My Morning Jacket has announced today the release of a brand new 7”, “Bring The Power Back Home” b/w “Bring The Power Back Home (Acoustic),” now available for preorder via the band’s official webstore. The 7”, limited to 2,020 copies, coincides with today’s National Voter Registration Day, and is available at a special “Pay What You Can” price ranging from $10.00 to $25.00; all proceeds from this release will benefit Fair Fight, the voter participation advocacy group founded by Stacey Abrams.
“’Bring The Power Back Home’ is about taking control of your own destiny,” says My Morning Jacket frontman Jim James, “reclaiming one's personal power in an effort to bring positive change back to our lives, even if it seems that the good in the world is slipping out of our grasp. Positive change and progress is still possible. One of the best ways we can reclaim and use our power for good right now is to VOTE like our lives depend on it, because they do.”
“Bring The Power Back Home” follows the recent release of My Morning Jacket’s acclaimed new album, The Waterfall II. Released this summer to all DSPs and streaming services, the album is also available now via ATO Records on both CD and 140-gram clear vinyl in a gatefold jacket.
The Waterfall II has been met by worldwide critical acclaim, and the song “Feel You” has given the band its first #1 Record on the Billboard AAA Chart. “If its predecessor was about conflict and healing – it’s My Morning Jacket’s thorniest album, emotionally speaking – then this follow-up is more about what comes after that healing,” hailed Pitchfork, while Consequence of Sound said, “Despite its sequel-style title, The Waterfall II stands as an equal to its well-loved predecessor, one that moves from the sunny banks at the top of the falls to the deep and bracing waters down below.” Uncut called the album “sweetly sprawling” noting that it that includes epic Crazy Horse jams, beautiful low-key ballads, a spot of soft jazz, country, and a soul number…tied together by Jim James’ consistently terrific vocals and the ever-present threat of sustained reverb.”
In other MMJ news, the band’s 2011 Bonnaroo set will be a featured segment this coming weekend during the legendary festival’s Virtual ROO-ALITY livestream, September 24 – 28. Catch their performance on Saturday at 11pm Central Time.
Cold War Kids have unveiled plans for a landmark virtual tour, featuring four unique concert performances scheduled through November. Tickets will go on sale to the general public at coldwarkids.nocapshows.com beginning September 24 at 10:00 am PT/1:00 pm ET, with individual tickets priced at $15 and the four-show bundle priced at $50. BUY TICKETS
All four shows on the virtual tour will begin at 6:00 pm PT/9:00 pm ET; the shows will then be archived though Sunday, November 29, one week after the final event. Details and set lists below.
COLD WAR KIDS - VIRTUAL TOUR 2020
Saturday, October 10 @ 6pm PT: Robbers & Cowards
First time the band has EVER performed this album in its entirety. For the 14th anniversary.
Sunday, October 25 @ 6pm PT: New Age Norms 1 + 2
Performing both albums in FULL to celebrate the release of New Age Norms 2. First time the band have ever performed New Age Norms 2.
Sunday, November 8 @ 6pm PT: Festival Set
Your sweaty, outdoor, bang-bang, no time to slow down show. All the songs you know and love.
Sunday, November 22 @ 6pm PT: Deep Cuts & Fan Favorites
In the dark club, let’s get close up and intimate. Head back, eyes closed, go all the places and feel all the feelings.
As if all that wasn’t enough, Cold War Kids will commemorate the virtual tour with an exclusive line of limited-edition merchandise, including a virtual tour t-shirt, a ROBBERS & COWARDS anniversary t-shirt, and a NEW AGE NORMS hoodie.
Last month saw the much-anticipated release of NEW AGE NORMS 2, the second installment of a three-album trilogy begun with last year’s acclaimed NEW AGE NORMS 1. Produced and mixed by GRAMMY® Award-winner Shawn Everett (Alabama Shakes, Kacey Musgraves, The War On Drugs) and written by all five members of Cold War Kids, NEW AGE NORMS 2 includes the acclaimed singles, “Who’s Gonna Love Me Now,” “You Already Know,” and “Somewhere,” each joined by exclusive visuals directed by acclaimed filmmaker Ramez “Mezzy” Silyan (Lil Peep: Everybody’s Everything, Lil Uzi Vert, Playboy Carti), who has teamed with Cold War Kids to create distinct visuals for all eight tracks on the album. All three clips – as well as an additional cut of “You Already Know” – are streaming now at the official Cold War Kids YouTube channel.
Cold War Kids is: Nathan Willett (vocals, piano, guitar), Matt Maust (bass guitar), David Quon (guitar, backing vocals), Matthew Schwartz (keyboards, backing vocals, guitar, percussion), and Joe Plummer (drums, percussion).
Today, Trevor Hall has released IN AND THROUGH THE BODY, a record that invokes self-examination by exploring themes such as struggle, growth, and redemption. The new studio album, produced by Brad Cook (Bon Iver, the War on Drugs, Hiss Golden Messenger) sees Hall taking bold chances with his music while staying true to his core values. Ahead of the full album release Hall shared the songs “Fire On Your House, “My Own,” and “More Than Love.” PARADE exclusively premiered IN AND THROUGH THE BODY in its entirety this week praising the new album and calling it “a body of work that shines from within.”
About IN AND THROUGH THE BODY – Words by Trevor Hall:
For as long as I can remember, my music has been mostly seated in the abstract – woven deeply with the dream-like, esoteric ideals and philosophies that I have spent much of my life studying. Rather than focusing on my own human experience, I’ve always tended to point my music outwards, painting sonic landscapes of inner spaces that I longed for, or only experienced for fleeting moments. I guess I was carrying some belief deep down that the human experience, and all of its emotions, were less valuable or less worthy than these ideals and philosophies I was studying.
But through the grace of time and growth, that belief has slowly started to change …
I’ve spent a lot of time in recent years reflecting on the teachers and elders that I have had the great privilege to meet in my life. One of the striking common threads that has woven these beings together for me is not the greatness of their teachings, but rather their incredible HUMANNESS. Some of the most divine teachers in my life are so beautifully, wildly …. Human.
