The Crib

Herndon, VA

8/12

Copper Guitar Town

Copper Mountain, CO

9/1

Floyd Yoga Jam

Floyd, VA

9/12

Walnut Valley Festival

Winfield, KS

9/27

Christie Lenée at Lansdowne Folk Club

Lansdown, PA

9/29

Ouibache Music Festival

West Lafayette, IN

11/18

Straz Center for the Performing Arts

Tampa, FL

Mon, 04/30/2018 - 9:03 am

OHANA FESTIVAL will once again return to beautiful Doheny State Beach in Dana Point, CA for a third year this September with performances from Eric Church, Eddie Vedder, Mumford & Sons, Beck, Norah Jones, Yeah Yeah Yeahs, Amos Lee, Liz Phair and many others (full line-up below). The acclaimed three-day festival--set for Friday, September 28, Saturday, September 29 and Sunday, September 30--celebrates some of the top singers, songwriters and musicians, taking place just steps away from the sands of one of Southern California's most iconic beaches.

After a successful launch in 2016 OHANA returned in 2017 as an expanded three-day event with more than 35,000 attendees. In the "Ohana" tradition of family, the grassy festival site is dotted with blankets and fans enjoying a weekend of music, food and activities.

The initial 2018 OHANA line-up is as follows: Eric Church, Eddie Vedder, Mumford & Sons, Norah Jones, Yeah Yeah Yeahs, Amos Lee, Liz Phair, Young the Giant, Nikki Lane, Bahamas, Switchfoot w/ Rob Machado, John Doe Folk Trio, Plague Vendor, Andrew Macmahon & The Wilderness, Hiss Golden Messenger, The White Buffalo, NoMBe, Fantastic Negrito, The War + Treaty, Lauren Ruth Ward, Allan Rayman, Dave Hause, Nick Hakim, Kevin Devine, Billy Raffoul, Timmy Curran, Lilly Hiatt, The Palms, Desure, The Alive.

Tickets for OHANA go on sale Friday, May 4 at 10:00 AM (PT) at www.ohanafest.com. Single day GA passes start at $99.75, weekend GA passes are $275, single day VIP passes are $499.00, and VIP weekend passes are $1,200, all prices are + fees. A portion of the proceeds from OHANA will benefit the San Onofre Parks Foundation, a California non-profit that cooperatively works with the California State Parks to develop, preserve and enhance the recreation and experience of California's unique and beautiful coastal parks.  OHANA is produced by Live Nation.

Website

Facebook

Twitter

Instagram

YouTube

Snapchat: TheOhanaFest

Wed, 05/02/2018 - 8:21 am

As YES gear up for their North American summer tour celebrating the band's landmark Golden Anniversary, the prog rock pioneers have started to reveal exciting plans in store for the year, including special tour guests, five-album vinyl set and a U.S. fan convention. Their 50th Anniversary not only celebrates the musical contributions of YES but also embraces their intellectual and sophisticated fan base who have been an integral part of the band's journey.

To start, it has been announced that founding member/Grammy winner/Rock & Roll Hall of Fame inductee Tony Kaye (keyboards; 1968-1971 and 1983-1995) will be joining Steve Howe (guitar since 1970), Alan White (drums since 1972), Geoff Downes (keyboards; first joined in 1980), Jon Davison (vocals since 2011) and Billy Sherwood (guitar/keyboards in the 1990s and the late Chris Squire's choice to take over bass/vocals in 2015) as a special guest for this summer's entire 35-date tour, billed as #YES50: Celebrating 50 Years of YES.

The #YES50 cross-country "Evening with YES" trek kicks off June 5 and 6 with a two-night engagement at the Arcada Theatre in St. Charles, IL and will take the 2017 Rock & Roll Hall of Fame inductees to Kansas City, Denver, Los Angeles (June 19 at the Ford Theater), San Jose, Detroit, Cincinnati, Pittsburgh, Boston, Staten Island, Philadelphia, Washington, DC and Orlando, among many other cities, before wrapping July 28 in Atlanta. See below for full list of tour dates and go to www.yesworld.com for ticketing information, including VIP and meet & greet package options.

In addition, famed artist Roger Dean, who has designed countless album covers and logos licensed exclusively for YES, will be appearing at select dates throughout the tour, showcasing special tour prints at the merch table. Among the prints on sale during the tour will be the remaining few of a special limited edition of "Relayer," plus other classic YES designs and logos.

While the band is in Philadelphia for back-to-back shows at The Fillmore, the YesFanFest - 50 True Summers U.S. fan convention is set to take place Saturday, July 21 at The Foundry. Various YES alumni, including Patrick Moraz and Tom Brislin, will be performing at the event, which will also include a Q&A with YES, among other activities.

On June 29, Warner Music will release YES: The Steven Wilson Remixes, a five-album vinyl set featuring Steven Wilson's remixes of five classic YES studio albums: The Yes Album (1971), Fragile (1971), Close To The Edge (1972), the double album Tales From Topographic Oceans (1973) and Relayer (1974). Each album features remixed audio by Steven Wilson, released on vinyl for the first time, and artwork created specifically for the set by Roger Dean, with new cover art for Close To The Edge and Tales From Topographic Oceans and reworked art by Dean for the remaining three covers.

Additionally, YES recently issued Fly From Here - Return Trip, a new version of their 2011 album Fly From Here featuring the Drama lineup and new lead vocals by Trevor Horn. Released March 25, Fly From Here - Return Trip--available from Pledge Music (here)--contains a previously unreleased song, "Don't Take No For An Answer," recorded in 2011 featuring Steve Howe on lead vocals, and the full-length version of "Hour of Need," previously only available as a Japanese bonus track. Fly From Here - Return Trip is a long-awaited treat for all YES fans and, following Chris Squire's passing in 2015, represents the last chance for fans to hear a follow-up to the classic YES release Drama.

Catch the #YES50 summer tour in the following markets:

DATE

   

CITY

     

VENUE

     

Tue

6/5

 

St. Charles, IL

 

Arcada Theatre

     

Wed

6/6

 

St. Charles, IL

 

Arcada Theatre

     

Fri

6/8

 

New Buffalo, MI

 

Four Winds Casino Ballroom

 

Sun

6/10

 

Kansas City, MO

 

Midland Theatre

     

Mon

6/11

 

Denver, CO

 

Paramount Theatre

   

Wed

6/13

 

Boise, ID

   

Century Link Arena

     

Thu

6/14

 

Woodinville, WA

 

Chateau Ste. Michelle Winery

 

Sat

6/16

 

Bakersfield, CA

 

Spectrum Amphitheater

   

Sun

6/17

 

Anaheim, CA

 

City National Grove of Anaheim

 

Tue

6/19

 

Los Angeles, CA

 

Ford Theatre

     

Wed

6/20

 

San Jose, CA

 

City National Civic

     

Fri

6/22

 

Wendover, NV

 

Peppermill Casino Hall

   

Sat

6/23

 

Laughlin, NV

 

Edgewater Hotel & Casino

   

Sun

6/24

 

Temecula, CA

 

Pechanga Resort & Casino

   

Thu

6/28

 

Interlochen, MI

 

Kresge Auditorium

     

Fri

6/29

 

Grand Rapids, MI

 

20 Monroe Live

     

Sat

6/30

 

Detroit, MI

 

Fox Theatre

     

Mon

7/2

 

Cincinnati, OH

 

PNC Pavilion at Riverbend Music Center

Thu

7/5

 

Pittsburgh, PA

 

Carnegie of Homestead Music Hall

 

Fri

7/6

 

Jim Thorpe, PA

 

Penn's Peak

     

Sat

7/7

 

Montclair, NJ

 

The Wellmont Theater

   

Tue

7/10

 

Boston, MA

 

The Wilbur Theatre

   

Wed

7/11

 

Hampton Beach, NH

Hampton Beach Casino Ballroom

 

Fri

7/13

 

Mashantucket, CT

 

Foxwoods Casino

     

Sat

7/14

 

Atlantic City, NJ

 

Tropicana Casino 

     

Sun

7/15

 

Staten Island, NY

 

St. George Theatre

   

Tue

7/17

 

Peekskill, NY

 

Paramount Hudson Valley

   

Wed

7/18

 

Westbury, NY

 

Theatre at Westbury

   

Fri

7/20

 

Philadelphia, PA

 

The Fillmore

     

Sat

7/21

 

Philadelphia, PA

 

The Fillmore

     

Mon

7/23

 

Washington, DC

 

Warner Theatre

     

Tue

7/24

 

Richmond, VA

 

Classic Amphitheatre 

   

Thu

7/26

 

Clearwater, FL

 

Capitol Theatre

     

Fri

7/27

 

Orlando, FL

 

The Plaza Live

     

Sat

7/28

 

Atlanta, GA

 

Atlanta Symphony Hall

   
Wed, 05/02/2018 - 7:42 pm

Tony Lewis from The Outfield has officially announced Friday, June 29 as the release date for his first solo album, OUT OF THE DARKNESS, via Madison Records. The new 12-track album, written and recorded by LEWIS over the past two years, is his first for the Atlanta-based label and features the debut single “Into the Light,” hitting radio and all digital music platforms May 18. Full track listing below.

OUT OF THE DARKNESS takes on the spirit of The Outfield, the ’80s rock group he founded with the late John Spinks, while letting TONY’s own style shine through. TONY produced and recorded everything on his own for the new album, in addition to playing all the instruments.

Following the 2014 passing of his longtime friend and collaborator, LEWIS took a break from music but the London-based musician, songwriter and record producer couldn’t stay away for long as music is too ingrained in his life. He had always written and recorded solo work and, with the help and love of his wife Carol, found his inspiration again to create OUT OF THE DARKNESS, his first official solo project.

“I spent three years away from music, thinking about whether I still had something to contribute to the music industry, but I started to miss recording and singing. I felt it was something I had to do,” says LEWIS. Of the album’s title, he adds, “It is taken from a song on the album, ‘Into the Light,’ and sums up my journey through the transition of loss and knowing that whatever happens, I am lucky to have a loving and supportive family.”

In support of the album’s release, LEWIS will be hitting the road this summer on the Retro Futura Tour, alongside Belinda Carlisle, ABC, Modern English, Kajagoogoo’s Limahl and Bow Wow Wow’s Annabella. The July and August outing–including a July 28 show at the Wiltern Theatre in Los Angeles–will mark his first tour in over 13 years. See below for all upcoming tour dates and go to www.retrofuturatour.com for additional information.

“First, I’m just excited to be playing live,” shares LEWIS. “It’s why I became a musician, to entertain, and playing live is an intrinsic part of my DNA. But also, I am very fortunate to have a loyal fan base from The Outfield, who are all rooting for me. I would like to give them something back for all the messages of support over the last few years. I’m really looking forward to supporting my new music by performing live and reconnecting with the music industry.”

The Outfield took the ’80s by storm with their infectious pop songs, including “Your Love,” “All The Love” and “Say It Isn’t So.” Their 1985 debut album, Play Deep, reached triple platinum sales status and Top 10 on the U.S. album charts. “Your Love” peaked at #6 and is still featured in a number of compilation albums and commercials, and has been covered or remixed over 1,000 times by other artists. More than 30 years later, “Your Love” continues to make waves with an average of 1 million streams per week on Spotify and over 5 million monthly views of the video on YouTube, while still in rotation at over 300 major market radio stations across the country. The massive single has also been featured on various TV spots including recent episodes of “The Goldbergs” and “Family Guy” and a long-running Bounce commercial, airing since 2014. Collectively, The Outfield has over 170 million total views on YouTube videos and 125 million streams on Spotify.

Track Listing for OUT OF THE DARKNESS:

Into the Light

Here And Now

Only You

The Dance of Love

All Alone

I’ll Still Be Here

Loving You

Melt The Ice

Thank You (For Breaking My Heart)

Dreams and Wishes

Think That You Know Me

I Know

Catch TONY LEWIS FROM THE OUTFIELD on the Retro Futura Tour in these cities:

DATE

   

CITY

   

VENUE

       

Wed

11-Jul

 

Atlanta, GA

 

State Bank Amphitheatre at Chastain Park

**Thu

12-Jul

 

Hyannis, MA

 

Cape Cod Melody Tent 

   

Fri

13-Jul

 

Westbury, NY

 

NYCB Theatre at Westbury 

 

~Sat

14-Jul

 

Englewood, NJ

 

Bergen PAC

     

Sun

15-Jul

 

Lynn, MA

 

Lynn Auditorium

     

Wed

18-Jul

 

Branson, MO

 

Welk Resort

     

Fri

20-Jul

 

Salt Lake City, UT

Red Butte Garden

   

Sat

21-Jul

 

Las Vegas, NV

 

Mandalay Bay

     

Sun

22-Jul

 

Saratoga, CA

 

Mountain Winery

     

Thu

26-Jul

 

Costa Mesa, CA

 

Pacific Amphitheatre 

   

^Sat

28-Jul

 

Los Angeles, CA

 

Wiltern Theatre

     

Sun

29-Jul

 

Tucson, AZ

 

Anselmo Valencia Tore Amphitheater

Wed

1-Aug

 

Milwaukee, WI

 

Pabst Theatre

     

Fri

3-Aug

 

Northfield, OH

 

Hard Rock Live

     

Sat

4-Aug

 

St. Ignace, MI

 

Kewadin Casino Resort

   

**ABC, Modern English and Tony Lewis only

~No Annabella

^No Belinda Carlisle

Thu, 05/10/2018 - 3:23 pm

MAMBY ON THE BEACH, Chicago's only beachside summer music festival, is proud to announce the full artist lineup for its fourth annual installment! The two-day boutique festival takes place Saturday, June 23rd and Sunday, June 24th, on the grassy fields and sand-swept coastline of Oakwood Beach in the historic Bronzeville neighborhood.

Backed by a stunning view of Chicago's skyline and the shimmering waters of Lake Michigan, the Beach Stage showcases the best in indie, electronic, and hip-hop. Headlining is hometown hip-hop icon COMMON and one of the hottest rising stars in the game, RUSS. The Beach Stage will also host a live performance by acclaimed UK house duo GORGON CITY, along with ROY WOOD$', whose smoothly textured hip-hop promises to hit you right in the feels. Brotherly synth rock trio AJR join the roster, along with the impeccable rap lyricism of Savemoney's TOWKIO. MOON BOOTS will also perform with a full band, while ascendant Chicago producer WHETHAN returns with his wavy soundscapes. Additional acts include the infectiously groovy UK duo HONNE, soulful sounds from JAMILA WOODS, PIVOT Gang's JOSEPH CHILLIAMS and more.

Meanwhile, the Park Stage provides a sonic landscape with headlining performances by indie rock favorites SPOON--stopping through Chicago as part of their nationwide co-headlining tour with dreamy lo-fi heroes GRIZZLY BEAR, along with energetic rockers COLD WAR KIDS, and high-energy art pop band ST. LUCIA. Additionally, genre-bending duo TUNE-YARDS and singer-songwriter duo OH WONDER will dazzle the crowd with their defiant alt-pop sound. Swervy beatsmith SNAKEHIPS brings the vibes, while supporting acts carry this stage home with performances by Swedish songstress LÉON, outspoken rapper/songwriter CUPCAKKE, Louisville rapper JACK HARLOW, Savemoney crew member KAMI and more.

This year, industry leaders MIXMAG and BEATPORT team up to host the Mamby DJ Tent, a stage dedicated to the very best in house and techno, with headlining performances by RICHIE HAWTIN and DUKE DUMONT. The Mixmag x Beatport Tent will also host Innervisions founder DIXON, indie-tronic sensation JAI WOLF, South African trailblazer NORA EN PURE, and Canadian producer VANIC. Life & Death label boss DJ TENNIS and WALKER & ROYCE will drop some groovy deep house, along with longtime favorites JAX JONES, GENE FARRIS, and Chicago techno legends DJ HYPERACTIVE, HIROKO YAMAMURA, among others.

In 2018, MAMBY will expand its footprint to include a new Community Village dedicated to local and national nonprofit organizations with progressive missions. The Community Village will host a stage featuring talent from Young Chicago Authors and other surrounding neighborhoods.

As previous attendees will remember, MAMBY is far more than a gathering of diverse musical acts on the beautiful shores of Lake Michigan. Since its inception, the MAMBY experience grows each year, expanding its roots to encompass a variety of experiences that connects attendees with art, culture, and the community in ways like never before. With the continual addition of art installations, volleyball, a water balloon fight, yoga, nutrition and wellness workshops, beautification stations, poetry slams, a variety of local food vendors, and more, MAMBY is proven to be unlike any other music festival in Chicago.

Watch the MAMBY ON THE BEACH lineup announcement video here

The line-up for MAMBY ON THE BEACH is:

AJR
Bugus
Carlie Hanson
Cold War Kids
Common
Cupcakke
Darci
Dixon
DJ Hyperactive
DJ Tennis
Drama
Duke Dumont
Gene Farris
Gorgon City (Live)
Grandson
Grizzly Bear
Hiroko Yamamura
HONNE
Jack Harlow
Jai Wolf
Jamila Woods
Jax Jones
Jonathan McReynolds
Joseph Chilliams
Joshua's Troop
KAMI
LÉON
Mansionair
Moon Boots (Live)
Nora En Pure
Oh Wonder
Papa G
Plaid Hawaii
pluko
Richie Hawtin
Roy Wood$
Russ
ShowYouSuck
Snakehips
Spoon
St. Lucia
Statik
Towkio
Tune-Yards
Vanic
Walker & Royce
Whethan
Windy City Soul Club

Mon, 05/14/2018 - 12:33 pm

Following their successful inaugural tour across Australia and New Zealand in 2017, the pedigree of hallowed '60s trio Cream--Ginger Baker's son KOFI BAKER, Jack Bruce's son MALCOLM BRUCE and Eric Clapton's nephew* WILL JOHNS--have come together for the first time in North America to pay homage to the band's extraordinary legacy with THE MUSIC OF CREAM - 50TH ANNIVERSARY WORLD TOUR. The eight-week outing--kicking off September 28 in Ottawa and spanning 34 cities throughout North America this fall--will mark 50 years since the original lineup's farewell U.S. tour of 1968.

Click HERE to watch the trailer for THE MUSIC OF CREAM -- 50TH ANNIVERSARY WORLD TOUR.

Having received rave reviews in Australia and New Zealand from the media and fans alike, THE MUSIC OF CREAM -- 50TH ANNIVERSARY WORLD TOUR is primed to take over North America and celebrate the music and legacy their family members created. Prepare to hear personal stories and songs such as "Sunshine of Your Love," "Crossroads," "Spoonful" and "White Room" performed across a comprehensive set, which will also see BAKER (drums), BRUCE (bass, vocals) and JOHNS (guitar, vocals) interplay with footage of their fathers and mentors on the big screen, along with never-before-seen footage and photos. This multi-media concert experience has been specially created for the 50th Anniversary Tour, providing some of rock's most memorable moments with a new lease on life.

"We had such an amazing response to our first tour in Australia and New Zealand that we've spent some considerable time adding to the show," shares BRUCE. "Now, we not only have this amazing legacy of music to play, but an opportunity to share some wonderful insights and stories with our audience...a backstage pass like no other, if you will."

Adds BAKER, "We also have a few surprises in store that we know people are going to really respond to, so we can't wait to be on the road again playing these shows across North America this fall."

After the Ottawa launch, the first leg of THE MUSIC OF CREAM -- 50TH ANNIVERSARY WORLD TOUR will travel throughout Eastern Canada and Eastern and Midwest USA stopping in such places as Montreal, Quebec City, Portland, New London, Englewood, Huntington, Philadelphia, Albany, Harrisburg, Baltimore, Pittsburgh, Cleveland, Indianapolis, Des Moines, Milwaukee, Madison and Louisville, among many others, before wrapping November 16 in Cincinnati. See below for full North American tour routing. For ticketing information, go to www.musicofcream.com.

In addition, look for the announcement of four celebratory shows across the U.K. coming soon, coinciding with the anniversary of the original band's legendary Albert Hall farewell concert, November 26, 1968, ahead of a nationwide tour in the spring.

Of the tour's run of shows in Australia and New Zealand, which featured special guests Glenn Hughes and Robben Ford, The RockPit noted, "Eric and Ginger and Jack (if looking down on us) would be proud. This is an exceptional night of wonderful music" with The Music adding, "The Music of Cream were not trying to emulate their free-spirited forefathers...this was purely about celebrating the legendary music." Elsewhere, Ambient Light said, "The trio took turns supporting one-another with bluesy riffs and bursting out in energetic solos. Be it through Baker's pounding bursts during 'Sitting on the Top of the World,' Bruce's jazzy climbs throughout 'Politician,' or the shreds and wails of Johns in 'Deserted Cities,' the group had the audience eating out of the palm of their hands."

During its heartbreakingly short lifespan, Cream was an explosive musical cocktail that provided the super-group blueprint for others to follow. The group's third album, Wheels of Fire (1968), was the world's first platinum-selling double album, and collectively they sold more than 15 million copies of their albums worldwide. Not surprisingly, Rolling Stone ranked the Rock and Roll Hall of Fame group (inducted in 1993) as 67th in their '100 Greatest Artists of All Time' list.

Apart from an equally brief reunion in 2005 of seven shows at London's Royal Albert Hall and New York's Madison Square Garden, Cream retained an almost mythological status in the music world, right up until the passing of Jack Bruce in 2014. This, for many fans, marked the end of an era and an acceptance that there would never really be another opportunity to celebrate the group's legacy. That is, until the MUSIC OF CREAM -- 50TH ANNIVERSARY WORLD TOUR hit Australia and New Zealand last year.

Now, the trio of BAKER, BRUCE and JOHNS are looking forward to inspiring and re-igniting North America with their very own celebration of a musical legacy that runs through their veins.

 *by marriage

The Music of Cream -- 50th Anniversary North American Tour Dates:

DATE                          CITY                                       VENUE

Fri        9/28                 Ottawa, ON                         Centrepoint Theatre

Sat       9/29                 Montreal, QC                      Corona Theatre

Sun      9/30                 Quebec City, QC                 Imperial Bell

Tue      10/2                 South Burlington, VT           Higher Ground

Thu      10/4                 Ridgefield, CT                     Ridgefield Playhouse

Fri        10/5                 Woonsocket, RI                  Stadium Theatre

Sat       10/6                 New Bedford, MA               Zeiterion Theatre

Sun      10/7                 Portland, ME                      State Theatre

Tue      10/9                 Northampton, MA               Calvin Theatre

Thu      10/11               Lynn, MA                             Lynn Memorial Auditorium

Fri        10/12               New London, CT                 Garde Arts Center

Sat       10/13               Concord, NH                       Capitol Centre for the Arts-Chubb Theatre

Sun      10/14               Jim Thorpe, PA                    Penn's Peak

Tue      10/16               Englewood, NJ                     Bergen Performing Arts Center

Wed     10/17               Huntington, NY                    The Paramount

Thu      10/18               Glenside, PA                        Keswick Theatre

Fri        10/19               Waterloo, NY                       The Vine at del Lago Casino

Sun      10/21               Albany, NY                          Hart Theatre Empire State Plaza PAC "The Egg"

Tue      10/23               Red Bank, NJ                      Count Basie Theatre

Wed     10/24               Harrisburg, PA                     Stage @ Club XL

Thu      10/25               Baltimore, MD                      Rams Head Live

Fri        10/26               Greensburg, PA                   Palace Theatre

Thu      11/1                 Cleveland, OH                     Playhouse Square - StateTheatre

Fri        11/2                 Newark, OH                         Midland Theatre

Sat       11/3                 Indianapolis, IN                   The Vogue

Wed     11/7                 Des Moines, IA                   Des Moines Performing Arts Center

Thu      11/8                 St. Charles, IL                      Arcada Theatre

Fri        11/9                 Milwaukee, WI                     Pabst Theater

Sat       11/10               Cedar Rapids, IA                 Paramount Theatre

Sun      11/11               St. Paul, MN                        Fitzgerald Theatre

Tue      11/13               Wausau, WI                         Grand Theater

Wed     11/14               Madison, WI                        Orpheum Theater

Thu      11/15               Louisville, KY                       Brown Theatre

Fri        11/16               Cincinnati, OH                      Bogarts

Fri, 05/18/2018 - 3:30 pm

Reggae-influenced alternative rock band IRATION has released their new self-titled full-length studio album today (5/18) via their own label, Three Prong Records. The 17-track album--currently sitting at #1 on the iTunes Reggae Albums chart and #13 on their overall Top Albums chart--features guest appearances by J Boog and Tyrone's Jacket on new single "Danger" along with Slightly Stoopid on the song "Broken Promises." IRATION also features previous singles "Hit List," "Fly With Me," which debuted at #1 on the iTunes Reggae Songs chart, and "Borderlines," which garnered airplay at alt stations in San Diego, Miami, Las Vegas, Sacramento, New Orleans and Santa Barbara, among several other markets. See the full track listing below.

"We've always been a band with very eclectic influences. We've never shied away from exploring different styles or sounds," shares lead singer and songwriter Micah Pueschel. "We've always said that we don't care what 'genre' a song fits into, we just care that we serve the song and let IT dictate where we go. This album was two years in the making and is what we consider the definitive sound of Iration. You'll hear all of our influences being channeled and it might take you a few listens before you hear them all. In the meantime, we hope you enjoy the ride."

Download/stream Iration on the following platforms:

Spotify, Apple Music, Google Play, iTunes, SoundCloud, and Amazon Music

In support of the album's release, IRATION--Micah Pueschel (lead vocals/guitar), Adam Taylor (bass), Joseph Dickens (drums), Cayson Peterson (keyboard/synth) and Micah Brown (guitar/vocals)--is hitting the road this spring and summer with Dirty Heads. The 26-date outing, also featuring The Movement and Pacific Dub, kicks off tonight in San Diego and will make its way across the country stopping in Dallas, Orlando, Charlotte, Pittsburgh, Philadelphia, Baltimore, Boston, Cleveland, Milwaukee, Minneapolis, Salt Lake City, Albuquerque and Las Vegas, among many others, before returning to Southern California June 30 to wrap in Irvine. In addition, the Hawaiian-bred, Santa Barbara-based band has a handful of festival headlining sets on the horizon: May 25 at the California Roots Music & Arts Festival in Monterey, CA and July 28 at The Mayjah Rayjah Festival back home in Hawaii. See below for full list of upcoming tour dates and go to www.irationmusic.com for more information and ticketing details.

IRATION's new self-titled album follows the band's latest full-length album Hotting Up (2015) and digital-only release Double Up (2016), which featured acoustic-only versions of hits from all their previous releases including Automatic (2013), Fresh Grounds EP (2011) and Time Bomb (2010). Both Hotting Up and Automatic peaked at #1 on Billboard's Reggae Albums Chart with Time Bomb reaching #2 on the chart.

Watch the videos for these tracks off IRATION's self-titled album:

"Fly With Me" (lyric video) HERE (2.4 million views)

"Fly With Me" (music video) HERE

"Borderlines" (lyric video) HERE

"Danger" (lyric video) HERE

Track Listing for IRATION:

Already Gold

Press Play

Twisted Up

Broken Promises featuring Slightly Stoopid

2GÜD2BTRÜ

Danger featuring J Boog and Tyrone's Jacket

Losing My Mind

Stay The Course

Know Your Name

Last To Know

L.I.O.N. (Like It Or Not)

Energy

Hit List

Borderlines

Fly With Me

Warm Waters

All For You

Fri, 06/29/2018 - 2:14 pm

Prog rock pioneers YES have revealed more exciting plans for their official 50th Anniversary celebration #YES50 by announcing that former member Trevor Horn will sit in with the band during their special two-night stand at The Fillmore in Philadelphia July 20 and 21. In addition, Horn is set to participate in the YesFanFest - 50 True Summers U.S. fan convention taking place Saturday, July 21 at The Foundry in Philadelphia, where he'll join the current members of YES and other alumni, including keyboardists Patrick Moraz and Tom Brislin, for a once-in-a-lifetime experience for the band's dedicated fan base. Famed artist Roger Dean, who's designed countless album covers and logos licensed exclusively for YES, will also take part in the fan convention.

Horn previously sang lead vocals on the band's 1980 album Drama and produced their albums 90125 (1983) and Big Generator (1987) along with 2011's Fly From Here. Earlier this year, YES issued Fly From Here - Return Trip, a new version of the album featuring lead vocals by Horn. Released March 25, Fly From Here - Return Trip--available from Pledge Music (here)--also contains a previously unreleased song, "Don't Take No For An Answer," recorded in 2011 featuring Steve Howe on lead vocals, and the full-length version of "Hour of Need," previously only available as a Japanese bonus track. Signed vinyl and CD versions of the album will be available in Philadelphia. Horn also sat in with YES as a special guest during the European leg of their Golden Anniversary tour at their London and Paris shows in March.

YES--Steve Howe (guitar since 1970), Alan White (drums since 1972), Geoff Downes (keyboards; first joined in 1980), Jon Davison (vocals since 2011) and Billy Sherwood (guitar/keyboards in the 1990s and the late Chris Squire's choice to take over bass/vocals in 2015)--recently kicked off this summer's tour, billed as #YES50: Celebrating 50 Years of YES, on June 5. During the entire 35-date tour, founding member/Grammy winner/Rock & Roll Hall of Fame inductee Tony Kaye (keyboards; 1968-1971 and 1983-1995) is joining the band as a special guest during an extended encore, performing such YES hits as "Yours Is No Disgrace," "Roundabout" and "Starship Trooper."

The #YES50 cross-country "Evening with YES" trek has been receiving critical praise for the 2017 Rock & Roll Hall of Fame inductees, with Vintage Rock's Shawn Perry saying the Anaheim, CA show "proved the bar has been set high" (6/20/18) and Alex Kluft from Music Connection noting, "YES is the type of band that always puts on an unforgettable show and takes the audience on a journey through decades of great music" (6/22/18). Highwire Daze's Ken Morton called the Los Angeles show, "the concert of a lifetime" and added, "YES at 50 presents each and every member at the height of their creative energies, unleashing timeless compositions that will remain within our consciousness for an eternity. Do not miss YES 50 when they arrive to captivate your town with their thrilling auditory tapestries!" (6/26/18). Kevin Keating from SF Bay Area Concerts summed it up best saying, "The night featured a wide range of songs from across their 21 album catalog...This wasn't meant to be a 'greatest hits' show, but a celebration of the diversity of styles across the band's 50 year history, and an homage to the late Chris Squire...YES put on a great show and it was fantastic to see Tony Kaye perform with the band that he founded 50 years ago" (6/21/18). See below for additional feedback.

#YES50 continues tonight (June 29) in Grand Rapids, MI and runs through July 28 in Atlanta, GA. See below for full list of remaining tour dates and go to www.yesworld.com for ticketing information, including VIP and meet & greet package options.

In other YES news, today, Warner Music has released YES: The Steven Wilson Remixes, a five-album vinyl set featuring Steven Wilson's remixes of five classic YES studio albums: The Yes Album (1971), Fragile (1971), Close To The Edge (1972), the double album Tales From Topographic Oceans (1973) and Relayer (1974). Each album features remixed audio by Steven Wilson, released on vinyl for the first time, and artwork created specifically for the set by Roger Dean, with new cover art for Close To The Edge and Tales From Topographic Oceans and reworked art by Dean for the remaining three covers. In their 10 out of 10 review, the UK's Classic Rock magazine called the new set, "absolutely vital" noting, "The five-album run from The Yes Album to Relayer is one of rock's greatest. This is music that is aspirational, inspirational and often transcendent. It's music that is beautiful, and brave, and occasionally violent. It's music born of a giddy spirit of adventure, played by musicians operating at the absolute peak of their powers. And it's utterly dazzling from start to finish" (Fraser Lewry, Summer 2018 issue). View the promo video for YES: The Steven Wilson Remixes here.

Catch the #YES50 summer tour in the following markets:

DATE

   

CITY

   

VENUE

       

Fri

6/29

 

Grand Rapids, MI

 

20 Monroe Live

     

Sat

6/30

 

Detroit, MI

 

Fox Theatre

     

Mon

7/2

 

Cincinnati, OH

 

PNC Pavilion at Riverbend Music Center

Thu

7/5

 

Pittsburgh, PA

 

Carnegie of Homestead Music Hall

 

Fri

7/6

 

Jim Thorpe, PA

 

Penn's Peak

     

Sat

7/7

 

Montclair, NJ

 

The Wellmont Theater

   

Tue

7/10

 

Boston, MA

 

The Wilbur Theatre

   

Wed

7/11

 

Hampton Beach, NH

Hampton Beach Casino Ballroom

 

Fri

7/13

 

Mashantucket, CT

 

Foxwoods Casino

     

Sat

7/14

 

Atlantic City, NJ

 

Tropicana Casino 

     

Sun

7/15

 

Staten Island, NY

 

St. George Theatre

   

Tue

7/17

 

Peekskill, NY

 

Paramount Hudson Valley

   

Wed

7/18

 

Westbury, NY

 

Theatre at Westbury

   

Fri

7/20

 

Philadelphia, PA

 

The Fillmore

     

Sat

7/21

 

Philadelphia, PA

 

The Fillmore

     

Mon

7/23

 

Washington, DC

 

Warner Theatre

     

Tue

7/24

 

Richmond, VA

 

Classic Amphitheatre 

   

Thu

7/26

 

Clearwater, FL

 

Capitol Theatre

     

Fri

7/27

 

Orlando, FL

 

The Plaza Live

     

Sat

7/28

 

Atlanta, GA

 

Atlanta Symphony Hall

   

 

Sat, 06/30/2018 - 3:02 pm

deadmau5's orchestral album where's the drop? (mau5trap) is available on all digital platforms. The 15 track-album, produced on a full orchestral scale, previously could only be heard on TIDAL.com/deadmau5. In addition, mau5trap is also offering a limited edition double vinyl package of the recording here.

Discover deadmau5's where's the drop? now at:  

http://smarturl.it/wheresthedrop  

https://www.youtube.com/watch?v=qXz2YIVVbII 

 Since releasing 7, a series of songs based around the Seven Deadly Sins in 2014, deadmau5 had the desire to produce them on a full orchestral scale. In meeting Gregory Reveret, music director and composer during a "mau5trap Mondays" Twitch session where he listens and critiques fans music for charity, he found someone that could properly score the music for an orchestra to execute. where's the drop? realizes the dream to life.

Upon the album's initial release earlier this spring, deadmau5 performed two sold-out night shows at the legendary Wiltern in Los Angeles. He was joined by a full orchestra and performed his music as orchestral pieces re-envisioned by Music Director and Composer Gregory Reveret

Mon, 07/09/2018 - 11:24 am

The Magpie Salute -- Rich Robinson, Marc Ford, John Hogg, Sven Pipien, Matt Slocum and Joe Magistro -- released "For The Wind" last Friday (7/6) alongside an exclusive premiere with Billboard.com. The new song marks the second track, following "Send Me An Omen," from the band's anticipated debut studio album, HIGH WATER I, set for a worldwide release on Friday, August 10th via Eagle Rock Entertainment (U.S.), Mascot Label Group (Europe/Australia/New Zealand) and Sony (Japan). Listen to "For The Wind" on all DSPs including Spotify and YouTube. Fans can pre-order the album via the band's online store here.

"It's a lot about the systems in place in the world," Rich Robinson told Billboard.com's Gary Graff of "For The Wind," which was written by Robinson and John Hogg. "The systems that have been in place as it pertains to creation of any kind. Music or books or fine arts or anything down the line have been flooded with greed and with bankers that get involve and tell artists how they can sell more if they write this way. And then basically you're just an entertainer; you let these pseudo-cynical people write these songs about jeans and Chevys and beer and whatever the hell people write about. That system being in place is constantly at odds with natural creativity. People see they can make a little bit of money, you make them a lot of money they start inserting themselves more because they want you to keep making them money. It's always been that way, but it seems more fervent than ever now."

"Feel the chill to the bone

And the wind keeps blowing

Onward to the new horizon

Weakness withering

And the road keeps rolling

We have come alight

And the ice is gone"

The band is now touring North America all summer and into the fall with headlining performances and dates as part of Gov't Mule's "Dark Side of the Mule" tour alongside The Avett Brothers, in addition to more shows with Gov't Mule in August plus shows with Blackberry Smoke. For all tour dates and to purchase tickets, click here.

Produced by Rich Robinson and recorded at Dark Horse Studios in Nashville, TN, the 12-song HIGH WATER I represents a musical union of swaggering rock 'n' roll, psychedelic blues, and campfire-worthy storytelling that first took flight in 2016 when Robinson assembled the band for a now seminal Woodstock gig. The group went on to sell out four consecutive nights at The Gramercy in New York City in January 2017 chronicled with a historic Guitar Player cover featuring the two six-stringers. By the top of 2018, the band delivered a total of 77 seismic sets worldwide comprised of a 170-song repertoire of covers, Black Crowes' tunes, and solo material. Acclaim came from Guitar World, Relix, and more, while Rolling Stone summed it up succinctly as "Explosive." A second new studio album HIGH WATER II will be released in 2019. Details to come on that at a later date.

Mon, 07/16/2018 - 10:05 am

Esteemed Grammy-nominated guitarist, composer and performer TOMMY EMMANUEL has announced additional dates for this fall's "Tommy Emmanuel with Very Special Guest Jerry Douglas" tour. The trek will kick off November 29 at the Steifel Theatre for the Performing Arts in Salina, Kansas and run through December 19 with new stops added in Boulder, Seattle, Portland, Beverly Hills, Albuquerque and Dallas. Masters of their craft, TOMMY EMMANUEL and JERRY DOUGLAS are sure to bring their acclaimed fretboard fire and charm as only these two talented musicians can. Tickets for the newly announced dates go on sale this Friday, July 20 (see full itinerary below). Click here for more information and to purchase tickets.

Click here to watch EMMANUEL and DOUGLAS performing "An Old Fashioned Love Song" at Merlefest in Wilkesboro, NC this past April.

Both artists recently released new studio albums which garnered an abundance of critical praise. EMMANUEL released Accomplice One (January 19 via CGP Sounds and distributed by Thirty Tigers), which features duets with artists such as Jason Isbell, Mark Knopfler, Rodney Crowell, Amanda Shires, and others including Jerry Douglas on "Purple Haze." Rolling Stone's Luke Levenson noted the album, "unites the talents of Emmanuel with those dream guests...for an engaging set of originals and innovative covers"(1/19/18). Elsewhere,Jeff Tamarkin of Relix raved, "this new set allows Emmanuel to display his virtuosity and range more fully over 16 tracks of intimate collaborations" (2/15/18).

DOUGLAS, the 14-time Grammy Award-winner, released his WHAT IF album (August, 2017) via Rounder Records, earning accolades from Rolling Stone, which said, "even after 14 Grammys, Jerry Douglas is still exploring unlikely musical pairings, as evidenced by the soul-and bluegrass-melding rendition of 'Hey Joe...' (8/4/17). American Songwriter backed up the sentiment with Hal Horowitz boasting, "What If is a new beginning...it's a freewheeling, musically sprawling set, perhaps more jazz and rock oriented than most would expect. Douglas writes most of the material yet works up innovative, substantially rearranged versions of 'Hey Joe,' best known by Hendrix's cover but here given a caffeinated backwoods workup, and Tom Waits' '2:19.' The album's centerpiece is its title track, a pensive progressive jazz/bluegrass fusion instrumental that allows the members to stretch out and shows both their creativity and talent" (8/16/18).

Paired for the stage this fall, these two musical icons are prepared to give fans over two hours of high-spirited and precision-crafted roots music. See all tour dates below.

 Catch Tommy Emmanuel and special guest Jerry Douglas on tour:

DATE

VENUE

CITY/STATE

Thu, 11/29

Steifel Theatre for Performing Arts

Salina, KS

*Fri, 11/30

Mackey Auditorium

Boulder, CO

Sat, 12/1

The Commonwealth

Salt Lake City, UT

Sun, 12/2

Egyptian Theatre

Boise, ID

Mon, 12/3

Bing Cosby Theatre

Spokane, WA

*Wed, 12/5

Moore Theatre

Seattle, WA

*Thu, 12/6

Aladdin Theater

Portland, OR

*Fri, 12/7

Aladdin Theater

Portland, OR

Sat, 12/8

Rogue Theatre

Grants Pass, OR

Mon, 12/10

Tower Theatre

Bend, OR

Wed, 12/12

Cascade Theatre

Redding, CA

Thu, 12/13

Fremont Theatre

San Luis Obispo, CA

*Fri, 12/14

Saban Theatre

Beverly Hills, CA

Sat, 12/15

Railroad at Boulder Hall

Las Vegas, NV

Sun, 12/16

Fox Theatre

Tucson, AZ

*Mon, 12/17

Albuquerque Journal Theatre

Albuquerque, NM

*Wed, 12/19

Majestic Theatre

Dallas, TX

(*) = newly added date

Fri, 08/03/2018 - 12:32 pm

The #YES50: Celebrating 50 Years of YES tour wrapped triumphantly July 28 with two sold-out Florida plays and a sold-out show in Atlanta, and now the prog rock pioneers would like to thank all involved for making this summer's 35-date North American 50th Anniversary trek a big success, receiving high praise from critics and fans across the board.

"Thank you to all the fans, promoters, venues, agents and everyone else involved for helping us celebrate such a special milestone," shares the band: Steve Howe (guitar - joined 1970), Alan White (drums since 1972), Geoff Downes (keyboards; first joined in 1980), Jon Davison (vocals since 2011) and Billy Sherwood (guitar/keyboards in the 1990s and the late Chris Squire's choice to take over bass/vocals in 2015). "An extra special thank you goes out to founding member Tony Kaye for joining us every night, to Jay Schellen for additional drums, to Roger Dean and his team for bringing their exhibition to the East Coast dates, and to Trevor Horn, Patrick Moraz and Tom Brislin for joining us in Philadelphia for a special weekend and fan convention." Alan White sums it up, "It was great to reconnect with friends and fans from near and far! Onward..."

Mon, 08/13/2018 - 11:50 am

With his upcoming best-of PLANET JARRE set for release September 14 on SONY, the Godfather of Electronic Music JEAN-MICHEL JARRE (JMJ) celebrates his 50 years at the forefront of electronic music with an extensive double album that will once more cement his legacy in pop music history. Consisting of four parts--Soundscapes, Themes, Sequences, Explorations & Early Works--PLANET JARRE is unmistakably and utterly typically Jarre, highlighting a different creative focus of his work. "HERBALIZER"-available now on all DSPs--appears as part of the Sequences collection based on the repetitive and hypnotic sequences that only electronic instruments can create.

Listen to "Herbalizer" now at: https://LegacyRecordings.lnk.to/herbalizer

The song was specifically written for live performance as part of JARRE's most recent Electronica world tour, not intended for inclusion on an album. "It's a very strange title but it fits in some personal way a track I can see for stage. I had no idea to integrate this track in an album but I thought I could fit it in this 'Sequence' part of Planet Jarre," says JARRE. "I'm quite glad this piece of music I can see for stage will be in a studio version." "Herbalizer" is one of two recently composed and previously unreleased tracks along with "Opening Coachella" on the album.

PLANET JARRE comprises 41 works from his extensive music catalogue, hand-picked by Jarre himself and completely re-mastered to add a new and sparkling freshness to the sound of the package. To top things off, the Vinyl Book and Ultimate Box Set both come with a download card to enter the world of Jean-Michel Jarre in 5.1. Always fascinated by the best possible sound and technology Jarre mastered some tracks in 5.1. for a unique listening experience.  PLANET JARRE is available now for pre-order HERE.

The release of PLANET JARRE follows the 2018 U.S. leg of Jarre's ELECTRONICA World Tour where he made his U.S. festival debut at Coachella to critical acclaim. JARREis a 2017 Grammy nominee, with more than eighty million albums sold throughout his career, a four-time Guinness World Record holder for largest concerts ever performed, and UNESCO Goodwill Ambassador renowned for his one-off groundbreaking events at historical landmarks across the world. He's one of the first artists in the world to perform electronic music as we know it today.

PLANET JARRE's track listing is:

Soundscapes

Oxygene 1

Oxygene 19

Rendez-Vous 1

Millions of Stars

Chronology 1

Oxygene 20

Equinoxe 2

Waiting for Cousteau

The Heart of Noise (Origin)

Themes

Industrial Revolution Part 2

Oxygene 4

Equinoxe 5

Oxygene 2

Zoolookologie

Bells

Equinoxe 4

Magnetic Field 2

Rendez-Vous 2 (Laser Harp)

Rendez-Vous 4

Chronology 4

Sequences

Coachella Opening

Arpeggiator

Automatic Part 1 with Vince Clarke

Exit with Edward Snowden

Equinoxe 7

Oxygene 8

Stardust with Armin van Buuren

Herbalizer

Revolutions

Explorations & Early Works

Ethnicolor

Souvenir of China

Blah Blah Café

Music for Supermarkets (Demo Excerpt)

Roseland / Le Pays de Rose

La Cage

Erosmachine

Hypnose

The Song of the Burnt Barns / La Chanson des Granges Brulees

Happiness is a Sad Song

Aor Bleu

Last Rendez-Vous

Fri, 08/24/2018 - 3:14 pm

With his upcoming best-of PLANET JARRE set for release September 14 on SONY, the Godfather of Electronic Music JEAN-MICHEL JARRE (JMJ) celebrates his birthday today (August 24) with "Coachella Opening." The song-available now on all DSPs-appears as part of the Sequences collection of PLANET JARRE based on the repetitive and hypnotic sequences that only electronic instruments can create.

Listen to "Coachella Opening" now at:

https://LegacyRecordings.lnk.to/coachellaopening

"Coachella Opening" was specifically written for live performance as part of JARRE's most recent Electronica world tour which launched at major U.S. tastemaker festival Coachella, where the legendary performer garnered rave reviews. ("Electronic luminary Jean-Michel Jarre dazzles a Coachella that's at a crossroad...," shared the Los Angeles Times.) "It is my most recent track. I composed it in 2018 thinking about what the ideal mood could be to start a show in a festival such as Coachella" says JARRE.

PLANET JARRE comprises 41 works from his extensive music catalogue, hand-picked by Jarre himself and completely re-mastered to add a new and sparkling freshness to the sound of the package. To top things off, the Vinyl Book and Ultimate Box Set both come with a download card to enter the world of Jean-Michel Jarre in 5.1. Always fascinated by the best possible sound and technology JARRE mastered some tracks in 5.1 for a unique listening experience.  PLANET JARRE is available now for pre-order HERE.

For this release, JARRE not only took a deep dive into the vault his extensive music career, but also into his video archive. Launching a video once a week on his YouTube channel, Jarre "50 years of music" video series offers insight into his career in electronic music from his early years up to today.

Clip 1968 https://www.youtube.com/watch?v=K5rR_1uLqRg

Clip 1976 https://www.youtube.com/watch?v=AHq3Wh_FHFU

The release of PLANET JARRE follows the 2018 U.S. leg of JARRE's ELECTRONICA World Tour where he made his U.S. festival debut at Coachella to critical acclaim. JARRE is a 2017 Grammy nominee, with more than eighty million albums sold throughout his career, a four-time Guinness World Record holder for largest concerts ever performed, and UNESCO Goodwill Ambassador renowned for his one-off groundbreaking events at historical landmarks across the world. He's one of the first artists in the world to perform electronic music as we know it today.

PLANET JARRE's track listing is:

Soundscapes

Oxygene 1

Oxygene 19

Rendez-Vous 1

Millions of Stars

Chronology 1

Oxygene 20

Equinoxe 2

Waiting for Cousteau

The Heart of Noise (Origin)

Themes

Industrial Revolution Part 2

Oxygene 4

Equinoxe 5

Oxygene 2

Zoolookologie

Bells

Equinoxe 4

Magnetic Field 2

Rendez-Vous 2 (Laser Harp)

Rendez-Vous 4

Chronology 4

Sequences

Coachella Opening

Arpeggiator

Automatic Part 1 with Vince Clarke

Exit with Edward Snowden

Equinoxe 7

Oxygene 8

Stardust with Armin van Buuren

Herbalizer

Revolutions

Explorations & Early Works

Ethnicolor

Souvenir of China

Blah Blah Café

Music for Supermarkets (Demo Excerpt)

Roseland / Le Pays de Rose

La Cage

Erosmachine

Hypnose

The Song of the Burnt Barns / La Chanson des Granges Brulees

Happiness is a Sad Song

Aor Bleu

Last Rendez-Vous

Mon, 09/10/2018 - 9:04 am

A BOWIE CELEBRATION: The David Bowie Alumni Tour featuring Mike Garson and fellow key alumni musicians of David Bowie's bands from across the decades has announced a 32-date North American winter tour for 2019.

A BOWIE CELEBRATION features alumni band members Mike Garson, Earl Slick, Gerry Leonard and Carmine Rojas along with world-class vocalists such as Bernard Fowler and Corey Glover, among others, and drummer Lee John performing a mix of Bowie's hits and deep-cuts. Pre-sale tickets for the newly announced shows are available starting tomorrow (Tuesday, September 11) through Thursday, September 13 with the general on-sale commencing this Friday, September 14 at 10am local time.

Kicking off February 6 in Mesa, AZ, A BOWIE CELEBRATION then stops in Los Angeles February 7 at the Orpheum Theatre before making its way across the country and into Canada. The critically acclaimed show will stop in San Francisco, Seattle, Vancouver, Denver, Chicago, Detroit, Cleveland, Toronto, Montreal, Boston, New York City (March 5 at Irving Plaza), Philadelphia, Louisville, Nashville, Fort Lauderdale, Houston, and Austin, among many other cities, before wrapping March 22 in Dallas. See below for full list of North American tour dates and venues and visit www.abowiecelebration.com for ticket information. Watch the show's trailer here.

Keyboardist and band leader Mike Garson, the longest-standing member of Bowie's bands, performed with David at his first and last concerts in the United States as well as 1,000 concerts together around the globe in between. The band also features legendary guitarist Earl Slick, who worked on landmark Bowie albums such as Diamond Dogs, Young Americans and Reality; Bowie guitarist and band leader Gerry Leonard (A Reality Tour); and Bowie's Let's Dance/Serious Moonlight Tour bassist Carmine Rojas. Between them, they have over 30 years experience of recording, writing and playing live with Bowie.

Prior to the 2019 full trek, which includes a 17-date European tour from January 9 through February 1, A BOWIE CELEBRATION has a limited run of West Coast tour dates taking place this month, September 26-30, stopping in Ventura, Riverside, San Diego, Reno and Saratoga. The San Diego show will feature Emmy and Golden Globe-nominated actress ("Westworld") and singer (Rebel and A Basketcase) Evan Rachel Wood re-joining the all-star band to sing a variety of songs. Wood sat in earlier this year at the Los Angeles and Atlanta shows and was seen on "The Tonight Show Starring Jimmy Fallon" in April raving about the tour. As Wood explained to Fallon, "It's not a cover band, it's the band! It's the actual band, so when you're there it sounds as close as you're going to get to Bowie." Other special guests who joined the 2018 run included Perry Farrell, Joe Sumner, Fantastic Negrito, Mark Plati, Mr Hudson, David Liebman, Gaby Moreno and Sass Jordan.

Catch A BOWIE CELEBRATION: The David Bowie Alumni Tour in the following North American cities:

DATE                         CITY                                       VENUE

2018 Tour Dates:

Wed    9/26                Ventura, CA                          Majestic Ventura Theater

Thu     9/27                Riverside, CA                        Fox Performing Arts Center

Fri       9/28                San Diego, CA                      Humphreys Concerts By the Bay

Sat      9/29                Reno, NV                              Silver Legacy Resort Casino

Sun    9/30                 Saratoga, CA                        The Mountain Winery

2019 Tour Dates:

Wed    2/6                  Mesa, AZ                              Mesa Arts Center

Thu     2/7                  Los Angeles, CA                   Orpheum Theatre

Sat      2/9                  Cerritos, CA                          Cerritos Center

Sun     2/10                Modesto, CA                         Gallo Center

Tue     2/12                Livermore, CA                       Livermore PAC

Wed    2/13                San Francisco, CA               The Warfield

Fri       2/15                Seattle, WA                           Benaroya Hall

Sat      2/16                Vancouver, BC                      Commodore Ballroom

Sun     2/17                Portland, OR                         Revolution Hall

Tue     2/19                Denver, CO                           Paramount Theatre

Thu     2/21                Madison, WI                          Orpheum Theatre

Fri       2/22                Chicago, IL                            Vic Theatre

Sat      2/23                Detroit, MI                             Royal Oak Music Hall

Sun     2/24                Cleveland, OH                      Agora Theatre & Ballroom

Tue     2/26                Buffalo, NY                            Town Ballroom

Wed    2/27                Kitchener, ON                       Centre In The Square

Fri       3/1                  Toronto, ON                          Danforth Music Hall

Sat      3/2                  Montreal, QC                        MTelus

Sun     3/3                  Boston, MA                           Wilbur Theatre

Tue     3/5                  New York, NY                        Irving Plaza

Wed    3/6                  Albany, NY                            Palace Theater

Thu     3/7                  Syracuse, NY                        Palace Theater

Sat      3/9                  New Brunswick, NJ               State Theater

Sun     3/10                Philadelphia, PA                    Keswick Theatre

Tue     3/12                Louisville, KY                        The Brown Theatre

Wed    3/13                Nashville, TN                        Polk Theatre

Fri       3/15                Ponte Vedra, FL                    Ponte Vedra Concert Hall

Sat      3/16                Fort Lauderdale, FL              Parker Playhouse

Sun     3/17                Clearwater, FL                      Capitol Theatre

Wed    3/20                Houston, TX                         Heights Theatre

Thu     3/21                Austin, TX                             Paramount Theatre

Fri       3/22                Dallas, TX                             Majestic Theatre

Wed, 09/12/2018 - 10:53 am

VNUE, Inc. (OTCQB: VNUE) will hit the road with The Music of Cream - 50th Anniversary World Tour as the exclusive tour merchandiser, and will be recording all shows starting October 2 for immediate release as Limited Edition, individually numbered CD sets and instant digital download via VNUE's set.fm proprietary web and mobile (iOS & Android) platform, leveraging the 14 years of experience with "instant live" pioneer and exclusive licensee DiscLive Network.

Following their successful inaugural tour across Australia and New Zealand in 2017, the pedigree of hallowed '60s trio Cream -- Ginger Baker's son KOFI BAKER, Jack Bruce's son MALCOLM BRUCE and Eric Clapton's nephew (by marriage) WILL JOHNS -- have come together for the first time in North America to pay homage to the band's extraordinary legacy with The Music Of Cream - 50th Anniversary World Tour. Spanning over 30 cities throughout North America beginning September 28, this tour marks 50 years since the original lineup's farewell U.S. tour of 1968.

For these North American dates, VNUE and The Music of Cream - 50th Anniversary World Tour have forged a unique collaboration leveraging VNUE's world class touring services, and instant live recording platforms.

"I'm really very excited to join forces with VNUE," stated Malcolm Bruce. "To seamlessly deliver pristine quality recordings on the fly into the hands of our fans is such a great addition to our touring strategy. This allows us to focus fully on the performance. These guys have worked with some stellar artists and it's an honor to hit the road with them." Bruce stated further.

"VNUE are at the cutting edge of live recording today with their set.fm app, it is a wonderful thing to be working with them on our tour," commented Will Johns. "Providing an all-encompassing merchandise model that gets results is golden and we are delighted with this exciting alliance." Johns added.

"Cream were all about playing live and being in the moment. No two nights were the same. With VNUE recording each of our shows, fans will have their very own unique memento to take home with them. It will also keep us on our toes, so that we deliver! We're really looking forward to it," noted Kofi Baker. 

Fans can expect personal stories and songs such as "Sunshine of Your Love," "Crossroads," "Spoonful" and "White Room" performed by Baker (drums), Bruce (bass, vocals) and Johns (guitar, vocals) across a comprehensive set of favorites and deep cuts.

"Upon learning of this North American tour, I immediately felt this was a tour we had to be on," sated Jeff Zakim, VNUE's VP of Business Development and Content Curation.

Zach Bair, CEO and Chairman of VNUE, said, "With this partnership, we are thrilled to be bringing to the table a wider scope of our artist and touring services with merchandising combined with best-in-class instant live recording."

Music fans across the globe can pre-order shows now by downloading the set.fm app from either the Apple App Store or Google Play or by visiting http://bit.ly/musicofcream for digital downloads. For Limited Edition CD Sets, fans can visit http://bit.ly/MusicofCreamCD. CD sets will be manufactured and available at merchandise booths at all tour dates, or ordered online with either "ship home" or "pick up" at the show option.

For more information about The Music Of Cream - 50th Anniversary World Tour, please visit www.musicofcream.com or www.facebook.com/musicofcream

The Music of Cream - 50th Anniversary World Tour 2018, North American Tour Dates:

DATE                          CITY                                       VENUE

*Fri      9/28                 Ottawa, ON                           Centrepoint Theatre

*Sat     9/29                 Montreal, QC                        Corona Theatre

*Sun    9/30                 Quebec City, QC                   Imperial Bell

Tue      10/2                 South Burlington, VT            Higher Ground

Thu      10/4                 Ridgefield, CT                       Ridgefield Playhouse

Fri        10/5                 Woonsocket, RI                    Stadium Theatre

Sat       10/6                 New Bedford, MA                 Zeiterion Theatre

Sun      10/7                 Portland, ME                        State Theatre

Tue      10/9                 Northampton, MA                 Calvin Theatre

Thu      10/11               Lynn, MA                              Lynn Memorial Auditorium

Fri        10/12               New London, CT                  Garde Arts Center

Sat       10/13               Concord, NH                        Capitol Centre for the Arts - Chubb Theatre

Sun      10/14               Jim Thorpe, PA                     Penn's Peak

Tue      10/16               Englewood, NJ                     Bergen Performing Arts Center

Wed     10/17               Huntington, NY                     The Paramount

Thu      10/18               Glenside, PA                         Keswick Theatre

Fri        10/19               Waterloo, NY                        The Vine at del Lago Casino

Sat       10/20               Morristown, NJ                     Mayo Performing Arts Center

Sun      10/21               Albany, NY                           The Egg

Tue      10/23               Red Bank, NJ                       Count Basie Theatre

Wed     10/24               Harrisburg, PA                      Stage @ Club XL

Thu      10/25               Baltimore, MD                       Rams Head Live

Fri        10/26               Greensburg, PA                    Palace Theatre

Sun      10/28               Bristol, TN                             Paramount

Mon     10/30               Richmond, VA                       The National

Thu      11/1                 Cleveland, OH                       Playhouse Square - State Theatre

Fri        11/2                 Newark, OH                           Midland Theatre

Sat       11/3                 Indianapolis, IN                     The Vogue

Wed     11/7                 Des Moines, IA                      Des Moines Performing Arts Center

Thu      11/8                 St. Charles, IL                        Arcada Theatre

Fri        11/9                 Milwaukee, WI                       Pabst Theater

Sat       11/10               Cedar Rapids, IA                   Paramount Theatre

Sun      11/11               St. Paul, MN                          Fitzgerald Theatre

Tue      11/13               Wausau, WI                           Grand Theater

Wed     11/14               Madison, WI                          Orpheum Theater

Thu      11/15               Louisville, KY                         Brown Theatre

Fri        11/16               Cincinnati, OH                       Bogarts

Sat       11/17               Kalamazoo, MI                      State Theatre

 

*not available via VNUE

Fri, 09/14/2018 - 1:12 pm

Commemorating fifty years of music and innovation, the Godfather of Electronic Music JEAN-MICHEL JARRE (JMJ) releases his 41-track best-of PLANET JARRE today (September 14) via SONY.

Get it HERE.

Providing an intimate, indispensable, and inimitable overview of his storied career thus far, he personally oversaw comprehensive remastering and chose the compositions that drive this journey in four playlists: Soundscapes, Themes, Sequences and Explorations & Early Works.It's available in four configurations: vinyl, box set, deluxe CD, and standard CD. The vinyl and box set both unlock a download card for Jean-Michel Jarre in 5.1, granting the most immersive listening possible and perfect for audiophiles.

Beyond classics and unearthed rarities from the vault, the collection notably remains highlighted by two brand new recordings. "Herbalizer" enchants and entrances with its wondrously warm production as the previously released "Coachella Opening" transports audiences into the front row of his most recent Electronica World Tour-which fittingly launched with the icon's first-ever Coachella performance.

However, PLANET JARRE only set the stage for further innovation of the Godfather or Electronic Music. On November 16, 2018, JARRE unveils EQUINOXE INFINITY (Astralwerks)--the long-awaited sequel to his landmark fourth album, ÉQUINOXE. The first ÉQUINOXE notably arrived forty years prior to the date on November 16, 1978 and since remained essential listening for music aficionados. The idea behind this brand-new album is very much driven by humanity using new technologies such as artificial intelligence and what will become of human mankind by doing so.

Tue, 10/02/2018 - 11:21 am

The third annual OHANA festival, which concluded Sunday night (9/30) and which saw more than 40,000 attendees at the beautiful Doheny State Beach in Dana Point, CA, was described by the Orange County Register as being "filled with surprises." In fact, "...the three-day event curated by Pearl Jam frontman Eddie Vedder" (Orange County Register, 9-27-18) was led by powerful headlining sets from Eric Church (special acoustic set), Eddie Vedder and Mumford & Sons; a mix of standout collaborations throughout the weekend; while also celebrating emerging talent with performances from Plague Vendor, Fantastic Negrito, The War + Treaty, and Pow Pow Family Band, among others.

Eddie Vedder; Photo credit: Paul Hebert for Ohana

Vedder fittingly kicked off Friday's performances with a cover of the Beatles' "Here Comes The Sun." On Saturday, he treated early festival attendees to an acoustic version of Pearl Jam's "Porch" (which was also in his main stage set). Vedder showed up throughout the festival joining the John Doe Folk Trio (X's "The New World") on Friday, Johnny Marr (The Smiths' "There Is a Light That Never Goes Out") on Saturday and closing out the weekend by appearing with Mumford & Sons on Sunday for a rocking version of Bob Dylan's "All Along the Watchtower." In addition, during his Saturday headlining set, Vedder was joined by Liz Phair on Pearl Jam's "Better Man"; later in the set he was accompanied musically and vocally by Tom Petty and the Heartbreakers' Scott Thurston on three songs ("Wildflowers," "Room At The Top," and "I Won't Back Down") in tribute to his friend.

Johnny Marr, Eddie Vedder; Photo credit: Paul Hebert for Ohana

Just before the festival's launch, Vedder discussed OHANA's musical camaraderie by saying that "it's been a true honor to work with the community and organizers to create a stimulating vibe and uplifting atmosphere for the great crowds and incredible musicians who come out to play in the park. To have the Pixies, X, Mudhoney, Jack Johnson, etc., etc, etc. play your festival has been so satisfying. Far beyond our initial vision for it all." Click here to read a Q&A with Vedder.

Mon, 10/08/2018 - 6:52 pm

Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter OZZY OSBOURNE has postponed two additional shows following further consultations with his doctors at Cedars-Sinai in Los Angeles, who have advised that he take a few extra days to recover.

The two shows, Tuesday, October 9 at Mattress Firm Amphitheatre in Chula Vista and Thursday, October 11 at the Hollywood Bowl in Los Angeles, will be rescheduled as follows: Monday, October 15 in Los Angeles at the Hollywood Bowl and Thursday, October 18 in Chula Vista (San Diego) at Mattress Firm Amphitheatre. In addition, the Mountain View, CA show at Shoreline Amphitheatre, which was previously rescheduled for Tuesday, October 16, has been moved to Saturday, October 20.

OZZY's North American "NO MORE TOURS 2," produced by Live Nation will resume in Las Vegas on Saturday, October 13 at the MGM Grand Garden Arena. Stone Sour will perform at the Las Vegas show, with support for the three rescheduled shows TBA. Ticketholders for all the postponed shows should hold on to their tickets, as they will be honored for the rescheduled dates. Refunds are also available at point of purchase.

Fri, 11/02/2018 - 2:32 pm

After half a century at the forefront of the worldwide electronic music scene, JEAN-MICHEL JARRE has integrated many of his unique sounds in EQUINOXE INFINITY, his new studio album due out November 16 on Astralwerks.  He has mixed them with new electronic dialogue formats and rhythmic patterns to create a poetic vision of the future.  Today (November 2), the 'Godfather of Electronic Music' has made available the first track for U.S. shores with "Robots Don't Cry."

Experience "Robot's Don't Cry" now here: https://jean-michel-jarre.lnk.to/RobotsDCry

EQUINOXE INFINITYis now available for pre-order here:  https://jeanmicheljarre.lnk.to/EquinoxeInfinityUS

The song sounds like monumental electronic ecstasy, where new ways of sound editing meet the pulse of the past. The Mellotron - one of the oldest electromechanical instruments - gives it an air of futuristic nostalgia.

Says JARRE, "I love oxymorons, made of two opposing words, two opposite feelings. This track is a mirror of that. I use the Mellotron a lot in this piece, such a great instrument, a mechanical device but with a human quality VR eating sounds like some audio remains of the past. I recorded this track only once, I did everything - the melody and the rhythm-track - in one go. I love the idea that technology can provide emotion, even though technology is not linked to the notion that it can actually provide emotion. Robots or Artificial Intelligence are just machines without any contradicting emotions so far. They might not be able to work as efficiently should they have emotions. But who knows, one day maybe, Robots will experience nostalgia."

EQUINOXE INFINITY is the long-awaited sequel to JARRE's landmark fourth album, ÉQUINOXE. The first ÉQUINOXE notably arrived forty years prior to the date on November 16, 1978 and since remained essential listening for electronic music aficionados. The idea behind this brand-new album is very much driven by humanity using new technologies such as artificial intelligence and what will become of human mankind by doing so.

Look for EQUINOXE INFINITYto be made available with two different covers designed by Filip Hodas inspired by the original EQUINOXE album.  Says JARRE, "For my new album project EQUINOXE INFINITY I started for the first time with the album cover not the music. I still think that Michael Granger who did the original EQUINOXE cover created one of the best album covers of all time. For the original it was all about the Watchers.. These strange creatures watching us? Watching Space? Watching machines? Watching a natural phenomenon ? We don't really know...they are not scary, but odd and mysterious.  So I took the original Watchmen of the EQUINOXE cover to continue the story."

"I recently discovered the work of Filip Hodas, a super talented young artist, and asked him to create two different artworks in line with my vision for EQUINOXE INFINITY," he adds.  "One cover shows mankind in peace with nature and technology and the other depicts a picture of fear and distortion with machines taking over the world. With the artwork for OXYGENE I wanted to draw attention to the poisoned state of planet earth. With these two artworks for EQUINOXE INFINITY I want to bring attention to the two scenarios we are facing today with our love for and our dependence on innovation and technology. The music of EQUINOXE INFINITY is the soundtrack to those two different worlds."

Each will be released on the Digipack CD, Standard CD and Vinyls while the Ultimate Project Boxset holds both the original EQUINOXE album and new EQUINOXE INFINITY on Replica Vinyl CDs, 180g heavyweight Vinyl, Scratchcard for download and posters with all new stunning images of the project.

A 2017 Stephen Hawking Medal for Science Communication honoree, JEAN-MICHEL JARRE is also a two-time Grammy nominee, with more than eighty million albums sold throughout his career, a four-time Guinness World Record holder for largest concerts ever performed, and UNESCO Goodwill Ambassador renowned for his one-off groundbreaking events at historical landmarks across the world. He's one of the first artists in the world to perform electronic music as we know it today.

Wed, 11/07/2018 - 11:28 am

Following up on the announcement that live music's premier hologram production company Eyellusion has signed with APA for representation worldwide for their tours, the ZAPPA FAMILY TRUST can now share the exclusive promotional video (which includes audio of Frank Zappa speaking about Holograms) for the "The Bizarre World Of Frank Zappa" tour.

Set to launch in 2019 (exact details are TBA), "The Bizarre World Of Frank Zappa" will include longtime and legendary Zappa players Ray White, Mike Keneally, Scott Thunes, Robert Martin and Ed Mann with Joe "Vaultmeister" Travers; they'll be joined along the way by Steve Vai, Ian Underwood, Lady Bianca, Napoleon Murphy Brock and Arthur Barrow.   Hours of never-before-seen (or heard) Zappa performance footage from the early seventies form the basis of the "can't miss" concert spectacle.

"The development of the 'Bizarre World' has been a herculean undertaking and an extremely emotional journey for me," says Ahmet Zappa. "Weirdly, it's also been one of the most creatively satisfying projects that I have ever had the privilege of working on. It's fascinating to me how into holograms my dad was and it's unbelievable that we have Frank in his own words talking about it (click here to hear more). The fact that we're now finally able to technologically bring to life the ideas and concepts my father talked about so many years ago is astonishing. People's minds, eyes and ears will be stunned by the crazy amounts of awesomeness they'll be exposed to every night on this tour. For the first time in a long time Zappa fans will get to see and hear brand spanking new music performed by Frank with his live band and enjoy never before heard versions of their favorite songs, all while brain-melting visuals make them laugh, smile, and perhaps even cry. I truly can't wait to share this epic experience with everyone and I'm thrilled that we'll be doing 100 + dates around the world. So please fasten your concert-going seatbelts because things in the Zappa universe are about to get even more bizarre!!!"

Eyellusion is producing the hologram tour in close cooperation with the Zappa Family Trust. Additional details on "The Bizarre World Of Frank Zappa" live tour dates will be announced in the coming months.

Mon, 12/10/2018 - 1:21 pm

GIN BLOSSOMS--Robin Wilson (lead vocals & guitar), Jesse Valenzuela (vocals & guitar), Scott Johnson (guitar) and Bill Leen (bass)--have announced a new leg of U.S. tour dates in 2019, running from February 8 through March 9. Billed as "New Miserable Experience Live" and presented by the SiriusXM Lithium channel, the tour follows a successful run of dates in 2018 when the band celebrated the 25th anniversary of their multi-platinum album breakthrough album NEW MISERABLE EXPERIENCE by performing it in its entirety, along with other GIN BLOSSOMS classics and more.

The 2019 dates, bringing the band to such cities as New York, Boston, Chicago, Atlanta, Austin and Houston,will again raise a glassto the 1992 album that spawned such classic hits as "Hey Jealousy," "Found About You" and "Allison Road." Tickets for the shows will go on sale Friday, December 14. Various pre-sales are available, and the band has VIP packages available that includes a ticket, early entry into the venue, and a private acoustic performance by the band. Details for the pre-sales and VIP packages are available where tickets are sold.

GIN BLOSSOMS, one of the top alt-rock groups of the '90s, recently issued their first new album in eight years, the critically acclaimed MIXED REALITY (produced by Don Dixon), which is highlighted by such singles/videos as "Break," "Face The Dark" and "Wonder." The band's blend of introspective lyrics, ringing guitars and finely etched melodies is as strong as ever throughout the album.

Read a lighthearted Q&A with the GIN BLOSSOMS about life on the road here

Catch GIN BLOSSOMS' "New Miserable Experience Live" in these cities:

DATE

 

LOCATION

VENUE

FRI

2/8

Baltimore, MD

Baltimore Sound Stage

SAT

2/9

Bensalem, PA

Parx Casino - XCite Center

SUN

2/10

Homer, NY

Center for the Arts of Homer

MON

2/11

New York, NY

Bowery Ballroom

WED

2/13

Boston, MA

Paradise Rock Club

FRI

2/15

Mashantucket, CT

Foxwoods Resort Casino - Fox Theater

SAT

2/16

Falls Church, VA

The State Theatre

SUN

2/17

Cincinnati, OH

Bogart's

THU

2/21

St. Louis, MO

Delmar Hall*

FRI

2/22

Chicago, IL

House of Blues

SAT

2/23

Louisville, KY

Mercury Ballroom

SUN

2/24

Indianapolis, IN

The Vogue

TUE

2/26

Charlotte, NC

The Underground - Charlotte

WED

2/27

Charleston, SC

Music Farm

THU

2/28

Lake Buena Vista, FL

House of Blues

SUN

3/3

Bonita Springs, FL

Southwest Florida Event Center

MON

3/4

Ponte Vedra Beach, FL

Ponte Vedra Concert Hall

TUE

3/5

Atlanta, GA

Buckhead Theatre

THU

3/7

Austin, TX

Scoot Inn

FRI

3/8

San Antonio, TX

The Aztec Theater

SAT

3/9

Houston, TX

House of Blues

*presented by KPNT

Sat, 12/15/2018 - 1:25 pm

Prior to the upcoming first-ever OZZFEST New Year's Eve celebration, Rock and Roll Hall of Fame inductee and Grammy® Award-winning singer and songwriter OZZY OSBOURNE sat down to talk about the festival created in his name.

Q: How you do feel about working through the holidays?

OZZY: "I'VE ALWAYS WANTED TO WORK THROUGH CHRISTMAS--IT'S A GOOD START TO THE NEW YEAR. OZZFEST AT THE FORUM, NEW YEAR'S EVE, WITH US, TWO STAGES WITH MANSON, ROB ZOMBIE, ZAKK SABBATH, ICE T, A BUNCH OF DIFFERENT PEOPLE."

Q: This year's line-up features a lot of Ozzfest alumni.

OZZY: "YEAH, THAT'S THE BEAUTY OF IT, IT'S KIND OF LIKE THE ALL-STARS OF OZZFEST. THAT'S ONE THING I'M REALLY PROUD OF BECAUSE OF HOW THIS ALL STARTED. MANY YEARS AGO WHEN WE TRIED TO GO ON LOLLAPALOOZA AND THEY SAID WE DON'T HAVE ENOUGH SPACE FOR OZZY AND THIS KIND OF MUSIC. SO, WE TOOK A CHANCE AND DID IT ALL OUR OWN AND IT TOOK OFF. AND HERE WE ARE, TWENTY-ONE YEARS LATER. MY GOD."

Q: There seems to be a real camaraderie among the hard rock world.

OZZY: "YOU KNOW PEOPLE LOOK AT HEAVY METAL GUYS AND THEY THINK 'OH, THEY'RE BAD PEOPLE.' BUT WE'RE REALLY NOT. I MEAN, IF SOMETHING BAD HAPPENS, I'LL GET PHONE CALLS 'ARE YOU OKAY? DO YOU NEED ANY HELP?' THIS GOES BACK YEARS TO EVEN WHEN RANDY GOT KILLED. I RECENTLY CONTACTED JONATHAN [DAVIS] AFTER HIS WIFE PASSED AWAY, IT MEANS A LOT TO SUPPORT EACH OTHER."

Q: Let's talk a little bit about Zakk and what it's like having him back out with you. On OZZFEST, he'll be pulling double-duty, performing on the second stage with Zakk Sabbath and then with you for the final set of the night.

OZZY: "IT'S GOOD TO HAVE HIM BACK. ZAKK'S LIKE A MEMBER OF MY FAMILY AND IT'S A JOY TO WORK WITH HIM NOW THAT WE'RE BOTH SOBER. YOU KNOW, HE'S THE LONGEST PLAYER--GUITAR PLAYER--I'VE EVER HAD BOTH WITH SABBATH AND MY SOLO GIG.'

Q: What are you looking forward to with Ozzfest this year?

OZZY: "I WANNA GIVE THEM A GREAT SHOW, I WANNA HAVE FUN. I MEAN, I'M BRINGING THE NEW YEAR IN WITH A BIG BANG!"

Q: And you'll be onstage when the New Year rings in?

OZZY: "YEAH. I GOT TO TIME IT, BECAUSE WHEN YOU REHEARSE, YOU KNOW, I'LL PLAY THROUGH SONGS. BUT THEN WHEN YOU GO ON STAGE, YOU START TO JUST GO WITH IT. WE'VE GOT TO TIME IT SO WE CAN STOP FOR THE COUNTDOWN."

Set for Monday, December 31 at The Forum in Los Angeles, OZZFEST will kick off 10 hours of live music at 2:30 PM with sets from Zakk Sabbath, Devildriver and Wednesday 13 on the outdoor stage. Everything shifts indoors at 6:00 PM, where OZZFEST alumni Rob Zombie, Marilyn Manson, and Jonathan Davis (of Korn) and Body Count featuring Ice-T (in their OZZFEST debut) will take the stage. The night will conclude with a performance from festival namesake OZZY OSBOURNE, who will count down to the new year!

Tickets for the Live Nation-produced OZZFEST 2018 are on sale now here.

Special holiday ticket prices runs from Friday, December 14 at 10:00 AM (PT) through Sunday, December 16 at 10:00 PM (PT), with a limited number of tickets available at the New Year's Eve price of $20.19.

The OZZFEST line-up is as follows:

OZZY OSBOURNE

ROB ZOMBIE

MARILYN MANSON

JONATHAN DAVIS (of Korn)

BODY COUNT featuring Ice-T

ZAKK SABBATH

DEVILDRIVER

Thu, 01/10/2019 - 12:58 pm

Two of the three remaining Certified Guitar Players (an honor bestowed by Chet Atkins)--TOMMY EMMANUEL and JOHN KNOWLES--will release their collaborative instrumental album HEART SONGS on Friday, January 11 via CGP Sounds/Thirty Tigers. The twosome also just launched their tour this past Tuesday night (January 8) in San Francisco, a coast-to-coast swing with multiple two-night engagements set for New York, Boston, Alexandria (VA), Minneapolis, Atlanta, and Franklin (TN). The tour wraps February 26 in Nashville at the Grand Ole Opry. Tickets for all shows are on sale now. Click here for more details.

HEART SONGS spotlights the players' proficient ability to capture and radiate emotion through their instruments with special arrangements of "Cold, Cold Heart," the album's lead-off single written by Hank Williams; "Lullabye (Goodnight, My Angel)" written by Billy Joel; and "I Can Let Go Now" written by Michael McDonald, among other songs. Elmore Magazine just weighed in with a rave review, noting:

"The combination of these artists' sensibilities, their careful listening to each other, along with the complimentary tonalities of a steel string and classical guitar carry this set through a variety of affairs of not just the heart, but the mysteries that move it."

--Ken Spooner, Elmore Magazine, Rating: 98 out of 100

Click here to watch their rendition of The Bee Gees hit "How Deep Is Your Love," initially premiered at Parade Magazine (12/13/18).

EMMANUEL, twice voted Best Acoustic Guitarist by readers of Guitar Player magazine and who's been honored as a Member of the Order of Australia and KNOWLES, a Grammy winner and member of the National Thumb Picker's Hall of Fame, know how to get to the core of a song and accentuate its finest qualities.

The 14-track HEART SONGS, recorded at EastWest Studios in Los Angeles, intertwines thoughtful arrangements of songs from other artists, a classic Broadway musical like West Side Story, their own compositions and live performances. In November, Guitar Player premiered the album's lead single, "Cold, Cold Heart" while Acoustic Guitar magazine premiered "Walkin' My Baby Back Home" and noted that "...it's no surprise that both guitarists are on the top of their games throughout Heart Songs." (11/29/18)

In other news, KNOWLES has also been added to TOMMY EMMANUEL's June Guitar Camp in Vail, CO. More information on the camp can be found here.

HEART SONGS Track Listing:

"Cold, Cold Heart" (written by Hank Williams)

"How Deep Is Your Love" (written by The Bee Gees)

"I Can't Stop Loving You" (written by Don Gibson)

"Somewhere" (written by Leonard Bernstein from West Side Story)

"I Can Let Go Now" (written by Michael McDonald)

"Lullabye (Goodnight, My Angel)" (written by Billy Joel)

"After Paris" (written by John Knowles)

"Walkin' My Baby Back Home" (written by Roy Turk and Fred Ahlert)

"I Can't Make You Love Me" (written by Allen Shamblin and Michael Reid)

"Where Is Love" (written by Lionel Bart for Oliver!)

"He Ain't Heavy, He's My Brother" (written by Bobby Russell and Bobby Scott)

"Eva Waits" (written by Tommy Emmanuel)

"Turning Home (Live)"

"How Deep Is Your Love (Live)"

Catch Tommy Emmanuel and John Knowles on tour:

DATE

 

CITY/STATE

VENUE

Tue

1/8

San Francisco, CA

Herbst Theatre

Wed

1/9

Bakersfield, CA

Buck Owens' Crystal Palace

Fri

1/11

San Juan Capistrano, CA

The Coach House

Tue

1/15

New York, NY

City Winery

Wed

1/16

New York, NY

City Winery

Fri

1/18

Boston, MA

City Winery

Sat

1/19

Boston, MA

City Winery

Sun

1/20

Homer, NY

Center for The Arts

Mon

1/21

Sellersville, PA

Sellersville Theater

Tue

1/22

Alexandria, VA

The Birchmere

Wed

1/23

Alexandria, VA

The Birchmere

Fri

1/25

Minneapolis, MN

Dakota Jazz Club

Sat

1/26

Minneapolis, MN

Dakota Jazz Club

Sun

1/27

St. Louis, MO

The Sheldon Concert Hall

Tue

2/19

Atlanta, GA

City Winery

Wed

2/20

Atlanta, GA

City Winery

Fri

2/22

Franklin, TN

The Franklin Theater

Sat

2/23

Franklin, TN

The Franklin Theater

Tue

2/26

Nashville, TN

Grand Ole Opry

Mon, 01/28/2019 - 9:49 am

THE VEGABONDS take viewers on the road with them in the video for the single "Best I Can" from their newly released album V (Blue Élan Records, 1/18/19). View the video here that was premiered this past Friday (1/25) at Pop Matters whose writer Michael Bialas noted that "...the album fires on all cylinders with a combustible combination of tub-thumpin' alt-country, searing rock riffs and robust but heartfelt lyrics that will help ease the pain."

For the urgent and fiery song, the Nashville-based alternative southern rock band-- fronted by lead vocalist and songwriter Daniel Allen, with Richard Forehand (lead guitar/vocals), Paul Bruens (bass), Beau Cooper (keys/vocals), and Bryan Harris (drums) rounding out the quintet--joined forces with director Adam Porter, whose credits include Jimmy Eat World's video for "I Will Steal You Back." He engagingly captures the band-now celebrating a decade of making music together with over 1,000 live shows--onstage and behind the scenes in Charlotte, Augusta, Birmingham, Atlanta, Nashville, Richmond, DC, and New York.

"We wanted to give you an all access, behind the scenes look at our fast paced life on the road," says frontman Daniel Allen. "The travel, the food, the downtime, our badass fans, and most importantly the Rock n Roll! This video, that our very talented buddy Adam Porter captured, has it all. We hope to see you on Vegabonds tour very soon."

The song "Best I Can," says Daniel, is "about self-realization and being okay with who you are. It's about pushing limits, loving hard, and never backing down when the odds are against you. Everyone I know lives this song every day."

He further explains that "Best I Can" was "written in a hustle mindset. It's about making goals and pushing through until you achieve them. We started our journey as a band in the midst of a national recession in 2009 and work was sometimes hard to find. That's where the line 'I ain't scared of the work, I'm scared when the work ain't there' came from. We've always had big aspirations for the evolution of our band and where we want to go. We also know it takes some serious work ethic to get there. Everyone wants a purpose in life and something that makes us feel whole, and this song embodies the struggle we sometimes face on that road to fulfillment."

Upon its January 4th release, "Best I Can" was added to four playlists at Spotify ("All New Rock" in the U.S. plus three international playlists) where the group has 60,000 monthly listeners and amassed over four million total Spotify streams. V's first three singles--"I Ain't Having It," "Everything I Need" and "Partyin' With Strangers"--currently total over 265,000 Spotify streams.

V highlights the best of THE VEGABONDS' musicianship, vocals, lyrics and collective sound, illustrating their contagious blend of Americana, country, and rock influences. The album was produced by Tom Tapley, who did the same honors for the band's critically acclaimed album What We're Made Of and the "Long Haired Country Boy" single, in addition to producing albums for such diverse artists as Blackberry Smoke, Sugarland, Tyler Farr and Mastodon.

THE VEGABONDS have added more dates to their "Southbound & Down" tour which launched January 10 (*see the in-progress dates below).

DATE

 

LOCATION

VENUE

FRI

1/25

Mobile, AL

Callaghan's Social Club

SAT

1/26

Tallahassee, FL

Field Day Festival @ Maclay Gardens Park

THU

1/31

Statesboro, GA

Blue Room

FRI

2/1

Milledgeville, GA

The Tavern

FRI

2/8

Jackson, MS

Duling Hall

SAT

2/9

Chattanooga, TN

JJ's Bohemia

FRI

2/22

Harrisonburg, VA

Clementine Café

SAT

2/23

Blacksburg, VA

Sycamore Deli

SAT

3/23

Oxford, MS

Ole Miss

THU

3/28

Greenville, SC

Downtown Alive Series

FRI

3/29

Isle of Palms, SC

The Windjammer

SAT

3/30

Athens, GA

Univ of Georgia 

SAT

4/13

Atlanta, GA

Georgia Tech Univ

THU

4/25

Nashville, TN

Basement East

THU

5/16

San Antonio, TX

The Rustic

FRI

5/17

Houston, TX

The Rustic

SAT

5/18

Dallas, TX

The Rustic

SAT

5/25

Martinsville, VA

Roosterwalk Festival

SUN

5/26

Martinsville, VA

Roosterwalk Festival

SAT

6/1

Oak Hill, WV

Mountain Music Festival

SAT

6/22

Charlotte, NC

River Jam at US National Whitewater Center

Tue, 01/29/2019 - 3:10 pm

Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter OZZY OSBOURNE has been forced to postpone the entire UK and European leg of his "NO MORE TOURS 2" tour on doctors' orders.

This follows yesterday's (January 28) announcement that OSBOURNE was postponing the first four dates of the tour because of the flu. After seeing his physician again, OSBOURNE has been diagnosed with a severe upper-respiratory infection which the doctor feels could develop into pneumonia given the physicality of the live performances and an extensive travel schedule throughout Europe in harsh winter conditions.

Statement from Ozzy

"I'm completely devastated for having to postpone the European leg of my tour. It just seems that since October everything I touch has turned to shit. First the staph infection in my thumb and now coming down with the flu and bronchitis. I want to apologize to all of my fans who have been so loyal over the years, my band, my crew and to Judas Priest for letting you all down. However, I promise the tour with Judas Priest will be completed. It's being rescheduled right now to start in September.   Again, I apologize to everyone. God Bless. Love you all, Ozzy."

The postponed shows are as follows:

UK & EUROPE (with Judas Priest)

Wed, January 30

Ireland, Dublin

3Arena

Fri, February1

UK, Nottingham

Motorpoint Arena

Sun, February 3

UK, Manchester

Manchester Arena

Tue, February 5

UK, Newcastle

Metro Radio Arena

Thu, February 7

UK, Glasgow

The SSE Hydro

Sat, February 9

UK, Birmingham

Genting Arena

Mon, February 11

UK, London

The O2, Arena

Wed, February 13

Germany, Munich

Olympiahalle

Fri, February 15

Germany, Frankfurt

Festhalle

Sun, February 17

Germany, Hamburg

Barclaycard Arena

Tue, February 19

Germany, Berlin

Mercedes-Benz Arena

Fri, February 22

Sweden, Stockholm

Ericcson Globe

Sun, February 24

Finland, Helsinki

Hartwall Arena

Wed, February 2

Switzerland, Zurich

Hallenstadion

Fri, March 1

Italy, Bologna

Unipol Arena

Sun, March 3

Spain, Barcelona

Palau Sant Jordi

Concert-goers should hold on to their tickets, as they will be honored for the rescheduled dates (details of which will be announced in the coming months). Refunds are also available at point of purchase.

 OZZY OSBOURNE'S "NO MORE TOURS 2" tour resumes on Sunday, March 9 in Australia. Shows will follow in New Zealand and Japan before a two-month North American leg.

 Australia, New Zealand & Japan

Sun, March 9

Sydney, Australia

Download Festival

Mon, March 11

Melbourne, Australia

Download Festival

Wed, March 13

Christchurch, NZ

Horncastle Arena

Sat, March 16

Auckland, NZ 

Spark Arena

Thu, Mar 21

Tokyo, Japan

Download Festival--Makuhari Messe

 North America (with Megadeth)

 DATE                    CITY                              VENUE

Sat, May 25

Pryor, OK

Rocklahoma

Wed, May 29

Atlanta, GA

State Farm Arena

Fri, May 31

Sunrise, FL

BB&T Center

Sun, June 2

Tampa, FL

MidFlorida Credit Union Amphitheatre

Tue, June 4

Charlotte, NC

PNC Music Pavilion

Thurs, June 6

Cincinnati, OH

Riverbend Music Center

Sat, June 8

Hershey, PA

Hersheypark Stadium

Tue, June 11

New York, NY

Madison Square Garden

Thu, June 13

Pittsburgh, PA

KeyBank Pavilion

Sat, June 15

Bangor, ME

Darling's Waterfront Pavilion

Tue, June 18

Montreal, QC

Bell Centre

Thu, June 20

Hamilton, ON

FirstOntario Centre

Sat, June 22

Uncasville, CT

Mohegan Sun Arena

Wed, June 26

St. Louis, MO

Hollywood Casino Amphitheatre

Fri, June 28

Kansas City, MO

Sprint Center

Sun, June 30

Des Moines, IA

Wells Fargo Arena

Thu, July 4

Milwaukee, WI

Summerfest

Sat, July 6

St. Paul MN

Xcel Energy Center

Tue, July 9

Edmonton, AB

Rogers Place

Thu, July 11

Vancouver, BC

Rogers Arena

Sat, July 13

Tacoma, WA

Tacoma Dome

Tue, July 16

Portland, OR

Moda Center

Thu, July 18

Sacramento, CA

Golden 1 Center

Sat, July 20

Las Vegas, NV

MGM Grand Garden Arena

Tue, July 23

San Diego, CA

North Island Credit Union Amphitheatre

Thu, July 25

Phoenix, AZ

Ak-Chin Pavilion

Sat, July 27

Mountain View, CA

Shoreline Amphitheatre

Mon, July 29

Los Angeles, CA

Hollywood Bowl

Mon, 02/11/2019 - 8:08 am

Live music's premier hologram production company Eyellusion has announced that a who's who of ZAPPA fan favorite musicians will support "The Bizarre World Of Frank Zappa" hologram tour which will make its debut this April in the U.S. The nine U.S. shows kick off Friday, April 19, with seven European shows in May to follow. Additional dates will be announced in the coming months. Tickets for the U.S. shows go on sale Friday, February 15at 10:00 AM (ET) at all major ticketing outlets, with a special VIP pre-sale (details here) launching on Wednesday, February 13.

In 1974, FRANK ZAPPA transformed his Los Angeles rehearsal space into a sound stage and cranked out some unbelievable performances seen and heard only by the camera operators in the room. The audio from these performances--locked away in the ZAPPA vaults for 44 years--will serve as the basis for what will be the world's most ambitious hologram tour to date. The "can't miss" concert spectacle is being produced in close cooperation with the ZAPPA FAMILY TRUST.

The "Bizarre World of Frank Zappa" hologram tour band is comprised of former ZAPPA bandmates for this monumental series of shows. The touring unit boasts guitarists Ray White and Mike Keneally, bassist Scott Thunes, multi-instrumentalist Robert Martin, percussionist Ed Mann, and drummer and ZAPPA archivist Joe "Vaultmeister" Travers.

"As a futurist, and hologram enthusiast, Frank fearlessly broke through boundary after boundary as an artist and in honouring his indomitable spirit, we're about to do it again, 25 years after his passing," said Ahmet Zappa, EVP of business development for Eyellusion and co-trustee of the ZAPPA FAMILY TRUST.

"We're excited to world premiere a handful of Frank Zappa compositions; these mind-melting concerts we're putting together celebrate the music, often surreal imagery and humour synonymous with Frank. We will be pushing the limits of what anyone has seen holographically on stage before in a live venue. Circumstances, objects, places and subject matter from Frank's songs and imagination will be brought to life for the first time on stage. We are anthropomorphizing Frank's music utilizing various visual techniques, art styles, classic imagery from his album artwork and characters from his songs, culminating in one extremely bizarre, live music experience.

"My father and I actively discussed 3D and 'holography' and it was a concept he actively engaged in. He actually devoted half a chapter of his The Real Frank Zappa Book to this subject. This is a love letter and a journey celebrating the genius artistry of Frank Zappa. On a personal note, I feel like I am finishing something my father started years ago. And let's not forget, Frank himself will be rocking his fans, alongside his bandmates like nobody's business."

 The Bizarre World Of Frank Zappa U.S. dates are as follows:

DATE

 

CITY

VENUE

Fri

4/19

Port Chester, NY

Capitol Theater

Sat

4/20

Rochester, NY

Kodak Center Theater

Mon

4/22

Red Bank, NJ

Count Basie

Wed

4/24

Long Island, NY

Paramount Theatre

Fri

4/26

Boston, MA

Shubert

Sun

4/28

Albany, NY

The Palace Theatre

Wed

05/1

Wilkes Barre, PA

Kirby Center

Thu

05/2

Collingswood, NJ

Scottish Rite Auditorium

Fri

05/3

Baltimore, MD

The Modell Lyric

 The European shows are as follows:

DATE

 

CITY

VENUE

Thu

5/9

Edinburgh, UK

Playhouse

Sat

5/11

Gateshead, UK

Sage

Sun

5/12

Manchester, UK

Bridgewater Hall

Mon

5/13

Birmingham, UK

Symphony Hall

Tue

5/14

London, UK

The Palladium

Thu

5/16

Ostend, BEL

Kurssal

Fri

5/17

Amsterdam, NLD

Rai Theater

Mon, 02/11/2019 - 8:12 am

HEART--ANN and NANCY WILSON--will return to the road in 2019 for the first time in three years with their massive "Love Alive" cross-country summer tour. Produced by Live Nation, the expansive 39-city outing by the trend-setting, multiple-platinum Rock & Roll Hall of Fame legends kicks off Tuesday, July 9 at the Hollywood Casino Amphitheatre in St. Louis, MO and will make stops in Chicago, Atlanta, Houston, Denver and more, before wrapping September 9 at the famous Hollywood Bowl in Los Angeles, CA.

HEART is excited to be joined by Joan Jett & The Blackhearts, Sheryl Crow and Brandi Carlile on the road with them this summer. Along with the stellar line-up, also appearing are Elle King and Lucie Silvas. See full itinerary and details below for a breakdown of which shows these artists will be appearing on with HEART.

Tickets go on sale to the general public beginning Friday, February 15 at 10:00 AM local time at LiveNation.com.* Citi is the official presale credit card for the tour. As such, Citi cardmembers will have access to purchase presale tickets beginning Wednesday, February 13 at 10:00 AM local time until Thursday, February 14 at 10:00 PM local time through Citi's Private Pass program. For complete presale details visit www.citiprivatepass.com. *Toronto on sale starting at 9:00 AM. local time, St. Louis on sale starting at 11:00 AM local time.

HEART will partner with REVERB for this tour, to reduce the environmental footprint of the events while also engaging fans in local and national causes each night in the concourse. For more information, visit REVERB.org

tour dates:

DATE

CITY

VENUE

Tue

7/9

St. Louis, MO +&

Hollywood Casino Amphitheatre

Thu

7/11

Chicago, IL +&

Hollywood Casino Amphitheatre

Sun

7/14

Toronto, ON +#

Budweiser Stage

Tue

7/16

Montreal, QC +#

Centre Bell

Wed

7/17

Mansfield, MA +#

Xfinity Center

Sat

7/20

Hartford, CT +#

Xfinity Theatre

Sun

7/21

Saratoga Springs, NY +&

Saratoga Performing Arts Center

Tue

7/23

Bangor, ME +#

Darling's Waterfront Pavilion

Wed

7/24

Gilford, NH +#

Bank of New Hampshire Pavilion

Fri

7/26

Darien Center, NY ^#

Darien Lake Amphitheater

Sat

7/27

Cincinnati, OH #

Riverbend Music Theater

Mon

7/29

Bethel, NY +#

Bethel Woods Center for the Arts

Tue

7/30

Syracuse, NY +#

St. Joseph's Health Amphitheater at Lakeview

Thu

8/1

Burgettstown, PA ^#

KeyBank Pavilion

Fri

8/2

Camden, NJ ^#

BB&T Pavilion

Sun

8/4

Cleveland, OH ^#

Blossom Music Theater

Mon

8/5

Detroit, MI ^#

DTE Energy Music Pavilion

Wed

8/7

Indianapolis, IN ^#

Ruoff Home Mortgage Music Center

Thu

8/8

Nashville, TN ^#

Ascend Amphitheater

Sat

8/10

Raleigh, NC ^#

Coastal Credit Union Music Park

Sun

8/11

Virginia Beach, VA ^#

Veterans United Home Loans Amphitheater

Tue

8/13

Columbia, MD ^#

Merriweather Post Pavilion

Wed

8/14

Charlotte, NC ^#

PNC Music Pavilion

Fri

8/16

West Palm Beach, FL #

Coral Sky Amphitheater

Sat

8/17

Tampa, FL ^#

MIDFLORIDA Credit Union Amphitheater

Mon

8/19

Atlanta, GA %#

Ameris Bank Amphitheatre

Tue

8/20

Birmingham, AL %#

Oak Mountain Amphitheatre

Thu

8/22

Houston, TX ^#

Cynthia Woods Mitchell Pavilion

Fri

8/23

Dallas, TX #

Dos Equis Pavilion

Sun

8/25

Albuquerque, NM ^#

Isleta Amphitheater

Tue

8/27

Chula Vista, CA ^#

North Island Credit Union Amphitheater

Wed

8/28

Phoenix, AZ ^#

Ak-Chin Pavilion

Thu

8/30

Salt Lake City, UT

USANA Amphitheater

Sat

8/31

Denver, CO ^#

Pepsi Center

Tue

9/3

Portland, OR ^#

Sunlight Supply Amphitheater

Wed

9/4

Tacoma, WA ^#

Tacoma Dome

Fri

9/6

Concord, CA ^#

Concord Pavilion

Sun

9/8

Las Vegas, NV ^

Pearl Concert Theater at Palms Casino Resort

Mon

9/9

Hollywood, CA ^#

Hollywood Bowl

   

 

+with Sheryl Crow

   

^with Joan Jett & the Blackhearts

   

&Lucie Silvas opening

   

#Elle King opening

   

%with Brandi Carlile

Wed, 02/27/2019 - 12:39 pm

TOMMMY EMMANUEL is a lot of things: an esteemed Grammy-nominated guitarist, composer and performer whose must-see shows combine virtuosity with his engaging storytelling wit. He's a prolific recording artist, has been twice voted Best Acoustic Guitarist by readers of Guitar Player magazine and honored as a Member of the Order of Australia. He's also a road warrior and a modern medicine man.

EMMANUEL has just announced a new array of U.S. headline tour dates starting July 15, for which he'll be joined by different artists along the tour route such as Jorma Kaukonen, Mike Dawes and Joe Robinson (see itinerary below with a breakdown of which shows these artists will be appearing with EMMANUEL). Tickets go on sale this Friday, March 1: https://tommyemmanuel.com/tours/

The announcement of these dates come on the heels of the conclusion of the U.S. tour by EMMANUEL and JOHN KNOWLES, two of the three remaining Certified Guitar Players (an honor bestowed by Chet Atkins). The sold-out coast-to-coast swing was in support of the acclaimed HEART SONGS, their collaborative instrumental album released January 11 via CGP Sounds/Thirty Tigers. HEART SONGS--which peaked at #2 on the Billboard Jazz Albums chart--spotlights the players' proficient ability to capture and radiate emotion through their instruments with special arrangements of "Cold, Cold Heart," the album's lead-off single written by Hank Williams; "Lullabye (Goodnight, My Angel)" written by Billy Joel; and the Bee Gees' "How Deep Is Your Love," which has over 5 million views on YouTube. View it here. While in NYC in January for two sold-out shows at City Winery, the twosome took time out to do live sessions with Paste and Relix.

In 2018, EMMANUEL earned the #1 "Bluegrass Album" on the Billboard charts with his ACCOMPLICE ONE collaborations album, released January 19 via CGP Sounds and distributed by Thirty Tigers. The album also debuted in Top 5 on Billboard's "Heatseekers Albums," Top 15 on "Independent Albums" and Top 20 on the "Americana/Folk" chart alongside its #1 debut on the iTunes "Jazz Albums" chart. Cowboys & Indians premiered the video for "Deep River Blues," his collaboration with Jason Isbell. The song is a stirring interpretation of the country blues classic by the late Doc Watson. Watch the video, directed and edited by Joshua Britt and Neilson Hubbard, here. It features EMMANUEL, with muddied hands, finger-picking his acoustic guitar by a small creek in the backwoods of Nolensville, TN and celebrating the Watson's pioneering guitar style.

The 16-track collaborative album, a mix of new takes on indelible classics and brand new originals from TOMMY and his collaborators, also achieved a #10 debut on Americana Music Association's "Top 40 Albums" chart while "Looking Forward To The Past" (feat Rodney Crowell) and "Borderline" (feat Amanda Shires) are both on Americana Music Association's "Top 40 Singles" chart (all monitored by CDX Traction). The album features guest artists such as Jason Isbell, Mark Knopfler, Rodney Crowell, Amanda Shires, Jerry Douglas, J.D. Simo, Ricky Skaggs, David Grisman and more.

The tour dates are:

DATE

 

LOCATION

VENUE

 

MON

7/15

Homer, NY

Center for the Arts of Homer

with John Knowles*

WED

7/17

Wilkes Barre, PA

F.M. Kirby Center for the Arts

with Mike Dawes

THU

7/18

New London, CT

The Garde Arts Center

with Mike Dawes

FRI

7/19

Beverley, MA

The Cabot

with Mike Dawes

SAT

7/20

Oak Hilly, NY

Grey Fox Music Festival

 

SUN

7/21

Englewood, NJ

Bergen Performing Arts Center

with Mike Dawes

TUE

7/23

Wilmington, DE

The Queen

with Mike Dawes

WED

7/24

Annapolis, MD

Maryland Hall for the Creative Arts

with Mike Dawes

WED

9/18

Elmhurst, IL

Hammerschmidt Memorial Chapel

+ Benefit Show

FRI

9/20

Oklahoma City, OK

Rose State College Hudiburg Chevrolet Center

with Joe Robinson

SAT

9/21

Kansas City, MO

Arvest Bank Theatre 

with Joe Robinson

SUN

9/22

Lincoln, NE

Rococo Theatre 

with Joe Robinson

MON

9/23

Des Moines, IA

Hoyt Sherman Place

with Joe Robinson

WED

9/25

Kalamazoo, MI 

Kalamazoo State Theatre 

with Jorma Kaukonen 

THU

9/26

Columbus, OH

Davidson Theatre

with Jorma Kaukonen 

FRI

9/27

Cincinnati, OH

Taft Theatre

with Jorma Kaukonen 

SAT

9/28

Frankfort, KY

Grand Theatre

with Pat Bergeson &

 

 

 

 

Annie Sellick

*Rescheduled dates from Heart Songs Tour

+Benefit Show for Elmhurst College & Emmanuel Family Scholarship Fund (rescheduled date)

Mon, 03/04/2019 - 8:08 am

OHANA--the annual three-day festival curated by Pearl Jam frontman Eddie Vedder--will once again bring its mix of powerful headlining sets, standout collaborations and performances from emerging talent to the beautiful Doheny State Beach in Dana Point, CA.

Set for Friday, September 27-Sunday, September 29, this year's OHANA will be led by performances from the Strokes, Eddie Vedder, the Red Hot Chili Peppers, Tash Sultana, Incubus, Nathaniel Rateliff & the Night Sweats and more than 25 acts throughout the three-day weekend of music (full line-up is below). Tickets for this year's OHANA go on sale Friday, March 8 at 10:00 AM www.OhanaFest.com.

Now in its fourth consecutive year, OHANA has become known for its unexpected collaborations.  Last year (2018), Vedder showed up throughout the festival joining the John Doe Folk Trio (X's "The New World") on Friday, Johnny Marr (The Smiths' "There Is a Light That Never Goes Out") on Saturday and closing out the weekend by appearing with Mumford & Sons on Sunday for a rocking version of Bob Dylan's "All Along the Watchtower."  In addition, during his Saturday headlining set, Vedder was joined by Liz Phair on Pearl Jam's "Better Man"; later in the set he was accompanied musically and vocally by Tom Petty and the Heartbreakers' Scott Thurston on three songs ("Wildflowers," "Room At The Top," and "I Won't Back Down") in tribute to his friend.

As VEDDER explained in a Q&A in advance of last year's event, "It's been a true honor to work with the community and organizers to create a stimulating vibe and uplifting atmosphere for the great crowds and incredible musicians who come out to play in the park.  To have the Pixies, X, Mudhoney, Jack Johnson, etc., etc, etc. play your festival has been so satisfying.  Far beyond our initial vision for it all.

"Seeing Fiona Apple play a truly joyful set in the sun, I know I'll never forget that.  Being there while Lana Del Rey and Chan Marshall (Cat Power), hung out for the first time.  (Lana, who is singing on Cat Power's new single.  When you get to witness that and know you've had a small part in that, there's definitely a healthy sense of pride you can glean from that.

"Practicing a song backstage with Elvis Costello.  Another highlight. When he starts singing from the chair across from you, you're hit with the realization that he is equipped with his own personal P.A. system in his throat.  Perfectly tuned and a voice that's like no other.  It's Elvis!"

The OHANA 2019 line-up (March 4) is as follows: 

The Strokes, Eddie Vedder, Red Hot Chili Peppers, Tash Sultana, Incubus, Nathaniel Rateliff & The Night Sweats, LP, Glen Hansard, Jenny Lewis, Devendra Banhart, Donavon Frankenreiter, Lukas Nelson & The Promise Of The Real, Benjamin Booker, Fontaines D.C., Madison Ryann Ward, Jacob Banks, Las Cafeteras, White Reaper, Mudhoney, Sunflower Bean, Poolside, Dustin Kensrue, Mt. Joy, The Messthetics, Laura Jane Grace and the Devouring Mothers, Lewis Capaldi, Jesse Jo Stark, Paul Cauthen, Jack Irons, Henry Jamison, L.A. Witch, Erin Rae, Jonny Roundhouse, John Craigie, and Gretta Ray.

Additional details about OHANA can be found at www.ohanafest.com.  A portion of the proceeds from OHANA will benefit the San Onofre Parks Foundation and the Doheny State Beach Interpretive Association (DSBIA). A full list of OHANA participating charities is as follows: California Department of Parks and Recreation; California Coastal Commission; Doheny State Beach Interpretive Association; Drop in the Bucket; Parley for the Oceans; Rob Machado Foundation; San Onofre Parks; SHACC - Surfing Heritage & Culture Center; Sea Legacy; Surfrider Foundation, South OC Chapter; Waves for Water; WSL PURE; and Wyland Foundation.