IN AND THROUGH THE BODY TRACKLISTING
blue sky mind
without expectation
i remember you
open doors (feat. Mrs. Jamr, Clo-Bugz & Yoyo)
great storm clouds
we in a different room
monsoon cloud
fire on your house
more than love
her (feat. Emory Hall)
never gonna break your heart
my god
my own
the old story (feat. Emory Hall)
khan
walking through the door
About Trevor Hall:
Raised on an island in South Carolina, singer/songwriter Trevor Hall realized at a young age that music was more than just a passion - it was, rather, his life’s art. At sixteen, he recorded his first album, soon after which he left South Carolina for Idyllwild Arts Academy in California where he studied classical guitar and was introduced to the practices of yoga and meditation, which would greatly influence his life and his music.
Hall’s music - a blend of roots and folk music is imbued with a deep love of Eastern Mysticism. This powerful symbiosis fostered a deep connectivity with his growing fan base and Hall quickly matured into a leader of the burgeoning conscious musical community.
Along with numerous pilgrimages to India, he has also completed a series of sold-out tours and collaborations with artists such as Steel Pulse, Ziggy Marley, Jimmy Cliff, Michael Franti, Xavier Rudd, John Butler Trio, and Matisyahu.
THE FRUITFUL DARKNESS was Trevor’s first independent release — supported by his fans known as THE VILLAGERS —became the #1 Music campaign of its kind in 2017 — after a decade-plus recording for established labels such as Geffen and Vanguard. Besides the change in infrastructure, the album itself explores completely new sonic terrain and was released unconventionally, in 3-5 song installments on specific lunar dates. THE FRUITFUL DARKNESS Full-Length Album officially released on June 1st, 2018 and premiered at #4 on the iTunes Alternative Charts.
His previous full-length album releases, Chapter of the Forest (2014) and KALA (2015), debuted at #3 and #2 on the iTunes singer/songwriter chart respectively and were supported by extensive tours around the US and Australia. Beyond his intention to spread love and healing through music, Hall also collects donations to support children’s education in India and has continuously donated to charities and relief funds.
Psychedelic rock with Americana undertones is how Andy Stepanian describes his band’s newest song and forthcoming album. “Fly Migrator”, with it’s Dead-like guitar preamble, stretches over nine minutes and establishes the sonic ground for Leon III’s forthcoming album, Antlers in Velvet. This is the first song released from the album and the first from Leon III since their 2018 debut. Leon III is Andy Stepanian (vocal, guitar, keyboard, piano, omnichord) Mason Brent (guitar, bass, vocal, banjo) who were both members of Wrinkle Neck Mules, a long running Virginia based band with a significant cult following, and founders of the popular Austin apparel brand Howler Brothers.
Stepanian spoke about the song saying: "“Fly Migrator' is the template for the album. Layered, rich and exploratory with pretty much the full cast of characters making a showing somewhere along the way. What became the final version of the song was a take where everyone was just playing freely while we were just working out the song. We didn’t necessarily think we were trying to get “the” take. That proved to be what the song wanted - loose groove, patience and some experimenting from everyone.”
Leon III, sounds like a relic from another age. In a time when so much of today’s music seems as disposable and temporal as a tweet, Leon III is standing athwart the tide; and here, the band conjures the spirit and ambition of Pink Floyd and Grateful Dead. Make no mistake, this is an album with the potential for a serious shelf life – and one that begs for an immersive listening experience. So, sit down, pour a whiskey, let the needle find the groove, and prepare to float downstream.
Even though this is only the second effort from Leon III, the project can trace its roots to the late ’90s when Andy Stepanian (vocals, guitar, songwriter) and Mason Brent (guitar, bass, banjo) started a band in Charlottesville, Virginia called Wrinkle Neck Mules, a honky-tonk outfit that made six albums, had a song featured in a GEICO commercial, and built up a dedicated and far-ranging fan base. Stepanian and Brent also collaborate in the form of Howler Brothers, a popular outdoor clothing line based in Austin, Texas, which they operate, and which bears their artistic imprimatur.
Stepanian and Brent grew up in Richmond, Virginia, where country and roots music informed much of their musical development. But the two have always been drawn to the progressive, exploratory ethos of the psychedelic masters, as well as left-of-center folk artists like Vic Chesnutt and Bonnie ‘Prince’ Billy. This new record is the consummation of that vision.
The advent of Covid-19 and the “safer at home” mantra has disrupted the supercharged tempo of 21st – century life. As difficult as it’s been, the period has also been a time for reflection, for patience, for a new way of looking at things. With that in mind, Leon III’s forthcoming record, Antlers in Velvet is the perfect album for an imperfect time – a song cycle that allows for a deeper dive into some of the darker and more complex corners of American music that speaks coherently to the very strange times in which we find ourselves.
LOCKN’, Relix, Twitch, and FANS announced today that Joe Russo’s Almost Dead's upcoming pay-per-view livestreams originally scheduled for October 2, 3 and 4 will now be broadcast for free via twitch.tv/therelixchannel at 8:00PM ET on October 1 – 2. The livestreams are presented by Dayglo Presents and Dogfish Head, marking the debut of The Relix Channel on Twitch.
To support voter registration and turnout in the upcoming election, Relix, Twitch, and Joe Russo’s Almost Dead have teamed up with HeadCount, the non-partisan organization that uses the power of music to register voters and promote participation in democracy. Viewers will have the opportunity to make in-stream donations to HeadCount and be able to verify their voter registration status.
LOCKN’ 2021 admission ticket purchasers will receive an access code to watch an exclusive set of Joe Russo’s Almost Dead, hosted on FANS, October 3 at 8:00PM ET. All purchasers of the previously announced pay-per-view livestreams will receive a full refund.
Joe Russo’s Almost Dead will perform at an indoor location and the broadcast will feature visual integration of LOCKN’ landscapes, giving fans at home a unique and immersive experience.
Larkin Poe are set to release Kindred Spirits, their first-ever covers album. Out November 20, Kindred Spirits is a collection of stripped-back versions of both classic and new songs, and it follows the release of their fifth studio album, Self Made Man, released this past June on their own Tricki-Woo Records. Self Made Man has already amassed chart-topping success and critical acclaim. American Songwriter calls Larkin Poe "self made badasses" and No Depression said that Larkin Poe are “kicking butt with a mixture of rocking blues to make powerful, defiant statements” while the Atlanta Journal Constitution says “Larkin Poe simply dominates” and Garden & Gun raves “southern music traditions loom large in the story of Larkin Poe.” In its first week of sales the album rose to the top of Billboard’s “Top New Artists Albums” and “Current Rock Albums” charts, while also climbing to #1 “Blues Albums” and #2 on the “Americana/Folk Albums.”
Today, Larkin Poe share the first song from Kindred Spirits -- The Moody Blues’ “Nights in White Satin.” Larkin Poe has been known to post covers on their YouTube channel where they recently performed the song, and the series has gained an expansive following. In a recent tweet, Justin Hayward from The Moody Blues praised their performance "Love it, love them, love them playing it. Thank you Rebecca and Megan."
Larkin Poe describe the song as deeply haunting, and a song that transcends genre. “We remember hearing Doc Watson, a true American treasure, sing it late in his career — his beautiful voice soaring through a dark theater, the plaintive lyric unforgettable. It’s hard to believe that Justin Hayward was only 19-years-old when he wrote it.”
Accompanying the song is a beautifully captivating music video that showcases archived and historically significant clips. “When we were brainstorming about creating a visual companion for ‘Nights In White Satin,’ we had a romantic idea that stitching together old footage would evoke a nostalgic feeling that matches the vibe of the song.”
WATCH “NIGHTS IN WHITE SATIN” OFFICIAL MUSIC VIDEO
About Kindred Spirits Larkin Poe says:
“Music is a bridge that can connect generations across time. In recording Kindred Spirits, our admiration for the artists who originally wrote and performed the songs blossomed into an even deeper reverence. Coming up in a family of music lovers, a lot of the songs we have always seemed to gravitate towards learning have been with us since childhood; we started a YouTube series dedicated to paying tribute to our musical heroes in 2015 that unexpectedly took off and when fans began requesting recorded versions of the songs, we started daydreaming about how an interpretive album might take shape. Bringing these old friends into the studio, stripping them back to the bones and recording them live and raw, felt like a ritual. We’re grateful for the experience of making this album and grateful to the Kindred Spirits who have come before us and written the soundtrack of our lives."
Larkin Poe recently announced several live performance screenings via their all new POECAST. The band will be sharing an acoustic band show (with stories from the road) on October 4. The performance will air twice, first at 2pm ET and then again at 8PM ET. If fans are unable to watch the show “live”, they will be available to watch after each airing. During the stream, the full band will be in the chat room interacting with fans plus special guests are expected to make appearances in the chat room as well. Larkin Poe aired their first full rock band performance via their Poecast on September 20. Show tickets, VIP passes, limited edition shirts and posters are available now.
LA rockers Dawes have released a deeply thoughtful and insightful new song and video about mental health and personal survival today. "Didn't Fix Me," available now at all DSPs and streaming services, is the fourth song from the Los Angeles-based band’s eagerly awaited seventh studio LP, GOOD LUCK WITH WHATEVER. Produced by 6x GRAMMY® Award-winner Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit) at Nashville’s famed RCA Studio A, the album arrives via Rounder Records on Friday, October 2; pre-orders are available now.
Consequence of Sound premiered "Didn't Fix Me" yesterday, saying, "Now more than ever, we’re all on our own journeys to try and feel just a little bit better. Of course, the double-edged sword of it all is no matter how good a place we find ourselves in, this year has made it ever more clear that such harmony is frail. But as anyone with any experience giving or receiving mental health advice will tell you, that’s normal. Feeling 100% all the time is an unfeasible expectation — and that’s okay. If you ever need a reminder of that, Dawes have delivered what could be the perfect musical hug with their new song...If you’re at all empathetic to the emotional strains of daily life, grab a box of tissues and check out the video."
"It feels very natural to outsource our problems," says Taylor Goldsmith. "Telling ourselves 'once I have this job, this partner, this amount of money, etc, I will be happy' is really effective and convenient. Unfortunately no one’s life actually works that way. I'm sure we all know plenty of miserable people who seem to have it all and plenty of blissful people that seem to have close to nothing. This song is about the efforts one makes to find some easy fix, unable to recognize that it will never work that way, that we are in the end our own responsibility."
"Didn't Fix Me" follows the release last month of the captivating and reflective “Still Feel Like A Kid."
GOOD LUCK WITH WHATEVER was first heralded by the releases of “Who Do You Think You’re Talking To?” and “St. Augustine At Night.” The high-spirited “Who Do You Think You’re Talking To?” was joined by an official companion video, directed by actress/filmmaker Caitlin Gerard and streaming now at the official Dawes YouTube channel. The band performed both songs on Jimmy Kimmel Live! in August. In July, Goldsmith nominated for an Emmy Award for “Outstanding Original Music and Lyrics” for the song “Memorized” from the NBC show This Is Us.
WATCH “ST. AUGUSTINE AT NIGHT” ON JIMMY KIMMEL LIVE!
“Who Do You Think You’re Talking To?” was met by widespread applause upon its July premiere, with Rolling Stone hailing it as “a turbo-charged Eighties heartland rocker that finds Goldsmith narrating an interaction between two people, one of whom is still plagued by a past relationship.” “From the sounds of ‘Who Do You Think You’re Talking To?,’ bringing everyone closer to the process has led to a bigger sound,” declared Consequence of Sound. “As Goldsmith’s classic melodies and riffs continue the thread of Dawes’ decade-long career, the percussion snaps like a whip crack and Lee Pardini’s keys reach Roy Bittan levels of drama as they’re pushed to the forefront.”