OHANA is a Live Nation event. OHANA's 2019 sponsors include Kona Brewing Co., Toyota Mirai, Bai Beverages, Zippo Lighters, Maui Jim, Sambazon, Kind Snacks, Hydroflask, Tito's Handmade Vodka, Bulleit Frontier Whiskey, Aperol Spritz, Sailor Jerry Spiced Rum, Angry Orchard, JaM Cellars, Truly Spiked Seltzer and Mike's HARDER.

Tue, 03/05/2019 - 5:55 am

From his groundbreaking debut Worlds to his "Shelter" collaboration with Madeon and his early 2000s love letter as Virtual Self, PORTER ROBINSON has proven himself to be one of the most dynamic artists in the electronic genre right now.  On Saturday, June 15, he will unveil his next endeavor - PORTER ROBINSON'S MULTIVERSE FESTIVAL.  Presented by Goldenvoice, MULTIVERSE will be a one-of-a-kind unique event for his fans set to take place at Middle Harbor Shoreline Park (MHSP) in the Bay Area of Northern California.

Ticket holders can expect a day of performances by artists specially curated by Robinson, with the lineup to be unveiled throughout this week.

Tickets officially go on-sale March 15, with fan and AmEx pre-sales launching March 13 at 10:00am pt.  Fans can sign up for the pre-sale at www.multiversefest.com

A deeply personal journey through textural synth-pop, PORTER ROBINSON's 2014 album Worlds shook the electronic music community to its core and expanded the definition of the genre upon its release.  With more than 500 million streams under his belt, plus 200,000+ in ticket sales for live headline performances & triumphant appearances at Coachella, Outside Lands and more, he is one of the most in-demand artists in electronic music.

Centrally located in the Bay Area, Middle Harbor Shoreline Park (MHSP) is a 38-acre shoreline park built and operated by the Port of Oakland for the community, with more than two miles of pathways encircling Middle Harbor Basin. The planning and design of this park was done with extensive community involvement and provides unprecedented access to the shoreline, with associated views of the bay, natural habitats and maritime activity.

Follow these channels closely for the most up to date information regarding PORTER ROBINSON'S MULTIVERSE FESTIVAL:

https://www.multiversefest.com

https://instagram.com/multiversefest

https://twitter.com/multiversefest

https://www.facebook.com/multiversefest

Tue, 03/05/2019 - 5:12 pm

Seminal rock bands +LIVE+ and BUSH are joining forces for The ALT-IMATE Tour, a high-powered co-headline summer run that will see these two iconic acts celebrating the 25th anniversary of their respective landmark albums Throwing Copper and Sixteen Stone. Produced by Live Nation, this hits-packed road show will hit arenas and outdoor amphitheaters in 33 cities across the country, kicking off June 6th in Mashantucket, CT with stops in Boston, Los Angeles, Atlanta and more before wrapping September 8th in Rochester, MI at Meadow Brook Amphitheatre.

"We are thrilled to be touring this summer with LIVE," says BUSH frontman Gavin Rossdale. "The wealth and depth of songs from both bands should provide a great night of music. Looking forward to seeing you all this summer."

"Bush is a great band and Gavin is a super passionate singer and performer.  I'm really looking forward to spending the summer with them," said +LIVE+ frontman Ed Kowalczyk. "I know the fans are going to get one hell of a show."

Released in 1994 and fueled by blockbuster No. 1 singles "Lightning Crashes," "Selling The Drama," "Glycerine," "Comedown" and "Machinehead," breakthrough albums Throwing Copper and Sixteen Stone sold more than 20 million albums combined. Both were spotlighted on Rolling Stone's list, "1994: The 40 Best Records From Mainstream Alternative's Greatest Year," and remain timeless favorites, thanks to radio staples that include "Everything Zen," "Little Things," "I Alone" and "All Over You."

"It's an amazing feeling to know that these songs still resonate so profoundly with people," says Kowalczyk. "And I still totally get off on celebrating this music with them. With Throwing Copper, we were taking on big things with a big sound.  Love, truth, birth, death, philosophy, religion, spirituality...we were asking the perennial questions and poking around for answers with this massive and dynamic sound. It attracted people from all over the world. We were inviting them to imagine that rock and roll could be a valid forum for exploring these types of things...we built it and they came."

"Sixteen Stone propelled us onto the musical landscape," says Rossdale. "Those songs have found a way into the soundtrack of people's lives and that is the highest compliment available. We've continued to make music that resonates with people."

Tickets go on sale to the general public beginning Friday, March 15th at 10 AM local time at LiveNation.com. Citi is the official presale credit card for the tour. As such, Citi cardmembers will have access to purchase presale tickets beginning Tuesday, March 12th at 10 AM local time until Thursday, March 14th at 10 PM local time through Citi's Private Pass program. For complete presale details visit www.citiprivatepass.com. Artist presales are also available now through Thursday, March 14th at 10 PM local time, visit http://bushofficial.com/tour or http://freaks4live.com/home.html.

 +LIVE+ and Bush The ALT-IMATE Tour 2019 Dates:

Thursday, June 06, 2019

Mashantucket, CT

Foxwoods Resort Casino - The Grand Theater*

Friday, June 07, 2019

Atlantic City, NJ

Hard Rock Live at Etess Arena

Saturday, June 08, 2019

Burlington, Ontario, Canada

Spencer Smith Park - Sound of Music Festival*

Tuesday, June 11, 2019

Boston, MA

Rockland Trust Bank Pavilion

Thursday, June 13, 2019

Gilford, NH

Bank of New Hampshire Pavilion

Friday, June 14, 2019

Canandaigua, NY

Constellation Brands-Marvin Sands Performing Arts Center: CMAC

Saturday, June 15, 2019

Holmdel, NJ

PNC Bank Arts Center

Friday, July 26, 2019

Appleton, WI

Neuroscience Group Field at Fox Cities Stadium*

Saturday, July 27, 2019

Council Bluffs, IA

Stir Cove at Harrah's Casino*

Sunday, July 28, 2019

Kansas City, MO

Starlight Theatre

Tuesday, July 30, 2019

New Orleans, LA

Bold Sphere Music at Champions Square

Friday, August 02, 2019

Wichita, KS

Hartman Arena

Saturday, August 03, 2019

Denver, CO

Fillmore Auditorium

Tuesday, August 06, 2019

Los Angeles, CA

Greek Theatre+

Wednesday, August 07, 2019

Concord, CA

Concord Pavilion

Friday, August 09, 2019

Tuolumne, CA

Black Oak Casino - West Side Pavilion*

Saturday, August 10, 2019

Costa Mesa, CA

OC Fair*

Sunday, August 11, 2019

Tucson, AZ

AVA Casino*

Wednesday, August 14, 2019

Rogers, AR

Walmart AMP

Friday, August 16, 2019

Tampa, FL

MIDFLORIDA Credit Union Amphitheatre

Saturday, August 17, 2019

Miami, FL

Bayfront Park Amphitheater

Sunday, August 18, 2019

Jacksonville, FL

Daily's Place

Tuesday, August 20, 2019

Atlanta, GA

Cadence Bank Amphitheatre at Chastain Park

Friday, August 23, 2019

Essex Junction, VT

Champlain Valley Expo*

Saturday, August 24, 2019

Baltimore, MD

MECU Pavilion

Sunday, August 25, 2019

Pittsburgh, PA

Stage AE*

Tuesday, August 27, 2019

Allentown, PA

The Great Allentown Fair

Thursday, August 29, 2019

Wantagh, NY

Northwell Health at Jones Beach Theater

Friday, August 30, 2019

Bethel, NY

Bethel Woods Center for the Arts

Wednesday, September 04, 2019

Dayton, OH

The Rose Music Center at The Heights

Friday, September 06, 2019

Tinley Park, IL

Hollywood Casino Amphitheatre

Saturday, September 07, 2019

Allegan, MI

Allegan County Fair*

Sunday, September 08, 2019

Rochester, MI

Meadow Brook Amphitheatre

*not a Live Nation date

+on-sale Wed Mar 13

Thu, 03/07/2019 - 8:21 am

All revved up and red hot, The STRAY CATS are back.

Brian Setzer (guitar, vocals), Lee Rocker (bass, vocals) and Slim Jim Phantom (drums, vocals)--original founding members of the iconic and acclaimed American rock and roll trio--are celebrating their 40th anniversary in 2019 with a new album and tour (*see tour dates below).

The STRAY CATS have titled the album 40. Marking their first new album in 26 years, it will be released May 24 via Surfdog Records and distributed by BMG (CD, vinyl, digital). The song titles alone--including "Cat Fight (Over A Dog Like Me)," "Rock It Off," "Mean Pickin' Mama" and "Devil Train"--instantly let listeners know they're in for a non-stop rocking time.

Watch the band and album producer Peter Collins in the studio discussing the making of the album here.

The first instant grat track, "Cat Fight (Over A Dog Like Me)," is available now with a pre-order of the album.  The song is also streaming on Spotify.  An exclusive indie-store edition of the album--colored vinyl, with a double-sided 24x12 poster--will arrive on May 24: http://smarturl.it/StrayCats

In addition, The STRAY CATS are releasing an exclusive 12" picture disc with three songs--"Cat Fight (Over A Dog Like Me), "When Nothing's Going Right" and "Rock It Off"--on April 13, Record Store Day.

The STRAY CATS begin their select U.S. dates on August 3 on the heels of June and July overseas shows. Tickets for the shows go on sale Friday, March 8 at 10:00 AM (local time).

The STRAY CATS recorded 40 at Blackbird Studios in Nashville in late 2018 following their first North American shows in 10 years, with four concerts including sold-out headlining shows in Las Vegas and the Pacific Amphitheatre in Costa Mesa, CA before wildly enthusiastic audiences. Still buzzing from the thrill of playing together again and the crowd response, they went into the studio with producer Peter Collins (Rush, Bon Jovi, The Brian Setzer Orchestra) and engineer Vance Powell (Jack White, Chris Stapleton, Arctic Monkeys). There are a dozen original songs that comprise the album.

Here's what the guys have to say:

Brian Setzer: "You have to understand how unique the Stray Cats are. It's me playing an old hollow body guitar, Slim Jim playing two or three drums, and Lee Rocker slapping a stand-up acoustic bass. I get to write new songs and then play them with my buddies. Somehow we created a new and exciting sound with this simple idea. And you know what? A lot of people agree!"

Lee Rocker: "This new album really feels like the first record we did, it's really natural and comfortable. For the recording, we went live--like doing a gig, we recorded in a real, organic way. We were all in one room standing next to each other recording live, with the amps turned up to 10, it captured the undefinable things that happen when a band is great, it captured the magic that takes place and an undefined spark."

Slim Jim Phantom: "We're very, very focused when we get into the studio, it didn't feel like a long time had passed since we had done this, it felt very natural and familiar. We were all in a row with everyone watching each other, so it felt like a gig in the set-up. We really embraced that a little bit for the album, it's like an old way of making records. The modern is meeting the vintage, which has always been our inspiration."

 '40' Tracklisting

Cat Fight (Over A Dog Like Me)

Rock It Off

I've Got Love If You Want It

Cry Danger

I Attract Trouble

Three Time's A Charm

That's Messed Up

When Nothing's Going Right

Desperado

Mean Pickin' Mama

I'll Be Looking Out For You

Devil Train

DAY

DATE

CITY/STATE

VENUE

Friday

6/21

Vitoria, Spain

Azkena Rock Festival

Sunday

6/23

Birmingham, United Kingdom

Birmingham O2Academy

Tuesday

6/25

Manchester, United Kingdom

Manchester O2 Apollo

Wednesday

6/26

London, United Kingdom

London Eventim Apollo

Thursday

6/27

London, United Kingdom

London Eventim Apollo

Saturday

6/29

Tilloloy, France

Retro C Trop

Monday

7/1

Amsterdam, Netherlands

AFAS Live

Wednesday

7/3

Berlin, Germany

Columbiahalle

Thursday

7/4

Cologne, Germany

Palladium

Saturday

7/6

Tours, France

American Tours Festival

Sunday

7/7

Belfort, France

Les Eurockeennes

Tuesday

7/9

Stuttgart, Germany

Killesberg

Thursday

7/11

Munich, Germany

Zenith

Saturday

7/13

Aix-Les-Bains, France

Musilac Festival

Thursday

7/18

Pori, Finland

Pori Jazz Festival

Saturday

7/20

Falun, Sweden

Summer Jamboree-Falun

Saturday

8/3

Atlantic City, NJ

Ocean Resort Casino-Ovation Hall

Tuesday

8/6

New York, NY

Pier 17 at South Street Seaport

Tuesday

8/13

Vienna, VA

Wolf Trap

Wednesday

8/14

Huber Heights, OH

Rose Music Center

*Thursday

8/15

Grand Rapids, MI

Meijer Garden

Sunday

8/18

Welch, MN

Treasure Island Casino

*Monday

8/26

Salt Lake City, UT

Red Butte Garden

Wednesday

8/28

Los Angeles, CA

Greek Theatre

*Saturday

8/31

San Diego, CA

Humphrey's

*Note: italicized dates will be on sale at a later date (TBD)

Mon, 03/11/2019 - 8:14 am

Today, March 11, 2019 - 311 and their fans celebrate 311 DAY with 3 major happenings. This evening, 311 premieres their feature film Enlarged to Show Detail 3 (ETSD 3) for one-night-only in hundreds of theaters nationwide.  In addition, alternative rock mainstays, 311 revealed details for a 34 date summer tour of amphitheaters co-headlined with Dirty Heads along with special guests The Interrupters and support from Dreamers, Bikini Trill and more. Also announced today, 311's new album pre-order launched for digital, cd, vinyl and autographed options, plus each order gets a ticket code for summer tour pre-sale tickets and VIP packages (perks include early entry, meet-n-greets, stage viewings, and autographed goods). All info at 311.com

Global event cinema distributor Traflagar Releasing unveils ETSD3, the 90-minute film in cinemas across the country. The documentary largely focuses on the band's relationship with fans and its unbelievable community, intercut with high-energy live show moments and behind-the-scenes vignettes. Not only does it stand out as a must-see for diehards, but for music aficionados alike. For ticket info, visit 311inCinemas.com

Hitting amphitheaters coast-to-coast, 311's summer tour kicks off July 2, rolls through major markets across the country, and concludes on August 20. Rounding out a blockbuster bill, 311 will be joined by Dirty Heads with special guests on select dates The Interrupters (with their top #3 alternative hit single "She's Kerosene"), Dreamers, Bikini Trill and more.

311 hosts a pre-sale beginning March 19 at 10am local time. A Citi Presale follows at 12pm local time on Tuesday, March 19. Meanwhile, Ticketmaster and LiveNation pre-sales launch March 21 at 10am. General On-Sale begins Friday. March 22 at 10am local time. Check out the full confirmed itinerary below.   Tickets and VIP packages will be Available HERE

311 Day happens hot on the heels of 311's recently completed sixth sold out 311 Caribbean Cruise, hosting 3,000 fans from all 50 states and nine countries on a musical trek from Tampa to Harvest Caye, Belize and Costa Maya, Mexico.

311 and Dirty Heads have partnered with PLUS1 so that $1 from every ticket will go to the organizations bringing dignity, equity and access to communities who need it. www.plus1.org

Tour dates are as follows:

Tue Jul 02

Dayton, OH

The Rose Music Center at The Heights*+

Fri Jul 05

Detroit, MI

DTE Energy Music Theatre^+

Sat July 06

Chicago, IL

Hollywood Casino Amphitheatre+

Sun Jul 07

Duluth, MN

Bayfront Festival Park*+

Wed Jul 10

Bonner Springs, KS

Providence Medical Center Amphitheater*+

Fri Jul 12

Indianapolis, IN

Ruoff Home Mortgage Music Center^+

Sat Jul 13

Pittsburgh, PA

KeyBank Pavilion+

Sun Jul 14

Hartford, CT

XFINITY Theatre+

Thu Jul 18

Boston, MA

Xfinity Center^+

Sat Jul 20

Darien Lake, NY

Darien Lake Amphitheater

Tue Jul 23

Gilford, NH

Bank of New Hampshire Pavilion^+

Wed Jul 24

Holmdel, NJ

PNC Bank Arts Center+

Fri Jul 26

Wantagh, NY

Northwell Health at Jones Beach Theater+

Sat Jul 27

Columbia, MD

Merriweather Post Pavilion*+

Sun Jul 28

Raleigh, NC

Coastal Credit Union Music Park at Walnut Creek+

Tue Jul 30

Atlanta, GA

Cadence Bank Amphitheatre at Chastain Park+

Wed Jul 31

Charleston, SC

Volvo Car Stadium*+

Fri Aug 02

West Palm Beach, FL

Coral Sky Amphitheatre+

Sat Aug 03

Tampa, FL

MIDFLORIDA Credit Union Amphitheatre

Sun Aug 04

Jacksonville, FL

Daily's Place^

Tue Aug 06

Houston, TX

White Oak Music Hall Lawn+

Wed Aug 07

Austin, TX

Austin360 Amphitheater+

Thu Aug 08

Dallas, TX

The Pavilion at Toyota Music Factory^+

Sat Aug 10

Phoenix, AZ

Ak-Chin Pavilion+ (311 ONLY)

Sun Aug 11

Chula Vista, CA

North Island Credit Union Amphitheatre^+

Fri Aug 16

Sacramento, CA

Papa Murphy's Park at Cal Expo*

Sat Aug 17

Portland, OR

Veterans Memorial Coliseum

Sun Aug 18

Auburn, WA

White River Amphitheatre^

Tue Aug 20

Salt Lake City, UT

USANA Amphitheatre

Mon, 03/25/2019 - 10:07 am

Iconic guitarist, songwriter, vocalist and three-time Grammy Award-winner BRIAN SETZER will be doing double duty this summer, touring with The STRAY CATS as well kicking off his 2019 "ROCKABILLY RIOT!" Summer Tour.

The U.S. "ROCKABILLY RIOT!" dates begin August 5 in Lancaster, PA and wrap August 30 in Henderson, NV (see the full itinerary below). Tickets go on sale to the public on Friday, March 29 at 10:00 AM, local time. View the tour trailer here.

Pre-sale schedule as follows: 

Fanclub Presale: Tuesday, March 26 at 10:00 AM, local time through Thursday, March 28 at 10:00 AM local. Be the first to get tickets by signing up for Brian's fan club here.

Local Presale: Thursday, March 28 at 10:00 AM through 10:00 PM local time

SETZER's rockin' style and guitar assault always leave audiences smiling, and his red hot compadres are Noah Levy on drums, Kevin McKendree on piano/guitar and Mark Winchester on bass. They'll be jumping into the most electrifying songs from Brian's 40-year career as a solo artist and as a Stray Cat. Highlights will include "Let's Shake," "Ignition" and "Nothing Is A Sure Thing," along with such Stray Cats gem as "Rock This Town," "Rumble In Brighton" and "Stray Cat Strut."

"When you look up rockabilly in the dictionary there is a picture of Mark Winchester," notes SETZER. "He grew up slapping the bass and is in a class of his own.  The relationship with the drummer and the bass player in rockabilly is very unique. The slap bass is a rhythmic sounding instrument, so the drummer has to be very in time with him in order not to sound sloppy. Noah Levy is a very on-the-beat solid drummer, whereas me, as a guitar player, I push everything while they hold it all in place.  And when you're talking about the great rockabilly piano players, it's a very short list, and Kevin McKendree is on it. And he also plays guitar incredibly well. We all just complement each other."

Asked what he'd like to overhear fans saying after a gig, SETZER says: "I would love to hear, 'You know, that Rockabilly Riot squad has all the energy and great things I like about the original rockabilly sound, yet they're a modern band making this music sound new."

In late 2016, SETZER released his live Blu-Ray/CD package, BRIAN SETZER'S ROCKABILLY RIOT: OSAKA ROCKA! -- LIVE IN JAPAN, a sizzling rockabilly album from start to finish that highlights the same band. More information on the Blu-Ray/CD can be found here.

Meanwhile with summer BBQs around the corner, fans might want to spice things up with Brian Setzer's Rockabilly Rub. Available now, the all original recipe rub features Brian's custom blend of spices and can be purchased here.

U.S. DATES FOR THE "ROCKABILLY RIOT!" 2019 SUMMER TOUR:

DATE

 

LOCATION

VENUE

MON

8/5

Lancaster, PA

American Music Theatre

FRI

8/9

Union, ME

Savage Oakes Vineyard & Winery

*SAT

8/10

Westhampton, NY

Westhampton Beach PAC

SUN

8/11

Selbyville, DE

The Freeman Stage @ Bayside

*SAT

8/17

Bayfield, WI

Lake Superior Big Top Concert Series

TUE

8/20

St. Louis, MO

River City Casino

*WED

8/21

Memphis, TN

Graceland Soundstage

THU

8/22

Tulsa, OK

Hard Rock

SAT

8/24

Albuquerque, NM

Isleta Resort & Casino - Ballroom

SUN

8/25

Boulder, CO

Chautauqua Auditorium

FRI

8/30

Henderson, NV

Green Valley Ranch

Thu, 03/28/2019 - 10:45 am

RICKIE LEE JONES is that rare musician who has transcended the singer/songwriter mantle by incorporating different radio genres from the get-go and she continues that tradition on the forthcoming album KICKS, her newest collection of songs from the great American songbook. Due out June 7, the album spans two decades (50s-70s) of pop, rock and jazz, presenting her unique and sophisticated interpretations of these songs.

Miss Jones' own label, OSOD (other side of desire), will release KICKS with Thirty Tigers distributing. The past decade has seen her team up with manager Ron Stone (Nirvana, Bonnie Raitt, among others) and her team is innovating a new fund-raising campaign to promote this project. A pre order of the self-released album is available here, along with a variety of official KICKS merchandise including t-shirts, posters, totes and other items.

It is fitting that one of the American treasures of songwriters should be comfortable with this diverse collection of the great songwriters of the 20th century--she is one of them. On KICKS, she brings emotion to sleeper album tracks like "My Fathers Gun"and her tongue-in-cheek humor to songs like "Houston." The album will be previewed by the infectious, insistent track of hope "Lonely People," which arrives at radio April 19; it was a Top Five Billboard hit in 1974, originally recorded by America. The song will be available as an instant grat track that same day with the purchase of the pre-release of the album.

Weaving the connection between 70's rock and 50's jazz was no leap for JONES. "It is all part of what I heard growing up," says JONES. "The radio played everything! 1960's AM radio was the primordial zone for our musical life today. As a kid I heard R&B, country, rock, and the most sophisticated singer-songwriters of the day forming their genre.Radio was a college education for a budding musician because these songs are all playing on my internal radio all the time, it's not a stretch for me to put them together on an LP. Really, I just love to sing."

KICKS was created entirely in New Orleans, using local musicians, mixers and studios. Produced by RICKIE LEE JONES with her band-mate, vibraphonist Mike Dillion, it features 10 songs of a highly infectious nature. Check out "Nagasaki," her traditional jazz offering of tight three-part harmonies, and "Bad Company," where JONES cuts loose on electric guitar.

The album cover, by artist Peregrine Honig, is a super-hero woman in boxing gloves. Sound like anyone we know? RICKIE LEE JONES, superhero, with a super weapon smile! "In times like these, "Miss Jones smiles, "a smile can be subversive. Here is Rickie Lee's musical smile."

The KICKS track listing is as follows:

"Bad Company" (Bad Company, 1974)

"My Fathers Gun" (Elton John, 1970)

"Lonely People" (America, 1974)

"Houston" (Sanford Clark, 1964; made famous by Dean Martin, 1965)

"You're Nobody 'Til Somebody Loves You" (Russ Morgan, 1944; made famous by Dean Martin, 1960/1964)

"Nagasaki" (Ipana Troubadours, 1928; most famous by Benny Goodman Quartet, 1952)

"Mack The Knife" (Louis Armstrong, 1956; made famous by Bobby Darin, 1958)

"Quicksilver Girl" (Steve Miller Band, 1968)

"End Of The World" (Skeeter Davis, 1962)

 "Cry" (Ruth Casey, 1951; made famous by Johnnie Ray and the Four Lads, 1951)

In support of the album, RICKIE LEE JONES will perform two shows in Japan before a run of U.S. dates. Her initial 2019 tour dates are as follows:

DATE

 

CITY

VENUE

Thu

5/16

Osaka, JPN

NHK Hall

Fri

5/17

Tokyo, JPN

Orchard Hall

Sat

6/1

New Orleans, LA

Tipitina's

Fri-Sun

6/7-6/9

Park City, UT

The Egyptian Theatre

Tue-Wed

6/11 & 6/12

Seattle, WA

The Triple Door

Fri

6/14

Denver, CO

Venue TBA

Sun

6/16

Kansas City, KS

Crossroads

Tue

6/18

Atlanta, GA

The City Winery

Wed

6/19

Nashville, TN

The City Winery

Fri

6/21

Dallas, TX

The Kessler

Sat

6/22

Austin, TX

The 04 Center

Sun

6/23

Houston, TX

The Heights

Tue

6/25

Albuquerque, NM

KiMo Theater

Wed

6/26

Phoenix, AZ

MIM

Thu

6/27

San Diego, CA

San Diego State Fair

Thu

7/18

Berkeley, CA

Freight & Salvage

Fri

7/19

Berkeley, CA

Freight & Salvage

Sat

7/20

Marina Del Ray, CA

Summer Series

Thu, 03/28/2019 - 11:17 am

Following the tremendous reception to his Instagram video posted earlier this week announcing his return to the road (over 300,000 views in less than 24 hours), world-renowned electronic artist deadmau5 is pleased to formally announce details of his North American 'cube v3 tour' for this fall.

Produced by Live Nation, the 16-city tour will kick off September 12 in Dallas and will see deadmau5 bringing his brand new cubev3 production to major markets across the continent. His fourth major North American tour with the cube will find him landing in Austin, San Francisco, Phoenix, Chicago, San Jose, Seattle and more. Los Angeles has deadmau5 returning to Hollywood's legendary Palladium where he first broke records of most continuous sold-out shows in a row in 2011. Confirmed dates follow below with more to be announced later.

Tickets go on sale to the general public beginning Friday, April 5 at 10am local time at LiveNation.com. To ensure tickets get in to the hands of fans and not scalpers or bots, the tour has partnered with Ticketmaster's Verified Fan platform. Fans can register now through Monday, April 1 at 10pm ET here for the Verified Fan presale. Registered fans who receive a code will have access to purchase tickets before the general public from Wednesday, April 3 at 10am local time through Thursday, April 4 at 10pm local time.

deadmau5 is on point to debut the new cubev3 production this Saturday, March 30 at Ultra Music Festival. Fans around the globe can tune in at www.ultramusicfestival.com  starting at 10:00pm PT/1:0am ET and watch a live stream of the performance in anticipation of what's to come later this year at his shows.

The original cube debuted at Coachella April 2010, catapulting deadmau5 to become one of the most in-demand live acts in the world, with its follow-up Cube 2.1 arriving in 2017 at the launch of his "lots of shows in a row tour." cubev3 - created by deadmau5 with Chris Schroeder of Chris Schroeder Productions, with technical design by Collyns Stenzel, and video content plus additional programming by deadmau5 - comes to life from Miami with the semitransparent look and deadmau5 custom content. Cubev3 will be the most complex production he has ever presented changing positions from 90 degrees into 45 degrees and rotate 360 degrees with mind bending content from deadmau5 & his custom touch designer system.

Tue, 04/02/2019 - 11:39 am

The 2019 summer concert calendar has just been lit up with the announcement of YES' North American concert tour, "The Royal Affair Tour." Headlined by prog rock pioneers and Rock & Roll Hall of Fame inductees YES, who triumphed last year with their acclaimed and hugely successful #YES50: Celebrating 50 Years of YES tour, this must-see best-of-British-rock show will also feature Asia with the return of founding member Steve Howe in a special performance, John Lodge of The Moody Blues, and Carl Palmer's ELP Legacy with guest vocals by Arthur Brown. View the trailer: https://www.youtube.com/watch?v=pkN5R1Gh7Po

The first set of dates for "The Royal Affair Tour" has been announced. The trek will launch Wednesday, June 12 in Bethlehem, PA and visit cities including Holmdel, NJ; Toronto; Nashville; Hollywood, FL; Phoenix; Las Vegas; and Irvine, CA before wrapping Sunday, July 28 in Saratoga, CA. Most shows go on sale Friday, April 5. More dates will be revealed in the coming weeks. See below for full list of tour dates and go to www.yesworld.com/live for ticketing information.

YES is Steve Howe (guitar -- joined 1970), Alan White (drums since 1972), Geoff Downes (keyboards; first joined in 1980), Jon Davison (vocals since 2011) and Billy Sherwood (guitar/keyboards in the 1990s and the late Chris Squire's choice to take over bass/vocals in 2015), with Jay Schellen on additional drums. See quotes below from YES.

Look for YES to perform songs from throughout their storied career, one of rock music's most prized bodies of work, and their set will honor the memory of YES members Chris Squire and Peter Banks.

YES (L-R): Geoff Downes, Steve Howe, Alan White, Jon Davison, Billy Sherwood Photo Credit: Gottlieb Bros.

Asia will play their signature songs and pay tribute to their late founding member John Wetton. A portion of their set will feature original guitarist Steve Howe in a special performance. Asia will also introduce its new line-up featuring guitarist/lead vocalist Ron "Bumblefoot" Thal and bassist Billy Sherwood.

John Lodge's set will encompass his classic hits by Rock & Roll Hall of Fame inductees The Moody Blues and pay tribute to the band's recently departed member Ray Thomas.

Carl Palmer will honor the memory of his fellow Emerson, Lake and Palmer members Keith Emerson and Greg Lake, with vocals by British vocalist Arthur Brown.

As part of the evening's British theme, there will be Alan White of YES' tribute to John Lennon; White was the drummer on Lennon's solo material including the recording of "Imagine."

Steve Howe: "Yes is delighted to headline this celebration of British music which has been so warmly received in America over the past five decades."

Alan White: "I'm looking forward to joining a number of classic British talents that have delighted so many fans over the past half century."

Geoff Downes: "This is a unique celebration of the British contribution to classic rock over many decades. It will be inspirational to be a part of. And I know it is what John Wetton would have wanted."

The initial dates for "THE ROYAL AFFAIR TOUR" are as follows, with more to be announced soon:

DATE

 

LOCATION

VENUE

WED

6/12

Bethlehem, PA

Bethlehem Event Center

FRI

6/14

Farmingdale, NY

Long Island Community Hospital Amphitheater

SAT

6/15

Atlantic City, NJ

Hard Rock Live at Etess Arena

SUN

6/16

Holmdel, NJ

PNC Bank Arts Center

THU

6/20

Westchester, NY

Westchester County Center

FRI

6/21

Pittsburgh, PA

Stage AE

*SAT

6/22

Baltimore, MD

MECU Pavillion

MON

6/24

Toronto, ON

Budweiser Stage

TUE

6/25

Lewiston, NY

Artpark Amphitheater

THU

6/27

Bethel, NY

Bethel Woods Center for the Arts

SAT

6/29

Gilford, NH

Bank of NH Pavilion

SUN

6/30

Providence, RI

Bold Point Park

^WED

7/3

Rochester Hills, MI

Meadow Brook Amphitheatre

FRI

7/5

Columbus, OH

Express Live

SAT

7/6

Aurora, IL

RiverEdge Park

MON

7/8

Nashville, TN

Grand Ole Opry House

WED

7/10

Cary, NC

Koka Booth Amphitheatre at Regency Park

^FRI

7/12

Clearwater, FL

Ruth Eckerd Hall

SAT

7/13

Hollywood, FL

Seminole Hard Rock Hotel & Casino

^THU

7/18

St Augustine, FL

St. Augustine Amphitheatre

SAT

7/20

Irving, TX

Toyota Music Factory

SUN

7/21

Rogers, AR

Walmart AMP

^WED

7/24

Phoenix, AZ

Comerica Theatre

FRI

7/26

Las Vegas, NV

The Joint (Hard Rock Hotel & Casino)

SAT

7/27

Irvine, CA

FivePoints Amphitheatre

+SUN

7/28

Saratoga, CA

The Mountain Winery

*On sale April 12

^On sale TBD

+On sale April 8

Fri, 04/26/2019 - 2:49 pm

The STRAY CATS--all revved up and red hot--have released "Rock It Off," a new song and video from their upcoming album 40, out May 24 via Surfdog Records and distributed by BMG (CD, vinyl, digital). The blazing feel-good song, now available as an instant grat track, is spinning at Spotify and other platforms (listen here at Spotify), and the video can be viewed here. The behind-the-scenes video, capturing the band in the Nashville studio where they recorded the album, was premiered yesterday (April 25) at Billboard with a feature story. Noted the publication: "Four decades later, Stray Cats are ready to 'Rock It Off' with the same three basic ingredients they've always used: Setzer's twangy Gretsch guitar, drummer Slim Jim Phantom's elemental thumping and Lee Rocker's expertly slapped upright bass."

Brian Setzer (guitar, vocals), Lee Rocker (bass, vocals) and Slim Jim Phantom (drums, vocals)--original founding members of the iconic and acclaimed American rock and roll trio--are celebrating their 40th anniversary in 2019 with 40, their first new album in 26 years, and a tour that's hitting the U.S. and Europe (*see tour dates below).

The album's song titles alone--including "Cat Fight (Over A Dog Like Me)," "Rock It Off," "Mean Pickin' Mama" and "Devil Train"--instantly let listeners know they're in for a non-stop rocking time. Watch the band and album producer Peter Collins in the studio discussing the making of the album here.

Like "Cat Fight (Over A Dog Like Me)," the album's first instant grat track, "Rock It Off" is available now with a pre-order of the album: http://smarturl.it/StrayCats. "'Rock It Off' may be my favorite track on 40," Slim Jam Phantom says. "When the guitar riff comes in, I stand up a little straighter and imagine a peacock strutting. It's got a shuffle groove that's tailor-made for me to do the bop-bop-a-bop. The video captures the fun and good vibes we all shared while making the whole album." In addition, an exclusive indie-store edition of the album--colored vinyl, with a double-sided 24x12 poster--will arrive on May 24.

The STRAY CATS begin their select U.S. dates presented by SiriusXM on August 3 on the heels of June and July overseas shows. Tickets for the shows are on sale now.  

The STRAY CATS recorded 40 at Blackbird Studios in Nashville in late 2018 following their first North American shows in 10 years, with four concerts including sold-out headlining shows in Las Vegas and the Pacific Amphitheatre in Costa Mesa, CA before wildly enthusiastic audiences. Still buzzing from the thrill of playing together again and the crowd response, they went into the studio with producer Peter Collins (Rush, Bon Jovi, The Brian Setzer Orchestra) and engineer Vance Powell (Jack White, Chris Stapleton, Arctic Monkeys). There are a dozen original songs that comprise the album. Read the first press release about the album here, which includes quotes from the band and the track listing.

DAY

DATE

CITY/STATE

VENUE

Friday

6/21

Vitoria, Spain

Azkena Rock Festival

Sunday

6/23

Birmingham, United Kingdom

Birmingham O2Academy

Tuesday

6/25

Manchester, United Kingdom

Manchester O2 Apollo

Wednesday

6/26

London, United Kingdom

London Eventim Apollo

Thursday

6/27

London, United Kingdom

London Eventim Apollo

Saturday

6/29

Tilloloy, France

Retro C Trop

Monday

7/1

Amsterdam, Netherlands

AFAS Live

Wednesday

7/3

Berlin, Germany

Columbiahalle

Thursday

7/4

Cologne, Germany

Palladium

Saturday

7/6

Tours, France

American Tours Festival

Sunday

7/7

Belfort, France

Les Eurockeennes

Tuesday

7/9

Stuttgart, Germany

Killesberg

Thursday

7/11

Munich, Germany

Zenith

Saturday

7/13

Aix-Les-Bains, France

Musilac Festival

Thursday

7/18

Pori, Finland

Pori Jazz Festival

Saturday

7/20

Falun, Sweden

Summer Jamboree-Falun

Saturday

8/3

Atlantic City, NJ

Ocean Resort Casino-Ovation Hall

Tuesday

8/6

New York, NY

Pier 17 at South Street Seaport

Tuesday

8/13

Vienna, VA

Wolf Trap

Wednesday

8/14

Huber Heights, OH

Rose Music Center

Thursday

8/15

Grand Rapids, MI

Meijer Garden

Sunday

8/18

Welch, MN

Treasure Island Casino

Monday

8/26

Salt Lake City, UT

Red Butte Garden

Wednesday

8/28

Los Angeles, CA

Greek Theatre

Saturday

8/31

San Diego, CA

Humphrey's

Sunday

9/1

San Diego, CA

Humphrey's

Thu, 05/09/2019 - 7:36 pm

JOHN LODGE--legendary bass player, songwriter and vocalist of The Moody Blues and recent inductee into the Rock and Roll Hall of Fame--is bringing his "10,000 Light Years" solo concert to the "Rock & Romance" Cruise, out of Miami, Feb 15 - 22, 2020. This is a unique opportunity to see JOHN perform his Moody Blues' hits, and some of his solo work, plus a few special treats. "A willingness to experiment with music has been an essential component in the longevity of artists such as Lodge," noted The Express in the UK in a 4/17/19 review of his Cadogan Hall in London.

LODGE will appear with his 10,000 Light Years Band, and together they capture the heart of classic Moody Blues songs he has penned and recorded such as "I'm Just a Singer (in a Rock and Roll Band)," "Gemini Dream," "Ride My Seesaw," "Isn't Life Strange," "Steppin' in a Slide Zone," "Peak Hour," "Evening Time' (the latter two from the Days of Future Passed album), and the never-before-played-live, "Candle of Life."

JOHN will also perform songs from his solo album 10,000 Light Years Ago. This album received critical acclaim, and his song, "In My Mind," was nominated for "Anthem of the Year" in Prog Mag. JOHN will also be performing special treats such as "Saved by the Music" from the Blue Jays album, and "Legend of a Mind" dedicated to the recently departed Moody Blues member, Ray Thomas.  This is a not-to-be-missed show full of beautifully crafted songs and fantastic energy.

Joining JOHN onstage are long term collaborator Alan Hewitt (Music Director and Keyboards) and Billy Ashbaugh (Drums) from the Moody Blues touring band, together with Duffy King (Guitars) and Jason Charboneau (Cello), and the "all-American band sizzled on the solo tracks and Moodies' masterpieces," on their recent tour (North Coast Voice).

During his remarkable 52 years with The Moody Blues, LODGE has sold more than 70 million albums including the groundbreaking Days of Future Passed and has composed many of their biggest hits. The album Seventh Sojourn was number 1 at Billboard for 5 weeks, and LODGE wrote both the singles from this album, the high-energy "I'm Just a Singer (in a Rock and Roll Band)" and the beautiful and ethereal "Isn't Life Strange."

John has received numerous awards including ASCAP (American Society Of Composers & Publishers) and an Ivor Novello for Outstanding Contribution to Music, and he has been voted one of the 10 most influential bass players on the planet. The Moody Blues were inducted into the Rock and Roll Hall of Fame in 2018, and in 2019, John was inducted into the Birmingham Walk of Fame. The Moody Bluescelebrated the 50th Anniversary of their iconic album Days of Future Passed with a hugely successful tour, including a sold-out performance at the Hollywood Bowl, and the release of their live album Days of Future Passed, Live, which reached the top of US DVD charts. The Moodies continue to perform their music to fans across the generations, and were seen performing at the Rock and Roll Hall of Fame Induction on HBO and Amazon Prime, featuring two of JOHN's hits, "I'm Just a Singer (in a Rock and Roll Band)," and "Ride My See-Saw."   The summer of 2019 will see John and his band perform in 30 cities across North America, as part of The Royal Affair Tour alongside YES, Asia and Carl Palmer. View the tour trailer here: https://www.youtube.com/watch?v=YvpPN4SE9Rk&feature=youtu.be

As a member of The Moody Blues since 1966, JOHN LODGE has spent much of his life touring the world, as part of a 'rock n roll band.' His first solo album titled Natural Avenue was released 40 years ago in 1977 but was never performed live. His second solo album, 10,000 Light Years Ago was released in 2015.His artistry is powerfully underlined on the live album and DVD JOHN LODGE:  LIVE FROM BIRMINGHAM - THE 10,000 LIGHT YEARS TOUR, which was recorded during his first ever solo tour in 2016. Artwork was designed by Roger Dean, and is available as DVD/CD box set, 180g Double Red Vinyl, and download via Amazon and iTunes.

When asked what took him so long to get his own show on the road, JOHN was quick to point out, with a smile, that he has been busy with his "other band."

JOHN will always be a Moody Blue, and never wants to stop, but as he also says, "Music is my life and I can't wait to get on the road with my 10,000 Light Years Band... the venues are smaller and more intimate, but I love live concerts "have bass will travel" that's the gypsy in me.  I am a 'Moody Blue', I always will be, but I love getting the chance to perform songs that I have never performed before, and of course classic Moody Blue songs during these solo shows.  The fans and I have travelled this road a long time and I hope they will continue with me, and also hope new fans will discover and explore along with us."

Mon, 05/20/2019 - 5:11 pm

World-renowned English artist and designer Roger Dean-whose masterful artwork has graced classic album covers and posters, most prominently by YES and Asia-has joined the much-anticipated North American concert tour, "The Royal Affair Tour," as a special guest. Headlined by prog rock pioneers and Rock & Roll Hall of Fame inductees YES, the trek launches Wednesday, June 12 in Bethlehem, PA and wraps Sunday, July 28 in Saratoga, CA. See below for full list of tour dates and go to www.yesworld.com/live for ticketing information. View the trailer: https://www.youtube.com/watch?v=pkN5R1Gh7Po.

Read the launch press release here.

At every show on this must-see best-of-British-rock show--also featuring Asia with the return of founding member Steve Howe in a special performance, John Lodge of The Moody Blues, and Carl Palmer's ELP Legacy with guest vocals by Arthur Brown-Roger Dean will be in the venue's reception/foyer area with an exhibition of his artwork. He will also be available to sign merchandise including "The Royal Affair Tour" poster which he created and designed. His work--known for striking other-worldly landscapes--has sold more than one hundred million copies worldwide.

YES, the most enduring, ambitious, and virtuosic progressive band in rock history, is Steve Howe (guitar--joined 1970), Alan White (drums since 1972), Geoff Downes (keyboards; first joined in 1980), Jon Davison (vocals since 2011) and Billy Sherwood (guitar/keyboards in the 1990s and the late Chris Squire's choice to take over bass/vocals in 2015), with Jay Schellen on additional drums.

 "The Royal Affair Tour" commences on what would have been John Wetton's 70th birthday (June 12), so there will be a special celebration of his life at the Bethlehem, PA show. And Alan White's 70th birthday (June 14) will be celebrated YES-style at the Farmingdale, New York show.

 The tour dates for "THE ROYAL AFFAIR TOUR" are as follows:

DATE

 

LOCATION

VENUE

WED

6/12

Bethlehem, PA

Bethlehem Event Center

FRI

6/14

Farmingville, NY

Long Island Community Hospital Amphitheater

SAT

6/15

Atlantic City, NJ

Hard Rock Live at Etess Arena

SUN

6/16

Holmdel, NJ

PNC Bank Arts Center

THU

6/20

Westchester, NY

Westchester County Center

FRI

6/21

Pittsburgh, PA

Stage AE

SAT

6/22

Baltimore, MD

MECU Pavillion

MON

6/24

Toronto, ON

Budweiser Stage

TUE

6/25

Lewiston, NY

Artpark Amphitheater

THU

6/27

Bethel, NY

Bethel Woods Center for the Arts

SAT

6/29

Gilford, NH

Bank of NH Pavilion

SUN

6/30

Providence, RI

Bold Point Park

^WED

7/3

Rochester Hills, MI

Meadow Brook Amphitheatre

FRI

7/5

Columbus, OH

Express Live

SAT

7/6

Aurora, IL

RiverEdge Park

MON

7/8

Nashville, TN

Grand Ole Opry House

WED

7/10

Cary, NC

Koka Booth Amphitheatre at Regency Park

^FRI

7/12

Clearwater, FL

Ruth Eckerd Hall

SAT

7/13

Hollywood, FL

Seminole Hard Rock Hotel & Casino

MON

7/15

New Orleans

Saenger Theatre

TUE

7/16

Sugar Land, TX

Smart Financial Centre

^THU

7/18

St Augustine, FL

St. Augustine Amphitheatre

SAT

7/20

Irving, TX

Toyota Music Factory

SUN

7/21

Rogers, AR

Walmart AMP

^WED

7/24

Phoenix, AZ

Comerica Theatre

FRI

7/26

Las Vegas, NV

The Joint (Hard Rock Hotel & Casino)

SAT

7/27

Irvine, CA

FivePoints Amphitheatre

SUN

7/28

Saratoga, CA

The Mountain Winery

^On sale TBD

Wed, 05/22/2019 - 8:12 am

The STRAY CATS will release 40--their first new album in 26 years--this Friday, May 24 on the heels of three singles they've recently issued from the album: "Cat Fight (Over A Dog Like Me)," "Rock It Off" and "Cry Danger," the latter of which was premiered this past Friday at Guitar World

Brian Setzer (guitar, vocals), Lee Rocker (bass, vocals) and Slim Jim Phantom (drums, vocals)--original founding members of the iconic and acclaimed American rock and roll trio--are celebrating their 40th anniversary in 2019 with 40 and a tour that's hitting the U.S. and Europe (*see tour dates below). The album is being released by Surfdog Records and distributed by BMG (CD, vinyl, digital), with an exclusive indie-store edition of the album--colored vinyl, with a double-sided 24x12 poster--arriving on May 24. "Cat Fight (Over A Dog Like Me)," "Rock It Off" and "Cry Danger" are available now as instant grat tracks with a pre-order of the album.

The all revved up and red-hot STRAY CATS recorded 40 at Blackbird Studios in Nashville in late 2018 following their first North American shows in 10 years, with four concerts including sold-out headlining shows in Las Vegas and the Pacific Amphitheatre in Costa Mesa, CA before wildly enthusiastic audiences. Still buzzing from the thrill of playing together again and the crowd response, they went into the studio with producer Peter Collins (Rush, Bon Jovi, The Brian Setzer Orchestra) and engineer Vance Powell (Jack White, Chris Stapleton, Arctic Monkeys). There are a dozen original songs that comprise the album. Read the first press release about the album here, which includes quotes from the band and the track listing. Watch the band and album producer Peter Collins in the studio discussing the making of the album here.

The STRAY CATS begin their select U.S. dates presented by SiriusXM on August 3 on the heels of June and July overseas shows. Tickets for the shows are on sale now.

DAY

DATE

CITY/STATE

VENUE 

Friday

6/21

Vitoria, Spain

Azkena Rock Festival 

Sunday

6/23

Birmingham, United Kingdom

Birmingham O2 Academy

Tuesday

6/25

Manchester, United Kingdom

Manchester O2 Apollo 

Wednesday

6/26

London, United Kingdom

London Eventim Apollo

Thursday

6/27

London, United Kingdom

London Eventim Apollo

Saturday

6/29

Tilloloy, France

Retro C Trop

Monday

7/1

Amsterdam, Netherlands

AFAS Live

Wednesday

7/3

Berlin, Germany

Columbiahalle

Thursday

7/4

Cologne, Germany

Palladium

Saturday

7/6

Tours, France

American Tours Festival

Sunday

7/7

Belfort, France

Les Eurockeennes

Tuesday

7/9

Stuttgart, Germany

Killesberg

Thursday

7/11

Munich, Germany

Zenith

Saturday

7/13

Aix-Les-Bains, France

Musilac Festival

Thursday

7/18

Pori, Finland

Pori Jazz Festival

Saturday

7/20

Falun, Sweden

Summer Jamboree-Falun

Saturday

8/3

Atlantic City, NJ

Ocean Resort Casino-Ovation Hall

Tuesday

8/6

New York, NY

Pier 17 at South Street Seaport

Tuesday

8/13

Vienna, VA 

Wolf Trap

Wednesday

8/14

Huber Heights, OH 

Rose Music Center

Thursday

8/15

Grand Rapids, MI

Meijer Garden

Sunday

8/18

Welch, MN 

Treasure Island Casino

Monday

8/26

Salt Lake City, UT

Red Butte Garden

Wednesday

8/28

Los Angeles, CA

Greek Theatre

Saturday

8/31

San Diego, CA

Humphrey's

Sunday

9/1

San Diego, CA

Humphrey's

Fri, 06/07/2019 - 11:38 am

In advance of next week's launch of YES' much-anticipated North American "The Royal Affair Tour," the prog rock pioneers and Rock & Roll Hall of Fame inductees have released online a nearly 40-minute documentary, "YES 50: Yesterday, Today, Tomorrow." View it here: https://www.youtube.com/watch?v=-6cAAWlg-Ok This documentary is a teaser to the forthcoming Rhino release, YES 50 LIVE, due for release on August 2, although advanced copies will be available to fans exclusively at "The Royal Affair Tour" shows later in the tour.

Directed by Paul Gosling, the documentary had a limited release over Christmas to fans as a holiday present and has since been updated with another 15-minutes of exclusive performance footage and interviews with band members Steve Howe, Alan White, Geoff Downes, Billy Sherwood and Jon Davison plus current additional drummer Jay Schellen as well as former members Trevor Horn and Tony Kaye. World-renowned English artist and designer Roger Dean is also interviewed.

"As a long-standing fan of the band, following Yes on the road this year and last on their momentous 50th tour was a dream come true," says Gosling. "Thank you to Steve Howe, Alan White and the band, Roger Dean, Tony Kaye and Trevor Horn for their co-operation in making this film."

Roger Dean--whose masterful artwork has graced classic album covers and posters, most prominently by YES and Asia--is a special guest on "The Royal Affair Tour." Headlined by prog rock pioneers and Rock & Roll Hall of Fame inductees YES, the trek launches Wednesday, June 12 in Bethlehem, PA and wraps Sunday, July 28 in Saratoga, CA. See below for the full list of tour dates and go to www.yesworld.com/live for ticketing information plus meet-and-greet/VIP packages.

View the tour trailer: https://www.youtube.com/watch?v=pkN5R1Gh7Po. Read the launch press release here.

At every show on this must-see best-of-British-rock tour--also featuring Asia with the return of founding member Steve Howe in a special performance, John Lodge of The Moody Blues, and Carl Palmer's ELP Legacy with guest vocals by Arthur Brown--Roger Dean will be in the venue's reception/foyer area with an exhibition of his artwork. He will also be available to sign merchandise including "The Royal Affair Tour" poster which he created and designed. His work--known for striking other-worldly landscapes--has sold more than one hundred million copies worldwide.

YES, the most enduring, ambitious, and virtuosic progressive band in rock history, is Steve Howe (guitar--joined 1970), Alan White (drums since 1972), Geoff Downes (keyboards; first joined in 1980), Jon Davison (vocals since 2011) and Billy Sherwood (guitar/keyboards in the 1990s and the late Chris Squire's choice to take over bass/vocals in 2015), with Jay Schellen on additional drums.

"The Royal Affair Tour" commences on what would have been John Wetton's 70th birthday (June 12), so there will be a special celebration of his life at the Bethlehem, PA show. And Alan White's 70th birthday (June 14) will be celebrated YES-style at the Farmingdale, New York show.

The tour dates for "THE ROYAL AFFAIR TOUR" are as follows:

DATE

 

LOCATION

VENUE

WED

6/12

Bethlehem, PA

Bethlehem Event Center

FRI

6/14

Farmingville, NY

Long Island Community Hospital Amphitheater

SAT

6/15

Atlantic City, NJ

Hard Rock Live at Etess Arena

SUN

6/16

Holmdel, NJ

PNC Bank Arts Center

THU

6/20

Westchester, NY

Westchester County Center

FRI

6/21

Pittsburgh, PA

Stage AE

SAT

6/22

Baltimore, MD

MECU Pavillion

MON

6/24

Toronto, ON

Budweiser Stage

TUE

6/25

Lewiston, NY

Artpark Amphitheater

THU

6/27

Bethel, NY

Bethel Woods Center for the Arts

SAT

6/29

Gilford, NH

Bank of NH Pavilion

SUN

6/30

Providence, RI

Bold Point Park

^WED

7/3

Rochester Hills, MI

Meadow Brook Amphitheatre

FRI

7/5

Columbus, OH

Express Live

SAT

7/6

Aurora, IL

RiverEdge Park

MON

7/8

Nashville, TN

Grand Ole Opry House

WED

7/10

Cary, NC

Koka Booth Amphitheatre at Regency Park

^FRI

7/12

Clearwater, FL

Ruth Eckerd Hall

SAT

7/13

Hollywood, FL

Seminole Hard Rock Hotel & Casino

MON

7/15

New Orleans

Saenger Theatre

TUE

7/16

Sugar Land, TX

Smart Financial Centre

^THU

7/18

St Augustine, FL

St. Augustine Amphitheatre

SAT

7/20

Irving, TX

Toyota Music Factory

SUN

7/21

Rogers, AR

Walmart AMP

^WED

7/24

Phoenix, AZ

Comerica Theatre

FRI

7/26

Las Vegas, NV

The Joint (Hard Rock Hotel & Casino)

SAT

7/27

Irvine, CA

FivePoints Amphitheatre

SUN

7/28

Saratoga, CA

The Mountain Winery

^On sale TBD

Mon, 06/17/2019 - 12:10 pm

HEART--ANN and NANCY WILSON--will extend their massive "Love Alive" cross-country summer tour into the fall with dates now taking the group through October. New dates include stops in Newark, Little Rock, Memphis, Kansas City, St. Paul and more with Joan Jett & The Blackhearts joining as very special guests and Lucie Silvas opening.

Tickets for the newly announced shows (indicated below) go on sale beginning Friday, June 21 at 10:00 AM (local time) at LiveNation.com. Tickets for the initial dates are on sale now. Citi is the official presale credit card for the tour. As such, Citi cardmembers will have access to purchase presale tickets beginning Tuesday, June 18 at 10:00 AM local time until Thursday, June 20 at 10:00 PM local time through Citi EntertainmentSM. For complete presale details visit www.citientertainment.com.

The group's first tour in three years kicks off Tuesday, July 9 at the Hollywood Casino Amphitheatre in St. Louis, MO and will include stops in Chicago, Atlanta, Houston, Denver, and Los Angeles at the historic Hollywood Bowl, before wrapping October 13.

Read an interview with ANN and NANCY here.

Produced by Live Nation, the now 48-city trek by the trend-setting, multiple-platinum Rock & Roll Hall of Fame legends will include a stellar line-up with Joan Jett & The Blackhearts joining the majority of shows. The first leg of the tour will also include Sheryl Crow, Brandi Carlile, Elle King and Lucie Silvas as special guests. See full itinerary and details below for a breakdown of which shows these artists will be appearing on with HEART.

HEART will partner with REVERB for this tour, to reduce the environmental footprint of the events while also engaging fans in local and national causes each night in the concourse. For more information, visit REVERB.org.

HEART "LOVE ALIVE" 2019 TOUR DATES

DATE

CITY

VENUE

Tue

7/9

St. Louis, MO +&

Hollywood Casino Amphitheatre

Thu

7/11

Chicago, IL +&

Hollywood Casino Amphitheatre

Sun

7/14

Toronto, ON +#

Budweiser Stage

Tue

7/16

Montreal, QC +#

Centre Bell

Wed

7/17

Mansfield, MA +#

Xfinity Center

Sat

7/20

Hartford, CT +#

Xfinity Theatre

Sun

7/21

Saratoga Springs, NY   +&

Saratoga Performing Arts Center

Tue

7/23

Bangor, ME +#

Darling's Waterfront Pavilion

Wed

7/24

Gilford, NH +#

Bank of New Hampshire Pavilion

Fri

7/26

Darien Center, NY ^#

Darien Lake Amphitheater

Sat

7/27

Cincinnati, OH #

Riverbend Music Theater

Mon

7/29

Bethel, NY +#

Bethel Woods Center for the Arts

Tue

7/30

Syracuse, NY +#

St. Joseph's Health Amphitheater at Lakeview

Thu

8/1

Burgettstown, PA ^#

KeyBank Pavilion

Fri

8/2

Camden, NJ ^#

BB&T Pavilion

Sun

8/4

Cleveland, OH ^#

Blossom Music Theater

Mon

8/5

Detroit, MI ^#

DTE Energy Music Pavilion

Wed

8/7

Indianapolis, IN ^#

Ruoff Home Mortgage Music Center

Thu

8/8

Nashville, TN ^#

Ascend Amphitheater

Sat

8/10

Raleigh, NC ^#

Coastal Credit Union Music Park

Sun

8/11

Virginia Beach, VA ^#

Veterans United Home Loans Amphitheater

Tue

8/13

Columbia, MD ^#

Merriweather Post Pavilion

Wed

8/14

Charlotte, NC ^#

PNC Music Pavilion

Fri

8/16

West Palm Beach, FL #

Coral Sky Amphitheater

Sat

8/17

Tampa, FL ^#

MIDFLORIDA Credit Union Amphitheater

Mon

8/19

Atlanta, GA %#

Ameris Bank Amphitheatre

Tue

8/20

Birmingham, AL %#

Oak Mountain Amphitheatre

Thu

8/22

Houston, TX ^#

Cynthia Woods Mitchell Pavilion

Fri

8/23

Dallas, TX #

Dos Equis Pavilion

Sun

8/25

Albuquerque, NM ^#

Isleta Amphitheater

Tue

8/27

Chula Vista, CA ^#

North Island Credit Union Amphitheater

Wed

8/28

Phoenix, AZ ^#

Ak-Chin Pavilion

Thu

8/30

Salt Lake City, UT

USANA Amphitheater

Sat

8/31

Denver, CO ^#

Pepsi Center

Tue

9/3

Portland, OR ^#

Sunlight Supply Amphitheater

Wed

9/4

Tacoma, WA ^#

Tacoma Dome

Fri

9/6

Concord, CA ^#

Concord Pavilion

Sun

9/8

Las Vegas, NV ^

Pearl Concert Theater at Palms Casino Resort

Mon

9/9

Hollywood, CA ^#

Hollywood Bowl

HEART's additional tour dates are as follows:

DATE

CITY

VENUE

THU

9/26

Wantagh, NY

Northwell Health at Jones Beach Theater^

FRI

9/27

Newark, NJ

Prudential Center^

SAT

9/28

Toledo, OH

The Huntington Center^

TUE

10/1

Little Rock, AR

Verizon Arena^&

WED

10/2

Tulsa, OK

BOK Center*

FRI

10/4

Memphis, TN

FedExForum^&

SAT

10/5

Lafayette, LA

CAJUNDOME^

MON

10/7

Des Moines, IA

Wells Fargo Arena*

TUE

10/8

Kansas City, MO

Starlight Theatre^&

SAT

10/12

Milwaukee, WI

Fiserv Forum^&

SUN

10/13

St. Paul, MN

Xcel Energy Center^&

*non-Live Nation show, onsale 6/28

 

+with Sheryl Crow

 

^with Joan Jett & the Blackhearts

 

&Lucie Silvas opening

 

#Elle King opening

 

%with Brandi Carlile

Thu, 06/27/2019 - 6:03 pm

Sharon Osbourne statement, on behalf of Ozzy Osbourne, about Donald Trump's unauthorized use of Osbourne's "Crazy Train" in what amounts to a Trump/Pence political ad.

"Based on this morning's unauthorized use of Ozzy Osbourne's "Crazy Train," we are sending notice to the Trump campaign (or any other campaigns) that they are forbidden from using any of Ozzy Osbourne's music in political ads or in any political campaigns. Ozzy's music cannot be used for any means without approvals. In the meantime, I have a suggestion for Mr. Trump--perhaps he should reach out to some of his musician friends. Maybe Kayne West ("Gold Digger"), Kid Rock ("I Am the Bullgod") or Ted Nugent ("Stranglehold") will allow use of their music."

Mon, 07/01/2019 - 1:11 pm

SiriusXM announced today that the iconic and acclaimed American rock and roll trio, The Stray Cats, will perform an intimate invitation-only show for SiriusXM subscribers on Friday, August 2 near the band's hometown of Massapequa, New York on Long Island, where they first formed in 1979. This performance--which will kick-start their much-anticipated 40th anniversary U.S. tour--marks the first time the trio will take the stage at Revolution Bar & Grill for a show after unsuccessfully auditioning at the venue 40 years ago.

"In 1977, we auditioned at the Revolution (formerly Past Times Pub) down the road from our house, and didn't get the gig," said The Stray Cats. "Now we're finally coming back!"

The special performance for SiriusXM will feature The Stray Cats performing fan favorites from their illustrious 40-year career, as well as new songs off the critically acclaimed new album, 40, their first new music in 26 years via Surfdog Records with distribution by BMG. 

The band's original founding members Brian Setzer, Lee Rocker and Slim Jim Phantom will perform this special concert airing on SiriusXM's Outlaw Country (channel 60), Little Steven's Underground Garage (channel 21) 1st Wave (channel 33) and on the SiriusXM app.

SiriusXM subscribers will have the opportunity to win tickets to this private SiriusXM performance through an invitation sent by e-mail to qualified subscribers who have consented to e-mail marketing from SiriusXM and who have registered their music interests with us at siriusxm.com/perks. Additionally, subscribers since June 13, 2019 will be able to enter for the chance to win a trip for two to Massapequa, NY including airfare, hotel stay, and a pair of tickets to SiriusXM Presents The Stray Cats at Revolution in Long Island. See Official Rules for complete details at siriusxm.com/StrayCats

SiriusXM subscribers will be able to listen on SiriusXM radios, and those with streaming access can listen online, on-the-go with the SiriusXM mobile app and at home on a wide variety of connected devices including smart TVs, Amazon Alexa devices, Apple TV, PlayStation, Roku, Sonos speakers, and more. Go to www.SiriusXM.com/streaming to learn more.

Wed, 07/03/2019 - 12:51 pm

2019 marks the 30th anniversary of THE CULT's seminal album SONIC TEMPLE. To celebrate the anniversary, Beggars Arkive will release THE CULT: SONIC TEMPLE 30 on September 13. It will be released as a deluxe box set and a 5-CD set, plus the label will reissue a Sonic Temple on Double LP, which has been out of print for over 20 years. The sets both contain limited-release demos in addition to previously unreleased tracks. (Full details and track-listings are below.) Preorders are available here.

The band is also happy to announce more A Sonic Temple tour dates. After a run of hugely successful and completely sold-out U.S. West Coast tour dates, they will play 10 shows in the UK in October (dates below).

Originally released in 1989, Sonic Temple proved to be a pivotal moment for both the band and the wider rock scene. Produced by the legendary Bob Rock, Sonic Temple had four chart-topping singles: "Fire Woman," "Edie (Ciao Baby),' "Sun King" and "Sweet Soul Sister."

In a recent interview about the album, Ian Astbury explained how the band brought together hard rock and indie rock to create the unique, game-changing sounds on Sonic Temple. "We wanted to retain our core DNA as we went deeper into psych and hard rock influences. It was a complete immersion for me into art, film, music, poetry and literature, weaving those influences into what was to become Sonic Temple. The band was becoming more popular. We were in uncharted waters. Most of the bands we had come up with had split up or fallen off. We were accelerating. There was no real time to breathe. We were forming new allegiances and breaking the glass ceiling of 'the indie outsider.'"

The album catapulted THE CULT into superstar status and remains their most commercially successful release. It has sold over 1.5 million copies in the U.S. alone and was certified platinum in 1990. It made it to #10 on the Billboard charts, and the aforementioned songs all remain rock-radio staples to this day.

The set list for the "A Sonic Temple" tour draws from THE CULT's 10 studio albums with the centerpiece being a super set that's focused on the core songs from Sonic Temple; some of these songs have not been performed since the album was originally released. Each show will be a gathering and celebration for CULT fans--an opportunity to come together for one night--an event that will be memorable for all who attend. As Billy Duffy stated about the tour in a recent interview, "I'd like fans to not only allow themselves a little indulgence into maybe simpler happier times of the late 80s for a few hours at a ST19 show, but also be happy that the music is now really their possession, not ours, and to do with it what they will."

The BOX SET contains three pieces of vinyl and a cassette plus tour memorabilia and ephemera (replica of original laminate, backstage pass, original press releases, label copy and more). It's numbered and limited to 3000 pieces worldwide and contains 40 tracks, four of which were previously unreleased. LP1+2 contain the album as originally released. LP3 contains "Live At Wembley" recorded by the BBC, and the included cassette contains limited-release demos. Four of the live tracks are also previously unreleased.

The FIVE-CD SET contains 53 tracks (including 6 previously unreleased) with the original album on disc 1, alternate edits, mixes, extended versions and acoustic versions on disc 2, limited-release demos on discs 3 and 4 and "Live at Wembley" recorded by the BBC on disc 5. Six of the live tracks are previously unreleased. It is beautifully packaged in book form with rare photographs and interviews with the band by esteemed UK journalist James Brown.

The DOUBLE LP is a re-vamped reissue of the original album. Now cut onto two pieces of black vinyl, the audio is improved and contains 16 tracks total, which comprise the original album plus six B-sides. It's been out of print for over 20 years.

The DIGITAL version will replicate the CD-set but excludes the original album for a total of 43 tracks.

TOUR DATES

Oct 15 Nottingham, UK - Rock City

Oct 17 Birmingham, UK - Academy

Oct 18 Cardiff, Wales - Cardiff University

Oct 20 Leeds, UK - Academy

Oct 21 Aberdeen, Scotland - The Music Hall

Oct 22 Glasgow, Scotland - Academy

Oct 24 Manchester, UK - Apollo

Oct 27 London, UK - Hammersmith Apollo

Oct 28 Bristol, UK - Academy

Oct 29 Portsmouth, UK - Guildhall

Mon, 07/22/2019 - 12:34 pm

Iconic guitarist, songwriter, vocalist and three-time Grammy-Award winner BRIAN SETZER and his 19-piece ORCHESTRA will tour the country on their 16th annual "Christmas Rocks! Tour," presented for the fifth consecutive year by SiriusXM. The over 20-city annual and critically acclaimed holiday extravaganza will launch November 15 at the State TheaBlock layouttre in Minneapolis, MN (full itinerary below). Tickets in participating markets will go sale Friday, July 26 at 10:00 AM(local time), pre-sales are as follows:

Fan club Presale: Tuesday, July 23 at 10:00 AM (local time)-Thursday, July 25 at 10:00 PM (local). Be the first to get tickets by signing up for Brian's fan club here.

SiriusXM Presale: Tuesday, July 23 at 10:00 AM (local time)-Thursday, July 25 at 10:00 PM (local).

Local Presale: Wednesday, July 24 at 10:00 AM (local time)-Thursday, July 25 at 10:00 PM (local).

"People tell me all the time what joy I bring them over the holidays," says BRIAN SETZER. "I don't take this for granted. People don't say something like that unless they mean it. When we get a standing ovation at the end of the Christmas show, it means something just a little extra."

THE BRIAN SETZER ORCHESTRA's set list will feature music from the group's three Christmas albums, BOOGIE WOOGIE CHRISTMAS, DIG THAT CRAZY CHRISTMAS and ROCKIN' RUDOLPH, as well as original material that spans his 40-year career. SETZER's trademark guitar work and vocal stylings will be matched with his 19-piece orchestra's rockin' big-band horn arrangements, making for a reliably unbeatable combination. View the Christmas sizzle reel here.

BRIAN SETZER's legendary career has led him through four critically acclaimed and successful phases from the Stray Cats, to solo albums, the Rockabilly Riot and The Brian Setzer Orchestra. The Brian Setzer Orchestra show seamlessly encompasses music from all these phases. He is a 3-time Grammy Award-winner, and in 2014, SETZER received the distinct honor of being asked by the Smithsonian Institution in Washington, D.C. to donate a replica of his original 1959 Gretsch 6120 "Stray Cat" guitar, joining an elite collection of iconic treasures at the museum.

"The music I play in the big band is rock n' roll with a jazz influence," says SETZER. "What keeps it fresh is the quality of the players in the band. Also, a big part of keeping the big band fresh is the arrangements; writing the arrangement for 19 people is like writing a song within a song. It makes the song you might have heard many times sound new again."

For the past four years (2015, 2016, 2017 and 2018), THE BRIAN SETZER ORCHESTRA has had a strong presence across SiriusXM channels during the holidays and has partnered with the audio entertainment company for subscriber-only concerts in New York City and Los Angeles, which have aired on SiriusXM's Outlaw Country and Holly channels. This tradition will continue this year.

Catch BSO's 16th Annual "Christmas Rocks! Tour" in the following cities, with additional dates to be announced soon.

DATE

 

LOCATION

VENUE

FRI

11/15

Minneapolis, MN

State Theatre

SAT

11/16

Chicago, IL

The Chicago Theatre

SUN

11/17

Detroit, MI

Fox Theatre

TUE

11/19

Red Bank, NJ

Count Basie Center For The Arts

WED

11/20

Englewood, NJ

Bergen Performing Arts Center

THU

11/21

Springfield, MA

Symphony Hall

*SAT

11/23

Lynchburg, VA

Academy Center of the Arts

SUN

11/24

Westbury, NY

Theatre at Westbury

WED

11/27

Durham, NC

Durham Performing Arts Center

FRI

11/29

Orlando, FL

Hard Rock Live

SAT

11/30

Clearwater, FL

Ruth Eckerd Hall

MON

12/2

Nashville, TN

The Ryman

TUE

12/3

Atlanta, GA

Cobb Energy Performing Arts Centre

WED

12/4

Augusta, GA

Miller Theatre

FRI

12/6

Biloxi, MS

Beau Rivage Resort & Casino

TUE

12/10

Salt Lake City, UT

Eccles Theatre

THU

12/12

Ridgefield, WA

Ilani Casino

FRI

12/13

Seattle, WA

Moore Theatre

SAT

12/14

Seattle, WA

Moore Theatre

MON

12/16

Oakland, CA

Fox Theater

TUE

12/17

Stockton, CA

Bob Hope Theatre

*THU

12/19

Phoenix, AZ

Celebrity Theatre

FRI

12/20

Palm Desert, CA

McCallum Theatre

* = on sale at a later date

Visit www.briansetzer.com for more information and to purchase tickets.

Tue, 07/23/2019 - 12:54 pm

Multi-instrumentalist and global sensation TASH SULTANA will return to North America for a fall 2019 tour that includes stops at Red Rocks Amphitheatre (Colorado) and the Central Park Summerstage (New York), along with a slot on the Ohana Festival (Los Angeles). The newly announced tour dates mark the largest headlining gigs in TASH's career and come after a few spring shows in the U.S., followed by solo performances and festival appearances this summer in Europe.

Here's some critical feedback from the recent U.S. shows:

"The Australian artist--who has identified as non-binary and goes by the pronoun "they"--is exotic and androgynous, just like their music...[songs] showcased long, cascading guitar solos and Sultana's soulful voice. While it was just one person onstage during the entire set, it sounded like a full band, with Sultana playing multiple instruments for each song and looping in sounds they'd created."

-- MAGNET MAGAZINE (Shakey Knees Music Festival, Atlanta), 7/5/19

"...Sultana to jam away and transform each song into something entirely new. Sultana was patient, letting each song expand to its maximum tripadelic potential. Salvation let her squeal out tones like Clapton; the seductive Free Mind washed waves of loneliness through the amps; Jungle's wocka-wocka funk let her riff around like Prince or Sly Stone. She started each beat; she would stop it when she darn well pleased."

--Jay Cridlin,TAMPA BAY TIMES (Jannus Live), 5/8/19

Last year was one of the biggest years in TASH's career. Highlights include the release of her debut album FLOW STATE (Mom and Pop Music) which entered the charts at #4 on the Billboard Alternative Albums Chart and also charted across the globe. FLOW STATE was also nominated for the prestigious Triple J Australian Album of the Year award and six ARIA's (The Australian Recording Industry Association Music Awards). Other recent accolades include over half a billion streams worldwide; the certified platinum singles "Jungle" and "Notion"; the certified Gold (internationally) Notion (EP) and the singles "Mystik" and "Murder To The Mind"; and record-breaking attendance at live shows around the world.

For those who have not yet experienced TASH live, TASH recently revealed "The Story So Far," a three-part documentary series in partnership with YouTube Music that shows the journey from bedroom performances and busking to sold-out world tours. Check out the first two episodes now on TASH's channel here and here, with the third to follow this summer.

TASH's fall 2019 North American tour dates are as follows:

DATE

 

CITY

VENUE

Tue

9/3

Providence, RI

The Strand

Wed

9/4

New York, NY

Central Park Summerstage

Fri

9/6

Columbus, OH

Express Live!

Sat

9/7

Indianapolis, IN

Egyptian Room at Old National Centre

Sun

9/8

Grand Rapids, MI

Frederik Meijer Gardens

Tue

9/10

Milwaukee, WI

Riverside Theatre

Wed

9/11

St. Louis, MO

The Pageant

Fri

9/13

New Orleans, LA

Orpheum Theater

Sat

9/14

Atlanta, GA

Music Midtown 2019

Sun

9/15

Nashville, TN

Ryman Auditorium

Tue

9/17

Austin, TX

Austin City Limits Live @ The Moody Theater

Wed

9/18

Dallas, TX

Southside Ballrom

Fri

9/20

Las Vegas, NV

Life is Beautiful Festival

Sat

9/21

Phoenix, AZ

The Van Buren

Mon

9/23

Salt Lake City, UT

Red Butte Garden

Wed

9/25

Morrison, CO

Red Rocks Amphitheatre

Fri

9/27

Dana Point, CA

Ohana Music Festival

Sat

9/28

Paso Robles, CA

Vina Robles Amphitheatre

Sun

9/29

Berkeley, CA

Greek Theatre - UC Berkeley

Thu, 08/01/2019 - 11:15 am

Following recent U.S. dates which wrapped July 20 in Los Angeles, singer, songwriter and musician RICKIE LEE JONES is planning another run of shows before she heads to Europe for shows in the fall. The latest shows kick off October 7 in Asheville, NC and wrap October 23 in Minnesota. The European tour launches October 27 with a festival appearance at the Bluesfest at O2 Arena in London. RICKIE LEE's tour dates follow the release of KICKS, her newest collection of songs from the great American songbook, which was released in June.

Check out a live clip of "Nagasaki," the second single from KICKS. For her version of the song--which was first performed by the Ipana Troubadours in 1928 and was most famously recorded by the Benny Goodman Quartet in 1952--JONES gives the track a traditional jazz offering of tight three-part harmonies.

Here's some early critical feedback from RICKIE LEE JONES' recent live shows:

"...a joyously wondrous evening with one of America's greatest living singer-songwriters...Jones enchanted an audience with a repertoire that was remarkably diverse in sound and style...Jones consistently made magic with her three-piece band."

--Peter Blackstock, AUSTIN 360, 6-23-19

"Rickie Lee Jones shows Marina Del Rey the live jazzy style that made her famous...on a clear summer night, Jones played a range of jazzy bebop style tunes and kept the crowd enthralled with a voice that is still as youthful as when she recorded the 1979 hit 'Chuck E's In Love.' She's spunky and funky and fun."

--Donna Balancia, CALIFORNIA ROCKER, 7-20-19

On KICKS RICKIE LEE JONES spans two decades (50s-70s) of pop, rock and jazz, presenting her unique and sophisticated interpretations of these songs. JONES is that rare musician who has transcended the singer/songwriter mantle by incorporating different radio genres from the get-go and she continues that tradition on the forthcoming album. It is fitting that one of the American treasures of songwriters should be comfortable with this diverse collection of the great songwriters of the 20th century. KICKS was created entirely in New Orleans, using local musicians,mixers and studios. Produced by RICKIE LEE JONES with her bandmate, vibraphonist Mike Dillion, it features 10 songs of a highly infectious nature.

RICKIE LEE JONES' tour dates are as follows:

DATE

 

LOCATION

VENUE

 

THU

8/15

North Stonington, CT

Jonathan Edwards Winery

 

FRI

8/16

Boston, MA

City Winery Boston

 

SAT

8/17

Riverhead, NY

Suffolk Theater

 

 

MON

10/7

Asheville, NC

Asheville Music Hall

 

WED

10/9

Annapolis, MD

Ramshead

 

THU

10/10

Salisbury, MA

Blue Ocean Performing Arts Center

SAT

10/12

Ithaca, NY

Hangar Theatre

 

SUN

10/13

Norfolk, CT

Infinity Hall

 

TUE

10/15

Newark, NJ

Victoria Theatre

 

WED

10/16

Fairfield, CT

Stage 1

 

FRI

10/18

Detroit, MI

Magic Bag

 

SAT

10/19

Cincinnati, OH

Ludlow Garage

 

SUN

10/20

Chicago, IL

Old Town School of Folk

 

WED

10/23

Minneapolis, MN

Cedar Cultural Center

 
Wed, 08/07/2019 - 9:41 am

The fourth annual OHANA FESTIVAL--the three-day festival curated by Pearl Jam frontman Eddie Vedder--has expanded the Storytellers Cove at the festival set for Friday, September 27-Sunday, September 29 on the beautiful Doheny State Beach in Dana Point, CA. Beyond OHANA's musical line-up--which will once again bring its mix of powerful headlining sets, standout collaborations and performances from emerging talent--the Storytellers Stage Presented By Zippo In The COVE at OHANA will include a collection of professional surfers, conservationists, artists and National Geographic photographers.

Highlights include:

ZIPPO: Zippo will be hosting a talk on the Ohana Festival Storytellers Stage with WOODCHUCKUSA, unveiling an exciting new project entitled "Fight Fire with Fire" that aims to help counter the effects of deforestation caused by wildfires. Starting with Zippo's first planting sites in Madagascar, National Geographic, has documented the efforts. Head to the Storyteller Stage on Friday, September 27 to find out more.

VETPAW: The U.S. Marine Corps veteran, created VETPAW, a U.S. non-profit organization that focuses on assisting park rangers and conservationists in their fight to protect wildlife from the heinous acts committed by several criminal networks. VETPAW has proven to be successful in the fight against poaching and as an empowering outlet for veterans searching for new ways to serve others. Learn more at www.vetpaw.org

AMAVARA: Nick Norris will be talking about sustainability at Storytellers this year. He is also going to be accompanied by brand ambassador Kimi Werner, a world-champion spear-fisher, free diver extraordinaire, award winning artist and chef, and environmental champion for some of the most progressive brands in the world today. Kimi was a major influence in Amavara's priorities to switch their production over to Post Consumer Recycled packaging and she continues to influence them in their daily work! Also joining him will be brand ambassador Mark Healey.   Many know him for his big wave, spear fishing and hunting exploits and rightfully so... his accomplishments in these areas are numerous, impressive and downright terrifying to the average human! He is a respectful, self-sufficient, and knowledgeable outdoorsman, conservationist and adrenaline junkie.

BYOBottle: The Ohana Festival is a proud partner of the BYOBottle Campaign, a music industry effort to reduce plastic waste by promoting reusable water bottles and water refill stations at music events. Artists, venues, festivals and fans are joining BYOBottle to turn the tide on plastic pollution. Festivalgoers are encouraged to bring their own, empty refillable water bottle to the Ohana Festival. Water refill stations will be provided by the Rob Machado Foundation.

PROTECT YOUR PEAKS: With coastlines around the world facing threats that range from fish farms and plastic pollution to offshore oil drilling and climate change, it's time to defend the future of our waves-because if we don't do it, nobody will. Through Patagonia Action Works, you can easily connect with coastal conservation groups and become involved in local projects. Protect Your Peaks is also hitting the road with big wave world champion Greg Long this fall as he travels to both coasts to share stories of his adventures as a surfer and environmental activist and the unique roles, we can all play to protect the places we love. Patagonia Ambassador GREG LONG (along with his father Steve Long of the San Onofre Parks Foundation) is going to share stories and tell you how to easily connect with coastal conservation groups and projects near you through Patagonia Action Works.

NATIONAL GEOGRAPHIC FINE ART GALLERIES will showcase images from some of the world's best photojournalist's, conservationists, researchers and adventurers. They are driven by a passionate belief in the power of science, exploration, and storytelling and the imagery of their photographers to influence positive change in the world, both in terms of wildlife and eco conservation but also in the preservation, respect and understanding of cultures other than our own. They give back 27% of their revenue to the National Geographic Societies 501c3 which allows these amazing men and women to continue their life's work in every corner of the world. Since 1888 National Geographic has been exploring the world bringing back new discoveries and searing images that have made an enormous impact on public awareness and the importance of conserving our planet. Nat Geo Fine Art is proud to carry on this tradition by sharing these images with private collectors. They are supporting the Ohana Festival's conservation efforts by donating to the festival's collection of foundations.

SEA SHEPHERD CONSERVATION SOCIETY: Captain Paul Watson, a renowned speaker, accomplished author, master mariner, and lifelong environmentalist, will be a Storytellers panelist. Captain Watson has been awarded many honors for his dedication to the oceans and to the planet. Among many commendations for his work, he received the Genesis Award for Lifetime Achievement in 1998, was named as one of the Top 20 Environmental Heroes of the 20th Century by Time Magazine in 2000 and was inducted into the U.S. Animal Rights Hall of Fame in Washington D.C. in 2002. He was also awarded the Amazon Peace Prize by the president of Ecuador in 2007. In 2012, Captain Watson became only the second person after Captain Jacques Cousteau to be awarded the Jules Verne Award, dedicated to environmentalists and adventurers.

PANELS

DEEPGREEN: Topic: The Sea Has Many Voices and Exploring the Sea: shipwrecks, coral reefs, and the deep. Hosted by Dr. Gregory Stone, the focus will be an oceanographer's life using submarines and scuba gear exploring the oceans of the world. Having recorded more than 12,000 dives, Dr. Stone has explored every ocean top-to-bottom, from tropical reefs to submarine mountains and frozen Antarctic seas.

STOP TRASHING WAVES: The WSL and WSL PURE are committed to #stoptrashingwaves. Reece Pacheco, Executive Director of WSL PURE, will host a panel focusing on the not-so-obvious ways in which our ocean is being trashed, WSL PURE is proud to partner with The Plastic Pickup and Countercurrent to bring to life an art installation, fan activation, and critical discussion around plastic pollution, the depth of the problem, and potential solutions.

ART INSTALLATIONS

Wyland

Jeffro

Sonny

Steve Sherman

Mon, 08/19/2019 - 12:18 pm

Guitarists Dave Navarro (Jane's Addiction) and Billy Morrison (Billy Idol) have confirmed the star-studded line-up for the second annual "ABOVE GROUND" benefit concert on Monday, September 16 at The Fonda Theatre in Hollywood.

Navarro and Morrison have announced the initial guests joining them for the night, which include host (actor) Joe Manganiello and musicians Billy Idol, Perry Farrell and Etty Lau Farrell (Kind Heaven Orchestra), Gavin Rossdale (Bush), Steve Stevens, Juliette Lewis, Steve Vai, Billy Duffy (The Cult), Wayne Kramer (MC5), Mike Garson (the legendary and longtime keyboardist for David Bowie, including his role in the Spiders From Mars line-up), with more to be announced. The performers will tip their hats to two of the greatest albums of all time: David Bowie's The Rise and Fall of Ziggy Stardust and the Spiders from Mars and the Stooges' self-titled debut album (celebrating its 50th anniversary this month), on which the world was introduced to Iggy Pop.

As with last year's successful event, this immersive evening of art and music will celebrate the vinyl album as an art form, and at the same time raise awareness and funds for the treatment of mental health, with the profits being donated to MusiCares®, a charity of the Recording Academy™. View a trailer for the event here and read an interview with Navarro and Morrison here.

Tickets for the event are on sale now. Click here to buy tickets. "ABOVE GROUND" is being produced with assistance from Law Rocks, which promotes music education programs. During the intermission between performances, there will be speeches from people in the mental health field along with art items for auction, live graffiti from prominent street artists including @Teachr1, @PlasticJesus, @VYALone and @MegZany, and information booths.

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Mon, 08/26/2019 - 5:05 pm

Get ready for "The California Country Show," a social mixer and radio event featuring performances by Americana artists from the West Coast, Nashville, and beyond who have a great love for the California Sound. The official AMERICANAFEST event will take place Friday, September 13 from 12:00 PM - 4:30 PM at Acme Feed & Seed with performances by:

Jim Lauderdale

Jaime Wyatt

Brian Wright & the SneakUps

Garrison Starr

Leroy from the North

Manda Mosher

Just Dave Band

Ted Russell Kamp

Tawny Ellis

Lasers Lasers Birmingham

The event will be co-hosted by Dave Bernal of "The California Country Radio Show"-- Americana artist and co-founder of "The California Country Social"-- Manda Mosher and program director for Acme Radio Live, Justin Hammel, in association with Prickly Pear Presents, Music Executive Eric Craig and Music Supervisor Annette Conlon.

Interviews and performances will be broadcast live from the Acme Radio Live studio with Bernal, and will later be rebroadcasted on both "Acme Radio Live" and Bernal's "California Country Show Podcast."

"The California Country Show" house band will include: Austin Callender, Eli Wulfmeier, Matt Lucich, Emily Zuzik, and more. The Los Angeles-based company BLACK VOLT AMPLIFICATION will provide backline equipment for the event.

"The California Country Shake-Up" is presented the same evening, Friday, September 13 at Dee's Country Cocktail Lounge from 8:00 PM - 10:00 PM featuring a mix of Los Angeles and Nashville artists in a jam-style presentation and again hosted by Bernal and Mosher. Finally, on Saturday, September 14, Americana artist and member of Shooter Jennings' band Ted Russell Kamp hosts "The West Coast Turnaround" at The Bowery Vault in East Nashville from 1:00 PM - 3:45 PM featuring Los Angeles and Nashville singer-songwriters hand-picked by Kamp.

Q&A WITH MANDA MOSHER

ABOUT "CALIFORNIA COUNTRY"

Can you talk about the importance of re-planting the flag of at this year's Americana festival?

"I have a great love for the California Country sound which to me stretches back to when Bob Wills & The Texas Playboys influenced what would become the Bakersfield sound of Buck Owens and Merle Haggard leading on to Gram Parsons, Dwight Yoakam and now to an entirely new vibrant group of young musicians who play Country music in California. California is at times forgotten in the overall fabric given the historical importance of Nashville and Texas. We have significant Country scenes being represented at The Ranch Party, The Grand Ole Echo, and The Cowboy Palace, to name a few. When I first performed at and attended AMERICANAFEST in 2010, I realized that only scattered representations of the California scene existed within the festival. I wanted to bring together our growing scene here and present more of what we are doing to festival attendees. This year I'm excited to build upon what we started in 2016 with The California Country Social at AMERICANAFEST now re-imagined as The California Country Show in partnership with Dave Bernal of The California Country Radio Show."

Do you feel there is a gulf between the Americana communities in California and Nashville? Is that why you are doing the California Country Shake Up which is uniting musicians from both Los Angeles and Nashville? 

"The gulf between the Americana communities in California and Nashville is narrowing as artists travel frequently between the two, making records in both locations, even remotely, and a good number of our California artists who established themselves here have moved to Nashville. Friendships bridge the divide."

Do you feel there are misconceptions about "California Country" and, if so, what are they?

"The definition of California Country is incredibly broad in a similar sense that Americana is. It's not just one thing. It's traditional Country, Alternative Country, Singer/Songwriter influenced, it's Rock n' Roll, it's Blues, it's Folk, it's Soul, it's Alternative...all infused with the terrain of our sunny state."

EVENTS:

Fri 9/13 - Nashville, TN - The California Country Show, official AMERICANAFEST event, Acme Feed & Seed

Fri 9/13 - Nashville, TN - The California Country Shake-Up (The California Country Show After Show), Dee's Country Cocktail Lounge

Sat 9/14 - Nashville, TN - West Coast Turnaround, The Bowery Vault

Thu, 09/19/2019 - 1:39 pm

OHANA FESTIVAL--the three-day festival curated by Pearl Jam frontman Eddie Vedder--has confirmed its 2019 sponsors and on-site activations, while also revealing set times for the annual event. Please be sure to check the website for festival dos and don'ts.

The festival--set for Friday, September 27-Sunday, September 29 on the beautiful Doheny State Beach in Dana Point, CA--will feature three days of music, along with the Storytellers Stage Presented By Zippo In The COVE at OHANA which will include a collection of professional surfers, conservationists, artists and National Geographic photographers.

The OHANA 2019 line-up with set times is as follows:

day 1

day 2

day 3

In the "Ohana" tradition of family, the grassy festival site is dotted fans enjoying a weekend of music, food and activities. In addition to a wide-ranging musical line-up, OHANA concert-goers can once again participate in fun sponsor activations, while also enjoying a variety of libations.

Sat, 09/21/2019 - 12:08 pm

As he gears up for this year's "Christmas Rocks! Tour," iconic guitarist, songwriter, vocalist and three-time Grammy-Award winner Brian Setzer has announced the November 8 release of limited red & white and green & white 12" vinyl versions of two of the BRIAN SETZER ORCHESTRA's classic Christmas albums, DIG THAT CRAZY CHRISTMAS and BOOGIE WOOGIE CHRISTMAS. Pre-order DIG THAT CRAZY CHRISTMAS here.

DIG THAT CRAZY CHRISTMAS--originally released in 2005--will be issued as a red and white splatter LP. The album stands out next to traditional Christmas records and is as timeless as SETZER's first Christmas album BOOGIE WOOGIE CHRISTMAS (2002). BOOGIE WOOGIE CHRISTMAS--which was previously released on vinyl--will be commemorated on a 12" green and white splatter vinyl. Both will be released Friday, November 8 on Surfdog Records in advance of BRIAN SETZER ORCHESTRA's 16th annual "Christmas Rocks! Tour." Tickets for the shows can be purchased here.

The DIG THAT CRAZY CHRISTMAS track listing is as follows:

"Dig That Crazy Santa Claus"

"Angels We Have Heard On High"

"Gettin' In The Mood (For Christmas)"

"White Christmas"

"Let It Snow! Let It Snow! Let It Snow!"

"'Zat You Santa Claus?"

"Hey Santa!"

"My Favorite Things"

"You're A Mean One, Mr. Grinch"

"Coole Yule"

"Jingle Bell Rock"

"Santa Drives A Hot Rod"

"What Are You Doing New Year's Eve"

The BOOGIE WOOGIE CHRISTMAS track listing is as follows:

"Jingle Bells"

"Boogie Woogie Santa Claus"

"Winter Wonderland"

"Blue Christmas"

"Santa Claus Is Back In Town"

"Baby It's Cold Outside"

"The Nutcracker Suite"

"(Everybody's Waitin' For) The Man With The Bag"

"Sleigh Ride"

"Run Rudolph Run"

"Cactus Christmas"

"So They Say It's Christmas"

"O Holy Night"

"The Amens"

For the "Christmas Rocks! Tour," SETZER and his 19-piece ORCHESTRA will tour the country on the tour presented for the fifth consecutive year by SiriusXM. The over 20-city annual and critically acclaimed holiday extravaganza will launch November 15 at the State Theatre in Minneapolis, MN before wrapping December 21 in Los Angeles at the Microsoft Theatre (full itinerary below). THE BRIAN SETZER ORCHESTRA's "Christmas Rocks! Tour" set list will feature music from the group's three Christmas albums, BOOGIE WOOGIE CHRISTMAS,DIG THAT CRAZY CHRISTMAS and ROCKIN' RUDOLPH, as well as original material that spans his 40-year career. SETZER's trademark guitar work and vocal stylings will be matched with his 19-piece orchestra's rockin' big-band horn arrangements, making for a reliably unbeatable combination.

BRIAN SETZER's legendary career has led him through four critically acclaimed and successful phases from the Stray Cats, to solo albums, the Rockabilly Riot and The Brian Setzer Orchestra. The Brian Setzer Orchestra show seamlessly encompasses music from all these phases. He is a 3-time Grammy Award-winner, and in 2014, SETZER received the distinct honor of being asked by the Smithsonian Institution in Washington, D.C. to donate a replica of his original 1959 Gretsch 6120 "Stray Cat" guitar, joining an elite collection of iconic treasures at the museum.

For the past four years (2015, 2016, 2017 and 2018), THE BRIAN SETZER ORCHESTRA has had a strong presence across SiriusXM channels during the holidays and has partnered with the audio entertainment company for subscriber-only concerts in New York City and Los Angeles, which have aired on SiriusXM's Outlaw Country and Holly channels. This tradition will continue this year.

Catch BSO's 16th Annual "Christmas Rocks! Tour" in the following cities.

DATE CITY VENUE

FRI 11/15 Minneapolis, MN State Theatre

SAT 11/16 Chicago, IL The Chicago Theatre

SUN 11/17 Detroit, MI Fox Theatre

TUE 11/19 Red Bank, NJ Count Basie Center For The Arts

WED 11/20 Englewood, NJ Bergen Performing Arts Center

THU 11/21 Springfield, MA Symphony Hall

SAT 11/23 Lynchburg, VA Academy of Fine Arts - Historic Theatre

SUN 11/24 Westbury, NY Theatre at Westbury

TUE 11/26 Washington, D.C. The Anthem

WED 11/27 Durham, NC Durham Performing Arts Center

FRI 11/29 Orlando, FL Hard Rock Live

SAT 11/30 Clearwater, FL Ruth Eckerd Hall

MON 12/2 Nashville, TN The Ryman

TUE 12/3 Atlanta, GA Cobb Energy Performing Arts Centre

WED 12/4 Augusta, GA Miller Theatre

FRI 12/6 Biloxi, MS Beau Rivage Resort & Casino

MON 12/9 Denver, CO Paramount Theatre

TUE 12/10 Salt Lake City, UT Eccles Theatre

THU 12/12 Ridgefield, WA Ilani Casino

FRI 12/13 Seattle, WA Moore Theatre

SAT 12/14 Seattle, WA Moore Theatre

MON 12/16 Oakland, CA Fox Theater

TUE 12/17 Stockton, CA Bob Hope Theatre

THU 12/19 Phoenix, AZ Celebrity Theatre

FRI 12/20 Palm Desert, CA McCallum Theatre

SAT 12/21 Los Angeles, CA Microsoft Theater

Visit www.briansetzer.com for more information and to purchase tickets.

Mon, 09/23/2019 - 10:52 am

TASH SULTANA's sold-out show this coming Wednesday, September 25 at the iconic venue Red Rocks in Morrison, Colorado is being recorded and filmed for a future live project. The day will be captured on film to give a behind-the-scenes look into the multi-instrumentalist and global sensation's largest American headline show to date. Leading the film crew will be TASH's own touring videographer Dara Munnis.

"I feel like this is a closing ceremony for this chapter of my life which has been years in the making," says TASH. "I'm happy to be able to document what we have achieved from a live perspective and show everyone the hard work that's gone into these shows the past few years. It's going to be a hell of night."

The Red Rocks show is part of TASH's buzzed-about fall 2019 tour that has included a recent stop at the Central Park Summerstage (New York), along with an upcoming slot on the Ohana Festival (Los Angeles). The newly announced tour dates mark the largest headlining gigs in TASH's career and come after a few spring shows in the U.S., followed by solo performances and festival appearances this summer in Europe.

Last year was one of the biggest years in TASH's career. Highlights include the release of her debut album FLOW STATE (Mom and Pop Music) which entered the charts at #4 on the Billboard Alternative Albums Chart and also charted across the globe. FLOW STATE was also nominated for the prestigious Triple J Australian Album of the Year award and six ARIA's (The Australian Recording Industry Association Music Awards). Other recent accolades include over half a billion streams worldwide; the certified platinum singles "Jungle" and "Notion"; the certified Gold (internationally) Notion (EP) and the singles "Mystik" and "Murder To The Mind"; and record-breaking attendance at live shows around the world.

For those who have not yet experienced TASH live, TASH recently revealed "The Story So Far," a three-part documentary series in partnership with YouTube Music that shows the journey from bedroom performances and busking to sold-out world tours. Check out the first two episodes now on TASH's channel here and here, with a third to follow.

Tue, 10/08/2019 - 2:36 pm

The Zappa Trust has announced the release of two books honoring legendary musician and composer Frank Zappa's legacy: ZAPPA GEAR: THE UNIQUE GUITARS, AMPLIFIERS, EFFECTS UNITS, KEYBOARDS AND STUDIO EQUIPMENT by Mick Ekers with foreword by Dweezil Zappa and THE HOT RATS BOOK, in celebration of the 50th anniversary of Frank Zappa's HOT RATS album by Bill Gubbins and Ahmet Zappa.

"These books provide another way for fans to connect with Frank Zappa," Ahmet Zappa says. "They give a fascinating window into Frank's mind and the ideas he came up with throughout his career."

'ZAPPA GEAR: THE UNIQUE GUITARS, AMPLIFIERS, EFFECTS UNITS, KEYBOARDS AND STUDIO EQUIPMENT'

First up, the November 29 release of Zappa Gear: The Unique Guitars, Amplifiers, Effects Units, Keyboards and Studio Equipment by Mick Ekers with the foreword by Dweezil Zappa. Zappa Gear offers an unprecedented inside look at the machinery behind the legendary music. In addition to a detailed presentation of the equipment, Zappa Gear also introduces some of the pioneering inventors, engineers, and entrepreneurs without whom the instruments would not exist. Frank Zappa was an unremitting musical innovator and experimenter, always looking for ways to exploit the latest advances in technology. His working life coincided with the explosive development of music technology that ran from the 1960s through the following three decades. Without such inventions as the Marshall amplifier, the Gibson SG, the wah-wah pedal, and the Synclavier--much of it modified to Zappa's requirements and used in ways for which they had never been designed--Zappa's "air sculptures," as his music has been described, would have had a significantly different shape and texture. Lavishly illustrated, the book includes over 180 unique photographs of Frank Zappa's guitars and equipment taken by the author at Zappa's UMRK studio in Los Angeles. Zappa Gear is an official Frank Zappa book produced and written with the full cooperation and endorsement of Gail Zappa and the Zappa Family Trust.

The following month will see the release of The Hot Rats Book by Bill Gubbins and Ahmet Zappa, out December 15. To celebrate the 50th anniversary of the much-loved Hot Rats LP, Ahmet Zappa and the Zappa Trust have teamed with Backbeat Books and Bill Gubbins, the only photographer to document the Hot Rats sessions, to create The Hot Rats Book, a deluxe, commemorative book packed with never before-seen photos and an interview between Ahmet and Gubbins documenting the Hot Rats sessions and last U.S. show of the original Mothers of Invention on August 10, 1969 at Cleveland's Musicarnival in Warrensville Heights, Ohio. "A movie for your ears" is how rock icon Frank Zappa first described his album Hot Rats, which remains, 50 years after its release, not only one of Zappa's most critically acclaimed and commercially successful albums, but a stunning tour-de-force of the totality of his musical genius and legendary skills as a composer, lyricist, producer, arranger, studio innovator and virtuoso guitar player. The Hot Rats Book is an official Frank Zappa book produced and written with the full cooperation and endorsement of the Zappa Trust.

Fri, 10/25/2019 - 11:53 am

Throughout the '70s and '80s, the iconoclastic composer Frank Zappa put on a series of spectacular, now legendary, shows around Halloween each year to celebrate his favorite holiday. Before settling on New York in 1974 to host his annual costume-clad festivities, which would continue until he retired the tradition in 1984, Zappa, fronting an exciting new band, performed two rousing back-to-back Halloween concerts the year prior at the Auditorium Theater in Chicago. Whereas many of the NYC shows were not recorded, due to the musician's union charging exorbitant fees making it virtually impossible to allow Zappa to record the event, there were no such restrictions at the Chicago show - in true Zappa fashion it was of course taped.

 Now for the first time ever, Zappa's two complete Halloween shows recorded on October 31, 1973 in Chicago, are available today, October 25 via Zappa Records/UMe, just in time for Halloween. These completely unreleased live recordings total more than four and a half hours and feature songs from across his prolific catalog, including his then just-released 1973 album Over-Nite Sensation and forthcoming 1974 record Apostrophe('), as well as early arrangements of compositions like "Penguin In Bondage," "Dickie's Such An Asshole" and "Village Of The Sun" that would appear on later studio and live albums. Continuing the Halloween series that the Zappa Family Trust began in 2017 with the acclaimed Halloween 77 releases, Halloween 73 is available as a specially designed, limited run four-disc costume box complete with a FRANKenZAPPA mask and gloves, housed in a display worthy box. Produced by Ahmet Zappa and Vaultmeister Joe Travers, the boxed set is rounded out with a 40-page booklet featuring detailed liner notes from Travers and Ruth Komanoff Underwood and Ralph Humphrey,Zappa's bandmates who played in the shows, and a wealth of never-before-seen photos from the event.

The two full shows are presented on discs 1-3, with the fourth disc dedicated to unreleased rehearsals recorded just before the tour started. A single CD version titled Halloween 73 Highlights, which collects together 16 handpicked performances from both shows, is also available. The concerts were recorded on 1/2" 4-track analog tape which was stored in pristine condition in Zappa's personal Vault. The tracks were digitally transferred in 96K/24B from the original analog tapes by Travers in 2019 and mastered and re-mixed by Craig Parker Adams. Both the deluxe boxed set and Highlights album will be available digitally for streaming and download.

Order Halloween 73 now: https://UMe.lnk.to/Halloween73PR

Order Halloween 73 Highlights now: https://UMe.lnk.to/Halloween73HighlightsPR

After Zappa's European tour that ended in September of '73, the ever-restless musician decided to shake up his lineup once again and replaced woodwind and keyboards player Ian Underwood and violinist Jean Luc-Ponty with two new members: Chester Thompson on drums and Napoleon Murphy Brock who supplied vocals, tenor sax and flute. Following a month of rehearsals, the Halloween shows in Chicago marked the second gig for this new lineup. These recordings then represent the first official recording of this new configuration which as Travers writes in the liners, "would become infamous with the shows at The Roxy Theater scheduled for that December in Los Angeles and filmed for all posterity."

Proceeding the Roxy performances, which can be heard in full on 2018's The Roxy Performances boxed set, as well as the 1974 double live album Roxy & Elsewhere, it's thrilling to hear the band dynamics and evolution. As Travers writes, "the music is fresh and going through changes, along with incorporating the new funky rhythms of Chester and the dynamic lead vocals of Napoleon. And with the mallets of Ruth Underwood prominently featured in the instrumentation, Bruce Fowler's bionic trombone, Ralph Humphrey's technical wizardry of the drum set, Tom Fowler's command of the bass and the keyboard mastery of George Duke, it's a no-brainer that this line-up would go on to be a favorite among fans. The musicianship and chemistry of the personnel blended so well together with the material Frank was writing. It would prove to be a golden period in the history of Frank Zappa and these Halloween shows are proof."

Band members Ruth Komanoff Underwood and Ralph Humphrey both provide some fascinating insight into what it was like to play with Zappa and some insightful history about these shows in the in-depth liner notes which also feature beautiful live shots and intimate backstage photos. Underwood details Zappa's desire to constantly change up the musicians he worked with and states, "Frank, though, wasn't looking back for a moment, but only characteristically ahead, relishing the excitement and challenge at hand. Personnel changes had become routine for him, and he thrived on the new musical possibilities and mix of personalities. It was evident, then and always, that Frank needed to live his life in a state of perpetual transition, a reality that could be as maddening to us as it was exciting for all. However unnerving these constant changes, the exertion made us better players, despite some figurative bumps and bruises."

These concerts would be the only Halloween shows that Zappa performed in Chicago as the Halloween tradition would start the next year in NYC in 1974 and continue for the next decade. These shows would have the same unbridled, celebratory spirit of the NY gigs that David Fricke of Rolling Stone hailed as "advanced, instrumental ecstasy, cliff-edge improvisation and impromptu theatrical hijinks."

HALLOWEEN 73 TRACK LIST

Disc 1 (Show 1)

1. "Happy Halloween To Each And Every One Of You" 4:36

2. Pygmy Twylyte 3:25

3. The Idiot Bastard Son 2:24

4. Cheepnis 3:28

5. "Another Assembly Of Items" 1:29

6. The Eric Dolphy Memorial Barbecue 1:02

7. Kung Fu 1:32

8. Penguin In Bondage 7:12

9. T'Mershi Duween 1:46

10. The Dog Breath Variations 1:47

11. Uncle Meat 2:24

12. RDNZL 5:54

13. Village Of The Sun 4:14

14. Ecidna's Arf (Of You) 4:11

15. Don't You Ever Wash That Thing? 9:54

16. Montana 6:55

TRT: 62:12

Disc 2 (Show 1 Continued)

1. Dupree's Paradise 19:12

2. "Almost Up To Date" 1:35

3. Dickie's Such An Asshole 10:04

(Show 2)

4. "That Greatest Of American Holidays" 4:50

5. Cosmik Debris 6:51

6. "We're Hurtin' For Tunes" 1:04

7. Pygmy Twylyte 3:40

8. The Idiot Bastard Son 2:17

9. Cheepnis 4:18

10. I'm The Slime 4:29

11. Big Swifty 9:37

TRT: 67:56

Disc 3 (Show 2 Continued)

1. The History Of The San Clemente Magnetic Deviation 1:50

2. Dickie's Such An Asshole 9:59

3. "Another New Event" :56

4. Farther O'Blivion - Part 1 9:03

5. Father O'Blivion - Part 2 10:10

6. "Pervert's Special Holiday" 1:10

7. Penguin In Bondage 7:27

8. T'Mershi Duween 1:45

9. RDNZL 6:06

10. Inca Roads 10:55

11. Medley: Son Of Mr. Green Genes/King Kong/Chunga's Revenge 16:23

TRT: 75:44

Disc 4 (Bonus Rehearsals 10-20/21-73)

1. The Eric Dolphy Memorial Barbecue (10-21-73) 1:05

2. Penguin In Bondage (10-20-73) 6:45

3. T'Mershi Duween (10-20-73) 1:46

4. Dog Breath (10-20-73) 1:28

5. The Dog Breath Variations (10-20-73) 1:20

6. Uncle Meat (10-20-73) 2:18

7. RDNZL (10-20-73) 5:10

8. Magic Fingers (10-21-73) 4:47

9. Inca Roads (10-20-73) 14:38

10. Father O'Blivion (10-21-73) 17:54

11. Cosmik Debris (10-20-73) 10:36

12. Big Swifty (10-21-73) 4:41

TRT: 72:28

HALLOWEEN 73 HIGHLIGHTS TRACK LIST

1. "Happy Halloween To Each And Every One Of You" (Show 1) 4:36

2. Pygmy Twylyte (Show 2) 3:40

3. The Idiot Bastard Son (Show 2) 2:17

4. Cheepnis (Show 2) 3:18

5. "Another Assembly Of Items" (Show 1) 1:29

6. The Eric Dolphy Memorial Barbecue (Show 1) 1:02

7. Kung Fu (Show 1) 1:32

8. Penguin In Bondage (Show 1) 7:12

9. T'Mershi Duween (Show 1) 1:46

10. The Dog Breath Variations (Show 1) 1:47

11. Uncle Meat (Show 1) 2:24

12. RDNZL (Show 1) 5:50

13. I'm The Slime (Show 2) 4:29

14. Big Swifty (Show 2) 9:25

15. "The History Of The San Clemente Magnetic Deviation (Show 2) 1:48

16. Dickie's Such An Asshole (Show 2) 10:24

TRT: 63:02

Sat, 11/09/2019 - 6:50 pm

Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter OZZY OSBOURNE has released "Under The Graveyard," his first new solo music in almost 10 years. A massive ballad that builds into a searing rocker, it's the first single from OZZY's forthcoming album, ORDINARY MAN, due out on Epic Records in early 2020. Listen to the song here.