GOOD LUCK WITH WHATEVER – which marks Dawes’ first release on their new label, Rounder Records – follows a series of acclaimed self-released albums including 2013’s STORIES DON’T END, 2015’s ALL YOUR FAVORITE BANDS, 2016’s WE’RE ALL GONNA DIE, and 2018’s PASSWORDS, all of which reached the top 10 or higher on Billboard’s “Top Rock Albums” and “Americana/Folk Albums” charts.
From its first downbeat, GOOD LUCK WITH WHATEVER sees Goldsmith grappling with the expectations of adulthood on a remarkable cycle of new songs fueled by many of the same elements that first earned the band worldwide attention and applause – graceful melodies with kinetic riffs and intricate musical interplay. Throughout the album, Dawes once again prove incredibly adept at pushing the emotional limits of the classically structured rock song, a testament to their tightly honed yet imaginative musicianship and the gripping specificity of Goldsmith’s songwriting. A culmination of their entire catalogue and decade-long career all wrapped up in nine glorious tracks, GOOD LUCK WITH WHATEVER reclaims the rugged urgency and easy confidence of Dawes’ early work while tapping into the veteran band’s intense musical connection more effectively than ever before.
“In the past, I’ve definitely been more precious about the way I wanted the songs to sound, but that’s never as fun,” Goldsmith says. “The music we make is everyone’s mode of expression, and the other guys all have chops that I don’t have and never will. The fact that we’re able to lean on each other and celebrate each other as individuals just makes us so much more excited about getting to play together in this band.”
Dawes is: Taylor Goldsmith (guitars, vocals), Griffin Goldsmith (drums), Wylie Gelber (bass), Lee Pardini (keys).
GRAMMY®-Award-winning guitar virtuosos Rodrigo y Gabriela have announced today’s premiere of “Terracentric,” the latest track from their upcoming METTAVOLUTION LIVE, an all-new double album recorded during last year’s sold out METTAVOLUTION World Tour. “Terracentric” is joined by an official live video, filmed in concert at Paris, FR’s Le Trianon and streaming now via YouTube. METTAVOLUTION LIVE arrives as 2LP, 2CD, and digital download via Rubyworks/ATO on Friday October 2; pre-orders are available now.
METTAVOLUTION LIVE also includes such recently unveiled tracks as “Electric Soul” and an awe-inspiring, 20-minute-plus live version of Pink Floyd’s epic “Echoes,” audaciously reimagined for two acoustic guitars.
“Hearing this recording is to be able to reconnect with our marvelous fans from our live gigs during 2019,” say Rodrigo y Gabriela, “the year we got to promote our METTAVOLUTION album all over the world. That was the very moment we felt truly complete as artists and musicians.”
METTAVOLUTION LIVE arrives amidst a deeply creative period for Rodrigo y Gabriela, even as the COVID pandemic keeps them working from their home in Zihuatanejo, Mexico. One of the world’s most in-demand live acts, the duo – who performed an extremely popular NPR “Tiny Desk (Home)” concert in April – continue their daily “Lumbini Sessions” series with inspired live versions of their favorite metal songs, film themes, jazz tunes, and RyG album cuts, including covers of Motörhead, Billie Eilish, Dua Lipa, Dave Brubeck, Van Morrison, Lil Nas X, Radiohead, and more. In addition, Rodrigo y Gabriela recently launched “Music From The Field,” a new Patreon where they will be sharing previously unreleased tracks, new Patreon-only audio and video, regular AMAs, Metta talks, exclusive merchandise offers, and more.
My Morning Jacket is celebrating last night’s performance of their chart-topping new single, “Feel You,” on ABC’s Jimmy Kimmel Live!, broadcast immediately following Game 1 of the 2020 NBA Finals between the Los Angeles Lakers and Miami Heat. The performance is streaming now via YouTube.
“Feel You” is featured on My Morning Jacket’s acclaimed new album, The Waterfall II, available now via ATO Records at all DSPs and streaming services, as well as both CD and 140-gram clear vinyl in a gatefold jacket. “Feel You” has proven a multi-format favorite, spending three straight weeks and counting atop Billboard’s “Adult Alternative Songs” – the band’s first ever #1 on that chart – along with four consecutive weeks at #1 thus far at NON COMM radio. In addition, the track is currently #2 on Mediabase’s “Triple A” chart en route to the pole position. “Feel You” is joined by an official visualizer, streaming now at YouTube.
The Waterfall II was met by worldwide critical acclaim, with Pitchfork declaring, “If its predecessor was about conflict and healing – it’s My Morning Jacket’s thorniest album, emotionally speaking – then this follow-up is more about what comes after that healing.” “Despite its sequel-style title, The Waterfall II stands as an equal to its well-loved predecessor,” wrote Consequence of Sound, “one that moves from the sunny banks at the top of the falls to the deep and bracing waters down below.” Uncut called the album “sweetly sprawling,” noting that it that includes epic Crazy Horse jams, beautiful low-key ballads, a spot of soft jazz, country, and a soul number…tied together by Jim James’ consistently terrific vocals and the ever-present threat of sustained reverb.”
In other news, My Morning Jacket recently marked National Voter Registration Day with the release of a brand new 7”, “Bring The Power Back Home” b/w “Bring The Power Back Home (Acoustic),” now available for preorder via the band’s official webstore. The 7” – which is limited to 2,020 copies – is available at a special “Pay What You Can” price ranging from $10.00 to $25.00; all proceeds from this release will benefit Fair Fight, the voter participation advocacy group founded by Stacey Abrams.
“’Bring The Power Back Home’ about taking control of your own destiny,” says My Morning Jacket frontman Jim James, “reclaiming one's personal power in an effort to bring positive change back to our lives, even if it seems that the good in the world is slipping out of our grasp. Positive change and progress is still possible. One of the best ways we can reclaim and use our power for good right now is to VOTE like our lives depend on it, because they do.”