"This album was a gift from my higher power--it is proof to me that you should never give up," OZZY says.

Recorded in Los Angeles, the album features producer Andrew Watt on guitars, Duff McKagan (Guns N' Roses) on bass and Chad Smith (Red Hot Chili Peppers) on drums.

Ozzy Osbourne

"It all started when [his daughter] Kelly comes in and says 'do you want to work on a Post Malone song?'" OZZY explains. "My first thing was 'who the fuck is Post Malone?!' I went to Andrew's [Watt] house and he said we will work really quick. After we finished that song, he said 'would you be interested in starting an album.' I said 'that would be fucking great, but now I am thinking I don't want to be working in a basement studio for six months! And in just a short time, we had the album done. Duff [McKagan] and Chad [Smith] came in and we would go in and jam during the day and I would go work out the songs in the evenings. I previously had said to Sharon I should be doing an album, but in the back of my mind I was going 'I haven't got the fucking strength...' but Andrew pulled it out of me. I really hope people listen to it and enjoy it, because I put my heart and soul into this album."

Stay tuned for additional details on ORDINARY MAN in the coming weeks

Mon, 11/11/2019 - 12:39 pm

Under doctor's orders, iconic guitarist, songwriter, vocalist and three-time Grammy-Award winner BRIAN SETZER has been forced to cancel his 16th annual "Christmas Rocks! Tour" by THE BRIAN SETZER ORCHESTRA due to a severe case of tinnitus.

The over 20-city annual and critically acclaimed holiday extravaganza by SETZER and 19-piece ORCHESTRA was his best-selling Christmas tour to date and set to start this week, running from November 15 in Minneapolis through December 21 in Los Angeles. Tickets will be refunded at the point of purchase (full itinerary below).

SETZER says he deeply regrets this inconvenience to his fans and thanks them in advance for their love and support.

"It's heartbreaking to disappoint my fans who have shared my Christmas seasons with me for over fifteen years," says SETZER. "I'm truly sorry for the inconvenience this has caused all of the amazing people who make my tour happen and to my unbelievably loyal and devoted fans. I hate to let you down and I hope you'll understand."

 The cancellation of BSO's 16th Annual "Christmas Rocks! Tour" affects the following cities:

 

DATE

 

CITY

VENUE

FRI

11/15

Minneapolis, MN

State Theatre

SAT

11/16

Chicago, IL

The Chicago Theatre

SUN

11/17

Detroit, MI

Fox Theatre

TUE

11/19

Red Bank, NJ

Count Basie Center For The Arts

WED

11/20

Englewood, NJ

Bergen Performing Arts Center

THU

11/21

Springfield, MA

Symphony Hall

SAT

11/23

Lynchburg, VA

Academy of Fine Arts - Historic Theatre

SUN

11/24

Westbury, NY

Theatre at Westbury

TUE

11/26

Washington, D.C.

The Anthem

WED

11/27

Durham, NC

Durham Performing Arts Center

FRI

11/29

Orlando, FL

Hard Rock Live

SAT

11/30

Clearwater, FL

Ruth Eckerd Hall

MON

12/2

Nashville, TN

The Ryman

TUE

12/3

Atlanta, GA

Cobb Energy Performing Arts Centre

WED

12/4

Augusta, GA

Miller Theatre

FRI

12/6

Biloxi, MS

Beau Rivage Resort & Casino

MON

12/9

Denver, CO

Paramount Theatre

TUE

12/10

Salt Lake City, UT

Eccles Theatre

THU

12/12

Ridgefield, WA

Ilani Casino

FRI

12/13

Seattle, WA

Moore Theatre

SAT

12/14

Seattle, WA

Moore Theatre

MON

12/16

Oakland, CA

Fox Theater

TUE

12/17

Stockton, CA

Bob Hope Theatre

THU

12/19

Phoenix, AZ

Celebrity Theatre

FRI

12/20

Palm Desert, CA

McCallum Theatre

SAT

12/21

Los Angeles, CA

Microsoft Theater

Mon, 11/25/2019 - 2:04 pm

Dewey Bunnell and Gerry Beckley, founding members of the legendary GRAMMY-winning rock band America, join Dan Rather for an all-new episode of The Big Interview-airing Wednesday, November 27 at 8pE/5pP.

In this exclusive first look, the duo discuss the tremendous impact of The Beatles' groundbreaking performance on The Ed Sullivan Show, and how it shaped them as aspiring musicians. "The Beatles on Ed Sullivan was a turning point for everybody in our generation," Beckley says. "It just redefined who I was as a kid. All of a sudden, it was no longer surf bands. We're gonna grow our hair and we're gonna sing." The set was just one of many monumental moments that would change music, pop culture, and the country, itself. "I remember that year-we're talking about '63 into '64," Bunnell recalls. "With the assassination [of JFK], with Ali beating Liston, and with The Beatles on Ed Sullivan, that's like a massive something happened right there."

During their tenure with America, Bunnell and Beckley have each written their share of enduring hits. While their songwriting styles have both led to success, they could not be anymore different. Bunnell explains their eclectic yet cohesive sound, saying, "Gerry tends to write 'indoor songs', we say-love songs, a lot more introspective. And I do 'outdoor songs'... So, there's one difference." "The other one is if it has two chords, it's Dewey's song," Gerry chimes in. "If it has 102 chords, it's mine." Watch it here.

The Big Interview airs every Wednesday at 8pE/5pP, only on AXS TV.

Tue, 11/26/2019 - 3:04 pm

This past week, OZZY OSBOURNE returned to the stage for the first time in nearly a year when he joined Post Malone to perform their Top Ten Billboard hit "Take What You Want" at two shows in Los Angeles. Things kicked off Thursday (11-21) night when the Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter joined Malone for the final 2019 show of his "Runaway Tour" at the Forum in Los Angeles. They were joined by producer and guitarist Andrew Watt. Watch a clip of the "Take What You Want" performance here.

OSBOURNE and Malone followed this with another performance Sunday (11-24) night at ABC's "American Music Awards" at the Microsoft Theatre where they were joined by Travis Scott and Watt who appear on the track. The live television performance marked OSBOURNE's debut performance on the show and his first television performance in more than 10 years.

Look for OSBOURNE to return to the road in May 2020.

Tue, 12/17/2019 - 12:53 pm

The ZAPPA FAMILY TRUST has teamed with Rowdy Sprout children's clothing line for a few limited-edition Zappa items. The initial product launch, pegged to the holiday season, includes a Frank Zappa Raglan Tee and a Frank Zappa Raglan Onesie. With the iconic Frank Zappa image and logo, both are currently available online at Zappa.com in the kids section of apparel and via the Rowdy Sprout website.

The Frank Zappa Raglan Tee is available in black and heart of gold (yellow) in the following sizes: 3-6 months, 6-12 months, 12-18 months, 18-24 months, 2T, 4T, 6Y, 8Y, 10Y, 12Y. It retails for $41.

The Frank Zappa Raglan Onesie is available in black and heart of gold (yellow) in the following sizes 3-6 months and 6-12 months. It's available for $42.

This marks the first collaboration between the ZFT and Rowdy Sprout with new designs set to launch in 2020 (details of which will be announced in the new year).

Tue, 01/14/2020 - 1:21 pm

GRAND FUNK RAILROAD--the legendary rock & roll powerhouse--is extremely excited to be touring in 2020 and marking a 51-year milestone. After playing to millions of fans on the band's tours from 1996 to 2019, Grand Funk's 2020 "Some Kind Of Wonderful Tour" will continue to reach both new and long-time fans.  Check the band's website for the preliminary dates for Grand Funk's 2020 "Some Kind Of Wonderful Tour" with more to be announced: grandfunkrailroad.com/tour.html

Named in honor of their 1975 Billboard pop smash, the 40-date "Some Kind Of Wonderful Tour" will start in Lincoln, Rhode Island on February 8. Originating from Flint, Michigan in 1969, this top-selling American rock group of the 70's is "Comin' To Your Town To Help You Party It Down." They've achieved 13 gold and 10 platinum records with record sales exceeding 25 million copies sold worldwide. Watch the tour trailer here and read a Q&A with the band's Don Brewer below.

Known as "The American Band," the high-energy five-piece group GRAND FUNK RAILROAD includes original founding members Don Brewer (vocals and drums, writer and singer of the multi-million selling hit, "We're An American Band") and bassist Mel Schacher, "The God of Thunder." Joining Don and Mel are true "All Stars." Singer Max Carl is a rock veteran from 38 Special. Max penned and sang 38's biggest hit "Second Chance" and was co-founder of California's legendary Jack Mack and the Heart Attack. Don refers to Max as "the best blue-eyed soul singer on the planet." Lead guitarist Bruce Kulick is best known for his 12 years with KISS and has credits with Michael Bolton, Meatloaf and Billy Squier. (KISS members Gene Simmons and Paul Stanley were influenced early on by Grand Funk.) Keyboardist Tim Cashion has a master's degree in music from the University of Miami. Affectionately called "Dr. Tim," his credits include stints with Bob Seger and the Silver Bullet Band and English soul man Robert Palmer.

Grand Funk laid the groundwork for such bands as Foreigner, Journey, Van Halen and Bon Jovi with its signature hard driving sound, soulful vocals, muscular instrumentation and forceful pop melodies. The fact that Grand Funk's legacy still reigns over the Classic Rock landscape 50 years after is a testament to the group's influence and staying power. Mega-hits "We're An American Band," "I'm Your Captain/Closer to Home," "Locomotion," and "Some Kind Of Wonderful" still receive continuous airplay on Classic Rock radio. "We're An American Band" has received notoriety in recent years being used in movie soundtracks and in television/radio advertising. The huge hit was featured in a General Motors national TV ad campaign and in Disney's animated feature film The Country Bears. "We're An American Band" was featured in the Cuba Gooding Jr. film Radio, and in the swash buckler Sahara starring Matthew McConaughey.

Internationally acclaimed Grand Funk has toured the world, selling out in the U.S., Canada, Europe, Japan and South America. A 1971 performance at New York's Shea Stadium sold out faster than the Beatles. The group's widespread appeal is also evident in its prestigious recording achievements. Over their career, Grand Funk has had 19 charted singles, 8 Top 40 hits and two Number One singles ("We're An American Band" and "Locomotion," both selling more than one million each). The group has now accumulated 13 gold and 10 platinum records with record sales exceeding 25 million copies sold worldwide. The most recent gold CD award was presented to the band for their greatest hits package Grand Funk Railroad the Collectors Series.

The multi-talented band carries on the tradition of Grand Funk hits and creates a new chapter in the legacy of Grand Funk Railroad. GFR drew 25,000 people to their Molson Canal Series Concert outside Buffalo, 20,000 in Albany, New York, and 20,000 fans to downtown Orlando, Florida. EMI/Capitol (Universal Music) released a new Grand Funk Greatest Hits package that includes a bonus DVD of rare concert footage. Grand Funk Railroad's 2019 "50 Years Of Funk Tour" was a huge success and now, with the group's 2020 "Some Kind Of Wonderful Tour," seasoned Grand Funk lovers and contemporary rock fans discovering the group for the first time will be able to celebrate 50 Years of Funk with Grand Funk Railroad.

Q&A with Don Brewer:

Have any rituals before hitting the stage?

We always do a "Team Huddle" right before taking the stage and I try to come up with something inspiring or funny to say to the guys.

Is there one item that you always bring on tour to remind you of home?

I always carry photos of my wife and daughters and grandkids.

What do you feel have been the band's main contributions to music?

Grand Funk has always been about "music with feel." Songs and performances are uplifting and we prefer to have people in the audience smiling and on their feet.

What has surprised you most in your career?

I started out putting together bands in the basement of my parents' home in Swartz Creek, Michigan and having my first band "The Red Devils" when I was 11 years old. My next band "The Jazzmasters" turned into "The Pack," "Terry Knight and The Pack," "The Fabulous Pack," and that band became "Grand Funk Railroad." I'm 71 years old and still playing in a band. SURPRISE!

Can you describe your best gig ever?

Shea Stadium in 1971.  Truly a Rock & Roll Fantasy.

And your worst one?

No such thing.

What career advice would you give now to your younger self?

Keep Going! You'll Make It!

For more information on GRAND FUNK RAILROAD, visit:

WEBSITE | SPOTIFY

Tue, 01/21/2020 - 8:28 am

Prog rock pioneers and Rock & Roll Hall of Fame inductees YES have announced a run of spring U.S. headline tour dates March 19-25 leading into their annual Cruise to the Edge (March 27-April 1) sailing out of Miami. At shows in Florida and South Carolina, the band will perform their classic hits and be joined by the Alan Parsons Live Project. Tickets for these dates--a precursor to the band's North American fall tour, to be announced in the months ahead--go on sale to the public on Friday, January 24 at 10:00am ET.

YES is Steve Howe (guitar-joined 1970), Alan White (drums since 1972), Geoff Downes (keyboards; first joined in 1980), Jon Davison (vocals since 2011) and Billy Sherwood (guitar/keyboards in the 1990s and the late Chris Squire's choice to take over bass/vocals in 2015), with Jay Schellen on additional drums.

"We can't think of a better way to lead into our 'Cruise To The Edge' than with five shows in the Southeast," says Steve Howe. Alan White concurs: "Florida and South Carolina in the spring sounds absolutely perfect for a British band like us. We look forward to seeing everyone for a night of YES music."

YES continues to deliver dynamic and unforgettable performances full of passion and musical virtuosity, with songs that expanded the boundaries of rock. Below is critical praise from last year's North American tour.

Catch YES on tour at these dates:

DATE

 

LOCATION

VENUE

THU

3/19

North Charleston, SC

North Charleston PAC

SUN

3/22

Clearwater, FL

Ruth Eckerd Hall

TUE

3/24

Jacksonville, FL

Florida Theatre

WED

3/25

Ft. Lauderdale, FL

Broward Center

Mon, 02/17/2020 - 4:42 pm

OZZY OSBOURNE's 2020 North American "NO MORE TOURS 2" has unfortunately been canceled to allow OSBOURNE to continue to recover from various health issues he has faced over the past year. This decision was made to accommodate fans who've been holding tickets for rescheduled shows and have been asked to change plans, some multiple times. Following promotional obligations for his new ORDINARY MAN album (out February 21), OSBOURNE will head to Europe for additional treatments.

"I'm so thankful that everyone has been patient because I've had a shit year," OSBOURNE said. "Unfortunately, I won't be able to get to Switzerland for treatment until April and the treatment takes six-eight weeks.

"I don't want to start a tour and then cancel shows at the last minute, as it's just not fair to the fans. I'd rather they get a refund now and when I do the North American tour down the road, everyone who bought a ticket for these shows will be the first ones in line to purchase tickets at that time."

Refunds are available at the original point of purchase. All refunds, including fees, will be returned directly to the credit card used. Additionally, ticketholders who purchased "No More Tours 2" tickets will have first access to tickets when the next tour is announced.

Sat, 02/22/2020 - 11:41 am

Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter OZZY OSBOURNE has released his first new solo album in ten years, the highly anticipated ORDINARY MAN (Epic Records). Get it here.

To celebrate the record's arrival, OZZY made history by launching the largest global tattoo sale and album listening event ever across 50 cities worldwide on Thursday, February 20. Fans heard the record before anyone and were the first to choose from a collection of exclusive OZZY-inspired tattoo designs.

Today,OZZY returns to the world-famous Amoeba Records (where he last hosted an in-store in June 2010) in Hollywood, CA at 5:00pm. To attend, purchase ORDINARY MAN (available on CD, LP or picture disc) in-store at Amoeba Hollywood on February 21.

Additionally, OZZY today unveils the Golden Ticket Sweepstakes with the release. In the U.S. only, all physical copies of the album (CD, vinyl, cassette, and pre-saves) are bundled with a unique code. Beginning today, fans may enter their codes at ordinarymansweepstakes.com to redeem for once-in-a-lifetime OZZY prizes. The prizes range from a trip for two to Los Angeles to have dinner with OZZY and Sharon Osbourne, a signed guitar, a Blizzard of Ozz platinum plaque, See You on the Other Side Box Set, and more.

ORDINARY MAN was preceded by a trio of new OZZY classics. Epic rocker and first single "Under The Graveyard" tallied over 15 million streams and 5.3 million YouTube views on the music video. Premiered just last month, the title track and cinematic ballad "Ordinary Man" [feat. Elton John] eclipsed 7 million streams. Meanwhile, the metallic burner "Straight To Hell" [feat. Slash] scored 6.9 million streams and 4.2 million YouTube views on the music video.

Shared as the latest single last night, the album reunites OZZY with Post Malone on the thrashed-out ripper "It's A Raid." From the harmonica-driven devilish blues metal stomper "Eat Me" to the ominous and otherworldly trip "Scary Little Green Men" and the poetic choir-backed confessional "Holy For Tonight," ORDINARY MAN represents every side of one of the most influential, insurgent, and impactful icons of all-time.

Experience ORDINARY MAN now.

ORDINARY MAN marks OSBOURNE's first new solo music in almost 10 years. Recorded in Los Angeles, the album features producer Andrew Watt on guitars, Duff McKagan (Guns N' Roses) on bass and Chad Smith (Red Hot Chili Peppers) on drums. Beyond the core band, ORDINARY MAN, features a who's-who of OZZY friends and collaborators including Elton John, Slash, Post Malone, and Tom Morello. Get the album here.

Thu, 04/09/2020 - 3:14 pm

After a world premiere on Australia's "The Breakfast Show" (via national broadcaster triple j), multi-instrumentalist and global sensation TASH SULTANA has released her seductive new song "Pretty Lady," out today (April 9) on Mom + Pop Music. Listen to the song here and watch the video here.

The video was created using clips of friends, family, and fans all around the world in isolation to spread positive energy into the world. All the participants will continue to spread the word with the #PrettyLadyChallenge on social media. To coincide with the single's release, TASH also performed live on YouTube as part of their #Stayhome series through the pandemic on TASH's YouTube page.

"Pretty Lady" was co-written and made by TASH with Matt Corby and Dann Hume in TASH's own studio. The song is an exquisite showcase of storytelling that TASH has become known for, while also showcasing TASH's soulful and intimate vocals.

Tash Sultana

Reflecting on the track, TASH explains, "I've been trying to figure out how to write this song for like six years. I used to loop it and just free style to it when I was busking years ago, but I always got stuck on the same parts. I put the song in a box at the back of my mind and revisited it in November 2019. I had Dann (Hume) and Matt (Corby) spend some time in my studio and that's when I decided to show them this song. It's my first song I've collaborated with other players on."

Fri, 06/26/2020 - 9:56 am

Multi-instrumentalist and global sensation TASH SULTANA has released her brand new song "Greed," out today (June 26) on Mom + Pop Music.   This is the second song released by TASH that will be on the follow-up album to last year's FLOW STATE, set for release later this year. "Greed" was produced by TASH SULTANA and co-written by TASH, Matt Corby and Dann Hume in TASH's studio in Melbourne. The video for "Greed" will follow next month.

LISTEN TO 'GREED' HERE

"This song is about how people change around you when you achieve some sort of success," TASH explains "People you've never had anything to do with try and climb into your life somehow, people you've known for ages suddenly go silent. People who never paid you for a gig suddenly want to book you. That person from high school that gave you shit for playing the guitar suddenly wants on the guest list. It's a funny little thing all of this and what it does to people."

Earlier this year, TASH released the first track and video "Pretty Lady" from her forthcoming album. The video featured members of the Teskey Brothers, Pierce Brothers and Baker Boy, professional dancers Emily Havae, Melissa Pham, Justin Anderson, Ash McKenzie & Matt Holly and Thalia Heffernan & Ryan McShane, Anna Seymour performing Auslan, as well as some of TASH's friends, family, fans and of course, everyone's favorite animal--doggos!

Tash @ Red Rocks

2019 was a year that saw TASH flourish both through live shows and releases--breaking attendance records in venues around the world, selling out the iconic Red Rocks in Colorado, plus the massive sold-out Australia headline tour with over 70,000 tickets in that the country, while JUNGLE was ARIA accredited 2x Platinum, Notion was ARIA accredited Platinum, and "Mystik," "Murder to the Mind" and the NOTION EP were all ARIA accredited Gold. In streaming, TASH's releases are currently sitting at over 1 billion total streams--an incredible feat for an artist that only released her debut album two years ago.

Tue, 07/07/2020 - 6:50 pm

This August, TOMMY EMMANUEL, the acclaimed and Grammy-nominated acoustic guitarist, singer and songwriter, will host two live stream events with a portion of the proceeds benefiting two prominent independent venues in America. "Without some support, we are in danger of losing some of the independent venues that are a part of our culture and our local communities," says TOMMY.

The first event, Saturday, August 15 at 8:00 PM ET/5:00 PM PT, will benefit The Birchmere in Alexandria, VA, with Rob Ickes & Trey Hensley supporting. The second event, Saturday, August 29, at 9:00 PM ET/6:00 PM PT, will benefit The Coach House in San Juan Capistrano, CA, with Andy McKee supporting. The Coach House is notably where Chet Atkins, legendary music icon and TOMMY's idol, performed many times. TOMMY is one of five artists ever named a Certified Guitar Player by Atkins. Tickets are on sale now ($15 advance/$20 day of show): https://store.tommyemmanuel.com

For both events, TOMMY will be performing live from Tunesmith Studio outside of Nashville. See the quotes below from TOMMY, Michael Jaworek of The Birchmere, Gary Folgner of The Coach House and TOMMY's agent, Brian Jonas with High Road Touring, who booked both events.

TOMMY EMMANUEL: "Without some support, we are in danger of losing some of the independent venues that are a part of our culture and our local communities. Most people don't realize how many people the touring industry supports. It's so much more than an artist onstage. In the venues alone, there are stagehands, security guards, concession staff, box office staff, ushers, runners, medical staff, merchandise sellers, custodial staff, and much more. There's also the artist's agent, manager, and crew who are not really seeing much income right now either. When this pandemic started, music venues were one of the first to close, and they will most likely be one of the last to reopen. When we do get back to touring, I want to make sure some of these places are still around for me to play, so I've tried to figure out a way to help these independent venues, especially the ones that have supported me throughout the years. We also wanted to create some sort of normality to the industry right now. That's why we are going to have opening acts on these live streams and that I'm going to pay my team just like any other show. It takes a team to make it all happen, and it's going to take a whole lot of teamwork and community support to get through this pandemic. I hope other artists can help whoever needs it in their own respective communities."

Michael Jaworek of The Birchmere: "The Birchmere is honored to be the first venue to have Tommy Emmanuel do a streaming concert for us. Tommy has been one of our favorite and most valued artists to perform at the club in its 54-year existence. Tommy's musical prowess as performer and composer is only exceeded by his kind and generous spirit. He brings that to our stage and audiences, every time he is here. Though we may not be together in body for this special show, we are certainly together again in spirit; now and for the future."

Gary Folgner (founder and owner for past 40 years) of The Coach House: "We love having Tommy Emmanuel at The Coach House. Until the next time that will be, we are excited to announce he is performing from home to fans everywhere. In these unprecedented times it's comforting to have a friend like Tommy who's using his time and talent to help support our venue."

Brian Jonas with High Road Touring: "Tommy Emmanuel is the epitome of the working musician. He has built an incredible touring career by not only creating lasting relationships with his fans but also all the promoters and venues who have supported him over the years. Tommy is always thinking big picture. It comes as no surprise to me that he understands and values the role that independent venues play in the live music ecosystem and how important they are not only to his own touring career but to the communities they exist in as a whole."

ABOUT TOMMY EMMANUEL:

TOMMY EMMANUEL has achieved enough musical milestones to satisfy several lifetimes. At the age of six, he was touring regional Australia with his family band. By 30, he was a rock n' roll lead guitarist burning up stadiums in Europe. At 44, he became one of five people ever named a Certified Guitar Player by his idol, music icon Chet Atkins. Today, he plays hundreds of sold-out shows every year from Nashville to Sydney to London. He's piled up numerous accolades, including two Grammy Award nominations, two ARIA Awards from the Australian Recording Industry Association (the Aussie equivalent of the Recording Academy); repeated honors in the Guitar Player magazine reader's poll including a cover story for their August 2017 issue; a cover feature for Vintage Guitar's July 2020 issue; and was Music Radar's reader's poll #1 winner of the Ten Best Acoustic Guitarists in The World (December 2019). A noted fingerstyle guitarist, EMMANUEL frequently threads three different parts simultaneously into his material, operating as a one-man band who handles the melody, the supporting chords and the bass all at once. His talents, which translate in any language, carry him to the far corners of the globe, but EMMANUEL never plays the same show twice, and he improvises big chunks of every date. That leaves him open to those technical imperfections, though they also provide some of the humanity to an other-worldly talent. On May 8, 2020, he released a newly recorded career-spanning double album, THE BEST OF TOMMYSONGS, via CGP Sounds/Cruzen Street Records). Watch the album trailer here which focuses on TOMMY's unique ability to tell stories without words: https://www.youtube.com/watch?v=-SOQEMWYAQ4

For more information on TOMMY EMMANUEL, visit:

WEBSITE | FACEBOOK | INSTAGRAM | TWITTER | YOUTUBE

Fri, 07/10/2020 - 3:36 pm

Canadian country rising star MANNY BLU today (July 10) announced the release of his upcoming EP NEW INK, available on November 13. Giving fans a sneak peek of what to expect from this new collection of tracks, BLU today also released the first single off the sophomore EP. Titled "Born To Ride," it perfectly lays the groundwork for what is to come. Listen to the single here and watch the lyric video here.

Bringing to life a completely different side of the Montreal native, NEW INK speaks directly to what BLU himself calls the "true heart" of the band's live shows: "There's more rock, more soul, and more volume this time around. It's bigger and louder, but it's still me. And more importantly, it's still fun."

With his amplified mix of country twang and heavy rock & roll attitude, MANNY definitely brings his own rebellious outlaw vibe to country music, creating an original sound that makes room for his blues and rock upbringing. While influenced by the likes of Brantley Gilbert, The Cadillac Three and Jason Aldean, each of the five tracks heard on NEW INK live in an edgy new space with rock-based instrumentals at the forefront. Recorded at OmniSound Studios in Nashville and produced by Aaron Eshuis, its rock-forward approach is fitting since the title stems from one of BLU's favorite bands, Mötley Crüe, and their album New Tattoo.One look at BLU and it's no secret that he's a fan of tattoos-but to him NEW INK means more than just thinking about the next one, for him it's the release of his inner creative expression and his new sound to the world.

NEW INK's first single, "Born To Ride," is a track about finding that 'ride or die' person who will have your back as much as you have theirs. Written by top songwriters Rhett Akins, Ross Copperman and Josh Osborne, the track debuts today with a lyric video that provides a snapshot of BLU's acclaimed live shows.

Consisting of four additional tracks telling the stories of real-life through love and heartbreak, BLU's upcoming EP displays substantial growth. Not only has 2020 already been a landmark year when it comes to streaming for the up-and-coming artist, it has also led to the development of global expansion with the addition of teams in the US, Canada and the UK.

"Music is one of the most powerful elements to someone's life," said BLU when talking of the story behind the EP. "I think it can make what someone is going through ok, it can motivate, and empower people--so I tried to add a little piece of each of those things into New Ink."

NEW INK

TRACKLIST:

Burnout Town

Sink

Born To Ride

Ain't Got You

Old Money

MANNY continues to bring his own vibe to country music--a sound he introduced with Leave It Like It Is, his debut record (2019) that earned him thousands of new fans and presented him with the opportunity to hit the road across Canada and the US. Last spring BLU spent two months crossing Canada while opening for George Canyon's "Hit After Hit Tour" and then headlined his own Canadian tour to close out the year. Earlier this spring, BLU crossed the US and Canada on another headlining tour. Fans can expect new show announcements in the coming months.

Fans can stay up to date on news and announcements from MANNY BLU by checking out his website or following along on Instagram and Facebook.

Sat, 07/18/2020 - 1:25 pm

With his debut album in final preparations, Los Angeles-based singer, songwriter, musician ERIC HIRSHBERG has released a song suited for these tumultuous times. "(Keep Mar-a-Lago But) I Want America Back" is from HIRSHBERG's forthcoming debut album, SPARE ROOM, due out later this summer. Watch the video here and listen to the song here.

"(Keep Mar-a-Lago But) I Want America Back" was written over the past few years since Trump took office. The song's propulsive energy and lyrics mince no words, articulating the frustration that Hirshberg--and the majority of Americans--feel with the current occupant of The White House. The song's powerful chorus states, "Keep Mar-a-Lago, but I want America back."

ERIC explains, "With a chorus like 'Keep Mar-a-Lago, but I want America back,' I don't think there's any way for me to sugar coat--this is an anti-Donald Trump song. I'm not trying to convince anyone who disagrees with me to agree with me. I'm just trying to create a sonic release valve for my unspeakable levels of frustration at the current state of things in America, and offering it up to those who do agree with me. The photos which serve as the foundation for the video were taken at The Women's March in both New York and LA, the March for Our Lives in LA, and at various Black Lives Matter protests around the country--all since Trump took office. It works as a sort of sad scrapbook for the near-constant state of protest we've been in for the past three and a half years."

In an effort to support the song's powerful sentiments HIRSHBERG will donate 100% of proceeds on the merchandise related to this song to the JOE BIDEN campaign. To purchase a shirt, click here, or donate to the campaign.

With unguarded lyrics and an eye for detailed storytelling, SPARE ROOM uses the extremely personal to find the universal. The songs cover a wide range of what HIRSHBERG calls "life's big small moments." HIRSHBERG adds that he likes to write songs "about the things everybody lives...but don't always talk about." Stay tuned for additional details about SPARE ROOM.

"(Keep Mar-a-Lago But) I Want America Back" Lyrics:

It's a long way to fall

From where we started from

It's a long way to go

From where we're starting now

I can't believe with the lies that we're living through

There aren't riots in the streets

Don't want to have another pissed off conversation

While we're getting something to eat

I'm scared that everything we've treasured all along

Is already gone

Sick and tired of feeling uninspired

This is not how it's supposed to be

Sick and tired of feeling righter

That's not enough for me

I'm tired of waiting for this pendulum to swing

We've gotta start pushing back

Keep Mar-a-Lago

But I Want America Back

It's hard to believe

How fragile this all was

It's hard to believe

How fast we tore it down

Don't want to watch the news on the TV tonight

'Cause I just can't take anymore

Don't want to listen to anymore justifications

'Cause we've heard 'em all before

I'm scared that everything we're fighting to escape from

Is what we've become

Sick and tired of feeling uninspired

This is not how it's supposed to be

Sick and tired of feeling righter

That's not enough for me

I'm tired of waiting for this pendulum to swing

We've gotta start pushing back

Keep Mar-a-Lago

But I Want America Back

Fri, 07/24/2020 - 10:58 am

To mark one of the biggest gaming title launches of the year, PlayStation®4 exclusive The Last of Us™ Part II, PlayStation Australia worked with multi-instrumentalist and global sensation acclaimed artist TASH SULTANA to re-record "Through The Valley"--the iconic track from the game's reveal trailer that went viral in 2016. Due to overwhelming demand, the release of TASH's cover of "Through The Valley" is available now on Mom+Pop.

"This is the first time I've done a collab like this," TASH says. "Usually, it's kinda just like writing sessions with other musos but this is for a game and it's different as it's not my usual style to venture into so I'm completely honored to be asked to do something like this. The reaction has been amazing and it's been great hearing all the positive messages from everyone so I wanted to make sure the song was available everywhere."

The original track by U.S. blues and folk artist Shawn James is sung by lead character Ellie in The Last of Us™ Part II reveal trailer and tells a dark tale of struggle and someone who, by the grace of their own killer instinct, does not fear. The song is reminiscent of Ellie's experience in a cruel post-pandemic world.

Patrick Lagana, Director of Marketing at Sony Interactive Entertainment Australia, said, "'Through The Valley' became a #1 hit in several markets when featured in the 2016 reveal trailer for The Last of Us Part II, so we were super excited with the idea of recreating this with a phenomenal Aussie talent like TASH SULTANA that truly creates a special Australian moment to mark the launch of one of our biggest titles for PS4."

Matt Holmes, Executive Creative Director at Poem, said, "We're passionate about earning attention for brands by creating ideas that earn a place in people's lives, ideas that people will actually care about. The TLOU world is incredibly immersive and fans are genuinely emotionally invested in the characters and the story. We wanted to tap into that feeling and the crazy excitement for this sequel by using music as it's a powerful emotional trigger and several tracks and guitar chords have become synonymous with the game. I couldn't be prouder of the result. TASH did an incredible job in the recording and the final launch video is a cool collision of cultures that The Last of Us™ fans and music fans are loving."

Watch the TASH SULTANA x The Last of Us™ Part II "Through The Valley" video HERE.

Thu, 08/27/2020 - 8:51 pm

On his 10th album overall, MANY MOONS, North Carolina-based alternative/folk artist JEREMY SQUIRES poignantly blends traditional folk roots with alternative-leaning sounds--an unexpected result which came about by the singer/songwriter and multi-instrumentalist having written the album on his analog keyboard. Due this Friday, August 28 via Manda Mosher's California-based Blackbird Record Label, MANY MOONS takes listeners on an emotive journey across its ten tracks-which JEREMY self-recorded (including vocals, guitars, bass, drums, percussion, piano and synth)-as he shares the struggles he's endured throughout his life from dealing with his own mental health issues and its effect on those close to him to losing his mother to opioid addiction. His friend and fellow musician Whit Wright (American Aquarium, Jason Isbell, Kacey Musgraves) lends assistance on pedal steel guitar adding to the album's unique sonic texture.

For MANY MOONS, JEREMY has received premiere coverage from outlets including American Songwriter ("Hazy"), The Bluegrass Situation ("Cast Spells") and Americana Highways ("Labyrinth"). In the coming weeks, look for him to share a new music video for "Swan Dive" which is a deeply personal song that depicts his mother's struggle with addiction and her untimely passing.

Read an in-depth Q&A with JEREMY on the making of MANY MOONS here.

Pre-order MANY MOONS digitally at https://ffm.to/1rlxrre. The album will also be available on CD which can be pre-ordered via Bandcamp HERE.

Wed, 09/02/2020 - 8:34 am

Following the outstanding success of their 2019 American tour, YES will release a new live album, THE ROYAL AFFAIR TOUR, LIVE FROM LAS VEGAS, through BMG Records. The release date of the album is October 30, but it will be available exclusively through the YES Store starting October 2. Formats are: CD digi sleeve with a 12-page booklet; 2LP gatefold with 12" booklet; and digital.

All YES concert tours are special events for their legions of fans, and "The Royal Affair Tour" was no exception, conceived as a wonderful celebration of the best of British progressive music. Guests on the tour were Asia (with YES keyboardist Geoff Downes and a special appearance by Steve Howe), John Lodge of The Moody Blues and Carl Palmer's ELP Legacy featuring Arthur Brown.

Of THE ROYAL AFFAIR TOUR album, Alan White says: "The Royal Affair tour album, being released in October, is a welcome new chapter in the wide expanse of YES live recordings. I hope you enjoy it."

Guitarist Steve Howe adds: "Having the opportunity to bring together the band members in the development of a well-refined set of songs that captures the band's true potential is simply an honor for me."

The show features many classic tracks across the period 1970-1980. The set opened with "No Opportunity Necessary, No Experience Needed," the Richie Havens cover from YES' second album Time And A Word (1970). "Tempus Fugit" was taken from Drama (1980), Geoff Downes' first as a member of YES, while "Going For The One," "I've Seen All Good People" and "Siberian Khatru" are from some of YES' iconic mid-70s albums. The set included a rare live performance of YES' cover of Paul Simon's "America"and John Lodge shared vocals on YES' cover of John Lennon's "Imagine." Soon-to-be YES drummer Alan White played on the original studio recording.

"The Royal Affair Tour" live set and album, recorded at the Hard Rock Hotel, Las Vegas, in July 2019, reaches a climax with two of the best-loved YES tracks, "Roundabout" and "Starship Trooper," always a high note on which to close the set.

YES are Steve Howe (guitar) who joined in 1970; Alan White, drums since 1972; Geoff Downes (keyboards) who first joined in 1980; vocalist since 2011 Jon Davison; and Billy Sherwood, who played guitar/keyboards in the 1990s and was the late Chris Squire's choice to take over bass/vocals in 2015, also played with Asia on this tour. Jay Schellen played additional drums.

"The Royal Affair Tour" also featured an exhibition of original art by Roger Dean whose artwork is synonymous having designed the iconic YES logo and the band's best-loved album covers. Roger Dean recently painted THE ROYAL AFFAIR TOUR album artwork live on Facebook while also fielding questions from fans.

The 26-date "The Royal Affair Tour"and YES' performances were critically acclaimed:

"Yes proved again that they are, after all these years, still the kings of progressive rock."--Charlie Steffens, Vintage Rock, 8/5/19

"It was a unique night of rock music history that has endured for half a century."--L. Paul Mann, Grateful Web, 8/6/19

As always, YES put on a magical show and took the crowd on a journey through their hits."--Alex Kluft, Music Connection, 8/5/19

The band sounded great and had brilliant visuals to accompany the songs. Sherwood's bass playing is perfectly suited to capture the essence of the late Chris Squire while Geoff Downes and Steve Howe are still at the top of their games. Vocalist Jon Davison... looks extremely comfortable on stage, hitting each note with ease."--Roie Avin, The Prog Report, 7/15/19

The Royal Affair Tour - Live in Las Vegas track listing:

1. No Opportunity Necessary, No Experience Needed

2. Tempus Fugit

3. Going For The One

4. I've Seen All Good People

5. Siberian Khatru

6. Onward

7. America

8. Imagine

9. Roundabout

10. Starship Trooper

Wed, 09/09/2020 - 8:12 am

The STRAY CATS this week release their live album ROCKED THIS TOWN: FROM LA TO LONDON. Available Friday, September 11 via Surfdog Records and distributed by BMG (CD, vinyl, digital), this collection of 23 tracks recorded during the band's critically acclaimed 40th Anniversary Tour in 2019 combines their unparalleled virtuosity and red-hot rock & roll spirit, all raw and completely live--the way it was played on sweaty stages around the world. Read the band Q&A below, view the album trailer here, and click here to pre-order the album.

ROCKED THIS TOWN: FROM LA TO LONDON was produced by the multi-platinum band's guitarist/vocalist Brian Setzer, upright bass player Lee Rocker and drummer Slim Jim Phantom--original founding members of the iconic American rock and roll trio--and mixed by Vance Powell (Jack White, Chris Stapleton, Arctic Monkeys). The album's career-spanning track listing (below) features their greatest hits as well as several brand-new scorchers from last year's 40, the band's first new album in 26 years.

THE STRAY CATS:

Q&A

WITH BRIAN SETZER, LEE ROCKER AND SLIM JIM PHANTOM

ABOUT THEIR NEW ALBUM

'ROCKED THIS TOWN: FROM LA TO LONDON'

You guys know how to capture lightning in a bottle, and the audiences are with you the whole way. What's the secret to delivering a great Stray Cats show?

The Stray Cats from L-R: Brian Setzer, Slim Jim Phantom, Lee Rocker, By Russ Harrington

BRIAN: The first thing I noticed last summer was that we had spread out on stage.  I guess over the years, as the crowds got bigger, we spread out more.  I discovered we needed to be close together like we were still playing in our garages.  That really brought the band back together. As long as we're within an ear-shot and eye-shot of each, the magic just happens.

LEE: The secret of the Stray Cats is that every time we hit the stage, it's with 110% laser focus. Brian, Jim and I challenge each other every night to raise the bar and rock harder!

JIM: The secret of a great Cats show is keeping it rocking and relaxed all at once which is the hardest thing for any band to do, especially in a fast-paced musical style like rockabilly where there's a fine line between being wild and rocking and being out of control. We've done so many shows and know each other so well as musicians that everyone is on the same wavelength with knowing when to let it loose and when to hold it back just a little--that's what makes any band good. As a band you need to steer the audience and keep them with you all at once--you can't just go out there and wear everybody out right away!

The track selection on the album adds up to a greatest hits collection and a whole lot more. How do you feel it represents the legacy of The Stray Cats?

BRIAN: Even after a two-and-a half month tour, we barely made a scratch in the amount of cities that you can visit.  I feel we definitely needed a live album so that people who couldn't make our shows could get to experience a Stray Cats show.  I realized that besides the songs from our new album 40, people were singing along with practically every song.  This represented to me that the Stray Cats were much more than hit records.  We had created life-long fans.

LEE: This live record really captures what we are about. It's our best songs played with sweat, passion and attitude. It's the soundtrack of my life.

JIM: We opened the show with "Cat Fight" which is a new song--that sets the tone right away that this is not just some oldies, greatest hits gig. We felt it was very important to have new songs for the tour, and then to open the show with a brand new one is a pretty bad ass move if you ask me--everybody knows the hits are coming, the fun is how you get there.

40 years on, what have you guys learned about each other musically? The band's chemistry is undeniable, as this live album proves.

BRIAN: Stray Cats play with a lot of dynamics.  This comes from watching each other and listening to each other play onstage.  This can only come from a band that has been together for a long time.  And from guys who grew up on the same block.  I love playing with the boys, and you'll love listening to this album.

LEE: The Stray Cats are ALL about the chemistry between us. Every night it's different, every time we hit the stage and play "Rock This Town" or "Stray Cat Strut." It's different and unique. It's the magic, it's the secret, it's what make us the Stray Cats.

JIM: Personally, I keep learning how good the other two are! They play so well and I get to listen to it every night--I'm still super into it! We've spent a big chunk of our lives doing music together, going back 40 years and if you count Lee and I practicing just the bass and drums back in the garage in Massapequa [Long Island, New York] since the 8th grade, it's even more time than that. We had an undeniable chemistry immediately way back then, and we've really embraced it and worked on it so that by now, it just comes out that way!

Tracklisting:

1. CAT FIGHT (OVER A DOG LIKE ME)

2. RUNAWAY BOYS

3. TOO HIP, GOTTA GO

4. DOUBLE TALKIN' BABY

5. THREE TIME'S A CHARM

6. STRAY CAT STRUT

7. MEAN PICKIN' MAMA

8. GENE & EDDIE

9. CRY BABY

10. I WON'T STAND IN YOUR WAY

11. CANNONBALL RAG

12. MISIRLOU

13. WHEN NOTHING'S GOING RIGHT

14. (SHE'S) SEXY + 17

15. BRING IT BACK AGAIN

16. MY ONE DESIRE **

17. BLAST OFF

18. LUST 'N' LOVE

19. FISHNET STOCKINGS

20. ROCK THIS TOWN

21. ROCK IT OFF

22. BUILT FOR SPEED

23. RUMBLE IN BRIGHTON

 

**On LP and digital only

Wed, 09/23/2020 - 8:34 am

Australian multi-instrumentalist TASH SULTANA today released the official music video for "Beyond The Pine" on Mom + Pop Music. The ARIA award-winning musical luminary connected with fans across the globe for the video premiere on YouTube this morning.

TASH SULTANA's music beautifully narrates a visual masterpiece starring Australian dancers Timothy Springs and Chris Haines. Directed by renowned Sydney-based cinematographer Patrick Rohl, the video cleverly illuminates the joys and trials of an intimate relationship through the contrast of light and shade, flow and tension.

TASH offered a deeper layer of meaning to the creative behind the video, explaining that "love is yours no matter the colour, race, gender, religion, sexuality or identity. Here is a visual representation of energy fluidity."

WATCH THE OFFICIAL MUSIC VIDEO FOR "BEYOND THE PINE" HERE

Since premiering on triple j in their native Australia, "Beyond The Pine" has become the most played song at the network, received major support from DSPs globally, and has now surpassed over one million streams. TASH co-wrote this dreamy tune alongside Matt Corby and Dann Hume at their home studio in Melbourne. Of the single, TASH says "It's a little bit of a slower, softer approach to a message from within, 'Beyond The Pine' is about finding solace in nature and realizing the depth of your relationship when you find your one.

LISTEN TO "BEYOND THE PINE" HERE

Other recently released songs, "Pretty Lady" and "Greed'" will join 'Beyond The Pine,' on TASH SULTANA's forthcoming sophomore album, TERRA FIRMA (release date TBA).

Fri, 10/09/2020 - 11:55 am

Amidst a world-wide pandemic and turmoil brought on by racial injustice and a troubled America, Los Angeles-based singer-songwriter-musician MARY SCHOLZ will release her song “Lady Liberty” on October 8 via the label KZZ, with a video to follow in the coming weeks. It marks the first single in her partnership with Blue Élan records co-founder, Kirk Pasich, and the affiliated music production company, KZZ.

Inspired to write “Lady Liberty” from the perspective of one of the most iconic American images, the Statue of Liberty, SCHOLZ says the ballad reflects “the broader aches of our modern world, including the human rights transgressions that are the American inheritance.” Her compelling vocals soar in a beautiful and spacious folk setting.

“I was at home, in Los Angeles--my lyric journal tells me it was June 23, 2020,” MARY says of the inception of the song. “I couldn’t get the images of protests out of my head, the pictures of children in cages on the boarder, the feeling of being in the crowd holding signs and calling out for equality, equity, and justice, remembering where I was when marriage equality passed…and I started thinking about Lady Liberty, holding her hand up to light the way for immigrants and people from all places. I recalled a fragment of the message, but I wanted to know exactly what was inscribed there at the statue, what exactly she was meant to represent…and I was so moved by the words, I picked up my guitar, started playing, and began singing them.

“I was so inspired,” continues MARY, “by Emma Lazarus’ words, her own ideas of what Lady Liberty might say, that I began a continuation of them, beginning with ‘Give them rest, and give them more.’ Each verse ends with a version of that statement, recognition that each of these groups of people have been fighting for a long time, and almost like a prayer, calling for reprieve and relief, before they pick up the fight for another day. I was needing to write a piece of this nature, on these topics, and part of me was held back by ‘who am I to say all of these things?’

She elaborates: “At first, writing from her [the statue’s] point of view gave me permission, and a platform from which to explore a greater overview of the people that live on this land. The original poem expressed what I so deeply wish that I could do--gather people into my arms and promise them a better future. And as I went on, I recognized that we are, each of us, extensions of this iconic image--she holds the lamp, she stands as a beacon of hope, but WE are the hope, we are the action that makes those things a reality. We are the ones to welcome and make a place for those seeking a better life, we are the ones standing up and speaking out, voting, creating legislation. That is part of the privilege and responsibility of living in the United States.”

To record “Lady Liberty,” SCHOLZ began the process in her “backyard, masked and in a far-away rehearsal with Ed Maxwell, who has played upright bass on my music for the past few years (and on my last record),” after which she recorded a guide guitar and vocal track at home. From there, she explains, “What you’re hearing is as true a representation of the times as the lyrics are--a quarantined production. Each musician recorded in their individual home studios, beginning with my guide guitar and vocal tracks. Some home studios were already up and running, pre-Covid, and some were results of making it work during this pandemic. Before we mixed, I re-recorded my guitar and lead vocal at ElectroSound Studios, where they have a great Covid-Safe setup. The song was also mixed there, by Jason Hiller, and mastered overseas by Lazerus--Voice of the Silence.”

Mary Scholz

On “Lady Liberty,” SCHOLZ plays acoustic guitar, sings lead and some background vocals; she’s joined by Matt Musty (Train, Grace Potter) on drums and percussion, Zachary Ross (Heather Anne Lomax, Janiva Magness) who co-produced the track and plays electric guitar, Chris Joyner (Jason Mraz, Heart) on organ, Ed Maxwell (Shelby Lynne, Meiko) on upright bass, Malynda Hale and Sarah Ault (front women themselves) on vocals. It was mixed by Jason Hiller (Maesa, Kyle McNeil), and mastered by Lazerus--Voice of the Silence (Donald Fagen, Stevie Wonder).

“It was a lot trickier, approaching recording in fully virtual setups, on a brand-new song that had never been performed, and felt so weighted,” MARY says. “It definitely was an exercise in creative communication, for me. Each individual musician recorded at home, so it was a lengthier process than normal. We started with my guide guitar/vocal track, and sent it off for drums, from the wonderful Matt Musty. Once they were worked out and in place (three separate drum tracks, two kits and additional cymbals and percussion), it was off to Ed Maxwell for his upright bass magic. Chris Joyner gave us the tone of sacred mission in his organ part, Zachary Ross, my coproducer on this song, brought a beautiful counterpart to my vocal, on his electric guitar. I had written a preliminary vocal arrangement that went out to Malynda Hale and Sarah Ault, and with some virtual collaboration--the three of us make up the choral landscape you hear. The only thing not recorded in a home studio, was my final guitar and vocal track, which we did at ElectroSound Studio’s Covid-Safe space. Jason Hiller also mixed the song there, with Lazerus--Voice of the Silence mastering in Norway. Every person involved really brought their heart and soul along with their talent, and I am so moved to hear their voices raising with mine, and so grateful for their artistic input.”

“Lady Liberty” follows the release of MARY’s last single "The Mother Song: Wild Womxn.” That track saw SCHOLZ push her boundaries even further, telling a profound story of womanhood that is at once personal and utterly universal. 

Fri, 10/09/2020 - 12:07 pm

TOMMY EMMANUEL, the acclaimed and Grammy-nominated acoustic guitarist, singer and songwriter, has today (October 9) released a newly recorded acoustic instrumental of John Lennon’s classic “Imagine” as a limited edition 7-inch vinyl single exclusive for independent retail on November 13 in the U.S. and December 18 internationally. A video for the Nashville-based artist’s stirring version of “Imagine” has also been released today, the same day Lennon would have been 80 years old. Watch the video--filmed in Nashville at Tunesmith Studios and directed by Joshua Britt and Neilson Hubbard for Neighborhoods Apart—here:

“I want to say a big thank you and a big Happy Birthday to John Lennon,” says EMMANUEL. “Thank you John for all your mojo, for all your music and all the great memories that you’ve left us. To celebrate your birthday, I have recorded my version of “Imagine” and it’s only coming out on record. It’s gonna be a 7” vinyl and it’ll be available at your record store. So support your local record store because in these hard times, everybody needs to help each other. If you love John Lennon, like most of us do, and if you love the song “Imagine”—one of the greatest songs of peace ever written, then please go and get my version of ‘Imagine’ and play it for your children. Lots of Love.”

TOMMY recorded “Imagine” on March 5, 2020 in Nashville at Tunesmith Studios right before the pandemic set in. It was produced by Tommy Emmanuel, engineered by Brad Benge, mixed by Brad Benge & Tommy Emmanuel and mastered by Marc DeSisto. “Imagine,” an exclusive release to record stores for 2020, is being issued on Tommy’s label, CGP Sounds (ironically the catalog number is #9). Only 1,000 copies of the vinyl single are being produced and each one is numbered. The B-side is a Tommy Emmanuel original song, “Since We Met,” that has never appeared on vinyl.

In other TOMMY news, he’ll perform two live-stream concerts on Saturday, November 7. For the first show, at 3:00 PM, he’ll play highlights from his It’s Never Too Late album along with other fan favorites and at the 8:00 PM show, he’ll visit highlights from his Endless Road album along with other fan favorites. For these two live-streams, TOMMY has partnered with Topeka Live to bring a front row concert experience to the audience: he’ll perform in front of giant video monitors where he can see the audience and they’ll be able to see him (they can clap in between songs and he will hear and interact with them).

For more information about the shows, go here.

Thu, 10/29/2020 - 7:23 am

TASH SULTANA today (October 29) announced the official release date for their forthcoming sophomore album TERRA FIRMA. The highly anticipated new body of work from TASH SULTANA is set for release on February 19, 2021 on Mom + Pop Music and is available to pre-order NOW.

With a title inspired by the need to slow down and re-ground TERRA FIRMA is the work of a more confident, dynamic and experienced musician. The manifestation of a period of self-reflection in which TASH slowed down to find time for surfing, studio, family, gardening and a healthy balance from the hectic touring lifestyle that defined their existence.

“I didn’t realize that I needed to create a space and home for myself to feel like a person again,” explains TASH. “I just went inward and found a really peaceful place and wrote an album, and I feel really happy with it.”

Returning to earth after the dizzying heights of success, TERRA FIRMA is the sound of a more content and grounded TASH. Spiritually, the album finds the artist reconnecting to their roots, reminding themselves who they are and what it means to be human. Musically however, its 14 tracks take root into far-reaching sonic territory.

From the previously released evocative “Greed” to the enthralling “Beyond The Pine,” TASH departs from looped and layered jams towards meditative combinations of soul, funk, RnB, folk, rock, hip hop--you name it. “It’s Aretha Franklin meets Bon Iver meets John Mayer meets whatever,” says TASH. “It’s recognizably Tash Sultana, but deeper and more nuanced.”

Almost every note on TERRA FIRMA was once again composed, arranged, performed, engineered and produced by TASH. But to kick-start a new era, the solo star--for the first time--opened themselves up to collaborators, starting with a 10-day writing session with fellow ARIA-winning Australian musician Matt Corby and producer Dann Hume (Courtney Barnett, Amy Shark, Angus & Julia Stone).

“Matt was very helpful for me at the beginning of this process, because I was experiencing writers block,” TASH explains. Together, they crafted lead singles “Pretty Lady”--an infectious tune kicking around since TASH’s busking days--and “Greed.” “They only give a shit when you make it big,” TASH sings in a soul-funk examination of the corrupting influence of wealth and fame.

Corby also assisted on the richly detailed “Beyond The Pine,” in which TASH intones “I need you to save me because I can’t save myself,” and “Crop Circles,” a rumination on death disguised by its smoky, minimal piano licks and horns. “I went full jazz on that one.”

In line with today’s announcement, TASH has teamed up with fast rising Melbourne artist Jerome Farah to deliver a soul powered new single “Willow Tree” filled with thundering trumpets and shimmering guitar lines.

TASH SULTANA today (October 29) announced the official release date for their forthcoming sophomore album TERRA FIRMA. The highly anticipated new body of work from TASH SULTANA is set for release on February 19, 2021 on Mom + Pop Music and is available to pre-order NOW.

With a title inspired by the need to slow down and re-ground TERRA FIRMA is the work of a more confident, dynamic and experienced musician. The manifestation of a period of self-reflection in which TASH slowed down to find time for surfing, studio, family, gardening and a healthy balance from the hectic touring lifestyle that defined their existence.

“I didn’t realize that I needed to create a space and home for myself to feel like a person again,” explains TASH. “I just went inward and found a really peaceful place and wrote an album, and I feel really happy with it.”

Returning to earth after the dizzying heights of success, TERRA FIRMA is the sound of a more content and grounded TASH. Spiritually, the album finds the artist reconnecting to their roots, reminding themselves who they are and what it means to be human. Musically however, its 14 tracks take root into far-reaching sonic territory.

From the previously released evocative “Greed” to the enthralling “Beyond The Pine,” TASH departs from looped and layered jams towards meditative combinations of soul, funk, RnB, folk, rock, hip hop--you name it. “It’s Aretha Franklin meets Bon Iver meets John Mayer meets whatever,” says TASH. “It’s recognizably Tash Sultana, but deeper and more nuanced.”

Almost every note on TERRA FIRMA was once again composed, arranged, performed, engineered and produced by TASH. But to kick-start a new era, the solo star--for the first time--opened themselves up to collaborators, starting with a 10-day writing session with fellow ARIA-winning Australian musician Matt Corby and producer Dann Hume (Courtney Barnett, Amy Shark, Angus & Julia Stone).

“Matt was very helpful for me at the beginning of this process, because I was experiencing writers block,” TASH explains. Together, they crafted lead singles “Pretty Lady”--an infectious tune kicking around since TASH’s busking days--and “Greed.” “They only give a shit when you make it big,” TASH sings in a soul-funk examination of the corrupting influence of wealth and fame.

Corby also assisted on the richly detailed “Beyond The Pine,” in which TASH intones “I need you to save me because I can’t save myself,” and “Crop Circles,” a rumination on death disguised by its smoky, minimal piano licks and horns. “I went full jazz on that one.”

In line with today’s announcement, TASH has teamed up with fast rising Melbourne artist Jerome Farah to deliver a soul powered new single “Willow Tree” filled with thundering trumpets and shimmering guitar lines.

Fri, 10/30/2020 - 12:15 pm

Throughout this summer and autumn, “The Simpsons” and “Spinal Tap” star, HARRY SHEARER, in the guise of Donald Trump, has been releasing a song a week via YouTube. This Friday (October 30) sees the culmination of this endeavor with the release of a full album of thirteen bitingly satirical songs inspired by the mercurial and often bizarre performance of the current president of the United States throughout his time in office.

America has never had a President so demanding of our continued attention. I decided to give him too much of mine.”

--Harry Shearer

Featuring SHEARER on vocals, supported by line-up of world class musicians, THE MANY MOODS OF DONALD TRUMP takes the listener on a journey of musical styles from old style New Orleans to neo classic rock, southern rock, pumped up disco and much much more, to reflect the ever-changing temperament of a presidency like none other seen before.

Accompanying the album are two ground-breaking motion-capture videos that portray Donald Trump at his most absurd:

In Son In Law Trump sings his way from his desk in the Oval Office to the press corps on The White House lawn, whilst lionizing his senior advisor and husband of his daughter, Jared Kushner.

In Executive Time the president is in ‘do not disturb’ mode as he watches his flat screen, fine tunes his golf swing, practices his signature, stares moodily through his window and does all the other things befitting the most powerful man in the world as he goes about his daily business.

HARRY SHEARER has vocally portrayed every U.S. president of his lifetime. Donald Trump is the third he has portrayed physically, having previously played Richard Nixon and Ronald Reagan on screen.

The Many Moods of Donald Trump is produced by CJ Vanston on Twanky Records.

Digital album and CD available here and here

Vinyl album available November 13

The full track listing is as follows:

1. I Can’t Believe I’m Me

Available to listen to here

As the medicated president huffs and puffs his way towards the final lap of the race to the White House, in “I Can’t Believe I’m Me,” Shearer has the incumbent blasting out a ‘brassy, craggy worst-of-Broadway anthem’ in praise of his not so private passion…himself

When Donald Trump first rode down that escalator, all most of us saw was his unabashed delight in himself. The rest came later.

Music and words by Harry Shearer

Lead Vocal: Harry Shearer

Trumpets: Wayne Bergeron, Chris Walden

Saxes: Jeff Driskill

Trombones: Juliane Gralle, Chris Walden

Guitar: Andrew Synowiec

Drums: Gregg Bissonette

Piano, bass, strings: CJ Vanston

Horn and string arrangement by Harry Shearer, CJ Vanston and Chris Walden

2. I Can’t Drive Anymore

Available to listen to here

He already had his own plane and chopper, but he used to be able to get out and express himself behind the wheel…

Music and words by Harry Shearer

Lead Vocal: Harry Shearer

BG Vocals: CJ Vanston

Trumpet: Jay Jennings

Trumpet: Justin Stanton

Tenor Sax: Chris Bullock

Trombone, Baritone Sax: Tom “Bones” Malone

Guitars: Toshi Yanagi

Drums: Toss Panos

Keyboards, bass, baritone sax solo, all other instruments: CJ Vanston

Horn arrangement by CJ Vanston

Orchestrator/copyist: Chris Walden

3. Son-in-Law

Available to watch here

Shearer Trump performing an old-style New Orleans number in praise his senior advisor, Jared Kushner.

Always mentioned as one of Trump’s top aides, Jared Kushner has been given a portfolio that ranges from Middle East peace to the pandemic. His success rate speaks for itself.

Music and words by Harry Shearer

Harry Shearer – vocals

David Torkanowsky – piano. Organ

George Porter, Jr. – bass

Raymond Weber – drums

Brad Walker – saxophone

Scott Frock – trumpet

Jon Ramm – trombone

4. Stormy Daniels

Available to listen to here

A lush string filled ode to passion, power and pay-off.

What good is hush money when it buys so little hush?

Music and lyrics by Harry Shearer

Lead Vocal: Harry Shearer

Piano: CJ Vanston

Drums: Gregg Bissonette

Strings, bass, trumpet and string arrangement: CJ Vanston

5. Bill of Love

Available to listen to here

In the neo-classic rock number, Shearer portrays the incumbent holding forth on his stance towards those displaced souls who wish to take up residency in the US. The song title refers to a phrase the President bestowed on a piece of legislation to reform the immigration laws. The bill never passed.

Lead Vocal: Harry Shearer

BG Vocals: CJ Vanston

Guitars: Toshi Yanagi

Drums: Toss Panos

Keyboards, all other instruments: CJ Vanston

6. Executive Time

Available to watch to here

A languorous love of leisure ballad in which Shearer as Trump sings wistfully of those long periods of contemplation and nothingness between unnecessary briefings from so called ‘experts.

When does the President get the time to watch all the TV news? It’s a big section of his daily schedule.

Music and lyrics by Harry Shearer

Lead Vocal: Harry Shearer

Backing Vocals: Sharlotte Gibson, CJ Vanston

Drums: Toss Panos

Keyboards, Trombone, all other instruments: CJ Vanston

7. I Never Knew Him

Available to listen to here

An eclectic musical mix in which Trump demonstrates that he might not have “one of the greatest memories of all time” as he purges his contact book and airbrushes his history of those who may be an impediment to his ratings.

A very famous guy has so many people claiming to be his friends or family. It’s always important to clear the air.

Music and lyrics by Harry Shearer

Lead Vocal: Harry Shearer

Backing Vocals: Sharlotte Gibson, CJ Vanston

Trumpet: Jim Gammon

Drums: Toss Panos

Keyboards, Trombone, all other instruments: CJ Vanston

8. Very Stable Genius

Available to listen to here

A power ballad in which Trump vaunts his own intellectual prowess combined with his calm and balanced disposition.

When a person refers to himself with that phrase once, it’s newsworthy. When he does it repeatedly, it’s songworthy.

Music and words by Harry Shearer

Lead Vocal: Harry Shearer

BG Vocals: CJ Vanston

Guitars: Marc Bonilla

Drums: Toss Panos

Keyboards, all other instruments: CJ Vanston

9. Number One Son

Available to listen to here

An electric chop suey, listing all Donald Jr.’s qualities and Trump’s newfound love for the boy who serves him well.

The apple doesn’t fall far from the refrigerator.

Music and lyrics by Harry Shearer

Lead Vocal: Harry Shearer

BG Vocals; Sharlotte Gibson, CJ Vanston

Guitars: Marc Bonilla

Drums: Toss Panos

Keyboards, all other instruments: CJ Vanston

10. Alabama

Available to listen to here

A southern rock tribute to the state that holds a special place in the President’s “heart.”

The trouble with official hurricane forecast maps is that they don’t often include Sharpie additions. When it’s the state that gave your Presidential campaign its kick-off, a Sharpie warning is the least you can do.

Music and lyrics by Harry Shearer

Lead Vocal: Harry Shearer

BG Vocals: CJ Vanston

Harmonica: Howard Levy

Guitars: Mark Bonilla

Drums: Toss Panos

Keyboards, all other instruments: CJ Vanston

11. COVID-180

Available to listen to here

Alternating stanzas of pumped-up disco and plaintive folk rock to represent the alternating “up” and “down” approaches taken to the pandemic by the President.

Emerson once said, “Petty consistency is the hobgoblin of small minds.” Trump agrees, though he may not quite understand it.

Music and words by Harry Shearer

Lead Vocal: Harry Shearer

BG vocals: Sharlotte Gibson, CJ Vanston

Guitars: Marc Bonilla

Drums: Toss Panos

Piano, synths, all other instruments: CJ Vanston

12. Acquittal

Available to listen to here

A ‘prog rock revenge anthem,’ the president basks in the sheer vitriolic joy on offer when it’s time to settle scores.

When you’re impeached, and survive, the natural human impulse is balls-out revenge.

Music and lyrics by Harry Shearer

Lead Vocal: Harry Shearer

Backing Vocals: Sharlotte Gibson, CJ Vanston

Guitars: Marc Bonilla

Drums: Toss Panos

Keyboards, all other instruments: CJ Vanston

13. He Lies

Available to listen to here

A 'list song' in the style of the late Leonard Cohen's non-existent brother, Jim, detailing the litany of falsehoods propagated by The President since he stood on Capitol Hill in January 2017 in front of “the biggest audience in the history of inaugural speeches."

Lead Vocal: Harry Shearer

Backing Vocals: Sharlotte Gibson, CJ Vanston

Drums: Toss Panos

Keyboards, flamenco guitar, all other instruments: CJ Vanston

Thu, 11/12/2020 - 8:46 am

The iconic multi-platinum-selling group AMERICA--co-founders GERRY BECKLEY and DEWEY BUNNELL--are continuing their 50th anniversary celebration by streaming their concert special “America--Live at the London Palladium” for the very first time, beginning Friday, November 27. In a new Q&A below, BECKLEY and BUNNELL talk about what made the concert, filmed in the fall of 2018 at the iconic London Palladium and which has been commercially available as a DVD and CD, truly a night to remember. Watch the trailer here. The concert’s set list is also below.

Reserve Your Spot Now:

https://onlocationlive.com/product/america-live-at-the-london-palladium

--The stream is $20

--25% off using promo code: venturahighway

“America--Live at the London Palladium” celebrates 50 years of great music from the perennial classic-rock band who were formed in England in 1970 with founding members Gerry Beckley and Dewey Bunnell along with former band mate Dan Peek. They met in high school in London in the late 1960s and quickly harmonized their way to the top of the charts on the strength of their signature song “A Horse With No Name.” From their formative years, AMERICA has been a band capable of transcending borders with its uplifting music and positive message. Embracing a rainbow of divergent cultures, their audience continues to grow, comprising a loyal legion of first, second and third generation fans, all bearing testament to the group's enduring appeal. “America--Live at the London Palladium” is packed with their timeless smash hits—including “A Horse With No Name,” “I Need You,” “Sister Golden Hair,” “Ventura Highway,” “Don’t Cross the River,” “Tin Man” and many others—as well as deep album cuts that underline the band’s prowess and vision.

AMERICA have also been celebrating their 50th anniversary with a newly recorded song, “Remembering.” It’s featured on the August 28, 2020 release of their ultimate 8-disc anniversary box set HALF CENTURY (America Records). Watch the lyric video here which premiered (8/19) via Ultimate Classic Rock. Listen to “Remembering” here.

The song, written by BECKLEY, is classic AMERICA: harmony-rich rock, mixed with ringing guitars and pop smarts, with a compelling soul-searching lyric. “After 50 years together, this song is about the time spent looking back rather than looking forward...so much to be grateful for,” says BECKLEY, who produced and mixed the song with Jeff Larson. “Remembering” will also appear on AMERICA’s next studio album in 2021.

Watch the promotional film.

HALF CENTURY was produced for release and compiled by Jeff Larson for America Archives. It contains CD's of rare archival studio recordings consisting of alternate mixes, demos and rehearsals, including several previously unreleased tracks ranging from 1970 - 2000. Along with the re-mastered Bremen 1973 in-studio performance and two CD's of radio interviews providing an audio overview of the band's career, along with a DVD of Super 8 “Home Movies” (1972-1975) to give fans a behind the scenes look at the early years of the legendary and enduring band. For more information: https://www.musicglue.com/america

Fri, 11/20/2020 - 9:37 am

TOMMY EMMANUEL, the acclaimed and Grammy-nominated acoustic guitarist, singer and songwriter, will release a live holiday album, LIVE! CHRISTMAS TIME, on December 4 via his label CGP Sounds along with Cruzen Street Records. Today (November 20), “Rudolph The Red-Nosed Reindeer” has been released as the first song from the album. This marks TOMMY’s first Christmas live album having released two studio holiday albums before (2011’s All I Want For Christmas and 2016’s Christmas Memories).

Combining EMMANUEL’s acoustic guitar virtuosity with his stellar band’s musicianship and infectious holiday spirit, the 11-track LIVE! CHRISTMAS TIME (a digital release only) was recorded on December 7 and 8 in 2016 on his “Classics & Christmas Tour” at the Big Room at the Sierra Nevada Brewery in Chico, CA. It features Tommy Emmanuel, CGP on guitar & vocals, Annie Sellick on vocals, John Knowles, CGP on guitar & backing vocals, and Pat Bergeson on guitar, harmonica, and backing vocals. The album was produced by Tommy Emmanuel, engineered and mastered by Marc DeSisto, mixed by Brad Benge and Tommy Emmanuel, with Brian Penix as Executive Producer. See the full track listing below.

Photo credit: Jan Anderson

“When I listen to this recording, I hear the joy, soul and fun we had at that show,” says TOMMY. “Christmas music is so joyous to me and I feel we rose to the occasion that night."

On Sunday, December 13, Tommy Emmanuel and revered dobro player Jerry Douglas (14-time GRAMMY Award-winning and three-time Country Music Association Musician of the Year) will perform together songs from each other's Christmas albums live from 3rd & Lindsley in Nashville, TN. Joining them will be Pat Bergeson (guitar/harmonica), Daniel Kimbro (bass), and Christian Sedelmyer (fiddle). A limited amount of fans will be allowed in the audience. This show will be broadcasted live on Nashville radio station Lightning 100 and streamed on Nugs.TV.

Order stream here: 2nu.gs/tommy

Order Tickets here: https://www.ticketweb.com/event/tommy-emmanuel-jerry-douglas-3rd-and-lindsley-tickets/10776305?pl=3rdlindsley

The full tracklist for LIVE! CHRISTMAS TIME is:

1. Jingle Bells (Live)

2. Rudolph The Red-Nosed Reindeer (Live)

3. Christmas Time (Live)

4. Jingle Bell Rock (Live)

5. Amazing Grace (Live)

6. Winter Wonderland (Live)

7. Let It Snow! Let It Snow! Let It Snow! (Live)

8. Christmas Memories / Waltzing Matilda (Live)

9. I’ll Be Home for Christmas (Live)

10. One Christmas Night (Live)

11. Guitar Boogie (Live)

Wed, 11/25/2020 - 9:45 am

Acclaimed Los Angeles-based band DEAD ROCK WEST--led by vocalist Cindy Wasserman and singer-guitarist Frank Lee Drennen—today (November 23) have shared the official alternative video to their politically charged song “Revolution In The Garden” (Blackbird Record Label). It was directed by Henry Mortensen, the son of Exene Cervenka of X and actor Viggo Mortensen. Watch the video hereGlide Magazine premiered the video November 20, writing that the band “never let their boots down and their new single “Revolution in the Garden” is equally poignant, resilient, and powerful. The band combines absolute rockish thunder and a punkish raw noir that mixes shades of Patti Smith with The Germs.”

Henry Mortensen directed and shot the video between northern Idaho, Denmark, the Thousand Islands region of New York, the wilds of Yosemite and finally the sun-dappled ocean breeze of Venice, California, mixing images of the Garden of America with the cartoon influences of an American Youth past. The animation of the song’s chorus became a collaborative effort with all hands on deck, including Kelli Mayo of Skating Polly, Louis Perez III and even Exene Cervenka whose handwritten artworks are all seen in the video. The hand of Viggo Mortensen also appears; Henry’s father signed on for a guest spot pushing a stick around in frame. We are told that his hand was paid scale. It all was in an effort to fulfill Henry’s vision for the film, which was of a true garden, its defenders, of justice and hope, even in the face of intense conflict. 

The first video for “Revolution In The Garden” was premiered via American Songwriter (October 21) with a piece by Paul Zollo who noted that “the new passionately incendiary single by the acclaimed Americana-plus band Dead Rock West, led by Frank Lee Drennen and Cindy Wasserman...is a great song and remarkable record, expansively produced by David J Carpenter, and delivered with urgency by Frank and Cindy together, bringing back the dual spirit of John Doe and Exene in X.”

“Revolution In The Garden” marks a potent new sound for Dead Rock West whose 2017 album More Love was produced by punk rock legend John Doe of X and who’ve toured with X, Dave & Phil Alvin, and Peter Case. The band’s line-up is rounded out by Geoff Pearlman (lead guitar), David J Carpenter (lead bass guitar) and Phil Parlapiano (lead piano + keys).  On the new song, they’re joined by Matt Lynott of The White Buffalo on lead drums, indie artist Patrick Dennis (lead percussion) and The Section Quartet (strings). “Revolution In The Garden” is sonically propulsive and lyrically a powerful call-to-action with lines like “The voice in our head/The voice on the tube/The voice tellin’ us/We’re all gonna lose.” Read the press release here about the song’s release and lyric video.

The song was written by Drennen and indie rock artist Patrick Dennis 30 years ago when they played in a duo called The Homer Gunns from Leucadia, CA near San Diego. All of these years later, “Revolution In The Garden” feels more timely than ever.

Wed, 11/25/2020 - 4:07 pm

After an unprecedented year for all, Australian multi-instrumentalist TASH SULTANA is excited to return to the stage with a November 28 concert and livestream from the Hordern Pavilion in Sydney, Australia. The show, part of the Great Southern Nights initiative in partnership with ARIA and the NSW government, will benefit Support Act.  The performance will air live on YouTube at 9:00 PM(AEDT)/5:00 AM (ET)/2:00 AM (PT), with the set emaining online for a limited time, so fans around the world are able to view it. More info can be found here.

"I am that stoked to be playing a show again--it's been an insane year and it will be good to get up there and play to a crowd of people who've been missing live music as much as I have," SULTANA says. “For those of you unable to attend in person, I'll be livestreaming my show this Saturday on @YouTube. Part of the Proceeds from the Superchat and Superstickers donations will be going to @SupportAct to help those in the live events industry whose livelihoods have been affected drastically due to the pandemic.”

Livestream From The Hordern Pavilion In Sydney

During the past seven months, TASH has been focusing on their forthcoming sophomore album TERRA FIRMA. It’s set for release February 19, 2021 on Mom + Pop Music and is available to pre-order NOW. In advance of its release, TASH has released three singles, “Pretty Lady,” “Greed,” and “Beyond the Pine.”

ABOUT TASH SULTANA

Since dropping their debut album two years ago, TASH has only gone from strength to strength in a career already abundant with highlights. With over one billion total worldwide streams, 500,000 tickets sold globally including a sold out Red Rocks Amphitheatre, performing stand out sets at Coachella, Lollapalooza, Governor’s Ball, Bonnaroo, Austin City Limits and more, TASH has also made their US debut TV performance on “Late Night with Seth Meyers.”

In Australia, TASH’s debut album FLOW STATE was nominated for six ARIA Awards including winning the ARIA for Blues and Roots Album Of The Year, they undertook a massive sold-out Australia headline tour with over 70,000 tickets around the country, whilst “Jungle” and “Notion” are ARIA accredited 2x Platinum, “Mystik,” “Murder to the Mind” and the NOTION EP all ARIA accredited Gold.

Thu, 12/10/2020 - 8:43 am

LEE ROCKER of The Stray Cats fame today (12/10) announced the January 22 release of his new solo album GATHER ROUND on Upright Records (his label distributed through Orchard). Get ready to “Gather Round,” start “Pickin’ and Grinnin,’” enjoy a “Dirty Martini,” do the “Doghouse Shuffle” and place a bid at the “Graceland Auction.”

GATHER ROUND marks the Grammy-nominated upright bass player, singer and songwriter’s first album of all-original music since 2007’s Black Cat Bone (Alligator Records). The sizzling 10-track rockabilly album was produced by ROCKER (vocal, string bass), who is joined by Buzz Campbell (guitar, backing vocal), Larry Mitchell (drums, percussion) and Matt Jordan (piano, organ).Two songs with videos—“Doghouse Shuffle” and “Pickin’ and Grinnin’”—are now available, with a third track/video due out ahead of the album’s release. Pre-order the album here and watch the trailer here.

Most of the songs on GATHER ROUND were written after the pandemic started. “My wife Deborah and I hit the road in our airstream and criss-crossed the country from California to New York and back,” shares ROCKER. “We rolled through 20 states from north to south and from east to west. In addition to the pandemic, the presidential election was raging. I wrote songs and music and drove 6,000 miles. It’s been year filled with global disaster and uncertainty. It’s also been a time of introspection and for me a time to reimagine how to record an album under these circumstances.

“When we returned to Southern California,” he elaborates, “I booked a studio to record in one day week for months. I played many of the instruments myself and had my band, Buzz Campbell, Larry Mitchell and Matt Jordan send me their tracks from remote home studios.”

Opening track “Gather Round” powerfully gets the album rolling.” It’s a song of positivity, of love, joy and happiness. When I wrote and now listen to the song, I feel like I’m raising my middle finger high in the air and waving it to 2020.”

“Graceland Auction,” explains ROCKER, “came about by my lifelong obsession with Presley. I’ve been a bit of a collector and have bid and bought various Elvis stuff. “It makes me laugh and it makes me want to cry.”

“The Last Offline Lovers” is a song “I wrote to my wife Deborah. We’ve been together for 32 years and she has been my inspiration, love, and strength. All of the instruments on this are acoustic and I played all of them with the exception of the drums performed by Larry Mitchell.”

Another album highlight is “When Nothing’s Going Right,” a song ROCKER wrote that appears on the Stray Cats’ album last year, 40. “This is the original version I recorded before the Stray Cats’ version. I feel it has that spark of original fire.”

ROCKER minces no words and looks to brighter day on “Pickin’ and Grinnin.” He says: “I wrote this song as my statement on Trump and the dividing of this country which I love. We all need to reside in the UNITED states of America. Come together gather round. I know that we all can’t agree on everything but we should be able to agree we live in a democracy and that every four years we have an election that should be respected.”

ROCKER’s infectious party spirit is in full effect on “‘Dog House Shuffle.” “It’s just plain fun! It’s really my tribute to the original rocking bass players that have influenced me so much. These guys are in a way the unsung heroes of rockabilly and early rock. We’ve incorporated these players into the video.”

Last year, in a multiple-page feature in the new Bass Player magazine (December 2019), ROCKER was asked about his ability to come up with fresh rockabilly bass-lines. He says: “I’m still discovering things. I still have revelations: ‘how did I not think of this before?’ There are a lot of different rhythms and slaps, and different ways to walk your bass-lines. There’s only 12 notes but there’s an infinite number of ways to play them.”

The GATHER ROUND track listing is:

1. Gather Round

2. Graceland Auction

3. The Last Offline Lovers

4. Everybody Wants to be A Cat

5. Pickin' and Grinnin'

6. Every Time I See You

7. A Dirty Martini

8. When Nothing's Going Right

9. Dog House Shuffle

10. Ophelia

Mon, 12/21/2020 - 9:23 am

The ZAPPA TRUST and San Diego-based Duckfoot Brewery Co have teamed up to launch a new FRANK ZAPPA tribute beer, Why Does It Hurt When IPA? It’s set to debut on ZAPPA’s birthday, December 21.

It’s a wild, improvisational jam of an IPA, brewed with ZAPPA hops, Simcoe and Cascade. The West Coast-style IPA has notes of passion fruit, spice and grapefruit (a favorite of FRANK ZAPPA’s) with a clean and dry finish. The can features never-before-published photos of Frank which pair nicely with the beer itself. In addition, the label explains more, “the Zappa hop, like the man, has a hugely eclectic style. Published flavor notes have ranged from passion fruit, mint, spicy, savory, fruity cereal, and uh...purple. (Try the beer, you’ll get it). Just like Frank, this hop is one of a kind and awesome.”

You can order Why Does It Hurt When IPA? by visiting ZappaBrew.com. The beer is offered solely in the U.S. as a 6-pack ONLY at 4.99 per beer, plus a flat rate of $25 shipping. There is a limit of two six packs per customer (with the shipping rate of $25).

CLICK HERE TO WATCH A VIDEO

The beer, which like many things ZAPPA, came about through a personal connection. Duckfoot co-founder, Matt DelVecchio, a ZAPPA fan from the age of six, is a longtime friend of Zappa Plays Zappa touring musician Pete Griffin who made the intro to the family.

“Our new friends (but they feel like old friends) at Duck Foot Brewing Co are making a delicious new brew using the Zappa hop,” AHMET ZAPPA says. “Stay home, be safe and enjoy Why Does It Hurt When IPA? responsibly. All the Zappa Trust proceeds from this batch will go to support the music community in need. Music is the Best!”

“We are so beyond thrilled to be making a beer for one of our favorite musicians of all time," Matt Delvecchio, Head Quack/Founder, Duck Foot Brewing Co adds.

Look for AHMET and the Duck Foot Brewing Co team to do an online meeting in the new year to discuss everything about the beer and take questions from fans around the world.

Why Does It Hurt When IPA? comes at the end of a busy year for ZAPPA. Beyond the releases of The Mothers 1970 and Halloween 81 earlier in the year, last month saw the debut of the long-awaited and highly-acclaimed Alex Winter documentary, “Zappa.” The film tells the story about the prolific genius composer, free speech activist, cultural ambassador to Czechoslovakia and legendary musician, Frank Zappa.  It was accompanied by the surprise digital release of the corresponding Zappa Original Motion Picture Soundtrack. A perfect complement to the film, the 68-track soundtrack is available to stream and download now via Zappa Records/UMe. “Zappa” is now available everywhere in the U.S. from Magnolia Pictures.

Fri, 01/08/2021 - 10:03 am

In 2020, TOMMY EMMANUEL released a newly recorded acoustic instrumental of John Lennon’s classic “Imagine”--on the same day (October 9) Lennon would have been 80-years-old--as a limited edition 7-inch vinyl exclusive to music retailers. Now, the acclaimed and Grammy-nominated acoustic guitarist, singer and songwriter will release the digital-only EP titled IMAGINE on his label, CGP Sounds. It will consist of this version of “Imagine” plus two original EMMANUEL songs: “Since We Met” and “I’ve Always Thought of You.”

“Since We Met” was the B-side to the above-mentioned 7-inch, while “I’ve Always Thought of You” is a new addition to this release. “Since We Met” and “I’ve Always Thought of You” were songs originally on EMMANUEL’s 1999 album Only, but they have been re-recorded and are appearing for the first time on certain digital outlets such as Spotify.

Today (January 8), “Since We Met” has been released as a single along with a video that was filmed in March 2020, just before the pandemic shutdown, in the back of Tommy Emmanuel’s tour bus outside the Tennessee Theatre in Knoxville, TN. It was directed by Joshua Britt and Neilson Hubbard for Neighborhoods Apart Productions. As TOMMY explains at the beginning of the video, he wrote the song back in the ‘90s and it was recorded with a full band. Over the years it has evolved as an intimate solo piece for him and has become a song requested by fans. “There have been people who’ve written to me and said, ‘I’m going to propose to my girlfriend if you play ‘Since We Met’ tonight in the show.’ That’s happened a few times; it always touches me so much that a song could make someone feel that way.”

Next week, the track and video for “I’ve Always Thought of You” will be issued to coincide with the EP’s January 15 release.

Meanwhile, the video for EMMANUEL’s stirring version of “Imagine” can be viewed here. Read the press release here. The limited edition 7-inch vinyl is now also available on TOMMY’s web-store. It’s also interesting to note that 2021 marks the 50th anniversary of Lennon’s “Imagine” single and album of the same name.

In other exciting TOMMY news, his guitar work graces Barry Gibbs’ new solo album Greenfields: The Gibb Brothers’ Songbook out this Friday, January 8. EMMANUEL plays on the Bee Gees’ classic "How Deep Is Your Love" featuring Little Big Town. 

Fri, 01/15/2021 - 6:13 pm

Rock and Roll Hall of Fame inductee RICHIE FURAY (Buffalo Springfield, Poco, The Southern Hillman Furay Band)--one of the chief architects of the country-rock genre--has today (1/15) announced the April 2 release of the live concert album 50TH ANNIVERSARY RETURN TO THE TROUBADOUR (*see his quotes below from the liner notes). It will be released as a double CD and download as well as a single DVD concert film on DSDK Productions, distributed by MRI Entertainment. Pre-save and pre-add the album here.

Recorded with The Richie Furay Band at the iconic Los Angeles venue in November 2018, it is comprised of two powerful sets: “Still DeLIVErin,’ which encompasses Buffalo Springfield songs, favored Poco tunes and some of his finest solo work, and “DeLIVErin’ Again,” a front-to-back performance of Poco’s classic 1971 live album DeLIVErin’ plus their 1972 signature song “A Good Feelin’ To Know” with Timothy B. Schmit (who joined Poco in 1969) on vocals.

‘DELIVERIN’

Notably, the classic DeLIVErin’ album was released 50 years ago this week. In honor of it, FURAY—noted for his unmistakable soulful voice, evocative songwriting, and hard driving guitar playing--has shared the Troubadour performance of the album’s “Kind Woman,” FURAY’s Buffalo Springfield song, Watch it here and listen to it here.

The Troubadour show was truly a magical evening in many ways. The sold-out concert marked FURAY’s 50th-anniversary return to the venue where Poco (originally as Pogo) performed their very first shows in 1968. The evening was marked by Timothy B. Schmit joining FURAY on the Schmit-penned “Hear That Music” from DeLIVErin’ and the above-mentioned “A Good Feelin’ To Know.” Timothy also introduced FURAY onstage after reading a congratulatory note from Cameron Crowe (who intended being at the Troubadour in person but could not make it at the last minute). Timothy then introduced the esteemed artist and producer Peter Asher (Peter & Gordon), who presented FURAY with a commemorative award for his 50th-anniversary return to the Troubadour. Also on hand at the show and backstage was Randy Meisner, Poco’s first bass player before Schmit replaced him.

Here are RICHIE FURAY’s quotes from the liner notes:

Poco released their first “live” album in 1971, it was called DeLIVErin’; here we are 50+ years later and I have re-recorded this iconic album with my “live” band – RFB!  I don’t know of any other group that has ever re-recorded a live album from their past catalogue and truthfully, I wasn’t sure it could be done either; but, I took on the challenge and now you get to hear it for yourself. In many respects it was a labor of love because I knew how important the ‘original album was to Poco fans and if RFB didn’t meet the standard, it would be a disappointment. I do not believe you are going to be disappointed. From my viewpoint, we have met and exceeded any expectations.  Listen for yourself, but I believe we have captured the heart and soul of the music; even Timothy B. got on board to sing one of his originals. So, I hope you enjoy listening to this recreation - “DeLIVErin’ Again”. Shut your eyes, pretend you’re one of the wall to wall people at the The Troubadour in Los Angeles, California that November evening and turn it up loud.”

Fri, 01/22/2021 - 9:35 am

ARIA Award winner TASH SULTANA has today released another taste from their sophomore album, “Sweet & Dandy,” out now on Mom + Pop Music.

CHECK OUT ‘SWEET & DANDY’ HERE

Marking the fifth track from the upcoming TERRA FIRMA album out February 19, ‘Sweet & Dandy’ is recognizably TASH SULTANA, but deeper and more nuanced. The song is a slinky indictment on the internet era’s information overload with them asking the questions “But where’s the wisdom? Where’s the knowledge?”

"’Sweet & Dandy’ is about the process of withdrawing yourself from negative distractions and living in the present, always remembering that you are enough,” TASH explains. “You and you alone, you do not need the world to tell you to be a certain way."

With a title inspired by the need to slow down and re-ground, TERRA FIRMA is the work of a more confident, dynamic and experienced musician. The manifestation of a period of self-reflection in which TASH slowed down to find time for surfing, studio, family, gardening and a healthy balance from the hectic touring lifestyle that defined their existence.

“I didn’t realize that I needed to create a space and home for myself to feel like a person again,” TASH says. “I just went inward and found a really peaceful place and wrote an album, and I feel really happy with it.”

Returning to earth after the dizzying heights of success, TERRA FIRMA is the sound of a more content and grounded TASH. Spiritually, the album finds the artist reconnecting to their roots, reminding themselves who they are and what it means to be human. Musically however, its 14 tracks take root into far-reaching sonic territory.

Almost every note on TERRA FIRMA was once again composed, arranged, performed, engineered and produced by TASH. But to kick-start a new era, the solo star--for the first time--opened themselves up to collaborators, starting with a 10-day writing session with fellow ARIA-winning Australian musician Matt Corby and producer Dann Hume (Courtney Barnett, Amy Shark, Angus & Julia Stone).

TERRA FIRMA was made with a lot of effort but feels effortless. Its intoxicating grooves and hypnotic riffs are instantly inviting, but with depth that reveals its rewards the more you absorb it.

Forever thinking of future career steps, TASH has assembled a live band to bring the record to life on stage (whenever that’s safe to do so). “The new live show is everything the live show already was, plus three other musicians on the stage for a small section of the show.” And they’re already greasing the wheels to begin producing and mentoring other artists.

Keen to get back out on the road doing what they love, TASH will be performing at WOMADelaide (Australia) in March. For more information on this show, head HERE, and for information on all other 2021 touring dates head HERE.

For TERRA FIRMA though, the goal seemed simple: to make music that comes from a place that’s real and from the heart. “Because if it does, you’ll never fuck up,” TASH reflects. “I just really wanted to like the art I was putting out…I just wanted to feel better, be better, perform better, play better, sing better. To be a better musician.”

Fri, 01/22/2021 - 10:12 am

LEE ROCKER of The Stray Cats fame marks today’s (January 22) release of his new solo album GATHER ROUND on Upright Records (his label distributed through Orchard) by sharing the Elvis-themed video for “Graceland Auctions.” Watch the fun-filled video, directed by Justin Drucker and starring ROCKER with his band, here.

One of the album’s standout songs, “Graceland Auctions” “came about by my lifelong obsession with Presley,” explains the Grammy-nominated upright bass player, singer and songwriter. “I’ve been a bit of a collector and have bid and bought various Elvis stuff. “It makes me laugh and it makes me want to cry.”

GATHER ROUND is ROCKER’s first album of all-original music, with the exception of his cover of The Band’s classic “Ophelia,” since 2007’s Black Cat Bone (Alligator Records). The sizzling 10-track rockabilly album was produced by ROCKER (vocal, string bass), who is joined by Buzz Campbell (guitar, backing vocal), Larry Mitchell (drums, percussion) and Matt Jordan (piano, organ).Two songs with videos—“Doghouse Shuffle” and “Pickin’ and Grinnin’”—were released ahead of the album. Watch the trailer here, read a ROCKER interview with Kelli Skye Fadroski of the Orange County Register/SCNG here, and listen to him on the Rock Solid Podcast with Pat Francis here.

Most of the songs on GATHER ROUND were written after the pandemic started. “My wife Deborah and I hit the road in our airstream and criss-crossed the country from California to New York and back,” shares ROCKER. “We rolled through 20 states from north to south and from east to west. In addition to the pandemic, the presidential election was raging. I wrote songs and music and drove 6,000 miles. It’s been year filled with global disaster and uncertainty. It’s also been a time of introspection and for me a time to reimagine how to record an album under these circumstances.

“When we returned to Southern California,” he elaborates, “I booked a studio to record in one day week for months. I played many of the instruments myself and had my band, Buzz Campbell, Larry Mitchell and Matt Jordan send me their tracks from remote home studios.”

Opening track “Gather Round” powerfully gets the album rolling.” It’s a song of positivity, of love, joy and happiness. When I wrote and now listen to the song, I feel like I’m raising my middle finger high in the air and waving it to 2020.”

“The Last Offline Lovers” is a song “I wrote to my wife Deborah. We’ve been together for 32 years and she has been my inspiration, love, and strength. All of the instruments on this are acoustic and I played all of them with the exception of the drums performed by Larry Mitchell.”

Another album highlight is “When Nothing’s Going Right,” a song ROCKER wrote that appears on the Stray Cats’ album last year, 40. “This is the original version I recorded before the Stray Cats’ version. I feel it has that spark of original fire.”

ROCKER minces no words and looks to brighter day on “Pickin’ and Grinnin.” He says: “I wrote this song as my statement on Trump and the dividing of this country which I love. We all need to reside in the UNITED states of America. Come together gather round. I know that we all can’t agree on everything but we should be able to agree we live in a democracy and that every four years we have an election that should be respected.”

ROCKER’s infectious party spirit is in full effect on “‘Dog House Shuffle.” “It’s just plain fun! It’s really my tribute to the original rocking bass players that have influenced me so much. These guys are in a way the unsung heroes of rockabilly and early rock. We’ve incorporated these players into the video.”

Last year, in a multiple-page feature in the new Bass Player magazine (December 2019), ROCKER was asked about his ability to come up with fresh rockabilly bass-lines. He says: “I’m still discovering things. I still have revelations: ‘how did I not think of this before?’ There are a lot of different rhythms and slaps, and different ways to walk your bass-lines. There’s only 12 notes but there’s an infinite number of ways to play them.”

The GATHER ROUND track listing is:

1. Gather Round

2. Graceland Auctions

3. The Last Offline Lovers

4. Everybody Wants to be A Cat

5. Pickin' and Grinnin'

6. Every Time I See You

7. A Dirty Martini

8. When Nothing's Going Right

9. Dog House Shuffle

10. Ophelia

Sat, 01/23/2021 - 2:58 pm

Traditional Nordic folk outfit WARDRUNA’s highly anticipated fifth full-length album KVITRAVN is out today, January 22, worldwide via BY NORSE MUSIC and SONY MUSIC / COLUMBIA RECORDS. Order it on various formats and bundles here: https://wardruna.lnk.to/Kvitravn_Album.

“We are very happy to finally share this long-overdue album with you all,” shares founding member and composer EINAR SELVIK. “In the period leading up to the release, it has been truly overwhelming to see how well you have received the songs we have shared so far. We sincerely hope you will enjoy the rest! For me personally, this album represents a natural continuation and development of everything we have done so far. Through experience, reflection and hungry curiosity, we potentially continue to grow as humans, scholars and musicians and with this constant movement, our ability to dive deeper into our work also grows. More clearly than before, this album and its songs address us as humans in our own time. Even though the songs convey ways and words originating from a distant past, they are still just as much ways and words for the ‘now.’ They are ideas born out of the very grounds we still tread, which is also what gives them the ability to speak to and resonate within us still. Let us listen carefully and sow or reaffirm the idea or attitude that nature is something sacred.”

KVITRAVN marks a distinct evolution in WARDRUNA's sound. The album features a broad selection of both traditional and historical instruments such as Kravik-lyre, Trossingen-lyre, Taglharpa, Sotharpa, Langeleik, Crwth, Goat-horn, Lur, Bronze-lur, flute, Moraharpa and also features guest appearances by a small group of prominent traditional singers, spearheaded by Kirsten Bråten Berg, one of the most important custodians of Norwegian traditional song. Throughout its eleven songs, KVITRAVN discusses Northern sorcery, spirit-animals, shadows, nature and animism, the wisdom and meanings of certain myths, various Norse spiritual concepts, and the relation between sage and songs.

The authenticity of WARDRUNA’s performance alongside epic visual landscapes and symbolic animals evoked by the music and lyrics have been showcased in several jaw-dropping videos--some reaching viewers in their millions--starting with the starkly beautiful, minimalist and arguably most political piece, "Grá." The song is an ode to the wolf, and a reminder that humans and creatures have existed side-by-side in a mutual, though wary, relationship. The video for title track "Kvitravn"--translated in English to White Raven--reveals a powerful narrative centered around this sacred, elusive creature, and namesake of the album. SELVIK revealed in a special Solstice broadcast of the Skaldic version of album track "Andvevarljod - Song of the Spirit-weavers" that this particular piece was the starting point for the entire album, and explores the Nordic deities of fate; the Norns, the spinning of life threads and the Norse and Sámi common idea that a person's spirit is connected to wind, both before and after birth. Most recently the lyric video for "Skugge," recalls the subtle majesty of fan-favorite "Helvegen” as it seeks answers and wisdom internally. Finally, the stand-alone single "Lyfjaberg" (not featured on the album) is a powerful reminder of some valuable Norse wisdom explained by SELVIK: "To climb the Healing-mountain is a journey for the mind and spirit as much as the feet and body. Anything of true value, comes at a true cost."

For those looking to delve even deeper into WARDRUNA's world, the band have released a four part mini-documentary series which can be viewed on their YouTube channel HERE. In the series, SELVIK guides the viewer more deeply into the thoughts, processes and inspiration behind the music.

SELVIK will be hosting a special live-streamed event as part of That JORVIK Viking Thing online festival on Saturday, February 20 at 7.30 P.M. CET. Tickets can be booked online at jorvikthing.com.

WARDRUNA have also announced a collaboration with 2204 for an exclusive luxury ethically sourced, 100% vegan candle. Out today, the WARDRUNA candle embraces the harshness of the Norwegian forest’s elements and extracts a sense of reincarnation and fulfilment. Order yours now HERE.

Sat, 02/06/2021 - 7:54 am

“My memories of the Balboa show are filled with adrenaline, wonder and joy,” says the acclaimed and Grammy-nominated acoustic guitarist, singer and songwriter TOMMY EMMANUEL about his new digital-only live album TOMMY EMMANUEL--LIVE FROM THE BALBOA THEATRE out February 12 on his label, CGP Sounds. Listen here to the album’s first single “Locomotivation,” released today (February 5), and watch the video here. Pre-save and pre-add the album here.

Featuring 17 tracks (see the track listing below), LIVE FROM THE BALBOA THEATRE is a classic TOMMY EMMANUEL concert filmed on February 13 and 14, 2011 at the Balboa Theatre in San Diego, CA. The album features special guest performers such as Pam Rose, Anthony Snape, and Frank Vignola & Vinny Raniolo. Both Pam Rose and Anthony Snape are acclaimed songwriters who have co-written songs with TOMMY. Frank Vignola and Vinny Raniolo are masters in the jazz world who are also longtime touring collaborators with TOMMY.

This album--and the accompanying DVD (released in 2011)--was produced by KPBS in San Diego, and it was exclusively available through PBS pledge drives. It will now be available for the first time on all digital outlets.

“Playing with Frank and Vinnie, singing with Pam and Anthony, having fun with the audience and working with the PBS network made it a once-in-a-lifetime event, I hope you enjoy it and feel it too!” says TOMMY.

In other exciting TOMMY news, his guitar work graces Barry Gibbs’ newly released solo album Greenfields: The Gibb Brothers’ Songbook. EMMANUEL plays on the Bee Gees’ classic "How Deep Is Your Love" featuring Little Big Town.

Track Listing for TOMMY EMMANUEL--LIVE FROM THE BALBOA THEATRE:

1. Guitar Boogie

2. Locomotivation

3. Haba Na Haba (with Pam Rose, Anthony Snape, Frank Vignola, & Vinny Raniolo)

4. My Life (with Pam Rose)

5. The Trails

6. Everlasting (with Anthony Snape)

7. Frequency (with Anthony Snape)

8. My Beloved (with Pam Rose)

9. I’ll Still Be Loving You (with Pam Rose & Anthony Snape)

10. Avalon (with Frank Vignola & Vinny Raniolo)

11. How High The Moon (with Frank Vignola & Vinny Raniolo)

12. Hungarian Dance No. 5 (with Frank Vignola & Vinny Raniolo)

13. Smokey Mountain Lullaby

14. Nine Pound Hammer

15. The Diggers’ Waltz

16. Moon River

17. What A Wonderful World (with Frank Vignola & Vinny Raniolo)

Thu, 02/11/2021 - 4:08 pm

Later today (February 11), OZZY OSBOURNE will premiere a new animated video for “It’s A Raid” from his #1 and acclaimed 2020 ORDINARY MAN album. The clip will debut at 7:30 PM (ET)/4:30 PM (PT), with OZZY and collaborator Post Malone set to host a watch party beginning at 7:00 PM (ET)/4:00 PM (PT) on OZZY’s official YouTube channel.

At a SiriusXM listening party last year to celebrate the release of ORDINARY MAN (Epic Records) OZZY recounted the song’s inspiration. While recording Black Sabbath’s VOL. 4 in Bel Air, California, OSBOURNE triggered the home’s security alarm and police surrounded the home, which he says had “piles of marijuana and cocaine.” OSBOURNE adds, “I’m shouting, ‘IT’S A FUCKIN’ RAIIIIID,” before hiding the drugs and ingesting cocaine while hiding in one of the home’s bathrooms.”

In the video, directed by Tomas Lenert, OZZY and Post Malone team up for a truly wild ride. The clip begins with OSBOURNE and Malone at the infamous Bel Air, CA house (which served as the inspiration for the song) before they lead police through the streets of the city and passing iconic Los Angeles landmarks on their journey.

“A couple of years ago I didn’t even know who Post Malone was,” OZZY says. “Since then we’ve worked together on two studio tracks and have performed together twice. Understandably Covid-19 made it difficult to get together to shoot a music video for ‘It’s a Raid’ so we opted for this wildly imagined animated video for the final single from the ORDINARY MAN album.” OZZY, who’s been in the studio working on a new album with producer Andrew Watt, adds that he “can’t wait to for everyone to hear my new music.”

This marks the second duet with Malone. The two previously teamed on “Take What You Want” from his Hollywood’s Bleeding album (which they also performed at last year’s “American Music Awards”). The track was produced by Watt, who collaborated with OSBOURNE for ORDINARY MAN as both producer and co-writer.

Thu, 02/18/2021 - 12:21 pm

LIVE IN THE MOJAVE DESERT: VOL.1-5 will continue to present their world premiere livestream concert film series highlighting the California Desert Rock scene this Saturday, February 20 with VOLUME 3 featuring Long Beach, CA heavy psych rockers SPIRIT MOTHER. Take a peek at performance footage of their single “Space Cadets” backed by a visual performance from the Mad Alchemy Liquid Light Show in the event trailer streaming above or on YouTube at https://youtu.be/_VmwXZ_wUrk. Tickets are on sale now for $10 which allow access to the experience starting at 12:00 P.M. Pacific Time Zone as well as video on demand replay for 72 hours. Get yours now HERE. Additional merch options are available including an exclusive limited-edition ‘Desert Lizard’ poster (pictured below) featuring art by John Howard and pre-order options for the concert stream on Vinyl (black variant and limited test pressing), CD or Blu-Ray at https://www.liveinthemojavedesert.com/merch-store.

Inspired by Pink Floyd’s Live at Pompeii 1972 concert documentary film, LIVE IN THE MOJAVE DESERT: VOLUMES 1-5 kicked off their bi-weekly streams on January 23 which has so far included performances from San Diego-based krautrock trio EARTHLESS and stoner rock outfit NEBULA which includes ex-Fu Manchu member Eddie Glass. Additional volumes will feature heavy psychedelic rock trio MOUNTAIN TAMER (March 6) and STONER (March 20)—the new project from ex-Kyuss members Brant Bjork and Nick Oliveri.

During the stream, viewers will experience an hour of performance footage--filmed and recorded throughout day and night from the natural amphitheater of California’s Mojave Desert—along with a virtual pre-show hangout session with band members discussing their favorite concert films and sharing psychedelic video clips and other trippy footage. Think MTV in the 80’s but with stoners and heshers!

For more information on LIVE IN THE MOJAVE DESERT, please visit:

WEBSITE | FACEBOOK | YOUTUBE

Fri, 02/19/2021 - 8:40 am

ARIA Award winner TASH SULTANA has today released their sophomore album, TERRA FIRMA, out now on Mom + Pop Music.

LISTEN TO TERRA FIRMA NOW

Having already given fans five tastes of the music one can expect on TERRA FIRMA (“Sweet & Dandy,” “Willow Tree” feat. Jerome Farah, “Greed,” “Beyond The Pine” and “Pretty Lady”), the album showcases 14 tracks that are recognisably TASH SULTANA, but its lyricism delves deeper, its impact more nuanced. The expansive “Coma” flows with vision, the evocative “Greed” proffers a soul-funk examination of the corrupting influence of wealth and fame. And the idyllic love song “Let The Light In” feels close and warm--“I've just found my one. She's a golden gem,” they smile when they speak of their fiancé. “Sweet & Dandy” is a slinky indictment on the internet era’s information overload. “But where’s the wisdom? Where’s the knowledge?” TASH asks. “Vanilla Honey”--named after the two flavoured cigars gifted to TASH from their partner--is a tender ode to how love can centre us amidst the chaos.

TERRA FIRMA sees TASH bare their soul on two levels. Spiritually, it arrived in a time of global detachment and acted as a conduit to reconnect to their core selves--something TASH had been dismissing during strenuous global tours. And musically, where its 14 tracks take root into far-reaching sonic territory.

TASH has added to the looped and layered jams with a dazzling patchwork of soul, funk, R&B, folk, rock, hip-hop--you name it. The result is TASH’s most ambitious triumph to date. “It’s Erykah Badu meets Bon Iver, meets John Mayer, meets whatever.”

Written and recorded over a full year, from October 2019 to October 2020, TERRA FIRMA saw TASH in full flight as they recorded, engineered, performed, arranged, and produced the album themselves. Four to six days a week were spent in their Melbourne studio, and just when TASH surpassed the 200-day mark on the project, it was done.

Presented with a title inspired by finding their home within themselves, TERRA FIRMA is the work of a more confident, dynamic, and experienced musician. The record was conceived amid a period of self-reflection when life was involuntarily slowed down amid a global pandemic. When TASH wasn’t in the studio, they found time for surfing, gardening, writing poetry and a healthy balance from the hectic touring lifestyle that defined their existence.

While TERRA FIRMA still cements the oft-used description of a “one-person band”, the record hosts a first for TASH SULTANA with four carefully chosen co-writers. TASH collaborated with fellow ARIA winners in artist Matt Corby and producer Dann Hume (Courtney Barnett, Amy Shark) on “Pretty Lady,” “Crop Circles,” “Beyond the Pine” and “Greed.”  Meanwhile, “Willow Tree,” the nocturnal groover about get-rich-quick pyramid schemes, features TASH’s high school friend Jerome Farah. Farah is signed to TASH’s own Lonely Lands Agency, launched in 2019. Finally, “Dream My Life Away,” an ethereal, guitar-driven duet, was co-written with close friend Josh Cashman, who TASH tapped as their tour support through America in 2017.

For TASH SULTANA, artistic growth is paramount. It makes sense then, that the live shows for TERRA FIRMA will showcase TASH in a new light. “2020 was about recording and writing the music. And this year will be about creating the show and bringing it to people,” says TASH. “The new live show is everything the live show already was, plus a few things up my sleeve--but you’ll have to be there to understand,” they tease.

“I'll always be solo,” TASH adds. “That will never, ever, ever change."

For TERRA FIRMA, the goal seemed simple: to make music that comes from a place that’s unashamedly honest and ventures new territory. “Because if it does, you’ll never fuck up,” TASH reflects. “I want to be an artist and make music non-stop, and just set the bar for myself every single time.… I just wanted to feel better, be better, perform better, play better, sing better. To be a better musician. And I think this record does that.”