Trey Anastasio and MSG Entertainment present The Beacon Jams, an eight-week virtual residency to be streamed for free exclusively on Twitch, live from New York City’s historic Beacon Theatre every Friday at 8:00 pm ET from October 9 through November 27. The Beacon Jams performances will have no live audience and will feature acoustic and electric performances as well as home audience interaction, alongside an array of surprises. All proceeds from The Beacon Jams donations will benefit Phish’s long-running non-profit, the WaterWheel Foundation, and its new Divided Sky Fund (DSF). The proceeds will be used to deliver help to those affected by addiction and help further plans to open a treatment center in Vermont. To watch The Beacon Jams, go to: https://www.twitch.tv/treyanastasio.
“When we thought about playing the Beacon, I was reminded of the meaning of the word,” Anastasio says. “A beacon is a beam of light, often from a lighthouse, which sends it out to sailors who are lost at sea and all alone. They look for the beacon and it guides them home.
“Sometimes gifts come wrapped in strange packages. A lot of this is thanks to Twitch and our friends and family at MSG Entertainment. When the idea to do these benefits was born, everybody at MSG Entertainment jumped in and partnered with us and the Divided Sky Fund, which is very kind of them. This is an opportunity for forward motion.”
“We’re thrilled to be able to partner with Trey on this very special and first-ever virtual residency at the Beacon Theatre to benefit two immensely important causes – the Divided Sky Fund and the WaterWheel Foundation,” said Darren Pfeffer, executive vice president, MSG Entertainment. “As we navigate the live music scene through this socially distant world, we couldn’t think of a more natural way to bring live music to so many fans for such a great cause. Trey’s connection not only with the Beacon Theatre, but with all our venues over the years, including Madison Square Garden, The Chicago Theatre, and Radio City Music Hall, have made this unique concept a perfect partnership.”
“We could not be more excited to be part of this amazing partnership with Trey Anastasio and MSG Entertainment to help raise donations for such worthy causes,” said Will Farrell-Green, Head of Music Content at Twitch. “Twitch offers the same intimate experience that artists and their audiences have come to expect from live shows. Over the course of this virtual residency, fans of Trey and Phish will be able to attend performances from anywhere in the world, while feeling like they are right in the front row of the Beacon.”
The WaterWheel Foundation was created by Phish in 1997 to oversee the band’s charitable endeavors. The Foundation raises money primarily through its Touring Division, partnering with local non-profits in communities Phish visits on tour and with national organizations during times of need. The Foundation has donated millions of dollars to hundreds of non-profits. The Divided Sky Fund will focus on delivering quality care and compassionate treatment for those suffering from addiction. Fans will be encouraged to donate throughout the eight-week event; net proceeds from merchandise sales during The Beacon Jams will go directly to the DSF.
“I’ve been sober for 13 years,” Anastasio says, “It’s a great blessing in my life. We started talking about the idea of a treatment center about a year ago. I was worried that the project would get derailed because of the pandemic but it didn’t – it actually picked up steam; things are really rolling along now. The Beacon Jams emerged as a way to raise money for it while also allowing me to play for the fans again.”
Hyper-independent French duo, The Inspector Cluzo have released the unplugged version of their song “Fishermen,” which was recorded live this past February in Biarritz at Casino Barrière, the last concert the band played as part of their Unplugged tour. “Fishermen” is a fan favorite and induces rowdy sing-a-longs every time the song is performed. Glide Magazine premiered the song earlier this week saying that The Inspector Cluzo “rings in buoyant jazz, folk & world on ‘Fishermen.’”
The Inspector Cluzo are gearing up for their forthcoming EP The Organic Farmers Seasons Unplugged - due out October 16. In anticipation of the release, the duo has been sharing new songs that will be included on the upcoming EP throughout the year including a cover of Neil Young’s “Hey Hey My My,” and unplugged versions of their songs “Ideologies,” and “Brothers In Ideals.”
The Inspector Cluzo plays music of the people, music of the earth – boots caked with mud and blues . . . Every concert is played with a full display of celebration – every concert is a victory for these two guys – these self-proclaimed Rock Farmers – Gentlemen Farmers also because of their old-style manners and courtesy – and for their respect for the old way of doing things. This is also what connects them to the roots of soul and blues – but electrified by a fiery spirit of urgency, by fury and anger.
They are truly one of a kind, they don’t hold back. The Inspector Cluzo are proud of their heritage. In fact, they abandoned promising careers as overqualified scientists, in order to work on the land. They are both proud and eager to represent their region and their local traditions, but they don’t want to fall into the category of being a local band. Their land is where Laurent and Mathieu share ideas, blow off steam, learn and discover things – that’s their stage, their natural habitat where they relentlessly go about their daily unpretentious routine. But they’ve got another land – and that is wherever people are – people they meet and talk with from Japan to South America. Their big plot of land is the world – people and places — to visit, to explore.
“Never cut yourself off from the earth — never lose your connection with the soil”
Piano virtuoso Holly Bowling is proud to announce a beautiful new album featuring solo piano renditions of the music of the Grateful Dead. Seeking All That’s Still Unsung arrives everywhere on Friday, November 20. The evocative collection features nine instrumental piano interpretations of songs spanning the Grateful Dead’s extensive catalog -- both classics and deep tracks -- and is heralded by today’s release of “St. Stephen,” available on all DSPs and streaming services.
“With this being my second album of solo piano Grateful Dead music, there was a sense of trying to look for what I hadn’t said on the last album,” says Bowling. “After a few more years of exploring these songs in the solo piano context, I felt free to take more liberties with how I approach the arrangements and improvisation. The album keeps the exploratory energy of a live performance but accomplishes things that would be impossible outside of the studio, including the use of overdubs and exploring piano-on-piano improvisation as a conversation with my own playing.”
September saw Bowling embark on a groundbreaking virtual concert tour, featuring extraordinary solo performances filmed at some of America’s most spectacular natural locations. The Wilderness Tour has featured performances from California’s glistening Lake Tahoe, Idaho’s epic Bruneau Canyon and Utah’s extraterrestrial Salt Flats. The first leg of the tour will conclude at South Dakota’s rugged Badlands on Thursday, October 8.