Fri, 02/26/2021 - 1:52 pm

Rock and Roll Hall of Fame inductee RICHIE FURAY--one of the chief architects of the country rock genre as a member of Buffalo Springfield, Poco and the Southern-Hillman- Furay Band--today (2/26) shared a live performance video of Poco’s in-concert favorite “C’mon” from their classic 1971 live album DeLIVErin.’ The video and single are taken from FURAY’s upcoming 50TH ANNIVERSARY RETURN TO THE TROUBADOUR--a double CD and download as well as a single DVD concert film on DSDK Productions, distributed by MRI Entertainment—out April 2. Watch the video here and listen to the single here. The video was premiered yesterday via Relix. Pre-save and pre-add the album here.

Recorded with The Richie Furay Band at the iconic Los Angeles venue in November 2018, the double album is comprised of two powerful sets: “Still DeLIVErin,’ which encompasses Buffalo Springfield songs, favored Poco tunes and some of FURAY’s finest solo work, and “DeLIVErin’ Again,” a front-to-back performance of Poco’s DeLIVErin’ plus their 1972 signature song “A Good Feelin’ To Know” with Timothy B. Schmit (who joined Poco in 1969 on vocals and bass) singing his parts. The audio for the CD and concert film was mixed and produced by multi-Grammy Award-winning audio engineer Ross Hogarth.

The FURAY-penned “C’mon” is emblematic of Poco’s soaring feel-good songs, one that galvanized its loyal fanbase at headlining shows at venues like New York’s Carnegie Hall and Fillmore East.  “’C'mon’ was a song that certainly captured the heart of Poco's audiences,” says FURAY. “It was a concert closer for our set for quite a few years having that upbeat tempo that just drew our audiences in.”

Lyrically, “C’mon” is a relationship song and one about peace, too, with lines like “I believe that you and I as friends/Should love one and another/Satisfied, have a peace of mind/ Love your neighbor as your brother.” Explains FURAY: “The song broadened out in the third verse to a message of hope for a world that was struggling with war. Either way, I wrote the song hoping it would convey a universal, positive message--that no matter how life looked, there was hope.”

Pictured, from left: Richie Furay and Timothy B. Schmit Photo Credit: DSDK Productions

The Troubadour show was truly a magical evening in many ways. The sold-out concert marked FURAY’s 50th anniversary return to the venue where Poco (originally as Pogo) performed their very first shows in 1968. The evening was marked by Timothy B. Schmit joining FURAY on the Schmit-penned “Hear That Music” from DeLIVErin’ and the above-mentioned “A Good Feelin’ To Know.” Timothy also introduced FURAY onstage after reading a congratulatory note from Cameron Crowe (who intended being at the Troubadour in person but could not make it at the last minute). Timothy then introduced the esteemed artist and producer Peter Asher (Peter & Gordon), who presented FURAY with a commemorative award for his 50th anniversary return to the Troubadour. Also on hand at the show and backstage was Randy Meisner, Poco’s first bass player before Schmit replaced him. 

Tue, 03/16/2021 - 8:15 am

With their sophomore album TERRA FIRMA, TASH SULTANA continues to expand their global success with more than one billion streams and their first #1 album on their native Australian ARIA Albums Chart, along with a Rolling Stone Australia cover story.

The February 19 release of the genre-defying 14-track album on Mom + Pop Music, composed, arranged, performed, engineered and produced by TASH, has been greeted with an array of critical accolades praising the artist’s artistic evolution. TASH--singer, songwriter, multi-instrumentalist and electrifying performer--has added to the looped and layered jams with a dazzling patchwork of soul, funk, R&B, folk, rock, hip-hop--you name it. The result is TASH’s most ambitious triumph to date.

NME (UK) noted in their review that "The Aussie star embraces all sounds but maintains a delicate vulnerability on album number two…” with THE GUARDIAN (UK) saying “TERRA FIRMA is as expansive and chilled as we’ve come to expect from Sultana…” GUITAR PLAYER in the U.S. says: “It’s a deceptively crafty concoction that feels thoroughly organic and effortless.” NPR’s “All Songs Considered” also shined a light on the album in their “New Music Friday” coverage.

Fri, 03/19/2021 - 9:19 am

Acclaimed and Grammy®-nominated acoustic guitarist, singer and songwriter TOMMY EMMANUEL—one of five people ever named a CPG (Certified Guitar Player) by his idol, music icon Chet Atkins—has joined forces with powerhouse Grammy®-nominated acoustic duo Rob Ickes & Trey Hensley to record the EP ACCOMPLICE SERIES VOLUME 1 WITH ROB ICKES & TREY HENSLEY out May 7.

Today (March 19), they’ve shared the first single and video “Flatt Did It” from the four-song digital-only EP (*see the track listing below) on CGP Sounds. Listen here to the album’s first single and watch the video here. The Zach Pigg-directed video, premiered at The Bluegrass Situation, was shot in Nashville when the three artists recorded the EP. Pre-save and pre-add the EP here.

ACCOMPLICE SERIES VOLUME 1 WITH ROB ICKES & TREY HENSLEY was born out of the deep admiration the musicians have for each other, also underlined by shows they’ve played together intermittently for nearly five years, the first of which was May 5, 2016 at the Palace of Fine Arts Theatre in San Francisco.

Creative sparks fly on the EP, which radiates good vibrations with white-hot picking virtuosity on acoustic guitars and Dobro—it’s all a welcome sanctuary from these upside-down times. There are three cover songs—the Chet Atkins/Doc Watson song “Flatt Did It,” Buck Owens’ “Raz-Ma-Taz Polka” and the standard “Copper Kettle”—plus a rendering of the Emmanuel composition, “It’s Never Too Late,” originally released in 2015.

Here are quotes from TOMMY, ROB and TREY about the EP:

TOMMY EMMANUEL: “The sessions were very spontaneous, and in fact, I suggested ‘Flatt Did It’ and ‘Copper Kettle’ as pieces on the day we recorded them. That’s how it came about. It was very spontaneous.”

ROB ICKES: “Well, it’s always great to work with Tommy. He's such a great artist, and such a great person. There are always a lot of sparks flying when we play together, and all three of us are into lots of different musical genres, so that’s always fun to explore different musical territories when we get together.”

TREY HENSLEY: “Getting to pick with Tommy and Rob any time is always a blast! Working in the studio with Tommy was so much fun, which I think is evident throughout this EP. The great vibe in the studio that day is prominent in the recordings. It was really just the three of us hanging out and playing tunes…what could be more fun?”

Here are quotes from them about “Flatt Did It”:

TOMMY EMMANUEL: “‘Flatt Did It’ is a tribute to Lester Flatt and some of his classic kind of licks. We had the film crew in there for the day and they just rolled the cameras. We actually just played and ignored them almost.”

ROB ICKES: “This song comes from an album that Chet Atkins did with Doc Watson. I love to hear Tommy and Trey play together. There’s a great respect between the two of them. They are both so brilliant. It’s great to hear them feeding off each other. And this song is just the perfect vehicle for a Dobro, so I’m enjoying the whole thing!”

TREY HENSLEY: “Yeah, this one was Tommy’s idea, and it’s a tune from the Doc Watson and Chet Atkins duo record. Rob and I both have a bluegrass background, and this song was written with the great bluegrass icon Lester Flatt in mind. (Hence the title.) It really was a natural fit and recording it with Tommy was so much fun!”

The Full Track List for Accomplice EP #1:

1. Copper Kettle (featuring Rob Ickes & Trey Hensley)

2. Raz-Ma-Taz Polka (featuring Trey Hensley)

3. Flatt Did It (featuring Rob Ickes & Trey Hensley)

4. It’s Never Too Late (featuring Rob Ickes)

Thu, 04/01/2021 - 11:36 am

RICHIE FURAY tomorrow (4/2) will release his much-anticipated double live album 50TH ANNIVERSARY RETURN TO THE TROUBADOUR via DSDK Productions, distributed by MRI Entertainment, via streaming platforms. Both the physical CD and the DVD of the concert film will be available April 23. Listen here to the album via streaming platforms starting tomorrow. A SPECIAL EDITION autographed CD and DVD are available for presale here.

This week, the Rock and Roll Hall of Fame inductee--one of the chief architects of the country rock genre as a member of Buffalo Springfield, Poco and the Southern-Hillman-Furay Band—premiered two live performances videos from the DVD: Poco’s “A Good Feelin’ To Know” (with Timothy B. Schmit joining on vocals) via Best Classic Bands and the Buffalo Springfield’s “On The Way Home” via Glide Magazine. FURAY has also shared a Q&A about the album below and here.

Recorded with The Richie Furay Band at the iconic Los Angeles venue in November 2018, the double album is comprised of two powerful sets: “Still DeLIVErin,’ which encompasses Buffalo Springfield songs, favored Poco tunes and some of FURAY’s finest solo work, and “DeLIVErin’ Again,” a front-to-back performance of Poco’s DeLIVErin’ plus their 1972 signature song “A Good Feelin’ To Know” with Timothy B. Schmit (who joined Poco in 1969 on vocals and bass) singing his parts. The audio for the CD and concert film was mixed and produced by multi-Grammy Award-winning audio engineer Ross Hogarth.

The premieres of “A Good Feelin’ To Know” (from Poco’s fifth album of the same name) and “On The Way Home” (the Neil Young song FURAY sang lead vocals on with Buffalo Springfield) follow other recently released videos from the DVD: “Kind Woman” (his self-penned song with Buffalo Springfield); “C’mon” (from Poco’s DeLIVErin’ album), premiered at Relix with a story hailing him as an “Americana Icon”; the Poco medley “Just in Case It Happens, Yes Indeed”/“Grand Junction”/“Consequently So Long” (from Poco’s DeLIVErin’ album), premiered via Ultimate Classic Rock; and “Let’s Dance Tonight” (from Poco’s sixth album Crazy Eyes) premiered via Americana Highways.

The Troubadour show in 2018 was truly a magical evening in many ways. The sold-out concert marked FURAY’s 50th anniversary return to the venue where Poco (originally as Pogo) performed their very first shows in 1968. The evening was marked by Timothy B. Schmit joining FURAY on the Schmit-penned “Hear That Music” from DeLIVErin’ and the above-mentioned “A Good Feelin’ To Know.” Timothy also introduced FURAY onstage after reading a congratulatory note from Cameron Crowe (who intended being at the Troubadour in person but could not make it at the last minute). Timothy then introduced the esteemed artist and producer Peter Asher (Peter & Gordon), who presented FURAY with a commemorative award for his 50th anniversary return to the Troubadour. Also on hand at the show and backstage was Randy Meisner, Poco’s first bass player before Schmit replaced him.

RICHIE FURAY Q&A:

‘50TH ANNIVERSARY RETURN TO THE TROUBADOUR’:

“Still DeLIVErin’” and “DeLIVErin’ Again”

For your new double album + DVD, which comprises two different sets, you went back to the Troubadour in Los Angeles to record it. The club was the important launch pad for Poco in 1968. Can you tell us a little a bit about those early gigs? It’s said that a lot of musical luminaries of the time were on hand for those shows.

RICHIE FURAY: When Buffalo Springfield broke up, there was a definite interest in what the members were going to do. Stephen Stills was off with Al Kooper and Mike Bloomfield and the "Super Sessions" album, and Neil Young was being Neil, pursuing his solo career, while Dewey Martin and Bruce Palmer looked to what the future would hold for them. At the same time Jimmy Messina and I were planning our next move in putting together another group that would be a rock and roll band with country influences. Once we had the line-up complete (George Grantham, Randy Meisner and Rusty Young), we began working at the Troubadour, using it for rehearsals in the afternoon and performing there at night. It was at the Troubadour where the interest in the Los Angeles music circle really took hold as people (local musicians) were hearing the sound we were creating as being something fresh and new, and yes, it attracted many who liked the music and sound we helped give birth to--as the attendance night after night continued to grow to full Troubadour capacity. It was an exciting time; L.A. and the Laurel Canyon community afforded us the privilege of creating a new sound that would continue on and become popular for years as other groups began to use what we were doing as their template.  I don't remember all who came to see us but there were many.

(Editor’s note: members of the Byrds, Nitty Gritty Dirt Band, Flying Burrito Brothers including Gram Parsons, Jackson Browne, Linda Ronstadt, J.D. Souther, Ricky Nelson, John Stewart and future members of the Eagles [Glenn Frey, Don Henley and Bernie Leadon, not to mention Randy Meisner onstage as an early member of Poco.] Also, in addition to Ricky Nelson, Ozzie and Harriet were in attendance in a booth at the venue as well as The Smothers Brothers.)

What was it like to perform the Deliverin’ album in its entirety at the Troubadour?

FURAY: This was actually something that I never thought could happen. My manager David Stone had been trying to persuade me for a couple of years to perform the Poco Deliverin' album in its entirety, and I had always responded that it'll never happen. I had been doing a few of the songs in my live performances for some time, but the thought of actually trying to capture the moment and excitement of doing all of those songs "live" was going to be a challenge. I do believe that my group, at that time, was the only "representation" of Poco that could attempt it and I believe the final product speaks for itself--it was a challenge, and we met the challenge. Having Timothy B. Schmit join us for one of his songs was an extra added bonus and having him return for the encore.

Did performing the Deliverin’ album give you a new perspective on it—and on any songs from it?

FURAY: It's interesting; I don't know exactly what I was going through at the time of the original recording, what was taking place in my life, but many of the songs that I had not been doing currently, certainly did resonate with me (50 years later) in relation to life situations I was going through when we recorded it.

Deliverin’ was a distinctive live album in that it included new Poco originals not included on previous albums (“I Guess You Made It,” “C’mon,” “A Man Like Me,” “Hear That Music,” “Hard Luck”). The album was also highlighted by medleys of Poco songs, one of which included your song from the Buffalo Springfield (“Child’s Claim To Fame”). The album also features another one of your songs from the Buffalo Springfield, “Kind Woman,” which many regard as the definitive version of the classic song. What are your thoughts on the original album?

FURAY: There were a lot of non-studio songs on the Deliverin' album. In fact, the first three songs that opened the set had not been on earlier albums. We were not afraid to play songs people hadn't heard because we knew they would connect and we could "deliver" them; we were confident to rely on our musicianship, songwriting and "live" performance skills to capture the hearts of the Poco fans who have actually become somewhat of a "cult following" In the set we would weave older songs in the set such as my Buffalo Springfield songs, knowing they were significant to our identity. Most of the other songs came from Poco's first album, Pickin' Up The Pieces.

At a time when America was caught up in the Vietnam War, Poco’s rocking country music and high harmonies eased the existential anxiety and lit up a lot of music fans. ‘Deliverin’ not only powerfully captures that feeling and the bond you had with your fans, but really underlined that Poco was one of rock’s best live acts. What do you remember about audiences and the shows from that time?

FURAY: Poco never had any trouble getting people on their feet at our concerts. The people were ready to leave the cares of the world behind for a couple of hours at our concerts. There was really a lot of "audience participation," a connection we had with our audiences; it was something I believe many looked forward to if they had seen us previously as we would interact with them and they with us and it made for a special evening--one that even today people comment about. I think that's what made the original recording an important "memory milestone" in so many people's lives today.  

Thu, 04/01/2021 - 1:38 pm

LOVE BY NUMB3RS—the Portland, Maine-based trio who chart a course through eloquent alternative, dusty blues, graceful folk, and rootsy rock—have shared the video for “Western Son,” a highlight of their indie full-length debut album PARACHUTE. Watch the video here. It was premiered at Glide Magazine which noted that the band “bring a sultry and twangy Nashville sound from the northeastern continental 48s. The band offers a timeless polished sound that brings the earthy smoky overtones of Linda Ronstadt, Gillian Welch, and Grace Potter.”

LOVE BY NUMB3RS consists of co-vocalists DAN CONNOR and ANNA LOMBARD and multi-instrumentalist JON ROODS, the latter two of whom directed the beautifully striking “Western Son” video. It was shot along the coastal and woodsy roads of the group’s home state of Maine. See the Q&A below with ANNA LOMBARD about the making of the video.

“Western Son captivates with its delicate groove, haunting sound and ANNA’s immense vocal range. In ANNA’s words, the song “Lyrically, it's setting the scene for what life ‘would have’ or ‘could have’ been like for the son I never had…”

PARACHUTE turns the page on the next chapter of three longtime friends and collaborators. After 15 years of friendship, countless memories, two albums and a 100-plus shows in the band Gypsy Tailwind, the trio thread together an unforgettable journey.

Here’s a Q&A with ANNA LOMBARD about “Western Son”:

Q: Where was the video shot?

ANNA: “The majority of the video was shot in Cape Elizabeth out at Ram Island Farm, an area of Cape where I spent a lot of time as a kid. This includes the drone footage of the winding road, the views of coastal Maine, the bridge over the river...as well as the scenes of me driving the VW. The headshots were filmed in our living room, and the clip of our guitarist Josh (who is a Chief Mate and steers a tugboat) was shot in N.Y. Harbor on a classic ocean-going tugboat--112' long with locomotive engines--on his way back from assisting a container ship through a bridge around a turn. He was sitting on the aft deck, near the tow winch, when he cut his scene. The scenes with the boy were on my brother's farm right off the road where the initial drone footage of the car was filmed. His sons built this little wooded amphitheatre that they named EVERGLOW, and we wanted Harry to be a little carefree boy discovering that special spot.”

Q: Any good anecdotes happen during the filming?

ANNA: “Jon had to sit in the back of Dan’s SUV with the hatch door open while filming the VW car shots and almost fell out about 12 times. Jon had Macgyver’d a camera rig for the scene of all three of us in the bug and placed it on the hood. It was a four-foot piece of one by three with a makeshift camera mount glued and taped to it, strapped onto the car via a ratchet strap, and center on a towel so the car didn’t get scratched. The rig fell apart right as we finished the last cut for that scene and pulled into the driveway, thank God.”

Q: What was the inspiration for the song?

ANNA: “For me, this song is about the son none of us ever had. We have four healthy, beautiful daughters (two each) but neither of us ever had boys! Personally, having girls was so foreign to me, as I grew up the youngest and only girl with all older brothers. Navigating through raising girls seemed so daunting to me, as I consider myself to be a bit of a tomboy. It was kind of like, ‘OK..how the hell am I going to do this?’ Lyrically, we tried setting the scene for what it ‘would have’ or ‘could have’ been... So, it's kind of this dreamed up idea of having a boy. There are lyrics like ’there's a church up on the hill, above a town you could've known so well’; and the church on the hill in the video is a 200+ year old church in the town I grew up in, where one of my aunts was married and adjacent to a cemetery where many family members of mine over the years have been laid to rest.  How would life be different if I had been a mother, or if Dan had been a father to sons? What lessons would they have taught us? Perhaps the lessons I needed to learn only happened from becoming a mother of two girls instead…learning to break the cycle of familial toxicity and be to them what I needed when I was younger. For Dan, the original skeleton of the song was about being married to someone, having a son, and then going through a divorce and losing custody as the mother heads west and he never sees the boy again (not autobiographical FYI).

Q: For the video, what were you looking to visually achieve?

ANNA: “Beautiful landscapes, something that felt fun, easy to watch, and felt good. Our last video was so heavy...both Jon and I felt as though this was something that maybe could make people smile as they are watching. We wanted to give some visual components to the lyrics in a literal sense but also portraying innocence...something easily relatable to the viewer and with a pure, unadulterated playful vibe."

Q: The car in the video is one that seems to reflect a carefree attitude from another era. Why was the car chosen for the “road trip?”

ANNA: “We chose the car because it belongs to our friend and exec producer Alex. Easy decision. We just wanted an old car to drive around the town and shoot scenes. I think given the fact that this song sounds a little old school, we wanted to have a car that matched that era of music. It is a 1979 beetle, mint condition. So fun to drive, I almost took off forever in it.”

Q: As the video closes, we see the character triumphantly holding a sword as almost a sign if victory. Why did you choose to end the clip that way?

ANNA: “The boy in the end of the video is my nephew--we were going for this fictitious character as I mentioned above, but Harry is this wild, carefree, adventurous and fearless little boy...so we decided that he should resemble a cross between Max from Where The Wild Things Are [book and film] and maybe a character from the classic CS Lewis Chronicles of Narnia [book and film]. A little boy finding a sword and checking out this magical little amphitheatre, where he found himself free to explore without being under the thumb of a parent or rules of any kind. I think the sword as a sign of victory at the end was meant to just convey that no matter what, the fictional character ends up being, even if I wasn’t blessed with a boy. Maybe he's there in your heart, maybe you know that it wasn't meant to be. Maybe it’s the point where one of us realizes that our journeys as parents were exactly as they were meant to be and so it allows this fictional character to kind of go on existing in this magical, made up, ethereal and peaceful way.”

Tue, 04/06/2021 - 2:01 pm

The worlds of dance and rockabilly uniquely come together in “Gather Round,” a collaboration between LEE ROCKER of The Stray Cats fame and the award-winning COMPLEXIONS Contemporary Ballet featuring three songs from the Grammy-nominated upright bass player, singer and songwriter’s current solo album Gather Round. This first iteration of a full-length ballet by COMPLEXIONS using the music of ROCKER has been commissioned by the Laguna Dance Festival and will be world premiered online as a free event starting April 25 at 5:00 PM PT/8:00 PM ET (Laguna Dance Festival). Watch the trailer here. The full-length ballet, for which other details are TBA, will be performed in 2022 in Laguna Beach, CA (venue TBA).

“Gather Round” will be presented in three short duets to Rocker’s songs: “Gather Round,” “The Last Offline Lovers” and “When Nothing’s Going Right.” It’s a rousing, tongue-in-cheek nod to the timeless genre that is Rockabilly. The piece finds its inspiration musically “in the pocket” of the rhythm and soul of Rocker’s spinning double bass, and distinct vocals. “Gather Round” is a colorful expression of movement that connects, expresses, and celebrates the joy of living life, in all of its complexities.“I’m thrilled and honored the complexions modern ballet company has chosen to choreograph and dance to music from my newest album Gather Round,” says LEE ROCKER. “In previous years, Complexions has created groundbreaking performances featuring the music of David Bowie and Lenny Kravitz. Thank you for the incredible choreography, dancers, and concept. The team of Dwight Rhoden, Jodie Gates, Desmond Richardson, Brandon Gray and Larissa Gerszke have truly captured the essence and emotions of my music in a unique and innovative way.”

 LEE ROCKER, photo credit: Jet Luna

“‘Gather Round’ is choreographed by Dwight Rhoden, Founding Artistic Director of Complexions Contemporary Ballet, of which Broadway World has written: “Complexions is breathtaking in its appropriate irreverence and indisputably glorious entertainment value. For what it is rather than what it’s not. It is one of the finest of Contemporary Ballet Companies in America.”

“Desmond Richardson (Assistant To The Choreographer) and I have been big fans of Lee’s work for a long time,” says Dwight Rhoden, “and I have always wanted to create a ballet to his music. Thanks to both Lee, Jodie and the Laguna Dance Festival, Complexions finally gets that chance. Dance and Rockabilly music have always been a perfect match in my mind, but actually getting into the studio and watching the dancers get swept away by the pulse and thump of his music, has been so rewarding. The spirit of Lee’s new record “Gather Round” is contagious, and so inspiring.”

Jodie Gates, Founder and Artistic Director, Laguna Dance Festival, says: “When we set out to commission a new work in the middle of a pandemic, we could not have imagined bringing together a more exciting group of artists. Lee Rocker’s new music ‘Gather Round’ combined with exquisite dancers from Complexions and the stylish choreography by Dwight Rhoden is a multidisciplinary celebration of what the future for the arts can look like as we move together into the world of live theater post-pandemic. The world premiere of the video April 25th is just the beginning of a longer work we are committed to commission from these artists in the 2022 Laguna Dance season in Orange County.”

“Gather Round” Credits:

Choreography: Dwight Rhoden 

Music: Lee Rocker  

Costume Design: Christine Darch 

Filmed by: Jacob Hiss 

Edited by: Jacob Hiss & Dwight Rhoden 

Assistant to the Choreographer: Desmond Richardson, Clifford Williams  

Wed, 04/07/2021 - 12:29 pm

THE DAMN TRUTH was formed by lead vocalist/guitarist Lee-la Baum and lead guitarist/vocalist Tom Shemer who met at a hippie festival near the Sea of Galilee in Israel—both were completely nude--and have been together ever since. The power of their love is a driving force for their 60’s-inspired ethos showcased on Now Or Nowhere. It is a definitive statement about the band, about the times and how everyone navigates life, love and everything else in a world gone seemingly upside down and sideways.

Six of the nine tracks featured on Now Or Nowhere were recorded with Grammy Award-winning legendary producer Bob Rock (Aerosmith, Tragically Hip, Bon Jovi) at Bryan Adams’ The Warehouse Studio in Vancouver until Covid entered the picture. Due to restrictions of the pandemic, the band was forced to return home where they then enlisted a team of A-list engineers to complete the album including Juno Award-winning producer Jeam Massicotte, Grammy Award-winning engineers Vance Powell (Jack White, Chris Stapleton) and Nick DiDia (Bruce Springsteen) and engineer Mike Plotnikoff (Van Halen, Cranberries).

Listen to its entrancing and soulful debut single “This Is Who We Are Now” here:

https://youtu.be/IIxU1m_Qe_8

THE DAMN TRUTH have previously performed on stages and festivals in Europe and across North America, including opening on tours for ZZ Top, The Sheepdogs, Styx and Rival Sons and have sold out venues including the legendary Whisky a Go Go in Los Angeles and the Corona Theatre in their hometown of Montreal. Lee-la‘s intoxicating vocals also led to her being featured in a video ad for Yves Saint Laurent Mon Paris perfume covering U2’s “Love Is Blindness” that went viral internationally, doubling their fan base overnight. Listen to the full cover version, which has nearly one million views, HERE. The group’s strong work ethic has garnered them almost 2 million streams on Spotify, 60K TikTok followers and over 2 million YouTube views.

Thu, 04/29/2021 - 12:22 pm

Mercy Fontenot was a zelig who grew up in the San Francisco Haight Ashbury scene, where she crossed paths with Charles Manson, went to the first Acid Test, was friends with Jimi Hendrix (she was later in his movie Rainbow Bridge) and married Shuggie Otis with whom she had a son, Lucky.

Permanent Damage: Memoirs of An Outrageous Girl, written just prior to her death in 2020 with veteran music journalist Lyndsey Parker, fearlessly shows us the anything-goes world of the 1960s and 1970s music scene through Miss Mercy's eyes, as well as the fallout of that era--experiencing homelessness before sobering up and putting her life back together. Miss Mercy’s journey is a can’t miss for anyone who was there and can’t remember, or just wishes they’d been there. Pre-order the book here.

Miss Mercy’s work in the GTOs, the Frank Zappa-produced all-female band who released their debut album PERMANENT DAMAGE in 1969 on his Straight Records label, launched her into the pages of Rolling Stone that same year. Her adventures saw her jumping out of a cake at Alice Cooper’s first record release party, while high on PCP, and had her travel to Memphis where she met Al Green and got a job working for the Bar-Kays. Along the way, she married and then divorced the above-mentioned Shuggie Otis, before transitioning to punk rock and working with the Rockats and Gears. This is her story as she lived and saw it.

Here are 10 gems from Permanent Damage: Memoirs of An Outrageous Girl:

● Charles Manson: “One time in the Victorian [in San Francisco] I shared with Ricky [Prescott, her childhood friend] I could hear Charles Manson in the adjacent room, talking to a black guy about the ‘blood wars’ that would soon erupt due to all the racial unrest in the world.”

● Janis Joplin: “I was with Janis Joplin’s drug dealer the night she died...He wanted to test the smack on me, basically use me as his guinea pig. Naturally, I was up for the task. But as soon as he shot me up, I knew something had gone very wrong...Neither of us knew at the time that Janis would overdose from this same batch of heroin.”

● Rolling Stones/Altamont: “About three days before the Rolling Stones’ infamous, disastrous Altamont Festival, where the Flying Burrito Brothers also performed, Pamela [Des Barres] and I went to see Gram play a solo gig at the Corral Club in Topanga Canyon. Mick Jagger and Keith Richards were also there…One thing led to another, and we all jumped in a limousine at the end of the night and went over to Peter Tork’s house. I had my tarot cards with me, and for some dumb reason decided I was going to do a reading for the Stones…The whole read-out was an utter tragedy…I read Keith and Gram’s cards next, and it was same alarming result. Just no, no, no—'no’ was the one word going through my mind. All of the tarot cards looked horrible...But I decided not to tell them what I saw since I wasn’t going to be able to change their minds about going through with it anyway...everybody knows what happened at Altamont, when the violence broke out and the Hells Angels who’d been hired to be security guards stabbed that poor kid Meredith Hunter to death. Four people ultimately died that day—along with, many have said, the 1960s.”

● The Go-Go’s: “I wanted to put some funk into the punk. I spent all my time trying to educate these young punk people. I would tell them, ‘You’re playing shit…I remember being over at X’s house with Belinda Carlisle, and I handed Belinda a list of black songs that I thought the Go-Go’s should cover, and one of them was ‘Cool Jerk’ by the Capitols. They ended up recording it a few years later.”

● “Miracle Max”/Dr. Feelgood: “Once I traveled with Jobriath [70s glam rock musician] to New York, and he and the guy who cowrote Hair, James Rado, took me to meet Max Jacobson—a.k.a. ‘Miracle Max or ‘Dr. Feelgood,’ or the inspiration for the Beatles’ ‘Doctor Robert,’ who had been President Kennedy’s doctor. Max had been tied up with all these celebrities—Edie Sedgwick, Lauren Bacall, Marlene Dietrich, Eddie Fisher, Judy Garland, Thelonious Monk, Marilyn Monroe, Elvis Presley, Elizabeth Taylor, Tennessee Williams…Perhaps it speaks volumes about my tolerance level that a shot from the infamous Dr. Feelgood made me feel almost nothing. But I took a second shot that day, this one administered by Max’s nurse, and she booted me—what that means is, she shot me up, drew the blood back out through the syringe, and then she shot me again, so it was like shooting up twice, a two-for-one special. That’s how crazy this scene was. That rock ’n’ roll nurse had holes all over her arms.”

● Chuck Berry: “Chuck Berry was playing a concert with Johnny Otis at Disneyland, and I went with Shuggie and the Otis family to see the show. Before we set off, I gulped down a handful of pharmaceutical pills—Valiums, whatever I could find…I most likely had sex with Chuck that night, but I can’t be sure because I was so out of my mind on pills that it’s all a blur…So…about that bucket. Chuck Berry was known for certain bathroom fetishes and peeping-Tom behavior, for which he got in big, big trouble later. After we finished doing whatever we did in his trailer, he informed me, ‘I’m going to take a photo of you because I always take pictures of the women I have sex with.’ So obviously we must have had sex, even if I don’t remember it. Anyway, I let him take a naked Polaroid. I don’t know where that photograph is now. I’d actually like to see it. Then he said, ‘Would you do me another favor? I’m going to hand you a bucket. I would like you to go to the bathroom and take a shit while I watch.’ At the time, I thought Chuck’s request was odd, but I was probably too fucking high to process it. So what the hell—I did as I was asked. I gave him his sexy stool sample. I don’t even want to know what he did with the bucket afterward. At least there’s no Polaroid of me doing that, thank God.”

● Alice Cooper (from Pamela Des Barres’ afterword): “…she [Mercy] leapt out of a huge, gooey cake at Alice Cooper’s ‘coming out’ party, when she hurled the icing at all and sundry, splatting hunks of goop on the likes of Rod McKuen and Richard Chamberlain, who thought they were attending the coming out of an actual Beverly Hills debutante. As I remember it, Mercy had smoked angel dust before her big moment…”

● GTOs reunion/Hollywood Palladium: “The only event that came close to a real GTOs reunion was a show on October 11, 1974, also at the Palladium, called the ‘Hollywood Street Revival…Shuggie thought it wasn’t proper for me to be in the GTOs. He objected to most activities that would entail me fraternizing outside the house with other musicians. But then, on the day of the show, Cynderella called me up and convinced me to do it after all. The other girls had been rehearsing diligently, but she assured me it would be fine for us to just show up out of nowhere (apparently she’d skipped out on rehearsals as well). I told Shuggie, ‘Cynderella and I are going to the pictures, see you later!’...when Cynderella came by to pick me up, she had this china white heroin from France, so we got blitzed out of our gourds. We walked into the venue just as the GTOs were about to go on and said all brightly and casually, ‘Hey, guys, we’re here!’ Sparky and Pamela weren’t too thrilled to see us, especially when I became sick as a dog from the smack and started throwing up backstage…Later, when I got home, Shuggie eagerly sniffed up the rest of the French heroin, but not before his father, the legendary bandleader Johnny Otis, pounced on me the minute I stepped through the door. ‘How could you do that to the family?’ he screamed. I said, ‘What on earth are you talking about? Do what?’ Johnny said, ‘I saw you on the TV. How could you embarrass us like that?’ I had no idea that this Palladium concert was a splashy event that was going to be on the evening news. There would be no more GTOs reunion attempts after that.”

● Rolling Stone Cover: “Bernardo [Saldana, ‘the first love of my life’] and I were even on the sixth cover of Rolling Stone, in a prize-winning photo from the famous Gathering of the Tribes, of the ‘Human Be-In’—an iconic image that bound us together forever. It was that day that Baron Wolman, the legendary chief photographer for Rolling Stone, spotted us in Golden Gate Park. ‘Can you just pose for us? I like your looks,’ he said simply, and he snapped that historic photo. I didn’t think much of it at the time. A few weeks later I was high on acid at the Fillmore, and I saw the issue there and went, ‘Oh, my God, Bernardo. We’re in Rolling Stone!’ I could not believe it. There I was on the cover in my white poet blouse, perfectly worn-in 501 Levi’s, and antique fur coat, staring and glaring right at Baron’s lens with my kohl-caked eyes. Exactly a year later, on my birthday, I was in Rolling Stone again—issue No. 27, the ‘Groupie’ issue—this time taking up the entire back cover…”

● Arthur Lee: “Arthur [Lee, of Love] was a wild-eyed guy, so tall and so handsome, but so totally fucked up. He was so loaded that he hid in my bathroom and claimed the boogeyman was after him. At that point in my life, I thought to myself,’ “Damn, this guy’s a little too freaky, even for me.’ I had immense respect for Arthur as a musician, but I didn’t feel the need to hang with him right then. It takes a lot to scare me, but he scared the crap out of me. When Arthur and I finally hooked up a couple decades later, that boogeyman had followed him all the way into the nineties. That damn monster was still chasing him. I believe it chased him till the day he died.”

About Lyndsey Parker:

Lyndsey Parker is the music editor at Yahoo Entertainment and host of the daily SiriusXM Volume show Volume West. Considered an expert in music and pop culture, Parker is an Online Journalism Award nominee and has written for Elle, MOJO, Rolling Stone, NME, and Guitar. She has appeared as a commentator for the ABC special The Show Must Go On: The Queen + Adam Lambert Story, AXS TV’s The Top Ten Revealed, and the documentary I Want My MTV, as well as for VH1's Behind the Music, CNN, MTV, The Insider, and Good Day L.A.. She is the author of Careless Memories of Strange Behavior: My Notorious Life as a Duran Duran Fan (one of the first e-books published as part of Rhino Records’ all-digital music book series, which went to #1 on the iTunes Music Books chart).

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Thu, 05/06/2021 - 4:45 pm

Acclaimed and Grammy®-nominated acoustic guitarist, singer and songwriter TOMMY EMMANUEL—one of five people ever named a CPG (Certified Guitar Player) by his idol, music icon Chet Atkins—today (May 6) shares the video for “Copper Kettle.” It’s the third single + video from the EP ACCOMPLICE SERIES VOLUME 1 WITH ROB ICKES & TREY HENSLEY, out tomorrow May 7 on CGP SOUNDS. Watch the Zach Pigg-directed video here with TOMMY and powerhouse Grammy®-nominated acoustic duo Rob Ickes & Trey Hensley in the studio in Nashville when they recorded the EP. Pre-save and pre-add the EP here.

The “Copper Kettle” video was premiered yesterday at Bluegrass Today which praised the EP: “It features these three virtuoso instrumentalists in a spontaneous, freewheeling recording…” “Copper Kettle” follows the album’s first two videos, “Flatt Did It” and “Raz-Ma-Taz Polka,” premiered at The Bluegrass Situation and Glide Magazine, respectively.

ACCOMPLICE SERIES VOLUME 1 WITH ROB ICKES & TREY HENSLEY was born out of the deep admiration the musicians have for each other, also underlined by shows they’ve played together intermittently for nearly five years, the first of which was May 5, 2016 at the Palace of Fine Arts Theatre in San Francisco.

Creative sparks fly on the EP, which radiates good vibrations with white-hot picking virtuosity on acoustic guitars and Dobro—it’s all a welcome sanctuary from these upside-down times. There are three cover songs—the Chet Atkins/Doc Watson song “Flatt Did It,” Buck Owens’ “Raz-Ma-Taz Polka” and the standard “Copper Kettle”—plus a rendering of the Emmanuel composition, “It’s Never Too Late,” originally released in 2015.

To support the EP, TOMMY, ROB & TREY have announced they’ll perform together at the sold-out Grand Ole Opry on Saturday, May 8. The performance will be broadcast worldwide on www.wsmradio.com at 7 PM CDT that same night.

They’ve also announced a ticketed livestream event via nugs.tv for Sunday, May 9 at 8 PM CDT to emanate from 3rd & Lindsley in Nashville. Purchase tickets here.

Mon, 05/24/2021 - 6:25 pm

NICK PERRI & THE UNDERGROUND THIEVES are following the success of their debut single “Feeling Good” (which peaked at #45 on U.S. rock radio chart) with today’s release of the second single and video, “I Want You.” Coming off a round of tour dates with Blackberry Smoke (April 27-May 2), the buzzed-about Philadelphia-based soulful rock band noted for their powerhouse live shows have also announced a co-headline tour June 3-22 with Rick Nielsen of Cheap Trick plus dates with Blackberry Smoke (6/25-7/1) and a month-long headline residency at The Ardmore Music Hall in their hometown in July (8,15,22,29).

NICK has also teamed up with Gibson and Sweetwater Sound to give away 100,000 free digital copies of his debut LP SUN VIA. The album giveaway is being hosted on NICK’s website and includes a download of album artwork. Says NICK: “The ultimate goal is for people to hear and enjoy the music…always. I’m very grateful to be teaming up with Gibson and Sweetwater to do this and share the album experience with as many people as possible. Although there are different moods and narratives throughout the record, I believe the takeaway message is one of hope, love, and good vibes. So yeah, let’s share it!”

Watch and share the new performance video and interview with Nick Perri and Mitch Gallagher of Sweetwater Sound for Tones & Techniques, out today, here. Nick plays through some riffs off his new album SUN VIA and takes viewers on a deep dive into all the trusted gear he uses on tour and in the studio.

Listen to the new single “I Want You” from their current debut album SUN VIA here and watch the new video here.

The “I Want You” video was filmed in one continuous take (like the clip for “Feeling Good”) and co-directed (with Ari Halbkram and Derek Brad) by singer, songwriter and guitarist extraordinaire NICK PERRI. “I’ve always been a fan of that style of filming. I dig the foresight and preparation it takes, and it makes the shoot a performance in its own right,” he says. “Everything has to hit on cue. It’s challenging sure, but super fun. And…way less work in post.”

The video was filmed in Philadelphia and underlines their love for the city. Explains NICK: “Well I grew here so it’s hard to imagine life without the influence of the city, but after living in California for quite a number of years, it’s so incredible to be back. It was an obvious choice for me and the team, and the entire video is shot on the grounds of the Philadelphia Art Museum made world famous by Rocky. Philadelphia is a beautiful, and tough, city. It’s rich in history, but people keep it real. It’s a place that keeps you humble, and honest. And then there are the cheesesteaks.”

“I Want You,” written with NICK’s bandmates Anthony Montesano and Michael Montesano, has a big sound with driving acoustic guitars, merged with electric guitars and keyboards. “To be honest,” shares NICK, it’s my favorite song on the LP and probably my favorite that I’ve ever written. It was one of those that just came to me in a very organic and natural way. My bandmates Michael and Anthony helped me fine tune it and from the moment it was complete it’s just always given me a certain warm feeling. And to me that’s what all my favorite music does--it encapsulates us with feelings and memories and hopefully, joy.”

DATE

 

 

 

LOCATION

 

VENUE

 

Co-headlining w/ Rick Nielsen of Cheap Trick

 

THU

 

6/3

 

Davenport, IA 

 

Adler Theater

 

FRI

 

6/4

 

Hamilton, OH 

 

RiversEdge Amphitheater

 

SAT

 

6/5

 

Roanoke, VA 

 

Berglund Center

 

SUN

 

6/6

 

Huntersville, NC 

 

Historic Rural Hill

 

*TUE

 

6/8

 

Macon, GA 

 

Grant’s Lounge

 

FRI

 

6/11

 

Schaumburg, IL 

 

Boomers Stadium

 

SAT

 

6/12

 

Mt. Carrol, IL 

 

Rhythm Section Amphitheater

 

SUN

 

6/13

 

Kansas City, MO 

 

Knuckleheads

 

TUES

 

6/15

 

Nashville, TN

 

Basement East

 

THU

 

6/17

 

Leesburg, VA 

 

Tally Ho Theatre

 

SAT

 

6/19

 

Bethel, PA 

 

Pat Garrett Amphitheater

 

SUN

 

6/20

 

Annapolis, MD 

 

Ram’s Head On Stage

 

TUE

 

6/22

 

Belle Vernon, PA 

 

Vinoski Winery

 

Supporting Blackberry Smoke

 

FRI

 

6/25

 

Sunbury, PA

 

Spyglass Ridge Winery

 

SUN

 

6/27

 

Middletown, NY 

 

Orange County Fair Speedway

 

TUE

 

6/29

 

Lafayette, NY

 

Apple Valley Park

 

THU

 

7/1

 

Lewiston, NY 

 

Artpark

 

Headline residency at The Ardmore Music Hall

 

THU

 

7/8

 

Philadelphia, PA 

 

Ardmore Music Hall

 

THU

 

7/15

 

Philadelphia, PA 

 

Ardmore Music Hall

 

THU

 

7/22

 

Philadelphia, PA 

 

Ardmore Music Hall

 

THU

 

7/29

 

Philadelphia, PA 

 

Ardmore Music Hall

 

*one-off headline show w/out Nielsen

 
Thu, 06/03/2021 - 8:49 am

GRAND FUNK RAILROAD--the legendary rock & roll powerhouse—are gearing up to return to the road in 2021 starting July 2 in Fayetteville, GA, with another 29 shows to follow this year. View the dates here and read a Q&A below with original founding member Don Brewer (vocals and drums, writer and singer of the multi-million selling hit, “We’re An American Band”). Watch the tour trailer here.

After playing to millions of fans on the band’s tours from 1996 to 2019, GRAND FUNK will continue to reach both new and long-time fans on the “Some Kind Of Wonderful Tour,” named in honor of their 1975 Billboard pop smash. Originating from Flint, Michigan in 1969, this top-selling American rock group of the 70’s is “Comin’ To Your Town To Help You Party It Down.” Notably, this year marks the 50th anniversary of when the group’s show at New York’s Shea Stadium sold out faster than the Beatles.

Known as “The American Band,” the high-energy five-piece group GRAND FUNK RAILROAD includes original founding members Don Brewer (vocals and drums, writer and singer of the multi-million selling hit, “We’re An American Band”) and bassist Mel Schacher, “The God of Thunder.” Joining Don and Mel are true “All Stars.” Singer Max Carl is a rock veteran from 38 Special. Max penned and sang 38’s biggest hit “Second Chance” and was co-founder of California’s legendary Jack Mack and the Heart Attack. Don refers to Max as “the best blue-eyed soul singer on the planet.” Lead guitarist Bruce Kulick is best known for his 12 years with KISS and has credits with Michael Bolton, Meatloaf and Billy Squier. (KISS members Gene Simmons and Paul Stanley were influenced early on by Grand Funk.) Keyboardist Tim Cashion has a master’s degree in music from the University of Miami. Affectionately called “Dr. Tim,” his credits include stints with Bob Seger and the Silver Bullet Band and English soul man Robert Palmer.

Grand Funk laid the groundwork for such bands as Foreigner, Journey, Van Halen and Bon Jovi with its signature hard driving sound, soulful vocals, muscular instrumentation and forceful pop melodies. The fact that Grand Funk’s legacy still reigns over the Classic Rock landscape 50 years after is a testament to the group’s influence and staying power. Mega-hits “We’re An American Band,” “I’m Your Captain/Closer to Home,” “Locomotion,” and “Some Kind Of Wonderful” still receive continuous airplay on Classic Rock radio. “We’re An American Band” has received notoriety in recent years being used in movie soundtracks and in television/radio advertising. The huge hit was featured in a General Motors national TV ad campaign and in Disney’s animated feature film The Country Bears. “We’re An American Band” was featured in the Cuba Gooding Jr. film Radio, and in the swash buckler Sahara starring Matthew McConaughey.

Internationally acclaimed Grand Funk has toured the world, selling out in the U.S., Canada, Europe, Japan and South America. A 1971 performance at New York’s Shea Stadium sold out faster than the Beatles. The group’s widespread appeal is also evident in its prestigious recording achievements. Over their career, Grand Funk has had 19 charted singles, 8 Top 40 hits and two Number One singles (“We’re An American Band” and “Locomotion,” both selling more than one million each). The group has now accumulated 13 gold and 10 platinum records with record sales exceeding 25 million copies sold worldwide. The most recent gold CD award was presented to the band for their greatest hits package Grand Funk Railroad the Collectors Series.

The multi-talented band carries on the tradition of Grand Funk hits and creates a new chapter in the legacy of Grand Funk Railroad. GFR drew 25,000 people to their Molson Canal Series Concert outside Buffalo, 20,000 in Albany, New York, and 20,000 fans to downtown Orlando, Florida. EMI/Capitol (Universal Music) released a new Grand Funk Greatest Hits package that includes a bonus DVD of rare concert footage. Grand Funk Railroad’s 2019 “50 Years Of Funk Tour” was a huge success and now, with the group’s 2021 “Some Kind Of Wonderful Tour,” seasoned Grand Funk lovers and contemporary rock fans discovering the group for the first time will be able to celebrate 50 Years of Funk with Grand Funk Railroad.

Q&A with DON BREWER

What a great message you posted to fans on the band’s website: “After a long 15 months off due to Covid, the guys are excited to be back on stage playing across the USA. Kicking off in Fayetteville, GA July 2, with another 29 shows to follow this year.” Can you talk about your excitement of returning to the road? And when was the last time you had such a long break from the road?

BREWER: “I can’t wait to get back on stage and perform for people. This has been torture for me and the rest of the guys. We have been touring nonstop with this band since 2000 and the band and crew are family. Not seeing everyone on a regular basis has been very difficult. We have not had a break like this since 1982.”

When the reality of the pandemic initially set in and you knew you and the band couldn’t tour, what was going through your mind?

BREWER: “When it finally sunk in that the pandemic was going to be long term, my thought was: Is this it? Is this the end? Very depressing. So I stayed in touch with the guys by text and email and started rehearsing daily just to stay optimistic.”

During your time away from the road, did it give you the opportunity to spend some time doing things you perhaps hadn’t done in awhile?

BREWER: “While stuck at home during the pandemic I found things to do around the house that had been neglected for years. After nine months I ran out of projects.”

What did you miss most about touring? Well, maybe not the plane rides…

BREWER: “I miss two things touring. Being on stage in front of the fans playing our music and being with all the guys in the band and crew. We are brothers.”

Looking ahead to your first show on the 2021 “Some Kind of Wonderful Tour,” what thoughts do you think will be running through your head when you take stage and hear the crowd applause?

BREWER: “When we take the stage for the first time in over 15 months and hear the crowd and applause, I’m sure I will be thinking “Thank God!”

2021 GRAND FUNK RAILROAD tour dates:

7.2    Fayetteville, GA @ Southern Ground Amphitheater

7.4      Harrisburg, NC @ Harrisburg 4th of July Celebration

7.10   Chippewa Falls, WI @ Northern Wisconsin State Fair

7.24   Walker, MN @ Moondance Jam

7.31   Marion, IL @ Marion Cultural and Civic Center

8.6      Waterloo, NY @ del Lago Resort & Casino

8.8      Webster, MA @ Indian Ranch

8.14   Mount Pleasant, MI @ Soaring Eagle Casino & Resort

8.27   Big Flats, NY @ Summer Stage at Tag's

9.4      Portsmouth, OH @ TBA

9.5      Wauseon, OH @ Fulton County Fair

9.9      Cohasset, MA @ South Shore Music Circus

9.10   Hyannis, MA @ Cape Cod Melody Tent

9.17   Biloxi, MS @ Hard Rock Hotel & Casino Biloxi

9.18   Kansas City, MO @ Ameristar Casino Hotel Kansas City

9.24   French Lick, IN @ French Lick Resort

10.1   TBA

10.3   Dallas, TX @ TBA              

10.8   Northfield, OH @ MGM Northfield Park

10.9   TBA              

10.15 Las Vegas, NV @ TBA                 

10.22 Reno, NV @ Grand Sierra Resort

11.6   Florence, SC @ TBA

11.12 TBA   

11.13 TBA              

11.20 TBA              

11.27 TBA              

12.3   TBA

Tue, 06/15/2021 - 4:29 pm

Music and family have always been central to dream-folk artist/multi-instrumentalist JEREMY SQUIRES’ story. On his 11th studio album UNRAVEL—due out July 30 via Blackbird Record Label—SQUIRES merges distinctive songcraft with deeply felt vocals and musical performances. With his second single, “Fade,” released last Friday (June 11), SQUIRES tackles the emotions he dealt with as he experienced the loss of his grandmother who raised him.

“‘Fade’ is about facing yourself and revisiting memories and/or demons and coming to terms with them,” shares SQUIRES. “There were so many things going through my head when I wrote this song. My grandmother had passed, my life was changing and the people around me were changing and spiraling. I was faced with difficult life choices I had to make, and this song was an outlet.”

The track is accompanied by a stirring black and white video (seen below) filmed across his favorite spots around his hometown of rural North Carolina and at his late grandmother’s home. The video was premiered on June 10 via Bluegrass Situation.

“The video for ‘Fade’ was filmed at various locations in my hometown and in a small neighboring town,” SQUIRES says. “I filmed multiple scenes in my granny’s old home that she left to me. I feel the lyrics reflect the imagery in the video. I filmed a specific scene as I burned a life’s worth of papers and collected memories outside in her yard one night with an old crutch and it was cathartic. ‘Fade’ is one of my favorite videos and I feel that it is one of the best songs on the album. It is definitely one that I am connected to.”

On UNRAVEL, SQUIRES experiments with new instruments—writing his first-ever song on bass—and influences by building tracks with friends such as Erin Tate (ex-Minus The Bear) while somehow maintaining to effortlessly weave each track into a cohesive statement. “When I listened back to this album, it seems like you can really see and feel what I was talking or singing about…it’s like a story,” he shares. “Lyrically it seems more in-depth. There’s something about this album that is more dreamy. I can see where it’s definitely different than anything that I’ve released.”

UNRAVEL Track Listing

1. My Last Song

2.   Fade

3.   Only In My Dreams (Watch)

4.   Aurora

5.   Unravel

6.   Dream Walking

7.   Burst

8.   Crosses

9.   Diminish

10. Borderline

Fri, 06/25/2021 - 8:17 am

British acoustic guitar virtuoso MIKE DAWES, along with acoustic guitarist extraordinaire TOMMY EMMANUEL, today (June 25) shares a new single and video, “Somebody That I Used To Know.” The song (on Qten Records) is a stirring instrumental cover of the massive worldwide 2011 hit by Gotye which marks its 10th anniversary this year. Listen to the song here and watch the video here. It premiered yesterday (June 24) at Guitar Player which hailed the track as “spellbinding.” TOMMY EMMANUEL and MIKE DAWES, who have toured together in the past, will do so again starting in January 2022 with MIKE DAWES as special guest. Below are the tour dates and a Q&A with both artists about the single and video.

Q&A WITH MIKE DAWES AND TOMMY EMMANUEL:

MIKE DAWES:

--What originally inspired you to record and release your version of Gotye’s “Somebody That I Used To Know” in 2012?

It was the perfect storm of events really. I hate to sound too obvious, but I had a breakup that knocked me back at the time (boohoo, I know). “Somebody That I Used to Know” seemed an appropriate way to reset. I had also seen the fantastic 'Walk Off The Earth' cover version with five performers on one guitar. Taking on the challenge was a great way to channel that energy.

--What was it like to discover Tommy’s music and then tour with Tommy?

I mean, Tommy is the greatest guitar player alive in my opinion. It is beyond humbling and a complete honor to have been able to share the stage with him and observe not just his performance, but also to be around him on the road. He is the real deal and such an inspiring soul.

--How would you describe Tommy’s artistry?

I'd say it is an extension of himself as a person. Dedication to a craft he loves and honesty of expression. Pure fun.

-- What led you to record a new version of the Gotye hit with Tommy and can you talk about what you feel you musically achieved?

There are a few reasons why this collaboration had to happen, and I'm so glad it did. “Somebody That I Used to Know” is one of the biggest songs to come out of Australia and Tommy is an Aussie national hero! Not only that, but this month marks the 10-year anniversary of the song, as well as the 9-year anniversary of my 2012 arrangement. We’re also announcing our 2022 USA tour together. I am so proud of this collaboration, the arrangement and production. Once you add Tommy to a track, everything falls into place.

--Were there challenges in recording the song with you in the UK and Tommy in the US?

It was really fun. Tommy tracked his part to my original recording, and then I reworked my part into a re-recording with extra licks, structure and harmony based around what he played. That way I could get Tommy's DNA into the tune in a way that avoided a lazier approach of just having him play over the top of an old arrangement. I'm so happy with the result and I hope the fans of the original enjoy it too!

--Can you talk about the video with you shooting your part in the UK and Tommy in the US?

It would have been a dream to be in the same location but for obvious reasons we couldn't. Fortunately, Tommy and I have the same manager and he was graciously able to coordinate and film Tommy doing his thing. The funny thing was, I had just had eyeball surgery so was pretty blind whilst shooting. Thanks muscle memory!

TOMMY EMMANUEL:

--How did you first become aware of Mike and what was it like to tour with him?

I became aware of Mike through YouTube videos and people in England telling me to check him out. I loved his playing and his personality on stage--he has a generous spirit with his audiences! When my manager took him on as a client, he asked me if I'd like to have Mike on some shows, I jumped at the opportunity to have Mike on a EU tour. We got on as friends and found a good way of making our shows exciting for our audiences and I found I could rely on Mike to always give his best out there onstage. We had fun together and my team became his team too!

--How would you describe Mike’s artistry?

Mike’s style is so different to mine and that makes for a good chemistry between us. I ask him to play his arrangements as he did solo, then I found a way to blend in, harmonize, strengthen choruses and stay out of his way, musically, yet add to what he's doing! His approach to melodies is solid!

-- What led you to record this version of the Gotye hit with Mike and can you talk about what you feel you musically achieved?

The Gotye song is a powerful statement, musically, and his arrangement is very true to the composer. When it was suggested we should do it together, I jumped at the chance and hopefully added a part that enhanced what he was already doing. He was covering everything including melody, rhythm, bass and percussion parts!! So, I just needed to play the chorus melody and add some vocal-type fills around his playing.

--Were there challenges in recording the song with you in the US and Mike in the UK?

He recorded his part at his studio in the UK, I did mine in Nashville. After recording all my parts, we sent it to him and he chose what he needed of my playing and mixed it into the final cut. I played a lot more than was really necessary, to give him plenty to choose from as he mixed the track.

--Can you talk about the video with you shooting your part in the US and Mike in the UK?

The last job was to shoot the videos and make a version that would give the viewer an interesting look at two guys pouring their hearts into a duet of industrial strength! Thanks to Mike for his high standards!

Tommy Emmanuel with special guest Mike Dawes tour dates:

1/7 - Denver, CO - Soiled Dove

1/8 - Denver, CO - Soiled Dove

1/9 - Denver, CO - Soiled Dove

1/1 - Portland,OR - Aladin Theatre 

1/2 - Portland,OR - Aladin Theatre 

1/13 - Seattle, WA - Triple Door

1/14 - Seattle, WA - Triple Door

1/15 - Seattle, WA - Triple Door

1/17 - Red Blufff,CA -State Theatre 

1/18 - Berkley,CA -  Freight & Salvage

1/19 - Berkley, CA -  Freight & Salvage

Sat, 06/26/2021 - 2:00 pm

BRIAN SETZER will release GOTTA HAVE THE RUMBLE, his first solo album in 7 years, August 27 on Surfdog Records physically (CD) and digitally, with the vinyl out this fall (TBA). Today (June 25), the iconic guitarist, songwriter, vocalist and 3-time Grammy award-winner shared the first single/video, “Checkered Flag,” off the 11-track all-original album. Watch the animated music video depicting a classic hot rod race created by graphic artist Juan Pinto here and listen to the song here. Pre-save and pre-add the album here.

Produced by Julian Raymond (Glen Campbell and Cheap Trick), GOTTA HAVE THE RUMBLE contains songs, all written or co-written by Setzer, and was recorded in Minneapolis (Setzer’s adopted hometown) and Nashville. GOTTA HAVE THE RUMBLE is a red-hot album from start to finish--American music amped up to 10--with songs that are full of dynamism and bravado. Highlights include “Checkered Flag,” “Smash Up On Highway One,” “Drip Drop,” “The Cat with 9 Wives,” “One Bad Habit” and “Rockabilly Banjo.” The track listing is below.

“Obviously, it’s a reference to my motorcycles and hot rods, something that hasn’t changed since I was 15 years old,” says SETZER about the album title GOTTA HAVE THE RUMBLE. “I still have the same passion for going fast and adrenaline. But it’s also about my hearing problem with tinnitus--the ringing of the ear. It was pretty bad, and I realized that I couldn’t play the way I wanted to. As I recovered, standing in front of a small amplifier just didn’t cut it. The sound from my big amp makes the guitar rumble. Which is a big part of my sound. I was really despondent for a while because I thought I wouldn’t be able to do that again. So, ‘Gotta Have The Rumble’ refers to both of those things.”

The track listing for GOTTA HAVE THE RUMBLE is:

1.                 Checkered Flag

Written by Brian Setzer and James McDonnell

2.                 Smash Up On Highway One

Written by Brian Setzer and Mike Himelstein

3.                 Stack My Money

Written by Brian Setzer and Mike Himelstein

4.                 The Wrong Side Of The Tracks

Written by Brian Setzer and Mike Himelstein

5.                 Drip Drop

Written by Brian Setzer

6.                 The Cat With 9 Wives

Written by Brian Setzer and Mike Himelstein

7.                 Turn You On, Turn Me On

Written by Brian Setzer

8.                 Rockabilly Riot

Written by Brian Setzer and Mike Himelstein

9.                 Off Your Rocker

Written by Brian Setzer and Stephen “Dibbs” Preston

10.               One Bad Habit

Written by Brian Setzer and Mike Himelstein

11.               Rockabilly Banjo

Written by Brian Setzer and Stephen “Dibbs" Preston

Wed, 07/07/2021 - 12:04 pm

YES, who are Steve Howe, Alan White, Geoff Downes, Jon Davison and Billy Sherwood, will release their new studio album THE QUEST on InsideOutMusic/Sony Music on October 1.

Containing 11 songs, 8 on the main CD with 3 extra tracks on a bonus CD, THE QUEST will also be available on Vinyl and 5.1 Blu-ray and CD deluxe editions, all on the day of release. The track listing is below.

"It is simply an honour for me to have the opportunity to bring together the band members in the development of a well-refined set of songs that capture the band’s true potential,” said Steve Howe, who produced the album. He added, "Much of the music was written in late 2019 with the rest in 2020. We commissioned several orchestrations to augment and enhance the overall sound of these fresh new recordings, hoping that our emphasis on melody, coupled with some expansive instrumental solo breaks, keeps up the momentum for our listeners.”  Additional percussion was provided by guest Jay Schellen who supplements YES’ live performances.

Label Manager Thomas Waber said, “I am delighted to welcome YES to the label and am looking forward to seeing the reaction of the band's fans to the new album. Being a long-time fan myself, I am really excited by the new material. Steve Howe managed to capture many of the important elements that we all love about YES!”

THE QUEST - 2CD Digipak track listing:

CD1:

01. The Ice Bridge 7.01

02. Dare To Know 6.00

03. Minus The Man 5.35

04. Leave Well Alone 8.06

05. The Western Edge 4.26

06. Future Memories 5.08

07. Music To My Ears 4.41

08. A Living Island 6.52

CD2:

01. Sister Sleeping Soul 4.51

02. Mystery Tour 3.33

03. Damaged World 5.20

Formats are:

Limited Edition Deluxe 2LP & 2CD plus Blu-ray Box-set

Limited Edition 2CD & Blu-ray Artbook

Gatefold 2LP & 2CD plus LP and booklet

2CD Digipak

Digital Album

Pre-order begins July 23

Tue, 07/20/2021 - 10:39 am

GRAND FUNK RAILROAD—the legendary rock & roll powerhouse who kicked off its 2021 tour with a sold-out show July 2 in Fayetteville, GA—is now represented by United Talent Agency (UTA) having followed their longtime agent Zach Hartley there. Hartley joined the agency in June 2021 and is based in the company’s Nashville office.

Curt Motley, agent, UTA Nashville music leadership, says, “Grand Funk is one of the great all-time rock and roll acts. To be able to play a part in their legendary career is a huge honor and we are excited to welcome them to the UTA family.”

“After 52 years, the legacy of Grand Funk Railroad continues full steam,” says Hartley, who joined UTA in 2021 and is based in its Nashville office.  “Their love of and commitment to the live experience has touched fans across the country and I am increasingly excited each year as we write a new chapter in their story.”
 
GRAND FUNK RAILROAD is performing 30 shows this year. View the dates here and read a Q&A here with original founding member Don Brewer (vocals and drums, writer and singer of the multi-million selling hit, “We’re An American Band”). Watch the tour trailer here.After playing to millions of fans on the band’s tours from 1996 to 2019, GRAND FUNK will continue to reach both new and long-time fans on the “Some Kind Of Wonderful Tour,” named in honor of their 1975 Billboard pop smash. Originating from Flint, Michigan in 1969, this top-selling American rock group of the 70’s is “Comin’ To Your Town To Help You Party It Down.” Notably, this year marks the 50th anniversary of when the group’s show at New York’s Shea Stadium sold out faster than the Beatles.

Known as “The American Band,” the high-energy five-piece group GRAND FUNK RAILROAD includes original founding members Don Brewer (vocals and drums, writer and singer of the multi-million selling hit, “We’re An American Band”) and bassist Mel Schacher, “The God of Thunder.” Joining Don and Mel are true “All Stars.” Singer Max Carl is a rock veteran from 38 Special. Max penned and sang 38’s biggest hit “Second Chance” and was co-founder of California’s legendary Jack Mack and the Heart Attack. Don refers to Max as “the best blue-eyed soul singer on the planet.” Lead guitarist Bruce Kulick is best known for his 12 years with KISS and has credits with Michael Bolton, Meatloaf and Billy Squier. (KISS members Gene Simmons and Paul Stanley were influenced early on by Grand Funk.) Keyboardist Tim Cashion has a master’s degree in music from the University of Miami. Affectionately called “Dr. Tim,” his credits include stints with Bob Seger and the Silver Bullet Band and English soul man Robert Palmer.

Grand Funk laid the groundwork for such bands as Foreigner, Journey, Van Halen and Bon Jovi with its signature hard driving sound, soulful vocals, muscular instrumentation and forceful pop melodies. The fact that Grand Funk’s legacy still reigns over the Classic Rock landscape 50 years after is a testament to the group’s influence and staying power. Mega-hits “We’re An American Band,” “I’m Your Captain/Closer to Home,” “Locomotion,” and “Some Kind Of Wonderful” still receive continuous airplay on Classic Rock radio. “We’re An American Band” has received notoriety in recent years being used in movie soundtracks and in television/radio advertising. The huge hit was featured in a General Motors national TV ad campaign and in Disney’s animated feature film The Country Bears. “We’re An American Band” was featured in the Cuba Gooding Jr. film Radio, and in the swash buckler Sahara starring Matthew McConaughey.
 
Grand Funk Railroad 2021 Tour

Internationally acclaimed Grand Funk has toured the world, selling out in the U.S., Canada, Europe, Japan and South America. A 1971 performance at New York’s Shea Stadium sold out faster than the Beatles. The group’s widespread appeal is also evident in its prestigious recording achievements. Over their career, Grand Funkhas had 19 charted singles, 8 Top 40 hits and two Number One singles (“We’re An American Band” and “Locomotion,” both selling more than one million each). The group has now accumulated 13 gold and 10 platinum records with record sales exceeding 25 million copies sold worldwide. The most recent gold CD award was presented to the band for their greatest hits package Grand Funk Railroad the Collectors Series.

The multi-talented band carries on the tradition of Grand Funk hits and creates a new chapter in the legacy of Grand Funk Railroad. GFR drew 25,000 people to their Molson Canal Series Concert outside Buffalo, 20,000 in Albany, New York, and 20,000 fans to downtown Orlando, Florida. EMI/Capitol (Universal Music) released a new Grand Funk Greatest Hits package that includes a bonus DVD of rare concert footage. Grand Funk Railroad’s 2019 “50 Years Of Funk Tour” was a huge success and now, with the group’s 2021“Some Kind Of Wonderful Tour,” seasoned Grand Funk lovers and contemporary rock fans discovering the group for the first time will be able to celebrate 50 Years of Funk with Grand Funk Railroad.
 
2021 GRAND FUNK RAILROAD Tour Dates:

7.2    Fayetteville, GA @ Southern Ground Amphitheater
7.4     Harrisburg, NC @ Harrisburg 4th of July Celebration
7.10   Chippewa Falls, WI @ Northern Wisconsin State Fair
7.24   Walker, MN @ Moondance Jam
7.31   Marion, IL @ Marion Cultural and Civic Center
8.6     Waterloo, NY @ del Lago Resort & Casino
8.8     Webster, MA @ Indian Ranch
8.14   Mount Pleasant, MI @ Soaring Eagle Casino & Resort
8.27   Big Flats, NY @ Summer Stage at Tag's
9.4     Portsmouth, OH @ TBA
9.5     Wauseon, OH @ Fulton County Fair
9.9     Cohasset, MA @ South Shore Music Circus
9.10   Hyannis, MA @ Cape Cod Melody Tent
9.17   Biloxi, MS @ Hard Rock Hotel & Casino Biloxi
9.18   Kansas City, MO @ Ameristar Casino Hotel Kansas City
9.24   French Lick, IN @ French Lick Resort
10.1   TBA
10.3   Dallas, TX @ State Fair of Texas            
10.8   Northfield, OH @ MGM Northfield Park
10.9   Washington, PA @ The meadows Casino         
10.15 Las Vegas, NV @ TBA                
10.22 Reno, NV @ Grand Sierra Resort
11.6   Florence, SC @ South Carolina Pecan Festival
11.12 TBA    
11.13 TBA              
11.20 TBA              
11.27 TBA              
12.3  TBA

Fri, 07/23/2021 - 8:36 am

BRIAN SETZER today (July 23) has shared “Smash Up On Highway One,” the second single from GOTTA HAVE THE RUMBLE, his first solo album in 7 years. The album will be out August 27 on Surfdog Records physically (CD) and digitally, with the vinyl due this fall (TBA). The iconic guitarist, songwriter, vocalist and 3-time Grammy award-winner, who last month announced the all-original 11-track album with the single and animated video for “Checkered Flag,” co-wrote the blazing “Smash Up On Highway One,” with frequent writing partner Mike Himelstein. Listen to the song here and at streaming services everywhere. Pre-order the album here.

“I usually start out with a guitar riff,” says SETZER about writing “Smash Up On Highway One.” “I was playing ‘Misirlou’ by Dick Dale with the Stray Cats, and I thought, ‘wow I’d love to write something as cool as that riff.’ So I came up with something out of left field. I don’t know what you would call it--Middle Eastern or Eastern-European. Some college professor probably has a name for that scale. I had that riff laying around. I guess you could say I’m always collecting cool guitar parts. Mike Himelstein sent me those lyrics and they just fit right in. I think it’s really cool–it’s a way to move the whole rockabilly genre forward. The surf drum part in there with the guy playing the tom-toms similar to ‘Wipeout.’ I love it.”

Produced by Julian Raymond (Glen Campbell and Cheap Trick), GOTTA HAVE THE RUMBLE contains songs, all written or co-written by Setzer, and was recorded in Minneapolis (Setzer’s adopted hometown) and Nashville. GOTTA HAVE THE RUMBLE is a red-hot album from start to finish--American music amped up to 10--with songs that are full of dynamism and bravado. Highlights include “Checkered Flag,” “Smash Up On Highway One,” “Drip Drop,” “The Cat with 9 Wives,” “One Bad Habit” and “Rockabilly Banjo.” The track listing is below.

“Obviously, it’s a reference to my motorcycles and hot rods, something that hasn’t changed since I was 15 years old,” says SETZER about the album title GOTTA HAVE THE RUMBLE. “I still have the same passion for going fast and adrenaline. But it’s also about my hearing problem with tinnitus--the ringing of the ear. It was pretty bad, and I realized that I couldn’t play the way I wanted to. As I recovered, standing in front of a small amplifier just didn’t cut it. The sound from my big amp makes the guitar rumble. Which is a big part of my sound. I was really despondent for a while because I thought I wouldn’t be able to do that again. So, ‘Gotta Have The Rumble’ refers to both of those things.”

Fri, 07/23/2021 - 8:50 am

YES, who are Steve Howe, Alan White, Geoff Downes, Jon Davison and Billy Sherwood, recently announced they will release their new studio album THE QUEST on InsideOutMusic/Sony Music on October 1. The album was produced by Steve Howe, who says: "Much of the music was written in late 2019 with the rest in 2020. We commissioned several orchestrations to augment and enhance the overall sound of these fresh new recordings, hoping that our emphasis on melody, coupled with some expansive instrumental solo breaks, keeps up the momentum for our listeners.”

THE QUEST was recorded across the globe. The sessions took place in the UK with Steve Howe, Geoff Downes and Jon Davison, while Alan White and Billy Sherwood got together in the studio in the US. “Billy Sherwood and myself did all the rhythm sections, bass and drum, in America,” says Alan White, “down in Los Angeles at Uncle Studios, where he works a lot. It helps when you’ve got a good place to work,” Alan laughs, “and Billy’s really good on the recording desk, so we got things down relatively quickly.  I spent quite a while studying the music before I went down to LA so I was prepared.”
 
YES are pleased to today (July 23) reveal “The Ice Bridge,” the first track from the album. Watch the video here.

Alan White comments: “I’m extremely proud to be a part of this music and believe the video graphics are outstanding. A collaboration of many talents coming together to produce ‘The Ice Bridge.’  I hope our fans/audiences will appreciate the creativity put forward. I’m pleased to share it with the world and hope everyone will enjoy the ride.”
Steve Howe adds: “‘The Ice Bridge’ opens the album in the dark and moody key of C minor, aided by the orchestra. The rolling bass part kicks things into gear as the vocals and guitars start a winding journey through the various structures till the breakdown happens, where ice breaking is heard.”
 
Jon Davison was working with Geoff Downes on “The Ice Bridge” (Davison/Downes), looking at the dangers of climate change. He explained how he sets about collaborating with his band mates.
 
“Usually what happens is each member is left to write their respective parts and put their stamp on things,” says Davison. “Geoff sent me a selection of exciting and often gorgeous snippets he had created and made it clear that he wished I experiment freely and develop as needed. This in turn gave me the confidence to take on the vocal role--lyrics, vocal melody and harmony, how the vocals are presented and uniquely phrased--but all the while striving to stay faithful to Geoff’s initial ideas.”
 
“Jon’s vocals are fantastic,” adds Geoff Downes. “He’s really come into his own as a YES vocalist. This time he’s started to get the writing side together and working with the other musicians has been developmental for him. I think he’s hit a rich seam on this one.”

THE QUEST is also now available for pre-order on various formats, including a Limited Deluxe Box-Set that features a Gatefold 180g 2LP on exclusive coloured vinyl, 2CD+Blu-ray Digipak (featuring 5.1 mix & backing tracks), 36-page perfect bound booklet, enamel pin badge, 60x90cm poster, slipmat & hand-numbered certificate of authenticity, all house in a rigid lift-off box.
 
Containing 11 songs, 8 on the main CD with 3 extra tracks on a bonus CD, THE QUEST will also be available as Limited 2CD+Blu-ray Artbook, 2CD Digipak, Gatefold 2LP+2CD & as Digital Album. Pre-order now here: https://yes-band.lnk.to/TheQuest

THE QUEST - 2CD Digipak tracklisting:

CD1:
01. The Ice Bridge 7.01
02. Dare To Know 6.00
03. Minus The Man 5.35
04. Leave Well Alone 8.06
05. The Western Edge 4.26
06. Future Memories 5.08
07. Music To My Ears 4.41
08. A Living Island 6.52

CD2:
01. Sister Sleeping Soul 4.51
02. Mystery Tour 3.33
03. Damaged World 5.20

Formats are:
Limited Edition Deluxe 2LP & 2CD plus Blu-ray Box-set
Limited Edition 2CD & Blu-ray Artbook
Gatefold 2LP & 2CD plus LP-booklet
2CD Digipak
Digital Album
 
Cover artwork designed and created by the band’s long term collaborator Roger Dean.

Thu, 07/29/2021 - 1:45 pm

More than 30 years after its release, OZZY OSBOURNE’s sixth solo album--the Top 10 (#7) and quadruple platinum NO MORE TEARS will be celebrated with an expanded digital audio album due out September 17 (Sony). Two special editions--a 2LP black vinyl version and a special yellow and red 2LP vinyl version with a specially created booklet (exclusively at www.towerrecords.com)--will be released simultaneously. Pre-order the album here.

In its release, NO MORE TEARS yielded four top ten singles on the Billboard Rock Tracks chart, "Mama, I'm Coming Home" (#2), "Road To Nowhere" (#3), "Time After Time" (#6) and the title track (#10). In addition, the album’s "I Don't Want to Change the World" earned OZZY his first Grammy for a live version of the track that was featured on his 1993 LIVE AND LOUD album. The Grammy-winning track was one of the album’s four songs co-written with OZZY’s longtime friend and colleague Lemmy Kilmister; the others include "Mama, I'm Coming Home,” "Desire,” and "Hellraiser.” The album has remained an OZZY classic, earning a spot (#22) on Loudwire’s "Top 90 Hard Rock + Metal Albums of the '90s" with Ultimate Classic Rock including No More Tears on their list "Top 100 '90s Rock Albums."

“I have a lot of great memories of making the album,” OZZY says. “We worked hard on the record with John Purdell and Duane Baron, who became extra two members of the band. Before we went into the studio, we discussed what we were going to do--everything was planned. It's so nice when you get a producer who's more like a part of the band than them saying, ’nah, you do it this way.’ Because we write them and when you write the songs, you have a mental picture of how you think you want it to sound. Sometimes you’re surprised for the better, but other times you're disappointed, but John and Duane did an extraordinary job on the album. It was really, really well done. Every song was worked on for a long time and we spent extra time trying to get things right. But there was also lots of goofing around and we had a good time making it. And Zakk’s playing on it is spectacular.”

Zakk Wylde adds, “On the first record, ‘It was like I can't believe I'm here. I had definitely crawled into the fire and kept thinking. ‘You gotta produce. You got to come up with some cool stuff.’ On NO MORE TEARS, I guess I was more relaxed. With OZZY, whenever we're playing riffs, he would be like ‘keep playing that riff.’ Pretty much every time he just gets up there and starts singing what comes to him naturally, he knocks it out of the park all the time. I mean, there's very, very few times where he's actually said, ‘No, let me come back to that. I don't like what I'm singing. I'll come up with something better.’ Whatever you're hearing on the record is pretty much first thing he started singing that naturally came out of him, that he started hearing in his head. Which is amazing. My love for him and admiration for him has just gotten even stronger and bigger over the years. It’s bigger than the music. It’s always a good time whenever we're together, it's always like it's a laugh fest, and then making the records is beyond hilarious as well.”

Photo Credit: Jeff Katz

“Mama, I'm Coming Home,” the album’s biggest hit which OZZY co-wrote with Kilmister, started with Zakk at a piano, has gone on to become not only a rock anthem, but a classic song among soldiers.
 
“At that time, a lot of people were going to Iraq war,” OZZY notes. “We heard that the GIs were sending that song to their wives. Soldiers still love that song.”
 
“I remember when we were working on the album, I originally wrote ‘Mama, I'm Coming Home’ on a piano,” Zakk says. “I had the music, and then when we got to the studio, I transposed it to the 12-string guitar. I was like ‘oh let me try it on the 12-string and see what it sounds like.’ That's how it evolved into the song, originally it was just me and Ozz noodling on the piano.”

The NO MORE TEARS’ expanded digital audio album track listing is as follows:

    Mr. Tinkertrain
    I Don’t Want to Change the World
    Mama, I’m Coming Home
    Desire
    No More Tears
    Won't Be Coming Home (S.I.N)
    Hellraiser
    Time After Time
    Zombie Stomp
    A.V.H.
    Road to Nowhere
    Don’t Blame Me*
    Party With the Animals*
    I Don't Want To Change The World (demo)**
    Mama, I'm Coming Home (demo)**
    Desire (demo)**
    Time After Time (demo)**
    Won't Be Coming Home (S.I.N) (demo)**
    Mrs J. (demo)**
    I Don't Want to Change the World (live)†
    Road to Nowhere (live)†
    No More Tears (live)†
    Desire (live)†
    Mama, I'm Coming Home (live)††

* bonus tracks currently on the digital album at DSP’s
** demos from the 1991 promo CD The No More Tears Demo Sessions (also the Prince of Darkness box set), not currently at DSP’s
† live audio from Memoirs of a Madman DVD, San Diego 1992, not currently at DSP’s
†† live audio from Memoirs of a Madman DVD, MTV 1992, not currently at DSP’s

Fri, 07/30/2021 - 8:39 am

Acclaimed and Grammy®-nominated acoustic guitarist, singer and songwriter TOMMY EMMANUEL—one of five people ever named a CPG (Certified Guitar Player) by his idol, music icon Chet Atkins—has announced he will release his new EP, ACCOMPLICE SERIES VOL. 2 with Richard Smith, on September 10. Smith is the revered British fingerpicking acoustic guitarist who has performed or recorded along the way with Chet Atkins, Les Paul and Tommy Emmanuel among others. The four-song EP, a tribute to their heroes Jerry Reed and Chet Atkins, also contains “Twitchy,” “Nashtownville” and “Baby's Coming Home.” Listen to “Serenade to Summertime” at all streaming platforms here and pre-order/pre-save the EP here.

Today (July 30), Emmanuel shares the EP’s first track and video, ““Serenade to Summertime.” Watch it here. Yesterday it was premiered at Guitar Player which noted: “ in this brand-new video for the song – the first track from Emmanuel’s forthcoming EP – the love for their heroes’ formative playing styles is tangible as they duet on acoustic guitars.”

The arrangement for “Serenade to Summertime” that Emmanuel and Smith play comes from the Jerry Reed & Chet Atkins album, Me & Chet. This song was recorded at TuneSmith Studio outside of Nashville, TN in the spring of 2021 and features both Tommy and Richard on guitar. The video was directed by Joshua Britt and Neilson Hubbard for Neighborhoods Apart. It was filmed in Lebanon, TN at an antique car collectors shop in the spring of 2021.

In other news, Tommy and Richard will tour together this fall starting November 5: https://tommyemmanuel.com/tour/. The tour dates are below. Richard is also on Tommy’s Guitar Camp in Nashville, TN in September: https://tommyemmanuelguitarcampusa.com

Tommy Emmanuel on tour with Richard Smith:
 
11/5 - Mesa, AZ (Phoenix) @ Mesa Arts Center, Ikeda Theatre
11/7 - Albuquerque, NM @ National Hispanic Cultural Center - Albuquerque Journal Theatre
11/8 - Lubbock, TX @ Cactus Theater
11/9 - Tulsa, OK @ Legacy Hall
11/10 - Dallas, TX @ Majestic Theatre
11/11 - Stafford, TX (Houston) @ Stafford Centre
11/13. -San Antonio, TX @ Majestic Theatre
11/14 - Austin, TX @ Paramount Theatre

Mon, 09/20/2021 - 2:22 pm

JACOB AND THE DAZEY CHAIN, the Brit-pop/rock-influenced singer, songwriter, guitarist and recent Nashville transplant from South Florida, today (September 20) releases his debut EP THE SKY IS ALL I NEED TO GET HIGH on indie label Gratuitous Noise. LISTEN HERE to the EP on all streaming platforms and check out JACOB’s quotes below about the songs.

All the songs on the six-song EP were written by JACOB REESE THORNTON and inspired by his longtime musical influences including R.E.M., Oasis, Lindsey Buckingham and Fleetwood Mac; as a young teen, he admired their albums when they were played around the house. All the tracks on THE SKY IS ALL I NEED TO GET HIGH were arranged and produced by JACOB, with two of them, “Traces” and the title song “The Sky Is All I Need To Get High,” co-produced with Bill Reynolds (Band of Horses) who also played bass.  All the vocals and guitars were performed by JACOB, with Rami Jaffee (Foo Fighters) on B3 organ.  Drummers Jerry Roe (Legendary Shack Shakers) and Lee Levin (Kelly Clarkson, Ricky Martin, Barry Gibb) also appear on select tracks.

“The overall theme is about finding hope in moments of uncertainty, and taking chances,” says JACOB about the EP. “Most of the songs were written when I was 17. Everyone at that age understands how daunting the future seems. Especially when it sneaks up on you. While it might not have been a conscious effort, when I listen back on these songs, I’m hearing my own inner dialogue--all the universal emotions that come with trying to find your purpose and place in the world. I’m a true believer in the idea that everything put in front of you is there for a reason, and that you have to follow your signal and embrace the path that calls you. That’s a driving force behind many of my songs.”

Three singles were released leading up to the EP: “Traces” (Jan ’21), “The Kids” (May ’21) and “Swan Dive” (July ’21).  JACOB AND THE DAZEY CHAIN is a three-time winner in Classic Rock Magazine’s “New Tracks of the Week” reader’s poll. “Traces” entered the top 20 Play MPE downloads across all AAA/Rock specialty stations and Top 10 (#9) streaming charts and receives regular play on Little Steven’s Underground Garage on SiriusXM with Los Angeles DJ Rodney Bingenheimer.

JACOB’s guitar and vocal skills are not new to those who have seen him perform by invitation at Eric Clapton’s 2019 Crossroads Guitar Festival.  He has also played on stage with Bruce Kulick (Kiss & Grand Funk Railroad) and Todd Kerns and Brent Fitz (from Slash & The Conspirators). In addition, he’s collaborated with bass legend Tony Franklin (The Firm, Jimmy Page & Paul Rodgers) on a searing cover of "I Can See For Miles" by The Who (watch here).

"So so talented--I think we are going to be talking about this kid for years and years..."
~Larry Flick, SiriusXM Volume; former Senior Talent Editor, Billboard Magazine

"It's a once in a generational thing... I don't think we get enough of these "
~Lori Majewski, SiriusXM Volume

The title track and next single, “The Sky Is All I Need To Get High,” is scheduled for a mid-October 2021 release and a B-side “surprise” that JACOB plans to use as a PSA encouraging both young and old to practice Covid safety measures and do the right thing so we can all fully get back to enjoying the thrill of live music together.

Poster Design: Kim Madden Designs

LIMITED EDITION VINYL w/Bonus Tracks

A limited edition vinyl of the EP is available here and includes four bonus tracks Listen Here.
“Sketches of You” (received rave reviews on SiriusXM’s Feedback on Volume 106) https://youtu.be/CTSL4kiWOns
“Ground Rush”
“Seed of Youth”
“Bulletproof Superstars” (Exclusive – never before released.)

SONGS ON THE EP:

“The Sky Is All I Need to Get High”

“’The Sky’ is the oldest track on the EP and the only one I’ve yet to play live. I was in Las Vegas rehearsing for Eric Clapton’s Crossroads Guitar Festival in early Sept 2019. I had about 30 mins to kill in our hotel room and figured I’d try to write a song. The bathroom acoustics were so incredible that I literally just sat by the sink, queued up a voice memo and let it roll. Weeks later I was sifting through old voice recordings and rediscovered the riff. Lyrically, the song is about trusting your own instincts and not letting people dictate the path you take. That’s a common theme in a number of my songs. I knew it had to be the opening track because it pretty much sums up the theme of the EP within the first 10 seconds.

“Traces”

 “Traces” was written while going through a Beatles ‘Magical Mystery Tour’ phase. Learning to play those songs brought a whole new element to my writing, as so many of the chords are ones I’d never think to play. The Beatles wrote the book.  I’ll never forget the first time Bill and I heard Rami’s key parts on this song. When that first chorus hit, everyone in the room got goosebumps. It took it to the next level.  Lyrically, ‘Traces’ is about coming of age in troubled times, and with hope as a new era unfolds.  

“Color Me Blind”

“It’s about wanting to get across to someone special but not knowing how, and the frustration that brings. ‘Color Me Blind’ was the last song completed for the EP. It’s a bit different from the rest of the record—it almost has a jazz flare to it. That bridge where the guitar lines and the synths begin to stack upon one another is one of my fave moments on the EP.”

“Swan Dive”

“I read a quote that said, ‘When you take big bites out of life, life sometimes bites back.’  That inspired ‘Swan Dive.’ I was partly thinking of musicians I know who, like me, put our music out there against impossible odds.  But it’s more universal.  I’d say it’s about throwing caution to the wind.  Overcoming fear and self-doubt.  But also being careful what you wish for.”

"The Kids"

 “’The Kids’ is a reflection of the world my generation is inheriting–-cynicism and a sense of peril. It feels like what I’ve read about the late 1960’s. Music had a huge cultural impact then. It was not disposable and it mattered. At the time I wrote this song, two things were going on really.  The anger that came with this country’s last four years of political divide, and the awful school shooting at Marjory Stoneman Douglas High School in South Florida–20 minutes from my own high school. It left the entire South Florida community reeling. None of us really felt safe after that, and unfortunately these mass shootings continue. Our grandparents had to worry about a nuclear event and had fallout shelters in their high schools. My generation has to worry about the bullied kid with assault weapons shooting up the school. I thought the students who spoke out after that were very brave– ‘no more thoughts and prayers.’”

“Signal & the Noise”

“One silver lining of the Covid lockdown was the amount of free time to write. This song was a product of that. I am fascinated by the concept of synchronicity— how the universe always has a way of bringing the right people into your life at the right time if you follow your instincts. The demo version that made the EP was recorded live, in one take, on my iPhone 11 in the bathroom! It was something I did for social media and had no intent of recording it properly. However, once I saw the reaction it received, I started to track a studio version. But nothing matched the intensity of the original live take, warts and all. Then I started thinking back on some of my favorite songs including “Dead in the Water” (Noel Gallagher) and “Hey, Hey, My, My” (Neil Young) and realized that the live rawness and vulnerability of those tracks makes me feel like I am in the same room as the artist. It feels more personal. After all the production that went into this EP, I like the idea of closing it with something real and unfiltered.”

Fri, 08/27/2021 - 9:10 am

BRIAN SETZER is marking today’s release (August 27) of GOTTA HAVE THE RUMBLE, his first solo album in 7 years, by sharing the album’s third single + video, “Rockabilly Banjo.” The song, written by the iconic guitarist, songwriter, vocalist and 3-time Grammy Award-winner with Stephen “Dibbs" Preston (The Rockats), is a spirited countrified rockabilly song that shines a light on SETZER’s banjo playing, with Paul Franklin on pedal steel guitar. Watch the fun video, with vintage ‘50s black and white footage here. The album is now available physically (CD) and digitally via Surfdog Records, with the vinyl album due this fall (release date TBA). Listen to the full album here. “Me and Dibbs were hanging around, and it was one of the few times ever that someone gives me a song that’s just the music and not the lyrics,” says SETZER. “And Dibbs said, ‘hey you play banjo, I love the way you play it.’ You know, banjo makes everybody smile and everybody’s after me to play more banjo. And Dibbs said, ‘hey, I got a song, what do you think of this?’ and I thought ‘Wow! Let’s clean it up.’ So that’s the last track. The legendary Paul Franklin is on steel. It was just a fun and good way out of the mess called 2020!”

“Rockabilly Banjo” follows the album’s first two singles/videos: “Checkered Flag,” co-written with SETZER’s bandmate in The Stray Cats, Slim Jim Phantom, and “Smash Up On Highway One” a collaboration with SETZER’s frequent writing partner Mike Himelstein.
 
Produced by Julian Raymond (Glen Campbell and Cheap Trick), GOTTA HAVE THE RUMBLE contains 11 all-original songs, all written or co-written by SETZER, and was recorded in Minneapolis (Setzer’s adopted hometown) and Nashville. GOTTA HAVE THE RUMBLE is a red-hot album from start to finish--American music amped up to 10--with songs that are full of dynamism and bravado. Highlights include “Checkered Flag,” “Smash Up On Highway One,” “Drip Drop,” “The Cat with 9 Wives,” “One Bad Habit” and “Rockabilly Banjo.”
 
“Obviously, it’s a reference to my motorcycles and hot rods, something that hasn’t changed since I was 15 years old,” says SETZER about the album title GOTTA HAVE THE RUMBLE. “I still have the same passion for going fast and adrenaline. But it’s also about my hearing problem with tinnitus--the ringing of the ear. It was pretty bad, and I realized that I couldn’t play the way I wanted to. As I recovered, standing in front of a small amplifier just didn’t cut it. The sound from my big amp makes the guitar rumble. Which is a big part of my sound. I was really despondent for a while because I thought I wouldn’t be able to do that again. So, ‘Gotta Have The Rumble’ refers to both of those things.”

 

 The track listing for GOTTA HAVE THE RUMBLE is:
 
1.  Checkered Flag
Written by Brian Setzer and James McDonnell
2.  Smash Up On Highway One
Written by Brian Setzer and Mike Himelstein
3.  Stack My Money
Written by Brian Setzer and Mike Himelstein
4.  The Wrong Side Of The Tracks
Written by Brian Setzer and Mike Himelstein
5.   Drip Drop
Written by Brian Setzer
6.  The Cat With 9 Wives
Written by Brian Setzer and Mike Himelstein
7.  Turn You On, Turn Me On
Written by Brian Setzer
8.   Rockabilly Riot
Written by Brian Setzer and Mike Himelstein
9.    Off Your Rocker
Written by Brian Setzer and Stephen “Dibbs” Preston
10. One Bad Habit
Written by Brian Setzer and Mike Himelstein
11. Rockabilly Banjo
Written by Brian Setzer and Stephen “Dibbs" Preston

Wed, 09/01/2021 - 8:31 am

YES, who are Steve Howe, Alan White, Geoff Downes, Jon Davison and Billy Sherwood, today (September 1) have unveiled the video for “Dare To Know.” It marks the second single and video from their upcoming album THE QUEST, due out October 1 on InsideOutMusic/Sony Music and produced by Steve Howe.  Watch the “Dare To Know” video here.
 
“’Dare To Know’ presents a guitar theme played within many different arrangements, with different chord structures and altered textures,” says Steve Howe. “The 'idea' mentioned in the first verse gets described later as an awakening to the subtle goings on within our bodies and mind, all geared to nature's scheme of things, all fluctuating and rearranging according to the principles of life, as we know it. The centrepiece leaves the orchestra alone to elaborate and develop the way the theme is heard, then augments the closing minutes of the song as it rests, with an acoustic guitar cadenza.”

Much of the music for THE QUEST was “written in late 2019 with the rest in 2020,” says Howe. “We commissioned several orchestrations to augment and enhance the overall sound of these fresh new recordings, hoping that our emphasis on melody, coupled with some expansive instrumental solo breaks, keeps up the momentum for our listeners.”

The album was recorded across the globe. The sessions took place in the UK with Steve Howe, Geoff Downes and Jon Davison, while Alan White and Billy Sherwood got together in the studio in the US. “Billy Sherwood and myself did all the rhythm sections, bass and drum, in America,” says Alan White, “down in Los Angeles at Uncle Studios, where he works a lot. It helps when you’ve got a good place to work,” Alan laughs, “and Billy’s really good on the recording desk, so we got things down relatively quickly.  I spent quite a while studying the music before I went down to LA so I was prepared.”

YES recently launched a video for the album’s opening track, “The Ice Bridge.” Watch the video here.

THE QUEST is also now available for pre-order on various formats, including a Limited Deluxe Box-Set that features a Gatefold 180g 2LP on exclusive coloured vinyl, 2CD+Blu-ray Digipak (featuring 5.1 mix & backing tracks), 36-page perfect bound booklet, enamel pin badge, 60x90cm poster, slipmat & hand-numbered certificate of authenticity, all housed in a rigid lift-off box.
 
Containing 11 songs, 8 on the main CD with 3 extra tracks on a bonus CD, THE QUEST will also be available as Limited 2CD+Blu-ray Artbook, 2CD Digipak, Gatefold 2LP+2CD & as Digital Album. Pre-order now here: https://yes-band.lnk.to/TheQuest
 
The Quest - 2CD Digipak tracklisting:
CD1:
01. The Ice Bridge 7.01
02. Dare To Know 6.00
03. Minus The Man 5.35
04. Leave Well Alone 8.06
05. The Western Edge 4.26
06. Future Memories 5.08
07. Music To My Ears 4.41
08. A Living Island 6.52
 
CD2:
01. Sister Sleeping Soul 4.51
02. Mystery Tour 3.33
03. Damaged World 5.20
 
Formats are:
Limited Edition Deluxe 2LP & 2CD plus Blu-ray Box-set
Limited Edition 2CD & Blu-ray Artbook
Gatefold 2LP & 2CD plus LP-booklet
2CD Digipak
Digital Album

Sat, 09/11/2021 - 1:43 pm

Acclaimed and Grammy®-nominated acoustic guitarist, singer and songwriter TOMMY EMMANUEL—one of five people ever named a CPG (Certified Guitar Player) by his idol, music icon Chet Atkins—today (September 10) has shared the single + video for “Nashtownville.” It’s the third release from his four-song EP ACCOMPLICE SERIES VOL. 2 featuring Richard Smith, out today, September 10. The video was premiered yesterday (September 9) at Glide, which noted: “Emmanuel and Smith play off each other seamlessly creating an enrapturing acoustic duet that sounds bigger than its parts. With his nimble fingers, Emmanuel continues to up the ante, playing one note towards the vintage groundbreakers and another in his own influential present-- 'Nashtownville” is no exception.” Listen to the EP, a tribute to their heroes Jerry Reed and Chet Atkins, at all streaming platforms here.
 
Richard Smith is the revered British fingerpicking guitarist who has performed or recorded along the way with Chet Atkins, Les Paul and Tommy Emmanuel, among others. The EP, a tribute to their heroes Jerry Reed and Chet Atkins, also contains “Serenade to Summertime” “Twitchy,” and “Baby's Coming Home.”
 
"Nashtownville” was originally written by Chet Atkins and appears on the Jerry Reed & Chet Atkins album, ‘Me & Chet.’ Tommy and Richard’s interpretation of it, along with the other songs on their EP, was recorded at TuneSmith Studio outside of Nashville, TN in the spring of 2021. The video was filmed at the Chet Atkins statue in downtown Nashville, TN on the corner of Fifth Avenue North and Union Street. It was directed by Joshua Britt and Neilson Hubbard for Neighborhoods Apart Productions (The Killers, Lilly Hiatt, John Prine) and features many special guests such as Mark Pritcher (from Chet Atkins Appreciation Society), Annie Sellick, Pat Bergeson, John Knowles (fellow CGP), Stuie French, and a few more of Tommy and Richard’s friends. The police officer is played by Richard Smith’s wife, (versatile cellist) Julie Adams.

In other news, Tommy and Richard will tour together this fall starting October 12. The dates are listed here: https://tommyemmanuel.com/tour/.
 
Richard is also on Tommy’s Guitar Camp in Nashville, which takes place September 23-27 at the Virgin Hotel: https://tommyemmanuelguitarcampusa.com/

Fri, 10/15/2021 - 11:46 am

YES, who are Steve Howe, Alan White, Geoff Downes, Jon Davison and Billy Sherwood, today (October 15) have revealed the video for the track “Future Memories” from their newly released studio album THE QUEST on InsideOutMusic/Sony Music. Watch the video here.
 
THE QUEST also sees its physical release today in North America. The album has also been hitting the charts worldwide, achieving these positions (among others):
 
#7 German Album Charts
#20 UK Album Charts
#1 UK Rock Album Charts
#5 Swiss Album Charts
#8 Japanese International Weekly Charts
#23 French Physical Album Charts
#37 Belgian National Album Charts
#54 Dutch Album Charts
#60 Italian Album Charts
 
YES also recently released videos for the album tracks “Dare To Know” and “The Ice Bridge.”
 
THE QUEST was produced by Steve Howe, who says: "Much of the music was written in late 2019 with the rest in 2020. We commissioned several orchestrations to augment and enhance the overall sound of these fresh new recordings, hoping that our emphasis on melody, coupled with some expansive instrumental solo breaks, keeps up the momentum for our listeners.”

The album was recorded across the globe; the sessions took place in the UK with Steve Howe, Geoff Downes and Jon Davison, while Alan White and Billy Sherwood got together in the studio in the US. “Billy Sherwood and myself did all the rhythm sections, bass and drum, in America,” says Alan White, “down in Los Angeles at Uncle Studios, where he works a lot. It helps when you’ve got a good place to work,” Alan laughs, “and Billy’s really good on the recording desk, so we got things down relatively quickly. I spent quite a while studying the music before I went down to LA so I was prepared.”

THE QUEST is also now available for pre-order on various formats, including a Limited Deluxe Box-Set that features a Gatefold 180g 2LP on exclusive coloured vinyl, 2CD+Blu-ray Digipak (featuring 5.1 mix & backing tracks), 36-page perfect bound booklet, enamel pin badge, 60x90cm poster, slipmat & hand-numbered certificate of authenticity, all housed in a rigid lift-off box.
 
Containing 11 songs, 8 on the main CD with 3 extra tracks on a bonus CD, THE QUEST will also be available as Limited 2CD+Blu-ray Artbook, 2CD Digipak, Gatefold 2LP+2CD & as Digital Album. Order now here.
 
THE QUEST - 2CD Digipak tracklisting:
CD1:
01. The Ice Bridge 7.01
02. Dare To Know 6.00
03. Minus The Man 5.35
04. Leave Well Alone 8.06
05. The Western Edge 4.26
06. Future Memories 5.08
07. Music To My Ears 4.41
08. A Living Island 6.52
 
CD2:
01. Sister Sleeping Soul 4.51
02. Mystery Tour 3.33
03. Damaged World 5.20
 
Formats are:
Limited Edition Deluxe 2LP & 2CD plus Blu-ray Box-set
Limited Edition 2CD & Blu-ray Artbook
Gatefold 2LP & 2CD plus LP-booklet
2CD Digipak
Digital Album
 
Cover artwork designed and created by the band’s long term collaborator Roger Dean.

Fri, 10/15/2021 - 2:27 pm

Having recently celebrated the 30th anniversary of his NO MORE TEARS album with an expanded digital audio release, Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter OZZY OSBOURNE will mark another album anniversary this month. To commemorate the 20th anniversary of 2001’s DOWN TO EARTH, three rare OZZY tracks--“No Place for Angels,” “Dreamer” (Acoustic Version), and “Gets Me Through” (Single Version)--will be released on October 15 on digital platforms as part of a 20th anniversary expanded digital edition. Click here to listen.

The platinum-selling DOWN TO EARTH was OZZY’s eighth album and reached #4 on the Billboard Top 200 chart in the U.S and #19 on the UK Albums Chart. It produced two Top ten singles on the U.S. Hot Mainstream Rock Tracks chart: "Gets Me Through" and "Dreamer." Recorded in Los Angeles and produced by Tim Palmer, who co-wrote some of the album’s songs with OZZY, the album’s players include OZZY’s longtime collaborator and guitarist Zakk Wylde along with bassist Robert Trujillo (Metallica) and drummer Mike Bordin (Faith No More).

Rolling Stone said of the album, “Ozzy Osbourne is the most sentimental man in metal--and tough enough to let it show in ‘Gets Me Through’ and ‘Dreamer,’ the two best songs on Down to Earth. The first is a thumping thanksgiving, Osbourne's admission that he is nothing like you think and would be even less without his fans…‘Dreamer’ is Osbourne imagining himself as John Lennon: pleading for calm and sense over piano, strings and, at the end, an ELO-style choir…He writes and sings about looking into the abyss - so you know which way to run. He's never done it better.” Elsewhere, Amazon.com said: “‘Down to Earth’ displays enough eccentricity to keep one entertained and brimming with respect.”

As previously announced, last month, OZZY’s sixth solo album--the Top 10 (#7) and quadruple platinum NO MORE TEARS (Sony) was celebrated with an expanded digital audio album and two special editions--a 2LP black vinyl version and a special yellow and red 2LP vinyl version with a specially created booklet (exclusively at www.towerrecords.com).

The expanded DOWN TO EARTH track listing is as follows:

1.  Gets Me Through
2.  Facing Hell
3.  Dreamer
4.  No Easy Way Out
5.  That I Never Had
6.  You Know...(Pt. 1)
7.  Junkie
8.  Running out of Time
9.  Black Illusion
10.Alive
11. Can You Hear Them?
12.**No Place for Angels
13.**Dreamer (Acoustic Version)
14.**Gets Me Through (Single Version)

**previously unavailable for streaming

Thu, 10/28/2021 - 12:18 pm

Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter OZZY OSBOURNE will celebrate the 40th anniversary of his 1981 DIARY OF A MADMAN with an updated digital release that includes a new track: a live version of his Mainstream Rock Top Five hit “Flying High Again.” At the same time comes news of an exciting collaboration with Dogtown, available this Friday.

The OZZY X DOGTOWN collection comes as an homage to OZZY’s music being the soundtrack to skateboarding for more than 40 years. The collaboration features skateboard decks and clothing with art by Sean Cliver on 200 limited-edition custom paint “Midnight Fade” skateboard decks with a silver metal flake dusting designed by Jim “Red Dog” Muir, manufactured by Paul Schmitt at PS Stix, and hand silk screened by Chicken at Screaming Squeegees on the iconic 80’s Dogtown Stonefish shape. In addition, look for a limited run of T-shirts and pullover hoodies with the OZZY X DOGTOWN graphic to also be released. All items are available this Friday (October 29) at 12:00 Noon (PT). Click here or here to order or for more information.

The DIARY OF A MADMAN special digital re-issue will be available November 5 via all digital platforms. The album is OZZY’s second studio release and the last album to feature 2021 Rock & Roll Hall of Famer guitarist Randy Rhoads. The multi-platinum release (with five million albums sold worldwide) included the #2 Mainstream Rock track, "Flying High Again."

The album was listed at #15 on Rolling Stone’s 2017 list of "100 Greatest Metal Albums of All Time." Kory Grow noted, "A year after proving he was still a vital musical force on his first post–Black Sabbath solo LP, 1980’s Blizzard of Ozz, Ozzy Osbourne demonstrated it wasn’t a one-time fluke with an album of poppy and gothic anthems like ‘Flying High Again’ and the almost classical closing title track. Guitarist Randy Rhoads, who died in a plane crash while touring for Diary in 1982, had already proven himself a virtuoso on Blizzard; here, he worked even harder to find the rare nexus between showboat chops and clever songwriting..."

THE DIARY OF A MADMAN 40th Anniversary Expanded Digital Edition track list is as follows:

1.  Over the Mountain
2.  Flying High Again
3.  You Can’t Kill Rock and Roll
4.  Believer
5.  Little Dolls
6.  Tonight
7.  S.A.T.O.
8.  Diary of a Madman
9.  Believer (live)*
10. Flying High Again (live)*
*previously unavailable digitally

Tue, 11/02/2021 - 8:23 am

Legendary rock & roll powerhouse GRAND FUNK RAILROAD is currently on its 2021 “Some Kind Of Wonderful Tour,” performing 30 shows this year and dynamically underlining their trademark “Rock and Soul” classics. Recently, original founding member Don Brewer (vocals and drums, writer and singer of the multi-million selling hit, “We’re An American Band”) took the time to talk about building the perfect set list and also discuss highlights of the GRAND FUNK RAILROAD set list. *See the two Q&A’s below.*

Q&A with DON BREWER

--Is there a secret sauce to creating the perfect set list?
We have been working on our show for over 40 years. You learn what works and what doesn't work by trial and error. Spreading out the hits during the show keeps the audience involved beginning to end. Always try to leave them wanting more!
 
--How do you determine a set list that satisfies both the audience and the musician?
 
Everybody in the band loves the music we play. I guess you could say we're all Grand Funk fans. We don't do a lot of new material because we know the audience wants to hear the classics. We have a spot in the show that we have experimented with new songs over the years and the songs keep changing. Helps keep it interesting for us.
 
--Can you talk about figuring out which song to open with? This has to be a challenge as a band wants to come on strong but some of the audience is still finding their seats and the sound may not be at its best near the beginning of a set.
 
We have tried several different songs as openers over the years, even doing an unknown original of ours. The two openers we do now, “Rock & Roll Soul” and “Footstompin' Music,” are classic GFR hits and always get the audience going even if they don't know Grand Funk.
 
--In coming up with the list, do you think about the various tempos of songs and which keys they're played in?
 
Don't really worry too much about what key a song is in, but yes, tempos need to blend between songs. Our goal is to have the show flow from high to low and back to high again with a few sparkles in between. Entertainment needs to be entertaining.
 
--Finally, what goes into choosing which song will be the last one and which song will be the encore?
 
The last song and the encore can be interchangeable. In other words, you can switch them and it won't really make a huge difference. In our case we could close with “We’re An American Band” and come back with “Closer To Home,” Depends on how you want to leave the audience.
 
THE GRAND FUNK RAILROAD SET LIST HIGHLIGHTS, ACCORDING TO DON BREWER
 
“Rock & Roll Soul”: The phrase “rock and roll soul” is an apt description of the band’s music + mission. Why does this song light you up when you perform it?
 
“Rock & Roll Soul” was our first single after leaving our crooked manager Terry Knight who had stolen all our money and was taking us to court over the name Grand Funk Railroad. Having a top 40 hit with Rock & Roll Soul was our first step to freedom. The song is truly descriptive of GFR's Rock/R&B blend. The opening line “We're havin' a party, everybody’s invited” is a perfect opening statement.
 