“There’s plenty of time to do something different,” says Bowling. “And I desperately wanted to get outside - that’s where I’ve been feeling most okay during all this. So we’re taking this crazy road trip in a self-contained little camper van and driving my gear out to these wild places and setting up and playing in settings I never in a million years thought I’d get to play music in.”
All performances will continue to be broadcasted for free via Bowling’s official Facebook page and Youtube channel every Thursday at 5:30pm PT / 8:30pm ET; viewers are invited to contribute to the San Francisco-based pianist’s Virtual Tip Jar. Stay tuned for the second leg of the Wilderness Tour, which will be announced soon
Guitarist extraordinaire Cory Wong announces the release of his eighth album of 2020. The Minneapolis, MN-based jazz funk virtuoso’s The Striped Album, arrives everywhere on Friday, October 23. The self-produced album finds Wong in typical giddy form. Ever the raconteur, Wong invites a variety of special guests to share in the merriment, including Kimbra, Tom Misch and blues great Joe Satriani whose feature on new song “MASSIVE” heralds today’s announcement. “MASSIVE” is available now at all DSPs and streaming services.
“Joe’s one of the nicest and greatest guitar players I've ever worked with," says Wong. "I had been working on putting together material for my upcoming album and had a song that was perfect for him. Most of my music is pretty upbeat and happier major key songs. This song has a heavy minor key groove that feels like watching George Clinton wearing a pair of wet jeans walking through a knee high mud pit. It's not really my vibe, but I thought it was still really cool and could fit on my album with the right collaborator. Someone who can bring the heavy rock vibe.
“Joe and I have never met in person. As a matter of fact, we met over Zoom towards the beginning of the lockdown. We stayed in touch and he sent me what has become the most exciting remote tracks anyone has sent over. I loaded his guitar tracks into my ProTools session and just started cracking up. He went SO HARD. I told him the sort of thing I was looking for, and a temp track of me playing some lead guitar lines to outline the melody for him. He came back with the most aggressive and heavy guitar that I've ever had on an album. It's the exact Joe Satriani people think of, and oddly enough, the track ended up being a Cory Wong song that people could expect, but with the heaviest of twists. I had been sitting on this song idea for a couple of years, but couldn't quite solve the puzzle. As I immediately found out, Joe Satriani was the missing puzzle piece."
The Striped Album follows the release of two live albums - The Syncopate & Motivate Tour, Set 1 and Set 2; two contemplative acoustic records - Trail Songs: Dusk and its sister record, Trail Songs: Dawn; an ambient album with Jon Batiste - Meditations; a live album with The Metropole Orkest, Live In Amsterdam; and a jazz-funk album, Elevator Music for an Elevated Mood. As if that weren’t enough, he also began hosting a new podcast, “Wong Notes” with Premier Guitar, created a plug-in for in-studio use and started a new recording vlog.
Since 2017, Wong has been touring worldwide playing his original music on the biggest stages. Whether being featured as a guest with the house band on The Late Show with Stephen Colbert, or as a member of Vulfpeck and the Fearless Flyers, Wong is a restless creator who doesn’t sit still for long. His 2019 album, Motivational Music For The Syncopated Soul, went top 20 on the Billboard Jazz Chart and top 10 on the Contemporary Jazz Chart. His 2020 album, Elevator Music for an Elevated Mood, went top 20 on the Contemporary Jazz Chart and another 2020 album, Live In Amsterdam’ With The Metropole Orkest, went top 10 on the Classical Crossover Albums Chart.
Acoustic guitar pioneer Leo Kottke and Phish bassist Mike Gordon, along with Phish drummer Jon Fishman, performed on The Late Show With Stephen Colbert #PlayAtHome series. The trio performed "The Only One" from the new Kottke/Gordon album, NOON, out now digitally on ATO Records.
WATCH "THE ONLY ONE" ON THE LATE SHOW WITH STEPHEN COLBERT #PLAYATHOME
The album’s physical release is set for Friday, November 20. Phish Dry Goods will have a limited pressing on clear vinyl with Red/Gold splatter. NOON was heralded by the premiere of new songs, “Ants” and “I Am Random,” with a Q&A on American Songwriter.
Intricate, warmly askew, and indelibly dexterous, NOON showcases 11 remarkable new tracks created by two of the most accomplished and idiosyncratic instrumentalists in American music. The album – which marks Kottke’s first studio record since his previous collaboration with Gordon, 2005’s SIXTY SIX STEPS – was recorded in New Orleans and Vermont, with music exchanged between the two artists by file, tape-sealed boombox, sheet music, and face-to-face. Working with longtime Gordon collaborator, producer/engineer Jared Slomoff, Kottke and Gordon have crafted a singular collection of improvisational mood music, including a stripped-back version of Gordon’s classic “Peel” and Kottke’s stark rethinking of the Byrds’ “Eight Miles High.” NOON further includes a bopping cover of Prince’s “Alphabet St.” featuring Phish drummer Jon Fishman, who also joins Kottke and Gordon on four additional tracks. In addition, the LP includes nearly ambient appearances by pedal steel player Brett Lanier (The Barr Brothers) and cellist Zoë Keating (Imogen Heap, Amanda Palmer, Tears For Fears).
The Bad Plus — the innovative and virtuosic jazz trio comprised of bassist Reid Anderson, pianist Orrin Evans, and drummer Dave King — will perform a live concert streamed from the historic Bijou Theatre in Knoxville, TN, on Friday, October 9 at 8pm eastern. This performance marks their first performance together since the pandemic shut down live events.
The stream will be hosted on Mandolin.com. Tickets are $15 (plus service charges) in advance; fans also have the option to bundle their ticket for the show with The Bad Plus’ most recent release, Activate Infinity, on either vinyl or CD.