“Footstompin' Music”: This song has a ferocious rhythmic groove and it's another one that pumps up the listener/concert-goer. What inspired you to include it here?
 
After doing the song live as a three-piece band, in 1971 we tried recording this song in the studio a few times until we captured the final version on our album E Pluribus Funk. The drums, bass and organ track is a blast to play and the vocal lines are awesome: “Come on everybody, we're gonna have a good time.” The song works well as an opener or as we do it now as our second song of the show. Gets the audience going every time.
 
“Shinin' On”: This is another song that underlines how Grand Funk Railroad wrote and performed positive anthems that galvanized people. Why does the song continue to resonate for you?
 
“Shinin' On” was fashioned after Freddy King's great blues song "Goin' Down." After having Freddy open for us on our "Phoenix Tour," we were so impressed with his music and style that the influence was clear. The song has a great R&B feel and switching up with me on lead vocal adds to the flavor for the show.
 
“The Loco-Motion”: This song's an important one for the band, hitting #1 in 1974 on the pop charts. It’s the definition of a feel-good tune, a pop song that you guys really Grand Funk-ized, making it heavy. Can you talk about the joy in performing this one?
 
GFR doing “The Loco-Motion” came about as a funny episode. We were in our studio in Michigan with Todd Rundgren producing and working on the album Shinin' On. We felt we needed another "hit" type song for the album and started throwing around ideas. Grand Funk doing “The Loco-Motion” was such a silly idea we thought we would try it. The result was a # 1 hit. I love watching the audience get up on their feet and start dancing as soon as we sing the opening lines. They even do a “Loco-Motion” line dance through the crowd. Fun to watch!
 
“Walk Like A Man”: This song is another instant anthem, highlighting the band's rhythmic rock, with some progressive rock touches. What's it like to perform this one?
 
This is a nice follow up to “The Loco-Motion” in that it stays in the same tempo and pop style as “The Locomotion.” Switching lead vocals again with me on lead gives it a little more texture in the show. Just a great GFR/Todd Rundgren-produced rock record.
 
Drum Solo/“Lightning and Thunder”: Can you talk about what goes into your classic drum solo? Lots of skill + athleticism...how do you pull this off so successfully?
 
THE LEGENDARY ROCK & ROLL POWERHOUSE IS CURRENTLY ON ITS 2021 “SOME KIND OF WONDERFUL TOUR”

 

I’ve been working on my solo for over 50 years. It is a true reflection of how I play drums and my "Rock” personality. It really is who I am when onstage with Grand Funk. I must say that at 73 it takes some added work in my lifestyle, and I do try to exercise and eat right. During the pandemic I continued to practice drumming as well as walk four miles and work out in the gym daily. Love It!
 
“Inside Lookin' Out”: You guys put your own spin on this song The Animals originated...doubling down on its urgency with a monster groove courtesy of you and Mel. It's a real working-class song that underlined the band's relationship with its fans. So many years later, can you talk about how it fits into the Grand Funk Railroad set?
 
“Inside Lookin' Out” has been a staple in Grand Funk's show since our beginning in 1969. We originally did a cover of the Animals song in our previous band The Pack. When we changed to a three-piece as Grand Funk Railroad, we adapted the song to our new power trio style, slowed it down, and stretched out the guitar solo over the simple bass and drum groove. With Bruce Kulick on guitar, the song becomes a great show piece.
 
“Some Kind Of Wonderful”: This is another fine example of how the band merged rock with R&B and you took it all the way to #3 on the pop chart. It's a real crowd-pleaser live. Why is it one of the set highlights for you?
 
We used to sing this a capella in the limo from the hotel to the venue as a warm-up on our way for a show. Our manager liked it so much that he suggested we record the song and we did for our All The Girls In The World Beware!!! album in 1975. It became a huge hit and is probably the most played song at wedding receptions around the world. I love to watch the faces in the audience light up when Mel starts that chugging bass line. We can usually see four generations of people in the audience singing along to the song. Amazing feeling!
 
“I'm Your Captain/Closer To Home”: How do you feel this song works in the set list? It was a song that resonated with many people including American troops in Vietnam. Musically, it has such an epic feel to it. Can you talk about why the song is key to have in the set?
 
“Closer to Home” is a true Rock Anthem. It seems to have a different meaning to everyone and it is definitely spiritual. I have seen men in the audience brought to tears when we play it. We use it as our closing song because it deserves a prestigious place in our show and it is easily recognized and sung along with by every audience.
 
“We're An American Band”: This song you wrote, another #1 pop hit, really defines the freewheeling rock star lifestyle...it still makes everyone want to be a rock star, and your vocals on it capture it all perfectly. And of course, the cowbell is part of its charm. This is the song you close with. What's going through your head when you perform it night after night?
 
“We’re An American Band” came to me when we were flying from town to town on our "Phoenix Tour” in 1972. We were being sued by our former manager Terry Knight and he was trying to stop us from performing. The line “We're comin' to your town, we'll help you party it down" came to me first and I wrote the song around that line. Taking snippets of things going on during the tour at that time, like staying up all night with Freddy King playing poker, four young chiquitas in Omaha, sweet sweet Connie in Little Rock, and finally the declaration, “We're An American Band,” because it sounds great and sings well. I feel lucky and blessed every time we play it live.

Thu, 11/04/2021 - 4:19 pm

The iconic multi-platinum-selling group AMERICA—co-founders GERRY BECKLEY and DEWEY BUNNELL—are set to perform at Town Hall in New York City on Friday, December 10 as part of their 50th anniversary tour. You can see their extensive dates HERE and read a May 2021 Q&A with them HERE about their return to the road (their tour was interrupted in March 2020 at the outset of the pandemic).

Last year (August 2020), AMERICA released a lyric video for a newly recorded song, “Remembering,” which appeared on their ultimate 8-disc anniversary box set HALF CENTURY (America Records, 2020). The song, written by BECKLEY, is classic AMERICA: harmony-rich rock, mixed with ringing guitars and pop smarts, with a compelling soul-searching lyric. “After 50 years together, this song is about the time spent looking back rather than looking forward...so much to be grateful for,” says BECKLEY, who produced and mixed the song with Jeff Larson. 

Also last year (November), AMERICA streamed their concert special “America--Live at the London Palladium” for the very first time. The concert, filmed in the fall of 2018 at the iconic London Palladium, had been commercially available as a DVD and CD. In addition, May 2020 saw the release of the book, America, the Band: An Authorized Biography by journalist Jude Warne (May, Rowman & Littlefield Publishers). She weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Billy Bob Thornton wrote the foreword.

AMERICA has influenced generations of musicians with their distinctive brand of acoustic-driven, harmony-rich rock, mixed with pop smarts, in soul-searching classic songs that reflected the times they were living in. The band’shuge radio success throughout the ‘70s and early ‘80s at times overshadowed the lyrical depth of their songs such as the questing “Horse With No Name”(with its environmental message at the end); the frank romantic politics of “Sister Golden Hair”; the war paranoia of “Sandman” (written in part from conversations with returning airmen from Vietnam); and the cautionary life advice of “Don’t Cross The River.”

Gerry Beckley and Dewey Bunnell | Photo Credit: Henry Diltz

As further testament to the band’s staying power and influence, AMERICA’s recordings have been licensed for a multitude of placements in films (including American Hustle, The Nice Guys, The Last Unicorn and Girl Most Likely), television shows (among them The Sopranos, Friends, Breaking Bad and Saturday Night Live) and video games (including Grand Theft Auto).

Fri, 11/05/2021 - 10:58 am

With OZZY OSBOURNE’s DIARY OF A MADMAN celebrating its 40th anniversary this week, a variety of video clips have been released to commemorate the album. These include a new video for “Flying High Again,” (created from exclusive images from Ross Halfin’s newly released Randy Rhoads book), along with live versions of “Over the Mountain,” “Flying High Again,” and “Believer.” In addition, an exclusive blue swirl DIARY OF A MADMAN vinyl will be available November 12 via Walmart (in the U.S. only) as part of their annual Black Friday Vinyl. Click here to pre-order.

The updated digital release of the Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter’s 1981 DIARY OF A MADMAN album is available today (November 5) via all digital platforms and includes two live tracks previously unreleased digitally, including a live version of his Mainstream Rock Top Five hit “Flying High Again.” Listen here.

DIARY OF A MADMAN is OZZY’s second studio release and the last album to feature 2021 Rock & Roll Hall of Famer guitarist Randy Rhoads. The multi-platinum release (with five million albums sold worldwide) included the #2 Mainstream Rock track "Flying High Again." The album was listed at #15 on Rolling Stone’s 2017 list of "100 Greatest Metal Albums of All Time." Kory Grow noted, "A year after proving he was still a vital musical force on his first post–Black Sabbath solo LP, 1980’s Blizzard of Ozz, Ozzy Osbourne demonstrated it wasn’t a one-time fluke with an album of poppy and gothic anthems like ‘Flying High Again’ and the almost classical closing title track. Guitarist Randy Rhoads, who died in a plane crash while touring for Diary in 1982, had already proven himself a virtuoso on Blizzard; here, he worked even harder to find the rare nexus between showboat chops and clever songwriting..."

THE DIARY OF A MADMAN 40th Anniversary Expanded Digital Edition track list is as follows:

1.  Over the Mountain
2.  Flying High Again
3.  You Can’t Kill Rock and Roll
4.  Believer
5.  Little Dolls
6.  Tonight
7.  S.A.T.O.
8.  Diary of a Madman
9.  Believer (live)*
10. Flying High Again (live)*
*previously unavailable digitally

Mon, 11/15/2021 - 7:17 am

THE JACK KEROUAC ESTATE has announced plans to celebrate the centennial birthday anniversary of world-renowned American novelist, writer, poet and artist JACK KEROUAC (1922-1969) starting in his birth month of March 2022 and continuing throughout the year in his hometown of Lowell, MA. The estate has partnered with The Kerouac @ 100 Committee—which consists of The Kerouac Center at UMass Lowell, Lowell Celebrates Kerouac, Lowell National Historical Park, Lowell Office of Cultural Affairs, the Pollard Memorial Library, Lowell’s Franco-American Day Committee, and Québec Delégation of Boston —to organize the upcoming festivities.

Born on March 12, 1922, KEROUAC was a pioneer of the “Beat Generation” publishing over 14 novels including the generation-defining literary classic On The Road (1957), which President Barack Obama has praised as an influence on his life and Time Magazine has included on its list of best novels of the last 100 years. KEROUAC’s work has also been credited as a major influence for many top musicians, poets, filmmakers and visual artists including Bob Dylan, The Beatles, Tom Waits, Eddie Vedder, The Grateful Dead, The Doors, Ben Gibbard, Weezer, Jawbreaker, The Wonder Years, Billy Corgan, The Hold Steady, Katy Perry, Michael Stipe, Steven Tyler, Joe Strummer, Jeff Buckley, Morphine, Alanis Morrissette, Paul Simon, 10,000 Maniacs, Blue Oyster Cult, Van Morrison, Belle and Sebastian, Our Lady Peace, Fences, Hiss Golden Messenger, Lana Del Ray, Ethan Hawke, Francis Ford Coppola, George Condo, Hunter S. Thompson, Thomas Pynchon, Richard Brautigan, Jim Carroll, George Saunders and Alison Bechdel. His work has been able to transcend stature and inspire the general public as well, much in part due to his personal charm and ability to speak and relate with anyone.

During the centennial celebration a special exhibit, “VISIONS OF KEROUAC,” will take place at Lowell National Historical Park–Boott Cotton Mills Gallery which will include the return of the original On The Road scroll on loan from Jim Irsay’s (owner of the Indianapolis Colts) renowned collection of historic and iconic artifacts from rock music, American history and pop culture, The Jim Irsay Collection. The 120-foot-long scroll is one of the most extraordinary and highly valued manuscripts in American literary history. It will be available for viewing along with archival books, writings, personal objects, and photographs including never-before-seen images of KEROUAC taken by fellow Beat Generation pioneer Allen Ginsberg. Further dates/times and details will be revealed in early 2022.

"The exhibit ‘Visions of Kerouac’ presents the many identities of Jack Kerouac, from the avant-garde literary author who produced the On the Road scroll to the Kerouac who remained deeply connected to his roots in the French-Canadian community of Lowell, Massachusetts," shares Michael Millner (Director, UMass Lowell Kerouac Center) who has been working with the estate in curating the exhibit.

"After reading Jack Kerouac's novel On the Road, Bob Dylan commented that the book ‘changed my life like it changed everyone else's.’ Kerouac's American road began and ended in Lowell, Massachusetts,” tells Jim Sampas (Literary Executor of the Estate of Jack Kerouac). “And so, it is fitting that, in Lowell, we get to celebrate the legacy of a writer whose influence on American culture has been cemented and assured.

He continues, “Little known fact—Katy Perry’s ‘Firework,’ which was played as the closing song in our most recent Presidential inauguration as fireworks went off, was inspired by an often-quoted passage in On the Road which alludes to roman candles burning in a night sky. Thanks to Jim Irsay, Jack Kerouac's On the Road scroll manuscript, which contains said passage and many other awe-inspiring sentences, will soon be back in town. Kerouac @ 100 is looking forward to unveiling a collection of lovingly curated tributes to Lowell's favorite native son in readings, magnificent exhibits, and concerts—all unfolding across 2022 as we light those roman candles across the stars in celebration of the Centenary birth of an American icon. The Jack Kerouac estate is so grateful to be working alongside the brilliant group of folks who have put this all together. Kerouac's legacy is burning bright.”

Additional events and happenings are set to take place surrounding KEROUAC’s centennial birthday including:

The Jack Kerouac Foundation has just been created to establish a Jack Kerouac Museum and performance venue in Lowell, MA. More to be announced soon.

Famous quotes from Kerouac’s works will be made into banners and hung on every light pole in downtown City of Lowell, MA.

Various panels, readings, art, talks, exhibits, film screenings, musical performances, and student/school collaborations will take place throughout Lowell in March 2022. Details coming early 2022.

The Town And The City Festival--produced by Chris Porter--is a two-day music and arts festival that will take place in various event spaces, bars, cafes and galleries throughout downtown Lowell, MA on April 8 & 9. The festival is named after KEROUAC’s earliest novel which was primarily set in this historic mill city.

Lowell Celebrates Kerouac will take place October 2022 and will feature a weekend full of KEROUAC themed events and tours.

DIY Lowell, a grassroots community organization, will install pop-up multilingual poetry signs to create a trail past historic Kerouac sites, including an installation at Kerouac Park. A volunteer team will begin planning this at their annual summit open to the public on November 18, the installation is anticipated in mid-spring 2022.

Unreleased works of KEROUAC as well as works from various authors inspired by KEROUAC are set to be published via Sal Paradise Media – a content development arm of THE JACK KEROUAC ESTATE formed by music & film director Jim Sampas (literary executor for The Jack Kerouac Estate) and music industry veteran Sylvia Cunha (Marketing & Development for The Jack Kerouac Estate).

“Kerouac and Me” podcast set to air in 2022 which will see stars of music, film, TV, literature, politics, sports and business share stories of how their work was inspired by Kerouac. The podcast will be hosted by Michael Imperioli (The Sopranos) and was created by Jim Sampas in partnership with Sylvia Cunha for Sal Paradise Media and New York Times bestselling authors Dave Wedge and Casey Sherman for Fort Point Media

“We have so many things planned to honor Jack during his Centenary and beyond,” says Sylvia Cunha who heads up Marketing & Development for the Estate of Jack Kerouac. “The Kerouac @100 Committee is focused on bringing his legend to not only his diehard fans but to new generations– with our ultimate goal of establishing a museum and performance venue in his hometown.”
 
“The Greater Merrimack Valley Convention and Visitors Bureau is honored to be partnered with the Jack Kerouac Estate and Kerouac @100 Committee for the Lowell’s favorite son, Jack Kerouac,” states RICK LOFRIA (Executive Director at the Greater Merrimack Valley Convention and Visitors Bureau). “He was inspired by Lowell and the Greater Merrimack Valley in novel after novel. It’s going to be a birthday celebration to remember with residents and visitors who will be travelling to the area from around the world.”
Stay tuned in the coming weeks for additional details on “Visions of Kerouac” and find out more about KEROUAC at jackkerouac.com.

KEROUAC @ 100 is funded in part by The Massachusetts Office of Travel & Tourism, The Greater Merrimack Valley Convention & Visitors Bureau, Kerouac Center at UMass Lowell, Massachusetts State Senator Edward Kennedy, City Of Lowell, Pollard Memorial Library Foundation, Lowell National Historical Park, Québec Delégation of Boston, George Duncan/Enterprise Bank, and Greater Lowell Health Alliance.

Wed, 12/08/2021 - 12:13 pm

In just under two weeks, the third “ABOVE GROUND” benefit concert founded by guitarists Dave Navarro (Jane’s Addiction) and Billy Morrison (Billy Idol) will take place on December 20 at The Fonda Theatre in Hollywood, CA. Newly added special guests Jerry Harrison (Talking Heads), Jason Aalon Butler (Fever333), OTEP, Mickey Avalon, Josh Freese (The Offspring, A Perfect Circle, Danny Elfman), Chris Chaney (Jane’s Addiction, Miley Cyrus), Piggy D (Rob Zombie), Dave Kushner (Velvet Revolver, Sons of Anarchy) and Donovan Leitch join an all-star bill that includes Billy Idol, Perry Farrell, Etty Lau Farrell, Corey Taylor, Taylor Hawkins, Mark McGrath, Steve Stevens, and Franky Perez. Look for the event to also feature host Dr. Drew Pinsky and an art installation by Risk Rock. Tickets are available now HERE.
 
Following previous successful events in 2018 and 2019, while sitting out in 2020 due to Covid, the evening will celebrate the vinyl album as an art form, with the performance of two seminal albums in their entirety, while at the same time raising awareness and funds for the treatment of mental health. Throughout the event there will be an art installation from multi-talented fine artist, sculptor and graffiti pioneer RISK ROCK.
 
Proceeds from the event will be donated to MusiCares®, the leading music charity that acts as a safety net for the music community. “MusiCares has literally saved more than a few of our friends from dying,” share NAVARRO and MORRISON. “Their role cannot be overstated, and we have precious few organizations that actively step in to help people on the brink. On the frontline, finding and paying for beds in treatment, arranging therapy and counseling, and actually speaking up on a public level about the importance of mental health are all reasons why we continue to do what we can to draw attention to this subject.”
 
Navarro and Morrison, with an array of special guests, will perform two musically/culturally seismic albums: Lou Reed’s Transformer (1972) and Sex Pistol’s Never Mind The Bollocks, Here’s The Sex Pistols (1977). As in previous years, they have kept trend of featuring one American artist and one British artist with former installations featuring Kings Of The Wild Frontier by Adam And The Ants and The Velvet Underground & Nico (2018) and David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars and the Stooges’ self-titled debut album, on which the world was introduced to Iggy Pop (2019). Read a Q&A with Navarro and Morrison about the event, and why they chose these albums to perform, here.

Thu, 01/20/2022 - 6:12 am

To mark the centennial birthday anniversary of world-renowned “Beat Generation” pioneer, novelist, writer, poet and artist JACK KEROUAC, THE JACK KEROUAC ESTATE and the Kerouac @ 100 Committee have planned an array of events and happenings to take place in his Lowell, MA hometown starting in his birth month of March. See a full list of happenings and details below.

“March 12th, 2022 will be the 100th anniversary of the birth of Lowell, Massachusetts’ favorite native son, Jack Kerouac, and folks the world over are weighing in on the enduring legacy of his work,” states Jim Sampas, Literary Executor of the Estate of Jack Kerouac. “The celebration of his centennial this March in his hometown will include important artifacts, such as an exhibit of the original ‘On the Road’ scroll manuscript, and for the first time ever in one place, all the photographs of Kerouac taken by one of his dearest friends, Allen Ginsberg. There will be readings, film screenings, and musical performances, all paying tribute to one of the most important authors of our time, and the versatility and openness of Kerouac’s work.”

Kerouac has been praised and cited as an influence for several of the most well-known public figures in music, entertainment, literature, fashion, and politics ranging from President Barack Obama to David Bowie to Francis Ford Coppola to Hunter S. Thompson and many more. Kerouac was recently the inspiration for DIOR HOMME creative director Kim Jones’ 2022 fall show with a collection that nodded to the Beat Generation style and featured an 80-meter-long facsimile of Kerouac’s generation-defining literary classic ‘On The Road.’ See photos from the show in London via Vogue HERE.

The upcoming festivities will feature the return of a portion of the original 120-foot-long ‘On The Road’ scroll--which Time Magazine included as one of the best novels of the last 100 years—on loan from The Jim Irsay Collection as part of the exhibit ‘Visions of Kerouac’ which will be free to the public on Friday, March 18 at the Lowell National Historical Park’s Boott Cotton Mills Gallery. Further details are included below.

“The ‘On the Road’ scroll manuscript is one of the most important and fascinating manuscripts in American literary history,” proclaims Michael Millner (Director, UMass Lowell Kerouac Center). “American literature and American culture more broadly were never the same after ‘On the Road,’ and this is rare opportunity to experience the manuscript–and it is certainly an experience.”
 
JACK KEROUAC CENTENNIAL BIRTHDAY EVENT SCHEDULE
FREE ADMISSION FOR ALL EVENTS

 
MARCH 4 – MAY 1: “Reflections from the Road” Art Exhibit
Arts League of Lowell Gallery – 307 Market St. (Lowell), All Ages
An art exhibit featuring regional artists who create works of art inspired by specific passages of Kerouac’s writing. Held in Greenwald Gallery, paintings by Judith Bessette, photography by Paul Bessette.
 
FRIDAY, MARCH 11: “Kerouac Night of 100 Poems: Blues & Haikus”
Pollard Memorial Library – Ground Floor Meeting Room Lowell
6:00-9:00 PM, All Ages
Join us on the eve of Kerouac’s 100th birthday as we read aloud 100 of his musical blues choruses and American haiku poems. Light refreshments and musical accompaniment. For further info and reader signup, please visit LowellLibrary.org.
 
SATURDAY, MARCH 12: JACK KEROUAC CENTENNIAL BIRTHDAY
“Kerouac Sites of Lowell Tour”: Guided bus tour of the Jack Kerouac sites of Lowell. 1:00-3:00 PM

“Kerouac Biographers Panel”: Featuring Dennis McNally and Holly George Warren, moderated by Todd Tietchen. Academic Arts Center – 240 Central St. (Lowell) -4:00 PM, All Ages

“Poetry Reading”: An evening of poetry with Anne Waldman, Scarlett Sabet and Paul Marion. Academic Arts Center – 240 Central St. (Lowell) - 7:00pm, All Ages

“Musical Event”: A night of music with Frank Morey and Willie Loco Alexander. Warp And Weft - 197 Market St (Lowell) - 9:00 PM (directly following Poetry Reading), 21+ event
 
“Music was important to Jack Kerouac as Jack was to countless music makers,” says Chris Porter, President of the Jack Kerouac Foundation Board of Directors. “Both Willie Loco Alexander (who released his well-known song ‘Kerouac’ in the 1970’s) and Frank Morey have been significantly touched by Jack’s writings and their respective performances will be perfect finales to a special day of talk, poetry, and song celebrating Kerouac’s 100th birthday.”
 
SUNDAY, MARCH 13
“Kerouac Sites of Nashua Tour”: Guided bus tour of the Jack Kerouac sites of Nashua, NH. 10:00 AM – 1:00 PM, starts & ends in Lowell

“Jack Kerouac’s Road – A Franco-American Odyssey” film screening
Luna Theater at Mill No. 5 – 520 Jackson St., Lowell
2:00 PM
Part documentary, part drama, this 1987 Canadian Film Board production weaves reenactments, archival film and photographs, and interviews with French-Canadian and American writers and artists of the 80’s (including Allen Ginsberg and Lawrence Ferlinghetti) to paint a portrait of Lowell’s thoroughly Franco-American novelist and poet.
 
TUESDAY, MARCH 15: “Tribute to Jack Kerouac: 100 Years, Still Alive”
Virtual Panel, 6:00 PM (ET)

A virtual bilingual panel on Jack Kerouac moderated by cultural journalist Tanya Beaumont (Radio-Canada) with panelists Herménégilde Chiasson (director of the film ‘Le grand Jack,’ based in New Brunswick), Susan Pinette (Director of Franco-American Studies at Canadian-American Center & Professor of Modern Languages at University of Maine, based in USA), Jean-Christophe Cloutier (Author La Vie est d’hommage and Associate Professor of English and Comparative Literature at University of Pennsylvania, based in USA)
 
FRIDAY, MARCH 18 – Week of APRIL 25: “Visions of Kerouac” Special Exhibit
Lowell National Historical Park – Boott Cotton Mills Gallery – 115 John Street, Lowell, MA 01852
12:00 – 5:00 PM daily

This unique special exhibit will include the return of a portion of the original “On The Road” scroll. The scroll in its entirety stretches to 120 feet and is one of the most extraordinary and highly valued manuscripts in American literary history. It will be on loan from The Jim Irsay Collection. Irsay, owner of the Indianapolis Colts, has a renowned collection which includes historic and iconic artifacts from rock music, American history and pop culture. The 24-foot portion will be available for viewing along with archival books, writings, personal objects, and photographs including never-before-seen images of Jack Kerouac taken by fellow Beat Generation pioneer Allen Ginsberg. There will also be a collection of photographs by John Suiter. More details on the exhibit location can be found here: www.nps.gov/lowe/planyourvisit/boott-cotton-mills-museum.htm
 
SATURDAY, MARCH 19: “An Evening with David Amram”
Luna Theater at Mill No. 5 – 520 Jackson St, Lowell (Time TBA)
Acclaimed composer and jazzman David Amram--now in his 92nd year--will reflect on his days with Kerouac as he recounts them in his book ‘Offbeat: Collaborating with Kerouac.’ He will also show the film ‘Pull My Daisy,’ in which David appears and Jack Kerouac narrates.
 
APRIL 8 & 9: “The Town And The City” Festival”
This two-day music and arts festival produced by Chris Porter will take place in various event spaces, bars, cafes and galleries throughout downtown Lowell, MA. The festival is named after Jack Kerouac's earliest novel which was primarily set in this historic mill city. More info at www.thetownandthecityfestival.com
 
OCTOBER 6-10: “Lowell Celebrates Kerouac Festival”
Location & times TBD
The October Festival features tours of Kerouac's Lowell places--including many sites described in his Lowell-based novels-panel discussions, reading, jazz and folk music, films, open mike events, as high poetry competition, book signings, and more. Kerouac fans and scholars from across the United States and around the world travel to Lowell for the festival. More info at www.lowellcelebrateskerouac.org

Some additional events transpiring around the centennial celebration will include:
- Famous quotes from Kerouac’s works being made as banners and hung on light poles in downtown Lowell, MA
 
- The Jack Kerouac Foundation has been created to establish a Jack Kerouac museum and performance venue in Lowell, MA. Their first initiative will be funding to pursue the establishment for the museum and performance center in the magnificent St. Jean Baptiste Church where Kerouac was an altar boy and the site of his funeral in 1969.
 
- Adventure Lab is a new app and platform in development from the team at Geocaching HQ that allows you to play and share unique outdoor scavenger hunts, experiences, and games. The free Adventure Lab® app guides players through the process of finding clues, solving puzzles, and completing adventures one location at a time. Jack Kerouac's Adventure Lab has between 5-8 points located in Lowell which will allow visitors to discover places important to Jack Kerouac's story while having fun!
 
- DIY Lowell will work with Kerouac @ 100 Committee on various historical markers, a “little library” and chalk walk.
 
- Unreleased works of Kerouac, as well as authors who were inspired by Kerouac, will be published via Sal Paradise Press—the content development arm of The Jack Kerouac Estate formed by Sampas and music industry veteran Sylvia Cunha (Director of Marketing and Development for The Jack Kerouac Estate).
 
- Launch of the Kerouac And Me podcast/audio project which will see stars of music, film/tv, literature, politics, sports and business share stories of how their work was inspired by Kerouac and was created by Sampas  and Cunha for Sal Paradise Media and New York Times bestselling authors Dave Wedge and Casey Sherman for Fort Point Media.

About the KEROUAC @ 100 Committee:
The Kerouac @ 100 Committee consists of The Kerouac Center at UMass Lowell, Lowell Celebrates Kerouac, Lowell National Historical Park, Lowell Office of Cultural Affairs, the Pollard Memorial Library, Lowell’s Franco-American Day Committee, and Québec Delégation of Boston.

KEROUAC @ 100 is funded in part by The Massachusetts Office of Travel & Tourism, The Greater Merrimack Valley Convention & Visitors Bureau, Kerouac Center at UMass Lowell, Allen Ginsberg Estate, Massachusetts State Senator Edward Kennedy, City Of Lowell, Pollard Memorial Library Foundation, Lowell National Historical Park, Jeanne D'Arc Credit Union, George Duncan/Enterprise Bank, Lowell Cultural Council, Greater Lowell Health Alliance, Québec Delégation of Boston, and Moses Greeley Parker Lecture
Series.

Wed, 01/26/2022 - 12:06 pm

GRAND FUNK RAILROAD tonight (January 26) continue their 2022 “Some Kind Of Wonderful Tour,” performing multiple shows across the country and dynamically underlining their trademark “Rock and Soul” classics. As part of this year’s itinerary, the legendary rock & roll powerhouse will be the “special guests” of KID ROCK for an array shows including April 16 at Van Andel Arena in Michigan, the state where both artists hail from.
 
Original founding member DON BREWER (vocals and drums, writer and singer of the #1 multi-million selling hit, “We’re An American Band”) says: “In August of 2021 we were invited by Bob (Kid Rock) to play a show with him at the Soaring Eagle Amphitheater in Mt. Pleasant, Michigan not far from our hometown of Flint. We were excited to play this show with Bob and everyone loved it. The show was a Michigan Rock Extravaganza!
 
“So when I got a call from Live Nation's Rick Franks telling me that ‘Rock’ wanted to have us (GFR) on some of his Bad Reputation 2022 Tour, we were happy to be part of it. I worked with Bob a few times when he was a guest on several Bob Seger shows and I was Seger's Tour Drummer. ‘Rock’ is a great singer and Entertainer and a great guy as well! This is going to be "Some Kind Of Wonderful" for all. Don't miss it!”
 
Recently, BREWER took the time to talk about building the perfect set list and also discuss highlights of the GRAND FUNK RAILROAD set list, which is packed with one hit after another. His Q&A can be viewed here.

2022 Grand Funk Railroad Tour Dates
1/26   Beaver Creek, CO  Vilar Performing Arts Center
1/27   Grand Junction, CO The Avalon Theatre
1/29   Laughlin, NV            Edgewater Casino Resort
2/25   Waukegan, IL          Genesee Theatre
2/26   Minneapolis, MN     Rock From The Heart
3/4      Atlantic City, NJ       Ocean Resort and Casino
3/11   Crockett, TX             Crockett Civic Center
3/12   Dallas, TX                 AT&T Performing Arts Center
3/19   Queen Creek , AZ    Good Life Festival
3/24   Tampa, FL                Seminole Hard Rock Hotel & Casino Tampa
4/1      Cherokee, NC          Harrah's Cherokee Event Center
4/2      Wilmington, NC       Wilson Center
4/6      Evansville, IN           Kid Rock's Special Guest at Ford Center
4/8      Omaha, NE              Kid Rock's Special Guest at CHI Health Center Omaha
4/9      St. Paul, MN             Kid Rock's Special Guest at Xcel Energy Center
4/15   Columbus, OH         Kid Rock's Special Guest at Nationwide Arena
4/16   Grand Rapids, MI    Kid Rock's Special Guest at Van Andel Arena
4/29   French Lick, IN        French Lick Resort Casino
6/1      W. Palm Beach, FL Kid Rock's Special Guest at iTHINK Financial Amphitheatre
6/11   Tampa, FL                Kid Rock's Special Guest at MIDFLORIDA Credit Union Amphitheatre
6/15   Atlanta, GA               Kid Rock's Special Guest at Cellairis Amphitheatre at Lakewood
6/17   Charlotte, NC           Kid Rock's Special Guest at PNC Music Pavilion
6/18   Raleigh, NC             Kid Rock's Special Guest at Coastal Credit Union Music Park at Walnut Creek
8/5      Nashville, TN           Schermerhorn Symphony Center

Wed, 02/16/2022 - 8:36 am

Fans of Prog Rock can rejoice in the news that the newly formed ProgJect will tour America, bringing "The Ultimate Prog Rock Experience” to venues this April and leading into their May 1 on-land headlining performance as part of “Cruise To The Edge” (which sets sail the next day). The band features Michael Sadler, Jonathan Mover, Mike Keneally, Ryo Okumoto and Matt Dorsey, performing the classics and epics of Genesis, Yes, King Crimson and ELP, along with some Pink Floyd, Rush, Jethro Tull, Peter Gabriel, Gentle Giant and more. The tour will include a two-night stand at Iridium in NYC on April 19 & 20 (see the itinerary below).

ProgJect is:
 
MICHAEL SADLER (SAGA)
Lead Vocals
 
JONATHAN MOVER (GTR, Alice Cooper, Joe Satriani, The Tubes)
Drums, Percussion, Vocals
 
MIKE KENEALLY (Frank Zappa, Steve Vai, Joe Satriani)
Guitar, Vocals
 
RYO OKUMOTO (Spock’s Beard, Asia, Chris Squire)
Keyboards
 
MATT DORSEY (Sound of Contact, Beth Hart)
Bass, Pedals, Guitar, Keys, Vocals
 

Look for ProgJect to perform a two-plus hour set of Prog classics and epics such as “Cinema Show,” “Firth of Fifth,” “Squonk,” “Karn Evil 9: 1st Impression–Pt. I & II,” “Siberian Khatru,” “Roundabout,” “Heart of the Sunrise,” “21st Century Schizoid Man,” “Lark's Tongues In Aspic, Pt. I & II”, “Xanadu,” “La Villa Strangiato,” “Have A Cigar,” “Wish You Were Here,” “Solsbury Hill” and “Living In The Past,” to name only a few.

ProgJect–the brainchild of drummer Jonathan Mover–came to fruition out of his childhood dream of playing Prog. “Prog Rock is the reason I play drums,” Mover explains, “but by the time I turned pro, Prog in the classic sense was over. And, although I got to work with some Prog-associated artists, such as GTR (with Steve Hackett and Steve Howe), and Marillion, my career took a decidedly different, though incredibly fortunate path, working with artists such as Alice Cooper, Joe Satriani, Aretha Franklin, The Tubes, Shakira, and others. That being said, I never lost my desire to play the Prog I grew up listening to.”

He adds: “The idea and inspiration came in 2019 from my getting a last-minute rescue call to play with the Genesis tribute band, The Musical Box. That not only relit that childhood fire and desire, but made me realize: if there’s an audience for Genesis, and an audience for Yes, and Pink Floyd, and ELP, and King Crimson...there’s an audience for all of them. So, why not play them all, since I love them all, and assemble a team of extraordinary musicians that feel the same as I do? And they, like me, wanted to play a variety of Prog from all our favorite bands, and therefore thought more of the concept of an 'homage band’, instead of a tribute band.”

Mover says that “the chemistry and dynamics of ProgJect are amazing” and “we're all very excited and literally counting the days to hit the road. Not only because of the delays imposed by Covid (we were supposed to tour over a year ago), but also because we love playing this music so much and know how much prog fans love it too; we can't wait to perform it for them. And of course, as much fun as it is in the rehearsal room, it will be infinitely more fun in front of an audience.”

What is the enduring appeal of Prog? “It’s music that you really listen to, and in some ways, live in,” says Mover. “It's not just something to play in the background. When you're into Prog, you're not only really into listening, but often times, attached to it as well. It's the same for seeing it played live. It's more than just a music performance–it's an experience.”

The tour dates for ProgJect—"The Ultimate Prog Rock Experience”—are as follows, with more to be announced soon:
 
April 1, 2022            Los Angeles, CA     Champion Site+Sound      
April 6, 2022            Edwardsville, IL       The Wildey Theatre
April 7, 2022            Milwaukee, WI         Shank Hall   
April 8, 2022            Chicago, IL              Des Plaines Theatre           
April 9, 2022            Indianapolis, IN       The Irving Theater
April 10, 2022          Cincinnati, OH         The Ludlow Garage
April 12, 2022          Kent, OH                   Kent Stage
April 13, 2022          Buffalo, NY              Showplace Theatre
April 15, 2022          Derry, NH                The Tupelo Music Hall       
April 17, 2022          Sellersville, PA        Sellersville Theater
April 19, 2022          New York, NY          The Iridium   
April 20, 2022          New York, NY          The Iridium
April 21, 2022          Newton, NJ             Newton Theater
April 22, 2022          Norwalk, CT            The Wall St. Theater
April 23, 2022          Vineland, NJ           The Landis Theater
April 26, 2022          Annapolis, MD         Rams Head On Stage
April 29, 2022          Boca Raton, FL       The Funky Biscuit   
April 30, 2022          Tampa, FL               Central Park PAC   
May 1, 2022            Cape Canaveral, FL Cruise To The Edge Pre-Cruise Event

 

Tue, 02/22/2022 - 8:45 am

Multi-platinum GRAMMY® Award-winning singer, songwriter, producer, guitarist, and multi-instrumentalist ALDO NOVA has today (February 22) released a performance video for “Burn Like The Sun,” the latest single from his forthcoming 10-song EP titled THE LIFE AND TIMES OF EDDIE GAGE. Watch the video here and listen to the single here.

Set for release on April 1, the songs on THE LIFE AND TIMES OF EDDIE GAGE mark the first chapter of his larger-than-life rock opera. The iconic Montreal maverick will subsequently release the triple disc ALDO NOVA 2.0 RELOADED on April 19. It will feature 2.0 versions of nine classic songs from ALDO’s catalog, plus another disc with no lead vocal track and a third disc with no lead guitar track so fans can either sing along or play along with him.
 
Of “Burn Like The Sun,” ALDO, who’s spent more than four decades in music with dozens of classic songs and hundreds of shows, says: “The song describes Eddie’s life's ups and downs and rebirth. In the opera, ‘Burn Like the Sun’ is the last song that Eddie sings and it sums up his life perfectly with everything coming full circle because it was the only song he had ever written that wasn't owned by any publishing company or record company, so it's fitting that the beginning becomes the same song that makes him reborn. ‘Burn Like the Sun’ describes Eddie's long journey.”
 
Elaborates ALDO: “In the second verse he says, ‘Life, is given to you, with each step that you take there's a chance you could win or lose, and love, yeah love's been untrue, almost took the last beat of my heart but then there was you.’ When he says ‘you,’ he could be talking about a woman, or in his case, it has a more spiritual meaning since in the previous song, ‘Say a Little Prayer,’ he rediscovers his faith which gives him the strength to go on. He then literally ‘Burns Like the Sun’ when he performs this song as his last song in his concert.”
 
THE LIFE AND TIMES OF EDDIE GAGE rock opera tells the story of Eddie Gage, a prodigious ingénue who breaks into the music industry only to be preyed upon by a nefarious suit Andy Christos, manipulated by a corporate overlord M.F. Stophalis, and tempted by a succubus Rati Ayida. Drugs, alcohol, and excess plunge him into despair until he realizes redemption on his own terms.
The musical journey of THE LIFE AND TIMES OF EDDIE GAGE began in 2008, when ALDO started to assemble what would become 25 songs (which ALDO will eventually release). Throughout the work, ALDO distills his often-unbelievable musical journey into the allegory of the rock opera, which he wrote, produced, arranged, engineered, and mixed entirely. The recording includes a 40-piece orchestra, a full gospel choir, Lee Levin on drums and mastering from the legendary Bob Ludwig. In addition, a one song bonus disc will accompany the collection with the soaring instrumental song "Les Anges.”
 
Following the release of THE LIFE AND TIMES OF EDDIE GAGE, ALDO will turn the page on the next chapter of this story with the three-disc ALDO NOVA 2.0 RELOADED. The three-disc recording features nine classics from his catalog new recordings--not only as the 2.0 versions of the songs, but also as alternate versions with no lead vocal track and another with no lead guitar track so fans can finally either sing along or play with him.
 
Track listing for THE LIFE AND TIMES OF EDDIE GAGE:
 
1.  Hey Ladi Dadi
2.  Free Your Mind
3.  Follow The Road
4.  King Of Deceit
5.  The Bitch In Black
6.  On The Way To The Psycho Ward
7.  When All Is Said And Done
8.  Say A Little Prayer
9.  Burn Like The Sun
10.Bonus Track: Les Anges--Composed, Arranged and Performed by Aldo Nova

Fri, 03/18/2022 - 11:34 am

TIMOTHY B. SCHMIT of The Eagles today (March 18) announced the release of his upcoming solo album DAY BY DAY--out May 6--by sharing its first single and video, “Simple Man.” Watch the video here and listen here.
 
Premiered yesterday on Jim Ladd’s show on SiriusXM, "Simple Man" is the album's gorgeous opener, featuring TIMOTHY’s trademark warm, intimate vocals; it’s also layered with electric guitar leads from Lindsey Buckingham and vocal harmonies from Beach Boys alumni Chris Farmer and Matt Jardine. The song nods to the singer, songwriter and bassist’s California roots, summoning up the glory days of the Laurel Canyon folk scene.
 
The "Simple Man" video was directed by Ava Warbrick, who says, “I wanted to create a contemplative mood. Like a meditation. Slow panning shots in a rotating motion to illustrate the passing of time. The three Timothy's are evocative of the harmonized vocals. We shot the music video on 16mm Kodak film to give room and texture to the California landscape and to elicit a nostalgia. A slow burn for reflection. The video, shot in and around Timothy's music studio, to me feels like an authentic document of the space and this moment in time.”
 
DAY BY DAY, TIMOTHY’s seventh solo album and first since 2016’s Leap of Faith, highlights his enduring appetite for new sounds and timeless melodies. He recorded the album’s 12 songs during breaks in the Eagles' busy schedule, utilizing his home studio known as Mooselodge--nestled into a rural pocket of Los Angeles County, with the Santa Monica Mountains looming outside--to capture a sound that's as eclectic as its creator. On DAY BY DAY, his third consecutive self-penned album, guests like Jackson Browne, Lindsey Buckingham, John Fogerty, Benmont Tench, Jim Keltner, John McFee and Kenny Wayne Sheppard all make appearances, as well as many other fine musicians and singers.
 
"I still think of myself as a developing songwriter," he admits. "When Jackson [Browne] came to the studio, we talked about how he wrote 'These Days' when he was 16 years old. It's so impressive that a teenager could create something so insightful. That didn't happen to me. I didn't hit my stride as a songwriter during my younger years. I think I'm finally starting to get there now, and I'm in my 70s! It's really nice. It makes me anxious to move forward and continue making music.”

Making DAY BY DAY at home allowed SCHMIT to take stock of the world around him. The wide stretch of state-protected land that surrounds his studio—including an old millstone hidden in a nearby meadow, left behind by the Chumash people—inspired the song "Grinding Stone," the chorus for which features the vocal blend of SCHMIT, Jackson Browne and John Fogerty. Elsewhere, the challenges of the Covid-19 era compelled him to turn "The Next Rainbow" into an anthem about seizing the day and counting one's blessings. He also found a muse in his wife, as well as an indispensable harmony partner in his daughter, Jeddrah. Pulling triple-duty as the album's singer/songwriter, co-producer (with Jeff Peters), and multi-instrumentalist, SCHMIT created DAY BY DAY without having to leave the environment that inspired much of the album's material.
 
Other album highlights include "Mr. X," rooted in amplified rock & roll, driven forward by electric guitar and a rapid-fire vocal, while "Feather in the Wind" evokes the sunny pop of the Beach Boys. The rest of DAY BY DAY is similarly diverse, from the R&B restraint of "Heartbeat" to the reggae rhythms of "I Come Alive."
 
"I try to latch on to whatever's floating my way through the ethers," says TIMOTHY of his songwriting process. "I just want to make good music and put a smile on people's faces. I love the process and feel extremely lucky to be able to make new music as an older guy, and this is very satisfying."
 
The DAY BY DAY track listing is as follows:
 
SIMPLE MAN
THE NEXT RAINBOW
HEARTBEAT
MR.X
QUESTION OF THE HEART
SOMETHING YOU SHOULD KNOW
I COME ALIVE
FEATHER IN THE WIND
GRINDING STONE
TASTE LIKE CANDY
CONFLICTED
WHERE WE BELONG

Mon, 04/11/2022 - 12:25 pm

An icon of American music since the early 1970s, TIMOTHY B. SCHMIT of The Eagles has spent the past half-century in a creative whirl, blurring the lines between rock & roll, blue-eyed soul, California country, and folk. Leading up to the May 6 release of his seventh solo album DAY BY DAY, the singer, songwriter and bassist has shared its second single, “Heartbeat,” along with a lyric video. Watch the video here and listen to the song here.

 

“Heartbeat” is built on a subtle R&B groove reminiscent of the Eagles rhythmic classic “I Can’t Tell You Why” that TIMOTHY sang and co-wrote with Don Henley and Glenn Frey. In the song, he candidly gets inside what makes long-term relationships work: devotion, commitment and respect, plus the shared understanding that the two people also exist as individuals: “…you don’t own me/And I don’t own you/All we do is love one another/Two lucky people/Who know how to work things through.”
 
“Heartbeat” follows the March 18 release of the “Simple Man” single and video, which was praised by Rock And Blues Muse: “One word about ‘Simple Man’ by Timothy B. Schmit–gorgeous” (3/18/22).
 
DAY BY DAY highlights his enduring appetite for new sounds and timeless melodies. He recorded the album’s 12 songs during breaks in the Eagles' busy schedule, utilizing his home studio known as Mooselodge--nestled into a rural pocket of Los Angeles County, with the Santa Monica Mountains looming outside--to capture a sound that's as eclectic as its creator. On DAY BY DAY, his third consecutive self-penned album, guests like Jackson Browne, Lindsey Buckingham, John Fogerty, Benmont Tench, Jim Keltner, John McFee and Kenny Wayne Sheppard all make appearances, as well as many other fine musicians and singers.
 
As noted by Ultimate Classic Rock, the album “…ranges from the rich harmonics of ‘Simple Man’ to the rocking ‘Mr. X.’ Elsewhere, the Band-like Americana of ‘Grinding Stone,’ the Caribbean flavor of ‘I Come Alive and the rich orchestrations of ‘Taste Like Candy" boast further sonic ventures” (3/18/22).
 
The DAY BY DAY track listing is as follows:
 
SIMPLE MAN
THE NEXT RAINBOW
HEARTBEAT
MR.X
QUESTION OF THE HEART
SOMETHING YOU SHOULD KNOW
I COME ALIVE
FEATHER IN THE WIND
GRINDING STONE
TASTE LIKE CANDY
CONFLICTED
WHERE WE BELONG

Wed, 05/04/2022 - 8:18 am

The recently formed ProgJect—acclaimed musicians Michael Sadler, Jonathan Mover, Mike Keneally, Ryo Okumoto and Matt Dorsey—successfully brought "The Ultimate Prog Rock Experience” to venues coast to coast from April 1-30 and then wrapped the tour May 1 with an on-land headlining show in Florida as part of “Cruise To The Edge” (before it set sail the next day). They performed the classics and epics of Genesis, Yes, King Crimson and ELP, along with some Pink Floyd, Rush, Jethro Tull, Peter Gabriel, Gentle Giant and more. See a new Q&A with band leader Jonathan Mover below.
 
ProgJect’s tour was highlighted by a two-night stand at Iridium in NYC on April 19 & 20, at which Derek Shulman (Gentle Giant) and Eddie Jobson (UK, Zappa, etc.) were in the house to see them play. In a tip of the hat to the band, Robert Fripp (King Crimson, etc.) posted a video clip of them playing their Crimson medley of “Lark’s” and “Nightmare” on his Facebook page and YouTube Channel.
 
ProgJect is now “looking at a West Coast run in early August to include the Pacific Northwest and California,” says Jonathan Mover, “and then late-August through mid-October across the States again, including some Canadian dates. Next year,” he adds, “aside from doing the US again, it looks like we’ll be heading to the UK/Europe, Mexico and Central/South America, and hoping to play some dates in Asia too.”
 
The band’s two-plus hour set of Prog Rock classics and epics encompassed such songs such as “Cinema Show,” “Firth of Fifth,” “Squonk,” “Karn Evil 9: 1st Impression–Pt. I & II,” “Siberian Khatru,” “Roundabout,” “Heart of the Sunrise,” “21st Century Schizoid Man,” “Lark's Tongues In Aspic, Pt. I & II”, “Xanadu,” “La Villa Strangiato,” “Have A Cigar,” “Wish You Were Here,” “Solsbury Hill” and “Living In The Past,” to name only a few.
 
ProgJect is:
 
MICHAEL SADLER (SAGA)
Lead Vocals
 
JONATHAN MOVER (GTR, Alice Cooper, Joe Satriani, The Tubes)
Drums, Percussion, Vocals
 
MIKE KENEALLY (Frank Zappa, Steve Vai, Joe Satriani)
Guitar, Vocals
 
RYO OKUMOTO (Spock’s Beard, Asia, Chris Squire)
Keyboards
 
MATT DORSEY (Sound of Contact, Beth Hart)
Bass, Pedals, Guitar, Keys, Vocals
 
ProgJect–the brainchild of drummer Jonathan Mover–came to fruition out of his childhood dream of playing Prog. “Prog Rock is the reason I play drums,” Mover explains, “but by the time I turned pro, Prog in the classic sense was over. And, although I got to work with some Prog-associated artists, such as GTR (with Steve Hackett and Steve Howe), and Marillion, my career took a decidedly different, though incredibly fortunate path, working with artists such as Alice Cooper, Joe Satriani, Aretha Franklin, The Tubes, Shakira, and others. That being said, I never lost my desire to play the Prog I grew up listening to.”
 
He adds: “The idea and inspiration came in 2019 from my getting a last-minute rescue call to play with the Genesis tribute band, The Musical Box. That not only relit that childhood fire and desire but made me realize: if there’s an audience for Genesis, and an audience for Yes, and Pink Floyd, and ELP, and King Crimson...there’s an audience for all of them. So, why not play them all, since I love them all, and assemble a team of extraordinary musicians that feel the same as I do? And they, like me, wanted to play a variety of Prog from all our favorite bands, and therefore thought more of the concept of an 'homage band,’ instead of a tribute band.”
 
PROGJECT TOUR END Q&A WITH JONATHAN MOVER
 
Congratulations on the first ProgJect tour. Has any single show or shows, stood out in your mind, in particular…and why?
 
JONATHAN MOVER: Thank you. That’s actually a tough one to answer, because from the very first night on, each show has gotten stronger and better. But, if I have to choose a few, I would say the following: the Tupelo in Derry, NH because it was a packed home-town show, the band played great, and it was the halfway point through the tour, so in many ways, we all felt accomplishment at having been able to do all this so far without management or an agent. The second night at Iridium in NYC was a definite highlight because Derek Shulman (Gentle Giant) and Eddie Jobson (UK, Zappa, etc.) showed up to see us play, and play we did. It’s also the night Robert Fripp posted a video clip of us playing our Crimson medley of “Lark’s” and “Nightmare” on his Facebook page and YouTube channel. What an honor that was! The Landis Theater in NJ and CPPAC in Largo, FL were also great shows, not only because they’re beautiful theaters with great sound systems, but the lights were fantastic as well and made for some amazing photos. And we could not have ended on a higher note than headlining the pre-cruise concert for Cruise To The Edge. A thousand people and they were ready for us. We got a standing ovation just taking the stage, and then three more throughout the show–we really played our asses off. I’m not on the cruise, but Michael [Sadler] has been reporting back that the overall opinion is we’ve now raised the bar too high! That being said, one thing that has stood out at every show is the audience. As just mentioned, we’ve had multiple standing ovations every night and cannot begin to thank so many wonderful people for coming to see us play, and for loving what we’re doing. The audiences have been outstanding—as have been the venue owners and promoters. We’ve been received and treated so well, and every evening ends with an invitation to come back and play again.

Press and fan reaction online have been very positive as the band has honored the enduring legacy of prog-rock. Can you talk about the connection you’ve been making with them at the band’s performances?
 
MOVER: There are many connections, but I think the main and most important one is the love for this music in particular. I know how much I love playing it, as do the others in the band, and it certainly seems equally matched in how much the audience loves hearing and seeing it. That connection in and of itself is incredibly powerful and so is the confirmation and affirmation that we’re doing the right thing for the right reasons, and we plan to continue doing this so for a very long time.

Can you describe the musicality and dynamism of the show and how it has grown from gig to gig?
 
MOVER: We were actually talking about this just a few days ago. It’s funny, even with plenty of rehearsals, it still takes performing in front of a live audience to really dial things in and find out exactly what works and/or how to make something work better. You find out the better places to speak to the audience, and with how the show ebbs and flows, you make adjustments accordingly. For example, when reading the audience’s reaction to some of the pieces we’re playing, we tweaked some endings to either not cut off the applause, or to surprise them immediately with another song and hit ‘em with a one-two punch. Also, we as players are listening to each other more and more and adjusting ourselves as well. So, it’s really just getting tighter and better each night.

Any fun stories from the tour stick out to you?

MOVER: Leaving Mike Keneally behind at one rest stop…fortunately he was only [patiently] waiting for about 20 minutes before we returned to pick him up. Luckily, he found it as amusing as we all did, though I think he was sad to go; he really seemed to bond with the cashier. Ryo taking the mic one night and trying to tell a joke to the audience in his broken English...say no more. There were lots of laughs on the bus.

Where does ProgJect go from here?

MOVER: Onwards and upwards. We’re all committed to this for the long run, so our plan is not unlike most others in that we’ll be touring every year and presenting new setlists and [re]arranged material as we go along.

Might there possibly be new original music?

MOVER: Hard to say at this point. I think it’s quite possible that we’d explore some ideas at some point, since we all do write and we’re all now starting to play on each other’s recent solo records, but that being said, ProgJect is an “homage band”, or if you will, a “tribute band to a genre”, and we don’t want to lose that, deviate from it, or confuse the audience. So, if something original does come up, we’d have to think carefully about how to present it.

Fri, 05/06/2022 - 10:18 am

TIMOTHY B. SCHMIT of the Eagles today (May 6) celebrates the release of his solo album DAY BY DAY by sharing the video for its third single “I Come Alive.” Anchored by an infectious ska rhythm, it’s a joyously soulful SCHMIT original lit up with his unmistakable tender voice and lyrics about romantic harmony and being in tune with the world. Watch the video here and listen to the song and album here.
 
“I was feeling really good about things in general when I started this song,” says the icon of American music since the early 1970s who’s spent the past half-century in a creative whirl, blurring the lines between rock & roll, blue-eyed soul, California country, and folk.   “I decided it wasn’t necessary to try and go particularly deep, so I let it sort of roll out of me without too much second guessing. It’s a simple love song intended to express my feelings right from the surface.” TIMOTHY adds: “I am a fan of reggae and its cousin, ska. This song is definitely driven by the opening guitar chords, which are played on the upbeats and remain throughout. The rest was a matter of keeping the instrumentation equally uncomplicated so as to have a lot of air.”
 
The song’s easygoing charm is reflected in the relaxed feel of the video, which focuses on the camaraderie between TIMOTHY, the musicians and backing singers. Filmed at a Los Angeles rehearsal studio, it begins with them arriving to the studio and then working out parts for the song before performing it.

“Shooting the video was a blast,” says TIMOTHY. “I was reunited with most of my touring band, including the three lady singers who play a large part in the choruses.  We very much have a family vibe when we’re together, and the song lent itself to having some fun. I think it translates on camera.”
 
The “I Come Alive” video was directed by Ava Warbrick, who also lensed the clip for “Simple Man,” the album’s lead single, which was followed by a lyric video for “Heartbeat.”
 
DAY BY DAY, produced by TIMOTHY and Jeff Peters, highlights the Rock and Roll Hall of Fame inductee’s enduring appetite for new sounds and timeless melodies. He recorded the album’s 12 songs during breaks in the Eagles' busy schedule, utilizing his home studio known as Mooselodge--nestled into a rural pocket of Los Angeles County, with the Santa Monica Mountains looming outside--to capture a sound that's as eclectic as its creator. On DAY BY DAY, his third consecutive self-penned album, guests like Jackson Browne, Lindsey Buckingham, John Fogerty, Benmont Tench, Jim Keltner, John McFee and Kenny Wayne Sheppard all make appearances, as well as many other fine musicians and singers.
 
As noted by Gary Graff in Ultimate Classic Rock, the album “…ranges from the rich harmonics of ‘Simple Man’ to the rocking ‘Mr. X.’ Elsewhere, the Band-like Americana of ‘Grinding Stone,’ the Caribbean flavor of ‘I Come Alive and the rich orchestrations of ‘Taste Like Candy" boast further sonic ventures” (3/18/22).
 
Early praise for singles from the album has also come from Martine Ehrenclou of ROCK AND BLUES MUSE who noted--“One word about ‘Simple Man’ by Timothy B. Schmit–gorgeous” (3/18/22)--while Markos Papadatos of DIGITAL JOURNAL praised “Heartbeat” by noting: “Schmit allows his rich, crisp vocals to shine on this haunting ballad, which proves to be timeless. This tune stands out sonically, lyrically, and vocally” (4/11/22).
 
The DAY BY DAY track listing is as follows:
 
SIMPLE MAN
THE NEXT RAINBOW
HEARTBEAT
MR.X
QUESTION OF THE HEART
SOMETHING YOU SHOULD KNOW
I COME ALIVE
FEATHER IN THE WIND
GRINDING STONE
TASTE LIKE CANDY
CONFLICTED
WHERE WE BELONG

Thu, 05/19/2022 - 11:42 am

TASH SULTANA, the gender fluid multi-instrumentalist, singer-songwriter, producer and engineer, will return to North America for a headlining tour that kicks off June 10 in Las Vegas at The Chelsea. These dates coincide with the June 3 release of the album MTV UNPLUGGED, LIVE IN MELBOURNE on Mom + Pop (see the track listing below).
 
Marking their first concerts here in three years, the run includes sold-out shows at the iconic Red Rocks Amphitheatre, Sandy, UT (Sandy Amphitheater), New York City (The Rooftop at Pier 17), Portland, ME (State Theatre), Boston, MA (House of Blues), Victoria BC (Royal Theatre BC), Forest Grove, OR (McMenamins Grand Lodge), Seattle (Paramount Theatre), Oakland (Fox Theater) and Los Angeles (Hollywood Palladium).
 
The Red Rocks show sold out in just five minutes and marks a triumphant return for TASH, who previously sold out the historic venue on their 2019 tour. To highlight this appearance, TASH wanted to ensure that fans who were unable to attend the show would be able to experience the performance via a just-announced live stream. TASH says, “For those who can't be there I hear you LOUD AND CLEAR, RED ROCKS GLOBAL LIVESTREAM: Join the virtual crowd and catch my sold-out Red Rocks show live--from anywhere--on Flymachine! You can invite your friends + watch the show together with your cameras on.” Get your pass now at fly.live/tash using promo code: TERRAFIRMA22.”
 
The tour also includes stops in Chicago, Philadelphia, the Bonnaroo Music Festival (June 19) and more. These dates follow TASH’s 2022 global ‘Terra Firma’ shows in the United Kingdom and Europe this past March/April with TASH set to return there for additional shows set for September.
 
“Finally, after 3 years I get to come back to North America,” TASH says. “Just wait to see what I have in store. I've been working on this new show since 2020 and I’ve been patiently waiting to bring it to the world. Now it’s my time,” says TASH.
 
This run will see TASH SULTANA performing their sophomore album Terra Firma in North America for the first time as well as hits from Notion EP and Flow State, while also expanding the groove into new territories. SULTANA has remained tight-lipped about what the new show may include but has promised it’s an extension of ‘what already is’ and what they are best known for.
 
The MTV UNPLUGGED album powerfully shines a light on TASH’s body of work and underlines their impact as a singer, songwriter, multi-instrumentalist, producer, engineer and mixer. By being so multi-faceted and talented—in a way that brings to mind Prince—nothing gets in the way of TASH’s artistic vision.
 
The MTV UNPLUGGED, LIVE IN MELBOURNE album track listing is as follows:
 
01 Musk
02 Big Smoke
03 Mystik
04 Sweet & Dandy
05 Pretty Lady
06 Crop Circles
07 Greed
08 Willow Tree
09 Blame It On Society
10 Coma
11 Dream My Life Away
12 Flume
13 Notion
 
TASH SULTANA has been dubbed one of the hardest working music exports in Australia. Selling over 500’000 tickets globally in 2019 alone, they are back to make their mark on the world. Their #1 ARIA-charting sophomore album Terra Firma arrives three years after ARIA-winning debut album Flow State--which spawned the 2x Platinum single ‘Jungle’ and the Platinum-selling single ‘Mystik’ as well as accumulating over 1billion worldwide streams.
 
TASH’s 2022 North American dates are as follows:

Date | City/State @ Venue
6/10 | Las Vegas, NV @ The Chelsea at the Cosmopolitan
6/11 | Sandy, UT @ Sandy Amphitheater SOLD OUT
6/12 | Morrison, CO @ Red Rocks Amphitheatre SOLD OUT
6/14 | St. Paul, MN @ Palace Theatre
6/15 | Chicago, IL @ Riviera Theatre
6/17 | Cleveland, OH @ The Agora Theatre
6/18 | Newport, KY @ Promowest Pavilion at Ovation
6/19 | Manchester, TN @ Bonnaroo Music Festival
6/21 | Pittsburgh, PA @ Roxian Theatre
6/22 | Buffalo, NY @ Asbury Hall at Babeville
6/24 | Philadelphia, PA @ The Fillmore
6/25 | Washington, DC @ The Anthem
6/26 | New York, NY @ Pier 17 SOLD OUT
6/28 | Portland, ME @ State Theatre SOLD OUT
6/29 | Boston, MA @ House Of Blues SOLD OUT
6/30 | Montreal, QC @ Festival International de Jazz de Montréal
7/2 | Sherbrooke, QC @ Sherblues and Folk Festival
7/4 | Toronto, ON @ HISTORY
7/5 | Toronto, ON @ HISTORY
7/7 | Quebec City, QC @ Festival d'été International de Québec
7/8 | Ottawa, ON @ RBC Ottawa Bluesfest
7/10 | Winnipeg, MB @ Winnipeg Folk Festival
7/12 | Edmonton, AB @ Edmonton Convention Centre
7/15 | Victoria, BC @ Royal Theatre SOLD OUT
7/16 | Vancouver, BC @ Orpheum Theatre
7/17 | Forest Grove, OR @ McMenamins Grand Lodge SOLD OUT
7/19 | Seattle, WA @ Paramount Theatre SOLD OUT
7/21 | Oakland, CA @ Fox Theater SOLD OUT
7/22 | Oakland, CA @ Fox Theater
7/23 | Los Angeles, CA @ Hollywood Palladium SOLD OUT
7/24 | Pomona, CA @ Fox Theate

Tue, 05/31/2022 - 12:24 pm

In a revealing new Q&A, TASH SULTANA, the gender fluid multi-instrumentalist, singer-songwriter, producer and engineer, has offered more details and perspective about their upcoming album--MTV UNPLUGGED, LIVE IN MELBOURNE, out June 3 on Mom + Pop--and North American tour launching June 10 in Las Vegas. The Q&A is below, along with more info about the album and the tour dates.

TASH SULTANA Q&A:

Q: Congrats on the upcoming release of the MTV Unplugged album. Can you let us know why you feel this live album is an important work for you?

TASH SULTANA: This is important to me because it's the first record I've mixed. I honestly just wanted to give myself a project when I had nothing on the horizon and see what I could do. It took me three months because I was fussy with it, story of my life--I mean there's always things you will change looking back but I just wanted to have that under my belt.

Q: American concertgoers know you as a solo performer. Can you talk about the dynamic of having a band onstage with you for this live recording?

TASH SULTANA: I think it’s important to make the distinction that I am a SOLO performer. I always write everything on all my records. I've played all the instruments on everything I've ever written (apart from the obvious collabs) or released as well as produced, arranged, co-engineered and so forth and I wanted to stay true to the record by extending the groove. I just physically ran out of arms and legs to play everything and that's where these session musicians came into the equation.

Q: The MTV Unplugged album shines a light on your body of work so far including your version of Bon Iver’s “Flume.” Can you tell us why you selected these particular songs for this performance and why you feel they work together as an artistic statement?

TASH SULTANA: The actual set was an hour and 30 minutes long. The producers and I had a great time trying to work out what we had to condense for what got shown on air which was another reason why I wanted to release the record in its entirety. It's just a little bit of everything, it's a bit of the oldies, the newbies, looping, acoustic, band stuff. I wanted to do the EXACT opposite of what everyone else has done, so as you can see it is not "Unplugged"--it's very much PLUGGED in and that was the point.

Q: Your upcoming tour has already generated an array of sold-out shows immediately upon announcement, including your return to Red Rocks in Colorado which sold out in a matter of minutes. Can you talk about how deeply satisfying this must be for you as an artist who knows they are connecting with a discerning audience who wants purity over commerciality and who wants to experience musical transcendence instead of seeing a slickly choreographed show?

TASH SULTANA: I think that's a question better answered by the audience themselves. From what I know, given what they tell me is that they come because it's REAL. It's an emotional, physical, metaphysical, spiritual journey from the beginning until the end for myself and everyone bearing witness. It's how I feel when I play. I am not performing the songs, I become the music. The stage is the pinnacle of my existence and my highest place, I revolve everything in my life around stepping out on stage. I treat my mind, body, spirit like an athlete treats themselves for the gold medal they've always dreamt of having. I see the vision, I create it, I work for it, I manifest it, I prepare for it, I train for it and therefore I attain it.

Q: You’re known as a singer, songwriter, multi-instrumentalist, producer, engineer and mixer. By being so multi-faceted and talented—in a way that brings to mind Prince—nothing gets in the way of your artistic vision. At the same time, are there any challenges for you since you oversee all these aspects?

TASH SULTANA: I appreciate other people’s feedback, respected feedback obviously. I would never listen to someone critiquing me who had no positive impact on my life, I don't hear the hate, I hear the construct. But I suppose the downfall is being a perfectionist, the bar is always set higher, and I never reach the end, so I only compete with yesterday's version of myself and sometimes I can be hard to satisfy.

The North American headlining tour kicks off June 10 in Las Vegas at The Chelsea. Marking their first concerts here in three years, the run includes sold-out shows at the iconic Red Rocks Amphitheatre, Sandy, UT (Sandy Amphitheater), New York City (The Rooftop at Pier 17), Portland, ME (State Theatre), Boston, MA (House of Blues), Victoria BC (Royal Theatre BC), Forest Grove, OR (McMenamins Grand Lodge), Seattle (Paramount Theatre), Oakland (Fox Theater) and Los Angeles (Hollywood Palladium).

The tour also includes stops in Chicago, Philadelphia, the Bonnaroo Music Festival (June 19) and more. These dates follow TASH’s 2022 global ‘Terra Firma’ shows in the United Kingdom and Europe this past March/April with TASH set to return there for additional shows set for September.

The MTV UNPLUGGED album powerfully shines a light on TASH’s body of work and underlines their impact as a singer, songwriter, multi-instrumentalist, producer, engineer and mixer. By being so multi-faceted and talented—in a way that brings to mind Prince—nothing gets in the way of TASH’s artistic vision.  The MTV UNPLUGGED, LIVE IN MELBOURNE album track listing is as follows:
 
01 Musk
02 Big Smoke
03 Mystik
04 Sweet & Dandy
05 Pretty Lady
06 Crop Circles
07 Greed
08 Willow Tree
09 Blame It On Society
10 Coma
11 Dream My Life Away
12 Flume
13 Notion
 
TASH SULTANA has been dubbed one of the hardest working music exports in Australia. Selling over 500’000 tickets globally in 2019 alone, they are back to make their mark on the world. Their #1 ARIA-charting sophomore album Terra Firma arrives three years after ARIA-winning debut album Flow State--which spawned the 2x Platinum single ‘Jungle’ and the Platinum-selling single ‘Mystik’ as well as accumulating over 1billion worldwide streams.

TASH’s 2022 North American dates are as follows:

Date | City/State @ Venue
6/10 | Las Vegas, NV @ The Chelsea at the Cosmopolitan
6/11 | Sandy, UT @ Sandy Amphitheater SOLD OUT
6/12 | Morrison, CO @ Red Rocks Amphitheatre SOLD OUT
6/14 | St. Paul, MN @ Palace Theatre
6/15 | Chicago, IL @ Riviera Theatre
6/17 | Cleveland, OH @ The Agora Theatre
6/18 | Newport, KY @ Promowest Pavilion at Ovation
6/19 | Manchester, TN @ Bonnaroo Music Festival
6/21 | Pittsburgh, PA @ Roxian Theatre
6/22 | Buffalo, NY @ Asbury Hall at Babeville
6/24 | Philadelphia, PA @ The Fillmore
6/25 | Washington, DC @ The Anthem
6/26 | New York, NY @ Pier 17 SOLD OUT
6/28 | Portland, ME @ State Theatre SOLD OUT
6/29 | Boston, MA @ House Of Blues SOLD OUT
6/30 | Montreal, QC @ Festival International de Jazz de Montréal
7/2 | Sherbrooke, QC @ Sherblues and Folk Festival
7/4 | Toronto, ON @ HISTORY
7/5 | Toronto, ON @ HISTORY
7/7 | Quebec City, QC @ Festival d'été International de Québec
7/8 | Ottawa, ON @ RBC Ottawa Bluesfest
7/10 | Winnipeg, MB @ Winnipeg Folk Festival
7/12 | Edmonton, AB @ Edmonton Convention Centre
7/15 | Victoria, BC @ Royal Theatre SOLD OUT
7/16 | Vancouver, BC @ Orpheum Theatre
7/17 | Forest Grove, OR @ McMenamins Grand Lodge SOLD OUT
7/19 | Seattle, WA @ Paramount Theatre SOLD OUT
7/21 | Oakland, CA @ Fox Theater SOLD OUT
7/22 | Oakland, CA @ Fox Theater
7/23 | Los Angeles, CA @ Hollywood Palladium SOLD OUT
7/24 | Pomona, CA @ Fox Theater

Thu, 06/09/2022 - 12:24 pm

Coming off his acclaimed 2021 four-song EP When I Hit The Floor--which prompted the esteemed Jesse Malin to praise it as “Real blood and guts rock and roll that bleeds with soul and redemption”--NYC punk rock n’ roll singer-songwriter-guitarist LORNE BEHRMAN shares the video for “A Little Midnight.” It’s the first single (out digitally this Friday, June 10) from his debut album of the same name, available September 16 on Spaghetty Town Records. Watch the video, directed by David J Barron, here and read a new Q&A below. It was premiered yesterday (June 8) by Glide which noted that the song “features a blackened riff howl of punk bands like The Damned and The Gun Club mixed with pop sensibilities of The Replacements. When Behrman sings “A little midnight/ it’s alright/A little midnight/does you right,” listeners get a gracious sense of rock and roll escapism at its most pure form.”
 
The “A Little Midnight” single is a slice of dirty rock n’ roll scrapped off of the streets of the Bowery with an introspective heart from the artist who previously played in The Dimestore Haloes, L.E.S. Stitches, The Dead Tricks and most recently The Sweet Things. “The moonlight looks on good you/Not darkness just silver blue/A little midnight/it’s alright/A little midnight/does you right,” sings LORNE on the song.
 
A LITTLE MIDNIGHT is a 10-song collection is a series of New York City vignettes haunted by shadows but guided by light. The words here are literate and lacerating, recalling the street poetics of Lou Reed, Richard Hell, and Television. The songs feature stark and fluid guitar playing in the spirit of The Stooges’ James Williamson, Johnny Thunders, and Lou Reed.

“This album is about struggling to be reborn,” LORNE shares. “Wanting to run back to the arms of toxic people or the patterns of self-destruction. It’s about clawing your way to a new existence while acknowledging all the causalities, and all you’re letting go. You glimpse a new life, but you don’t feel it yet.”
 
The album’s raw but polished production aesthetic is courtesy of producer Matt Chiaravalle (Warren Zevon, Joe Bonamassa, Spacehog). A LITTLE MIDNIGHT was mastered by Grammy-nominated engineer Joe Lambert. Wyldlife bassist Spencer Alexander designed the album artwork, and it is a subtly playful homage to the cover of Tom Petty and the Heartbreakers’ Damn the Torpedoes.
 
The track listing for A LITTLE MIDNIGHT is:
 
01 - Love Stumbles By
02 - Harlem River Serenade
03 - I Can Burn You Down
04 - Monday Morning
05 - Well, I Can't Hold You
06 - A Little Midnight
07 - You Wont Live In This Past
08 - I Hope The Sun Doesn't Catch Us
09 - Black Cars
10 - Further On Down The Road

 

Q&A with LORNE BEHRMAN ABOUT THE SONG + VIDEO
“A LITTLE MIDNIGHT”

 
--What inspired you to write “A Little Midnight,” which is also the title of your upcoming album, and release it as the first single? It’s a punchy and upbeat song, with your angular guitar work and almost conversationally delivered vocals. It also possesses the lyrical urgency you’re becoming known for.
 
It came down to me having a bad day where a lot of normal but challenging life things were stacking up. I was nervous about paying bills. I had taken my cat to the vet, it looked like she was really sick, and I was waiting on results. And someone in my family was struggling with some serious mental health issues. I felt overwhelmed. When I feel that way, I want to escape from it all. But I couldn’t—it’s real life; it’s being an adult. I was so worried and I sat on the couch and picked up my guitar and sang and played that opening line, “I don’t want to run away again/my problems like feathers in the wind.” It gave me a lot of comfort—like a punk rock n’ roll lullaby to ease my fears. A lot of times the problems we have in life seem more manageable on the other side of the day. Like hang on for a bit, the  strength and wisdom to deal with your problems will come.
 
My decision to release it first was that I feel like it set the tone for the album which is hope. It’s a personal and candid album about my life, but there is an optimism and warmth there, even in the sadness and aggressive parts of the music. There’s always, always hope in my music. Always.
 
--When you sing the lines, “Cracked sidewalk/crooked roots/Shoot up till you fade away,” are you writing about your own experiences?
 
That was a poetic image on my street. A tree coming up at an angle from the sidewalk and cracking the sidewalk, and next to it on the ground, a hypodermic needle. The image was just really metaphorically powerful.
 
--The song clocks in at 1:47 seconds. How do you feel that short length benefits the song?
 
I love the idea of a little dose of strength or a quick jolt into resilience. The thought being, maybe someone is having a hard time, and they can take less than two minutes and “A Little Midnight” will reset them and make them feel better. For me, punk rock always made me feel better quickly. When it’s the right song, you only need to hear a small amount of it to feel centered, hence, the lyric A little midnight/ it’s alright/A little midnight it does you right.
 
--As with the EP, the upcoming album was produced by Matt Chiaravalle. Can you talk about why you feel his production style is the perfect fit for your songs?
 
The main thing is I trust Matt. He will tell me when something is up to par, or if a song needs something else, or if I am missing the mark. He’s honest, blunt, but also says things in a way that makes you feel like you can achieve the ideal he sees. Matt is also really eclectic and can reverently realize lots of different musical visions. We can nerd out about Motown, guitarist Robert Quine, 1990s punk, the Stones, Dylan, the Cure, Television, Lou Reed, and he knows the ins and outs of those classic records. In addition to being a great producer, he’s also a great engineer. He gets great tones, can coax great performances out of musicians, and he’s fast in the studio. He’s also hilarious, and I find myself laughing about things we talk about in the studio for weeks after a session. Matt doesn’t give a lot of compliments, and when he says he likes something or a song is good it’s for real. I admire his honesty. He brought out the best in me, and I am so grateful.
 
--For the video, you went with a fun and light-hearted feel. You’re seen a photo shoot, having playful + flirty exchanges with Paige Campbell, the song’s back-up singer. What inspired you to take this approach and who directed the video?
 
I was telling the director David J Baron about the meaning of the song and the story that inspired it. He thought it would be interesting to explore the narrative with levity. We talked about the great Replacements video for “Bastards of Young,” and the idea of a video where everything goes wrong.
 
Paige is like a sister to me, and we’ve been guiding lights with each other’s music careers. I’ve played on a few of her recordings for her band How Tragic before they found their guitar player. So, doing things together, and me being playfully annoying, is part of our lives as close friends and collaborators, especially that scene with the guitar solo.
 
When we shot the video it was me, Paige, director David, and my fiancée, Danielle, just hanging out at a studio having fun. Just friends laughing and doing something low key. It was a lot of fun and very loose, and I wasn’t self-conscious. However, when I first saw the video, I was nervous because I felt like all the  “uncool” things about myself were exposed. I showed it to Paige and Danielle and they were like “that is you,” and that made me feel like I should just got with it. I was overthinking it, and taking myself too seriously.

Mon, 06/13/2022 - 8:25 am

Legendary AEROSMITH guitarist and songwriter JOE PERRY has confirmed three Northeast solo gigs in July for THE JOE PERRY PROJECT: Thursday July 21 at Hampton Beach Casino (Hampton, NH); Friday, July 22 at Leader Bank Pavilion (Boston, MA); and Saturday, July 23 at the Atlantic City Hard Rock Casino (Atlantic City, NJ). These performances mark the first solo shows for PERRY in more than four years (around the release of his 2018 SWEETZERLAND MANIFESTO album).

“Since my schedule has freed up and we have a slot of time to play some shows, I wanted to jump on that opportunity,” JOE PERRY says. “Aside from the obvious, terrible effects the pandemic brought with it, I missed being on the road. However, it is actually the first time that myself and my wife Billie were able to sleep in our own bed for this long of a period without having to think about packing our bags. So it has been a new experience for us. Now, I’m really excited to do these shows, especially with this lineup of The Joe Perry Project: Buck Johnson on keyboards (Aerosmith, Doobie Brothers, Hollywood Vampires), Joe Pet on drums (one of the original members of the Joe Perry Project), Chris Wyse on bass guitar (Hollywood Vampires, The Cult and Ozzy Osbourne) and the incredible Gary Cherone on vocals.”

Photo credit: Aaron Hirsch

The Rock and Roll Hall of Fame inductee continues, “The setlist will have a couple of new songs, a couple of my other solo songs, and a couple of Aerosmith songs that Aerosmith usually doesn’t play, and everything in between, lol…”

“I am also releasing another solo album on vinyl called Sweetzerland Manifesto MKII later this year, so it seemed like the perfect opportunity to get some of the new songs out there. And since people will probably be sharing the new tracks on social media, the two new songs from the set—which I recorded in London with my sons Roman and Tony--are “Quake,” with vocal by Gary Cherone and “Fortunate One” which features Chris Robinson. The new album will also include a couple of songs from the first release (Sweetzerland Manifesto), some of which weren’t ready to go on that initial record.”

Following these shows, PERRY will return to his Aerosmith commitments.  “We are gearing up to celebrate the 50th anniversary of the band and will definitely have some incredible forgotten treasures for our fans that we found deep-diving into the vaults and there’s a lot more to come!  On the live side, we can’t wait to get back on the stage together!  We have a special date in Maine in September and our big 50th anniversary show at home at Fenway [Boston] before we head back to Vegas for the two residencies.”
 
DATE               VENUE                             CITY

Thurs, July 21       Hampton Beach Casino            Hampton, NH
**Fri, July 22       Leader Bank Pavilion                Boston, MA
Sat, July 23          Atlantic City Hard Rock Casino  Atlantic City, NJ
 
**Special guest with ZZ Top

Fri, 06/24/2022 - 9:13 am

Sparks fly on “Smells Like Teen Spirit,” the new all-instrumental single and video from acoustic guitarist extraordinaire TOMMY EMMANUEL and British acoustic guitar virtuoso Mike Dawes. They first joined forces last year to record and release their interpretation of Goyte’s 2011 hit “Somebody That I Used To Know” (described by Guitar Player as “spellbinding”) and now their combined prowess takes flight again on their cover of Nirvana’s classic, released today (June 24). It’s one of the highlights on the upcoming five-song EP from TOMMY EMMANUEL with Mike Dawes, ACCOMPLICE SERIES VOL. 3 due out September 23 on CGP SOUNDS. Watch the video here and listen to the song here. The video was premiered yesterday (June 23) by Guitar World which noted that “the acoustic virtuoso duo combine powers to rework the era-defining grunge anthem, with spectacular results.” Pre-order the EP here.

EMMANUEL and Mike Dawes also light up the EP with their stirring all-instrumental reworkings of “Slow Dancing In a Burning Room” (John Mayer), “Fields of Gold” (Sting) and “Be My Mistake” (The 1975), alongside “Somebody That I Used To Know” and “Smells Like Teen Spirit,” the video for which was directed and edited by Joshua Britt and Neilson Hubbard for Neighborhoods Apart. The live audio was recorded by Dylan Allredge, while the audio was mixed and mastered by Marc DeSisto. It was filmed in an empty warehouse in Franklin, KY.

“I've always loved Nirvana's original recording and music video of this song, but I never dreamed I'd play it as an instrumental one day,” says EMMANUEL. “Having Mike on tour with me gave me a window into other possibilities as a player, performer, and arranger. So, we set about to make it live for us. I let my imagination run wild and Mike created a strong foundation that gave us the freedom to soar with our hearts open when we play it!”

Mike Dawes says that “It has been so much fun playing this arrangement live with Tommy, and a thrill to bring some of my own guitar heritage to the table for this project. Some of my parts are heavily inspired by my old guitar teacher, the great Stuart Ryan, who had an arrangement of his own. Much like the late, great Eric Roche. To have Tommy Emmanuel play on top of the rhythm is an exceptional circumstance and the one-take recording we did in LA turned out so great! I hope that this timeless trans-generational piece sets up this ‘Accomplice Series’ EP in the appropriate way. A mix of shredding and percussive grunge!”

TOMMY EMMANUEL and his special guest Mike Dawes, who have toured together in the past including this past January’s run, will do so again in the U.S. starting in December 2022. The dates follow below and most shows are on sale now.

Full Track Listing for Accomplice EP #3:
1. Smells Like Teen Spirit (Nirvana cover)
2. Slow Dancing In a Burning Room (John Mayer cover)
3. Fields of Gold (Sting cover)
4. Somebody I Used to Know (Gotye cover)
5. Be My Mistake (1975 cover)
 
TOUR DATES
6-Dec TUE--Boise, ID @ Egyptian Theatre
7-Dec WED--Salem, OR @ Elsinore Theatre
9-Dec FRI--Bend, OR @ Tower Theatre
10-Dec SAT--Grants Pass, OR @ Rogue Theatre
11-Dec SUN--Chico, CA @ Laxson Auditorium
13-Dec TUE--Santa Cruz, CA @ Rio Theatre
14-Dec WED--San Juan Capistrano, CA @ Coach House
15-Dec THU--San Juan Capistrano, CA @ Coach House
16-Dec FRI--Malibu, CA @ Smothers Theatre

Fri, 06/24/2022 - 10:23 am

OZZY is back.

Mark September 9 on your calendar as the release date for PATIENT NUMBER 9, Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter OZZY OSBOURNE’s new album and the first since his critically acclaimed, worldwide, chart-topping 2020 ORDINARY MAN release.

The album’s self-titled first single and video have today (Friday, June 24) been released worldwide. Listen to “Patient Number 9” here and watch the video Grammy winner and multiple Grammy nominee Todd McFarlane-directed here.

“Having worked with Ozzy in the past, I jumped at another opportunity to do so again…especially on the music side this time,” Todd McFarlane says. “In the harsh business called the music industry, any creative person who’s sustained a multi-decades career has shown the skill, talent and tenacity that will always garner my admiration. Ozzy has shown many of us creative folks that it’s indeed possible to make a living doing what you love for nearly an entire lifetime. Go, Ozzy!”

Produced by Andrew Watt (who handled the same duties on ORDINARY MAN) and set for release on Epic, the new album marks OSBOURNE’s 13th solo studio album. It’s heavy, it’s hard-hitting, it’s historic--it’s everything you’d want from an OZZY OSBOURNE record and maybe more.

“Patient Number 9” was written by OZZY, Watt, Robert Trujillo, Chad Smith and Ali Tamposi and features a riveting solo from legendary guitarist Jeff Beck (one of the notable guest stars on the album, additional details below). The video marks the first collaboration from the project with Emmy-and Grammy-winning director/producer Todd McFarlane. It is highlighted by McFarlane’s signature illustrations interspersed with live OZZY vignettes in the role of “Patient Number 9,” which the revolutionary creative force in the world of comics and toys also filmed. In addition, this is the first-ever video to incorporate OZZY’s artwork: his hand-drawn demons were animated and can be seen during the Jeff Beck solo in the song.

Working with producer Watt for the second time, OZZY welcomed a dynamic A-list supporting cast. The record boasts guitarists Jeff Beck, Eric Clapton, Mike McCready of Pearl Jam, and longstanding righthand man and six-string beast Zakk Wylde who plays on the majority of the tracks. For the bulk of the album, Chad Smith of Red Hot Chili Peppers held down drums, while the late Taylor Hawkins of Foo Fighters made an appearance. Old friend and one-time OZZY band member Robert Trujillo of Metallica plays bass on most of the album’s tracks, with Duff McKagan of Guns N’ Roses and Chris Chaney of Jane’s Addiction supplying bass on a few songs. For the first time ever, Black Sabbath co-founder, guitarist, and riff-lord Tony Iommi appears on an OZZY solo album.

An exclusive version of PATIENT NUMBER 9 with a limited-edition special McFarlane-designed comic book will be available for preorder; a limited-edition comic with foil cover is also available with a special deluxe box. Both can be pre-ordered here. Pre-order PATIENT NUMBER 9 here.
 
OZZY OSBOURNE
ON
‘PATIENT NUMBER 9’
 
Q: This is your first album to be released after the pandemic. What was going through your mind during the early days of the pandemic and are any of those feelings reflected in these songs?

OZZY: “Well, I was vaccinated and boosted and I still caught Covid in the end. My last album (Ordinary Man) was released just a few weeks before the pandemic started, and I was just about getting ready to go into the studio to work on this new one when the world shut down. It’s no secret that the last four years have been very difficult for me but making this album took my mind off of my problems.”

Q: The album features some players with whom have history. What was it like to be reunited with Tony Iommi musically?

OZZY: “It was really great working with Tony. He’s the riff master. No one can touch him in that respect. I only wish we had these songs for Black Sabbath’s 13 album.”

Q: Zakk contributes a lot on this album--how was the decision made to have him play since he didn’t play on the last album?

OZZY: “Zakk is part of my family and always will be. The album needed that weight that his playing provides. He just came in and really sorted things out.”

Q: Tell us about the first single, “Patient Number 9,” which features Jeff Beck. What do you feel he has contributed to the song?

OZZY: “The song is about a mental institution. Having someone like Jeff Beck play on my album is just incredible, a total honor. There’s no other guitar player that plays like him and his solo on ‘Patient Number 9’ is just jaw-dropping.”
 
 PATIENT NUMBER 9 track listing:
 
1. Patient Number 9 (feat. Jeff Beck)
2. Immortal (feat. Mike McCready)
3. Parasite (feat. Zakk Wylde)
4. Mr. Darkness (feat. Zakk Wylde)
5. One of Those Days (feat. Eric Clapton)
6. A Thousand Shades (feat. Jeff Beck)
7. No Escape From Now (feat. Tony Iommi)
8. Nothing Feels Right (feat. Zakk Wylde)
9. Evil Shuffle (feat. Zakk Wylde)
10. Degradation Rules (feat. Tony Iommi)
11. Dead and Gone
12. God Only Knows
13. Darkside Blues

Tue, 06/28/2022 - 4:55 pm

To celebrate last week’s release newly reimagined version of “Lightning Crashes” by +LIVE+ and EDM artist AVIRA via Armada Music, the band’s lead singer Ed Kowalczyk personally signed a beautiful Fender guitar and inscribed it with the lyrics from the song. It was auctioned this past weekend with the $13,000 in proceeds going to UNITED24 (https://u24.gov.ua) to benefit the victims of war in Ukraine. The charity was launched by the President of Ukraine Volodymyr Zelenskyy as the main venue for collecting charitable donations in support of Ukraine. Funds will be transferred to the official accounts of the National Bank of Ukraine and allocated by assigned ministries to cover the most pressing needs: Defence And Demining, Medical Aid And Rebuilding Ukraine.

Of the remix of “Lightning Crashes,” for which Kowalczyk recorded completely new vocals, Stereogum wrote: “Today in unexpectedly great remixes, Canadian DJ/producer AVIRA has put an EDM spin on Live’s 1994 Throwing Copper classic ‘Lightning Crashes’ (6/17/24).

Listen to LIVE x AVIRA – Lightning Crashes

In the past few years, AVIRA has built quite the reputation when it comes to remixing classic songs. Having already put his hand to The Alan Parsons Project’s “Sirius” (with Armin van Buuren) as well as timeless dance tracks such as “Communication” (by Armin van Buuren), “Silence” (by Delerium), “Strange World” by (M.I.K.E. Push) and “Saltwater” (by Chicane), the Canadian DJ and producer has now joined forces with multi-platinum rock band LIVE for an incredible reimagining of their self-written 1994 smash hit “Lightning Crashes.” The song was released (June 17) by Armada Music.

Marking the multi-platinum band’s biggest single (#1 at Modern Rock radio for ten consecutive weeks) and one of the most acclaimed songs of the modern rock era, “Lightning Crashes” has now been pushed into an electronic dimension. With subtle chord plucks, droning bass, freshly recorded vocals--by LIVE’s lead singer Ed Kowalczyk--and lyrics that narrate the circle of life, this brilliant take on the globally beloved rock classic will resonate with listeners across genres and stylistic preference.

“When I was growing up in Toronto, I always felt like dance music had a bad reputation,” AVIRA reminisces. “I knew that only small circles were into it, but almost everyone listened to rock, hip-hop and Top 40. ‘Lightning Crashes’ is one of those records that is universally understood as a masterpiece, and I immediately saw the opportunity to bring that legendary rock radio sound to the dance space, hopefully opening the eyes of many to dance music!”

 Ed Kowalczyk

“I had been getting inspired and actually talked about working or wanting to do some experimenting in the EDM/trance space when this email and scratch demo from AVIRA came in.” Ed Kowalczyk says. “I was excited to hear it because of the synchronicity of how it unfolded for me personally, and my excitement only grew after I popped it up on the speakers! My initial thought was how protective AVIRA’s version was of the original; I could tell he really cared about the song and wasn’t just throwing a beat to it. My second thought was for the minimalistic but super-powerful counter melodies he composed that felt like emotional and spiritual exclamation points on my lyrics. As good as the original version is for its raw energy and rock-and-roll vitality, AVIRA’s production and its sophisticated, modern and soulful depth immediately felt like the next chapter for the song to me.”

“Ed’s performance on this new recording sent chills down my spine,” AVIRA adds. “I wanted to make this feel like an epic homage to LIVE’s original and show a new generation of listeners what dance music can be all about. I’m forever grateful that Ed was involved in making my dreams come true.”

Thu, 07/14/2022 - 6:08 pm

Portland, Maine-based indie trio LOVE BY NUMB3RS--co-vocalists DAN CONNOR and ANNA LOMBARD and multi-instrumentalist JON ROODS--have today (July 13) shared the video for “Earth Needs A Moon” ahead of the single’s July 15 digital release. With its big spacious sound, rootsy feel and the soulful vocals of DAN and ANNA, “Earth Needs A Moon” marks the first single from LOVE BY NUMB3RS’ second album that’s due out September 30. As with the band’s previous self-directed videos, “Earth Needs A Moon” lures viewers with its moody and compelling imagery. Watch the video here and see the quotes below from ANNA.

The song video was premiered yesterday with Glide Magazine, which noted that “the dramatic title track song and video that showers our ears with the dramatic interplay between the trio that takes listeners to a nostalgic hideout where secrets are sheltered and sins are forgotten. There is a bleeding guitar solo midway through the song as Lombard pours her fervently soulful vocals into the song’s building storyline.”

The EARTH NEEDS A MOON album, produced by JON and ANNA, is filled with haunting and evocative songs about love, devotion and more with finely etched, atmospheric settings, over which the band cast their spells.  The tracks are sonically wide-open and move slowly, however confidently, and make the listener feel like they are floating in air on a journey somewhere. The album was recorded at Fisher’s Waterhouse on Peaks Island as well as the band’s South Ranch studio. EARTH NEEDS A MOON follows the band’s November 2021 Colours EP and doesn’t repeat any of its songs. This is the music of a band who freewheelingly chart a course through eloquent alternative, Americana and roots rock.

The video for “Earth Needs A Moon” was shot in a town called Industry, Maine where there are rolling hills and back roads and lots of expansive landscapes with wildflowers and fields. It is based on a story and art by celebrated artist and their friend Pat Corrigan. The band got his permission to use his drawings and bring them to life in the video.

QUOTES FROM ANNA LOMBARD ABOUT THE “EARTH NEEDS A MOON” VIDEO AND SONG

--Jon and I co-directed and filmed this video. We also co-produced and edited ourselves, with the majority of the editing falling on Jon.

--Pat Corrigan is a very celebrated artist of many mediums and one of our dearest friends.  When I stumbled upon his Instagram post, I was specifically really drawn to the content of the conversation bubbles in his drawings talking about the earth and the moon.  I felt this overwhelming feeling of some semblance of cosmic connection, as though stars had aligned between what his drawings were meant to convey and the concept/context behind writing this song.  It couldn’t have just been by coincidence.  So we felt very compelled to dig deeper and bring his drawings to life by reenacting them within our video.

--We ended up renting a trailer and bringing Jon’s 1976 Honda 550 Four K motorcycle along with all our gear for the festival we were playing the night before in the neighboring town, and we stayed up there for a few days to film. It was kind of cool that the Tau Herculids meteor shower was happening at the same time--the visibility of the night sky up in Industry is like no other…which is cool because of how much this record is influenced by the workings of the universe and the moon etc.

--In regards to the song’s lyrics/meaning, Dan had come up with a rough sketch of lyrics for first verse which ended with the line “earth needs a moon”--I knew immediately that he was referring to our musical partnership and history--but I wanted to get deeper into understanding the actual scientific reasons the earth needs a moon so I went into my typical manic mode and researched all about WHY the earth needs a moon, and all the things that would be different if we had no moon. Without the moon, human life would change so significantly: nights would be darker, days would be longer, the earth would slow down because we wouldn’t have the moon’s gravitational pull, there would be no tides or seasons. I could go on and on and on--but the main point is that the moon stabilizes the earth. If the moon disappeared, life as we know it would be disastrous.

--So the second verse where I come in, I tried to reverse the concept--“when you’re hiding out in the daytime but I know you’re always there” (referencing Dan’s illness and effects of chemo and all the time he’s sleeping during the day)-- but even when you can’t see the moon, you know it exists and is still out there. The lyric “When you only give me half of you” is about how Dan has struggled with his illness and doesn’t always have the ability to be in the studio, or he’s had to bow out of filming or recording because he’s ill.

--"I never want to see your darker side” references the influence that Pink Floyd’s “The Dark Side of the Moon” has on this song but also the darkness that comes with cancer and addiction.

Thu, 08/04/2022 - 8:17 am

“I always think like a singer when I play a Sting melody,” says acoustic guitarist extraordinaire TOMMY EMMANUEL, who today (August 4) releases his video for “Fields of Gold,” a stirring all-instrumental cover of the Sting gem he recorded with British acoustic guitar virtuoso Mike Dawes. The song is featured on the upcoming five-song EP from TOMMY with Dawes, ACCOMPLICE SERIES VOL. 3, due out September 23 on CGP SOUNDS. Watch the beautiful video here, filmed in Franklin, Kentucky amid the yellow sagebrush and directed and edited by Joshua Britt and Neilson Hubbard for Neighborhoods Apart. Pre-save the single, out tomorrow (August 5), here and pre-order the EP here.

“Fields of Gold” was premiered yesterday by Glide Magazine, which wrote: “Fearless fingerstyle guitarist Tommy Emmanuel certainly has an almost supernatural ability to create a cinematic substance with the most abbreviated musical setups. Yet the man and his acoustic, continue to set a bar that very few have approached…the duo’s reimagination of Sting’s “Fields of Gold” (below) a colorful take where a breezy soul elevates this nostalgic yet melancholy tune to imaginative double melodies.”
 
TOMMY and Mike joined forces last year to record and release their interpretation of Goyte’s 2011 hit “Somebody That I Used To Know” (described by Guitar Player as “spellbinding,” 6/24/21) and followed it with their cover of Nirvana’s “Smells Like Teen Spirit,” of which Guitar World noted: “the acoustic virtuoso duo combine powers to rework the era-defining grunge anthem, with spectacular results” (6/23/22)
 
Both artists also light up the EP with their stirring all-instrumental reworkings of “Slow Dancing In a Burning Room” (John Mayer) and “Be My Mistake” (The 1975), alongside “Somebody That I Used To Know,” “Smells Like Teen Spirit,” and “Fields of Gold.”
 
“Playing this masterpiece with Mike is always fun and emotional…a simple repetitive melody with a slowly building arrangement that becomes powerful,” says TOMMY about “Fields of Gold.” Mike explains that “'Fields' was Tommy's idea based on his own arrangement from the 'Can't Get Enough' record [Tommy’s 1996 album]. I wanted to hold down something of a strict rhythm and backbeat for this one. The result is a mid-tempo homage to the classic Sting song. This was recorded in a single take by Marc DeSisto. I'm playing in DADGAD tuning whilst Tommy is in standard tuning. I particularly like the different tones on our guitars on this one. Tommy's bright flatpicked Maton soars over my fingerpicked Indian Rose Cuntz guitar. This was very important in a tune with doubled melodies.”
 
TOMMY and his special guest Mike, who’ve toured together in the past including this past January’s run, will do so again in the U.S. starting in December 2022. The dates follow below and most shows are on sale now.

 Full Track Listing for Accomplice EP #3:
1. Smells Like Teen Spirit (Nirvana cover)
2. Slow Dancing In a Burning Room (John Mayer cover)
3. Fields of Gold (Sting cover)
4. Somebody I Used to Know (Gotye cover)
5. Be My Mistake (1975 cover)
 
TOUR DATES
6-Dec TUE--Boise, ID @ Egyptian Theatre
7-Dec WED--Salem, OR @ Elsinore Theatre
9-Dec FRI--Bend, OR @ Tower Theatre
10-Dec SAT--Grants Pass, OR @ Rogue Theatre
11-Dec SUN--Chico, CA @ Laxson Auditorium
13-Dec TUE--Santa Cruz, CA @ Rio Theatre
14-Dec WED--San Juan Capistrano, CA @ Coach House
15-Dec THU--San Juan Capistrano, CA @ Coach House
16-Dec FRI--Malibu, CA @ Smothers Theatre

Thu, 08/25/2022 - 4:17 pm

After releasing two albums under the name of “Staring Into Nothing,” the collaborative songwriting partnership between Kurt Barabas and Steve Rogers has evolved into a live stage production featuring all new music.

“Staring Into Nothing,” the new musical/rock opera, explores the impact of mass media, social media and the digital information age on the quality of our lives. It asks and attempts to answer the age-old philosopher's question: "What Is Good And What Is Not?"

Set to debut Friday, October 7 at the El Portal Theatre in the NoHo area of Los Angeles, the full-scale production will launch with three shows: Friday, October 7 and Saturday, October 8 at 8:00 PM and Sunday, October 9 at 2:00 PM. Tickets are available via the theatre’s website at $55 beginning Thursday, September 1.

The show is directed by Broadway performer, director, choreographer Jeffrey Polk with acclaimed musician Denny Fongheiser serving as producer, musical director, drums, and percussion. Additional details about the cast and production will be revealed in the coming weeks. Listen to a sample of the music here.

The idea of writing a musical/rock opera that explores the philosophical concept of “Quality” began with one of Steve’s favorite books: Zen and the Art of Motorcycle Maintenance by Robert Pirsig. It is subtitled "An Inquiry Into Values," and explores the relationship between people, technology and quality. Written in 1974, it could not have contemplated the technology we live with today, but the principles are the same.

L-R: Kurt Barabas and Steve Rogers  Photo credit: Kimberly Adamis

Steve wanted to explore these same relationships in the modern world and mentions that during the writing, “other books started to influence and enhance my thinking about ‘What is Good and What is Not’ in a world of cell phones, tablets, email and the 24-hour news cycle; particularly Brave New World by Aldous Huxley and Technopoly by Neil Postman.

For the soundtrack recording, Steve and Kurt wanted to record more organically than they had in the past. This meant going into the big room at East-West Studios in Hollywood and recording the backing tracks live. To do this, Kurt (on bass) and Steve (on vocals and piano) needed to fill out the band. For this, they brought in Bruce Watson to handle guitars of all types and Denny Fongheiser on drums and percussion. Bruce--the lead guitarist with Foreigner--showed up for the sessions with an army of guitars and amps and a boatload of enthusiasm. Denny has spent many years as the drummer for Heart and many other artists including Roger Waters, John Paul Jones, Bruce Cockburn, Al Stewart, Peter Frampton, and Tracy Chapman. Denny was also the drummer on the theme song for the hit TV show “Friends.” When it came time to add background vocals, Fongheiser says, “When I was first thinking about how to do this record, I heard Kipp and Mark Lennon from the band Venice. They are a known fixture in the LA music and studio scene and come from a long pedigree of family musicians, producers and singers. During my first in person meeting with Steve and Kurt (who is a big fan of the band), I mentioned possibly using them. They were available and they delivered big!”

Mon, 08/29/2022 - 10:24 am

Prog rock pioneers and Rock & Roll Hall of Fame inductees YES have revealed the dates and details for the U.S. leg of their “The Album Series Tour 2022,” celebrating the 50th anniversary of their 1972 iconic album, Close To The Edge.  This marks the band’s first trek in the U.S. since 2019 and will kick off with two shows in Glenside, PA at the Keswick Theatre on Friday, October 7 and Saturday, October 8 and wrap in New York at the NYCB Theatre on November 19. Tickets will begin to go on sale on Friday, September 2; check local listings for information. See the full tour dates below.

As with “The Album Series Tour 2022,” which started off in the UK this past June, the U.S. tour is dedicated to the late Alan White—the band’s legendary drummer—following his passing this past May (see the band quotes below about Alan). Before the tour gets underway, a special tribute concert—“Alan White--Celebrating His Life and Music”—will be held October 2, 7:00pm at the Paramount Theatre in Seattle: https://www.stgpresents.org/calendar/13566/alan-white-celebrating-his-life-and-music

Alan White joined YES in June 1972, just days before their “Close To The Edge” Tour began. Over the following 50 years, Alan would appear on every YES album including 2021’s The Quest. Following the global pandemic, he had been looking forward to this tour and re-joining his bandmates on stage, something he lived for, in the run up to his 50th anniversary of joining YES.

Sadly, that was not be, but Alan’s towering presence will be omnipresent on the tour. Alan’s good friend, drummer Jay Schellen, will join YES for the forthcoming tour, alongside Steve Howe (guitars & backing vocals), Geoff Downes (keyboards), Jon Davison (lead vocals) and Billy Sherwood (bass guitar and backing vocals).

The “Close to the Edge” show will comprise full production and a high-definition video wall directed by Andy Clark and featuring the artwork of Roger Dean.

Following the release of The Yes Album and Fragile in 1971, YES released what is widely considered one of the most defining albums, not only for YES but for the whole progressive movement. Close To The Edge became an inspiration for their contemporaries and for successive generations of musicians. The album is saluted with a cover story in the September 2022 issue of the national magazine Guitar Player, for which Steve Howe was interviewed. He recalls: “We were young, enthusiastic, and adventurous, and we had this incredible breakthrough success with Fragile. We saw our next album as a real opportunity to prove our worth as a band. The door had been opened and we weren’t going to go backward. We wanted to sharpen our skills as far as writing and arranging.”

Journalist Joe Bosso wrote about the album’s place in rock history in Guitar Player (September 2022):

“Vast, enigmatic, full of moments of spectacular grandeur and ever-changing hues, Close to the Edge is the ‘Lawrence of Arabia’ of progressive-rock albums. Comprised of just three tracks – the dizzying side-long, 18-minute title track, the equally sprawling mini epic “And You and I,” and the whacked-out, hyperactive jazz-funk album closer “Siberian Khatru” – Close to the Edge documented Yes operating at the peak of their musical powers.”

YES 2022 U.S. Tour Dates Are:

10/7 – Keswick Theatre - Glenside, PA

10/8 – Keswick Theatre – Glenside, PA

10/9 – State Theatre – New Brunswick, NJ

10/11 – Ryman Auditorium – Nashville, TN

10/13 – Florida Theatre – Jacksonville, FL

10/14 – The Parker Playhouse – Ft. Lauderdale, FL

10/16 – King Center – Melbourne, FL

10/17 – Ruth Eckerd Hall – Clearwater, FL

10/19 – Saenger Theatre – New Orleans, LA

10/20 – Arena Theatre – Houston, TX

10/21 – The Aztec Theatre – San Antonio, TX

10/23 – Rialto Theatre – Tucson, AZ

10/24 – The Magnolia – El Cajon, CA

10/25 – Fox Performing Arts Center – Riverside, CA

10/27 – Hard Rock Live – Wheatland, CA

10/29 – Paramount Theatre – Seattle, WA

11/4 – The Factory – Chesterfield, MO

11/5 – Brown County Music Center – Nashville, IN

11/6 – Taft Theatre – Cincinnati, OH

11/9 – Orpheum Theater – Madison, WI

11/10 – Wabash Theater – Wabash, IN

11/11 – Hard Rock Casino – Gary, IN

11/13 – Warner Theater – Washington, DC

11/14 – The Palace – Stamford, CT

11/15 – Warner Theatre – Torrington, CT

11/17 – Bergen Performing Arts Center – Englewood, NJ

11/18 – Wind Creek Events Center – Bethlehem, PA

11/19 – NYCB Theatre – Westbury, NY

For full details and tickets for all shows visit the venue website or http://yesworld.com/live where you can also book Meet and Greets with the band.

Wed, 09/21/2022 - 9:16 am

Acoustic guitarist extraordinaire TOMMY EMMANUEL today (September 21) rolls out the video for “Be My Mistake.” It’s a sparkling instrumental arrangement of the song by the band The 1975 from their 2018 album A Brief Inquiry Into Online Relationships. Watch the video here that was premiered yesterday by Pop Matters which wrote: “Guitar luminaries Tommy Emmanuel and Mike Dawes join together for a gorgeous acoustic interpretation of the 1975’s hit ballad, “Be My Mistake”. The arrangement is approached with trademark restraint. For decades, Emmanuel has let heart and substance surmount flash, and Dawes is a forthcoming virtuoso cut from the same cloth. Both allow the original song’s melancholy to overtake the complexities of their arrangement, bringing an emotional core to an impressive display of fingerstyle and percussive guitar techniques.”