For those unable to watch the initial stream it will be replayed afterwards for 48 hours or so, until Sunday, October 11 at 12 midnight
(note: tickets may only be purchased, however, before or during the initial broadcast).
“Music can heal the wounds which medicine cannot touch," Evans said. "In these complicated times we thank Big Ears for the opportunity to serve up some healing vibes."
Today, Larkin Poe share their rendition of Lenny Kravitz’s “Fly Away,” which follows September’s release of The Moody Blues’ “Nights in White Satin.”
WATCH LARKIN POE IN CONVERSATION WITH JUSTIN HAYWARD
These two creative takes on the originals herald the arrival of KINDRED SPIRITS, Larkin Poe’s first-ever covers album and second album of 2020, due out November 20 via their own Tricki-Woo Records. The album was self-produced by Larkin Poe from their home studio. Pre-orders are available now.
“Rolling in the family minivan in the late ‘90s, we remember hearing ‘Fly Away’ spun endlessly on the radio — an undeniable anthem,” says Rebecca and Megan Lovell. “The energy of this song is a chameleon: simultaneously a cry for adventure and a prayer for those who feel trapped. Giving it a bluesy twist with the slide guitar riff brought it home to Georgia.
For the video, we wanted to create a visual decoupage that would span the swamps of Louisiana to the volcanoes of Hawaii. The lyrics of the song are powerfully open-ended and so we decided to fully embrace that concept by gluing together a hodgepodge of footage gleaned from the Prelinger Archives; beauty is in the eye of the beholder."
KINDRED SPIRITS is a collection of stripped-back versions of both classic and new songs, and it follows the release of Larkin Poe’s fifth studio album, SELF MADE MAN, released this past June. SELF MADE MAN, topped an array of Billboard charts while earning unanimous acclaim around the world. Instead of a summer of tour buses and packed theaters, the Atlanta-bred, Nashville-based Lovells instead found themselves at home, performing many livestream concerts and adding to their much-loved YouTube covers series. That got them thinking and it’s what inspired the making of KINDRED SPIRITS, which sees the duo paying tribute to their favorite artists, from the Allman Brothers Band to Robert Johnson to Elton John to Post Malone to Ozzy Osbourne, as well as the aforementioned Lenny Kravitz and The Moody Blues.
“Music is a bridge that can connect generations across time,” says the Lovells. “In recording KINDRED SPIRITS, our admiration for the artists who originally wrote and performed these songs blossomed into an even deeper reverence. Coming up in a family of music lovers, a lot of the songs have been with us since childhood; in 2015, we started a YouTube series dedicated to paying tribute to our musical heroes that unexpectedly took off and when fans began requesting recorded versions of the songs, we began daydreaming about how an interpretive album might take shape. Bringing these old friends into the studio, stripping them to the bones and recording them live and raw, felt like a ritual. We’re grateful for the experience of making this album and grateful to the kindred spirits who have come before us and written the soundtrack of our lives.”
Guitarist extraordinaire Cory Wong has released his new single today. “Design” features eclectic New Zealand-based singer, songwriter and producer Kimbra, who first caught the public’s eye with 2012 multi-platinum single “Somebody That I Used To Know” by Gotye. The disco-funk track heralds Wong’s eighth album of 2020, The Striped Album, due out Friday, October 23. The self-produced album finds Wong in typical giddy form, masterfully combining elements of funk, blues and disco, and features a variety of special guests to share in the merriment, including Tom Misch, Joe Satriani and David T. Walker. “Design” is available today on all streaming services and DSPs.
“Kimbra has been one of my favorite artists for years. She's always pushing the artistic and creative boundaries with her voice and her production. Her albums always have such a unique and cohesive sound to them. Her ability to explore new spaces has always really inspired me, and her fingerprint in music is iconic.
Her voice and delivery have such musical depth, but also SO MUCH swagger to it. I had written a tune that I was looking for someone to sing over, and she was the first person I thought of. Although we had never met in person, I sent her a message on Instagram of all places. I was pleasantly surprised when she messaged back and said she was a fan of me and really dug the tune that I had sent her. We decided to meet up in LA and write the song together. Her conceptual, lyrical, and melodic ideas just flowed out effortlessly and we recorded the song in an afternoon. We were exploring a few different concepts for the song, but the main one that we both kept coming back to is the idea of the confusion of machine/human. We are in a weird time where we have our 'digital' selves, and our 'analog' selves. This song is a loosely abstract approach to convincing ourselves that we are human and not machine.”
The Striped Album follows the release of two live albums - The Syncopate & Motivate Tour, Set 1 and Set 2; two contemplative acoustic records - Trail Songs: Dusk and its sister record, Trail Songs: Dawn; an ambient album with Jon Batiste - Meditations; a live album with The Metropole Orkest, Live In Amsterdam; and a jazz-funk album, Elevator Music for an Elevated Mood. As if that weren’t enough, he also began hosting a new podcast, “Wong Notes” with Premier Guitar, created a plug-in for in-studio use and started a new recording vlog.
Since 2017, Wong has been touring worldwide playing his original music on the biggest stages. Whether being featured as a guest with the house band on The Late Show with Stephen Colbert, or as a member of Vulfpeck and the Fearless Flyers, Wong is a restless creator who doesn’t sit still for long. His 2019 album, Motivational Music For The Syncopated Soul, went top 20 on the Billboard Jazz Chart and top 10 on the Contemporary Jazz Chart. His 2020 album, Elevator Music for an Elevated Mood, went top 20 on the Contemporary Jazz Chart and another 2020 album, Live In Amsterdam’ With The Metropole Orkest, went top 10 on the Classical Crossover Albums Chart.
Last night, Jack White returned to Saturday Night Live for the fourth time and performed blistering renditions of "Ball and Biscuit" and "Lazaretto" on the Bill Burr-hosted episode.