“Be My Mistake” marks the third single and video from EMMANUEL’s ACCOMPLICE SERIES VOL. 3, his five-song EP with British acoustic guitar virtuoso Mike Dawes out this Friday, September 23 on CGP SOUNDS. Pre-order the EP here.

The video for “Be My Mistake” was filmed, directed, and edited by Joshua Britt and Neilson Hubbard for Neighborhoods Apart. It was filmed live in the director's home outside of Nashville, TN, with the live audio recorded by Dylan Allredge. Quotes from TOMMY and Mike about “Be My Mistake” are below as is the EP’s track listing. More info about the EP is HERE.

TOMMY and Mike joined forces last year to record and release their interpretation of Goyte’s 2011 hit “Somebody That I Used To Know” (described by Guitar Player as “spellbinding,” 6/24/21) and followed it with their cover of Nirvana’s “Smells Like Teen Spirit,” of which Guitar World noted: “the acoustic virtuoso duo combine powers to rework the era-defining grunge anthem, with spectacular results” (6/23/22). TOMMY and Mike next released their arrangement of the Sting gem, “Fields of Gold” which Glide Magazine praised as “a colorful take where a breezy soul elevates this nostalgic yet melancholy tune to imaginative double melodies.”

TOMMY EMMANUEL and MIKE DAWES:

“Be My Mistake” Quotes

Tommy Emmanuel: “Mike brought this song to my attention, and he had it all arranged and worked up as a solo piece. Everything he was doing was just what it needed, so I only had to find some spaces to add a few ideas and stay out of his way. Hopefully, I embellished enough to create some beauty. Recording together with our engineer, Marc DeSisto in LA, was a happy, creative experience that recording should be, and we found our mojo in our different sounding guitars and styles and put them together and let it mesh! Hope you all enjoy the music.”
 
Mike Dawes: “’Be My Mistake’ is probably my favorite cut from the record. This 'The 1975' cover was the only new arrangement we didn't record live together in the studio. Instead, as Tommy hadn't heard it before, I played my rhythm guitar part in one take whilst he listened. He then listened to playback to further acknowledge the structure. Then, he sat down and just NAILED it. This moment captured is a testament to Tommy as the greatest player out there. Every touch and delicate phrase sit with such an iconic character. Note his amazing mandolin impression in the second half. A beautiful way to conclude a special record that has been a privilege to create.”
 
TOMMY and his special guest Mike, who’ve toured together in the past including this past January’s run, will do so again in the U.S. starting in December 2022. The dates follow below and most shows are on sale now.

Full Track Listing for Accomplice EP #3:

1. Smells Like Teen Spirit (Nirvana cover)
2. Slow Dancing In a Burning Room (John Mayer cover)
3. Fields of Gold (Sting cover)
4. Somebody I Used to Know (Gotye cover)
5. Be My Mistake (1975 cover)
 
TOUR DATES

6-Dec TUE--Boise, ID @ Egyptian Theatre
7-Dec WED--Salem, OR @ Elsinore Theatre
9-Dec FRI--Bend, OR @ Tower Theatre
10-Dec SAT--Grants Pass, OR @ Rogue Theatre
11-Dec SUN--Chico, CA @ Laxson Auditorium
13-Dec TUE--Santa Cruz, CA @ Rio Theatre
14-Dec WED--San Juan Capistrano, CA @ Coach House
15-Dec THU--San Juan Capistrano, CA @ Coach House
16-Dec FRI--Malibu, CA @ Smothers Theatre

Thu, 09/29/2022 - 10:21 am

Portland, Maine-based indie trio LOVE BY NUMB3RS—co-vocalists DAN CONNOR and ANNA LOMBARD and multi-instrumentalist JON ROODS—have returned with “Don’t Be So Hard On Me.” It’s the second single/video from their sophomore album EARTH NEEDS A MOON out this Friday, September 30. Produced by ROODS and LOMBARD, the album follows the acclaimed band’s November 2021 Colours EP and doesn’t repeat any of its songs. Watch the video HERE.

Sonically, “Don’t Be So Hard On Me” is big-sounding, soulful and rootsy, with ANNA’s gutsy and moving vocals illuminating a difficult, fractured relationship. Cinematic, mysterious and evocative, the video was directed by ROODS and filmed in Industry, Maine at their friend’s barn, and shot in in a deliberately distressed style, with imagery that is striking and intense.  Below are quotes from ANNA about the song and video.

The EARTH NEEDS A MOON album is filled with haunting and evocative songs about love, devotion and more with finely etched, atmospheric settings, over which the band cast their spells.  The tracks are sonically wide-open and move slowly, however confidently, and make the listener feel like they are floating in air on a journey somewhere. The album was recorded at Fisher’s Waterhouse on Peaks Island as well as the band’s South Ranch studio. EARTH NEEDS A MOON follows the band’s November 2021 Colours EP and doesn’t repeat any of its songs. This is the music of a band who freewheelingly chart a course through eloquent alternative, Americana and roots rock.

“Don’t Be So Hard On Me”

Q&A with Anna Lombard

of LOVE BY NUMB3RS

--Congratulations on the release of “Don’t Be So Hard On Me.” It’s a lyrically candid and very raw song about a fractured and seemingly destructive relationship, with such lines as “I miss the way you screamed my name/When you were angry/Nothing left but you, your pride & me/That’s how I loved you in the end.” What inspired you to write it?

ANNA LOMBARD: The song started with a single line, “don’t be so hard on me…” When I began writing the lyrics for the song, I tried to imagine myself as a person within a relationship who knew it was falling apart.  In the heat of an argument, our instinct can often be to say hurtful things to the ones we love most.   We’ve all been there.  We isolate, because it’s easier than facing the issue head on, whatever it may be.  We stray.  We lose ourselves.  We ignore the advice of friends or shut them out because we don’t want to hear what they have to say…and this fear of something ending or things changing kind of silently travels through us until we’re ready to face it…so this was the narrative that originally helped me finish the story.  But the more I listened, the more I realized that this song was less about being hard on a partner within a relationship, and more about being hard on yourself…It became more self-reflective.  I know I’ve had to learn how to be easier on myself and forgive myself and others through my own life’s trials and tribulations. If we cannot be kind or love ourselves, it makes it very difficult to love and be kind to someone else.”

--The song also features your most intense vocals to date, underlining the rawness of the lyrics. Can you tell us what it was like to record this in the studio?

ANNA: This was honestly my fastest vocal take of all time.  I really prefer to be solo and run the console when I’m tracking…I don’t love other people being in the room, besides Jon if it’s an absolute must.  So we had laid down the musical beds for the song..just keys, bass and drums…and I kicked Jon and Dan out of the studio.  I’ll never forget the look on their faces as I walked out of the studio and said, “okay, all done.”  I think it took me a total of 26 minutes from start to finish.  The cool part was that the lyrics were sketched out with about five pages of verse options…and a couple of the lines that ended up being in the song were improvised…so they felt natural and just right.  It was also the first time I ever sat down while recording vocals, because I was running the board at the same time. 

--“Don’t Be So Hard On Me” has that trademark LBN sound: minimal but big-sounding, very edgy but finely etched and rootsy, too. What goes into the creation of this sound?

ANNA: We had been listening to a lot of Donny Hathaway (specifically, “I Love You More Than You’ll Ever Know”) and from the start of the song, I really wanted to try and tap into some Betty Davis vocal style…throaty blues…lots of space…with simple, autobiographical lyrics.  Throughout this album, Jon wanted the musical beds of each song built with all of us playing together live…the use of real instruments, keyboards, pianos, Hammond organ, synthesizers and very little editing…to be as true to late 60’s/70’s recordings as possible. I tracked my vocals on an SM-7 microphone through a vintage tube pre-amp with the gain cranked. It dirtied up my vocals so that when I pushed my voice, it allowed the rawness and cracks in my voice to come through.”

--LBN is also known for its visually striking videos. In this one, the imagery is arresting: you flip over a table, you emerge mysteriously from a body of water, instruments are smashed. And the video is shot in a deliberately distressed style. Please tell us about where it was filmed, who directed it and how you feel the video illuminates the song?

ANNA: We filmed this in Industry, Maine at our friend John Moore’s barn.  We looked for weeks for a beat-up, empty warehouse around the Portland area but had no luck. We wanted the vibe of the video to look the way it sounds--raw, vintage, stripped down. This video was directed and filmed by Jon, as all our videos are done in house. 

 

‘EARTH NEEDS A MOON’

ALBUM TRACK LISTING

(All songs written by LBN)

1. Intro

2.  When I Close My Eyes

3. Earth Needs A Moon

4. Don’t Be So Hard On Me

5. Ashes

6. Do It All Over

7. The Universe

8. What Would I Do Without You

9. The Refuge

10. Last Love

11. A Million Suns

Wed, 10/19/2022 - 8:45 am

Prog rock pioneers and Rock & Roll Hall of Fame inductees YES are receiving praise for the in-progress U.S. leg of their “The Album Series Tour 2022,” celebrating the 50th anniversary of their 1972 iconic album, Close To The Edge.  This marks the band’s first trek in the U.S. since 2019 and kicked off with two shows in Glenside, PA at the Keswick Theatre on Friday, October 7 and Saturday, October 8. It will wrap in New York at the NYCB Theatre on November 19. See the remaining tour dates below.

“Yes kicks off 2022 U.S. tour with stunning performance of 'Close to the Edge’…greeted so rapturously by the sold-out crowd that loved every minute of this glorious performance…As always with a Yes concert, the sound, lights and visuals were uniformly excellent. Yes always sounds great live, and this show was no exception. The lighting was well-done…The video screens showed beautiful imagery throughout, well-timed to the songs and featuring some Roger Dean images and animation along with other breathtaking photos and graphics that enhanced the emotion of the songs.”

 --GOLDMINE MAGAZINE, 10/11/22

“This is the first Yes tour with Schellen in the driver’s seat as the only drummer (he’s backed up White during the last few years), and the veteran musician was definitely up to the task…Opening with “On the Silent Wings Of Freedom” served as a solid nod to late bassist Chris Squire…’Yours is No Disgrace” was steady, jazzy at times, and ‘Wonderous Stories’ found Howe spinning out a “Seen All Good People” tease on his 12-string valachia.”

--VINTAGE ROCK, 10/15/22

“’Close to the Edge’ was note perfect throughout. Howe was majestic in his riffing and finger picking, trading from electric to acoustic to even slide guitar for pieces. The title song hummed along in its progressive chord changes on a dime, shifting from heavy bass and guitar to Davison’s soaring “I Get Up, I Get Down” section that repeated throughout the 18-minute song. “And You and I” followed and that’s definitely a crowd pleaser. “Siberian Khatru” is more a straight-ahead rocker and the perfect song to bring the audience to its feet and close the second set. YES has had a long history. This version kept that legacy intact.”

--PENNSYLVANNIA PATCH, 10/12/22

As with “The Album Series Tour 2022,” which started off in the UK this past June, the U.S. tour is dedicated to the late Alan White—the band’s legendary drummer—following his passing this past May (see the band quotes about Alan here).

Alan White joined YES in June 1972, just days before their “Close To The Edge” Tour began. Over the following 50 years, Alan would appear on every YES album including 2021’s The Quest. Following the global pandemic, he had been looking forward to this tour and re-joining his bandmates on stage, something he lived for, in the run up to his 50th anniversary of joining YES.

Sadly, that was not be, but Alan’s towering presence will be omnipresent on the tour. Alan’s good friend, drummer Jay Schellen, will join YES for the forthcoming tour, alongside Steve Howe (guitars & backing vocals), Geoff Downes (keyboards), Jon Davison (lead vocals) and Billy Sherwood (bass guitar and backing vocals).

The “Close to the Edge” show comprise full production and a high-definition video wall directed by Andy Clark and featuring the artwork of Roger Dean.

Following the release of The Yes Album and Fragile in 1971, YES released what is widely considered one of the most defining albums, not only for YES but for the whole progressive movement. Close To The Edge became an inspiration for their contemporaries and for successive generations of musicians. The album is saluted with a cover story in the September 2022 issue of the national magazine Guitar Player, for which Steve Howe was interviewed. He recalls: “We were young, enthusiastic, and adventurous, and we had this incredible breakthrough success with Fragile. We saw our next album as a real opportunity to prove our worth as a band. The door had been opened and we weren’t going to go backward. We wanted to sharpen our skills as far as writing and arranging.”

The remaining YES 2022 U.S. tour dates are:

10/19 – Saenger Theatre – New Orleans, LA

10/20 – Arena Theatre – Houston, TX

10/21 – The Aztec Theatre – San Antonio, TX

10/23 – Rialto Theatre – Tucson, AZ

10/24 – The Magnolia – El Cajon, CA

10/25 – Fox Performing Arts Center – Riverside, CA

10/27 – Hard Rock Live – Wheatland, CA

10/29 – Paramount Theatre – Seattle, WA

11/2 – The Criterion – Oklahoma City, OK

11/4 – The Factory – Chesterfield, MO

11/5 – Brown County Music Center – Nashville, IN

11/6 – Taft Theatre – Cincinnati, OH

11/9 – Orpheum Theater – Madison, WI

11/10 – Wabash Theater – Wabash, IN

11/11 – Hard Rock Casino – Gary, IN

11/13 – Warner Theater – Washington, DC

11/14 – The Palace – Stamford, CT

11/15 – Warner Theatre – Torrington, CT

11/17 – Bergen Performing Arts Center – Englewood, NJ

11/18 – Wind Creek Events Center – Bethlehem, PA

11/19 – NYCB Theatre – Westbury, NY

For full details and tickets for all shows visit the venue website or http://yesworld.com/live where you can also book Meet and Greets with the band.

Mon, 10/24/2022 - 8:33 am

JOHN LODGE, legendary bass player, songwriter and vocalist of The Moody Blues and Rock and Roll Hall of Famer, will bring his new show “Performs Days of Future Passed” to America. JOHN, together with his 10,000 Light Years Band, will perform The Moody Blues’ iconic Days of Future Passed album in its entirety, with a special recording by the late Graeme Edge and performances by Jon Davison of YES. The show will also feature a set of the pioneering classic hits “Ride My See-Saw,” “I’m Just a Singer (in a Rock and Roll Band),” “Isn’t Life Strange,” “Legend of a Mind” and “Nights in White Satin” in what promises to be a truly spectacular evening. Below are the tour dates and JOHN’s quotes about the show. For tickets, VIP packages --which include a great seat, a personalized video message from John, exclusive merchandise, and more--please visit: https://johnlodge.com/tour.

On November 10, 2022, Days of Future Passed will celebrate its 55th Anniversary, and JOHN wanted to do something special to celebrate the album. The Moodies had embarked on a US tour in 2017 to celebrate the 50th, but regrettably stopped touring shortly after, and then, very sadly, Graeme Edge passed away in 2021. However, shortly before his passing, John and Graeme met and spent some special time together, and at that meeting Graeme told John how he hoped John would continue on with the music and keep the Moody Blues’ music alive.

JOHN returned home and realised that what he really wanted to do was revisit this iconic album, honor his lost friends Ray Thomas and Graeme Edge, and his other bandmates Justin Hayward and Mike Pinder, but also reimagine it for today. How would he do it differently? Graeme had already recorded a special version of “Late Lament” for John, and John’s great friend (and future son-in-law) Jon Davison (of YES) had recorded “Nights in White Satin” for him, and so the stage was set; John went into the studio and began work with his Musical Director, Alan Hewitt, on both a new show and a new album, details of which are TBA.

The new show, based around the simple tale of “a day in the life of an everyday man,” will highlight all that made Days of Future Passed the ground-breaking album that it was--arguably the start of Progressive Rock. It retains the core emotion of the original album and recreates its incredible orchestration, but at the same time it also brings in a modern feel thanks to the great strides in modern fidelity, and the maturity that comes with the passing of the years. Listen to “Nights in White Satin,” “Tuesday Afternoon,” “Peak Hour,” and more fill the room, and you’ll be taken back to 1967, but at the same time, you’ll hear what John has brought to this new version in his vocals, bass and harmonies, and how he sees the album 55 years later. In its own way, it can also be said to be a reflection of John’s own life.

The electrifying show will also feature a selection of JOHN’s classic self-written hits, including the above-mentioned “Ride My See-Saw,” “Isn’t Life Strange,” and “I’m Just a Singer (in a Rock and Roll Band).” The latter two were hit singles on the Moody Blues' album Seventh Sojourn which spent 5 weeks at Number 1 on Billboard and is currently celebrating its 50th Anniversary.  Come and be taken back to the Moody Blues’ shows of the past, featuring JOHN LODGE, and including tributes to all his bandmates.

Joining JOHN on stage is his 10,000 Light Years Band, long term collaborator Alan Hewitt (Music Director and Keyboards) and Billy Ashbaugh (Drums) from the Moody Blues touring band, together with Duffy King (Guitars) and Jason Charboneau (Cello). Jon Davison of YES will also be joining them for his special renditions of “Nights in White Satin” and “Tuesday Afternoon” plus the magical voice of Graeme Edge will be heard via a special recording.

“November 2022 sees me looking back 55 years to that week in 1967,” says JOHN LODGE. “As I said at the Rock and Roll Hall of Fame, Graeme, Mike, Ray, Justin, and I, together with Tony, went into a studio, and seven days later we came out with an album that changed our lives forever.” He adds: “I’m sorry that the Moodies are no longer touring, and I miss my friends Ray and Graeme deeply, but as I looked back to the past, I realised that I also wanted to look forwards to the Future. My hope is that in this show, and album, you will get to revisit 1967, but at the same time, see how this album has grown with me, and with you. Thank to you the 10,000 Light Years Band, Jon Davison and, of course, Graeme, for their belief in this project and helping bring my vision to life. And thank you to all the fans for Keeping the Faith.”

Here are the tour dates for JOHN LODGE’s “Performs Days of Future Passed”:
 
Saturday, February 18–Cary Hall, Lexington, MA
Sunday, February 19–Flying Monkey, Plymouth, NH
Tuesday, February 21–TBC
Wednesday, February 22–The Warehouse, Fairfield, CT
Friday, February 24–The Cabot, Beverly, MA
Saturday, February 25–Infinity Hall, Hartford, CT
Sunday, February 26–Jane Pickens Theatre, Newport, RI
Tuesday, February 28–Patchogue Theatre, Patchogue, NY
Wednesday, March 1–Sony Hall, New York. NY
Friday, March 3–Newton Theatre, Newton, NJ
Saturday, March 4–Keswick Theater, Glenside, PA
Monday, March 6–Sandler Center, Virginia Beach, VA
Tuesday, March 7–Rams Head On Stage, Annapolis, MD
Thursday, March 9–Variety Playhouse, Atlanta, GA
Friday, March 10–Ponte Vedra Concert Hall, Ponte Verde, FL
Saturday, March 11–The Lyric Theatre, Stuart, FL
Tuesday, March 14–Capitol Theatre, Clearwater, FL
Wednesday, March 15–Amaturo Theater, Fort Lauderdale, FL
Thursday, March 16–Rock and Romance Cruise

Mon, 11/07/2022 - 12:20 pm

STEPHEN McCARTHY (Long Ryders, Jayhawks, Dream Syndicate) and CARLA OLSON (Textones, solo artist, producer) have today (November 7) rolled out the fast-paced and fun video “We Gotta Split This Town.” It’s the second single from their first-ever duet album, NIGHT COMES FALLING, out this Friday, November 11. Watch the “We Gotta Split This Town” video HERE and listen to the single HERE. See quotes below from both artists.

Described as “a true Americana power duo” by Rock and Roll Globe, the two singers, songwriters and guitarists boast lengthy careers that have intersected a few times. NIGHT COMES FALLING brings them together again in exciting ways on this 11-song album of stirring and rocking Americana music (the track listing is below). It is being released via CARLA’s production company Have Harmony, Will Travel, with distribution and marketing by Bob Frank Entertainment via the Orchard. Pre-order the album HERE and read the bio for the album HERE.

The McCARTHY-penned “We Gotta Split This Town” is an urgent and infectious country-rocking duet about “a wayward couple,” he says, and the expertly edited video blends footage of STEPHEN (shot by Kevin Downs) and CARLA (by Ana Gazzola). It was directed by Tim Roth, who, explains CARLA, “utilized his magical green screen technique to put Stephen and I in the same space at the same time.”

“We Gotta Split This Town” follows the album’s first single, “Night Comes Falling,” a moving song that emerged after a conversation STEPHEN had with CARLA who was having dreams about her former singing partner, Gene Clark of the Byrds. It was on 1987’s classic So Rebellious A Lover, CARLA’s album with Gene, that STEPHEN and CARLA first recorded together when STEPHEN contributed lap steel to “The Drifter” and dobro on “Deportee.”

NIGHT COMES FALLING comes on the heels of McCARTHY and OLSON’s two songs on the 2022 BMG multi-artist album Americana Railroad where they offered a new version of STEPHEN’s “Here Comes That Train Again” as well as Gene Clark’s “I Remember The Railroad.” (CARLA produced seven additional tracks on the album including those by Dave Alvin, Rocky Burnette, Robert Rex Waller Jr. and John York.) NIGHT COMES FALLING is a testament to their individual and combined talents and was recorded at Robbie Krieger’s studio, Horse Latitudes, in Glendale, CA, It was produced by CARLA, STEPHEN and Mikal Reid.

The album’s musician credits are Stephen McCarthy (guitars, pedal steel guitar, mandolin, mellotron), Carla Olson (guitars), Paul Marshall (bass) and drummers Mitch Marine and Benjamin Lecourt. The album’s other players are Skip Edwards (keyboards, plus the string arrangement for “Long Way Back To Seventeen”), Jeff Lewis (flugelhorn on “Broken Lullaby”) and Jesse Owens Wells (fiddle on “I Remember The Railroad”).

QUOTES FROM STEPHEN McCARTHY AND CARLA OLSON ABOUT THE “WE GOTTA SPLIT THIS TOWN” SONG AND VIDEO
 
STEPHEN:
I had an idea about a ne’er-do-well swindler whose luck was running out. A confidence man on the run with his gal who was trying to set him straight. She was in too deep to make a clean break. The story is a conversation between the two co-conspirators.

The song was definitely written as a duet. A couple trying to make sense of their downfall. I think it works well with the melodic dialogue riffing over a driving beat and distorted B3 organ.

I remember showing it to Carla and suggesting that she sing it in a way that showed she had some disgust with my character.

Carla and I were touching on many different genres with this album. Mostly finding the intersection where rock ‘n’ roll and country collide. We had a talented group of musicians that were able to help get these songs off of the page with passion and a great groove.

Writing and recording was very challenging during Covid. We were sending ideas back-and-forth long distance and then refining them the few times we were able to get together before cutting the album.

For the video, we both shot scenes remotely and they were edited by a great director named Tim Roth. He added all of the extra scenes which visually illustrate the story of this wayward couple.

CARLA:
Stephen was in Los Angeles for the McCabe’s record release gig for my Have Harmony Will Travel 2 duets album in February 2020. We were performed several songs at the show.

When we got together to work on our songs for the gig, he showed me this idea for “We Gotta Split This Town” (the working title was “Not Tough Enough”).
We were alternating singing to each other and thought it had a pretty cool attitude, so Stephen turned into the story about the couple on the run.

I’m always impressed by the talented director Tim Roth who created the video for the song (he also made the clip for “Night Comes Falling”). He utilized his magical green screen technique to put Stephen and I in the same space at the same time. Not sure how he does it.

The NIGHT COMES FALLING track listing is as follows:
 
01 We Gotta Split This Town (McCarthy)
02 Night Comes Falling (McCarthy, Olson)
03 Broken Lullaby (McCarthy, Olson)
04 The Bell Hotel Is Burning (George Green, Olson, McCarthy)
05 Brink Of The Blues (McCarthy, Olson)
06 One That Got Away (McCarthy, Olson)
07 Don't Talk To Strangers (Bob Durand, Ron Elliott)
08 Long Way Back To Seventeen (McCarthy, Olson)
09 Just To Get To You (McCarthy)
10 Timber (Kosta Lazarides)
11 I Remember The Railroad (Gene Clark)

Wed, 11/16/2022 - 6:02 pm

OZZY OSBOURNE yesterday (November 15) earned four Grammy nominations for his hugely successful and critically acclaimed PATIENT NUMBER 9 album. These mark the most nominations he’s ever received for a single album. The 2022 nominations are for: Best Rock Performance: “Patient Number 9,” Ozzy Osbourne feat. Jeff Beck”; Best Metal Performance: “Degradation Rules,” Ozzy Osbourne feat. Tony lommi; Best Rock Song: “Patient Number 9,” John Osbourne, Chad Smith, Ali Tamposi, Robert Trujillo & Andrew Wotman, songwriters (Ozzy Osbourne feat. Jeff Beck); and Best Rock Album for Patient Number 9. Read a Q&A with OZZY below where he talks about the nominations and more.

The Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter previously has won three Grammy Awards and received eight nominations. In 1993 OZZY won a solo Grammy Award for Best Metal Performance for "I Don't Want To Change the World" and two Grammys as a member of Black Sabbath for “Best Metal Performance” in 2000 for "Iron Man" and in 2013 for “Best Metal Performance” for “God Is Dead?” from 13.

PATIENT NUMBER 9--released September 9 and marking OZZY’s 13th solo studio album--triumphantly sets new career highs for the Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter. The critically acclaimed album has topped his previous chart entries with record-breaking numbers around the world. In the U.S., the album debuted at #1 on multiple charts: Top Album Sales (Ozzy’s first #1 ever on this chart), Top Current Album Sales (another first), Top Rock & Alternative Albums, Top Rock Albums, Top Hard Rock Albums, Top Vinyl Albums and Tastemaker Albums charts; and at #3 on the Billboard Top 200 albums chart. Globally, the album charted at #1 in Canada (OZZY’s first-ever #1 there); career high #2 entries in the UK, Australia, Finland and Italy; #6 in the Netherlands and New Zealand; #8 in Belgium; and #14 France. Other highlights include #2 Austria, Germany and Sweden; #3 in Switzerland; and #4 in Norway.

Working with producer Andrew Watt for the second time, OZZY welcomed a dynamic A-list featured guests on the album. For the first time ever, Black Sabbath co-founder, guitarist, and riff-master Tony Iommi appears on an OZZY solo album. The record also boasts guitarists Jeff Beck, Eric Clapton, Mike McCready of Pearl Jam, and longstanding righthand man and six-string beast Zakk Wylde who plays on the majority of the tracks. For the bulk of the album, Chad Smith of Red Hot Chili Peppers held down drums, while the late Taylor Hawkins of Foo Fighters appears on three songs. Old friend and one-time OZZY band member Robert Trujillo of Metallica plays bass on most of the album’s tracks, with Duff McKagan of Guns N’ Roses and Chris Chaney supplying bass on a few songs.

Q&A WITH
OZZY OSBOURNE

Q: How does it feel to have received four nominations for the new album?

OZZY: “I’m honestly overwhelmed. Making this record was a great way to me to get back to work as I continued to heal. It’s pretty great to be acknowledged at this point in my career.”

Q: Between the pandemic and you going through your surgeries, do you think that contributed to making another record so quickly?
 
OZZY: “Well, the thing was I had all this time--we all did through the pandemic. Instead of lying there and just doing my physical therapy, the record actually got me doing something that I love.”
 
Q: What was your mindset when you were writing and recording the album?
 
OZZY: “I was thinking about the times we’ve been living in. There wasn’t much good news. It was a fucking war in Ukraine and the pandemic. The world seemed to be on the brink of a bad thing.”
 
Q: How do you feel at this point in your career having the kind of notoriety you’ve achieved with this album?
 
OZZY: “The business forever surprises me. It's never a safe bet. I've done things in the past where I tell myself ‘this is going to be a hit.’ Then it’s gone down the shitter and other things I've done…It's done the opposite. I'm very cheered up by the support.”
 
Q: The interesting thing about the album is it features top musicians, including some old friends.
 
OZZY: “Oh yeah. I mean the guitars are Tony [Iommi], Zakk [Wylde], Eric Clapton and Jeff Beck's fucking phenomenal work, plus Robert Trujillo on bass. It's turned out better than I ever expected. And having Taylor Hawkins with me in the studio like a week or two before he died was amazing. To think he’s gone breaks my heart.”
 
Q: It must be special that “Degradation Rules” which features Tony Iommi, was nominated for a Grammy.
 
OZZY: “Such great news. I mean that song would've made a great Black Sabbath track. It's a very well-structured song. I've known Tony since I was 12 years old and I'm glad to say we've continued a really good friendship. Tony’s been very supportive of me while I’ve been recovering from surgery. He's been in constant contact, which has been great.”
 
Q: What’s the collaboration like with producer Andrew Watt?
 
OZZY: “He's a lot better than most producers at collaboration. The fact that he plays guitar, and I don't, and he works with machines and I don't, makes it easier. It's just great working with him. We end up arguing a bit with…sometimes, but not a lot!”

Mon, 12/12/2022 - 4:38 pm

OZZY OSBOURNE has hit another career high with his first-ever career back-to-back #1 rock radio singles from his hugely successful and critically acclaimed PATIENT NUMBER 9 album (Epic Records). Today (December 12) the album’s "One of Those Days" (featuring Eric Clapton) reached #1 on the rock radio charts (Mediabase); it follows a #1 slot for the album’s first single and title track, “Patient Number 9,” (featuring Jeff Beck) released earlier this year.

“I’m fucking overwhelmed by the response that this album has had from everyone.  I’m just blown away!” OZZY says.

Last month, PATIENT NUMBER 9 earned four Grammy nominations--marking the most nominations OZZY’s ever received for a single album--Best Rock Performance: “Patient Number 9,” Ozzy Osbourne feat. Jeff Beck”; Best Metal Performance: “Degradation Rules,” Ozzy Osbourne feat. Tony lommi; Best Rock Song: “Patient Number 9,” John Osbourne, Chad Smith, Ali Tamposi, Robert Trujillo & Andrew Wotman, songwriters (Ozzy Osbourne feat. Jeff Beck); and Best Rock Album for Patient Number 9.

PATIENT NUMBER 9--released September 9 and marking OZZY’s 13th solo studio album--triumphantly sets new career highs for the Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter. Working with producer Andrew Watt for the second time, OZZY welcomed a dynamic A-list featured guests on the album. For the first time ever, Black Sabbath co-founder, guitarist, and riff-master Tony Iommi appears on an OZZY solo album. The record also boasts guitarists Jeff Beck, Eric Clapton, Mike McCready of Pearl Jam, and longstanding righthand man and six-string beast Zakk Wylde who plays on the majority of the tracks. For the bulk of the album, Chad Smith of Red Hot Chili Peppers held down drums, while the late Taylor Hawkins of Foo Fighters appears on three songs. Old friend and one-time OZZY band member Robert Trujillo of Metallica plays bass on most of the album’s tracks, with Duff McKagan of Guns N’ Roses and Chris Chaney supplying bass on a few songs.

Upon its release, the album topped OZZY’s previous chart entries with record-breaking numbers around the world. In the U.S., the album debuted at #1 on multiple charts: Top Album Sales (Ozzy’s first #1 ever on this chart), Top Current Album Sales (another first), Top Rock & Alternative Albums, Top Rock Albums, Top Hard Rock Albums, Top Vinyl Albums and Tastemaker Albums charts; and at #3 on the Billboard Top 200 albums chart. Globally, the album charted at #1 in Canada (OZZY’s first-ever #1 there); career high #2 entries in the UK, Australia, Finland and Italy; #6 in the Netherlands and New Zealand; #8 in Belgium; and #14 France. Other highlights include #2 Austria, Germany and Sweden; #3 in Switzerland; and #4 in Norway.

Thu, 01/19/2023 - 3:44 pm

JOHN LODGE, legendary bass player, songwriter and vocalist of The Moody Blues and Rock and Roll Hall of Famer, is looking forward to his previously announced winter 2023 US tour, “Performs Days of Future Passed,” launching February 18 in Lexington, MA. LODGE, together with his 10,000 Light Years Band, will perform The Moody Blues' iconic Days of Future Passed album-which marked its 55th anniversary on November 10, 2022-in its entirety, with a special recording by the late Graeme Edge and performances by Jon Davison of YES. The show will be rounded out by LODGE’s self-written classic hits “Ride My See-Saw,” “I’m Just a Singer (In a Rock and Roll Band),” and “Isn’t Life Strange.”

LODGE’s tour also coincides with the 50th anniversary of The Moody Blues’ 1972 album Seventh Sojourn (released November 17, 1972 in the US) which spent 5 weeks at Number 1 on Billboard. It featured the above-mentioned LODGE-penned hits “I’m Just a Singer (In a Rock and Roll Band)” and “Isn’t Life Strange.”

“Seventh Sojourn was the last of the first seven ‘core’ albums, and for me it was the pinnacle of the Moody Blues as a 'touring band,’” says LODGE. “The two hit singles from the album, 'I’m Just a Singer (In a Rock and Roll Band)' and ‘Isn’t Life Strange,' I still feature in my solo shows. When I wrote those songs, I was younger than I am today, but it still amazes me at their continued relevance. What I do know is that they mean as much to me today as they did then, and I can see in the audience that it means the same to them, too. I always feel that we share the deep emotion--the journey, if you will--of these songs together.”

Below are the tour dates and more quotes from JOHN about the show. For tickets, VIP packages--which include a great seat, a personalized video message from John and exclusive merchandise, and more--please visit: https://johnlodge.com/tour.

For the 55th anniversary of Days of Future Passed, JOHN wanted to do something special to celebrate the album. The Moodies had embarked on a US tour in 2017 to celebrate the 50th, but regrettably stopped touring shortly after, and then, very sadly, Graeme Edge passed away in 2021. However, shortly before his passing, John and Graeme met and spent some special time together, and at that meeting Graeme told John how he hoped John would continue on with the music and keep the Moody Blues’ music alive.
 
JOHN returned home and realized that what he really wanted to do was revisit this iconic album, honor his lost friends Ray Thomas and Graeme Edge, and his other bandmates Justin Hayward and Mike Pinder, but also reimagine it for today. How would he do it differently? Graeme had already recorded a special version of “Late Lament” for John, and John’s great friend (and future son-in-law) Jon Davison (of YES) had recorded “Nights in White Satin” for him, and so the stage was set; John went into the studio and began work with his Musical Director, Alan Hewitt, on both a new show and a new album, details of which are TBA.

The new show, based around the simple tale of “a day in the life of an everyday man,” will highlight all that made Days of Future Passed the ground-breaking album that it was--arguably the start of Progressive Rock. It retains the core emotion of the original album and recreates its incredible orchestration, but at the same time it also brings in a modern feel thanks to the great strides in modern fidelity, and the maturity that comes with the passing of the years. Listen to “Nights in White Satin,” “Tuesday Afternoon,” “Peak Hour,” and more fill the room, and you’ll be taken back to 1967, but at the same time, you’ll hear what John has brought to this new version in his vocals, bass and harmonies, and how he sees the album 55 years later. In its own way, it can also be said to be a reflection of John’s own life.
 
The electrifying show will also feature a selection of JOHN’s above-mentioned self-written hits. Come and be taken back to The Moody Blues’ shows of the past, featuring JOHN LODGE and including tributes to all his bandmates.
 
Joining JOHN on stage is his 10,000 Light Years Band: long term collaborator Alan Hewitt (Music Director and Keyboards) and Billy Ashbaugh (Drums) from the Moody Blues touring band, together with Duffy King (Guitars) and Jason Charboneau (Cello). Jon Davison, lead vocalist of YES, will also light up the night with his special renditions of The Moody Blues’ “Nights in White Satin” and “Tuesday Afternoon.”
 
“As I said at the Rock and Roll Hall of Fame, Graeme, Mike, Ray, Justin, and I, together with Tony, went into a studio, and seven days later we came out with an album that changed our lives forever,” says LODGE of Days of Future Passed.
 
He adds: “I’m sorry that the Moodies are no longer touring, and I miss my friends Ray and Graeme deeply, but as I looked back to the past, I realised that I also wanted to look forwards to the Future. My hope is that in this show, and album, you will get to revisit 1967, but at the same time, see how this album has grown with me, and with you. Thank to you the 10,000 Light Years Band, Jon Davison and, of course, Graeme, for their belief in this project and helping bring my vision to life. And thank you to all the fans for Keeping the Faith.”
 
Here are the tour dates for JOHN LODGE’s “Performs Days of Future Passed”:
 
February 18 - Cary Hall, Lexington, MA
February 19 - Flying Monkey, Plymouth, NH
February 21 - Cohoes Music Hall, Cohoes, NY
February 22 - The Warehouse, Fairfield, CT
February 24 - The Cabot, Beverly, MA
February 25 - Infinity Hall, Hartford, CT
February 26 - Jane Pickens Theatre, Newport, RI
February 28 - Patchogue Theatre, Patchogue, NY
March 1 - Sony Hall, New York. NY
March 3 - Newton Theatre, Newton, NJ SOLD OUT
March 4 - Keswick Theater, Glenside, PA
March 6 - Sandler Center, Virginia Beach, VA
March 7 - Rams Head On Stage, Annapolis, MD
March 9 - Variety Playhouse, Atlanta, GA
March 10 - Ponte Vedra Concert Hall, Ponte Vedre, FL
March 11 - The Lyric Theatre, Stuart, FL
March 14 - Capitol Theatre, Clearwater, FL
March 15 - Amaturo Theater, Fort Lauderdale, FL
March 16 - Rock and Romance Cruise

Tue, 01/31/2023 - 8:38 am

JOHN LODGE, legendary bass player, songwriter and vocalist of The Moody Blues and Rock and Roll Hall of Famer, has added a special symphony show to serve as the finale of his previously announced winter 2023 US tour, “Performs Days of Future Passed.” LODGE will perform with the Coachella Valley Symphony on March 26 at the Rancho Mirage Amphitheater in Rancho Mirage, CA. Tickets are on sale now.

This is the only date on the tour that will feature an orchestra. Go here to purchase tickets which include a limited amount of VIP packages.  For the VIP packages, go here.

LODGE, together with his 10,000 Light Years Band and the Coachella Valley Symphony, will  perform The Moody Blues’ iconic Days of Future Passed album—which marked its 55th anniversary on November 10, 2022—in its entirety, with a special recording by the late Graeme Edge and performances by Jon Davison of YES. Jon has been the lead vocalist with YES since 2012, and is also John’s son-in-law. The show will be rounded out by LODGE’s self-written classic hits “Ride My See-Saw,” “I’m Just a Singer (In a Rock and Roll Band),” and “Isn’t Life Strange”, all making for a truly magical evening under the stars.

This will be John’s first foray to the West Coast since he began touring with his band, and although it is a one-off, he hopes it will be the start of many more. The Moody Blues only performed ‘Days’ with a Symphony twice—once at the Hollywood Bowl, and once in Toronto—and John is looking forward to bringing the show once again to the Moody Blues fans, and perhaps some new listeners too, as they fill the amphitheater with their symphonic sound and take everyone back to 1967.

“The Coachella Valley Symphony approached me and asked me to perform Days of Future Passed with them at their new home at Rancho Mirage Amphitheater, and it intrigued me,” says LODGE. “I had been developing a full orchestra concert, but it was something for the future. However, they are a passionate community music organization, and Alan (Hewitt, who is LODGE’s Music Director and keyboardist) knew them from when he lived there, and so it seemed like a wonderful way to step my feet into the water, and a fabulous finale to the tour. I’m grateful to the 10,000 Light Years Band, Jon Davison and, of course, Graeme, for their belief in this project and helping bring my vision to life. And thank you to all the fans for Keeping the Faith.”

LODGE’s tour also coincides with the 50th anniversary of The Moody Blues’ 1973 album Seventh Sojourn (released November 17, 1972) which spent 5 weeks at Number 1 on Billboard. It featured the LODGE-penned singles “I’m Just a Singer (In a Rock and Roll Band)” and “Isn’t Life Strange.”

The March 26th show is a special ‘one-off’ performance, and the rest of the tour will feature a full electrifying show with a first half of “hits” including tributes to all his Moodies bandmates, followed by Days of Future Passed recreated in full. Listen to “Nights in White Satin,” “Tuesday Afternoon,” “Peak Hour,” and more fill the room, and you’ll be taken back to 1967, but at the same time, you’ll hear what John has brought to this new version in his vocals, bass and harmonies, and how he sees the album 55 years later. In its own way, it can also be said to be a reflection of John’s own life.

Below are the tour dates and more quotes from JOHN about the show. For tickets, VIP packages--which include a great seat, a personalized video message from John and exclusive merchandise, and more--please visit: https://johnlodge.com/tour.

Background

For the 55th anniversary of Days of Future Passed, JOHN wanted to do something special to celebrate the album. The Moodies had embarked on a US tour in 2017 to celebrate the 50th, but regrettably stopped touring shortly after, and then, very sadly, Graeme Edge passed away in 2021. However, shortly before his passing, John and Graeme met and spent some special time together, and at that meeting Graeme told John how he hoped John would continue on with the music and keep the Moody Blues’ music alive.
 
JOHN returned home and realized that what he really wanted to do was revisit this iconic album, honor his lost friends Ray Thomas and Graeme Edge, and his other bandmates Justin Hayward and Mike Pinder, but also reimagine it for today. How would he do it differently? Graeme had already recorded a special version of “Late Lament” for John, and John’s great friend (and son-in-law) Jon Davison (of YES) had recorded “Nights in White Satin” for him, and so the stage was set; John went into the studio and began work with his Musical Director, Alan Hewitt, on both a new show and a new album, details of which are TBA.
 
Joining JOHN on stage is his 10,000 Light Years Band: long term collaborator Alan Hewitt (Music Director and Keyboards) and Billy Ashbaugh (Drums) from the Moody Blues touring band, together with Duffy King (Guitars) and Jason Charboneau (Cello). Jon Davison, lead vocalist of YES, will also light up the night with his special renditions of The Moody Blues’ “Nights in White Satin” and “Tuesday Afternoon.”

“As I said at the Rock and Roll Hall of Fame, Graeme, Mike, Ray, Justin, and I, together with Tony, went into a studio, and seven days later we came out with an album that changed our lives forever,” says LODGE of Days of Future Passed.

He adds: “I’m sorry that the Moodies are no longer touring, and I miss my friends Ray and Graeme deeply, but as I looked back to the past, I realised that I also wanted to look forwards to the Future. My hope is that in this show, and album, you will get to revisit 1967, but at the same time, see how this album has grown with me, and with you.”

“Seventh Sojourn was the last of the first seven ‘core’ albums, and for me it was the pinnacle of the Moody Blues as a 'touring band,’ explains LODGE. The two hit singles from the album, ‘I’m Just a Singer (In a Rock and Roll Band)’ and ‘Isn’t Life Strange,' I still feature in my solo shows. When I wrote those songs, I was younger than I am today, but it still amazes me at their continued relevance. What I do know is that they mean as much to me today as they did then, and I can see in the audience that it means the same to them, too. I always feel that we share the deep emotion--the journey, if you will--of these songs together.”

Here are the tour dates for JOHN LODGE’s “Performs Days of Future Passed”:

February 18 - Cary Hall, Lexington, MA
February 19 - Flying Monkey, Plymouth, NH
February 21 - Cohoes Music Hall, Cohoes, NY
February 22 - The Warehouse, Fairfield, CT
February 24 - The Cabot, Beverly, MA
February 25 - Infinity Hall, Hartford, CT STANDING ONLY
February 26 - Jane Pickens Theatre, Newport, RI
February 28 - Patchogue Theatre, Patchogue, NY
March 1 - Sony Hall, New York. NY
March 3 - Newton Theatre, Newton, NJ SOLD OUT
March 4 - Keswick Theater, Glenside, PA
March 6 - Sandler Center, Virginia Beach, VA
March 7 - Rams Head On Stage, Annapolis, MD SOLD OUT
March 9 - Variety Playhouse, Atlanta, GA
March 10 - Ponte Vedra Concert Hall, Ponte Vedra, FL
March 11 - The Lyric Theatre, Stuart, FL SOLD OUT
March 14 - Capitol Theatre, Clearwater, FL
March 15 - Amaturo Theater, Fort Lauderdale, FL
March 16 - Rock and Romance Cruise
March 26 - Special Symphony Show with Coachella Valley Symphony, Rancho Mirage Amphitheater, CA

Wed, 02/01/2023 - 4:44 am

“This is probably one of the hardest things I’ve ever had to share with my loyal fans. As you may all know, four years ago, this month, I had a major accident, where I damaged my spine.
 
My one and only purpose during this time has been to get back on stage. My singing voice is fine. However, after three operations, stem cell treatments, endless physical therapy sessions, and most recently groundbreaking Cybernics (HAL) Treatment, my body is still physically weak.
 
I am honestly humbled by the way you’ve all patiently held onto your tickets for all this time, but in all good conscience, I have now come to the realization that I’m not physically capable of doing my upcoming European/UK tour dates, as I know I couldn’t deal with the travel required. Believe me when I say that the thought of disappointing my fans really FUCKS ME UP, more than you will ever know.
 
Never would I have imagined that my touring days would have ended this way. My team is currently coming up with ideas for where I will be able to perform without having to travel from city to city and country to country.
 
I want to thank my family……my band…….my crew……my longtime friends, Judas Priest, and of course, my fans for their endless dedication, loyalty, and support, and for giving me the life that I never ever dreamed I would have.
 
I love you all…”
 
Ticket refunds are available at point of purchase.

Tue, 02/07/2023 - 9:55 am

OZZY OSBOURNE on Sunday (February 5) was honored with two (2) Grammy Awards for “Best Rock Album” (his first-ever win in the category) and “Best Metal Performance” from his hugely successful and critically acclaimed PATIENT NUMBER 9 album (Epic Records). This marks OSBOURNE’s first solo Grammy wins in nearly 30 years.

“I’m one lucky motherfu**er to have won the ‘Best Rock Album’ Grammy,” says OZZY, now a five-time Grammy Award winner. “I was blessed to work with some of the greatest musicians in the world and Andrew Watt as my producer on this album. Winning the ‘Best Metal Performance’ was equally gratifying being that the song featured my longtime friend and Black Sabbath bandmate, Tony Iommi.”

The PATIENT NUMBER 9 album earned four Grammy nominations--marking the most nominations OZZY’s ever received for a single album. The nominations included Best Rock Performance: “Patient Number 9,” Ozzy Osbourne feat. Jeff Beck”; Best Metal Performance: “Degradation Rules,” Ozzy Osbourne feat. Tony lommi; Best Rock Song: “Patient Number 9,” John Osbourne, Chad Smith, Ali Tamposi, Robert Trujillo & Andrew Wotman, songwriters (Ozzy Osbourne feat. Jeff Beck); and Best Rock Album for Patient Number 9.

The Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter previously has won three Grammy Awards and received eight nominations. In 1993 OZZY won a solo Grammy Award for Best Metal Performance for “I Don’t Want To Change the World” and two Grammys as a member of Black Sabbath for “Best Metal Performance” in 2000 for “Iron Man” and in 2013 for “Best Metal Performance” for “God Is Dead?” from 13.

PATIENT NUMBER 9--released September 9 and marking OZZY’s 13th solo studio album--triumphantly sets new career highs for the Rock and Roll Hall of Fame inductee and Grammy®-winning singer and songwriter. The critically acclaimed album has topped his previous chart entries with record-breaking numbers around the world. In the U.S., the album debuted at #1 on multiple charts: Top Album Sales (Ozzy’s first #1 ever on this chart), Top Current Album Sales (another first), Top Rock & Alternative Albums, Top Rock Albums, Top Hard Rock Albums, Top Vinyl Albums and Tastemaker Albums charts; and at #3 on the Billboard Top 200 albums chart. Globally, the album charted at #1 in Canada (OZZY’s first-ever #1 there); career high #2 entries in the UK, Australia, Finland and Italy; #6 in the Netherlands and New Zealand; #8 in Belgium; and #14 France. Other highlights include #2 Austria, Germany and Sweden; #3 in Switzerland; and #4 in Norway.

Working with producer Andrew Watt for the second time, OZZY welcomed a dynamic A-list featured guests on the album. For the first time ever, Black Sabbath co-founder, guitarist, and riff-master Tony Iommi appears on an OZZY solo album. The record also boasts guitarists Jeff Beck, Eric Clapton, Mike McCready of Pearl Jam, and longstanding righthand man and six-string beast Zakk Wylde who plays on the majority of the tracks. For the bulk of the album, Chad Smith of Red Hot Chili Peppers held down drums, while the late Taylor Hawkins of Foo Fighters appears on three songs. Old friend and one-time OZZY band member Robert Trujillo of Metallica plays bass on most of the album’s tracks, with Duff McKagan of Guns N’ Roses and Chris Chaney supplying bass on a few songs.

Wed, 02/08/2023 - 11:54 am

JEFF LARSON—the veteran singer-songwriter from the San Francisco Bay area now living in Southern California—has today (February 8) unveiled the video for “Reason To Believe.” It’s the newly released lead single from IT'LL NEVER HAPPEN AGAIN, his six-song tribute EP to the late iconic singer and songwriter Tim Hardin. The EP, featuring all Hardin originals, was produced by Gerry Beckley of America and is due out March 17 as the first release on new Nashville-based label Melody Place. Watch the Tom Bevins-directed video, featuring a performance by LARSON that’s combined with archival imagery of Hardin, HERE, and listen to “Reason To Believe” HERE.
 
“When selecting songs for the EP,” explains LARSON, it was hard not to cover some obvious ones. ‘Reason to Believe,’ like other Tim Hardin songs, is more well-known as recordings by other artists, in this case, Rod Stewart’s 1993 version. It’s a song that is “in the air” and familiar to many. I think the goal in covering a song like this is just to associate the lyric to a relationship I had experienced and go from there.”
 
IT'LL NEVER HAPPEN AGAIN was produced, arranged and mixed by Beckley and features the above-mentioned single “Reason to Believe,” It'll Never Happen Again,” “If I Were A Carpenter,” Don't Make Promises,” “Misty Roses,” and “How Can We Hang On To A Dream.” LARSON (on lead vocals and acoustic guitar) is musically joined by Beckley (piano, acoustic and electric guitars, organ, accordion, strings bass, drums) and an array of fine musicians including Joachim Cooder (electric mbira, drums, percussion) and Matt Combs (mandola, fiddle). The EP was recorded at studios in Sydney, Australia and Southern California.
 
“Tim Hardin’s work deserves all the attention that comes around,” asserts LARSON. “This EP scratches the surface. There are others I could see approaching at some point: ‘Part of the Wind,’ ‘Black Sheep Boy,’ ‘Speak Like a Child,’ etc. A troubled soul with words that are often brutally honest, heartfelt with longing, and music full of engaging melodies.”

LARSON says the project started with the song “It’ll Never Happen Again,” a cover suggested by Beckley in late 2021. “We work together often, but mostly on our own individual songs. This cover worked out well for both of us. Over the years, there have been many songwriters whom I’ve dug into their body of work. For whatever reason, Tim Hardin wasn’t one of them until we decided to explore a more focused project. At the outset, it was obvious that something had clicked in singing and playing his music. Why certain songs work and draw you in is a bit of a mystery, but I feel there is a connection between the melancholy of my voice and his. That and some of the subject matter and mood of his songs.

“As I have since explored Hardin’s catalog, the variety of music genres he covers is also something I admire. I’m not a purist by any stretch. There is a sound I cling to more than others, but it ranges at times. By all accounts, Tim Hardin was hard to define that way–I suppose he is best known as a folk artist, but he could easily drift into Jazz, Blues, County, etc. That’s refreshing and relatable to my own work.”

LARSON is now working on his next solo album, his first since 2014. It’s due in the fall of 2023.

The from IT'LL NEVER HAPPEN AGAIN track listing is:
 
1. Reason To Believe
2. It'll Never Happen Again
3. If I Were A Carpenter
4. Don't Make Promises You Can't Keep
5. Misty Roses
6. How Can We Hang On to a Dream
 
ABOUT JEFF LARSON:
JEFF LARSON is a veteran singer-songwriter from the San Francisco Bay area. Musically, Jeff got his start under the wing of producer Elliot Mazer (Neil Young, The Band) playing in clubs and venues throughout the Bay area. As a native Californian, the influences are obviously present and reach from the golden era of L.A.’s Laurel Canyon singer-songwriter scene to the Bay area’s musical heritage and the tension between the two. While remaining a solo artist, he’s collaborated with Gerry Beckley and Dewey Bunnell of America, Chicago’s Robert Lamm, John Blakeley of The Sandals, and Eagles songwriter Jack Tempchin, among others. His prolific body of work created over the years has been released by various means and labels with licensing opportunities with JVC Victor Japan, Universal / Rhino, BMG and others from The Netherlands to Japan. “Larson’s earnest vocals and unwaveringly engaging folk-rock-country songs have an alluring feel,” wrote the San Jose Mercury News in 2011 about his album The World Over. “Larson’s warm, wonderful songs will grab you immediately and just get better with each subsequent listening. Every one of the 10 numbers here proves to be an individual gem.

Tue, 02/28/2023 - 3:27 pm

Looking for a true rock & roll fix?

Try the newly released single and eye-popping video for “Why Would You Say Such A Thing” by DUSTIN DOUGLAS & THE ELECTRIC GENTLEMEN. The rhythmically dynamic and lyrically pointed song, which embodies their ability to create modern blues-rock with plenty of attitude and drama, appears on the Pennsylvania band’s third album BLACK LEATHER BLUES due out April 14 via Mo Mojo Records.  Watch the video, directed by Jonathan Edwards and filmed at Diamond City Studios in Wilkes Barres, PA, HERE. Listen to the single HERE.

“From the moment I wrote it, I felt it would be a signature song for us,” says Dustin Douglas about “Why Would You Say Such A Thing.”  “It defines what we do as a band.”

Featuring 10 songs all written by Douglas, BLACK LEATHER BLUES was underlines their dynamic, heavy, swagger-injected, sexy & dirty, blues-influenced rock n’ roll and captures the band’s vintage sound and vibe to modern ears. It was launched with the first single/video “Broken.”

Fronted by the impressively fluid lead guitarist/singer/songwriter Dustin Douglas, The Electric Gentlemen--rounded out by drummer Tommy Smallcomb and bassist Matt "The Dane" Gabriel--command the stage with virtuosic musicianship and classic-rock spirit mixed with punk rock attitude. All I’m trying to do is continue the tradition of The Stones, Zeppelin and The Faces,” says Dustin Douglas. “Take the traditional blues spirit, mix it with some heavy rock n’ roll and play it for a new generation.

“But it ain’t your poppa’s blues,” he adds. “I listen to Rage Against the Machine as much as I listen to Muddy Waters. That blend of influences is what makes it unique.”

BLACK LEATHER BLUES was recorded at Eight Days a Week Studios in Northumberland, PA by Paul Smith (Badlees) who engineered and co-produced the album with Douglas. It was mixed by Brian Moncarz (Alice Cooper, Our Lady Peace, Phillip Sayce) and mastered by Brian Lucey (Black Keys, Royal Blood, Arctic Monkeys, Buddy Guy, Doyle Bramhall II, Green Day, Liam Gallagher, Elvis Costello.) Read the band’s bio here.

‘BLACK LEATHER BLUES’

ALBUM TRACK LISTING

1 Why Would You Say Such A Thing

2 Burnin' Down

3 Broken

4 Good Love

5 Change

6 What You See

7 C'est La Vie

8 Gonna Take This Train

9 Do Watcha Gotta Do

10 Barely Holding On

Wed, 03/01/2023 - 8:33 am

Grammy-nominated acoustic guitarist extraordinaire, composer and global touring artist TOMMY EMMANUEL has today (March 1) released the video for “White Freight Liner Blues,” his collaboration with Grammy-winning guitarist and singer Molly Tuttle, ahead of the song’s digital release on March 3. The song, a cover of the Townes Van Zandt classic, is the first single from EMMANUEL’s much-anticipated full-length collaborations album ACCOMPLICE TWO (see the track listing below), due out April 28 via CGP Sounds as the follow-up to his Accomplice One album in 2018.

WATCH the sheer musical joy in this video as both artists record “White Freight Liner Blues” together. It was filmed in Nashville and directed by Joshua Britt and Neilson Hubbard for Neighborhoods Apart Productions. The video was premiered yesterday by Guitar Player which described the collaboration as “spectacular.”

Pre-save the single HERE.
Pre-save the album HERE.

“My accomplices on this album are all in a league of giants to me,” says TOMMY. “They all inspire me to reach for the stars; to give my best while supporting them as they give their best. We all have a chemistry and electricity together when we play music. I wanted to capture this power in songs and performances that will stand the test of time.”

Playing with TOMMY was a dream come true for Tuttle, winner of the Best Bluegrass Grammy for 2022, for the album Crooked Tree made with her band Golden Highway. She says: “I’ve been a big fan of Tommy’s music since I was first learning to play guitar as a kid. I got to see him play a few times growing up and felt so inspired by his virtuosity on the instrument as well as his spirit as an entertainer. It was a dream come true to get to jam with Tommy on stage a few years back when he asked me to sit in with him during his set on Cayamo Cruise. That was the first time we played ‘White Freight Liner Blues’ together and I was thrilled when Tommy called and asked if we could cut it for his new album!”

Produced lovingly by EMMANUEL, regarded by guitar great Chet Atkins as “one of the best guitar players I’ve ever seen,” the 16-track ACCOMPLICE TWO is a spirited mix of new takes on indelible classics and brand-new originals from TOMMY. His collaborators are some of the most remarkable musicians on the planet—an “A” list of musicians including Billy Strings, Molly Tuttle, Michael McDonald, Jamey Johnson and Raul Malo.

The album is alive with the electric spirit of spontaneous, timeless joy created by inspired virtuosos. The combined artistry contained on these tracks is stunning, as is TOMMY’s cheerful ease at connecting naturally with this vast spectrum of musicians. Like the first volume, he merges the presence of beloved, legendary musicians—such as Jorma Kaukonen, Nitty Gritty Dirt Band, Little Feat, Sam Bush, the Del McCoury Band and Jerry Douglas—with the bright spirit of acclaimed young artists breaking through with deep artistry and true reverence for the power of song.

“I love the word ‘accomplice,” explains TOMMY, “because it's deeper in meaning than `partner’ or `duet.’ I feel that the artists that are on this project are all so unique and gifted that all we had to do was find the right song, work up the arrangement, then record it live and its magic will appear!”

“This album takes risks and is unpredictable,” says TOMMY. “Hopefully it will delight the people who are ready to receive it in their open hearts, minds and ears. I love the fact that Raul Malo sings `Faraway Places’ so beautifully calm, powerful, yet true to Sam Cooke’s original version. Then Sam Bush and I become Homer & Jethro, on `Yeller Rose of Texas,’ a total spoof on the original.”

The album starts with TOMMY’s duet with Billy Strings, the Michigan-born guitarist who won the 2021 Grammy for Best Bluegrass for his album Home. Like TOMMY, Billy honors his roots while also expanding always as a musician. His energy combined with TOMMY’s is what launches this journey, on a two-song medley that honors his hero, Bluegrass legend Doc Watson. It starts with Doc’s own song “Doc’s Guitar” and segues into the “Black Mountain Rag,” an old fiddle tune that was Doc’s signature song.

TOMMY has often said that Michael McDonald is one of his favorite singers and songwriters. He’s played Michael’s songs through the years and recorded a beautifully tender version of “I Can Let Go Now” on his Heart Songs album with John Knowles. Now he’s got both—a song and the voice—on “Someone Like You,” co-written by Michael with Dennis Morgan. TOMMY, singing through the strings of his guitar, said he’s emulated the soulful warmth of McDonald’s vocals for decades, and is thrilled to have that sound on his album. Michael, like the other accomplices, was greatly moved by his inclusion. “After being a fan for so many years now,” says McDonald, “the chance to work with an artist and musician of Tommy Emmanuel’s capacity and stature is an immense honor.”

On his own song, “Mombasa,” TOMMY duets with Yasmin Williams, a unique solo guitarist who also plays kalimba, and plays both instruments here. “Mombasa,” she says, “is one of her favorite solo guitar songs ever.” They made the track alone, with no other musicians, which was surreal for her, she said, because he made it fun and easy. “Even though Tommy is one of the best guitarists in the world,” she adds, “the recording session wasn't daunting at all because he made me feel super-relaxed throughout the session, and comfortable adding my own unique touches.”

Look for TOMMY’s concert special “Accomplice LIVE!”—featuring such guests as Emmylou Harris, Rodney Crowell, Sienna Hull and Yasmin Williams—to debut this month on PBS during pledge drive. Known to deliver shows that are truly a head-spinning experience, TOMMY will be on the road throughout 2023 in America, Europe and Australia. His tour dates are HERE.

Here’s the track listing for ACCOMPLICE TWO:
 
1. Doc’s Guitar Black Mountain Rag Featuring Billy Strings
2. White Freight Liner Blues Featuring Molly Tuttle
3. Daddy Frank (The Guitar Man) Featuring Jamey Johnson
*4. Precious Time Featuring Sierra Hull
5. Cajun Girl Featuring Little Feat & Sam Bush
6. Another Man Done A Full Go Around Featuring Jorma Kaukonen
*7. Son Of A Gun Featuring Richard Smith
8. Someone Like You Featuring Michael McDonald
*9. Mombassa Featuring Yasmin Williams
10. Everybody Loves You Featuring Larry Campbell & Teresa Williams
*11. Mama Knows Featuring Jerry Douglas
12. Sweet Temptation Featuring The Del McCoury Band
13. Yeller Rose Of Texas Featuring Sam Bush
14. Tennessee Stud Featuring Nitty Gritty Dirt Band
15. Seven Come Eleven Featuring David Grisman
16. Far Away Places Featuring Raul Malo
 
*Original TOMMY song

Fri, 03/10/2023 - 8:20 am

YES, who are Steve Howe, Geoff Downes, Jon Davison, Billy Sherwood and Jay Schellen, are pleased to announce their new studio album MIRROR TO THE SKY on InsideOutMusic/Sony Music on May 19 and today (March 10) share the album’s first track and video, “Cut From The Stars.” Listen to “Cut From The Stars” and watch the video HERE.

“This is a very important album for the band,” says Steve Howe, YES’ longest serving member, master guitarist, and producer of MIRROR TO THE SKY. “We kept the continuity in the approach we established on The Quest, but we haven’t repeated ourselves. That was the main thing. As Yes did in the seventies from one album to another, we’re growing and moving forward. In later years, Yes often got going but then didn’t do the next thing. This album is demonstrative of us growing and building again.” For YES, that “next thing” is a collection of high energy, intricate, lush and layered new studio songs for an album which adds to the band’s much heralded legacy, while charting a path to exciting future times ahead.

MIRROR TO THE SKY will be available on several formats, all featuring artwork by long-time Yes artist and collaborator Roger Dean:
 
Ltd Deluxe Electric Blue 2LP+2CD+Blu-ray Artbook with poster
Ltd Deluxe 2CD+Blu-ray Artbook
Ltd 2CD Digipak
Standard CD Jewel case
Gatefold 2LP+LP-Booklet
Digital Album
 
The Blu-ray editions include the album as Dolby Atmos, 5.1 Surround Sound, Instrumental Versions & Hi-Res Stereo Mixes.
 
Pre-order now here: https://Yes-Band.lnk.to/MirrorToTheSky
 
The track listing is as follows:

CD1:

    Cut From The Stars 05:27
    All Connected 09:02
    Luminosity 09:04
    Living Out Their Dream 04:45
    Mirror to the Sky 13:53
    Circles of Time 04:59

 CD2:

    Unknown Place 08:15
    One Second Is Enough 04:04
    Magic Potion 04:08

As they were wrapping up The Quest, YES found themselves with song sketches, structures, and ideas that were demanding attention. YES received unconditional support from InsideOut boss Thomas Waber, who encouraged them to keep going in the studio, months before The Quest would even be released. It was like throwing gasoline on their creative fire.

“When we delivered everything, and they were just getting the vinyl and everything into production for manufacturing, we were still very much in that creative zone,” explains Steve Howe. “That belief that Thomas had in us really meant a lot,” he says.
 
“We truly get along as people,” says Jon Davison. “I feel like everyone’s focused inward to the greater circle, concentric to the core of highest standards that define Yes. It’s a wonderful thing to witness and of which to play a part. I believe this reflects vibrantly in the music and the creative input that each one is willing to apply, not for the benefit of the individual, but for the greater whole that is Yes.”
 
“There was a lot of material floating around because the band hadn’t done anything in the studio for so long. Ideas were just copious,” says bassist Billy Sherwood. “The pace of it was fast. As soon as we were finished with The Quest, and the mix had come out, we took a couple of little breaks there to catch our breath. But there was still music flowing around in the loop. It was just constantly being looked at and worked on. As we were all home and in that mode, things started progressing quite swiftly. We just went one album into another without really announcing, ‘Hey, we’re working on a second record right now.’ We just continued to work on material. It came about pretty naturally, and then we refined it as the process went on. But the initial bursts—there was a lot of material around!”
 
Much to everyone’s delight, including that of long-time fan Thomas Waber, YES have pushed into territory they practically invented—the prog rock epic—albeit in a thoroughly new and modern way. “I always felt that it would be great to have stuff that’s a little bit more epic,” he says, although he resisted the temptation to push for something that would be too formatted and could come off as contrived. He just gave the band space to do what they do and let things develop. “They were so excited by The Quest and the momentum they had that they went straight back into the studio. What they were writing, even early on, was obviously headed in that epic direction—what Yes music really is to me. It is almost a genre onto itself. It is ‘Yes Music.’ Mirror To The Sky certainly is Yes Music.”
 
MIRROR TO THE SKY features not one, but four tracks clocking in at over eight minutes, with the sweeping and cinematic title track coming in just shy of fourteen minutes. What’s more, the tracks, like YES’ best, take the listener on a wide dynamically ranging journey of soundscapes which also showcase Steve Howe’s dazzling guitars, keyboard wizard Geoff Downes’ impeccable sounds, exquisite melodies and fills, Jon Davison’s angelic, crystalline vocals, Billy Sherwood’s deftly dancing bass and Jay Schellen’s masterfully controlled explosions on drums.
 
Jay Schellen, who has been touring with the band since 2016, was hand-picked to step into his mentor and friend Alan White’s role when White sadly passed away in 2022. “I had done the 2016 Topographic Drama tour on my own for Alan,” says Jay. “From late 2017 onwards, we had a partnership, and a beautiful partnership, I might add. I learned so much, and discovered so much about Alan’s style, and why it was the way it was. It fit his personality so perfectly. This album has Alan’s presence all over it. It is inside of us. So this is still, in my heart, Alan just being present and with us, and with me, in a big way.”

Mon, 03/13/2023 - 5:59 pm

TASH SULTANA, a gender-fluid multi-instrumentalist, producer, singer-songwriter, engineer, and entrepreneur, has been a powerful presence in the music industry for the last decade. Today (March 13), they have shared "James Dean," the first single from an upcoming EP out later this year (TBA) through their label, Lonely Lands Records.
 
LISTEN TO JAMES DEAN HERE
 
"James Dean" is a powerful and soulful song about self-reflection and transformation. It's a heartfelt ode to learning who one’s true friends are and having the courage to cut ties with those who don't add value to one’s life. The song is driven by a strong guitar riff and a steady beat, while TASH's passionate vocals entice listeners to reflect on the relationships they have and how they can make the necessary changes to move forward in life.
 
“I feel like the entire point of my career has always been DIY,” TASH says. “I’ve always produced everything, written everything, played every single instrument you hear, engineered it, co-engineered and sometimes even mixed and mastered. I have always done all of that but I feel like people still just don’t get it and to me it’s the most important message to send out. I remember once someone in an interview literally asked me ‘who is your guitarist’—I had to laugh. So I do it all. I have had great mentoring with my studio engineer Richard Stolz. That's very important to highlight. He's taught me a lot over the last few years.
 
“I actually wrote ‘James Dean’ in December 2021 when I took another trip falling off the face of the earth—I feel like that’s where most of my songs come from, the pits of hell.”
 
WATCH VIDEO HERE

Their first release, the Notion EP, accumulated multi-platinum singles, and TASH’s debut album Flow State landed in 2018, quickly becoming gold-certified and spawning platinum and gold records with the singles “Mystik” and “Murder to the Mind.” Flow State would go on to win an ARIA Award for Best Blues & Roots Album as well as international awards cementing TASH’s status as one of Australia’s biggest musical talents.
 
In 2019 alone, TASH sold more than 500,000 concert tickets globally. Over the years, they’ve notched up major international appearances at festivals like Coachella, Lollapalooza, Bonnaroo, Austin City Limits, and Montreal Jazz Festival. They sold out the iconic Red Rocks Amphitheatre in just five minutes. Committed to delivering the highest quality of live performance, TASH spends most days in practice, again with DIY attitude TASH and their team custom-designed a loop station that took over two years to build--it is the only one in the world that can operate at such a level.
 
Their acclaimed second album Terra Firma landed in 2021, garnering widespread praise for TASH’s raw and reflective songwriting and ambitious musical arrangements. Like everything before it, the entirety of the record was carved by TASH--every instrument played, every bit of musical arrangement, every bit of production. But for the first time, Terra Firma saw TASH bring in a couple of close friends and collaborations to co-write--including Matt Corby, Dann Hume, Jerome Farah, and Josh Cashman.
 
Terra Firma reached #1 on the charts in their native Australia and secured multiple nominations and a win for Rolling Stone Australia’s Best Single for “Pretty Lady.”
 
The MTV Unplugged (Live in Melbourne) album was released in 2022. A stunning display of TASH’s consummate talents, it gave audiences an intimate glimpse at an artist that has grown immeasurably since they began their musical journey. Not only that, TASH mixed the record entirely by themself at their own studio, Lonely Lands Studio.
 
Their extensive catalogue has nearly broken the internet, notching billions of streams and counting.
 
In recent years, TASH’s skill has expanded far beyond the studio. In 2019, TASH launched Lonely Lands Agency with Lemon Tree Music’s Regan Lethbridge and UNIFIED’s Jaddan Comerford. In the space of a few years, the boutique booking agency has grown into one of the biggest and most reputable in the country.
 
In addition, TASH is also the driver of Lonely Lands Records, the label through which they put out all their music. It’s this natural instinct for the music business and attention to detail that have made them a formidable presence in the Australian industry over the last few years. As TASH says, over the years, they’ve developed an incredible team around them to make their vision a reality.
“I am completely in control of everything, literally everything,” they say. “But when you've got the team around you, you develop a clockwork system where you learn from each other…none of this is possible without a team around me. We have a tight, tight team.”
 
"James Dean" is available on all streaming platforms NOW

Thu, 03/16/2023 - 11:12 am

GRAND FUNK RAILROAD celebrates the 50th anniversary of their 1973 “We’re An American Band” platinum single and album with 2023’s “The American Band Tour,” performing multiple shows across the country and dynamically underlining their trademark “Rock and Soul” classics.

Original founding member Don Brewer (vocals and drums) is the writer and singer of “We’re An American Band,” from the band’s seventh album. One of rock’s definitive anthems, the platinum-certified single went all the way to #1 on the Billboard “Hot 100” chart.
 
Says Don: “‘We’re An American Band’ came to me when we were flying from town to town on our "Phoenix Tour” in 1972. We were being sued by our former manager Terry Knight and he was trying to stop us from performing. The line “We're comin' to your town, we'll help you party it down" came to me first and I wrote the song around that line. Taking snippets of things going on during the tour at that time, like staying up all night with Freddy King playing poker, four young chiquitas in Omaha, sweet sweet Connie in Little Rock, and finally the declaration, ‘We're An American Band,’ because it sounds great and sings well. I feel lucky and blessed every time we play it live.”
 
As part of this year’s itinerary, the legendary rock & roll powerhouse will be the “special guests” of Kid Rock for two hometown shows in Michigan at Little Caesars Arena on Friday, July 14 and Saturday, July 15. See GRAND FUNK RAILROAD’s full tour itinerary below.
 
BREWER took the time to talk about building the perfect set list and also discuss highlights of the GRAND FUNK RAILROAD set list, which is packed with one hit after another including of course the enduring “We’re An American Band.” His Q&A can be viewed here.
 
Here are the 2023 Grand Funk Railroad tour dates with more dates to be announced:
 
Date              Location                 Venue
3/18/23          Clewiston, FL           Clewiston Sugar Festival - Civic Park
4/01/23          Akron, OH               Goodyear Theater
4/13/23          Deadwood, SD        Deadwood Mountain Grand Event Center
4/23/23          Oxford, AL                Oxford Performing Arts Center
4/29/23          Marietta, OH           Peoples Bank Theatre
5/06/23          Highland, CA           Yaamava' Theater
5/13/23          Lancaster, PA          American Music Theatre
5/19/23          Biloxi, MS                Hard Rock Hotel & Casino
6/02/23          Peachtree City, GA Frederick Brown Jr. Amphitheater
6/09/23          Lincoln, RI               Twin River Casino
6/24/23          Selbyville, DE          Freeman Arts Pavilion
7/07/23          St. Louis, MO           River City Casino & Hotel
*7/14/23        Detroit, MI                 Little Caesars Arena
*7/15/23        Detroit, MI                 Little Caesars Arena
*Special Guest of Kid Rock

Fri, 03/17/2023 - 7:25 am

World-famous French Nordic folk collective SKÁLD released their highly anticipated third album HULDUFÓLK in January via Decca Records France / Decca Records U.S. (UMG). The songs transport listeners into the band’s mystical soundscape using traditional Old Norse instrumentation and language while sharing Scandinavian legends from poets and shamans of otherworldly beings, aka the “Huldufolk” (translated to “hidden people”), coexisting with humankind. Sharing supernatural and hauntingly cinematic music and lyric videos for previously released singles “Troll Kalla Mik” (“They Call Me Troll”), “Då Månen Sken” (“When The Moon Shone”) and their cover of the iconic Rammstein single “Du Hast,” the band have released a bewitching music video for the album’s latest single “Elverhøy” (“Elf”), streaming on Vevo now HERE.

"Elverhøy" is about a young woman who meets two young elves who drag her into a hellish round and promise to give her the knowledge of runes,” shares SKÁLD’s mastermind Christophe Voisin-Boisvinet. “The music is a continuation of the text with its dancing form and is punctuated by nyckelharpa solos.”

SKÁLD had previously announced plans for their first-ever North American tour to take place this April, but due to circumstances beyond their control, the tour has been postponed to the fall. The rescheduled dates, listed below, will kick off on September 8 in Chicago, leading the band north into Canada for a stop in Toronto and Montreal before heading back stateside across the East Coast and ending in Pittsburgh on September 17. Tickets are on sale as of today, March 15, at https://skald.lnk.to/live.

SKÁLD N. AMERICAN TOUR DATES
9/8      Chicago, IL – Reggies
9/10   Toronto, ON – Velvet Underground
9/11   Montreal, QC – Theatre Fairmount
9/13   New York, NY - Le Poisson Rouge
9/14   Boston, MA – Sonia
9/16   Columbus, OH – Ace of Cups
9/17   Pittsburgh, PA – Mr. Smalls Theatre

Wed, 03/29/2023 - 2:12 pm

BRIT FLOYD—The World’s Greatest Pink Floyd Experience—are launching their “50 Years of Dark Side” North American Tour April 12 in Hamilton, Ontario. The 100-date 2023 tour will begin with the first leg of 50 shows including stops in Boston, Chicago, Washington DC, Baltimore and Atlanta before wrapping June 23 in Boca Raton, FL.

“50 Years of Dark Side” celebrates the 50th Anniversary of Pink Floyd’s album masterpiece The Dark Side of the Moon. For this year’s world tour--featuring over two and a half hours of Pink Floyd music encompassing the band’s iconic career--the team have created a show that includes state-of-the-art visuals (lights, lasers and animation) which are all presented with immersive soundscapes and virtuosic musicianship.

Formed in 2011, Brit Floyd features performances supported by an immense, immaculately curated state of the art production, reverently emulating the stunning soundscapes and visuals of Pink Floyd’s iconic catalog. Brit Floyd is a celebration of authenticity, featuring musicians handpicked by Damian Darlington. The 2023 touring band includes Darlington (Guitarist, Vocalist and Musical Director), Ian Cattell (Vocals, Bass), Edo Scordo (Guitars, Vocals), Matt Riddle (Keyboards, Synths, Hammond, Vocals), Arran Ahmun (Drums, Percussions), Ryan Saranich (Saxophone, Percussions, Guitars, Bass, Keyboards), Randy Cooke (Drums and Percussion), Eva Avila (Lead and Backing Vocals), Genevieve Little (Backing Vocals), Jessie Lee Houllier (Backing Vocals) and Chess Galea (Backing Vocals). Historically, the shows have featured guest appearances from musicians from Pink Floyd's studio and road line-ups: bassist/vocalist Guy Pratt joined Brit Floyd onstage at the Echo Arena in Liverpool in 2013 and Pink Floyd saxophonist/guitarist Scott Page has performed with the band on numerous occasions, as have Pink Floyd backing vocalists Roberta Freeman and Durga McBroom.

The first leg of the 2023 tour dates are as follows with additional shows to be announced in the coming weeks.

 
DATE- VENUE – LOCATION
WED APRIL 12 – First Ontario Concert Hall – Hamilton, ON - TICKETS
FRI APRIL 14 – Casino Ballroom – Hampton Beach, NH – TICKETS
SAT APRIL 15 – Lyric Opera House – Baltimore, MD – TICKETS
SUN APRIL 16 – Veterans Memorial Auditorium – Providence, RI – TICKETS
TUE APRIL 18 – 1st Summit Arena – Johnstown, PA – TICKETS
WED APRIL 19 – The Oncenter Crouse Hinds Theater - Syracuse, NY – TICKETS
FRI APRIL 21 – Benedum Center – Pittsburgh, PA – TICKETS
SAT APRIL 22 – Wind Creek Event Center – Bethlehem, PA – TICKETS
SUN APRIL 23 – Hershey Theatre – Hershey, PA – TICKETS
TUE APRIL 25 – The Auditorium Theater – Rochester, NY – TICKETS
WED APRIL 26 – Warner Theatre – Washington, DC – TICKETS
FRI APRIL 28 – Hard Rock Hotel And Casino – Atlantic City, NJ – TICKETS
SAT APRIL 29 – Toyota Oakdale Theater – Wallingford, CT – TICKETS
SUN APRIL 30 – The Orpheum – Boston, MA - TICKETS
MON MAY 1 – Kleinhans Music Hall – Buffalo, NY – TICKETS
WED MAY 3 – The Warner Theatre – Erie, PA – TICKETS
FRI MAY 5 – The Chicago Theatre – Chicago, IL – TICKETS
SAT MAY 6 – Genesee Theatre – Waukegan, IL - TICKETS
SUN MAY 7 – Riverside Theater – Milwaukee, WI – TICKETS
MON MAY 8 – Morris Performing Arts Center – South Bend, IN – TICKETS
WED MAY 10 – Brown County Music Center – Nashville, IN – TICKETS
THU MAY 11 – Huntington Center – Toledo, OH – TICKETS
FRI MAY 12 – PNC Pavilion At Riverbend – Cincinnati, OH – TICKETS
SAT MAY 13 – Rose Music Center At The Heights - Huber Heights, OH – TICKETS
MON MAY 15 – DeVos Performance Hall – Grand Rapids, MI – TICKETS
TUE MAY 16 – Foellinger Theatre – Fort Wayne, IN – TICKETS
MON MAY 18 – Masonic Temple- Detroit, MI – TICKETS
FRI MAY 19 – Jacobs Pavilion – Cleveland, OH – TICKETS
SAT MAY 20 – KEMBA Live! – Columbus, OH – TICKETS
SUN MAY 21 – FM Kirby Center  - Wilkes-Barre, PA – TICKETS
TUE MAY 23 – Florida Theater – Jacksonville, FL – TICKETS –
THU MAY 25 – The Peabody – Daytona Beach, FL – TICKETS
FRI MAY 26 – Hertz Arena – Estero, FL – TICKETS
SAT MAY 27 – King Center – Melbourne, FL - TICKETS
TUE MAY 30 – Ruth Eckerd Hall – Clearwater, FL – TICKETS
THU JUNE 1 – Saenger Theatre – Pensacola, FL – TICKETS 
FRI JUNE 2 – Simmons Bank Arena – Little Rock, AR – TICKETS
SAT JUNE 3 – The BJCC – Birmingham, AL
SUN JUNE 4 – Cobb Energy Center – Atlanta, GA – TICKETS
TUE JUNE 6 – Tulsa Theater – Tulsa, OK – TICKETS
WED JUNE 7 – The Midland – Kansas City, MO – TICKETS
THU JUNE 8 – Orpheum – Wichita, KS
SUN JUNE 11 – Revel – Albuquerque, NM
TUE JUNE 13 – Wagner Noel PAC – Midland, TX
WED JUNE 14 – Bayou Music Center – Houston ,TX
THU JUNE 15 – Austin City Limits At The Moody Theater - Austin, TX - TICKETS
FRI JUNE 16 – Will Rogers Auditorium – Fort Worth, TX
SUN JUNE 18 – Soldiers and Sailors Memorial Auditorium – Chattanooga, TN
TUE JUNE 20 – Tennessee Theatre – Knoxville, TN
WED JUNE 21 – Coliseum & Performing Arts Center – North Charleston, SC
FRI JUNE 23 – Mizner Park Amphitheatre – Boca Raton, FL
 
 
Facebook: @britfloydooffical
Instagram: @britfloydband
Twitter: @britfloydband
YouTube: @britfloydofficial
Mon, 04/03/2023 - 10:11 am

In advance of National Mental Health Awareness month in May, BETTER NOISE MUSIC has partnered with Revolver Magazine, fan-powered charitable fundraising platform Fandiem and six of the label’s hard-hitting alternative and heavy rock bands listed below for the “Fan Love Sweepstakes” fundraiser. The Fan Love Sweepstakes” will support Sweet Relief Musician Fund’s “Music’s Mental Health Fund,” a partnership between Sweet Relief Musicians Fund and Backline, which provides financial assistance to music industry professionals in need of mental health services. A grand prize winner will be able to choose one of six once-in-a-lifetime experiences with one of their favorite bands.
 
Fans who donate directly at Fandiem.com have the opportunity to win Grand Prize options donated by participating artists including:

Go surfing with DIRTY HEADS – Pick out a surfboard with the band and spend an hour in the water surfing with Dirty Heads. All experience levels, including beginners, are welcome. Afterwards, the board will be customized Dirty Heads-style and gifted to the winner. Plus, get a pair of VIP tickets to a future Dirty Heads U.S. show of your choice (subject to venue availability).

Shadow ASKING ALEXANDRIA for the day on their U.S. tour, including a guitar tech session with lead guitarist Ben Bruce and take home the signed guitar. Plus, get a pair of VIP tickets to a future Asking Alexandria U.S. show of your choice (subject to venue availability).

Spend a day gaming with the members of FROM ASHES TO NEW - Experience an afternoon of gaming with the band and walk away with your own autographed Xbox/Playstation. Plus, get a pair of VIP tickets to a future From Ashes To New U.S. show of your choice (subject to venue availability).

Get a lesson in forging metal with Eva from EVA UNDER FIRE. Plus, get a pair of VIP tickets to a future Eva Under Fire U.S. show of your choice (subject to venue availability).

Go guitar shopping with CROSSBONE SKULLY - Shop for and pick out your very own guitar with Crossbone Skully’s front man Tommy Henriksen (Alice Cooper’s Musical Director and member of Hollywood Vampires). Plus, get a pair of VIP tickets to a future Crossbone Skully U.S. show of your choice (subject to venue availability).

Spend an extreme afternoon with NOTHING MORE - Winner chooses their own extreme adventure – like paintball, zip lining, go karts, etc. – with the band. Plus, get a pair of VIP tickets to a future Nothing More U.S. show of your choice (subject to venue availability).

Five runner-up winners will receive two tickets to any Better Noise Music artist concert in the U.S. in 2023. Touring artists include From Ashes To New, The Funeral Portrait, Five Finger Death Punch, Bad Wolves, Asking Alexandria, The HU, Finish Ticket, NOTHING MORE, Eva Under Fire, Dirty Heads and Crossbone Skully.
 
The donate-to-win “FAN LOVE Sweepstakes” is open to anyone 18 years of age and older and of legal residency in the U.S. and Canada only. Eligible contestants can enter to win as of today, Monday, April 3 at 8:00 A.M. PT until the contest closes on Friday, June 30 at 11:59 P.M. PT at fandiem.com/fanlove. Winners will be announced Wednesday, July 5 at 8:00 A.M. PT. via Better Noise Music’s social media pages.
 
The more fans donate the more chances they have to win – and the more they support Sweet Relief Musician Fund’s “Music’s Mental Health Fund”.
 
“Research tells us that music fans care deeply about issues relating to Mental Health, something that everybody deals with at some point in their lives,” shares BETTER NOISE MUSIC GM Paul Cormack. “Mental Health Awareness month is right around the corner, and we recognized an opportunity to make a difference. We reached out to Aric (Steinberg) and his team at Sweet Relief and quickly established a partnership with Better Noise to raise funds for Sweet Relief's new dedicated Mental Health fund. We hope fans will be excited about these once-in-a-lifetime Grand Prize opportunities donated by artists and help us raise funds for all those in the music business who need the help that Sweet Relief offers.”
 
“Sweet Relief has been helping musicians and music industry professionals since 1994 to help fund medical and vital living expenses,” elaborates ARIC STEINBERG (EVP of Development/Artist Relations at Sweet Relief Musicians Fund). “We created the Music’s Mental Health Fund in partnership with Backline to help address the mental health crisis in the music industry. From touring musicians, venue staff, touring crew members and industry professionals, the grant allows us to fund costs for sessions with a dedicated clinic and a case manager to create a specific mental health plan catered to the applicant’s needs. We’re excited to partner with Better Noise Music and their artists to help further our efforts and provide a fun and memorable experience for a lucky winner.”
 
ASKING ALEXANDRIA guitarist BEN BRUCE commented on being involved in the fundraiser: "Being in this industry for so long, we’ve seen firsthand how many people need strength, help and encouragement which is why we are so excited to be teaming up with Sweet Relief."
 
Throughout the course of the “Fan Love Sweepstakes,” BETTER NOISE MUSIC will be sharing mental health discussions, roundtables and highlighting mental health-related tips from artists on the label’s roster, touring professionals and music industry professionals across their social media platforms. Use the hashtags #FanLoveSweepstakes & #MHAM to join the conversation.

Mon, 04/03/2023 - 10:22 am

THE MIRACULOUS LOVE KIDS was formed as a non-profit 501(c)(3) organization that served as Afghanistan’s only school of music for war-torn, poverty-stricken girls and young women until the Taliban’s brutal takeover in 2021. American guitarist LANNY CORDOLA (founder and director of the organization) was able--despite several barriers and tons of red tape--to safely transport the girls and their families to the neighboring country of Pakistan, where they currently reside. In a mission to find a safe, permanent re-homing for the refugee girls and their families due to political and social unrest and widespread discrimination against Afghan refugees in Pakistan, CORDOLA began working with the girls on creating music to share their plight with the world.
 
In March THE MIRACULOUS LOVE KIDS released a cover version of Tom Petty’s 1989 classic 1989 hit “I Won’t Back Down,” featuring country superstar BLAKE SHELTON along with three Rock & Roll Hall of Fame inductees: iconic guitarist JOE WALSH (The Eagles, ex-Ringo Starr and His All Starr Band), legendary bassist TIMOTHY B. SCHMIT (The Eagles) and renowned drummer MATT SORUM (Guns N’ Roses, Velvet Revolver). Following its release (as seen streaming below or directly HERE), The Tom Petty Estate shared the music video via Tom Petty & The Heartbreakers’ Facebook page calling it “a beautiful tribute.” See below additional new quotes from the song’s guest musicians.
 
“This was really special to be part of,” commented SHELTON. “These girls are so inspiring.”

“May music always bring you girls the inspiration and connection to a higher power that delivers you strength and joy,” WALSH touchingly remarked. “I'm grateful to have shared this moment with you all. Peace and love."
 
SCHMIT relayed, “Lanny is a saint for being a part of these girls’ lives by helping them move forward through music. Even after all they’ve experienced in their youth, you can see and feel their beautiful life forces shining through.”
 
Echoing the sentiment, SORUM says, “I’m so proud of my longtime friend Lanny as he has shared the gift of music with these wonderful young girls that have been through so much. The joy they feel playing music gives them much-needed hope to persevere. They are an inspiration to us all. Please help them with their endeavors to relocate and spread their message of peace and love around the world.”

THE MIRACULOUS LOVE KIDS - guitars & vocals
BLAKE SHELTON - vocals
JOE WALSH - guitar solo
TIMOTHY B. SCHMIT - bass
MATT SORUM - drums
GARY GRIFFIN - keyboards
DAVE PEARLMAN - pedal steel
CHAD SHLOSSER - guitar
Produced by LANNY CORDOLA and SARMAD GHAFOOR
Mixed by CHAD SHLOSSER
Video filmed in Kabul, Afghanistan; Islamabad, Pakistan; Los Angeles and Nashville
Video directed by LANNY CORDOLA
Edited by SHAM KAZMI

For CORDOLA and THE MIRACULOUS LOVE KIDS, the continued support for their journey to freedom helps in keeping them motivated to move forward. “The girls and I are honored to have Blake, Joe, Timothy and Matt join us in spreading this message far and wide,” CORDOLA says. “Hopefully their involvement will bring more awareness about Afghan refugees like the girls and their quest for a better life.”

THE MIRACULOUS LOVE KIDS have previously released uplifting collaborations with music icons and supporters including BRIAN WILSON, SAMMY HAGAR, TOM MORELLO (RAGE AGAINST THE MACHINE, AUDIOSLAVE), RAMI JAFFEE (FOO FIGHTERS), KATHY VALENTINE (THE GO-GO’S) and more. Their music and mission has received global media coverage from high-profile outlets including BBC, Rolling Stone, CBS, NBC and ABC—just to name a few. Stay tuned in the next few weeks for new music and updates.

Find out more about THE MIRACULOUS LOVE KIDS story and hear their music at: https://miraculouslovekids.org/
facebook.com/Themiraculouslovekids

Thu, 04/06/2023 - 8:28 am

Grammy-nominated acoustic guitarist extraordinaire, composer and global touring artist TOMMY EMMANUEL has today (April 6) released the video for his musically virtuosic and exhilarating cover of the 1988 Little Feat classic “Cajun Girl,” featuring Little Feat and Sam Bush. The song arrives digitally tomorrow (April 7) as the second single from EMMANUEL’s much-anticipated full-length collaborations album ACCOMPLICE TWO (see the track listing below), due out April 28 via CGP Sounds as the follow-up to his Accomplice One album (2018).
 
Watch the “Cajun Girl” video, filmed by Joshua Britt and Neilson Hubbard for Neighborhoods Apart Productions as it was being recorded at Ocean Way Studio B in Nashville, HERE. The video was premiered yesterday by Relix which called “Cajun Girl” a “joyous collaboration.”
 
·        Pre-save the single HERE.
·        Pre-save the album HERE.

Quotes from TOMMY:
“I have been a fan of Little Feat since I first heard them back in the 70’s. They are a powerful band with great songs and tight, funky arrangements. I'm so honored to be on this track with these legends, to play with them, sing with them, and to find a common love of good music that brings the best out in all of us. I am also thrilled that Sam Bush came and played a great fiddle part which makes this track unique and shows his love for Little Feat too! The youngest member of the band, Scott Sharrard, is doing such brilliant work on slide guitar that I had to feature him on the last solo of the track. Lowell George would be smiling down at him, playing his ass off! Lend "Cajun Girl" your ears and your heart, and you'll smile from my crazy intro to Scotts' mojo-dripping finishing touches of the song. ENJOY!”

Quotes from Little Feat’s Bill Payne:
“Great thanks to Tommy Emmanuel for bringing new life to Little Feat’s “Cajun Girl.” To be in his orbit is always fun and relaxed. He is the consummate musician and a warm and open host. Looking at the array of artists on Accomplice 2, many of whom the band know, gives us a tangible joy to be in Tommy’s extended family. We’re pleased to say he is part of Little Feat’s family, too. Tommy Emmanuel is one of the finest musicians in the world. He lives and breathes music. What else could one want? “Cajun Girl” also has an extra layer of brilliance added to it from our dear friend Sam Bush. Sometimes you just have to say, life is good!”
 
Track details for “Cajun Girl” featuring Little Feat & Sam Bush:
Written by Bill Payne and Martin F. Kibbee for Feat Publishing (ASCAP)
Recorded at Ocean Way Studio B in Nashville, TN
Rory Rositas - engineer
Bill Payne – piano and lead vocals
Kenny Gradney – bass
Fred Tackett – mandolin and backing vocals
Scott Sharrard – guitar and backing vocals
Tony Leone – drums and backing vocals
Sam Bush – fiddle and backing vocals
Tommy Emmanuel – guitar and backing vocals
 
Read the press release HERE announcing the ACCOMPLICE TWO album and its first single/video, “White Freight Liner Blues,” TOMMY’s collaboration with Grammy-winning guitarist and singer Molly Tuttle on this cover of the Townes Van Zandt classic. The video was premiered by Guitar Player which described the collaboration as “spectacular.”

“My accomplices on this album are all in a league of giants to me,” says TOMMY. “They all inspire me to reach for the stars; to give my best while supporting them as they give their best. We all have a chemistry and electricity together when we play music. I wanted to capture this power in songs and performances that will stand the test of time.”

Produced lovingly by EMMANUEL, regarded by guitar great Chet Atkins as “one of the best guitar players I’ve ever seen,” the 16-track ACCOMPLICE TWO is a spirited mix of new takes on indelible classics and brand-new originals from TOMMY. His collaborators are some of the most remarkable musicians on the planet—an “A” list of musicians including Billy Strings, Molly Tuttle, Michael McDonald, Jamey Johnson and Raul Malo.

The album is alive with the electric spirit of spontaneous, timeless joy created by inspired virtuosos. The combined artistry contained on these tracks is stunning, as is TOMMY’s cheerful ease at connecting naturally with this vast spectrum of musicians. Like the first volume, he merges the presence of beloved, legendary musicians—such as Jorma Kaukonen, Nitty Gritty Dirt Band, Little Feat, Sam Bush, the Del McCoury Band and Jerry Douglas—with the bright spirit of acclaimed young artists breaking through with deep artistry and true reverence for the power of song.

Look for TOMMY’s concert special “Accomplice LIVE!”—featuring such guests as Emmylou Harris, Rodney Crowell, Sierra Hull and Yasmin Williams—airing now on PBS during pledge drive. Known to deliver shows that are truly a head-spinning experience, TOMMY will be on the road throughout 2023 in America, Europe and Australia. His tour dates are HERE.

Here’s the track listing for ACCOMPLICE TWO:
 
1. Doc’s Guitar Black Mountain Rag Featuring Billy Strings
2. White Freight Liner Blues Featuring Molly Tuttle
3. Daddy Frank (The Guitar Man) Featuring Jamey Johnson
*4. Precious Time Featuring Sierra Hull
5. Cajun Girl Featuring Little Feat & Sam Bush
6. Another Man Done A Full Go Around Featuring Jorma Kaukonen
*7. Son Of A Gun Featuring Richard Smith
8. Someone Like You Featuring Michael McDonald
*9. Mombassa Featuring Yasmin Williams
10. Everybody Loves You Featuring Larry Campbell & Teresa Williams
*11. Mama Knows Featuring Jerry Douglas
12. Sweet Temptation Featuring The Del McCoury Band
13. Yeller Rose Of Texas Featuring Sam Bush
14. Tennessee Stud Featuring Nitty Gritty Dirt Band
15. Seven Come Eleven Featuring David Grisman
16. Far Away Places Featuring Raul Malo

Wed, 04/12/2023 - 1:13 pm

Modern blues rock band DUSTIN DOUGLAS & THE ELECTRIC GENTLEMEN today (April 12) roll out the video for the moody acoustic ballad “Change” ahead of this Friday’s release of their third album BLACK LEATHER BLUES on MoMojo Records. Watch the video, directed by Jonathan Edwards and filmed on location in the band’s home state of Pennsylvania, HERE. Pre-save the album HERE.
 
DUSTIN’s soulful vocals and aching electric guitar lines in “Change” underline the song’s blunt lyrics about wanting to move beyond a life that has become stagnant. “It was one of those times in life when the same daily routine, same scenery, same songs on the radio, same everything just became monotonous and boring,” reveals the singer, songwriter and guitarist about what inspired him to write the song. “Lyrically it really doesn't beat around the bush—I just wanted a change from it all. I think a lot of people can relate.”
 
Same old town
Same old regrets
Same old dreams
Ain’t come true yet
Same old show
On the same old TV
Same old you
Same old you and me
We need a change
We could use a little, change

 
“I've always had a soft spot for a good ballad—I always try to throw at least one on every record,” explains DUSTIN. “The funny thing is, I didn't set out to write a slower song for Black Leather Blues. I was almost against it, but something happened when I strummed those opening chords of what is now ‘Change.’ It just wrote itself and I’m very proud of it. Although it's slower than some of our other material, I think the fans will be able to relate to the song and find the acoustic vibe a bit refreshing.”
 
DUSTIN continues, “This was the first non-performance video I've shot, and I certainly felt vulnerable at times not having a guitar or band to hide behind. Most times great things lie beyond that fear of vulnerability.”
 
To capture the song’s introspective mood, director Jonathan Edwards filmed the “Change” video in black and white. Most of the scenes were lensed, says DUSTIN, “in Pringle, PA in a remote area and a friend's house and property. Other scenes were shot in Pittston PA. The diner scene was at my friend Victor's Pizza Joint named Tony's Pizza (shout out to Victor for the support!).”
 
The female role in the video is played by Amber Lynn Fisk. “That's my wife” reveals DUSTIN. “This is her onscreen debut. After some convincing and bribery, I was able to convince her to be the lead role in the video. She killed it!” DUSTIN adds: “The viewer is led to believe the female character is walking away and changing her life, but the twist comes where the actual change involves the couple leaving together.”

Meanwhile, look for DUSTIN DOUGLAS & THE ELECTRIC GENTLEMEN to celebrate the release of BLACK LEATHER BLUES with a local show at River Street Jazz Café (667 N River St, Plains, PA 18705) on Saturday, April 22. Doors are at 8:00 PM.
 
Featuring 10 songs all written by Douglas, BLACK LEATHER BLUES highlights their dynamic, heavy, swagger-injected, sexy & dirty, blues-influenced rock n’ roll and captures the band’s vintage sound and vibe to modern ears. It was launched with the first single/video “Broken” and followed by “Why Would You Say Such A Thing”; watch it HERE.  Rock & Blues Muse described the song as “a tough-toned blues/rock track with a big riff, a danceable beat, and a hard-nosed attitude.”
 
Fronted by the impressively fluid lead guitarist/singer/songwriter Dustin Douglas, The Electric Gentlemen—rounded out by drummer Tommy Smallcomb and bassist Matt "The Dane" Gabriel—command the stage with virtuosic musicianship and classic-rock spirit mixed with punk rock attitude. All I’m trying to do is continue the tradition of The Stones, Zeppelin and The Faces,” says Dustin Douglas. “Take the traditional blues spirit, mix it with some heavy rock n’ roll and play it for a new generation.
 
“But it ain’t your poppa’s blues,” he adds. “I listen to Rage Against the Machine as much as I listen to Muddy Waters. That blend of influences is what makes it unique.”
 
BLACK LEATHER BLUES was recorded at Eight Days a Week Studios in Northumberland, PA by Paul Smith (Badlees) who engineered and co-produced the album with Douglas. It was mixed by Brian Moncarz (Alice Cooper, Our Lady Peace, Phillip Sayce) and mastered by Brian Lucey (Black Keys, Royal Blood, Arctic Monkeys, Buddy Guy, Doyle Bramhall II, Green Day, Liam Gallagher, Elvis Costello.) Read the band’s bio here.

‘BLACK LEATHER BLUES’
ALBUM TRACK LISTING
 
1 Why Would You Say Such A Thing
2 Burnin' Down
3 Broken
4 Good Love
5 Change
6 What You See
7 C'est La Vie
8 Gonna Take This Train
9 Do Watcha Gotta Do
10 Barely Holding On

Tue, 04/25/2023 - 11:02 am

Since they broke through into the Australian music scene more than a decade ago, TASH SULTANA has been nothing less than a musical force.

The gender-fluid multi-instrumentalist, producer, singer-songwriter, engineer and entrepreneur has carved out every step in their musical journey over the last 15 years. This has taken them from performing open mics night all over Australia, busking the streets of Melbourne to releasing platinum records, accumulating billions of streams and selling hundreds of thousands of concert tickets worldwide. TASH has continued to rocket up the charts and win awards across the globe including the Rolling Stone (AU) 2023 Global Artist of the Year.

Following the news that they will be touring Europe this year, TASH SULTANA has just announced they will be headlining another series of North American shows from August to October 2023. Visiting some cities they have never performed in before as well some huge festivals, TASH SULTANA is back.

"New Cities, New Dates, North America ... I'm Coming Back," TASH says.

TASH recently released the first single “James Dean,” from their upcoming EP due out later this year. This will be the first time North American fans will have to see new music performed live.

“James Dean” is a powerful and soulful song about self-reflection and transformation. It's a heartfelt ode to learning who your true friends are and having the courage to cut ties with those who don't add value to your life. The song is driven by a strong guitar riff and a steady beat, while TASH’s passionate vocals entice you to reflect on the relationships you have and how you can make the necessary changes to move forward in life.

TASH began playing the guitar at the age of three after being gifted the instrument from their late grandfather. From there TASH began to pick up other instruments such as piano, keyboard, synth, bass, drums, percussion, beat making, sampling, beatboxing, trumpet, saxophone, flute, mandolin, oud, harmonica, lap steel and panpipes. TASH developed their own unique style of playing involving percussive and finger tapping style guitar coinciding with a vocal range stretching five octaves. TASH and their team also designed a custom loop station which took over two years to build to meet the needs of the intricate and one-of-a-kind performance style.

It all began with the refusal to conform to normal society; this pushed the young artist into pubs and clubs and then eventually onto the streets of Melbourne to busk, where they harnessed crowd stopping performances on Melbourne’s famous Bourke Street. From there, a viral bedroom recording of “Jungle” in 2016 skyrocketed the artist off the street and in front of the world.

TASH has since broken attendance records at sold-out global arena tours, selling out the iconic Red Rocks Amphitheatre for the second time in just five minutes. In 2019 alone, TASH sold over half a million tickets across the globe. TASH’s second album, the #1 ARIA-charting TERRA FIRMA, arrived three years after the ARIA-winning debut album FLOW STATE.

In 2022 TASH released a special MTV UNPLUGGED (LIVE IN MELBOURNE) album featuring live performances recorded at Melbourne’s Iconic Chapel off Chapel. The record is an intimate look at an artist thriving in their natural element. TASH’s MTV unplugged performance was the most successful of any Australian artist to date, having their performance shared in over 160+ different countries.

These shows are just the start of another huge year for TASH.

TASH’s 2023 North American tour dates are as follows:

DATE – VENUE -- LOCATION

AUG 22 -- The Rady Shell At Jacobs Park -- San Diego, CA

AUG 23 -- Avila Beach Resort -- Avila Beach, CA

AUG 25 -- Frost Amphitheater -- Stanford, CA

AUG 26 -- Britt Pavilion -- Jacksonville, OR

AUG 27 -- Thing -- Port Townsend, WA

AUG 29 -- Orpheum Theatre -- Vancouver, BC

AUG 30 -- Cuthbert Amphitheater -- Eugene, OR

SEP 1 -- Sandy Amphitheater -- Sandy, UT

SEP 2 -- Dillon Amphitheater -- Dillon, CO

SEP 3 -- Gerald R. Ford Amphitheater -- Vail, CO

SEP 5 -- Harrah's Kansas City - Voodoo Lounge -- Kansas City, MO

SEP 6 -- The Sylvee -- Madison, WI

SEP 8 -- The Salt Shed -- Chicago, IL

SEP 9 -- Megacorp Pavilion -- Newport, KY

SEP 10 -- Agora Theatre -- Cleveland, OH

SEP 12 -- Rebel -- Toronto, ON

SEP 13 -- Mtelus -- Montreal, QC

SEP 15 -- Roadrunner -- Boston, MA

SEP 16 -- Sea.Hear.Now -- Asbury Park, NJ

SEP 17 -- Kings Theatre -- Brooklyn, NY

SEP 19 -- Harrisburg University At The Forum -- Harrisburg, PA

SEP 20 -- Ting Pavilion -- Charlottesville, VA

SEP 22 -- The Tabernacle -- Atlanta, GA

SEP 23 -- The Pageant -- St. Louis, MO

SEP 24 -- Format Festival -- Bentonville, AR

SEP 27 -- The Fillmore -- New Orleans, LA

SEP 29 -- 713 Music Hall -- Houston, TX

SEP 30 -- The Pavilion At Toyota Music Factory -- Irving, TX

OCT 1 -- Mempho Music Festival -- Memphis, TN

Wed, 04/26/2023 - 8:32 am

Coming off his singles/videos with Molly Tuttle (“White Freight Liner Blues”) and Little Feat/Sam Bush (“Cajun Girl”), Grammy-nominated acoustic guitarist extraordinaire, composer and global touring artist TOMMY EMMANUEL has today (April 24) rolled out “Doc’s Guitar/Black Mountain Rag Featuring Billy Strings.” Watch TOMMY’s video with Grammy-winning artist Billy Strings—filmed by Joshua Britt and Neilson Hubbard for Neighborhoods Apart at TuneSmith Studios outside of Nashville as the song was being recorded—HERE. The video was premiered yesterday (4/25) by The Bluegrass Situation HERE.

With an intoxicating blend of precision and passion, both guitarists light up this two-song bluegrass medley honoring their hero, bluegrass legend Doc Watson (who would have celebrated his 100th birthday this past March 3). The track kicks off TOMMY’s full-length collaborations album ACCOMPLICE TWO, the follow-up to his Accomplice One album (2018), out this Friday, April 28 via CGP Sounds. Pre-save the album HERE.

“Doc’s Guitar/Black Mountain Rag Featuring Billy Strings” starts with Doc’s own song “Doc’s Guitar” and segues into the “Black Mountain Rag,” an old fiddle tune that was Doc’s signature song. Strings is the Michigan-born guitarist who won the 2021 Grammy for Best Bluegrass Album for his release Home. Like TOMMY, Billy honors his roots while also expanding always as a musician. His energy combined with TOMMY’s is what drives the track.

Quote from TOMMY:

“I knew I wanted to have Billy Strings play with me on ‘Doc’s Guitar/Black Mountain Rag.’ The moment we played together the very first time at MerleFest (2016), I heard his beautiful phrasing and his Doc quotes that took me back to hearing Doc when I was a teenager. Billy has Doc in his DNA, so getting him to come and record these tunes was only a matter of finding a time to capture it in a studio. The actual recording was quick, and we only did a couple of takes and we were done. I had never heard Doc in Australia as I had spent most of my life in very rural areas where record stores were rare and music by Chet, Merle and Doc was impossible to find. It was an American tourist who saw me play at a show and came up to me afterwards and told me I sounded a bit like Doc Watson. I said, ‘who is Doc Watson? " He gave me his tape out of his car stereo and I heard Doc for the first time. I think that was around 1973-4. I was smitten with his singing and his great playing, and I could hear the influences of Chet Atkins and Merle Travis all over his playing, but there was some Jimmie Rodgers too. Then I found more recordings that led  to some of his fiddle tunes and blazing guitar works! My personal favorite recording by Doc is the album Reflections—a duets album with Chet Atkins. His legacy and body of work and influence are monumental and unequalled in my eyes. Thanks Doc for showing so many of us the way!”

Track details:

Doc’s Guitar/Black Mountain Rag featuring Billy Strings

Doc’s Guitar written by Doc Waters for Hilgreen Music (BMI)

Black Mountain Rag written by Leslie Keith (Public Domain)

Recorded at TuneSmith Studios in Goodlettsville, TN

Brad Benge - engineer

Billy Strings – guitar

Mike Bub - upright bass

Tommy Emmanuel – guitar

“My accomplices on this album are all in a league of giants to me,” says TOMMY. “They all inspire me to reach for the stars; to give my best while supporting them as they give their best. We all have a chemistry and electricity together when we play music. I wanted to capture this power in songs and performances that will stand the test of time.”

Produced lovingly by EMMANUEL, regarded by guitar great Chet Atkins as “one of the best guitar players I’ve ever seen,” the 16-track ACCOMPLICE TWO is a spirited mix of new takes on indelible classics and brand-new originals from TOMMY. His collaborators are some of the most remarkable musicians on the planet—an “A” list of musicians including Billy Strings, Molly Tuttle, Michael McDonald, Jamey Johnson and Raul Malo.

The album is alive with the electric spirit of spontaneous, timeless joy created by inspired virtuosos. The combined artistry contained on these tracks is stunning, as is TOMMY’s cheerful ease at connecting naturally with this vast spectrum of musicians.  Like the first volume, he merges the presence of beloved, legendary musicians—such as Jorma Kaukonen, Nitty Gritty Dirt Band, Little Feat, Sam Bush, the Del McCoury Band and Jerry Douglas—with the bright spirit of acclaimed young artists breaking through with deep artistry and true reverence for the power of song.

Look for TOMMY’s concert special “Accomplice LIVE!”—featuring such guests as Emmylou Harris, Rodney Crowell, Sierra Hull and Yasmin Williams—airing now on PBS during pledge drive. Known to deliver shows that are truly a head-spinning experience, TOMMY and his accomplices will be on the road throughout 2023 in America, Europe and Australia. His tour dates are HERE.

Here’s the track listing for ACCOMPLICE TWO:

1. Doc’s Guitar Black Mountain Rag Featuring Billy Strings

2. White Freight Liner Blues Featuring Molly Tuttle

3. Daddy Frank (The Guitar Man) Featuring Jamey Johnson

*4. Precious Time Featuring Sierra Hull

5. Cajun Girl Featuring Little Feat & Sam Bush

6. Another Man Done A Full Go Around Featuring Jorma Kaukonen

*7. Son Of A Gun Featuring Richard Smith

8. Someone Like You Featuring Michael McDonald

*9. Mombassa Featuring Yasmin Williams

10. Everybody Loves You Featuring Larry Campbell & Teresa Williams

*11. Mama Knows Featuring Jerry Douglas

12. Sweet Temptation Featuring The Del McCoury Band

13. Yeller Rose Of Texas Featuring Sam Bush

14. Tennessee Stud Featuring Nitty Gritty Dirt Band

15. Seven Come Eleven Featuring David Grisman

16. Far Away Places Featuring Raul Malo

 

*Original TOMMY song

Wed, 04/26/2023 - 10:06 am

YES—Steve Howe, Geoff Downes, Jon Davison, Billy Sherwood and Jay Schellen—have today (April 26) released “All Connected,” the second single from their upcoming studio album MIRROR TO THE SKY out May 19 on InsideOutMusic/Sony Music. Watch the video HERE.

Jon Davison comments: “I, along with my Yes band mates are excited to announce that the second single from our new album ‘Mirror to the Sky’ is out now. It’s entitled ‘All Connected,’ and it’s a longer piece, clocking in at a challenging 9 minutes. Steve added a beautifully poignant instrumental steel part which starts the journey. This section emotionally builds and crescendos into a glorious lead way for the vocals to begin telling their story. Billy composed complex and compelling musical themes which I helped to arrange, and we both composed vocals and lyrics, each of us singing our respective parts, making for a rich vocal tapestry.”

Billy Sherwood adds: “The initial idea came from a musical sketch I’d created using the idea of our ‘connectivity’ in regard to communications in the modern age. It’s very exciting to know YES are maintaining that edge and energy we all know and love. This track is firing on all cylinders. Hope you enjoy it as much as we did creating it.”

“This is a very important album for the band,” says Steve Howe, YES’ longest serving member, master guitarist, and producer of MIRROR TO THE SKY. “We kept the continuity in the approach we established on The Quest, but we haven’t repeated ourselves. That was the main thing. As Yes did in the seventies from one album to another, we’re growing and moving forward. In later years, Yes often got going but then didn’t do the next thing. This album is demonstrative of us growing, and building again.”

For YES, that “next thing” is a collection of high energy, intricate, lush and layered new studio songs for an album which adds to the band’s much heralded legacy, while charting a path to exciting future times ahead. Watch the previously released video for “Cut From The Stars” HERE.

MIRROR TO THE SKY will be available on several formats, all featuring artwork by long-time YES artist & collaborator Roger Dean:

Ltd Deluxe Electric Blue 2LP+2CD+Blu-ray Artbook with poster

Ltd Deluxe 2CD+Blu-ray Artbook

Ltd 2CD Digipak

Standard CD Jewel case

Gatefold 2LP+LP-Booklet

Digital Album

The Blu-ray editions include the album in Dolby Atmos, 5.1 Surround Sound, Instrumental Versions & Hi-Res Stereo Mixes.

‘Mirror To The Sky’ Out 5/19

Pre-order now here: https://Yes-Band.lnk.to/MirrorToTheSky

The tracklisting is as follows:

CD1:

1. Cut From The Stars 05:27

2. All Connected 09:02

3. Luminosity 09:04

4. Living Out Their Dream 04:45

5. Mirror to the Sky 13:53

6. Circles of Time 04:59

CD2:

1. Unknown Place 08:15

2. One Second Is Enough 04:04

3. Magic Potion 04:08

As they were wrapping up their previous album The Quest, YES found themselves with song sketches, structures, and ideas that were demanding attention. YES received unconditional support from InsideOut boss Thomas Waber, who encouraged them to keep going in the studio, months before The Quest would even go on sale. It was like throwing gasoline on their creative fire.

“When we delivered everything, and they were just getting the vinyl and everything into production for manufacturing, we were still very much in that creative zone,” explains Steve Howe. “That belief that Thomas had in us really meant a lot,” he says.

“We truly get along as people,” says Jon Davison. “I feel like everyone’s focused inward to the greater circle, concentric to the core of highest standards that define Yes. It’s a wonderful thing to witness and of which to play a part. I believe this reflects vibrantly in the music and the creative input that each one is willing to apply, not for the benefit of the individual, but for the greater whole that is Yes.”

“There was a lot of material floating around because the band hadn’t done anything in the studio for so long. Ideas were just copious,” says bassist Billy Sherwood. “The pace of it was fast. As soon as we were finished with The Quest, and the mix had come out, we took a couple of little breaks there to catch our breath. But there was still music flowing around in the loop. It was just constantly being looked at and worked on. As we were all home and in that mode, things started progressing quite swiftly. We just went one album into another without really announcing, ‘Hey, we’re working on a second record right now.’ We just continued to work on material. It came about pretty naturally, and then we refined it as the process went on. But the initial bursts — there was a lot of material around!”

Much to everyone’s delight, including that of longtime-fan Thomas Waber, YES have pushed into territory they practically invented the prog rock epic—albeit in a thoroughly new and modern way. “I always felt that it would be great to have stuff that’s a little bit more epic,” he says, although he resisted the temptation to push for something that would be too formatted and could come off as contrived. He just gave the band space to do what they do and let things develop. “They were so excited by The Quest and the momentum they had that they went straight back in to the studio. What they were writing, even early on, was obviously headed in that epic direction—what Yes music really is to me. It is almost a genre onto itself. It is ‘Yes Music.’ Mirror To The Sky certainly is Yes Music.”

MIRROR TO THE SKY features not one, but four tracks clocking in at over eight minutes, with the sweeping and cinematic title track coming in just shy of fourteen minutes. What’s more, the tracks, like Yes’ best, take the listener on a wide dynamically ranging journey of soundscapes which also showcase Steve Howe’s dazzling guitars, Jon Davison’s angelic, crystalline vocals, Billy Sherwood’s deftly dancing bass, keyboard wizard Geoff Downes’ impeccable sounds, exquisite melodies and fills, and Jay Schellen’s masterfully controlled explosions, on drums.

Jay Schellen, who has been touring with the band since 2016, was hand-picked to step into his mentor and friend Alan White’s role when White sadly passed away in 2022. “I had done the 2016 Topographic Drama tour on my own for Alan,” says Jay. “From late 2017 onwards, we had a partnership, and a beautiful partnership, I might add. I learned so much, and discovered so much about Alan’s style, and why it was the way it was. It fit his personality so perfectly. This album has Alan’s presence all over it. It is inside of us. So this is still, in my heart, Alan just being present and with us, and with me, in a big way.”

Tue, 05/09/2023 - 6:47 pm

TASH SULTANA, the gender-fluid multi-instrumentalist, producer, singer-songwriter, engineer, and entrepreneur, is set to release their second single, "New York," on May 10, from an as-yet untitled EP out later this year through their label Lonely Lands Records.

LISTEN TO NEW YORK HERE

Amid a global lockdown, the music industry struggled, with tours and festivals cancelled left and right. During this time, TASH found themselves again hidden in their studio. "New York" is a track written about a specific experience in the city itself.

“I will never forget a time last year when I was so f**ked up, TASH says. “It was before my Pier 17 show [2022], one of the lowest points of my life, professionally and personally, and I just wanted to know what it is or what I could do to make it stop. Do I run, do I scream, do I jump into the water, do I cry, what's it going to take to get me through the night.”

It began as a little jam project on their hard drive, written in just an hour on a keyboard. What started as a simple experiment eventually evolved into a powerful and reflective piece of music written in crypticism with hidden stories camouflaged in happy sonics. It’s a common approach for TASH—their darkest songs usually sound the happiest.

"I have always found New York hard to find my place in,” TASH explains. “Everything is so fascinatingly fast that I think people are running from something. The city never sleeps, and its people don't either. Among the chaos, how do you cope, drink it, smoke it or medicate it away? What do people do to get through the night.”

"New York” showcases a different approach to songwriting, focused heavily on beat production and sample flipping. The listener hears TASH taking a different musical approach than in previous material. TASH has remained tight lipped about the true meaning of the track, saying that “it’s not quite what you hear it as. I am telling a story, and it's not a happy one either. ‘Cover me in sugar just to get me through the night’ is a reference to self-medicating yourself just to get by, which is something many people face as a coping mechanism in society.”

One key element that sets TASH SULTANA apart is their ability to effortlessly blend various musical genres, including pop, hip hop, funk, reggae, alternative, indie, rock, jazz and psychedelic folk. Their dynamic live shows, which feature TASH playing multiple instruments, including guitar, bass, drums, synth, keys, mandolin, trumpet, saxophone, flute and pan flutes/pipes, just to name a few, have seen crowds amass in thousands to watch what can only be fully experienced in person.

In June and October of 2023, TASH will embark on an extensive 50-date international touring schedule taking in the EU/UK and North America. Fans can expect to be blown away by the artist's genre-defying sound and electrifying live performances.

TASH explains, "Every tour is a professional and personal cycle, and I feel that what is laying ahead of me is the best yet to come."  With this dedication and passion, it's no wonder that TASH has become one of the most exciting Australian exports.

MASSIVE 50-DATE TOUR  ACROSS EUROPE, THE UK, AND NORTH AMERICA

Full tour dates at https://www.tashsultana.com

Wed, 05/17/2023 - 12:17 pm

ABBY POSNER, the genre-fluid Los Angeles-based singer-songwriter, multi-instrumentalist, film composer, and producer, has shared the video for the uplifting Americana song "World Is Yours" ahead of its digital release this Friday, May 19 on Blackbird Record Label in honor of Pride Month 2023 (June). The animated lyric video reflects the song’s compelling themes of personal freedom, acceptance and resilience in support of the LGBTQ+ community. Watch the video, created by art director Jessamine Sison, HERE.  Pre-save the song HERE.

“When I first heard ‘World Is Yours’ as a queer musician, I was immediately pulled in—it was such an honor working on this track, says POSNER, who collaborated on the song with publicist and songwriter Mitchell Schneider. “Rearranging and producing it was truly transformative. It felt like I was a young queer kid all over again finding my way in the world and searching for acceptance. The truth is there couldn’t be a better time for this song, with all the anti-trans and homophobic rhetoric being preached by politicians. Queer youth need this song!”

“The digital proceeds from ‘World Is Yours’ are being donated to LGBTQ+ organizations,” says Manda Mosher, artist and co-owner of Blackbird Record Label. “I was incredibly honored when Mitch [Schneider] shared with me his idea of releasing ‘World Is Yours’ for Pride Month. When I heard Abby’s honest and beautiful vocal delivery, I knew the right song had met the right artist. Adding in Jessamine’s poignant visuals that beautifully support and detail a world changing for the better with each step of bravery and acceptance…this project became fully realized and is full of love.  In ‘World Is Yours,’ love wins.”

Video creator Jessamine Sison says: “While working on the imagery for this video, I wanted to stay true to its Americana/country sound by depicting small towns and vast horizons. I also wanted to honor the important message in the lyrics to help spread that message to a wider audience. I felt the imagery had to be relevant, timely, and heartfelt. The last building façade in the first part of the video is the historic Stonewall Inn bar.”

Years before creating Americana records that shrink the distance between genres, ABBY POSNER grew up in a small mountain town outside of Denver. By 10 years old, she was making her own recordings on an 8-track cassette recorder, playing all the instruments—including piano, guitar, bass, and drums—herself. Meanwhile, her father introduced her to classic records by Bob Dylan, Joni Mitchell, and iconic blues artists. POSNER also became a devoted fan of punk music, moshing in the pit during gigs by bands like Alkaline Trio. Music wasn't just a hobby; it was a lifeline. "Music has always helped me cope with the difficulties of life," says POSNER, who's spent the past two decades in Los Angeles. "I'm queer and I came out at a very young age. Music was the glue that held me together through all of that. It helped me process my feelings about being different."

She shines a light on the full spread of her creative abilities with Second Chances, her upcoming album (August 2023, Blackbird Record Label) that uses modern American roots music as a springboard for a bigger, bolder sound. Influenced by everything from punk/rock to electronic music, Second Chances is every bit as diverse as the artist who made it. Coming on the heels of 2021's critically acclaimed Kisbee Ring, Second Chances marks the newest chapter in a life story that's still being written. Flip back a few pages and you'll find a number of early-career milestones: the episodes of “Glee” that found Posner on prime-time television, playing guitar and banjo; the film scores she created for award-winning projects like the Starz documentary Lady Buds; the shows she shared with headliners like Sierra Hull, Dave Alvin, and iconic lesbian folksinger Phranc; the hundreds of songs she wrote, several of which were used by Hulu, Netflix, Freeform, and “This American Life.”

Wed, 05/24/2023 - 3:05 pm

YES, who are Steve Howe, Geoff Downes, Jon Davison, Billy Sherwood and Jay Schellen, last week (May 19) released their new studio album MIRROR TO THE SKY to glowing reviews on InsideOutMusic/Sony Music and today (May 24) have unveiled an eye-catching animated lyric video for the album’s evocative closing track “Circles of Time.” Watch it HERE.

Ultimate Classic Rock raved that “Mirror in the Sky breezes from one musical highlight to the next so deftly that you're wanting more.” (May 17). Glide Magazine observed that “Mirror to the Sky” succeeds at proving the idea that Yes music will carry on long after the original members pass in a very special way. As the producer of this twenty-third studio album, [Steve] Howe has stepped in and helped create a soundscape in the vein of their classic material.” (May 18). Guitar World noted that “There’s a lot of classic prog keyboard and guitar interplay across “Cut From The Stars,’ but there’s lovely stuff from about 4.30 where Steve Howe and Geoff Downes exchange melodic pot shots.” (3/16).

Elsewhere, Vintage Rock singled out “Circles of Time,” noting how it “comprises a sweet vocal, acoustic guitar, and spare keys, reminiscent of the softer side of what Yes has always been about” (May 18). Rock Cellar summed up the album by writing that Mirror to the Sky finds Yes at its most inspired and fleshed-out, the musicians totally confident in their collective artistic vision—one that takes typically unexpected shifts in tempo, structure and form, sometimes eschewing them altogether in search of something deeper and undeniably epic.” (May 19).

“This is a very important album for the band,” says Steve Howe, YES’ longest serving member, master guitarist, and producer of MIRROR TO THE SKY. “We kept the continuity in the approach we established on The Quest, but we haven’t repeated ourselves. That was the main thing. As Yes did in the seventies from one album to another, we’re growing and moving forward. In later years, Yes often got going but then didn’t do the next thing. This album is demonstrative of us growing, and building again.”

For YES, that “next thing” is a collection of high energy, intricate, lush and layered new studio songs for an album which adds to the band’s much heralded legacy, while charting a path to exciting future times ahead.

Watch the previously released video for “All Connected” HERE and the one for “Cut From The Stars,” the album’s first single, HERE.

MIRROR TO THE SKY is available on several formats, all featuring artwork by long-time YES artist & collaborator Roger Dean:

Ltd Deluxe Electric Blue 2LP+2CD+Blu-ray Artbook with poster

Ltd Deluxe 2CD+Blu-ray Artbook

Ltd 2CD Digipak

Standard CD Jewel case

Gatefold 2LP+LP-Booklet

Digital Album

The blu-ray editions include the album as Dolby Atmos, 5.1 Surround Sound, Instrumental Versions & Hi-Res Stereo Mixes.

Sun, 06/11/2023 - 4:06 pm

Multi-talented singer-songwriter, composer and producer ABBY POSNER embraces her genre-fluid blend of Americana, folk, indie pop and punk rock and frames it with her very own introspective “queer love story” on her upcoming second solo album SECOND CHANCES. Due out August 11, the self-written, recorded and produced album will mark the Los Angeles-based artist’s first release via Blackbird Record Label. It was inspired by a major breakup and relays themes of resilience, patience, acceptance, self-awareness, and rebuilding.

ABBY has shared an in-studio performance video, recorded live and in one take, for the debut single “Simple Life” in advance of its digital release this Friday, June 9. Filmed at Sonic Boom Studios in Venice, CA during the album’s recording session with her live band, “Simple Life” takes the listener to a relaxed state of mind and allows them to be reminded of the simple things in life.

“We live in such a chaotic world right now, politically and socially, I believe that it is important to have art and music that can bring us back to earth...that can ground us in these unpredictable times,” says ABBY. “‘Simple Life’ is that song for me.  Every time I play it, I am immediately transported to a different environment.  Almost like a meditation.”

“We live in a material-focused, capitalist society...every man for himself,” she continues. “I thought, what would it be like to write a song about letting go? Letting go of material items and focusing on planting seeds, growing love, and leaning into a higher power. Simply surrendering.”

Watch the video for “Simple Life” streaming below or directly via YouTube HERE. Stream/download the single across digital platforms HERE.

SECOND CHANCES due out August 11

ABBY, who identifies as queer (they/she), will be celebrating LGBTQ Pride Month by hosting Los Angeles’ Hotel Café’s first-ever Pride Festival event on Saturday, June 17. All tickets sold will be donated to Campaign for Southern Equaliity, a non-profit organization working to address the intersections of race, class and gender in the lives of LGBTQ+ Southerners. The event will feature a headlining set by ABBY in addition to performances from Raya Yarbough, Praise Kink, Joseph Eid and Jessica Childress. Tickets are on sale now HERE.

“This is the first-ever Pride Festival at the famous Hotel Cafe in Hollywood CA,” exclaims ABBY. “I’ve been playing on this stage for over 12 years, and I have never seen an official Pride celebration held here. There are so many talented queer performers in Los Angeles--I wanted to highlight them at this iconic venue during Pride month. The tickets purchased at the door will go directly to Southern Equality. After being on tour in the South for the past month, I can’t think of a better organization to donate to. I feel extremely safe in Los Angeles being a queer person. Everyday LGBTQ people are fighting for their rights all over the South. This organization works hard to keep LGBTQ protected and safe.”

ABBY is also excited to announce she will be performing as an official showcase artist at AMERICANAFEST 2023 this September in Nashville, TN.

ABBY has held several early-career milestones including being featured on prime-time television on the hit series “Glee”; creating film scores for award-winning projects including the STARZ documentary “Lady Buds”; sharing the stage with acts including Sierra Hull, Dave Alvin, and iconic lesbian folksinger Phranc; and having her songs be used by Hulu, Netflix, Freeform and “This American Life.”

Thu, 06/22/2023 - 9:10 am

Music venue 3rd & Lindsley celebrated a musical tribute for the late composer, arranger, pianist, and Belmont University’s 37-year Professor of Music, Dr. William Pursell (Bill), with a grand performance on June 15 to a full house. Vocalist Laura Pursell, the Nashville All-Stars and the Nashville Recording Orchestra conducted by Steve Mauldin performed many of Bill Pursell’s iconic arrangements and songs that he performed on recordings during his 50-year musical career with iconic artists such as Patsy Cline, Willie Nelson, Johnny Cash, Bob Dylan, Dan Fogelberg, Chet Atkins and more along with some of his last original works. Country Music Hall of Fame musician and longtime friend of Bill’s, Charlie McCoy opened the evening with a spirited and harmonica-filled set and guest vocalist Julia Holland stepped in for one song from Bill’s Millenium LP. An A-list of musicians onstage was comprised of guitarists Tom Hemby and Pat Bergeson, bassist Jim Ferguson, drummer Bob Mater and pianist Jason Coleman.

An album of the songs was in the process of being recorded by Bill and Laura but unfortunately, Bill passed from Covid -19 in September of 2020.

“It was my dad’s dream to finish this very personal album. He wasn’t able to do it in his lifetime, and I’m so grateful to Netcom Music for allowing me to complete it,” says Laura Pursell.   

“We are very proud and excited at Netcom Music to release our newest album, Lost in Time. This collection of songs contains the last work of my brother, Bill Pursell, and the brilliance of his arrangements of this music truly embody his spirit and musical genius. We know you will love it!” stated Raymond Clawson, owner of Netcom Music.

MORE ABOUT BILL PURSELL

Bill Pursell had worked as a session pianist, composer and/or arranger through the 60’s, 70’s, 80’s and beyond for the following artists: Johnny Cash, June Carter Cash, Boots Randolph, Chet Atkins, Marty Robbins, Patsy Cline, Jim Reeves, Johnny Paycheck, Joan Baez, Scotty Moore, J.J. Cale, Dan Fogelberg, Bob Dylan, Burl Ives, Eddy Arnold, James Galway, Willie Nelson, Roy Orbison, Ray Price, Bobby Vinton, Charlie Pride, Buddy Emmons, Lefty Frizzell, Brenda Lee, Charlie McCoy and more.

Wed, 06/28/2023 - 9:40 am

Iconic guitarist, songwriter, vocalist and 3-time Grammy award-winner BRIAN SETZER has confirmed a 12-date fall tour coinciding with a new solo album due in the upcoming months via Surfdog Records--more details coming soon.  Marking his first live shows in over four years, the “ROCKABILLY RIOT” tour will kick off September 27 at the Count Basie Theatre in Red Bank, NJ and includes stops in Nashville, TN (at the historic Ryman Auditorium), Foxwoods Casino, Cincinnati, Chicago (Waukegan) and others before wrapping in Minneapolis (his adopted hometown).

Ticket details for the “ROCKABILLY RIOT” tour are as follows: fan presale, Wednesday, June 28 (12 PM local)–Thursday, June 29 (10 AM local); local presale: Thursday, June 29 (10 AM – 10 PM local); with the public on sale Friday, June 30 (10 AM local). Tickets are on sale at: www.briansetzer.com

For these dates, SETZER will be joined by, in his words, an “international rockabilly band, Chris D’Rozario from Melbourne, Australia and Juan Laurios from Mexico City.”

“I’ve had a pretty long break, and I needed it. I’m renewed and really want to play live again. I want to just get out on the road with this kick-ass little 3-piece band and start playing.”

The shows will be highlighted by SETZER’s guitar assault and rockin’ style on the most electrifying songs from his 40-year career as a solo artist, leader of The Brian Setzer Orchestra and as a Stray Cat. He adds, “I think fans can always expect that I’m going to play the hits. I also want to play some solo guitar and little things I’ve worked out by myself. I’ve never really gotten to do that, so it's going to be something new.”

His set lists will include “some of the favorite covers I’m doing now.  I haven’t recorded it, but I really like playing my version of ‘Georgia On My Mind.’ And then with the band, I want to play a new song ‘Girl On The Billboard’ because it tells a fun story.”

These shows come as BRIAN is preparing to release a new solo album due in the fall, his first since 2021’s GOTTA HAVE THE RUMBLE. Additional details about the forthcoming album will be announced in the coming weeks.

“ROCKABILLY RIOT” tour dates are as follows:

Date

City

Venue

Wednesday, September 27

Red Bank, NJ

Count Basie Center for the Arts

Friday, September 29

Mashantucket, CT

Foxwoods Resort Casino – Premier Theater

Saturday, September 30

Greensburg, PA

The Palace Theatre

Monday, October 2

Nashville, TN

Ryman Auditorium

Tuesday, October 3

Cincinnati, OH

Taft Theatre

Thursday, October 5

Nashville, IN

Brown County Music Center

Friday, October 6

Northfield, OH

MGM Northfield Park

Saturday, October 7

Waukegan, IL

The Genesee Theatre

Monday, October 9

Madison, WI

The Orpheum Theater

Tuesday, October 10

Des Moines, IA

Hoyt Sherman Place

Thursday, October 12

Davenport, IA

Adler Theatre

Friday, October 13

Minneapolis, MN

State Theatre

Wed, 07/05/2023 - 10:32 am

TASH SULTANA--multi-instrumentalist, producer, singer-songwriter, engineer, and entrepreneur--is making waves with the announcement of their upcoming EP, SUGAR, set for release August 11 via their own label, Lonely Lands Records, and available for pre-order now here. Listen to “Bitter Lovers” here and watch the video here.

In advance of the EP, TASH has released a new track, "Bitter Lovers,” out July 5. The song--which follows two previous singles, “James Dean” and “New York”--takes a different turn with a collaboration featuring American soul R&B artist BJ The Chicago Kid. The song showcases their combined exceptional chemistry and creative synergy. The journey began when BJ shared a demo with Tash during their tour in September 2022.

TASH explains, "Pretty sure it's like any typical modern-day music collab. We had been following each other for a while cause I'm a fan of what he does, and lo and behold, one morning, I woke up, and there was a nice little message in my DM's from BJ saying, 'let's fucking do a track.' Now here we are."

TASH began working on the track in their own Lonely Lands Studio laying down the verse and chorus harmonies and flipping the ending with beat sampling, heavy basslines, and a sax solo. But the missing piece wasn’t filled until February 2023, with the final touches laid in person at a Los Angeles studio. BJ’s verse was crafted on the spot, and the harmonies were laid before the verse, an interesting approach to working almost completely backwards.

"It means something different to both of us, which is why we decided to split a verse each and come together in the chorus,’ TASH explains. “For me, some people just think you're going to be waiting around forever, in any capacity, for a friend, lover, or family member. I got boundaries with people, and that's what I'm getting at in this track.”

“This was one I had in the stash waiting for a good home, or I would use it myself,” BJ says. “So happy Tash loved it as much as myself. This one will only get better with time.”

SUGAR was co-engineered, produced, composed and arranged by TASH who played every single instrument on the EP. TASH--who withheld releasing any new projects for over two years--came into the EP with a refreshing perspective, described as a combination of past, present and future workings. The new release embodies their commitment to innovation and artistic exploration. Fans will hear this as a teaser of an “album cut in half.”

TASH reveals that the EP’s theme serves as a reflection piece, encapsulating their life from 2021 to 2023. It is a captivating storytelling experience incorporating cryptic wording and musical style, leaving the true message open to interpretation. TASH ensures that no one will ever fully discover the true meaning of the message.

TASH wrote the songs for the SUGAR in the comfort of their own home, studio, and mind, with their notebook serving as a creative companion throughout the journey. This intimate environment allowed TASH to explore their musical vision and fully bring it to life.

Fans of TASH can expect a mature approach in this EP, as it artfully blends sonics of past works NOTION, FLOW STATE and TERRA FIRMA. TASH skillfully weaves these elements together, imparting the lessons learned from the present moment. With their unique blend of musicality and introspection, TASH SULTANA will continue to captivate and inspire fans, delivering a transformative and deeply meaningful experience with their new EP.

Thu, 07/06/2023 - 8:35 am

Grammy-nominated acoustic guitarist extraordinaire, composer and global touring artist TOMMY EMMANUEL is gearing up for a major U.S. tour launching July 12 in Grand Rapids, MI and wrapping December 13 in Sacramento, CA. The tour is pegged to his acclaimed current full-length collaborations album ACCOMPLICE TWO, the follow-up to his Accomplice One album (2018), released this past April via CGP Sounds (view the album’s critical praise HERE).

EMMANUEL has also shared a freewheeling “10 Questions” Q&A (below) where he talks about his inspirations and an array of subjects including his “Spinal Tap” moment; the JFK assassination; his desire to be on a bill with Carole King and James Taylor; and watching (as a kid) Neil Armstrong walk on the moon.

Produced lovingly by EMMANUEL, regarded by guitar great Chet Atkins as “one of the best guitar players I’ve ever seen,” the 16-track ACCOMPLICE TWO is a spirited mix of new takes on indelible classics and brand-new originals from TOMMY. His collaborators are some of the most remarkable musicians on the planet—an “A” list of musicians including Billy Strings, Molly Tuttle, Michael McDonald, Jamey Johnson, Raul Malo, and many more (the full list is HERE) EMMANUEL has continued to release videos including most recently these, filmed by Joshua Britt and Neilson Hubbard for Neighborhoods Apart.

Mombasa” with Yasmin Williams

Sweet Temptation” with The Del McCoury Band

Daddy Frank (The Guitar Man)” with Jamey Johnson

ACCOMPLICE TWO is alive with the electric spirit of spontaneous, timeless joy created by inspired virtuosos. The combined artistry contained on these tracks is stunning, as is TOMMY’s cheerful ease at connecting naturally with this vast spectrum of musicians. Like the first volume, he merges the presence of beloved, legendary musicians—such as Jorma Kaukonen, Nitty Gritty Dirt Band, Little Feat, Sam Bush, the Del McCoury Band and Jerry Douglas—with the bright spirit of acclaimed young artists breaking through with deep artistry and true reverence for the power of song.

10 QUESTIONS WITH TOMMY EMMANUEL (2023)

Have you had a Spinal Tap moment in your career so far and can you describe it?

TOMMY: I've shown up at the wrong hall to play a show!!! Being a male, I don't always follow directions well, and sometimes I’m convinced I know where I'm going!! That's why I have a good Tour Manager...he knows!

If you could have a conversation with anyone who’s living or dead, who would it be and why?

TOMMY: If I could ask Jack Ruby to please tell me the truth about the assassination of JFK, I would love that!

Is there a song you crank up on Friday night to kick off the weekend—and a song you kick back with on a Sunday morning?

TOMMY: Every day is Saturday to me! Some days I like to listen to the Beatles, up loud, sing along and let go. Sometimes I need peace and quiet to be my sanctuary. I am always aware that I must try to preserve what hearing I have, as I was born with yellow fever, so I go carefully.

Which two artists would you like to appear on a dream bill with?

TOMMY: Carole King and James Taylor...What a song list that would be!!

Which famous historical event would you like to have witnessed and why?

TOMMY: I watched Neil Armstrong walk on the moon in 1969. I was at school in the Town of Parkes, NSW, Australia. The radio telescope that beamed the images all around the world of this historic event, made it possible for us to see it as it happened!! We had no idea of the significance of being in Parkes on that day, but it was big!

What was the first concert you attended and what was it like?

TOMMY: My mother, Virginia, took me to my first concert. I was 5, and it was held in the Town Hall of the place we lived, Gunnedah, Australia. We sat in the front row, and as I watched the great Dave Bridge Trio play, my mum leaned in and whispered, "See how he smiles, looks at the audience, stands so straight and tall? See how he looks neat, his shoes are shiny, his hair is perfect, his guitar is glistening in the spotlights. He talks to us, and we can understand him. Don't forget all these things!”

What do you look forward to most when you return home from touring?

TOMMY: I always love getting to cook my own dinner and sleep in my own bed when I come home from touring. Then I love driving my car!

What musical act, current or defunct, would you most like to see perform live?

TOMMY: I would love to experience Django Reinhardt live! Charlie Christian with Benny Goodman and his big band, too, and I would love to hear Hank Williams up close, just to feel that mojo!

You have one question to ask one musician. Go for it.

TOMMY: Hey Larry Carlton, what amp did you play the solo on “Kid Charlemagne” through? What a solo!! What a sound! BRAVO!!

Can you talk about a particular book and/or film that has helped shape your sensibility as an artist?

TOMMY: I don't think there is just one book or movie that has shaped me as an artist. I think it has been my curiosity about some artists that have inspired me to keep reaching for higher standards, higher goals, and deeper meaning for my art/gifts/calling or reason for being who I am. I look at people who move the world, who inspire us all; they somehow show us a way, a trail, a clue as to what they do that causes them to touch our sensibilities. Writers, Actors, Musicians, Producers, Speakers, Comedians and sometimes those who deal with tough physical or mental challenges and still achieve great works that have GREAT meaning in our hurting world. These are the ones that cause me to trust in a power bigger than myself, that make me see that my life has purpose, meaning and momentum. So now I get to work with a full heart, trying to do something that might change someone’s life for the better.

Tue, 07/18/2023 - 8:37 am

Following last year’s sold-out U.S. tour, YES, who are Steve Howe (guitars, vocals), Geoff Downes (keyboards), Jon Davison (vocals, acoustic guitar), Billy Sherwood (bass guitar, vocals), and Jay Schellen (drums), have today (July 17) announced their “Classic Tales Of Yes” tour in the U.S. starting September 24 in Bethlehem, PA and ending November 4 in Riverside, CA. Look for the tour—which is the latest presentation of their ongoing concert series illuminating their classic music—to include many iconic tracks from the influential and pioneering Rock & Roll Hall of Fame inductees’ catalog covering 50-plus years as well as music from their acclaimed new album MIRROR TO THE SKY (released May 19 on InsideOutMusic/Sony Music).

See below for the full list of tour dates, which will go on sale July 21. Go to www.yesworld.com/live for ticketing information.

Looking forward to the “Classic Tales of Yes” tour, STEVE HOWE said: “We’re putting together a great setlist covering the length and breadth of Yes’ career.”

“As always, we are committed to pushing new boundaries and are very excited to be performing another chapter in the rich legacy of the band,” added GEOFF DOWNES.

The evening will begin with an on-site presentation by world-renowned English artist and designer Roger Dean, whose masterful artwork of striking other-worldly landscapes has graced classic album covers and posters, most prominently by YES and Asia. Every show will feature a Roger Dean gallery in the venue’s reception/foyer area. His work—which also appears on the cover of MIRROR TO THE SKY—has sold more than one hundred million copies worldwide.

YES on tour

MIRROR TO THE SKY features not one, but four tracks clocking in at over eight minutes, with the sweeping and cinematic title track coming in just shy of fourteen minutes. What’s more, the tracks, like Yes’ best, take the listener on a wide dynamically ranging journey of soundscapes which also showcase Steve Howe’s dazzling guitars, Jon Davison’s angelic, crystalline vocals, Billy Sherwood’s deftly dancing bass, keyboard wizard Geoff Downes’ impeccable sounds, exquisite melodies and fills, and Jay Schellen’s masterfully controlled explosions, on drums. Jay Schellen, who has been touring with the band since 2016 as an additional drummer, was hand-picked to step into his mentor and friend Alan White role when White sadly passed away in 2022.

These are the videos released from MIRROR TO THE SKY:

“Cut From The Stars” HERE

“All Connected” HERE

“Circles of Time” HERE

Ultimate Classic Rock raved that “Mirror in the Sky breezes from one musical highlight to the next so deftly that you're wanting more.” (May 17). Glide Magazine observed that “Mirror to the Sky” succeeds at proving the idea that Yes music will carry on long after the original members pass in a very special way. As the producer of this twenty-third studio album, [Steve] Howe has stepped in and helped create a soundscape in the vein of their classic material.” (May 18). Guitar World noted that “There’s a lot of classic prog keyboard and guitar interplay across “Cut From The Stars,’ but there’s lovely stuff from about 4.30 where Steve Howe and Geoff Downes exchange melodic pot shots.” (3/16).

Here are the “Classic Tales Of Yes” tour dates in the U.S:

DATE

LOCATION

VENUE

Thursday, September 21

Bethlehem, PA

Wind Creek Event Center

Friday, September 22

Philadelphia, PA

The Met

Sunday, September 24

New Haven, CT

College Street Music Hall

Monday, September 25

Portland, ME

State Theatre

Wednesday, September 27

Lynn, MA

Lynn Auditorium

Thursday, September 28

Westbury, NY

NYCB Theatre

Saturday, September 30

New Brunswick, NJ

State Theatre

Sunday, October 1

Englewood, NJ

Bergen PAC

Tuesday, October 3

Oxon Hill, MD

MGM National Harbor

Wednesday, October 4

Greensboro, NC

Steven Tanger Center

Friday, October 6

Charleston, SC

Charleston Music Hall

Sunday, October 8

Pompano Beach, FL

Pompano Beach Amphitheater

Tuesday, October 10

Orlando, FL

Steinmetz Hall

Saturday, October 11

Clearwater, FL

Ruth Eckerd Hall

Friday, October 13

Mobile, AL

Saenger Theatre

Monday, October 16

Cincinnati, OH

Andrew J Brady Music Center

Tuesday, October 17

Nashville, IN

Brown County Music Center

Thursday, October 19

Warren, MI

Andiamo Showroom

Friday, October 20

Cleveland, OH

Temple Live

Sunday, October 22

Joliet, IL

Rialto Square Theatre

Monday, October 23

St. Louis, MO

The Factory

Thursday, October 26

Denver, CO

Paramount Theatre

Saturday, October 28

Salt Lake City, UT

Delta Hall At Eccles Theater

Monday, October 30

Los Angeles, CA

The Wiltern

Tuesday, October 31

Napa, CA

Blue Note Napa

Friday, November 3

El Cajon, CA

The Magnolia

Saturday, November 4

Riverside, CA

Fox Performing Arts Center

Tue, 07/18/2023 - 10:25 am

ABBY POSNER showcases her jack-of-all-trades skillset as a singer-songwriter, multi-instrumentalist, producer and composer with her newly released single, “Quiet On Sunset,” taken from her upcoming sophomore solo album SECOND CHANCES due August 11 via Blackbird Record Label. The song is available now across all digital platforms HERE, and the music video for “Quiet on Sunset (filmed on Sunset Blvd in Los Angeles, CA) can be streamed below or be viewed at YouTube HERE.  Read more about the making of “Quiet On Sunset” in a Q&A with ABBY below.

“I wanted to create an electronic/folk song with lots of dark synths and basses blasting at the end,” says ABBY. “The organic elements I tracked with was the banjo and the marching drum...I love playing with texture when I produce, and I think there is something interesting in there about the two drastically different genres blending together--the duality of wants and needs within a relationship clashing.”

SECOND CHANCES marks ABBY’s debut release on Blackbird Record Label. ABBY produced, mixed, wrote and performed guitar, bass, drum, keys, banjo, mandolin, percussion and vocals for all 12 tracks at Sonic Boom Room Studios in Venice, CA with engineer Kevin Jarvis. Inspired by a life-changing breakup and the introspective soul-searching that followed, SECOND CHANCES embraces her genre-fluid blend of Americana, folk, indie pop and punk rock. The album’s debut track, “Simple Life,” (released June 7) was premiered via Glide Magazine who noted, “Channeling the majestic folk of 70s’ singer-songwriters with a modern Americana edge...Abby Posner certainly has a way with words, images, and echoing a sepia-toned light with her tunes that evoke the forthright sounds of Aimee Mann, Lydia Loveless and Lucinda Williams.”

ABBY, who identifies as queer (they/she), recently hosted Los Angeles’ Hotel Café’s first-ever Pride Festival event in June and will celebrate the release of SECOND CHANCES on Saturday, August 19 with a special headlining show in Santa Monica, CA at McCabe’s. Tickets are on sale now HERE. ABBY is also excited to announce she will be performing as an official showcase artist at AMERICANAFEST 2023 in Nashville, TN on September 21 at 7:00 PM at The Vinyl Lab. She will appear the following night, September 22, at The California Country Show AMERICANAFEST Specia Event at ACME Feed & Seed which takes place from noon – 7:00 PM.

Abby Posner “Quiet On Sunset” Q&A

--“Quiet On Sunset” is about romantic abandonment and the challenge of moving on when one is unwanted. Can you give us some background about the song? It is based on something you’ve gone through?

“Quiet on Sunset” was written after I went to my friend's birthday party in a neighborhood that my ex-partner lived in. A neighborhood where we created a lot of memories together. I stepped outside and Sunset Blvd was so quiet for a moment. It felt like the world stopped, and I wanted to go by and see her, but I knew that our relationship wasn't in a place where I could just show up at her door, so I went home to write this song instead.”

--It’s interesting that “Quiet On Sunset” is a gently strummed and softly sung lover’s plea, and that the final third of the song musically takes an upbeat turn, perhaps suggesting that you’re getting closer to the idea of moving past a fractured relationship—you’re also seen confidently smiling at this point in the video. As the album’s producer, can you talk about your production choices to accentuate the song’s sentiments?

“I think most importantly, I wanted the song-form to feel a little bit herky jerky on purpose, because that was an aspect of the relationship. There were a lot of push/pulls and ups and downs. I wanted to mirror that in the song structure. It is one of the only songs I have ever written where the chorus occurs once throughout the entire piece. The ending is the explosion. It was me letting out my frustration and anger that we could never get back to where we were. I wanted to create an electronic/folk song with lots of dark synths and basses blasting at the end. The organic elements I tracked with was the banjo and the marching drum...I love playing with texture when I produce, and I think there is something interesting in there about the two drastically different genres blending together--the duality of wants and needs within a relationship clashing.”

--The “Quiet On Sunset” video shows you walking down one of the most famous streets in America, playing the song’s various instruments (acoustic guitar, bass guitar, banjo, snare drum, rhythm machine) which highlights your multi-instrumentalist skills. Can you talk the video’s concept and the stretch of Sunset Blvd where it was shot?

“I originally wanted to shoot this video in the exact neighborhood, but I didn't want to take the risk of running into her--haha! So we changed location at the last minute and shot about 7 miles away in Los Feliz...still on Sunset Blvd, just not at the scene of the crime.”

--During the shooting of the video on the streets, did any unexpected things happen?

“If you watch at the very end of the video there are two women that run out of a store...I think it was on purpose, so they could be on camera. The funny thing was that they seemed really embarrassed after making that decision. it is hard to miss that shot, and it is actually one of my favorite moments of the music video.”

--The Second Chances bio says the album was “inspired by a life-changing breakup and the introspective soul-searching that followed.” What advice might you have for others who find themselves in a painful, angry place when a romance deteriorates?

“My advice is to feel all of the feelings. Do not avoid or push them away! Feel them deeply, feel the anger, feel the grief and sadness...you will be able to move on in a much healthier way. Repressing and rebounding too quickly never ends well. I am so grateful that I have my music to help me sort through all of the emotions. Everything becomes much clearer after I write a song, and I hope that others can use art and creativity in the same way.”

Wed, 07/19/2023 - 11:45 am

SUGAR, the upcoming EP from multi-instrumentalist, producer, singer-songwriter, engineer, and entrepreneur TASH SULTANA, has a new release date, of August 18. Due out via their own label, Lonely Lands Records, it’s available for pre-order now here.

The new release date comes as TASH prepares to launch their 32-city headlining North American tour. The shows follow summer performances in Europe and kick off August 22 in San Diego before wrapping October 1 in Memphis and include cities they have never performed in before as well as major festivals appearances. See below for full list of dates and support acts  Chiiild, Go-Jo, Bailen.

In advance of the EP, TASH recently released (July 5) a new track, "Bitter Lovers.” The song--which follows two previous singles, “James Dean” and “New York”--takes a different turn with a collaboration featuring American soul R&B artist BJ The Chicago Kid. The song showcases their combined exceptional chemistry and creative synergy. The journey began when BJ shared a demo with Tash during their tour in September 2022.

SUGAR was co-engineered, produced, composed and arranged by TASH who played every single instrument on the EP. TASH--who withheld releasing any new projects for over two years--came into the EP with a refreshing perspective, described as a combination of past, present and future workings. The new release embodies their commitment to innovation and artistic exploration. Fans will hear this as a teaser of an “album cut in half.”

TASH reveals that the EP’s theme serves as a reflection piece, encapsulating their life from 2021 to 2023. It is a captivating storytelling experience incorporating cryptic wording and musical style, leaving the true message open to interpretation. TASH ensures that no one will ever fully discover the true meaning of the message.

TASH wrote the songs for the SUGAR in the comfort of their own home, studio, and mind, with their notebook serving as a creative companion throughout the journey. This intimate environment allowed TASH to explore their musical vision and fully bring it to life.

SUGAR Tracklisting

James Dean

New York

You People Freak Me Out

Bitter Lovers (feat. BJ the Chicago Kid)

1975

Dove

DATE – VENUE -- LOCATION

*AUG 22 -- The Rady Shell At Jacobs Park -- San Diego, CA

*AUG 23 -- Avila Beach Resort -- Avila Beach, CA

*AUG 25 -- Frost Amphitheater -- Stanford, CA

*AUG 26 -- Britt Pavilion -- Jacksonville, OR

AUG 27 -- Thing -- Port Townsend, WA

*AUG 29 -- Orpheum Theatre -- Vancouver, BC

*AUG 30 -- Cuthbert Amphitheater -- Eugene, OR

SEP 1 -- Sandy Amphitheater -- Sandy, UT

*SEP 2 -- Dillon Amphitheater -- Dillon, CO -- SOLD OUT

*SEP 3 -- Gerald R. Ford Amphitheater -- Vail, CO

*SEP 5 -- Harrah's Kansas City - Voodoo Lounge -- Kansas City, MO

+SEP 6 -- The Sylvee -- Madison, WI

+SEP 8 -- The Salt Shed -- Chicago, IL

+SEP 9 -- Megacorp Pavilion -- Newport, KY

+SEP 10 -- Agora Theatre -- Cleveland, OH

+SEP 12 -- Rebel -- Toronto, ON

+SEP 13 -- Mtelus -- Montreal, QC

+SEP 15 -- Roadrunner -- Boston, MA

SEP 16 -- Sea.Hear.Now -- Asbury Park, NJ

+SEP 17 -- Kings Theatre -- Brooklyn, NY

XSEP 19 -- Harrisburg University At The Forum -- Harrisburg, PA

XSEP 20 -- Ting Pavilion -- Charlottesville, VA

SEP 22 -- The Tabernacle -- Atlanta, GA -- SOLD OUT

SEP 23 -- The Pageant -- St. Louis, MO

SEP 24 -- Format Festival -- Bentonville, AR

XSEP 27 -- The Fillmore -- New Orleans, LA

XSEP 29 -- 713 Music Hall -- Houston, TX

XSEP 30 -- The Pavilion At Toyota Music Factory -- Irving, TX

OCT 1 -- Mempho Music Festival -- Memphis, TN

XOCT 3 -- Rabbit Rabbit -- Asheville, NC

XOCT 4 -- Mars Music Hall -- Huntsville, AL

OCT 8 -- Austin City Limits Music Festival -- Austin, TX

With Special Guest CHIIILD*, GO-JO+, BAILENX

Fri, 07/21/2023 - 9:37 am

Creative sparks and killer riffs are flying everywhere on BRIAN SETZER’s new album THE DEVIL ALWAYS COLLECTS out September 15 via Surfdog Records digitally, on CD and vinyl. Today (July 21), the iconic 3-time Grammy award-winner has rolled out the album’s first track and video, the blazing “Girl On The Billboard.” Listen to the song and pre-order the album HERE and watch the animated video HERE. BRIAN will support the album, his first since 2021’s Gotta Have The Rumble, this fall on his U.S “ROCKABILLY RIOT” tour starting September 27 (the dates are below).

SETZER’s guitar work is virtuosic on the new album’s 11 tracks, and his vocals deliver the clever storylines of catchy songs like “The Devil Always Collects,” “Girl On The Billboard,” “Black Leather Jacket” and “Rock Boys Rock.” Add in non-stop freight train rhythms, and you have an album—produced by BRIAN SETZER and Julian Raymond and mixed by Chris Lord-Alge—that stands with SETZER's best. It’s always been BRIAN’s special talent to inject the roots of rock with a contemporary freshness that unites fans of rock, Americana, rockabilly, and punk.

“Girl On The Billboard” hits fast and hard. “It’s an old truckers song,” says BRIAN about the song popularized in 1965 by country music singer Del Reeves. “At first I wasn’t getting the sound I wanted until I picked up my Gretsch 1957 Duo Jet 6131 Firebird. I mean, the sound is monstrous, dirty and twangy.”

Marking his first live shows in over four years, the “ROCKABILLY RIOT” tour will kick off September 27 at the Count Basie Theatre in Red Bank, NJ and includes stops in Nashville, TN (at the historic Ryman Auditorium), Foxwoods Casino, Cincinnati, Chicago (Waukegan) and others before wrapping in Minneapolis (his adopted hometown).  For these dates, SETZER will be joined by, in his words, an “international rockabilly band, Chris D’Rozario from Melbourne, Australia and Juan Laurios from Mexico City, Mexico.” Although BRIAN has a 40-year career as a solo artist, leader of The Brian Setzer Orchestra and as a Stray Cat, he continues to play with a jaw-dropping level of vigor. Tickets are on sale at: www.briansetzer.com

“I’ve had a pretty long break, and I needed it,” says BRIAN. “I’m renewed and really want to play live again. I want to just get out on the road with this kick-ass little 3-piece band and start playing.”

He adds, “I think fans can always expect that I’m going to play the hits. I also want to play some solo guitar and little things I’ve worked out by myself. I’ve never really gotten to do that, so it's going to be something new.”

His set lists will include “some of the favorite covers I’m doing now.  I haven’t recorded it, but I really like playing my version of ‘Georgia On My Mind.’ And then with the band, I want to play a new song ‘Girl On The Billboard’ because it tells a fun story.”

Here’s the track listing for THE DEVIL ALWAYS COLLECTS:

SIDE A

1 Rock Boys Rock

2. The Devil Always Collects

3. Girl On The Billboard

4. The Living Dead

5. What’ll It Be Baby Doll?

6. Black Leather Jacket

SIDE B

7. She’s Got A Lotta...Soul!

8. Play That Fast Thing (One More Time)

9. A Dude’ll Do (What a Dude’ll Do)

10. Psycho Suzie

11. One Particular Chick

Mon, 08/07/2023 - 8:50 am

Grammy-nominated acoustic guitarist extraordinaire, composer and global touring artist TOMMY EMMANUEL has shared the video for “Far Away Places” featuring Raul Malo who today (August 7) is celebrating his birthday. Watch the video HERE.

The acoustically performed song is a tender and aching expression of longing. It appears on EMMANUEL’s current album ACCOMPLICE TWO (the follow-up to 2018’s Accomplice One album) which was released this past April via CGP Sounds. "Far Away Places" is an American standard, written by Joan Whitney and Alex Kramer, first popularized by Bing Crosby and then Vera Lynn. Joshua Britt and Neilson Hubbard (for Neighborhoods Apart) directed and edited the video, which captures EMMANUEL and Malo recording the song live together at Ocean Way Studios in Nashville, TN. The video was premiered earlier today Glide.

“When you work with Tommy, anything is possible,” says Malo, who turns in a masterfully subtle and emotionally stirring performance. “His command of arrangements and melodies allows you to dig deep into a treasure chest of songs that only a few on the planet dare play. He is that kind of musician.”

“I chose to put this song as the final one on this album because it leaves us with a feeling of comfort and lets us marvel over such a great vocal performance,” says TOMMY. “It was my honor to record with Raul—he's in a league of his own!”

Q&A with TOMMY About “Far Away Places”:

What inspired your collaboration with Raul Malo on “Far Away Places”?

“When I asked Raul to sing a song with me for this album, he sent me three choices of Sam Cooke recordings. We knew it had to be a song that would suit just voice and guitar, not a big production. I chose “Faraway Places” for its beautiful melody, simple structure and Raul’s fabulous style of singing it! As you can see by the video, it was a stunning and perfect vocal performance by Raul—I am so proud to be his accompanist!”

"Far Away Places" is an American standard, written by Joan Whitney and Alex Kramer, and first popularized in 1948 by Bing Crosby (peaking at #2 on the Billboard chart). What led you to interpret the song?

“I didn't hear the original Bing Crosby version; I heard Sam Cooke singing it and knew Raul would smash it out of the park! With a tight schedule to keep, I had to choose a song that I could arrange quickly and get a recording / performance in one or two takes. Raul and I did two takes and the second one is the one we thought was the best.”

On this track, you play with nylon string and steel string guitars. Can you talk about the dynamic of playing these two different guitars and what it brings to the song?

“I played my Kirk San Nylon-string guitar for the main accompaniment, then overdubbed the solo on my Maton Steel String. I kept it simple and tried to stay on the melody in my solo, an obvious choice to me.”

Look for TOMMY, coming off his July U.S. tour dates, to return to America September 7 for a major fall tour. See the dates below.

Produced lovingly by EMMANUEL, regarded by guitar great Chet Atkins as “one of the best guitar players I’ve ever seen,” the 16-track ACCOMPLICE TWO is a spirited mix of new takes on indelible classics and brand-new originals from TOMMY. His collaborators are some of the most remarkable musicians on the planet—an “A” list of musicians including Billy Strings, Molly Tuttle, Michael McDonald, Jamey Johnson, Raul Malo, and many more (the full list is HERE). View the album’s critical praise HERE. EMMANUEL has continued to release videos including most recently these, filmed by Joshua Britt and Neilson Hubbard for Neighborhoods Apart.

Mombasa” with Yasmin Williams

Sweet Temptation” with The Del McCoury Band

Daddy Frank (The Guitar Man)” with Jamey Johnson

ACCOMPLICE TWO is alive with the electric spirit of spontaneous, timeless joy created by inspired virtuosos. The combined artistry contained on these tracks is stunning, as is TOMMY’s cheerful ease at connecting naturally with this vast spectrum of musicians. Like the first volume, he merges the presence of beloved, legendary musicians—such as Jorma Kaukonen, Nitty Gritty Dirt Band, Little Feat, Sam Bush, the Del McCoury Band and Jerry Douglas—with the bright spirit of acclaimed young artists breaking through with deep artistry and true reverence for the power of song.

EMMANUEL recently shared a freewheeling “10 Questions” Q&A (below) where he talks about his inspirations and an array of subjects including his “Spinal Tap” moment; the JFK assassination; his desire to be on a bill with Carole King and James Taylor; and watching (as a kid) Neil Armstrong walk on the moon. Read it HERE.

Here are TOMMY’s U.S. tour dates for 2023. The full international list of dates is HERE.

DATE

LOCATION

VENUE

Sep 07

Richmond, VA

Dominion Energy Center - Carpenter Theatre

Sep 08

New Brunswick, NJ

State Theatre New Jersey

Sep 09

New York, NY

Town Hall

Sep 10

Glenside, PA

Keswick Theatre

Sep 12

Ithaca, NY

State Theater of Ithaca

Sep 13

Northampton, MA

Academy of Music Theatre

Sep 14

Boston, MA

The Wilbur

Sep 15

Peekskill, NY

Paramount Hudson Valley Theater

Sep 16

Alexandria, VA

The Birchmere

Sep 17

Alexandria, VA

The Birchmere

Sep 23

Nashville, TN

Ryman Auditorium

Oct 11

Indianapolis, IN

Egyptian Room at Old National Centre

Oct 12

Cleveland, OH

Playhouse Square

Oct 13

Royal Oak, MI

Royal Oak Music Theatre

Oct 14

Chicago, IL

Park West

Oct 15

Milwaukee, WI

Pabst Theater

Oct 17

New York, NY

Brooklyn Bowl

Oct 18

Iowa City, IA

Englert Civic Theatre

Oct 19

St. Louis, MO

Sheldon Concert Hall

Oct 20

St. Louis, MO

Sheldon Concert Hall

Oct 21

Cincinnati, OH

Taft Theatre

Nov 28

Kansas City, MO

Uptown Theater

Nov 29

New York, NY

Music Hall of Williamsburg

Nov 30

Dallas, TX

Majestic Theatre

Dec 01

Houston, TX

Cullen Performance Hall

Dec 02

Austin, TX

Paramount Theatre

Dec 03

San Antonio, TX

Charline McCombs Empire Theatre

Dec 05

Albuquerque, NM

Kimo Theatre

Dec 06

Tucson, AZ

Fox Tucson Theatre

Dec 07

Mesa, AZ

Mesa Arts Center Ikeda Theater

Dec 08

El Cajon, NM

The Magnolia

Dec 09

Beverly Hills, NM

Saban Theatre

Dec 10

Fresno, CA

Tower Theatre

Dec 12

San Francisco, CA

Palace of Fine Arts Theatre

Dec 13

Sacramento, CA

Crest Theatre

Thu, 08/24/2023 - 11:56 am

SWMRS is the sound of brothers learning to move with the currents. Like the ocean, life moves in unpredictable waves–you can’t control the way the ocean moves, but you can choose whether you sink or swim. The band is centered around the songwriting of brothers MAX (vocals, guitar) and COLE BECKER (vocals, guitar), who’ve fronted the band through many evolutions, and now sees the addition of their brother CADE BECKER on bass. The brothers have announced a new (and third) album, SONIC TONIC, due October 27, and have shared its debut single “Little Miss Sunshine.”  Stream/download “Little Miss Sunshine” digitally HERE. Pre-order’s are available now for SONIC TONIC HERE.

Discussing his entrance into the band, CADE says: “My whole life people would ask me when I was joining the band, but I never played an instrument before. I was always a huge fan of the band, though, so when they needed a new bass player I volunteered. Max taught me how to play the songs on bass, and I practiced them nonstop to get ready to play shows.”

Keeping it in the family, SWMRS enlisted their grandmother to star in the music video for “Little Miss Sunshine,” directed by COLE and filmed at her apartment in San Francisco, CA. Watch the video streaming below or on YouTube HERE.

“This song is about looking back with fondness at a period in my life,” shares COLE. “The good times and the bad. When I hear it, I think of those small moments of invincibility— driving in a car with your friends, seeing a really good show— where the entire world feels within your reach.”

“When I was younger, the world seemed simple to me,” divulges MAX. “As I’ve gotten older— I just turned 30!— I’ve seen how complicated life can be. The music I write reflects where I am at now, and the little bits of wisdom I’ve gained along the way.”

On choosing their grandmother for the “Little Miss Sunshine” video’s lead, COLE says: “We wanted to document the fun and flair of our Grammie, and this song felt like a good match for that project. The video basically shot itself--we just pressed record and let her style do all the talking.”

SWMRS will appear with the new lineup on November 19 in Berkeley, CA at Cornerstone. Tickets for the show go on sale this Friday, August 25 at 10 A.M. PT HERE.

Thu, 08/24/2023 - 2:12 pm

JACOB REESE THORNTON, the “almost” 21-year-old South Florida-raised guitarist, singer and songwriter whose musical influences extend from 70’s classic rock through today’s pop, Brit and alternative rock genres, is the front man and major force propelling Jacob & The Dazey Chain.  They are described as “a force to be reckoned with” by Classic Rock Magazine (Feb.’21 issue), while The Aquarian Weekly noted that “Jacob & The Dazey Chain represent Tasteful, Artistic Nostalgia. Young taste-maker Jacob Thornton, the talented and prolific rockstar-on-the rise who has one hand reaching toward the 2020’s and the other holding on tightly to the 1970’s “(September 13, 2021).

Friday (August 18), Jacob & The Dazey Chain released their new single and video “Shell Game” across all digital platforms via the Gratuitous Noise label. “Shell Game” is the first single from their second EP due for an early spring 2024 release. Listen to the song HERE and watch the official video HERE that premiered Friday (August 18) on VEVO, reflecting the super-charged energy that emanates from JACOB, with his vocals, guitars and body moves in this raw, hi-energy performance.

“Shell Game” was written by Thornton and produced and mixed by Mark Needham (The Killers, Fleetwood Mac, Imagine Dragons) at South Easter Studios in Nashville. “It was so great to work with Jacob in the studio” says Needham. “He’s a super talented player/singer/songwriter and really open to exploring sounds and ways to create the songs.” Jacob recalls how he met Needham: “I was at The Killers’ show at Bridgestone Arena and during a quick break I snuck out to the concession stand to grab a hot dog and just happened to bump into producer/mixer legend Mark Needham in line. I truly believe that as an artist, if you're creating what is real to you, everything else will fall into place, and that's exactly what happened that night. Out of some 20,000 people at that show, the universe put Mark in my path."

JACOB explains that a shell game is “an old carnival trick and a game of chance where a player bets on a prize placed under one of three rotating walnut shells. No matter how certain you are of your choice, there's always a chance the dealer is deceiving you. Reality can often be more than meets the eye.” “Shell Game,” he adds, “was the last song I wrote before leaving my family’s home in So. Florida and moving to Nashville in 2021. The song is about charting your own course and being willing to fail despite uncertainty and the deception that exists in the modern world. There are always setbacks but you gotta dust yourself off and keep going. That’s what the line ‘life’s a shell game’ is saying. That concept really resonated with me during the time I was writing for the new EP. Sometimes you've just got to accept what is out of your control, pick your head up, and move forward.”

Fri, 08/25/2023 - 9:49 am

BRIAN SETZER hits hard with his new single, the red-hot “The Devil Always Collects,” released today (August 25). Written by SETZER and frequent collaborator Mike Himelstein, it marks the title track of his new album of the same name out September 15 on Surfdog Records digitally, on CD and vinyl. The iconic guitarist, songwriter, vocalist, and three-time Grammy Award-winner burns up the frets of his instrument over an insistent, galloping rhythm and digs into his vocals with urgency and frankness while singing the lines: “You bargained for pleasure/Fame, fortune, and sex/Pay back! Knock, knock, knock/The devil always collects.”  Listen to “The Devil Always Collects” and pre-order the album HERE and watch BRIAN talk about the song HERE.

“The Devil Always Collects” (“ain’t that the truth,” says BRIAN) comes on the heels of “Black Leather Jacket” and the album’s first single/video “Girl On The Billboard” which Guitar World praised as “pure roadside bar sleaze in the best way—with strutting Chuck Berry-by-way-of-the-gutter riffs, and even a Route 66 namecheck. You’ll want to put the pedal to the metal with this coming through your speakers (7/28/23).”

SETZER’s guitar work is virtuosic on the new album’s 11 tracks, and his vocals deliver the clever storylines of catchy songs like “The Devil Always Collects,” “Girl On The Billboard,” and “Rock Boys Rock.” Add in non-stop freight train rhythms, and you have an album—produced by BRIAN SETZER and Julian Raymond and mixed by Chris Lord-Alge—that stands with SETZER's best. It’s always been BRIAN’s special talent to inject the roots of rock with a contemporary freshness that unites fans of rock, Americana, rockabilly, and punk.

BRIAN will support the album, his first since 2021’s Gotta Have The Rumble, this fall on his U.S “ROCKABILLY RIOT” tour starting September 27 (the dates are below).

Marking his first live shows in over four years, the “ROCKABILLY RIOT” tour will kick off September 27 at the Count Basie Theatre in Red Bank, NJ and includes stops in Nashville, TN (at the historic Ryman Auditorium), Foxwoods Casino, Cincinnati, Chicago (Waukegan) and others before wrapping in Minneapolis (his adopted hometown).  For these dates, SETZER will be joined by, in his words, an “international rockabilly band, Chris D’Rozario from Melbourne, Australia and Juan Laurios from Mexico City, Mexico.” Although BRIAN has a 40-year career as a solo artist, leader of The Brian Setzer Orchestra and as a Stray Cat, he continues to play with a jaw-dropping level of vigor. Tickets are on sale at: www.briansetzer.com

His set lists will include “some of the favorite covers I’m doing now.  I haven’t recorded it, but I really like playing my version of ‘Georgia On My Mind.’ And then with the band, I want to play a new song ‘Girl On The Billboard’ because it tells a fun story.”

Here’s the track listing for THE DEVIL ALWAYS COLLECTS:

1 Rock Boys Rock

2. The Devil Always Collects

3. Girl On The Billboard

4. The Living Dead

5. What’ll It Be Baby Doll?

6. Black Leather Jacket

7. She’s Got A Lotta...Soul!

8. Play That Fast Thing (One More Time)

9. A Dude’ll Do (What a Dude’ll Do)

10. Psycho Suzie

11. One Particular Chick

“ROCKABILLY RIOT” tour dates are as follows:

Date

City

Venue

Wednesday, September 27

Red Bank, NJ

Count Basie Center for the Arts

Friday, September 29

Mashantucket, CT

Foxwoods Resort Casino – Premier Theater

Saturday, September 30

Greensburg, PA

The Palace Theatre

Monday, October 2

Nashville, TN

Ryman Auditorium

Tuesday, October 3

Cincinnati, OH

Taft Theatre

Thursday, October 5

Nashville, IN

Brown County Music Center

Friday, October 6

Northfield, OH

MGM Northfield Park

Saturday, October 7

Waukegan, IL

The Genesee Theatre

Monday, October 9

Madison, WI

The Orpheum Theater

Tuesday, October 10

Des Moines, IA

Hoyt Sherman Place

Thursday, October 12

Davenport, IA

Adler Theatre

Friday, October 13

Minneapolis, MN

State Theatre

Thu, 09/07/2023 - 11:13 am

Los Angeles-based alt-pop duo Good Rzn—Josie Molasky (vocalist/songwriter) and Tommy Ghirardini (guitarist/producer)—have announced the October 20 release of their debut EP FALLING IN SLOW MOTION. Emblematic of their brand of alternative and psychedelic pop, seen through a lens of rock and electronic music, is the EP’s newly released lead single "Running Out Of Time.” The emotionally urgent song is marked by a kaleidoscopic blend of Molasky’s alluring vocals, Ghirardini bold guitar licks, wavy synthesizers, and hard-hitting drums. Listen to the song HERE and pre-save the EP HERE.

Since first releasing music in the fall of 2021, Good Rzn have created a cutting-edge style. The pair’s current catalogue has allowed them to showcase their talents performing at multiple shows including Breaking Sound, Writer's Block, and WFNM in Los Angeles and PB Avenue in San Diego. Upcoming shows include the Lost Lake Lounge in Denver on Sunday, September 17 and at Fergusons Downtown in Las Vegas on Saturday, October 7.

On the Good Rzn-produced FALLING IN SLOW MOTION, they paint the positives and negatives of life as an epic roller coaster ride. The five-track EP gives insight into the feelings the two artists have experienced in their past few years living in Los Angeles. Each song dives into different components of the factors that have influenced the pair since moving to Southern California from Boulder, CO.

"We wanted this collection of music to represent a specific time period of our artistic journey,” says Good Rzn. “We've had a lot of amazing moments, but there were also struggles along the way. The creation of these pieces helped us find peace in expressing ourselves and hope it might do the same for our listeners.”

Here’s the track listing for FALLING IN SLOW MOTION:

1. Running Out Of Time

2. Far From Me

3. 123

4. Too Much (Never Enough)

5. Slipping Away

Wed, 09/13/2023 - 11:33 am

MICKI FREE— the Grammy-winning musical artist, 5X Native American Music Award-winner, 2022 The Native American Music Awards Hall of Fame inductee, and member of Shalamar USA—has been chosen to be an official “Envoy” for the World Culture Festival, the Olympic-scale, free-to-the-public (with website registration) unity celebration. Founded by Indian guru Sri Sri Ravi Shankar, it is taking place September 29-October 1 at The National Mall in Washington, DC. On the event’s opening day, FREE will lead the “1,000+ Guitar Ensemble” in a performance of his new single, “We Are One,” on September 29 at The National Mall in Washington, DC. See further details HERE.

“We Are One” was written, produced, and arranged by FREE specifically for the World Culture Festival. He performs lead vocals and lead & rhythm guitar with assistance from longtime friend and collaborator Cindy Blackman-Santana (drums), Ken Riley (bass, backing vocals) and Lila Gale (backing vocals). It’s out digitally on Spotify (HERE) or Apple Music (HERE) along with a serene, picturesque lyric video seen streaming below or directly via YouTube HERE.

FREE, who recently relocated to Las Vegas, NV and has a monthly residency every first Monday at Backstage Bar & Billiards, will perform “We Are One” live on the “Morning Blend” show on Vegas’ ABC Affiliate KTNV (Channel 13) on September 13 (the show airs from 9:00-10:00 AM).

“I met with Sri Sri Gurudev Ravi Shankar and his message moved me to want to join him in getting our human beings to understand ‘We Are One,’ shares FREE. “That all peoples of the world are united as ONE...we should love and care about each other, and there's no cosmic meaning, my message is in the lyric; simple; ‘WE ARE ONE.’”

FREE elaborates on how the World Culture Festival performance came together, stating: “A good friend of my manager, Heather Loren, invited us to meet Gurudev, as they wanted my help inviting Native American Tribes across our country to join the festival in song and dance. The committee then asked if I would lead the guitar players in song, and I accepted, then I did one better and WROTE them the song we will all be performing! We as indigenous peoples need to take the stage on opening day and show the world our positive energy!”

“We are honored we were asked to be part of such a worldly, heartfelt positive joining of cultures from all parts of the globe,” says FREE. “I'm excited to perform on the global stage and see other performers as well! It will be like a world love & peace party, sharing peace and harmony, asking the world to please come together as one.”

Fri, 09/15/2023 - 9:52 am

BRIAN SETZER injects the roots of rock with a contemporary freshness that unites fans of rock, Americana, rockabilly, and punk. He is also the master of songs that celebrate uncomplicated, joyous good times. Today (September 15), the iconic guitarist, songwriter, vocalist, and three-time Grammy Award-winner releases his new solo album THE DEVIL ALWAYS COLLECTS digitally, on CD and vinyl on Surfdog Records. It features “Rock Boys Rock,” the album’s high-energy opener and fourth single that’s also out today. Penned by SETZER and frequent collaborator Mike Himelstein, the song is filled with BRIAN’s fluid and sizzling guitar lines set against a galloping rhythm, with his distinctive vocals.  Watch the video HERE and listen to the song and order the album HERE.

“Rock Boys Rock” follows “The Devil Always Collects,” “Black Leather Jacket,” and the album’s first single/video “Girl On The Billboard” which Guitar World praised as “pure roadside bar sleaze in the best way—with strutting Chuck Berry-by-way-of-the-gutter riffs, and even a Route 66 namecheck. You’ll want to put the pedal to the metal with this coming through your speakers (7/28/23).”

SETZER’s guitar work is virtuosic on the new album’s 11 tracks, and his vocals deliver the clever storylines of catchy songs like “The Devil Always Collects,” “Girl On The Billboard,” and “Rock Boys Rock.” Add in non-stop freight train rhythms, and you have an album—produced by BRIAN SETZER and Julian Raymond and mixed by Chris Lord-Alge—that stands with SETZER's best.

BRIAN will support the album, his first since 2021’s Gotta Have The Rumble, this fall on his U.S “ROCKABILLY RIOT” tour starting September 27 (the dates are below).

Marking his first live shows in over four years, the “ROCKABILLY RIOT” tour will kick off September 27 at the Count Basie Theatre in Red Bank, NJ and includes stops in Nashville, TN (at the historic Ryman Auditorium), Foxwoods Casino, Cincinnati, Chicago (Waukegan) and others before wrapping in Minneapolis (his adopted hometown).  For these dates, SETZER will be joined by, in his words, an “international rockabilly band, Chris D’Rozario from Melbourne, Australia and Juan Laurios from Mexico City, Mexico.” Although BRIAN has a 40-year career as a solo artist, leader of The Brian Setzer Orchestra and as a Stray Cat, he continues to play with a jaw-dropping level of vigor. Tickets are on sale at: www.briansetzer.com

His set lists will include “some of the favorite covers I’m doing now.  I haven’t recorded it, but I really like playing my version of ‘Georgia On My Mind.’ And then with the band, I want to play a new song ‘Girl On The Billboard’ because it tells a fun story.”

Here’s the track listing for THE DEVIL ALWAYS COLLECTS:

1 Rock Boys Rock

2. The Devil Always Collects

3. Girl On The Billboard

4. The Living Dead

5. What’ll It Be Baby Doll?

6. Black Leather Jacket

7. She’s Got A Lotta...Soul!

8. Play That Fast Thing (One More Time)

9. A Dude’ll Do (What a Dude’ll Do)

10. Psycho Suzie

11. One Particular Chick

“ROCKABILLY RIOT” tour dates are as follows:

Date

City

Venue

Wednesday, September 27

Red Bank, NJ

Count Basie Center for the Arts

Friday, September 29

Mashantucket, CT

Foxwoods Resort Casino – Premier Theater

Saturday, September 30

Greensburg, PA

The Palace Theatre

Monday, October 2

Nashville, TN

Ryman Auditorium

Tuesday, October 3

Cincinnati, OH

Taft Theatre

Thursday, October 5

Nashville, IN

Brown County Music Center

Friday, October 6

Northfield, OH

MGM Northfield Park

Saturday, October 7

Waukegan, IL

The Genesee Theatre

Monday, October 9

Madison, WI

The Orpheum Theater

Tuesday, October 10

Des Moines, IA

Hoyt Sherman Place

Thursday, October 12

Davenport, IA

Adler Theatre

Friday, October 13

Minneapolis, MN

State Theatre

Fri, 09/15/2023 - 5:44 pm

KillerStar is a new band led by Rob Fleming (vocals, guitar, synths) and James Sedge (drums) and features an array of David Bowie’s most trusted collaborators: Mike Garson on piano; Earl Slick and Mark Plati on guitar; Gail Ann Dorsey and Tim Lefebvre on bass; Emm Gryner on backing vocals; and Donny McCaslin on saxophone. Collectively they have crafted a sound which fuses the scale of classic rock with sophisticated harmonies and elements of art rock. Today KillerStar share their debut single “Should’ve Known Better” ahead of their debut album, which will follow on March 1, 2024. Listen HERE. Watch the official video directed by JJ Eringa HERE.

KillerStar make a big first impression with “Should’ve Known Better.” It’s an epic song which is rooted in Rob and James’s love of timeless music from the early 1970s to primeval rock ‘n’ roll and sleek hard rock, but its synth textures and driving guitar driven intensity provides a contemporary edge too. Rob’s voice—a vocal delivery filled with drama and conviction—adds another distinctive element, especially as it’s complemented by sophisticated, hook-laden harmonies from Emm Gryner. Mike Garson contributes beautiful avant garde piano, and Gail Ann Dorsey provides driving, melodic bass lines that lock in with the powerful drums from James Sedge.

Rob says, “‘Should’ve Known Better’ contains all the flavours of what we’re trying to do. It has a rock vibe, but with hooks, ambient melodies and layered backing vocals throughout.”

“Should’ve Known Better” was written by Rob, who produced the track with James, before it was mixed by Dave Eringa (Manic Street Preachers, Idlewild) and mastered by Joe La Porta at Sterling Sound.

Collectively, KillerStar’s musicians have contributed to almost every era of Bowie’s vast discography, from the landmark Aladdin Sane to the final goodbye of Blackstar. Although, while the KillerStar name references one of Bowie’s relatively deeper cuts, “Should’ve Known Better” really doesn’t feel like an homage to The Thin White Duke. And that’s simply because it was never intended to be one. Rob and James had recorded the first KillerStar demos independently, without any advance planning on who else would be involved.

Earl Slick says, “Since Bowie died, we’ve all gone off in different directions, but with this album we worked on new material and that was great.”

As you’ll eventually hear on KillerStar’s eponymously named album, there are fleeting touches that recall classic Bowie moments, but really this is something altogether new and exciting. Bowie chose these musicians for their unique style and ability, and that is what they have brought to the record: reunited friends and some new connections, all playing to complement the songwriting rather than to retread the iconic music they created alongside their visionary former leader.

As Emm Gryner considers, “The Bowie alumni have a very special bond and we always will. David united us in a truly special way, where we spent a lot of time together, and to be able to hear each other again in this way was unique. I am sure David would have loved this album.”

KillerStar play a UK Album Launch gig at The 100 Club, London on March 16, 2024.

Tue, 09/19/2023 - 6:23 pm

Goldenvoice today announced the schedule for POWER TRIP, the historic three-day event taking place October 6, 7 and 8 and bringing together six iconic bands that define loud and powerful music: Guns N’ Roses and Iron Maiden (Friday, October 6), AC/DC and Judas Priest (Saturday, October 7) and Metallica and Tool (Sunday, October 8).

This unique night-time desert setting with unmatched concert production will amplify the experience beyond the traditional stadium or parking lot concert norm with three double-billed headlining performances. This is the most rocking line-up to ever perform in an unparalleled location for heavy music audiences looking for an unforgettable weekend escape. For more information about ticket types, packages and more, head to powertrip.live.

 

Fri, 09/22/2023 - 10:37 am

Following last year’s sold-out U.S. tour, YES—who are Steve Howe (guitars, vocals), Geoff Downes (keyboards), Jon Davison (vocals, acoustic guitar), Billy Sherwood (bass guitar, vocals), and Jay Schellen (drums)—have returned to America with a  career-spanning set list. The “Classic Tales Of Yes” tour launched September 21 in Bethlehem, PA and ends November 4 in Riverside, CA.

On this tour—the latest presentation of their ongoing concert series illuminating their classic music—YES is performing many iconic tracks from the influential and pioneering Rock & Roll Hall of Fame inductees’ catalog covering 50-plus years as well as music from their acclaimed new album MIRROR TO THE SKY (released May 19 on InsideOutMusic/Sony Music). See below for the in-progress list of tour dates. Go to www.yesworld.com/live for ticketing information.

Ahead of the tour, YES was captured in the photos below at their rehearsals in Lititz, Pennsylvania and shared these quotes.

We’ve put together a great setlist covering the length and breadth of Yes’ career.” – Steve Howe

"Our ‘Classic Tales of Yes’ tour is one of our most diverse and adventurous tours to date. Spanning the entire fifty-five years of the band (yes 55!), we are introducing tracks from our latest album Mirror To The Sky. I’m sure the fans that are already familiar with the album will greatly appreciate us performing songs from it live. Of course, alongside many of the other Yes classics, we are also adding in a few surprises for good measure." – Geoff Downes

We so look forward to bringing to the stage many highlights and fan favorites from across the diverse Yes cannon, plus a few selections from our warmly received new studio album, Mirror to the Sky. Come join us beneath the stars!” — Jon Davison

We are playing some amazing selections from the YES catalog, including a few tracks from our new record Mirror To The Sky. It’s a very exciting show we’ve put together and one I know YES fans will enjoy. See ya there!!!” — Billy Sherwood

There is so much excitement surrounding this tour. It’s quite expansive—there’s something in it for every YES fan including brand new music from our new record. We’re very much looking forward to performing it!” — Jay Schellen

Before the tour kicked off, YES performed an intimate fan club show in Lititz, Pennsylvania, for which Ultimate Classic Rock was on hand and observed in part: “After opening their set with the title track from 1977's Going for the One, Yes unearthed ‘It Will Be a Good Day (The River), off 1999's The Ladder, for the first time since 2000. They also performed 1977's ‘Turn of the Century’ for the first time since 2014, and several other tracks—including ‘Machine Messiah,’ ‘Time and a Word’ and ‘South Side of the Sky’"— for the first time since 2018. Read the full article HERE.

The “Classic Tales Of Yes” evening begins with an on-site presentation by world-renowned English artist and designer Roger Dean, whose masterful artwork of striking other-worldly landscapes has graced classic album covers and posters, most prominently by YES and Asia. Every show will feature a Roger Dean gallery in the venue’s reception/foyer area. His work—which also appears on the cover of MIRROR TO THE SKY—has sold more than one hundred million copies worldwide.

Here are the “Classic Tales Of Yes” tour dates in the U.S:

DATE

LOCATION

VENUE

Thursday, September 21

Bethlehem, PA

Wind Creek Event Center

Friday, September 22

Philadelphia, PA

The Met

Sunday, September 24

New Haven, CT

College Street Music Hall

Monday, September 25

Portland, ME

State Theatre

Wednesday, September 27

Lynn, MA

Lynn Auditorium

Thursday, September 28

Westbury, NY

NYCB Theatre

Saturday, September 30

New Brunswick, NJ

State Theatre

Sunday, October 1

Englewood, NJ

Bergen PAC

Tuesday, October 3

Oxon Hill, MD

MGM National Harbor

Wednesday, October 4

Greensboro, NC

Steven Tanger Center

Friday, October 6

Charleston, SC

Charleston Music Hall

Sunday, October 8

Pompano Beach, FL

Pompano Beach Amphitheater

Tuesday, October 10

Orlando, FL

Steinmetz Hall

Saturday, October 11

Clearwater, FL

Ruth Eckerd Hall

Friday, October 13

Mobile, AL

Saenger Theatre

Monday, October 16

Cincinnati, OH

Andrew J Brady Music Center

Tuesday, October 17

Nashville, IN

Brown County Music Center

Thursday, October 19

Warren, MI

Andiamo Showroom

Friday, October 20

Cleveland, OH

Temple Live

Sunday, October 22

Joliet, IL

Rialto Square Theatre

Monday, October 23

St. Louis, MO

The Factory

Thursday, October 26

Denver, CO

Paramount Theatre

Saturday, October 28

Salt Lake City, UT

Delta Hall At Eccles Theater

Monday, October 30

Los Angeles, CA

The Wiltern

Tuesday, October 31

Napa, CA

Blue Note Napa

Friday, November 3

El Cajon, CA

The Magnolia

Saturday, November 4

Riverside, CA

Fox Performing Arts Center

 

Fri, 10/06/2023 - 8:46 am

Lauded as “easily one of folk and Americana music’s most prolific singer-songwriters,” (Americana Highways), JEREMY SQUIRES announces his fourth release via Blackbird Record Label and 12th overall album, RIDDLE OF STARS, due out November 17. Digital pre-saves are available HERE. RIDDLE OF STARS was written, performed, and produced entirely by the singer, songwriter, and musician following the loss of his longtime musical collaborator, drummer and friend, Carlos Ventura. What started out as an electric album transformed into a collection of nine heart-stirring songs, including one that was originally written as a poem as a goodbye for his friend’s funeral (“Blood Pact”). Throughout, SQUIRES uses carefully crafted minimalism, primarily by way of guitar finger-picking, piano, and the occasional pedal steel guitar or organ to create haunting dreamscapes. Listening to his songs, you can easily imagine a camera moving in for revealing close-ups.

RIDDLE OF STARS track listing:

1. Valley

2. Blood Pact

3. Play Dead

4. Omens

5. Vampires

6. Carousels

7. Please Stay

8. Heart Swell

9. Graveyard

SQUIRES has today (October 6) shared the music video for the deeply moving debut track, “Play Dead,” which can be seen streaming below or via YouTube HERE. The video was co-directed by SQUIRES and his 14-year-old daughter Violet against a backdrop of the Trent and Neuse rivers near their hometown of North Bern, NC and Lake Worth Beach, FL where they will soon begin a new chapter of life. Stream or download “Play Dead” HERE.

“When I wrote ‘Play Dead,’ I was in a place in my life where I thought it was impossible to escape a toxic cycle,” reveals SQUIRES. “I felt stuck in this constant loop and had to leave by any means possible. Writing and recording this song was very cathartic but at the same time very hard. ‘Play Dead’ captures my exact feelings the moment that I was able to leave and the feelings that I was crippled with at that time in my life.”

Discussing the “Play Dead” video, SQUIRES shares: “This video was shot in both Florida and North Carolina by both me and my daughter, Violet. It was absolutely amazing being able to spend time with my daughter and teach her about lighting, photography and videography. We had such rad time. She has an amazing eye for capturing imagery that a lot of people don’t take the time to notice, she sees things so creatively. Violet is willing to learn and you can see it in her eyes. I was very proud to be able to share this experience with her. ‘Play Dead’ might be my favorite song on the album and it’s definitely my favorite video.”

SQUIRES consistently holds space for his artistic expression in more than one medium, living and breathing within cycles of poetry, photography and music. His childhood hometown of Inner Banks, NC has steadfastly served as the inspiration for his music. Raised by his grandmother, and the son of a published poet, his mother, and a father that gifted him a flea market guitar when he was a child, SQUIRES began teaching himself to play by way of writing songs and learning Bad Religion and Nirvana songs, eventually leading him into forming punk bands.

SQUIRES and VENTURA met at age 12 and 13, the beginning of nearly three decades of brotherhood and artistic collaboration. “We were musical soulmates,” says SQUIRES. Neither one of them formally trained, the two experimented with bands before officially becoming a professionally touring band, Andrea’s Truth, playing shows at venues and skate parks up and down the east coast. In a surprising turn of events, after recording their debut album, the studio burned down with their files. However, fans initiated a network of passing around bootleg VHS tapes from their live shows which in turn secured their mark and influence on a thriving indie punk music scene in their region.

Becoming a father at only age 21, SQUIRES took a job at a faucet factory and paused from touring for several years until he returned in 2005 to his career in music, photography, and restoring vintage guitars. This is when he began learning to record on his own, playing all instruments with VENTURA adding drums on multiple songs throughout his catalogue, unfortunately passing suddenly before being able to track drums for RIDDLE OF STARS.

Thu, 10/19/2023 - 11:37 am

Los Angeles-based alt-pop duo Good RznJosie Molasky (vocalist/songwriter) and Tommy Ghirardini (guitarist/producer)—are gearing up for the Friday, October 20 release of their debut EP FALLING IN SLOW MOTION. It was praised by Las Vegas Weekly (from a preview of their recent show at Ferguson’s Downtown) for its “marriage of trebly synths, pop-leaning production and Molasky’s alluring cadence, as heard on ‘Running Out of Time’” (10/5/23). Pre-save the EP—which highlights the group’s alternative and psychedelic pop, seen through a lens of rock and electronic music—HERE.

Good Rzn have announced two shows: an EP release gig this Friday, October 20 at the club KISS KISS BANG BANG (free with RSVP) and a second show November 7 at (WFNM) WE FOUND NEW MUSIC Artist Discovery Showcase at Backbeat on Sunset at Hotel Ziggy (8462 Sunset Blvd, West Hollywood), which is free with RSVP 21+ (7:00pm Doors).

In advance of the EP’s release, Good Rzn recently unveiled the singles "Running Out Of Timeand Far From Me.” Stay tuned for the release of a three-video sequence of "Running Out Of Time," "Far From Me," and "123." The videos will be the premiere directorial music video projects for Los Angeles-based artist Mishko (represented by Randi Wilens & RW Media).

Here are quotes from Good Rzn about these three songs:

“Running Out Of Time”: We wanted this song to evoke a sense of urgency to chase your dreams and do the things you’ve always wanted to do now rather than later. Go dance in the rain, it's been too long. Don't waste your time waiting for a perfect moment. The tone of the instrumental complements the vocals and lyrics with energetic synths and bold guitar elements and creates a sense of urgency. The record was largely inspired by electronic music and we put a heavy emphasis on the sound design.”

“Far From Me”: "This was one of the first songs that we wrote as Good Rzn in 2021 with our friend John MacLane. We rented a house in Palm Springs and set up a studio for a few days. One of our intentions going in was to bring the rock sound that we were inspired by our whole lives into a more electronic space. The track ultimately took about two years to fully develop and it's one of the songs we're most excited about on the EP. The lyrics address themes of being away from someone close to you or something you love, and the ensuing growth and strife that occurs in that setting.”

“123”: "This one is a nostalgic song that talks about simpler times when things seemed straightforward. Life is hard and getting places isn't as "easy as ABC" or as ‘easy as 123.’ The track includes a recording from 20 years ago of Josie singing the alphabet as a kid. The lyrics talk about lessons learned growing up while the dynamics throughout mirror the ups and downs of life, which is complemented by the dynamic instrumental. The production is minimalistic, sticking with the theme, yet each sound is carefully crafted to eventually give the song some explosive moments.”

Read a full Q&A Good Rzn about the single HERE.

The group began releasing music in the fall of 2021. On the Good Rzn-produced FALLING IN SLOW MOTION, they paint the positives and negatives of life as an epic roller coaster ride. The five-track EP gives insight into the feelings the two artists have experienced in their past few years living in Los Angeles. Each song dives into different components of the factors that have influenced the pair since moving to Los Angeles, CA from Boulder, CO. "We wanted this collection of music to represent a specific time period of our artistic journey,” says Good Rzn.We've had a lot of amazing moments, but there were also struggles along the way. The creation of these pieces helped us find peace in expressing ourselves and hope it might do the same for our listeners.”

Here’s the track listing for FALLING IN SLOW MOTION:

1. Running Out Of Time

2. Far From Me

3. 123

4. Too Much (Never Enough)

5. Slipping Away

Thu, 10/19/2023 - 3:07 pm

Galvanizing modern classic rock trio THE BLACK MOODS are excited to announce their new single, an electrifying cover of The Doors’ 1970’s hit “Roadhouse Blues,” which features none other than The Doors’ guitarist Robby Krieger himself and rock singer-songwriter Diamante. The track will be available digitally Friday, October 20; pre-save it HERE. Recorded at Krieger’s Los Angeles studio, Love Street Sound, the band recorded the cover with most of the same gear used by The Doors in its original recording, keeping its nostalgic and gritty sound while allowing THE BLACK MOODS to add their modern flair. THE BLACK MOODSJOSH KENNEDY (vocals, guitar), CHICO DIAZ (drums), and JORDAN HOFFMAN (bass)—have today (October 19) debuted the music video for “Roadhouse Blues (feat. Robby Krieger and Diamante),” which features live footage from the recording session. Watch it streaming below or via YouTube HERE.

 

“The Doors have meant a lot to us, from our band name to the way we approach playing and songwriting,” shares KENNEDY. “Getting to record this song with Robby 53 years after he recorded it with The Doors is something I can't describe...just unbelievable. Having Diamante add her incredible vocals on it just took it over the top.”

 

“Lately, I seem to meet more and more young muscians who are into The Doors,” says KRIEGER. “It was really fun recording ‘Roadhouse Blues’ with The Black Moods. They seem to connect with 60’s style music.”

 

“‘Roadhouse Blues’ was the first rock song I ever performed on a stage, so when The Black Moods, whose classic rock vibe I really dig, asked if I wanted to sing on their version alongside THE Robby Krieger, it was an absolute yes from me,” exclaims Diamante. “Recording the song was a very full circle moment and an all-around epic experience.”

 

THE BLACK MOODS have partnered with Gibson to host a guitar giveaway contest surrounding the single for an Epiphone hand-signed guitar by all three band members, Robby Krieger, and Diamante. The deadline to enter is Friday, November 17 and a winner will be announced on Monday, November 20 across the band’s socials. U.S.-based fans only can enter to win now at https://theblackmoods.com/signed-guitar-giveaway/.

 

THE BLACK MOODS play raw, amplified rock & roll. A classic power trio for the modern world, they turn the genre's timeless ingredients—electric guitar, anthemic hooks, and percussive punch—into a sound that's both contemporary and climactic. Based out of Phoenix, AZ, the band have relentlessly toured across North America alongside acts including The Doors’ Robby Krieger, Shinedown, Jane’s Addiction, Whitesnake, Collective Soul, The Dead Daisies and The Gin Blossoms and made festival appearances at Aftershock and Roger Clyne’s Circus Mexicus. The trio released their fourth album INTO THE NIGHT in 2022 via Wit Hustle/The Orchard/Steelhorse Entertainment with Grammy Award-nominated producer Johnny “K” Karkazis (Disturbed, 3 Doors Down) which was lauded by Metal Edge Magazine as “raw, riff-heavy, blues-drenched rock delivered with a nod to the classic acts that came before them, but filtered through a youthful, high-energy lens.” It also saw THE BLACK MOODS release their own limited-edition beer, “Hollywood & Lime,” with Phoenix’s Walter Station Brewery as well as a limited-release bourbon “Bad News Bourbon” via Phoenix’s SanTan Brewing Company.

 

THE BLACK MOODS seminal 2020 album SUNSHINE earned the band four Top 30 singles--including their first-ever Top 20 charting hit with title track, “Sunshine,” which peaked at #16 on Billboard's Mainstream Rock radio charts. The band have garnered strong hometown support throughout their career including cover features from Entertainer! Magazine and Phoenix New Times in addition to features and appearances via The Arizona Republic, AZFamily (CBS5) “Good Morning Arizona,” Arizona PBS, and a half-time performance for the Phoenix Suns (NBA) 2022 semi-finals game.

Wed, 10/25/2023 - 9:21 am

This past weekend, BRIT FLOYD re-launched their 2023 multi-city “50 Years of Dark Side Tour” of North America. Known as The World’s Greatest Pink Floyd Experience, the group will follow this year’s dates with a massive 2024 world tour. It’s a 90-city tour of North America, plus shows in 45 cities in the UK, and Europe to celebrate the 30th anniversary of Pink Floyd’s Pulse and The Division Bell albums. More details about the 2024 dates will be announced in the coming weeks.

The fall 2023 50 Years of Dark Side tour features over two and a half hours of Pink Floyd music encompassing the band’s iconic career. BRIT FLOYD’s team have created a show that includes state-of-the-art visuals (lights, lasers, and animation) which are all presented with immersive soundscapes and virtuosic musicianship. When the tour wraps, the 50 Years of Dark Side trek will have encompassed more than 108 dates with return stops in many markets, alongside first-ever performances in other markets. The Dark Side Of The Moon, released in 1973, is one of the most critically acclaimed albums of all time and includes Pink Floyd’s iconic single "Money."

Formed in 2011, Brit Floyd consists of performances supported by an immense, immaculately curated state-of-the-art production, reverently emulating the stunning soundscapes and visuals of Pink Floyd’s iconic catalog. Brit Floyd is a celebration of authenticity, featuring musicians handpicked by Damian Darlington. The 2023 touring band includes Darlington (Guitarist, Vocalist and Musical Director), Ian Cattell (Vocals, Bass), Edo Scordo (Guitars, Vocals), Matt Riddle (Keyboards, Synths, Hammond, Vocals), Arran Ahmun (Drums, Percussions), Ryan Saranich (Saxophone, Percussions, Guitars, Bass, Keyboards), Randy Cooke (Drums and Percussion), Canadian Idol Winner Eva Avila (Lead and Backing Vocals), Genevieve Little (Backing Vocals), Jessie Lee Houllier (Backing Vocals) and Robyn Cage (Backing Vocals). Historically, the shows have featured guest appearances from musicians from Pink Floyd's studio and road line-ups: bassist/vocalist Guy Pratt joined Brit Floyd onstage at the Echo Arena in Liverpool in 2013 and Pink Floyd saxophonist/guitarist Scott Page has performed with the band on numerous occasions, as have Pink Floyd backing vocalists Roberta Freeman and Durga McBroom.

BRIT FLOYD’S 2023 dates are as follows:

DATE

LOCATION

VENUE

 

WED OCT 25

PETERBOROUGH, ON

MEMORIAL CENTRE

TICKETS

FRI OCT 27

BANGOR, ME

CROSS INSURANCE CENTER

TICKETS

SAT OCT 28

HAMPTON BEACH, NH

CASINO BALLROOM

TICKETS

SUN OCT 29

SPRINGFIELD, MA

SYMPHONY HALL

TICKETS

WED NOV 1

SHIPPENSBURGH, PA

LUHRS CENTER

TICKETS

FRI NOV 3

KINGSTON, NY

ULSTER PERFORMING ARTS CENTER

TICKETS

SAT NOV 4

PHILADELPHIA, PA

KIMMEL CULTURAL CAMPUS

TICKETS

SUN NOV 5

LYNN, MA

MEMORIAL AUDITORIUM

TICKETS

TUE NOV 7

CHARLOTTE, NC

OVENS AUDITORIUM

TICKETS

THU NOV 9

WHEELING, WV

CAPITOL THEATER

TICKETS

FRI NOV 10

AKRON, OH

CIVIC THEATRE

TICKETS

SAT NOV 11

EVANSVILLE, IN

VICTORY THEATRE

TICKETS

SUN NOV 12

FORT WAYNE, IN

CLYDE THEATRE

TICKETS

TUE NOV 14

EAST LANSING, MI

WHARTON CENTER FOR PERFORMING ARTS

TICKETS

WED NOV 15

DAVENPORT, IL

ADLER THEATRE

TICKETS

FRI NOV 17

OMAHA, NE

LIBERTY FIRST ARENA

TICKETS

SAT NOV 18

MANKATO, MN

MAYO CLINIC HEALTH SYSTEM EVENT CENTER

TICKETS

SUN NOV 19

SPRINGFIELD, IL

UIS PERFORMING ARTS CENTER

TICKETS

TUE NOV 21

MACON, GA

MACON CITY AUDITORIUM

TICKETS

WED NOV 22

ORLANDO, FL

DR. PHILLIPS CENTER FOR THE PERFORMING ARTS

TICKETS

FRI NOV 24

HUNTSVILLE, AL

MARK C. SMITH CONCERT HALL

TICKETS

SUN NOV 26

SAN ANTONIO, TX

AZTEC THEATRE

TICKETS

TUE NOV 28

PHOENIX, AZ

ARIZONA FINANCIAL THEATRE

TICKETS

THU NOV 30

LOS ANGELES, CA

YOUTUBE THEATRE

TICKETS

FRI DEC 1

VENTURA CA

VENTURA THEATER

TICKETS

Wed, 11/01/2023 - 5:23 pm

Five Finger Death Punch, the Billboard record-setting, multi-platinum hard rock band currently touring with Metallica, is proud to lend its support and platform to Covenant House, a nonprofit organization dedicated to helping homeless and at-risk youth.

In an effort to make a meaningful impact in the lives of survivors of human trafficking and youth homelessness, Five Finger Death Punch is committing to donating a portion of its upcoming tour ticket revenue to support Covenant House’s programs to house, feed, educate, provide job assistance, mental health services and healthcare to homeless youth across the Americas.

Starting in November, the band will be supporting Covenant House’s Youth Homelessness Awareness Month campaign by posting important facts and links to resources about the issues facing the survivors of human trafficking and youth homelessness.

With 34 locations across the Americas, Covenant House is a nonprofit organization with a mission to provide shelter, support, and comprehensive services to youth facing homelessness. Recognizing the urgency of this issue, Five Finger Death Punch is leveraging their platform to encourage their fans to learn about the issue, seek support, share resources with friends in need, get involved and make a difference.

"Five Finger Death Punch vocalist Ivan Moody, who is no stranger to lending a helping hand in these issues and has recently opened an intensive outpatient facility focusing on treating addiction and mental health disorders, has expressed his enthusiasm to take an even further step in assisting with the problem: 'Many of our songs and music videos speak directly to the issues being addressed by Covenant House. Our commitment to donating to support their programs and using our platform to raise awareness perfectly aligns with the band's and our fans' values.'"

Fans of the band are being encouraged to visit Covenant House’s website.

We are so grateful to the band and their entire team for their support of young people served by Covenant House," said Covenant House President & CEO Bill Bedrossian. "It is clear that youth homelessness and its connections to foster care and human trafficking are deeply personal to the band. By using their voice to raise awareness about these critical issues, to their vast audience, so many will benefit from knowing there is a community of support, partnering with Covenant House to address the needs of young people experiencing homelessness in the Americas.”

For more information about the Youth Homelessness crisis and Five Finger Death Punch’s involvement with Covenant House, please visit this LINK.

About Five Finger Death Punch:

Five Finger Death Punch is a multi-platinum, chart-topping hard rock band known for their high-energy performances, impactful music (over 9 billion streams) and have held firmly to a top 3 position on the Billboard Hard Rock charts for the last 5 years. During that time, the band also amassed a record-setting 10 billboard mainstream Rock Airplay #1s in a row, the longest run of leading consecutive entries in the history of Mainstream Rock Airplay. 28 top 10 hit singles, 15 #1 singles and released nine consecutive studio albums since 2007, seven of which were certified Gold or Platinum by the RIAA, as well as two chart-topping Greatest Hits albums. Founding guitarist Zoltan Bathory was recently added as a playable character in the iconic “Call of Duty” video game series adding another major achievement to the band’s growing legacy. In addition, 5FDP has earned numerous national and international awards and honors, such as the prestigious Soldier Appreciation Award by the Association of The United States Army, an honor bestowed only upon Elvis Presley before. Having become one of the most recognizable names in music, 5FDP frequently plays all major festivals and sells out arenas around the world and are currently on a stadium tour across the globe with Metallica throughout 2024. See all upcoming dates HERE. With a loyal global fan base, the band has consistently demonstrated their commitment to making a difference in the world and has raised significant funds for various organizations.

Fri, 11/03/2023 - 3:35 pm

As unveiled on their debut single “Should’ve Known Better,” Rob Fleming and James Sedge’s new band KillerStar weaves modernist touches into the classic harmonies and exemplary musicianship of classic rock and art-rock from the ‘70s. And they’ve joined forces team of musicians known for their work with David Bowie: Mike Garson on piano, Earl Slick and Mark Plati on guitar, Gail Ann Dorsey and Tim Lefebvre on bass, Emm Gryner on backing vocals, and Donny McCaslin on saxophone.

Today (November 3), KillerStar take another step towards the March 1 release of their self-titled debut album by sharing the video for their second single “Falling Through.” It’s an ambitious, audacious adventure of a track, a song of two halves which recalls Pink Floyd in the way that it begins as a ballad before taking off on a journey into the cosmos via a soaring saxophone solo from Donny McCaslin (a contributor to Bowie’s Blackstar album). Watch the imagery-rich video HERE and listen to the song, out November 3, HERE.

Rob Fleming says, “‘Falling Through’ is about a moment in time and finding tranquility and taking in the surroundings, the ocean, sky, sun. The song builds and takes a left turn with Donny McCaslin providing soaring saxophone, full of emotion.”

This version of “Falling Through” is a different version to the one that will feature on KillerStar’s debut album, having been remixed as an alternative version by Mark Plati, one of Bowie’s key collaborators on records such as Earthling, Reality, and Heathen.

Rob Fleming (vocals, guitars, synths) and James Sedge (drums) formed KillerStar to express their love of timeless music ranging from the primeval rock n’ roll of the early 1970s to contemporary indie. The array of Bowie collaborators arose partly by design, but mostly by chance. Having recorded a set of demos, Rob asked Emm Gryner to contribute vocals, who, in turn, suggested he should contact Earl Slick. Step-by-step, one Bowie alumni led to another, resulting in Bowie’s spirit sparkling throughout KillerStar’s cocktail of earthy rock and nightclub glamour. The album was produced by Rob and James, mixed by Dave Eringa (Manic Street Preachers), with digital mastering by Joe La Porta and vinyl mastered by Miles Showell at Abbey Road Studios.

KillerStar’s debut album is available to pre-order HERE. It will be released on CD, black vinyl, a limited edition 180-gram gold vinyl pressing, and digital formats.

KillerStar will play a special UK album launch show at London’s 100 Club on March 16th. Rob and James will be joined by three of the key musicians on the album in the shape of Earl Slick (guitar), Mark Plati (bass) and Emm Gryner (backing vocals), and the line-up will be completed by keyboardist Dom Beken (Nick Mason’s Saucerful of Secrets, The Orb). Tickets are available HERE.

Tue, 11/14/2023 - 8:43 am

Cure 4 The Kids Foundation (C4K), Southern Nevada’s only pediatric cancer treatment center, has announced the release of Christmas 4 The Kids, a digital music compilation album containing 22 holiday music tracks.

The album, available on all major music streaming platforms, features a new version of the John Lennon classic “Happy Xmas” featuring Backstreet Boys’ Nick Carter and American Idol Casting Producer Kyle Khou. One hundred percent (100%) of the streaming proceeds from Christmas 4 The Kids go directly to kids battling cancer and rare diseases. Watch the Official Music Video HERE.

“I’m so happy and fortunate to be part of the Christmas 4 The Kids project,” said Nick Carter. “Cure 4 The Kids Foundation does incredible work serving Southern Nevada’s most vulnerable kids and listening to Christmas 4 The Kids is a simple and easy way to support these courageous kids.”

It has never been easier to help children battling pediatric cancer and other rare diseases. By simply streaming any of the 22 tracks on Christmas 4 The Kids, listeners will be making a small donation to C4K. The album is available on over 30 music streaming services including Apple Music, Spotify, Amazon Music Unlimited, Pandora and everywhere you can stream digital music. Listeners can find the tracks by searching for Christmas 4 The Kids or asking their smart speaker connected with a streaming service to play Christmas 4 The Kids.

“The Christmas holiday is a season of family, hope, love, and optimism. Listening to Christmas 4 The Kids is a simple way to help kids with cancer and rare diseases and provide hope and much-needed financial help to kids and families during the holiday season” said Annette Logan-Parker, Founder and CEO of Cure 4 The Kids Foundation. “We’ve had remarkable support in the entertainment community for this project and are grateful for the outpouring of support both in Las Vegas and around the country.”

Among the 22 holiday tracks is a new version of the John Lennon classic “Happy Xmas” featuring Nick Carter of Backstreet Boys. American Idol Casting Producer Kyle Khou joins Carter in a passionate duet on the lead vocal for “Happy Xmas.” The track features professional musicians from shows on the Las Vegas Strip as well as many C4K cancer patients singing on the chorus. Two different mixes of the duet appear on the album from award-winning sound engineers Stephen Hart and Jon Muro. The digital album includes additional holiday tracks by The Smithereens, Ron Dante (former Barry Manilow producer), Alphabet Rockers, (2023 GRAMMY winner for Best Children’s Album) and many more.

In addition to the digital album, a music video for “Happy Xmas” is also available. It features well-known celebrities from the Las Vegas Strip including Blue Man Group, Murray SawChuck, the cast of History Channel’s Counting Cars, and others as well patients of Cure 4 The Kids Foundation and the C4K providers who care for them. The video was shot in the state-of-the-art virtual production studio Vū Studios in Las Vegas. The video is available on the Cure 4 The Kids Foundation YouTube Channel and Facebook page.

One hundred (100%) percent of the streaming proceeds will go directly to Cure 4 The Kids Foundation, a 501(c)3 nonprofit organization treating children with cancer and rare diseases - including those who are without medical insurance.

Amazon Music Unlimited - https://amzn.to/40CmhI3   https://bit.ly/3FUJV9h

Apple Music - https://apple.co/3QprRJ6

iTunes - https://apple.co/46YaxlC (download)

Pandora - https://bit.ly/3QEKjPg

Spotify - https://spoti.fi/40kLxCG

YouTube -https://bit.ly/3MpYBRr

Official Music Video - https://bit.ly/3SrSwYq

In addition to streaming songs, the public can support the Christmas 4 The Kids digital album project by making a donation to the Cure 4 The Kids Foundation GoFundMe campaign.

Tracklist:

Happy Xmas (War Is Over) [Jon Muro Mix] - Kyle Khou/Nick Carter

Santa Loves Las Vegas - Rob Hegel

Have Yourself A Merry Little Christmas - Ron Dante

Christmas Magic Is Real - Alphabet Rockers

Last Christmas - Sage Johnston

That Festive Feeling - Huuli

The Bells of St Victor - Andrew Gold

Happy Xmas (Cancer’s Over) [Stephen Hart Mix] - Kyle Khou/Nick Carter

Rockin’ Around the Christmas Tree – The Smithereens

Christmas (Baby Please Come Home) - Doc Oliver

I’m Coming Home For Christmas - Orleans

Away In A Manger - George Hill

Happy Xmas (Cancer’s Over) [Jon Muro Mix] - Kyle Khou

2000 Miles - The Black Donnellys

All I Want For Christmas Is You - Mary Wilson

I’m A Little Angel - Auntie Kayte

On Christmas Eve - Andrew Gold

Let It Snow, Let It Snow, Let It Snow - Jeff Jimerson

O Holy Night - Jessica Rosado

Happy Xmas (Cancer’s Over) [Stephen Hart Mix] - Kyle Khou

Happy Xmas (Cancer’s Over) [Instrumental] - C4K Kids

About Cure 4 The Kids Foundation

Founded in Las Vegas in 2007, Cure 4 The Kids Foundation provides high-quality, research-focused medical treatment to children battling cancer and other life-threatening conditions. Cure 4 The Kids Foundation operates the only outpatient childhood cancer treatment center in Nevada and is proudly accredited by The Joint Commission. This stringent medical accreditation and the required unannounced inspections ensure patients are getting the best care possible. A 501(c)(3) nonprofit organization, Cure 4 The Kids Foundation increases access to specialized treatments that improve patient outcomes. Its Charity Care Program provides high-quality treatment on a sliding-scale basis. No patient is ever turned away for financial reasons. For more information, visit www.cure4thekids.org.

Tue, 11/14/2023 - 9:14 am

Following a busy and successful 2023 with his critically acclaimed THE DEVIL ALWAYS COLLECTS album (released this past September) and his first live shows in over four years, iconic guitarist, songwriter, vocalist, and three-time Grammy Award-winner BRIAN SETZER will hit the road again in 2024. The new dates kick off February 24 in California, including stops in Los Angeles, Las Vegas, Dallas, Austin and more before wrapping March 10 in Nebraska (see full itinerary below). Pre-sale and on sale info is below; head to www.briansetzer.com for additional information.

 

●Artist Presale: Wednesday, November 15 (10:00 AM, local time)-Thursday, November 16 (10:00 PM, local time )

●Local Presale: Thursday, November 16 (10:00 AM-10:00 PM, local time)

●Public On Sale: Friday, November 17 (10:00 AM, local time)

BRIAN’s 2024 tour will come on the heels of his 2023 “ROCKABILLY RIOT” tour which coincided with the release of THE DEVIL ALWAYS COLLECTS. SETZER’s guitar work on the album is virtuosic and his vocals deliver the clever storylines of catchy songs like “The Devil Always Collects,” “Girl On The Billboard,” and “Rock Boys Rock.” Add in non-stop freight train rhythms, and you have an album—produced by BRIAN SETZER and Julian Raymond and mixed by Chris Lord-Alge—that stands with SETZER's best. Listen to the album HERE.

Here's some critical feedback on the album:

“Looking for something to spice up your summer road trip playlist? Look no further than the lead single from rockabilly guitar titan Brian Setzer’s forthcoming LP, The Devil Always Collects. It’s pure roadside bar sleaze in the best way – with strutting Chuck Berry-by-way-of-the-gutter riffs, and even a Route 66 namecheck. You’ll want to put the pedal to the metal with this coming through your speakers.”

—Jackson Maxwell, GUITARWORLD.COM, 7/28/23 on “Girl On The Billboard”

“While impossible to stylistically separate The Devil Always Collects from Setzer's previous output (and why would you?), it's more polished, immediate, and even modern sounding with no compromise to the music. In other words, this is prime, deeply inspired Setzer.”

—Thom Jurek, ALLMUSIC.COM, 9/15/2023

“…arguably, one of his best [albums]. You can’t deny his incendiary guitar work, smooth vocals and artful blend of rockabilly, swing and retro cool. And jazzy acrobatic numbers like ‘What’ll it Be Baby Doll’ and Black Leather Jacket”’ are well crafted and seal the deal.”

—Eric Harabadian, MUSIC CONNECTION, 10/17/2023

“On his latest release, The Devil Always Collects Setzer sounds like a 21st-century Gene Vincent – Eddie Cochran hybrid with guitar chops speeding down the highway at 100 miles an hour while singing about the two main themes of rockabilly music – girls and good times with a playful sense of defiance and rebellion. His guitar playing sizzles and pops throughout with breathtaking dives and runs that boggle the mind…Brian Setzer is a keeper of the flame of the music that we all know and love and for that, we should all be grateful.”

—John Michael Antonio, AMERICANA HIGHWAYS, 9/18/2023

“Rock’n’Roll legend Brian Setzer once again proves he always delivers on his new album, The Devil Always Collects. From Blues to Jazz to Rock’n’Roll, The Devil Always Collects spotlights Setzer’s ability to create highly energetic, highly danceable Rock’n’Roll.”

—Brian Rock, THE ALTERNATE ROOT, 9/23/2023

“Although he’s always looked to the past for inspiration, Brian Setzer’s music never seems dated. Playing his hunches has given him the freedom to follow his muse. The Devil Always Collects doesn’t disappoint.”

—Eleni P. Austin, COACHELLA VALLEY WEEKLY, 11/9/2023

BRIAN SETZER’s 2024 tour dates are as follows:

DATE           CITY                      VENUE

Sat-Feb-24   Lincoln, CA            Thunder Valley Casino Resort

Sun-Feb-25   Oakland, CA          Fox Theater

Tue-Feb-27   Los Angeles, CA    The Wiltern

Wed-Feb-28  Phoenix, AZ           Celebrity Theatre

Fri-Mar-1      Temecula, CA        Pechanga Resort Casino

Sat-Mar-2     Las Vegas, NV       The Pearl

Sun-Mar-3    Tucson, AZ            Fox Tucson Theatre

Tue-Mar-5    Austin, TX             Paramount Theatre

Wed-Mar-6   San Antonio, TX    Tobin Center for the Performing Arts

Thu-Mar-7    Dallas, TX              The Majestic Theatre

Sat-Mar-9     Salina, KS              The Stiefel Theatre

Sun-Mar-10  La Vista, NE           The Astro Theater

Thu, 11/16/2023 - 2:07 pm

“I think most of us have happy memories of Christmas and other holidays. Hearing holiday songs that are ingrained in your memory can engage your mind in a way that creates a roadblock for thoughts that cause us pain and stress. Holiday songs and music in general can provide a respite from the turmoil in the world. I believe that music, more than anything, can help us find a common denominator amid all the polarization that poisons our minds and souls. So with that in mind, I want to wish everyone happy holidays!”

–MICKEY THOMAS, 2023

MICKEY THOMAS of STARSHIP is one of rock’s most recognizable vocalists. His deeply soulful and soaring voice has powered an array of massive hits, starting with “Fooled Around And Fell In Love” with The Elvin Bishop Band in 1976, followed by “Jane,” “No Way Out,” “Find Your Way Back,” “Stranger,” and “Layin’ It on the Line” with Jefferson Starship, and then three #1 hits—“We Built This City,” “Sara,” and “Nothing’s Gonna Stop Us Now”—with STARSHIP. On December 1, MICKEY will release “A Classic Christmas,” a two-sided single (available digitally only, via Symphonic Distribution) on which he distinctively lights up such holiday gems as “Have Yourself A Merry Little Christmas” and “It's the Most Wonderful Time of the Year.” Pre-save “A Classic Christmas” HERE.

Having recorded only one Christmas song before—a bluesy/gospel version of “Silent Night” with the Elvin Bishop Band in 1976—MICKEY says, “I love traditional Christmas songs because most of them were written by fantastic old school writers. They all have a terrific sense for melody and usually have very creative rhyme schemes.”

He adds: “In general, I prefer Christmas songs that are pensive and reflective. I love the ones that transport me into a warm nostalgia—the ones that express deeply personal feelings as opposed to religious themes. ‘Have Yourself A Merry Little Christmas’ is a perfect example. It’s somewhat melancholy yet hopeful at the same time. I always imagine Judy Garland in the window singing it to her little sister in the hope of cheering her up.

“I then tried to balance the pensive nature of ‘Have Yourself…’ by pivoting to another classic (‘It’s The Most Wonderful Time of the Year’) that is truly a celebration of all things Christmas. Parties, singing carols, sledding, roasting marshmallows, social gaiety, reminiscing about past Christmases. It also gives me a chance to channel my inner crooner😊.”

Both songs were produced, mixed, and engineered by Dan Frizsell and recorded in East Iris Studios in Nashville with John Willis (guitars), David Dorn (keys), Mark Hill (bass), and Evan Hutchings (Drums). “The recording session was a fantastic experience and worked like a charm,” says MICKEY. “Dan Frizsell assembled an incredible group of players—some of the best studio musicians in Nashville. They were not only musical virtuosos but also funny as hell. I love the experience of walking into a studio and diving into the process with people you’ve never met or worked with. The chemistry was spot on from the get-go and we all had a blast recording the songs.”

About Mickey Thomas and STARSHIP:

Mickey Thomas is the owner of the soaring voice that propelled STARSHIP through the decade of the 80’s. With his soulful and compelling vocals, Mickey has established himself as one of Rock Music’s most recognizable stars.

Mickey made his mark in 1976 as lead vocalist on the mega-hit “Fooled Around And Fell In Love” with The Elvin Bishop Band. In 1979, Mickey joined Jefferson Starship as the lead vocalist, after the departure of Grace Slick and Marty Balin, and recorded a string of hits including “Jane”, “No Way Out”, “Find Your Way Back”, “Stranger”, and “Layin’ It on the Line”.

The group was renamed STARSHIP in 1985 and went on to record three #1 hit songs including “We Built This City”, “Sara”, and “Nothing’s Gonna Stop Us Now”, from the film, Mannequin, which also was an Academy Award nominee. Their hit “It’s Not Over ‘Til It’s Over” became Major League Baseball’s theme in 1987. Mickey’s stellar voice and video charisma on STARSHIP’s video classics such as “We Built This City” and “Sara” became staples on MTV and VH1.

Tue, 11/21/2023 - 1:53 pm

BRIT FLOYD currently in the midst of their multi-city “50 Years of Dark Side Tour” of North America, will wrap the 2023 dates with some very special guests for the tour’s final three shows.  Pink Floyd Alum Durga McBroom and Scott Page, Harry Waters (Roger Waters’ son and piano and Hammond player) and PJ Olsson (lead vocalist of Alan Parsons Live Project) will join The World’s Greatest Pink Floyd Experience in Phoenix, AZ (November 28), Los Angeles, CA (November 30) and Ventura, CA (December 1).

The 50 Years of Dark Side tour features over two and a half hours of Pink Floyd music encompassing the band’s iconic career. BRIT FLOYD’s team have created a show that includes state-of-the-art visuals (lights, lasers, and animation) which are all presented with immersive soundscapes and virtuosic musicianship. When the tour wraps, the 50 Years of Dark Side trek will have encompassed more than 108 dates with return stops in many markets, alongside first-ever performances in other markets. The Dark Side Of The Moon, released in 1973, is one of the most critically acclaimed albums of all time and includes Pink Floyd’s iconic single "Money."

Up next for Brit Floyd is a massive 2024 90-city tour of North America, plus shows in 45 cities in the UK, and Europe to celebrate the 30th anniversary of Pink Floyd’s Pulse and The Division Bell albums. Additional details to be announced.

About Brit Floyd:

Formed in 2011, Brit Floyd consists of performances supported by an immense, immaculately curated state-of-the-art production, reverently emulating the stunning soundscapes and visuals of Pink Floyd’s iconic catalog. Brit Floyd is a celebration of authenticity, featuring musicians handpicked by Damian Darlington. The 2023 touring band includes Darlington (Guitarist, Vocalist and Musical Director), Ian Cattell (Vocals, Bass), Edo Scordo (Guitars, Vocals), Matt Riddle (Keyboards, Synths, Hammond, Vocals), Arran Ahmun (Drums, Percussions), Ryan Saranich (Saxophone, Percussions, Guitars, Bass, Keyboards), Randy Cooke (Drums and Percussion), Canadian Idol Winner Eva Avila (Lead and Backing Vocals), Genevieve Little (Backing Vocals), Jessie Lee Houllier (Backing Vocals) and Robyn Cage (Backing Vocals). Historically, the shows have featured guest appearances from musicians from Pink Floyd's studio and road line-ups: bassist/vocalist Guy Pratt joined Brit Floyd onstage at the Echo Arena in Liverpool in 2013 and Pink Floyd saxophonist/guitarist Scott Page has performed with the band on numerous occasions, as have Pink Floyd backing vocalists Roberta Freeman and Durga McBroom.

BRIT FLOYD’S remaining 2023 dates are as follows

DATE

LOCATION

VENUE

 

WED NOV 22

ORLANDO, FL

DR. PHILLIPS CENTER FOR THE PERFORMING ARTS

TICKETS

FRI NOV 24

HUNTSVILLE, AL

MARK C. SMITH CONCERT HALL

TICKETS

SUN NOV 26

SAN ANTONIO, TX

AZTEC THEATRE

TICKETS

TUE NOV 28

PHOENIX, AZ

ARIZONA FINANCIAL THEATRE

TICKETS

THU NOV 30

LOS ANGELES, CA

YOUTUBE THEATRE

TICKETS

FRI DEC 1

VENTURA CA

VENTURA THEATER

TICKETS

Tue, 11/28/2023 - 10:23 am

For the first time in its long and renowned history, the iconic Montreux Jazz Festival has announced Montreux Jazz Festival Miami.

Set to make its debut March 1-3, 2024 at The Hangar in Coconut Grove, FL, the line-up for the inaugural three-day event will include a headlining performance from multi-Grammy® and Oscar® winner Jon Batiste, who along with a group of partners has worked to bring the iconic Montreux Jazz Festival to Miami; Batiste, co-owner of the event, will also serve as the Miami festival’s Artist Ambassador. Announced headliners also include Rock And Roll Hall Of Famer Daryl Hall and Brazilian singer, songwriter Daniela Mercury, with supporting acts, masterclass lineup, and special guests to be announced in January 2024.

To recreate the intimacy of Montreux, Switzerland, Montreux Jazz Festival Miami will be primarily hosted in The Hangar, a 1500-person, waterfront venue in Coconut Grove, assuring the ultimate fan experience. Attendees will also experience sunset concerts featuring emerging musicians on an outdoor stage adjacent to The Hangar in Coconut Grove. Programming at the venue will also include music masterclasses and the Legendary Montreux Jam Session. On the night of March 1, Batiste will throw an exceptional inaugural performance featuring multiple special guests. The festival experience will include curated dining options from some of Miami’s best restaurants as well as a pop-up of the famed vinyl listening bar, Dante’s Hifi.

“The Montreux Jazz Festival is a truly magical experience for artists and music lovers of all kinds,” Jon Batiste says. “I’m honored to play a part in bringing this experience across the ocean to Miami and challenging the borders of musical genres. It’s going to be an unforgettable three days.”

“As a city of cultural connection, Miami naturally lends itself to the musical diversity that Montreux has become synonymous with,” said Mathieu Jaton, CEO of Montreux Jazz Festival. “We believe that the waterfront location and the artists performing in this first edition are a true reflection of the original Montreux Jazz Festival experience.”

Single-day ticket prices begin at $199 and VIP tickets at $699. Tickets for the Legendary Montreux Jam Session are available for $99. Ticket pre-sales start Tuesday, November 28 at 10:00 AM ahead of tickets going on sale November 30. Payment plans are also available. To view all ticketing options and additional details about Montreux Jazz Festival Miami, click here.  Montreux Jazz Festival Miami is supported by Audemars Piguet, a global partner of the Montreux Jazz Festival.

About Montreux Jazz Festival

The Montreux Jazz Festival takes place for two weeks every summer in Switzerland, on the shores of Lake Geneva. Created in 1967 by Claude Nobs and directed by Mathieu Jaton since 2013, the Montreux Jazz Festival has become over the years an essential event, generating fantastic stories and legendary performances. Nearly 250,000 spectators come to the Festival every year, enjoying a breath-taking setting, concerts with renowned acoustics and many free stages. Montreux Jazz Festival celebrates the industry’s emerging and contemporary acts, whilst paying homage to music’s legendary acts. Originally a pure jazz festival since inception in 1967, Montreux began showcasing other styles of music throughout the decades and today presents artists from across every genre imaginable. Artists that have graced the stage of Montreux include Etta James, Quincy Jones, Bob Dylan, Elton John, Ms. Lauryn Hill, Aretha Franklin, David Bowie, James Brown, Kendrick Lamar, Leonard Cohen, Marvin Gaye, Miles Davis, Nina Simone and many more. In addition to its iconic annual event, the Montreux Jazz Festival has exported its unique expertise and ambiance to cities worldwide for over fifty years. From São Paulo to Detroit, Atlanta to Singapore, Monaco to Tokyo, Rio de Janeiro to Suzhou, and now Miami, these global editions continue to embody the spirit of the Montreux Jazz Festival. www.montreuxjazzfestival.com

Fri, 12/01/2023 - 8:47 am

Today, December 1, MICKEY THOMAS of STARSHIP has released “A Classic Christmas,” a two-sided single (available digitally only, via Symphonic Distribution) on which he distinctively lights up such holiday gems as “Have Yourself A Merry Little Christmas” and “It's the Most Wonderful Time of the Year” with his deeply soulful and soaring voice.

Listen to “A Classic Christmas” HERE.

Having recorded only one Christmas song before—a bluesy/gospel version of “Silent Night” with the Elvin Bishop Band in 1976—MICKEY says, “I love traditional Christmas songs because most of them were written by fantastic old school writers. They all have a terrific sense for melody and usually have very creative rhyme schemes.”

Both songs were produced, mixed, and engineered by Dan Frizsell and recorded in East Iris Studios in Nashville with John Willis (guitars), David Dorn (keys), Mark Hill (bass), and Evan Hutchings (Drums). “The recording session was a fantastic experience and worked like a charm,” says MICKEY. “Dan Frizsell assembled an incredible group of players—some of the best studio musicians in Nashville. They were not only musical virtuosos but also funny as hell. I love the experience of walking into a studio and diving into the process with people you’ve never met or worked with. The chemistry was spot on from the get-go and we all had a blast recording the songs.”

About Mickey Thomas and STARSHIP:

Mickey Thomas is the owner of the soaring voice that propelled STARSHIP through the decade of the 80’s. With his soulful and compelling vocals, Mickey has established himself as one of Rock Music’s most recognizable stars.

Mickey made his mark in 1976 as lead vocalist on the mega-hit “Fooled Around And Fell In Love” with The Elvin Bishop Band. In 1979, Mickey joined Jefferson Starship as the lead vocalist, after the departure of Grace Slick and Marty Balin, and recorded a string of hits including “Jane”, “No Way Out”, “Find Your Way Back”, “Stranger”, and “Layin’ It on the Line”.

The group was renamed STARSHIP in 1985 and went on to record three #1 hit songs including “We Built This City”, “Sara”, and “Nothing’s Gonna Stop Us Now”, from the film, Mannequin, which also was an Academy Award nominee. Their hit “It’s Not Over ‘Til It’s Over” became Major League Baseball’s theme in 1987. Mickey’s stellar voice and video charisma on STARSHIP’s video classics such as “We Built This City” and “Sara” became staples on MTV and VH1.

Thu, 01/04/2024 - 9:13 am

Coming off a dynamic 2023 which saw the release of his acclaimed collaborations album ACCOMPLICE TWO, a Grammy nomination, and “Lifetime Achievement” Award from The National GUITAR Museum, TOMMY EMMANUEL is starting 2024 where he brilliantly shines—on the stage—with his infectious guitar virtuosity and charismatic personality.

Between January 10-February 2, the acoustic guitarist extraordinaire, composer, and global touring artist will headline shows in the UK (with support act Molly Tuttle), Ireland (with Mike Dawes) and Paris (with Clive Carroll) before returning to the US on February 20 in Tulsa, OK. See his U.S. tour dates below (with support acts Rob Ickes and Trey Hensley) and the full international tour dates here.

TOMMY’s Grammy nomination (in the Best Arrangement, Instrumental or A Cappella category) is for “Folsom Prison Blues” by The String Revolution Featuring Tommy Emmanuel that was produced by Grammy® winning producer (and Johnny Cash’s son), John Carter Cash. Watch an in-studio video of it HERE and a discussion of the recording with TOMMY and The String Revolution HERE. The GRAMMYs air Sunday, February 4 and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.

This past December, The National GUITAR Museum bestowed TOMMY with its annual “Lifetime Achievement” Award for 2023. He’s the fourteenth recipient of the award that most recently (2022) celebrated Jeff Beck.

“To watch Tommy play fingerstyle guitar is to see possibilities in the guitar that most guitarists don’t even know exist,” according to HP Newquist, the executive director of The National GUITAR Museum. “Tommy’s extraordinary skill is second to none among modern guitar players. He truly is one of the few players in history about whom the term “jaw-dropping” is perfectly suited. Over his decades-long career he has become both an icon and an inspiration, and we’re honored to be able to recognize Tommy’s contribution to the guitar with this award.”

Said TOMMY: “I want to thank the National Guitar Museum for this wonderful honor. I feel like it was yesterday when I started playing this beautiful instrument,” said Tommy. “I will always be grateful to my parents for nurturing us kids as youngsters, encouraging us and exposing us to good music, and the artists who exemplified the words "Talented Entertainers". The guitar has taken me places I could never have dreamed of, introduced me to audiences all over the world that I now have a relationship with, and kept that fire burning in my belly, to keep trying to learn more, play better, write deeper and give it all up on stage to the people I love playing for. I owe so much to so many who came before me and laid it all out. We, the lucky generation, have big shoes to fill.”

TOMMY EMMANUEL’s current album ACCOMPLICE TWO (the follow-up to 2018’s Accomplice One album) was released this past April via CGP Sounds. Produced lovingly by EMMANUEL, regarded by guitar great Chet Atkins as “one of the best guitar players I’ve ever seen,” the 16-track ACCOMPLICE TWO is a spirited mix of new takes on indelible classics and brand-new originals from TOMMY. His collaborators are some of the most remarkable musicians on the planet—an “A” list of musicians including Billy Strings, Molly Tuttle, Michael McDonald, Jamey Johnson, Raul Malo, and many more (the full list is HERE). View the album’s critical praise HERE. EMMANUEL has continued to release videos including most recently these, filmed by Joshua Britt and Neilson Hubbard for Neighborhoods Apart.

ACCOMPLICE TWO is alive with the electric spirit of spontaneous, timeless joy created by inspired virtuosos. The combined artistry contained on these tracks is stunning, as is TOMMY’s cheerful ease at connecting naturally with this vast spectrum of musicians. Like the first volume, he merges the presence of beloved, legendary musicians—such as Jorma Kaukonen, Nitty Gritty Dirt Band, Little Feat, Sam Bush, the Del McCoury Band and Jerry Douglas—with the bright spirit of acclaimed young artists breaking through with deep artistry and true reverence for the power of song.

Here are TOMMY’s U.S. tour dates for 2024. The full international list of dates is HERE.

DATE

LOCATION

VENUE

Tuesday, February 20

Tulsa, OK

Cox Business Convention Center

Wednesday, February 21

Salina, KS

Stiefel Theatre for the Performing Arts

Friday, February 23

Denver, CO

Paramount Theatre

Saturday, February 24

Grand Junction, CO

Avalon Theatre

Monday, February 26

Salt Lake City, UT

Rose Wagner Theater

Tuesday, February 27

Boise, ID

Egyptian Theatre

Wednesday, February 28

Spokane, WA

Martin Woldson Theater at the Fox

Friday, March 1

Seattle, WA

Moore Theatre

Saturday, March 2

Bend, OR

Tower Theatre

Sunday, March 3

Grants Pass, OR

Rogue Theatre

Monday, March 4

Portland, OR

Newmark Theatre

Tuesday, March 5

Eureka, CA

Arkley Center for the Performing Arts

Wednesday, March 6

Redding, CA

The Cascade Theatre

Thursday, March 7

Campbell, CA

Heritage Theatre

Friday, March 8

Bakersfield, CA

Buck Owens' Crystal Palace

Saturday, March 9

Santa Barbara, CA

UC Santa Barbara: Campbell Hall

Sunday, March 10

Anaheim, CA

House of Blues Anaheim

Tuesday, May 7

Durham, NC

The Carolina Theatre of Durham

Wednesday, May 8

Richmond, VA

Carpenter Theatre

Friday, May 10

Gettysburg, PA

The Majestic Theatre

Saturday, May 11

Newton, NJ

The Newton Theatre

Sunday, May 12

Westhampton Beach, NY

Westhampton Beach Performing Arts Center

Tuesday, May 14

Lebanon, NH

Lebanon Opera House

Wednesday, May 15

New London, CT

Garde Arts Center

Thursday, May 16

Lexington, MA

Cary Hall

Friday, May 17

Albany, NY

The Egg

Saturday, May 18

Port Chester, NY

The Capitol Theatre

Sunday, May 19

McKees Rocks, PA

Roxian Theatre

Tuesday, May 21

Buffalo, NY

Asbury Hall

Wednesday, May 22

Hamilton, ON

FirstOntario Performing Arts Centre

Thursday, May 23

Oshawa, ON

Regent Theatre

Thu, 01/04/2024 - 9:45 am

TOTALLY TUBULAR FESTIVAL will debut in 17 markets across North America starting June 28 in Santa Barbara, CA and wrapping up July 27 in Cincinnati, OH, it was announced today (January 4).

The festival features artists that exploded in the pop culture zeitgeist in the early to mid-1980’s thanks mainly to the high rotation of their music videos on MTV; the genre has also seen a resurgence in popularity in recent years. The artists performing on the 2024 tour include THOMAS DOLBY, THOMPSON TWINS’ TOM BAILEY, MODERN ENGLISH, MEN WITHOUT HATS, THE ROMANTICS, BOW WOW WOW, TOMMY TUTONE (select markets), and THE PLIMSOULS.

“This is a dream lineup for those who love the music of the early 1980’s, and for those who want to relive the days when life was…plain and simply--a total party,” says Jon Pleeter, CPO (Chief Party Officer) of TOTALLY TUBULAR FESTIVAL. “You wore dayglow, you wore parachute pants, you had big hair, perms and more perms, mullets, leg warmers, along with tons of buttons and lots of rubber bracelets. You wore sunglasses at night. The choruses were big, and the hooks were bigger—the party didn’t end.”

A portion of proceeds from ticket sales will go towards food banks locally in each market.

TOTALLY TUBULAR FESTIVAL tour dates include:

6/28 – Santa Barbara, CA – Santa Barbara Bowl

6/29 – Los Angeles, CA – YouTube Theatre

6/30 – Oakland, CA – Fox Theatre

7/3 – Phoenix – Arizona Financial Theatre

7/6 – Englewood, CO – Fiddler’s Green Amphitheatre

7/9 – Irving, TX – Pavilion @ Toyota Music Factory

7/10 – Houston, TX – 713 Music Hall

7/13 – Raleigh, NC – Red Hat Amphitheatre

7/16 – Bridgeport, CT – Hartford Healthcare Amphitheatre

7/17 – Boston, MA – MGM Music Hall @ Fenway

7/18 – New York, NY – Pier 17

7/19 – Atlantic City, NJ – Hard Rock Live @ Etess Arena

7/20 – Bushkill, PA – Poconos Park Amphitheatre

7/23 – Laval, QUE – Place Bell

7/24 – Missisauga, ONT – GCT Theatre

7/26 – Detroit, MI – Meadowbrook Amphitheatre

7/27 – Cincinnati, OH – Riverbend Music Center Amphitheatre

Fri, 01/05/2024 - 9:26 am

Southern California alternative rock outfit DIRTY HEADS spent the summer touring across the U.S. on the headlining “Island Glow” tour and are excited to share a new live- recorded version of their hit single “John Linen” which features rapper Yelawolf who was featured as an opening act on the first leg of the tour. The single is out today across all digital platforms via Better Noise Music HERE along with a new music video featuring performance footage from the tour. Watch it streaming below or HERE.

“We were stoked to have Yelawolf on tour with us,” shares vocalist JARED WATSON. “He puts on a great show and knows how to have a good time. So, we invited him up to run a verse and he delivered a moment that was one of the highlights of the show and tour.”

“It was such an honor sharing the stage with Yelawolf, he absolutely murdered this verse,” says guitarist DUDDY B. “I'm glad we were able to capture this moment live for y’all.”

YELAWOLF remarks: “Jared and Duddy really looked out for me on the tour we rocked together. Dirty Heads became instant fam and when the opportunity came to jump on ‘John Linen’ I was all over it! The song fuckin' slaps...these dudes know their shit and I’m a snob about hip hop, especially…if I don’t vibe I’m out. This song, however, I was psyched to be a part of! Looking forward to more collaborations with the Dirty Heads!”

The original version of “John Linen” featured Alex Vince and Ivuss (aka pro surfer Ivy Miller) and was released in April. The single has since accumulated 78.5 million streams and its lyric video has 478K views. It is also featured on the deluxe edition of their critically acclaimed 2022 album, MIDNIGHT CONTROL, out now via Better Noise Music, and includes 13 new tracks with acoustic versions of hit songs “Rescue Me”—which spent the entire month of August at #1 on the Alternative radio charts—“Life’s Been Good,” and “Island Glow,” three Lo-Fi versions of album tracks and three previously unreleased songs. Stream/download MIDNIGHT CONTROL: DELUXE at http://dirtyheads.com/midnightcontroldeluxe.

DIRTY HEADS’ eighth studio album Midnight Control featured 10 all-new songs, including their take on Joe Walsh’s 1978 hit “Life’s Been Good,” which the band performed on national TV on NBC’s “The Today Show” earlier this year. The song has been streamed over 30 million times since the album's release in May 2022. The album debuted in Top 10 of Billboard’s Top Independent Album and Top Alternative Albums charts and has been streamed over 43 million times since its release, averaging 4 million monthly streams. In June, MIDNIGHT CONTROL was released on vinyl for the first-ever time via Better Noise Music. Get your copy now HERE.

Tue, 01/09/2024 - 10:34 am

Look for BILLY MORRISON to release THE MORRISON PROJECT—his third solo album and first since 2015—on April 19 via TLG/VIRGIN MUSIC GROUP.

The British guitarist, singer, and songwriter—primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens, and for his previous role as bassist in The Cult—has assembled an electrifying 12 songs including guest performances by Ozzy Osbourne, Billy Idol, DMC, Al Jourgensen, Steve Vai, Steve Stevens, Linda Perry, Tommy Clufetos, John5, and more. The album’s first single “Drowning” is out February 23, accompanied by a video. Pre-order “Drowning” HERE.

THE MORRISON PROJECT was produced by Billy Morrison, mixed by Barry Pointer, and mastered by Dave Donnelly. All the songs on the album—recorded in Los Angeles at various studios—were written by Billy Morrison in collaboration with his guests.

“One of the greatest things about writing this album was being able to let my guest singers do their own thing,” says MORRISON. “I would send them the track with no guidelines and just had them do whatever they felt. I think that gave those songs an energy and a life force that would not be there if I had tried to get involved in their lyrics or their melodies. And I loved everything they all did!”

He adds: “With the songs that I sing on this record, I wanted to write from an observational standpoint about the state of the world, the news outlets, the information flow (or lack of it) and the general sense of dis-ease that seems to be all-pervading right now.”

How did THE MORRISON PROJECT come together? “I truly believe that making music without any preconceptions or goals yields the most creative and enjoyable results. And that is exactly how this record came to life. Making music with Erik (Eldenius) and Jeordie (White) during Covid, and mixing different musical styles started my journey towards this collection of songs that ended up featuring a lot of my friends.”

THE MORRISON PROJECT features 12 original tracks:

DROWNING

(Written by Billy Morrison/Erik Eldenius/Jeordie White)

CRACK COCAINE

(Featuring Ozzy Osbourne and Steve Stevens with Tommy Clufetos on Drums)

(Written by Billy Morrison/ Ozzy Osbourne/Steve Stevens)

ITS COME TO THIS

(Written by Billy Morrison/Erik Eldenius)

THE AYES HAVE IT

(Featuring Al Jourgensen and John5 with Roy Mayorga on Drums)

(Written by Billy Morrison)

DYSTOPIA

(Written by Billy Morrison/Erik Eldenius/Jeordie White)

INCITE THE WATCH

(Featuring Corey Taylor and Steve Vai) (Written by Billy Morrison, Erik Eldenius, Jeordie White, Corey Taylor)

PUPPETS ON A STRING

(Written by Billy Morrison/Erik Eldenius/Jeordie White)

JUST LIKE A MOVIE

(Featuring D.M.C. and Persia Numan with Erik Eldenius on Drums)

(Written by Billy Morrison/Erik Eldenius/Jeordie White/ Darryl McDaniels/Persia Numan)

THE SOUND OF FREEDOM

(Written by Billy Morrison, Erik Eldenius, Jeordie White)

MR. DREAM

(Featuring Billy Idol and Steve Stevens)

(Written by Billy Morrison, Erik Eldenius, Jeordie White, Steve Stevens, Billy Idol)

WE ARE THE DEAD

(Written by Billy Morrison, Erik Eldenius, Jeordie White)

CHASING SHADOWS

(Featuring Linda Perry)

(Written by Billy Morrison)

Fri, 01/12/2024 - 11:31 am

As heard on their introductory singles “Falling Through” and “Should’ve Known Better,” Rob Fleming and James Sedge’s new band KillerStar expresses timeless ‘70s musicianship and art-rock invention through a contemporary prism. And if you’re reeling back the years, where better to look for inspiration than the late great David Bowie? The duo have called upon an array of his key collaborators for the project—Earl Slick (guitar), Gail Ann Dorsey (bass), Mike Garson (piano), Emm Gryner (backing vocals), Mark Plati (bass), Tim Lefebvre (bass) and Donny McCaslin (saxophone)—and collectively they’re created the seemingly impossible: a band that’s new and essential for 2024, but also one that channels the creative ethos and independent spirit of the man himself.

Today (January 12), KillerStar take another big step towards the March 1 release of their self-titled debut album by sharing the new single and video “Got Me All Wrong.” Opening with an instant earworm of a guitar riff, it’s a song which has the immediacy of an old favorite: sophisticated pop-rock with a strut in its step, effortlessly cool vocal harmonies, and the space for every musician to bring their personality and flair to the fore. Musicians playing on “Got Me All Wrong” are Rob Fleming (vocals, guitar, synths) and James Sedge (drums) with guests from the David Bowie band: Earl Slick (guitar), Gail Ann Dorsey (bass), Mike Garson (piano), and Emm Gryner (backing vocals).

Rob Fleming says, “‘Got Me All Wrong’ has a groove and a high energy reflective of the lyrics and playful joy of the tune. James and I are joined by ex-David Bowie bandmates and collaborators Earl Slick, Gail Ann Dorsey, Mike Garson, and Emm Gryner. It was fantastic to have them come together again and work on this new music with us and throughout the whole album. The song ends with something of a musical tour de force of angular crunchy guitar riffs and a virtuoso signature piano solo from Mike.”

Just as the track playfully subverts throwback influences for a new era, the accompanying video does likewise by reimagining visual motifs inspired by the 1920s with a magnetic new performance from Sophie Allen. The video was premiered January 10 by The Big Takeover.

As director JJ Eringa (The Anchoress, Asylums) explains, “What I loved most about the song was its brilliant contrast of angular guitars with swirling sequences that are really quite hypnotic. This video uses sequences from Dada films by Hans Richter, Marcel Duchamp and Man Ray, which I love because this video is an opportunity to do a variation on what they were doing back then, recontextualising materials for a new purpose and giving them new life! This is all built around a brilliant central performance from Sophie Allen, who captured the exact balance of playfulness and undeniable cool that I was looking for, and which I think is present in the song too.”

KillerStar was formed by Rob Fleming (vocals, guitars, synths) and James Sedge (drums) to capture a sound that had previously felt missing: one that linked the current resurgence of psychedelia, the contemporary indie and alternative scenes, and the primal rush of early ‘70s rock ‘n’ roll. While they were definitively David Bowie fans, the idea of assembling a team of his collaborators arose more by chance than design when Rob invited Emm Gryner to contribute vocals before the other members arrived almost fortuitously.

With songs exuding gritty rock ‘n’ roll and time-honoured glamour, the record was full written and arranged by Rob and James before being completed by some suitably top tier collaborators. Mixing was provided by Dave Eringa, best known for his long-term creative connection with Manic Street Preachers, while mastering was provided by Miles Showell at Abbey Road.

The result is the band’s debut album, which is available to pre-order HERE. It will be released on limited edition 180-gram gold vinyl, black vinyl, CD and digital formats.

KillerStar will play a special UK album launch show at London’s 100 Club on March 16th. Rob and James will be joined by three of the key musicians on the album in the shape of Mike Garson, Earl Slick, Mark Plati and Emm Gryner (who will also play an opening solo set) along with keyboardist Dom Beken (Nick Mason’s Saucerful of Secrets, The Orb). Remaining tickets are available HERE.

Thu, 01/18/2024 - 10:24 am

ROSS VALORY, regarded as one of rock’s best bass guitarists and an original member of the multi-platinum band Journey until his 2020 departure, has returned with the video for “Tomland.” It’s the hypnotic first single from the bassist and songwriter’s debut solo album ALL OF THE ABOVE due out this April (exact date TBA) on OID Music.  Watch the movingly atmospheric video, directed by Michael Cotten, HERE, for the single that’s out this Friday (January 19).

Penned by VALORY, the all-instrumental “Tomland” marks the second piece recorded for the project—and the first done entirely at his new studio in the East Bay area of Northern California. The track builds to a ripping, climactic solo by red-hot guitarist Miles Schon, drummer Prairie Prince and keyboardist Eric Levy. VALORY had the basic parts kicking around since shortly after leaving the Steve Miller Band in 1972, a bluesey set of chords that roll into each other mellifluously, something he had jammed on a lot over the years. He pulled it out to fashion a piece that not only recalls the passing of collaborator Tom Size (accomplished engineer known for his work with Mr. Big, Y&T, and Aerosmith), but also offers an affirmation of resolve to move forward, the sunlight of optimism illuminating the process.

ROSS VALORY always had pieces of music tucked away that he had written, although songwriting contributions to Journey slipped away after the first three “experimental” albums. As a member of Journey, VALORY concentrated on shaping the rhythm section and contributing his baritone vocals to the background blend.

During the band’s second coming following the 1995 reunion album Trial By Fire, VALORY began sorting through his files and polishing up some of his old notes. In between tour dates, he pulled together a tight-knit group of collaborators and slowly began to finish what he started. After a lifetime in music, VALORY scrupulously etched ALL OF THE ABOVE. The album was produced by VALORY and co-produced by Jacob Stowe and Eric Levy.

VALORY developed a repertory company of musicians over the years that came together at his studio. He cultivated individual numbers like sprawling projects, experimenting with different arrangements played by an assortment of musicians. Sometimes spending years jamming on these ideas, the pieces took shape slowly. Different ideas were tried and discarded, remodeled and refurbished. The basic concept was to find the heart of the material and expand upon it until VALORY could refine and shape the music’s path to his supreme satisfaction. He cast specific musicians to specific parts. The studio became his laboratory and the compositions his experiments.

From the Latin-fired intensity of “Wild Kingdom” to the ethereal dirge of “No One Wins a War,” the raucous party on “Low Rider” or the brilliant reprise of Santana’s “Incident of Neshabur,” the album presents an evolved artist fully in command of his vision, a lifetime of experience behind the project, augmenting his core associates with guest musicians such as Gregg Errico of Sly & the Family Stone, drummer Steve Smith, and saxophonist Marc Russo. The nine tracks on the album represent the full maturity of VALORY’s musical gifts, cutting a broad swath through the instrumental territory the music travels. He plays keyboards, guitar, and, of course, many basses in a display of cultivated virtuosity across a palette far broader than could be found in his work with Journey. He is stepping out from behind his bass and, for the first time in his more than half-century as a professional musician, representing his vision and his compositions.

VALORY left Journey in 2020 and the band members worked out their issues in a peaceful mediated settlement. VALORY, who spent most of his life as a member of Journey, has no regrets. He counts his blessings at having spent an amazing career with a remarkable group of musicians who succeeded beyond their wildest dreams.

The ALL OF THE ABOVE track listing is as follows:

Wild Kingdom

Nightflower

Tomland

Touched, Part II

Windmill

Incident at Neshabur

Low Rider

No One Wins a War

Wed, 01/24/2024 - 1:51 pm

Galvanizing modern classic rock trio THE BLACK MOODS unveiled an electrifying cover of The Doors’ 1970’s hit “Roadhouse Blues” featuring The Doors’ guitarist Robby Krieger and rock singer-songwriter Diamante last October which “infuse(d) this classic with fresh energy and gusto” (Rock & Blues Muse). THE BLACK MOODS have shared an extended version of the track along with an extended music video featuring behind-the-scenes clips of the recording session with Krieger and Diamante at Krieger’s Los Angeles studio, Love Street Sound. Watch “Roadhouse Blues (ft. Robby Krieger of The Doors & Diamante) – Extended Version” streaming below or via YouTube HERE. The song is also available digitally across all platforms to stream/download at https://orcd.co/roadhousebluestbm.

“Playing ‘Roadhouse Blues’ with the man that wrote it was life changing,” remarks THE BLACK MOODS vocalist/guitarist JOSH KENNEDY. “It’s something I never ever thought I’d have a chance of doing having grown up in a small town in the Ozarks.”

“Lately, I seem to meet more and more young muscians who are into The Doors,” says KRIEGER. “It was really fun recording ‘Roadhouse Blues’ with The Black Moods. They seem to connect with 60’s style music.”

“We have a big year ahead,” KENNEDY adds. “We kicked it off with ‘Roadhouse Blues (Extended Version)’ and we have a lot of touring coming up too. We have been writing new material and have a new single coming out soon that  we can’t wait for our fans to hear!”

THE BLACK MOODS have relentlessly brought their raw, amplified rock & roll to stages across North America alongside acts including The Doors’ Robby Krieger, Shinedown, Jane’s Addiction, Whitesnake, Collective Soul, The Dead Daisies and The Gin Blossoms as well as appearing at festivals such as Aftershock, Luna Del Lago and Roger Clyne’s Circus Mexicus. The band finished 2023 with an opening show for Rick Springfield in their hometown of Phoenix, AZ and will perform their first show of 2024 on February 4 at Phoenix’s Celebrity Theatre with multi-platinum singer-songwriter and guitarist Orianthi.  The trio will then perform a headlining show on March 9 in Chandler, AZ at SanTan Gardens which will include the relaunch of their limited-edition “Bad News” Bourbon in collaboration with SanTan Brewing. For tickets and VIP upgrades, please visit www.theblackmoods.com.

THE BLACK MOODS Tour Dates:

2/4      Phoenix, AZ – Celebrity Theatre (with Orianthi)

3/9      Chandler, AZ – SanTan Gardens

Tue, 01/30/2024 - 9:39 am

As BRIAN SETZER gears up to hit the road this spring, the iconic guitarist, songwriter, vocalist, and three-time Grammy Award-winner talked about the five essential songs that served as his inspiration.

Here are BRIAN SETZER’s essential five songs that he listens to before shows.

Elvis Presley, “Mystery Train”

“The song that first got me is ‘Mystery Train’ by Elvis Presley. And when I heard that guitar, a hand came out of the jukebox and said ‘you're going to play this music!’”

Sammy Masters, “Pink Cadillac”

“I dare anybody to even try and find this song. It's by a guy named Sammy Masters. This is some of the finest guitar playing I've ever heard in any genre. The guitar player's name was Jimmy Bryant.”

Bobby Helms, “Tennessee Rock 'N' Roll”

“Give me some of that ‘Tennessee Rock ‘N’ Roll.’ How good is this song? And check out the guitar on this one, and the vocal.”

The Clash, “I Fought The Law”

“So in 1979, to be honest with you, music had gotten a bit stale for me. And when this band came out, and I heard this song, I thought ‘Wow! This is what I want.’”

Merle Travis, “Blue Smoke”

“There's a guitar player named Merle Travis. And he was a little bit before Chet Atkins and he invented this style of guitar playing. So for me, this is definitive in my style of playing.”

SETZER’s 2024 dates mark his first live shows in four years and follow a busy and successful 2023 with his critically acclaimed THE DEVIL ALWAYS COLLECTS album (released in September 2023). The tour kicks off February 24 in California and includes stops in Los Angeles, Las Vegas, Dallas, Austin and more before wrapping March 10 in Nebraska (see full itinerary below). Head to www.briansetzer.com for additional information.

BRIAN SETZER’s 2024 tour dates are as follows:

DATE

CITY

VENUE

Sat-Feb-24

Lincoln, CA

Thunder Valley Casino Resort

Sun-Feb-25

Oakland, CA

Fox Theater

Tue-Feb-27

Los Angeles, CA

The Wiltern

Wed-Feb-28

Phoenix, AZ

Celebrity Theatre

Fri-Mar-1

Temecula, CA

Pechanga Resort Casino

Sat-Mar-2

Las Vegas, NV

The Pearl

Sun-Mar-3

Tucson, AZ

Fox Tucson Theatre

Tue-Mar-5

Austin, TX

Paramount Theatre

Wed-Mar-6

San Antonio, TX

Tobin Center for the Performing Arts

Thu-Mar-7

Dallas, TX

The Majestic Theatre

Sat-Mar-9

Salina, KS

The Stiefel Theatre

Sun-Mar-10

La Vista, NE

The Astro Theater

Thu, 02/01/2024 - 9:28 am

JEFF LARSON will release his first solo full-length album in a decade—the melodically sparkling and CA-themed ADOBE HOME—April 19 via Nashville-based label Melody Place. Produced by the veteran California singer-songwriter with Gerry Beckley of America, the album will be launched March 8 with the LARSON composition “Something of A Dream.” The 13-track album comes on the heels of IT'LL NEVER HAPPEN AGAIN, the veteran singer-songwriter’s acclaimed 2023 six-song tribute EP to the late iconic singer and songwriter Tim Hardin.

LARSON wrote eight of the songs on ADOBE HOME: two with legendary songwriter Jack Tempchin (of the Eagles’ “Peaceful Easy Feeling” fame); one with Beckley, and one with Robert Lamm of Chicago. It’s an album with subject matter that touches on people, places, and things with styles ranging from Americana, folk-rock, power pop, and some jazz elements. See the track listing below.

“This project started in 2020 when I just moved to the San Diego area (from the San Francisco Bay area),” says LARSON. “Exploring and learning about my new surroundings influenced several songs, starting with ‘Adobe Home,’ ‘This Summer,’ and ‘Better Part of the Morning.’ I've continued my ongoing collaboration with co-producer and friend, Gerry Beckley,” he adds. “We help each other as sounding boards on the production side, we co-wrote one song, and he plays bass and keyboards throughout the album. I also became friends with Jack Tempchin, who is a neighbor. Along with producing a record for Jack, we co-wrote a couple of songs for this album. I think it captures the time it was written and the emotions I went through.”

Here’s the track listing and songwriting credits for ADOBE HOME:

1. Adobe Home

(Words & Music: Jeff Larson)

2. Something of a Dream

(Words & Music: Jeff Larson)

3. Pretty Soon

(Words & Music: Jeff Larson)

4. Hold Inside

(Words & Music: Gerry Beckley)

5. This Summer

(Words & Music: Jeff Larson)

6. The Name of the Song

(Words & Music: Jeff Larson & Jack Tempchin)

7. She Comes Around

(Words & Music: Jeff Larson & Gerry Beckley)

8. Better Part of the Morning

(Words & Music: Jeff Larson)

9. You Can Fly

(Words & Music: Jeff Larson & Jack Tempchin)

10. Even Though

(Words & Music: Jeff Larson)

11. Week of Rain

(Words & Music: Jeff Larson)

12. A Matter of Time

(Words & Music: Jeff Larson & Robert Lamm)

13. Santa Ana Sunset

(Words & Music: Jeff Larson)

ABOUT JEFF LARSON:

JEFF LARSON is a veteran singer-songwriter from the San Francisco Bay area. Musically, Jeff got his start under the wing of producer Elliot Mazer (Neil Young, The Band) playing in clubs and venues throughout the Bay area. As a native Californian, the influences are obviously present and reach from the golden era of L.A.’s Laurel Canyon singer-songwriter scene to the Bay area’s musical heritage and the tension between the two. While remaining a solo artist, he’s collaborated with Gerry Beckley and Dewey Bunnell of America, Chicago’s Robert Lamm, John Blakeley of The Sandals, and Eagles songwriter Jack Tempchin, among others. His prolific body of work created over the years has been released by various means and labels with licensing opportunities with JVC Victor Japan, Universal / Rhino, BMG and others from The Netherlands to Japan. “Larson’s earnest vocals and unwaveringly engaging folk-rock-country songs have an alluring feel,” wrote the San Jose Mercury News in 2011 about his album The World Over. “Larson’s warm, wonderful songs will grab you immediately and just get better with each subsequent listening. Every one of the 10 numbers here proves to be an individual gem.”

Wed, 02/07/2024 - 8:23 am

Musical integrity still matters, as illustrated by guitar trio The String Revolution and guitar virtuoso Tommy Emmanuel winning the Grammy® Award this past Sunday (2/4) in the “Best Arrangement, Instrumental or A Cappella” category for their unique reimagining of Johnny Cash’s classic “Folsom Prison Blues.” Sharing the Grammy Award with them is The Man in Black’s son John Carter Cash, who produced the single. Released July 23, 2023, via Copeland International Arts/Universal Music Group, it proves some classics are meant to be reborn. Watch the video for “Folsom Prison Blues” here.

QUOTE FROM THE STRING REVOLUTION:

"Janet Robin, Markus Illko and Rober Luis of the guitar trio, The String Revolution couldn't be more honored and grateful to the Recording Academy for this Grammy® recognition. It goes without saying, having the master himself Tommy Emmanuel gracing our track, and John Carter Cash producing it, gave it that extra special magic that pushed the recording to shine even more. Huge thanks to the entire team including our engineer Trey Call, mixing engineer Matthew Hyde, and mastering engineer Emerson Mancini who also added the final frosting."

"The String Revolution is absolutely honored to have received this Grammy Award.® This is a win for all artists out there who work hard and consistently push ourselves to experiment with our craft and continue to create unique and inspirational works. This is a very special moment for us that we will never forget!"

QUOTE FROM TOMMY EMMANUEL:

“I am deeply moved to be honored with a Grammy Award. I couldn't believe it when they called our names! I am so blessed to have been asked to come out and play on ‘Folsom Prison Blues,’ a song I’ve known all my life! To get to work with The String Revolution and John Carter Cash has been fun and adventurous! Sometimes, you've just got to show up, do your thing, and stand back to see what happens!”

QUOTE FROM JOHN CARTER CASH:

"Attention: This is not my Daddy's 'Folsom Prison Blues.' My excitement over this unique instrumental arrangement has been unsurpassed in my life up to this point. I am honored to be a part of this wondrous historic recording!”

In a celestial alignment of strings and frets, The String Revolution and Tommy Emmanuel came together to create “Folsom Prison Blues,” a match made in guitar heaven. The String Revolution's meticulous approach to reinventing this classic was not taken lightly. With an acute awareness of the need for genius, they enlisted the incomparable Emmanuel to lend his virtuosity to the track. Taking the reins as producer, John Carter Cash infused the recording with more authentic vibes. It was recorded at Cash Cabin Studios, where Johnny and family worked on many recordings. In order to achieve maximum authenticity, one of Johnny Cash’s personal guitars—a 1930’s Martin—was played by The String Revolution’s Markus Illko, while Luther Perkins’ 1955 Fender Esquire (used in the original “Folsom  Prison Blues” recording) was played by The String Revolution’s Rober Luis.

The String Revolution is comprised of three professional virtuoso guitar players who create distinctive sounds with their guitars: mimicking percussion, special effects, melodic grooves, bass lines, and more. They share a passion for many different musical styles and guitar techniques which has given The String  Revolution a unique sound. This is evident in their studio recordings and live shows. A clear dedication and hard work ethic for the project brought The String Revolution together.

The band includes former Randy Rhoads student Janet Robin (named in the “Top 50 Acoustic Guitarist bonus list” by Guitar Player Magazine, 2017), who is also an acclaimed touring guitarist with the likes of Lindsey Buckingham, Meredith Brooks, Air Supply and many more, award winning Austrian nylon-string guitarist Markus Illko and Cuban multi-credited guitarist Rober Luis.

Tommy Emmanuel has achieved enough musical milestones to satisfy several lifetimes. At the age of six, he was touring regional Australia with his family band. By 30, he was a rock n’ roll lead guitarist burning up stadiums in Europe. At 44, he became one of five people ever named a CGP (Certified Guitar Player) by his idol, music icon Chet Atkins. Today, he plays hundreds of sold-out shows every year from Nashville to Sydney to London. He’s piled up numerous accolades, including two Grammy Award nominations, two ARIA Awards from the Australian Recording Industry Association (the Aussie equivalent of the Recording Academy); repeated honors in the Guitar Player magazine reader’s poll including a cover story for their August 2017 issue; a cover feature for Vintage Guitar’s July 2020 issue; and was Music Radar’s reader’s poll #1 winner of the Ten Best Acoustic Guitarists in The World.

ABOUT THE STRING REVOLUTION:

THE STRING REVOLUTION, a triumvirate of guitar virtuosos, skillfully craft distinct sounds with their instruments–mimicking percussion, experimenting with special effects, weaving melodic grooves, and anchoring bass lines, all contributing to their unique sonic identity. The passion for diverse musical styles and guitar techniques unites them, evident in both studio recordings and electrifying live performances. Their unwavering dedication and relentless work ethic have forged The String Revolution into a musical force to be reckoned with.

ABOUT TOMMY EMMANUEL:

TOMMY EMMANUEL, a maestro of the strings, boasts a career that reads like a musical odyssey. From sold-out shows in Nashville to Sydney to London, he has amassed accolades, including two Grammy Award nominations and two ARIA Awards from the Australian Recording Industry Association. Emmanuel's contribution to this collaboration elevates it to unprecedented heights.

Mon, 02/12/2024 - 8:57 am

The recently announced TOTALLY TUBULAR FESTIVAL will not only make its North American debut this summer but is now adding additional markets due to impressive ticket sales. “Sales in our initial 17 markets have been so strong, that I decided to add new markets, and invite more friends to the party,” says Jon Pleeter CPO (Chief Party Officer) of TOTALLY TUBULAR FESTIVAL. Tickets for these shows will go on sale Friday, February 16 at 10:00am local time. Get tickets here: totallytubularfestival.com.

The festival features artists that exploded in the pop culture zeitgeist in the early to mid-1980’s thanks mainly to the high rotation of their music videos on MTV; the genre has also seen a resurgence in popularity in recent years. The artists performing on the 2024 tour include THOMAS DOLBY, THOMPSON TWINS’ TOM BAILEY, MODERN ENGLISH (select markets), MEN WITHOUT HATS, THE ROMANTICS, BOW WOW WOW, TOMMY TUTONE (select markets), and THE PLIMSOULS. WANG CHUNG has been added to the Huntsville, AL and Washington DC shows. Read the initial announcement here.

A portion of proceeds from ticket sales will go towards food banks locally in each market.

For the first time, TOTALLY TUBULAR FESTIVAL just unveiled a merchandise line, available for purchase at totallytubularfestival.com.

Here are the TOTALLY TUBULAR FESTIVAL tour dates:

6/25 – Seattle – Remlinger Farms *NEW SHOW*

6/27 – Sacramento – Hard Rock Live *NEW SHOW*

6/28 – Santa Barbara – Santa Barbara Bowl

6/29 – Los Angeles – YouTube Theater

6/30 – Oakland – Fox Theatre

7/3 – Phoenix – Arizona Financial Theatre

7/6 – Denver – Fiddler’s Green Amphitheatre

7/9 – Irving, TX – Pavilion @ Toyota Music Factory

7/10 – Houston – 713 Music Hall

7/12 – Huntsville, AL – Orion Amphitheatre *NEW SHOW*

7/13 – Raleigh, NC – Red Hat Amphitheatre

7/14 – Washington, DC – Anthem *NEW SHOW*

7/16 – Bridgeport, CT – Hartford Healthcare Amphitheatre

7/17 – Boston – MGM Music Hall @ Fenway

7/18 – New York, NY – Pier 17

7/19 – Atlantic City – Hard Rock Live @ Etess Arena

7/20 – Bushkill, PA – Poconos Park Amphitheatre

7/23 – Montreal, QUE – Place Bell

7/24 – Toronto, ONT – Great Canadian Casino Resort

7/26 – Detroit – Meadowbrook Amphitheatre

7/27 – Cincinnati – Riverbend Music Center

7/28 – Cleveland – Blossom Music Center *NEW SHOW*

Wed, 02/21/2024 - 9:27 am

CHET ATKINS is the most recorded solo instrumentalist in music history who traveled far to become “Mr. Guitar.” The journey took the legendary icon from Appalachian poverty to international acclaim, from utter obscurity to three Halls of Fame. He is a 14x Grammy Award winner, a Grammy Lifetime Achievement recipient, A Rock & Roll Hall of Fame and a Country Music Hall of Fame inductee.

Now, for the very first time on one album, some of the world’s best guitar players and artists join together to pay a musicians’ tribute to the innovator, songwriter, producer, record company executive and visionary Chet Atkins, as Nashville and the music industry prepare to celebrate what would have been his 100th birthday on June 20. Featuring 22 players and artists on this 15-track album from the country, rock, bluegrass and acoustic musical realms, WE STILL CAN’T SAY GOOD BYE is due Friday, April 19 on Morningstar Music Productions, distributed by MVD Entertainment. View a sizzle reel about the album HERE.

WE STILL CAN’T SAY GOOD BYE was produced by country and bluegrass musician and songwriter and 3x Grammy-winning producer and guitarist CARL JACKSON (Louvin Brothers) and was recorded at Station West in Nashville, TN with Luke Wooten engineering and mixing. Eric Clapton’s guitars were recorded by Simon Climie.

The album’s first single “Mr. Guitar” will be released Friday, March 15 and is performed by Grammy Award-winning guitarist and artist Tommy Emmanuel C.G.P. and Grammy-winning bluegrass fiddler Michael Cleveland.

“Mentoring and encouraging people is something that Chet always did,” says Emmanuel, one of five people ever named a C.G.P. (Certified Guitar Player) by Chet Atkins. “I try to do this thing with Gareth (Pearson) and I try to do the same with all young people. I encourage them to do things that I learned from Chet. I hope that somewhere somehow, I showed somebody something because of him that changed their life and made their life better. Cause he sure did that for me.”

The track listing for WE STILL CAN’T SAY GOOD BYE is as follows:

1. Mr. Guitar: Tommy Emmanuel C.G.P. & Michael Cleveland

2. Lover Come Back To Me: Brent Mason

3. Alley Cat: Ashley Campbell & Thor Jensen

4. So Sad (To Watch Good Love Go Bad): Vince Gill & Bradley Walker featuring Eric Clapton

5. Yakety Axe: Ricky Skaggs with Charlie McCoy

6. Sleepwalk: Jerry Douglas & Bryan Sutton

7. In His Hands: Carl Jackson

8. Mr. Sandman: Gareth Pearson

9. Windy And Warm: Brad Paisley

10. How’s The World Treating You: James Taylor & Alison Krauss

11. Caravan: Guthrie Trapp

12. All I Ever Need Is You: Sierra Hull

13. The Entertainer: John Knowles C.G.P. with Catherine Marx

14. I Still Can’t Say Goodbye: Vince Gill

15. Freight Train: The Chester Bees

(Campbell, Clapton, Emmanuel, Gill, Hull, Jackson, Jensen, Knowles, Mason, Moore, Paisley, Pearson, Skaggs, Sutton and Trapp)

Fri, 02/23/2024 - 2:40 pm

YES, who are Steve Howe, Geoff Downes, Jon Davison, Billy Sherwood & Jay Schellen, released their latest studio album MIRROR TO THE SKY in May 2023, and following an acclaimed US tour late last year, the band will return to the UK & Europe for ‘The Classic Tales of YES Tour 2024.’

To coincide with this, they have launched a brand new video for an edited version of the album’s epic title track, and you can watch that now here: https://www.youtube.com/watch?v=iWlIo-2TktM

A new Limited 2CD+Blu-ray Digipak edition of the album will also be released on April 5. This edition features the full album, plus the blu-ray including Dolby Atmos, 5.1 Surround Sound & Instrumental Mixes of the album and is available to pre-order here: https://yes-band.lnk.to/MirrorToTheSky

‘The Classic Tales of YES Tour 2024’ will include many iconic tracks from the YES back-catalogue covering fifty-plus years. The tour will also include a celebration of the 50th Anniversary of ‘Tales from Topographic Oceans’ as well as music from their current album ‘Mirror To The Sky.’

“We're all excited to be bringing our show home to Europe and the UK!” says Steve Howe, “We've selected a new playlist of Yes music but with some firm favourites in there too, of course! To keep our performances fresh, we 'now' carry our own lights, so we can present a consistent show each night, designed for us by William Succuso ........ Looking forward to seeing you out there!”

"We are very much looking forward to the 2024 European leg of our YES Classic Tales Tour. Having recently completed the US, we are now really excited to bring that out to all our fans in the UK and Europe. It promises to be one of our most interesting sets to date, scanning through much of YES’s history and with some previously unheard pieces as well as music from our latest album, ‘Mirror To The Sky’. Bring it on and see you all out there!" Best, Geoff Downes

YES on tour

Go to www.yesworld.com/live for all ticketing information.

Thu, 03/07/2024 - 8:00 am

LITTLE FEAT, one of rock’s signature and most acclaimed bands, are inviting everyone to join them over at SAM’S PLACE. Due out May 17 on Hot Tomato Productions/MRI.

It marks the band’s first new studio album in 12 years, first-ever blues album and the first one to feature linchpin conga player Sam Clayton on lead vocals on every song. This joyously blues-soaked party gets started today (March 7) with the album’s first single/video “You’ll Be Mine,” a cover of the Willie Dixon-written chestnut popularized by Howlin’ Wolf. Watch the video HERE, stream the song HERE, and pre-order/pre-save the album HERE. See the full track listing below and view the band’s extensive “Can’t Be Satisfied Tour” dates HERE and below.

The members of LITTLE FEAT 2024 are:  Bill Payne, Keyboards and Vocals; Sam Clayton, Percussion and Vocals; Fred Tackett, Guitars and Vocals, Kenny Gradney, Bass; Scott Sharrard, Guitars and Vocals; and Tony Leone, drums and vocals. Their individual musical chops and collective chemistry light up the nine-track SAM’S PLACE, which was waxed at Sam Phillips Recording in Memphis, TN (August 2023), except for “Got My Mojo Working (Live),” recorded live at the Boulder Theatre in Boulder, CO (December 17, 2022). This is the first LITTLE FEAT album recorded with new members Sharrard and Leone.

The band’s longtime friend, the beloved Bonnie Raitt, provides vocals on the Muddy Waters gem “Long Distance Call,” a duet with Sam, and the album’s other special guests are Michael “Bull” LoBue on harmonica, Marc Franklin on trumpet, and Art Edmaiston on saxophone on select songs.

LITTLE FEAT emerged from the pandemic with their sense of humor, chops, and collective joy in playing intact—and their creativity has been renewed with SAM’S PLACE. The idea for the album started with Bill, but the whole band jumped in. They started working on songs at sound checks. Sam, Scott and Fred wrote a new song, “Milk Man.”  Visiting backstage at a FEAT show, Bonnie Raitt suggested the Howlin’ Wolf tune “You Will Be Mine.”  Scott suggested “Why People Like That,” a Bobby Charles tune. Sam chose the Willy Dixon-penned “Don’t Go No Further,” a deep Muddy track.  And they included a live version of “Got My Mojo Working.”

Scott had recorded in Memphis, and they eventually found their way to the second Phillips (the first was Sun Studios, where Elvis began his career) studio there, complete with Jerry Lee Lewis’s piano, which Bill noted “practically played itself.” FEAT’s a rock band, but as Scott observed, at the end “the blues is home,” and they basically recorded it live in the studio, in the tradition.  Their playing is at an all-time high, and Bill thought their musical conversation was “flawless.”

Sam was a happy vocalist. His own “Milk Man,” a song about his nephew, has lyrics from his wife, Joni. The duet with Bonnie on “Long Distance Call,” he humbly admitted, was classic. “We go good together, man.”  “Last Night” was done in memory of Sam’s very good friend, the late Ed Bradley of Sixty Minutes.  And “Why People Like That” was particularly satisfying. “I just like the way the slide sounds and everything.  I knew Scott is a great slide player too, plus he is a great lead guitarist. And I know we would put our touch to it, the Little Feat touch. So we just sort of did it.  Scott just adds a lot to it and he answers to what I'm singing.”

SAM’S PLACE scratches a deep itch. Sam added, “I'm very happy because I was never expecting anything like that.  I mean, I have wanted to, but I just wasn't expecting it to come to fruition.  It was a long wait, but it’s satisfying.”

Here’s the track listing for SAM’S PLACE:

    Milkman- Written by Sam Clayton (ASCAP), Fred Tackett for Hoceanna Music (ASCAP), and Scott Sharrard for Brickyard Blues Music BMI
    You’ll Be Mine - Written by Willie Dixon for Hoochie Coochie Music (BMI)
    Long Distance Call – Written by Muddy Waters for Watertoons (BMI)
    Don’t Go No Further - Written by Willie Dixon for Hoochie Coochie Music (BMI)
    I Can’t Be Satisfied – Written by Muddy Waters for Watertoons (BMI)
    Last Night – Written by Walter Jacobs for ARC Music (BMI)
    Why People Like That – Written by Bobby Charles for Street People Songs (BMI)
    Mellow Down Easy – Written by Willie Dixon for BMG Bumblebee (BMI)
    Got My Mojo Working (Live) – Written by Preston Foster for Dar Music, Inc (BMI)  

Here are LITTLE FEAT’s tour dates. For more information and ticket links, go HERE.

DATE

LOCATION

VENUE

BILLING / SUPPORT

Friday, May 31

Berkeley, CA

Greek Theatre

Supporting Tedeschi Trucks Band

Saturday, June 1

Berkeley, CA

Greek Theatre

Supporting Tedeschi Trucks Band

Tuesday, June 4

Reno, NV

Grand Sierra Theatre

Supporting Tedeschi Trucks Band

Wednesday, June 5

Santa Barbara, CA

Santa Barbara Bowl

Supporting Tedeschi Trucks Band

Friday, June 7

Los Angeles, CA

Greek Theatre

Supporting Tedeschi Trucks Band

Saturday, June 8

San Diego, CA

Cal Coast Credit Union Amphitheater

Supporting Tedeschi Trucks Band

Sunday, June 9

Los Angeles, CA

Greek Theatre

Supporting Tedeschi Trucks Band

Thursday, June 13

Cary, NC

Koka Booth Amphitheater

Headline

Friday, June 14

Baltimore, MD

Pier Six Pavilion

Headline

Monday, June 17

Pittsburgh, PA

Carnegie Music Hall of Oakland

Headline

Tuesday, June 18

Cincinnati, OH

PNC Pavilion

Headline

Thursday, June 20

Indianapolis, IN

Everwise Amphitheater at White River State Park

Headline

Friday, June 21

Grand Rapids, MI

Meijer Gardens Amphitheater

Headline

Saturday, June 22

Highland Park, IL

Ravinia Festival

Co-Headline w/ Los Lobos

Monday, June 24

Evansville, IN

Victory Theatre

Headline

Tuesday, June 25

St. Louis, MO

The Factory

Headline

Wednesday, June 26

Kansas City, MO

Uptown Theater

Headline

Friday, June 28

Sioux Falls, SD

Washington Pavilion

Headline

Saturday, June 29

Saint Paul, MN

Fitzgerald Theater

Headline

Sunday, June 30

Mankato, MN

Vetter Stone Amphitheater

Headline

Tuesday, July 2

Des Moines, IA

Hoyt Sherman Place

Headline

Wednesday, July 3

Omaha, NE

The Astro

Headline

Friday, July 5

Morrison, CO

Red Rocks

Supporting The Avett Brothers

Sunday, August 25

Bethel Woods, NY

Bethel Woods Center for the Arts

Supporting Tedeschi Trucks Band

Wednesday, August 28

Philadelphia, PA

The Mann Center

Supporting Tedeschi Trucks Band

Saturday, August 31

Saratoga Springs, NY

Saratoga Performing Arts Center

Supporting Tedeschi Trucks Band

Thu, 03/07/2024 - 10:46 am

Veteran California singer-songwriter-guitarist JEFF LARSON has shared the lyric video for “Something of A Dream” ahead of the single’s release this Friday (March 8). With its warm California rock-rooted sound, the track marks the first release from the melodically sparkling ADOBE HOME album and features Gerry Beckley of AMERICA, who co-produced the 13-track disc with LARSON, on bass, electric lead guitar and organ. The album is out April 26 on Nashville-based Melody Place. Watch the colorful video HERE, read a Q&A below with LARSON, and pre-save the single HERE.

LARSON wrote eight of the songs on ADOBE HOME: two with legendary songwriter Jack Tempchin (of the Eagles’ “Peaceful Easy Feeling” fame); one with Beckley, and one with Robert Lamm of Chicago. It’s an album with subject matter that touches on people, places, and things with styles ranging from Americana, folk-rock, power pop, and some jazz elements. See the track listing below and read the album launch press release HERE. The album comes on the heels of IT'LL NEVER HAPPEN AGAIN, his acclaimed 2023 six-song tribute EP to the late iconic singer and songwriter Tim Hardin.

“Something of a Dream” Q&A with JEFF LARSON

“Something of a Dream” is the album’s first single. Can you talk about why you feel it’s a good introduction to the album?

JEFF LARSON: Of course, I’m partial to all the songs on the album, but it’s a mark of good songcraft to have one that goes from major to minor in its feel with a good hook to carry it on.  I think “Something of a Dream” fits that.

The song has a gorgeous California rock-rooted sound—it’s a winning combination with an ear-catching lilting melody, ringing guitars, and resonant harmonies. Can you talk about what inspired the song musically?

LARSON: I love jangly pop-folk-rock music and bands like REM (“The One I Love”) and Real Estate to The Byrds, Beatles, Moody Blues, etc.  It’s fun for me since the riff I play at the top of the chorus is something I’ve had around since high school. Things like riffs and melodies seem to hang around until they’re exercised.  The pandemic was a bit of a reset of innocence when it came to songwriting and recording so a lot of things came out for me.  I was just approaching things for the song and the feel.  I also hadn’t written on electric guitar in a while, and this was one of several songs that originated from that so it’s fresh to me.

Gerry Beckley, with whom you co-produced the album, is featured on bass, electric lead guitar, and organ. What’s it like for you guys to work together?

LARSON: We have been collaborating in some fashion for many years now.  The pandemic accelerated that activity with the downtime for songwriting, recording, and the back and forth on tracking instruments, backing vocals, and the overall production process. There is a backlog of material even now of my song recordings as well as his new solo release due in 2024, that I co-produced, sang backing vocals, etc.  The issue for us is not output, it’s outlets.  Melody Place, as a label, has been kind of enough to give this material a hearing and let some air out of the ballon for what tends to build up for me.

The song has open-ended lyrics about a romance: “And I remember the way you looked with your eyes so far away.” What inspired this song? The lyrics have a haunting feel.

LARSON: Lyrically, this came from observations of friends' relationships and my own past experiences.  It has some longing, frustration, melancholy, and a little psychedelic imagery with a line like “from the desert to the sea inside.”  I discovered the Days of Future Passed by The Moody Blues in 2021 (yes, just getting to it) and maybe some of that vibe came through.

The video has beautiful atmospheric images of the American southwest, the ocean, and adobe homes with the lyrics superimposed. Why do you feel this visualization is a good way for listeners/viewers to experience the song?

LARSON: I’ve always been attracted to songs that paint pictures with the music and lyrics.  It’s one of those areas, if handled well, that can keep a song from becoming pedestrian.  Regarding the imagery of the video, I worked with a neighbor I met around the time I started recording Adobe Home.  Ryan Corey and I connected on shared musical interests, and he was a graphics designer with Smog Design in L.A.  We discussed that it should connect to the album graphics which he designed and to make those come alive a bit.  It fits the vibe of the song and provides a window into the album as a whole.”

Here’s the track listing and songwriting credits for ADOBE HOME:

1. Adobe Home

(Words & Music: Jeff Larson)

2. Something of a Dream

(Words & Music: Jeff Larson)

3. Pretty Soon

(Words & Music: Jeff Larson)

4. Hold Inside

(Words & Music: Gerry Beckley)

5. This Summer

(Words & Music: Jeff Larson)

6. The Name of the Song

(Words & Music: Jeff Larson & Jack Tempchin)

7. She Comes Around

(Words & Music: Jeff Larson & Gerry Beckley)

8. Better Part of the Morning

(Words & Music: Jeff Larson)

9. You Can Fly

(Words & Music: Jeff Larson & Jack Tempchin)

10. Even Though

(Words & Music: Jeff Larson)

11. Week of Rain

(Words & Music: Jeff Larson)

12. A Matter of Time

(Words & Music: Jeff Larson & Robert Lamm)

13. Santa Ana Sunset

(Words & Music: Jeff Larson)

ABOUT JEFF LARSON:

JEFF LARSON is a veteran singer-songwriter from the San Francisco Bay area.  Musically, Jeff got his start under the wing of producer Elliot Mazer (Neil Young, The Band) playing in clubs and venues throughout the Bay area. As a native Californian, the influences are obviously present and reach from the golden era of L.A.’s Laurel Canyon singer-songwriter scene to the Bay area’s musical heritage and the tension between the two. While remaining a solo artist, he’s collaborated with Gerry Beckley and Dewey Bunnell of America, Chicago’s Robert Lamm, John Blakeley of The Sandals, and Eagles songwriter Jack Tempchin, among others. His prolific body of work created over the years has been released by various means and labels with licensing opportunities with JVC Victor Japan, Universal / Rhino, BMG and others from The Netherlands to Japan. “Larson’s earnest vocals and unwaveringly engaging folk-rock-country songs have an alluring feel,” wrote the San Jose Mercury News in 2011 about his album The World Over. “Larson’s warm, wonderful songs will grab you immediately and just get better with each subsequent listening. Every one of the 10 numbers here proves to be an individual gem.”

Wed, 03/13/2024 - 8:32 am

BRIT FLOYD, The World’s Greatest Pink Floyd Experience, is currently on their 2024 P-U-L-S-E World Tour—Celebrating the 30th Anniversary of Pink Floyd's Division Bell + Greatest Hits. Their upcoming Syracuse, NY show on Tuesday, March 26 will be an extra special one for the band as they will be presented with multiple honors.

First up, the group will have the International Metal Envoy award bestowed upon them by the Metal Hall of Fame by its President/CEO Pat Gesualdo. The Metal Hall of Fame is a non-profit organization dedicated to enshrining forever the iconic bands, industry executives, and musicians who are responsible for making rock and metal music what it is today.

In addition, legendary artist Ioannis will present an original piece of his artwork to the members of BRIT FLOYD at the show.  Ioannis is best known for his work on logos, designs, and album covers for some of the most iconic rock acts such as Deep Purple, Allman Brothers, Uriah Heep, and Styx. He regularly exhibits his work in galleries and installations worldwide.

BRIT FLOYD bassist/singer and Syracuse-native Ian Cattell will also be honored that day for his part in the city’s history through his contribution to the global music scene with Syracuse Mayor, Ben Walsh proclaiming March 26 as Ian Cattell Day.

As a touring member of BRIT FLOYD, Ian has to date played bass, sung lead vocals and played the dramatic role of "Pink" in over 1000 shows in 48 countries around the world. Drawing from a diverse background of classical and jazz training, along with over 25 years of rock, progressive rock, funk, and pop experience, excelling at producing a wide variety of sounds and styles on bass encompassing the vintage to the modern Floyd. Ian Cattell played in Syracuse-area band Childhood’s End when BRIT FLOYD leader Damian Darlington discovered the band’s website and asked Cattell to audition for Darlington’s his then current Pink Floyd tribute band.  

The band’s current P-U-L-S-E World Tour includes North American dates from May-July including an already sold-out show at Red Rocks Amphitheater in Colorado. BRIT FLOYD will then head overseas for shows in Europe and UK in the fall.  For the current list of tour dates, including for Europe and the UK, go HERE. This monumental celebration of musical history—presented by Palladium Entertainment—will commemorate the 30th Anniversary of Pink Floyd's iconic album, The Division Bell.

Pink Floyd, an unparalleled pioneer in the world of progressive and psychedelic rock, left an indelible mark on the music industry with their groundbreaking sound and captivating live performances. The Division Bell, released in 1994, is a testament to their mastery, and three decades later, its enduring impact continues to resonate with fans old and new.

BRIT FLOYD’s P-U-L-S-E is not just a tour; it's a journey through time, a tribute to the timeless artistry of Pink Floyd. Known for their unwavering dedication to recreating the magic of Pink Floyd's music, BRIT FLOYD is the perfect ensemble to honor The Division Bell. Audiences can expect a breathtaking audiovisual experience that pays homage to the original band's unique blend of music and visual effects. P-U-L-S-E will captivate fans with a stunning setlist, featuring tracks from The Division Bell, as well as beloved classics from Pink Floyd's extensive discography. Expect to be transported to the heart of Pink Floyd's universe, complete with a state-of-the-art light show, immersive visuals, and the ethereal sounds that define a generation.

Tickets for P-U-L-S-E by BRIT FLOYD can be purchased via the group’s website or through Ticketmaster.

Brit Floyd – The World’s Greatest Pink Floyd Experience

Facebook: @britfloydoffical

Instagram: @britfloydband

Twitter: @britfloydband

YouTube: @britfloydofficial

Fri, 03/15/2024 - 8:41 am

“Mr. Guitar,” the first single from the upcoming multi-artist album WE STILL CAN’T SAY GOODBYE – A Musicians’ Tribute to Chet Atkins, has been released today (Friday, March 15) to all streaming platforms via Morningstar Music Productions, with distribution worldwide by MVD Entertainment (see the track listing below.)  “Mr. Guitar” is performed by 2024 Grammy Award-winning guitarist and acoustic guitarist extraordinaire Tommy Emmanuel—who became one of five people ever named a C.G.P. (Certified Guitar Player) by his idol, music icon Chet Atkins—and Grammy-winning bluegrass fiddler Michael Cleveland. Listen to the song HERE and view a sizzle reel about the album HERE.

Featuring 15 tracks and 22 artists from the from the country, rock, bluegrass and acoustic musical realms, WE STILL CAN’T SAY GOODBYE – A Musicians’ Tribute to Chet Atkins was conceived and produced by 3-time Grammy-winning, bluegrass and country songwriter, producer and guitarist Carl Jackson. He is a longtime Glen Campbell collaborator, vocal arranger for TRIO II with Linda Ronstadt, Emmylou Harris and Dolly Parton; Jackson also produced the 2003 Grammy-winning Country Album of the Year Livin’, Lovin’, Losin’ - Songs Of The Louvin Brothers. He has additionally had songs recorded by Garth Brooks, Ricky Skaggs, Rhonda Vincent, Emmylou Harris, and Trisha Yearwood.

“The C.G.P Chet awarded Tommy [Emmanuel] doesn’t go quite far enough,” says Jackson. “So, as Chet would say, ‘by the power invested in me,’ I’d like to add a word: ‘Certified Gentleman Guitar Player” or C.G.G.P. which is a more complete description of the man whose warm smile and sincere kindness is displayed without fail. With that same sincerity, he [Tommy] told me, ‘We’ve got to have Michael Cleveland.’ I thought it was perfectly appropriate, since Chet played a little fiddle in his early years, and I know how much he would have loved Michael’s back and forth with Tommy.”

“Mentoring and encouraging people is something that Chet always did,” says Emmanuel, one of five people ever named a C.G.P. by Chet Atkins. “I try to do this thing with Gareth (Pearson), and I try to do the same with all young people. I encourage them to do things that I learned from Chet. I hope that somewhere somehow, I showed somebody something because of him that changed their life and made their life better. Cause he sure did that for me.”

Michael Cleveland shares: "Every opportunity I’ve had to work with my musical heroes has been an honor, and to be invited by one of them to record on a tribute to the legendary Chet Atkins is very humbling. Tommy [Emmanuel] and I worked together in 2019 when, on a leap of faith, I asked him to be a guest on my album, Tall Fiddler, titled after a song he wrote. I was thrilled when he said yes, but I had no idea that would turn into the friendship it has. Chet’s reputation for being an incredible guitarist is known worldwide, and although I never had the chance to meet him in person, I’ve heard so many stories about his kindness and mentoring. I certainly feel that was extended to me when Tommy asked if I would record “Mr. Guitar” with him."

“Mr. Guitar” was recorded at Station West in Nashville, TN with Luke Wooten engineering and mixing. Additional musicians on the track are Tony Creasman on drums and percussion, and Kevin Grantt on bass.

Chet Atkins Archival Photo: Country Music Hall of Fame and Museum

CHET ATKINS is the most recorded solo instrumentalist in music history who traveled far to become “Mr. Guitar.” The journey took the legendary icon from Appalachian poverty to international acclaim, from utter obscurity to three Halls of Fame. He is a 14x Grammy Award winner, a Grammy Lifetime Achievement recipient, A Rock & Roll Hall of Fame and a Country Music Hall of Fame inductee.

Now, for the very first time on one album, some of the world’s best guitar players and artists join together to pay a musicians’ tribute to the innovator, songwriter, producer, record company executive and visionary Chet Atkins, as Nashville and the music industry prepare to celebrate what would have been his 100th birthday on June 20.

The track listing for WE STILL CAN’T SAY GOOD BYE is as follows:

1. Mr. Guitar: Tommy Emmanuel C.G.P. & Michael Cleveland

2. Lover Come Back To Me: Brent Mason

3. Alley Cat: Ashley Campbell & Thor Jensen

4. So Sad (To Watch Good Love Go Bad): Vince Gill & Bradley Walker featuring Eric Clapton

5. Yakety Axe: Ricky Skaggs with Charlie McCoy

6. Sleepwalk: Jerry Douglas & Bryan Sutton

7. In His Hands: Carl Jackson

8. Mr. Sandman: Gareth Pearson

9. Windy And Warm: Brad Paisley

10. How’s The World Treating You: James Taylor & Alison Krauss

11. Caravan: Guthrie Trapp

12. All I Ever Need Is You: Sierra Hull

13. The Entertainer: John Knowles C.G.P. with Catherine Marx

14. I Still Can’t Say Goodbye: Vince Gill

15. Freight Train: The Chester Bees

(Campbell, Clapton, Emmanuel, Gill, Hull, Jackson, Jensen, Knowles, Mason, Moore, Paisley, Pearson, Skaggs, Sutton and Trapp)

* Morningstar Music Productions has collaborated with Opry Entertainment Group as the official Nashville retailer for “We Still Can’t Say Good Bye”. Click HERE to pre-order or visit the Chet Forever website HERE.

Thu, 03/21/2024 - 8:54 am

“I guess the way that your love makes me feel/Must mean I’m really addicted,” sings OZZY OSBOURNE on “Crack Cocaine,” the newly released track out today (March 21) from BILLY MORRISON’s new solo album THE MORRISON PROJECT that’s due April 19 via The Label Group’s partnership with TLG|ZOID through Virgin Music Group. This seismic collaboration also features STEVE STEVENS on guitar and was co-written by MORRISON, OSBOURNE, and STEVENS who all appear in the video with PARIS JACKSON playing the glamorous/romantic interest, with cameos from visual artist RISK and actor JEFF HILLIARD. Watch the video HERE, listen to the track (produced by MORRISON and STEVENS) HERE, and pre-save the album HERE.

“Crack Cocaine” marks the first new song with OZZY on vocals since the 2022 release of his worldwide smash album Patient Number 9 which earned him two Grammy Awards (“Best Rock Album,” “Best Metal Performance”). “I was in the same room as Billy and Steve,” says OZZY about co-writing the song. “The lyrics just came out of the blue.  It was written in about 20 minutes.”

BILLY—the British guitarist, singer, and songwriter primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens—sheds more light on the song’s origins: “The music was a direct result of sitting in a room with Steve, both with de-tuned guitars, and writing what we felt was an ultimate Ozzy riff. From there, we brought Ozzy over, and we all sat around working on the lyrics, but 90% of those came from Ozzy himself. He’s the one that suddenly stood up and sang “Like Crack Cocaine”!! We looked at each other and knew we had the title!!”

Importantly, reveals STEVE, “First and foremost, Billy and I discussed what an Ozzy fan would really love to hear. We really zeroed in on the ‘90s-era Ozzy, the truly heavy stuff. We cast aside any rules both musically and lyrically. It was really a great team and Billy is just such a great motivator. Obviously as a guitarist, to contribute to an Ozzy song is like a kid in a candy store. He’s played with such an amazing array of guitarists that I tried my best to honor that tradition.”

Adds STEVE: “I think the fact that Billy and I have spent the better part of 16 years working together in Billy Idol means we are almost telepathic in how we arrange guitars, etc. Billy and Ozzy have such an amazing friendship that it was easy to feel inspired and want to help them achieve any idea I could assist with. As we worked in my home studio, I tried to make the actual recording process almost invisible. Forget any technical aspects and really have some fun. To Ozzy’s credit, he was totally focused—and man the first time I heard him sing in what was essentially my living room, fucking chills ran down my spine.”

See more quotes from BILLY below about the track and video, directed by IVO RAZA, and filmed at various Los Angeles locations.

“Crack Cocaine” is the second single/video from THE MORRISON PROJECT and follows the single/video “Drowning.” Watch the video, which illustrates the soul-destroying effects of information overload, HERE and read the press release HERE.

For THE MORRISON PROJECT—his third solo album and first since 2015—he has assembled an electrifying 12 songs including guest performances by Ozzy Osbourne, Billy Idol, DMC, Al Jourgensen, Steve Vai, Steve Stevens, Linda Perry, Tommy Clufetos, John5, and more. See the track listing below.

THE MORRISON PROJECT was produced by Billy Morrison, mixed by Barry Pointer, and mastered by Dave Donnelly. All the songs on the album—recorded in Los Angeles at various studios—were written by Billy Morrison in collaboration with his guests. Read the album announcement HERE.

How did THE MORRISON PROJECT come together? “I truly believe that making music without any preconceptions or goals yields the most creative and enjoyable results. And that is exactly how this record came to life. Making music with Erik (Eldenius) and Jeordie (White) during Covid, and mixing different musical styles started my journey towards this collection of songs that ended up featuring a lot of my friends.”

MORE QUOTES FROM BILLY MORRISON

ABOUT “CRACK COCAINE”

Is “Crack Cocaine” just a metaphor or is it based on any experiences with the drug?

BILLY: The song is 100% about how certain relationships can FEEL like an addiction. It’s nothing whatsoever to do with the drug! It’s a comparison. Ozzy is talking about being in that dysfunctional situation with a partner that feels so wrong, but you keep going back again and again. “Loving you is driving me insane. I put you down and pick you up again” - it’s exactly like a drug addiction.

Of all the songs you had for this album, why did you bring this one to Ozzy to finish and sing on?

BILLY: Purely based on the riff. When Steve and I wrote the music, it was clear to both of us that it was classic Ozzy - that ONLY Ozzy could sing this one. Once he threw his vocal down, it was obvious that it could never have been anyone else.

Steve is also a co-writer on the song and plays on it with you. What do you feel that Steve has added to it?

BILLY: The song would not have happened without Steve. It was a total collaboration from start to finish. We both sat together, playing riffs, and his ability to arrange those riffs into a cohesive song is fantastic. The solo is just pure classic Stevens, and we wrote and recorded it all in his studio, so he was hands on at every stage. He didn’t ADD to the song, he CREATED the song with me.

How amazing that Paris Jackson appears in the video. How did that materialize and what do you feel her presence adds to the video?

BILLY: Paris was so sweet to even agree to do the video. We wanted someone to play the woman that Ozzy is singing about, and we had a mutual friend who facilitated the introduction. I was honest with her and said that we were doing the whole thing homegrown, no huge record company budget and luckily she’s a huge rock fan and wanted to be a part of it. She brought the sense of glamour and beauty to the video that we wanted.

THE MORRISON PROJECT features 12 original tracks:

DROWNING

(Written by Billy Morrison/Erik Eldenius/Jeordie White)

CRACK COCAINE

(Featuring Ozzy Osbourne and Steve Stevens with Tommy Clufetos on Drums)

(Written by Billy Morrison/ Ozzy Osbourne/Steve Stevens)

ITS COME TO THIS

(Written by Billy Morrison/Erik Eldenius)

THE AYES HAVE IT

(Featuring Al Jourgensen and John5 with Roy Mayorga on Drums)

(Written by Billy Morrison)

DYSTOPIA

(Written by Billy Morrison/Erik Eldenius/Jeordie White)

INCITE THE WATCH

(Featuring Corey Taylor and Steve Vai) (Written by Billy Morrison, Erik Eldenius, Jeordie White, Corey Taylor)

PUPPETS ON A STRING

(Written by Billy Morrison/Erik Eldenius/Jeordie White)

JUST LIKE A MOVIE

(Featuring D.M.C. and Persia Numan with Erik Eldenius on Drums)

(Written by Billy Morrison/Erik Eldenius/Jeordie White/ Darryl McDaniels/Persia Numan)

THE SOUND OF FREEDOM

(Written by Billy Morrison, Erik Eldenius, Jeordie White)

MR. DREAM

(Featuring Billy Idol and Steve Stevens)

(Written by Billy Morrison, Erik Eldenius, Jeordie White, Steve Stevens, Billy Idol)

WE ARE THE DEAD

(Written by Billy Morrison, Erik Eldenius, Jeordie White)

CHASING SHADOWS

(Featuring Linda Perry)

(Written by Billy Morrison)

Tue, 03/26/2024 - 8:40 am

STRAY CATS—original members Brian Setzer (guitar, vocals), Lee Rocker (upright bass, vocals) and Slim Jim Phantom (drums, vocals)—will rock their way across America this summer when they return to the road for a three-week tour on July 27. The multi-million selling band’s trek will include stops in Bend, Los Angeles (two shows in Costa Mesa), San Diego, Denver, New York City and more before wrapping up August 17 in Bridgeport, CT. They’ll be joined for these dates by The Midnight Cowgirls as the support act. The tour dates are below, with more to be announced soon.

Tickets go on sale this Friday, March 29 at 10:00 AM (local time). An artist fan club presale kicks off Wednesday, March 27 10:00 AM (local time); sign up for the band newsletter at Straycats.com to get access.

These shows will mark the STRAY CATS’ first performances since the release of their critically acclaimed 2019 album 40 and subsequent reunion tour, which they followed with a live album ROCKED THIS TOWN: FROM LA TO LONDON in 2020. Concertgoers can expect to hear the band’s signature unparalleled virtuosity and red-hot rock & roll spirit via their classic tunes alongside their most recent material. Their setlists will include massive hits such as "Stray Cat Strut,” "Rock This Town," “Runaway Boys," "(She's) Sexy + 17," "I Won't Stand in Your Way” and more.

BRIAN SETZER: “I’ve always said that we all grew up in the same neighborhood, so there’s an instant feeling between us when we play. It allows us to be confident and spontaneous. Man, that’s priceless.”

LEE ROCKER: “With just a string bass, a guitar and a drum, we have always had less instruments and gear, but more rumble, more twang, more shake, and more bang than anyone else. Now’s the right time to bring it back!”

SLIM JIM PHANTOM: “I’m thrilled to be doing shows in 2024 with Stray Cats in the U.S.A.! Playing drums with Brian and Lee in our rockabilly band is the best possible way to spend a summer!”

The STRAY CATS 2024 dates are as follows:

DAY

DATE

LOCATION

VENUE

Saturday

7/27

Woodinville, WA

Chateau Ste. Michele Winery^

Sunday

7/28

Bend, OR

Hayden Homes Amphitheater

Tuesday

7/30

Saratoga, CA

The Mountain Winery*

Thursday

8/1

Costa Mesa, CA

The Pacific Amphitheatre

Friday

8/2

Costa Mesa, CA

The Pacific Amphitheatre

Saturday

8/3

San Diego, CA

The Rady Shell at Jacobs Park

Monday

8/5

TBA

TBA

Tuesday

8/6

Denver, CO

The Mission Ballroom

Thursday

8/8

Moorhead, MN

Bluestem Center for the Arts

Friday

8/9

Waite Park, MN

The Ledge Amphitheater

Saturday

8/10

Gary, IN

Hard Rock Casino Northern Indiana

Monday

8/12

Huber Heights, OH

Rose Music Center at The Heights

Tuesday

8/13

Lewiston, NY

Artpark Outdoor Amphitheater

Thursday

8/15

New York, NY

The Rooftop at Pier 17

Friday

8/16

Atlantic City, NJ

Ocean Casino Resort – Ovation Hall

Saturday

8/17

Bridgeport, CT

Hartford HealthCare Amphitheater

^On sale now

*Will go on sale at a later date

Mon, 04/01/2024 - 9:32 am

This year stands to set a new record for high temperatures with the sizzling heat FRANKY & THE ALL NIGHTERS plan to generate with their newly announced “Hot Vegas Nights” artist residencies in both Las Vegas and Los Angeles. Today (April 1), they’ve also released a new single and video, “Hot Vegas Nights.” Listen to it HERE and watch the video HERE.

FRANKY—a Vegas native who previously lived in L.A. before returning to his roots—will perform with his stellar band one show every month in both Vegas and in L.A. starting in June and wrapping in (October). In Vegas, the singer, songwriter, and multi-instrumentalist will take over Red Rock Casino Resort; in Los Angeles, FRANKY will light up the iconic Sunset Strip venue, the Whisky a Go Go. The shows are as follows:

Whisky a Go Go: 6/5, 7/10, 8/7, 9/11, 10/16 (tickets now available HERE)

Red Rock Casino Resort: 6/6, 7/11, 8/8, 9/12, 10/17

FRANKY PEREZ is a dynamic and engaging artist that can take any genre and make it his own. He was born to entertain, whether he’s performing one of his critically acclaimed originals, a moving ballad from the American songbook, or the latest in-demand pop hit. He delivers it all with an authenticity that will captivate any audience. Life should be celebrated. And any great celebration demands a hot spot and a stage dripping with unparalleled entertainment.

In the “Hot Vegas Nights” show, FRANKY is backed by his band THE ALL NIGHTERS—which includes a blistering horn section and some of Las Vegas' sexiest and most talented dancer/showgirls. No Vegas show would be complete without a variety of entertainment, so FRANKY is bringing along a revolving cast of up-and-coming comedians, specialty acts, and a burlesque troupe to warm up the audience. This show will be unrivaled and unlike anything on or off The Strip.

“I'm a huge fan of comedy and have always loved it when bands bring comics on the road with them or vice versa,” says FRANKY. “Mostly I want the audience to be engaged the entire night and experience something that hasn't been done in years. A real Vegas variety show. That's why we also decided to bring along one of the sexiest burlesque troops I've ever seen. Music, comics, showgirls, dancers, and burlesque! What's more entertaining than that!?”

PEREZ has a special relationship with both Los Angeles and Las Vegas and was inspired to connect the dots between these two sister cities with these twin residencies.

“Since the first neon light flickered in the desert, Los Angelenos have been running away to Vegas for the weekend and when the heat becomes unbearable, Las Vegans flock to LA to marvel at the Pacific,” he says. “Two very different cities, two very different skylines, two very different climates with one striking similarity...they were built to entertain. Just like me and the All Nighters!”

More Quotes from FRANKY PEREZ

About “Hot Vegas Nights”

What inspired you to form Franky & The All Nighters and call your show “Hot Vegas Nights”?

FRANKY: I was born and raised in Vegas and cut my teeth on the stages of this town. I learned how to entertain audiences from the greats that have graced those same stages before me. I've performed all over the world, but I am yet to find anything that compares to the perfect hot Vegas night, figuratively or literally. To answer your question, I don't know about you but when I find something good…I want it to last ALL NIGHT!

Can you tell us about your upcoming residency that will see you perform once a month in both Las Vegas (Red Rock Casino Resort) and Los Angeles (The Whisky a Go Go)?

FRANKY: As an entertainer I’ve always had one foot in Vegas and the other in LA but my shows tended to be very different in each city. In LA I'm known primarily as a rock singer whereas in Vegas I'm able to stretch and explore every genre. This residency is going to be a melding of the two. The bullet train between the two cities without a stop in Baker!

Which songs will you perform? From which eras?

Along with some of my fan favorite originals I will be performing music from the ‘50s all the way to the current day. When I choose songs for sets, I make sure that I believe wholeheartedly in each one. It makes for an honest set and a memorable evening. I will say that I plan on keeping the energy at a high-level and the band sweating all night long.

Tue, 04/02/2024 - 11:20 am

Morningstar Music Productions is thrilled to be collaborating with Opry Entertainment Group, Opry Store and Opry.com for WE STILL CAN’T SAY GOOD BYE – A Musicians’ Tribute to Chet Atkins as they will be the main selling channel for a variety of physical packages, including vinyl albums, limited edition numbered vinyl, and orange color vinyl and CDs. The album features 22 artists (read the full list of artists HERE) from the country, rock, bluegrass and acoustic musical realms with some of the world’s best artists and guitar players including Vince Gill, Eric Clapton, Tommy Emmanuel C.G.P., Ricky Skaggs, James Taylor, Alison Krauss, Brad Paisley, Sierra Hull, and many more.

The album, produced by 3x Grammy-winning, bluegrass and country songwriter/producer/guitarist Carl Jackson, will be supported with an engaging 1-hour documentary about the making of the album. The documentary was executive produced by Martin Fischer and produced and directed by Kathryn Russ for Opry Entertainment Group. Air dates and times for the documentary (TBA) will coincide with the album’s release and will also be available on DVD. Read more about the album HERE.

CHET ATKINS is the most recorded solo instrumentalist in music history who traveled far to become “Mr. Guitar.” The journey took the legendary icon from Appalachian poverty to international acclaim, from utter obscurity to three Halls of Fame. He is a 14x Grammy Award winner, a Grammy Lifetime Achievement recipient, A Rock & Roll Hall of Fame and a Country Music Hall of Fame inductee. Now, for the very first time on one album, some of the world’s best guitar players and artists join together to pay a musicians’ tribute to the innovator, songwriter, producer, record company executive and visionary Chet Atkins, as Nashville and the music industry prepare to celebrate what would have been his 100th birthday on June 20. The album was produced by 3-x Grammy winning, bluegrass and country songwriter/producer/guitarist Carl Jackson, a longtime Glen Campbell collaborator, vocal arranger for TRIO II with Linda Ronstadt, Emmylou Harris and Dolly Parton. Jackson also produced the 2003 Grammy-winning Country Album of the Year Livin’, Lovin’, Losin’--Songs Of The Louvin Brothers. He has had songs recorded by Garth Brooks, Ricky Skaggs, Rhonda Vincent, Emmylou Harris, and Trisha Yearwood.

ABOUT MORNINGSTAR MUSIC PRODUCTIONS:

Morningstar Music Productions was created by executive producers and longtime great friends Rodger Glaspey and Ken Leister. The two partners performed in groups that recorded albums during the 70’s as collegians during the Folk/Rock invasion. Producer and musician Carl Jackson approached Rodger and Ken with the desire to produce an album to honor Chet Atkins. The temptation to executive produce an album in Nashville paying homage to Chet Atkins with some of the finest artists and guitar players in the world including Vince Gill, Tommy Emmanuel, Brad Paisley, and other greats was too captivating to pass up… and thus, Morningstar Music Productions was born, with their first album release We Still Can’t Say Good Bye - A Musicians’ Tribute To Chet Atkins out April 19.

Fri, 04/05/2024 - 8:22 am

“ALL I EVER NEED IS YOU,” the second single from the upcoming multi-artist album WE STILL CAN’T SAY GOODBYE – A Musicians’ Tribute to Chet Atkins, has been released today (Friday, April 5) to all streaming platforms via Morningstar Music Productions, with digital distribution worldwide by MVD Entertainment (see the track listing below.)  “ALL I EVER NEED IS YOU” is performed by SIERRA HULL, the 2x Grammy-nominated artist and award-winning mandolin and guitarist, songwriter and vocalist. Listen to the song HERE and view a sizzle reel about the album HERE.

“Sierra wasn’t yet a teenager the first time I met her,” shares the album’s producer Carl Jackson.  “And she was already playing mandolin with a precision that can only be described as ‘machine-like’. I later found out she was just as gifted on the guitar and a very talented vocalist as well, and her choice of ‘All I Ever Need Is You’ was inspired by Chet and Jerry Reed’s version.”

“All I Ever Need Is You,” the Eddie Reeves/Jimmy Holiday co-written classic and the second single on WE STILL CAN’T SAY GOOD BYE, features Sierra Hull on lead vocals and acoustic guitar and was recorded at Station West in Nashville, TN with Luke Wooten engineering and mixing. Additional musicians performing are Tony Creasman on drums and percussion, Kevin Grantt on bass and Carl Jackson harmonizing on vocals.

Featuring 15 tracks and 22 artists from the from the country, rock, bluegrass and acoustic musical realms, WE STILL CAN’T SAY GOODBYE – A Musicians’ Tribute to Chet Atkins was conceived and produced by 3-time Grammy-winning, bluegrass and country songwriter, producer and guitarist Carl Jackson. He is a longtime Glen Campbell collaborator, vocal arranger for TRIO II with Linda Ronstadt, Emmylou Harris and Dolly Parton; Jackson also produced the 2003 Grammy-winning Country Album of the Year Livin’, Lovin’, Losin’ - Songs Of The Louvin Brothers. He has additionally had songs recorded by Garth Brooks, Ricky Skaggs, Rhonda Vincent, Emmylou Harris, and Trisha Yearwood.

The track listing for WE STILL CAN’T SAY GOOD BYE is as follows:

1. Mr. Guitar: Tommy Emmanuel C.G.P. & Michael Cleveland

2. Lover Come Back To Me: Brent Mason

3. Alley Cat: Ashley Campbell & Thor Jensen

4. So Sad (To Watch Good Love Go Bad): Vince Gill & Bradley Walker featuring Eric Clapton

5. Yakety Axe: Ricky Skaggs with Charlie McCoy

6. Sleepwalk: Jerry Douglas & Bryan Sutton

7. In His Hands: Carl Jackson

8. Mr. Sandman: Gareth Pearson

9. Windy And Warm: Brad Paisley

10. How’s The World Treating You: James Taylor & Alison Krauss

11. Caravan: Guthrie Trapp

12. All I Ever Need Is You: Sierra Hull

13. The Entertainer: John Knowles C.G.P. with Catherine Marx

14. I Still Can’t Say Goodbye: Vince Gill

15. Freight Train: The Chester Bees

(Campbell, Clapton, Emmanuel, Gill, Hull, Jackson, Jensen, Knowles, Mason, Moore, Paisley, Pearson, Skaggs, Sutton and Trapp)

Tue, 04/23/2024 - 11:02 am

Multi-instrumentalist, producer, singer-songwriter, engineer, and entrepreneur TASH SULTANA will return to the U.S. this summer with live shows including two festival appearances. The dates kick off July 5 in Chicago at the Rose on the River festival, followed by a July 6 stop at the Levitate Music Festival in Marshfield, MA. TASH will then perform four solo shows including concerts in Los Angeles (Costa Mesa) and Las Vegas (the full itinerary is below). Tickets for the shows go on sale Friday, April 26 at 10:00 AM (local time); an artist presale begins Wednesday, April 24 at 10:00 AM (local time), and local presales: are available Thursday, April 25 at 10:00 AM (local time).  Click HERE for presale information.

As TASH continues to work on new music, these shows will be the only ones in the U.S.; they last toured here in 2023 on a headlining cross-country tour in support of their SUGAR EP released via their own label, Lonely Lands Records.

For the headlining shows, TASH will be joined by support act soul, jazz, and R&B creative force Chiiild. Helmed by Yonatan Ayal, Chiiild crafts beautiful and thought-provoking hymns that transcend genres. As an artist influenced by everyone from Pink Floyd to Sam Cooke, Chiiild has a knack for melding sounds and coupling them with songwriting that is rooted in both storytelling and social commentary.

TASH’s 2024 U.S. tour dates are as follows:

DATE

 

CITY

VENUE

FRI

7/5

Chicago, IL

Rose on the River

SAT

7/6

Marshfield, MA

Levitate Music & Arts Festival

WED

7/10

Costa Mesa, CA

The Pacific Amphitheatre

THU

7/11

Napa, CA

Blue Note Napa Summer Sessions at Meritage Resort

SAT

7/13

Reno, NV

Grand Theatre at The Grand Sierra Resort & Casino

SUN

7/14

Las Vegas, NV

The Chelsea at The Cosmopolitan of Las Vegas