The power trio comprised of White (vocals & guitar), Dominic Davis (bass), and Daru Jones (drums), began the night with the infectious riff of “Don’t Hurt Yourself” (White’s collaboration with Beyoncé) before transitioning into "Ball and Biscuit" from The White Stripes’ fourth album, Elephant, which also featured a nod to Blind Willie Johnson’s "Jesus Is Coming Soon." “Ball and Biscuit's'" SNL performance heralds the December 4, 2020 arrival of The White Stripes Greatest Hits on Third Man Records/Columbia Records. The GRAMMY-winning “Lazaretto” (the title track of White’s acclaimed sophomore solo album) followed as the second performance of the evening.
The first-ever official anthology of recordings from The White Stripes is an essential career-spanning collection highlighting 26 previously released songs – from late Nineties flashes of brilliance through early 2000s underground anthems, masterful MTV Moon Man moments, Grammy-grabbing greatness, and worldwide stadium chants…the songs here are as wide-ranging as you can imagine. The album is available for pre-order on CD, 2xLP 150-gram black vinyl, and digitally (streaming & download) HERE. A deluxe limited edition and ONLY colored vinyl variant of The White Stripes Greatest Hits is also available as part of Third Man Records’ Vault Package #46. Not leaving out a crucial component to the story of The White Stripes and Third Man Records, information about added value items for release week album purchases at independent record stores will be announced at a later date.
Earlier in the month, The White Stripes dug into their archives and shared a never-before-seen live performance video of “Ball and Biscuit” from their October 22nd, 2003 Shibuya-AX show in Tokyo, Japan – WATCH HERE. In true White Stripes fashion it's the only song they confirmed will have a place on the greatest hits collection, keeping the rest a mystery to be unveiled at a later date.
For the most dedicated of supporters, Third Man Records is releasing an expanded collection with an added bonus third LP of largely overlooked, previously scattered b-sides for Vault Package #46. For the Vault version, the first two LP’s containing the original track list will be pressed on glorious red and white discs and will be the ONLY color variant available. The bonus third LP is pressed on an exquisite red/white/black “detonation” colored vinyl. Taking it to another level, the Vault version of Greatest Hits features iconic artwork from longtime The White Stripes collaborator Rob Jones (completely different from the standard version). The package also comes with three Rob Jones silk-screen prints and a White Stripes-themed set of magnetic poetry. For more information on Vault Package #46 & to sign up before the October 31st midnight CT deadline, head HERE.
GRAMMY®-Award-winning guitar virtuosos Rodrigo y Gabriela have announced an exclusive live performance on Capital One City Parks Foundation SummerStage and Amazon Music’s free digital series, SummerStage Anywhere. Set for tonight, Tuesday, October 13 at 5:00 pm ET, the one-of-a-kind performance, named for the legendary concert series that takes place every summer in New York City’s Central Park, will see the world-renowned duo celebrating Hispanic Heritage Month live from a custom-built set in Ixtapa, Mexico.
The upcoming SummerStage Anywhere performance follows the recent release of METTAVOLUTION LIVE, an all-new double album recorded last year during Rodrigo y Gabriela’s sold out METTAVOLUTION World Tour. METTAVOLUTION LIVE is available now via Rubyworks/ATO as 2LP, 2CD, and digital download.
Billy Strings announced today that the band will perform a special 120-minute set, live from the historic Ryman Auditorium in Nashville on Sunday, October 25. Spotify presale began, Oct 14 at 12:00 pm CT at the exclusive early bird price of $19.99. The general on-sale will begin Friday, Oct 16 HERE. Tickets will be priced at $24.99. Both Spotify presale and general onsale tickets will feature the option to add-on a limited edition poster and t-shirt, with guaranteed inventory for early bird buyers.
Billy Strings and his band were forced to halt touring in March, but have kept a healthy pace of announcements and activity coming all year long. Earlier this summer, Billy Strings took to five iconic Nashville-based venues and performed a total of nine shows for the highly successful inaugural “Streaming Strings Tour.” Leaving Nashville for a moment, Billy Strings hit the road for a multi-date drive-in tour dubbed “Meet Me At The Drive In,” which resulted in several sold-out performances across the country. Most recently, in celebration of the one-year anniversary of Strings’ latest record HOME, the band performed their first-ever headlining show at Red Rocks via livestream, which utilized the latest Red Digital Cinema, Blackmagic Design & DJI Drone 6k cameras mixed with 7C Cinema, giving viewers a visual treat.
The release of HOME heralded a period of incredible growth for Billy Strings. Pollstar reported, “in 2020, Strings has doubled, tripled or even quadrupled his ticket counts in most markets.” The band earned four 2020 International Bluegrass Music Association Award nominations including Entertainer of the Year and Album of the Year, and the 2020 Americana Music Association’s Honors and Awards nominated the band for Emerging Act of the Year. The group also made their national television debut on Jimmy Kimmel Live! this past July and has received national recognition in outlets like The New York Times, Wall Street Journal, NPR, Rolling Stone, Pitchfork, Relix, American Songwriter, Pollstar, Billboard, Garden & Gun, and so many more.
HOME is undoubtedly the Michigan-born, Nashville-based artist’s bravest excursion thus far, completely rewiring bluegrass with elements of punk, country, folk rock, and genuine psychedelic exploration to fashion something altogether his own. Strings has infused the aesthetic with his own experiences and inspirations, adopting traditional sonic and lyrical idioms to confront contemporary social truths. With guest appearances from the likes of Jerry Douglas and Molly Tuttle and produced by Glenn Brown (Greensky Bluegrass, Marcus Miller), HOME marks a landmark on Billy Strings’ ongoing creative journey, its fearless songs and freewheeling approach recasting string-based American music in his own inimitable image.
Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, or just Lola, is the eighth studio album by The Kinks, recorded and released in 1970. A concept album ahead of its time, it’s a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. One of the all time classic Kinks albums.
Let the 50th anniversary celebrations begin, as The Kinks unveil special multi-format release plans for the album as a lovingly produced Deluxe Box Set, 1LP, Deluxe 2CD, 1CD and digitally - to be released on December 18 via BMG.
Limited Edition, Deluxe 10” Slipcased book pack (containing 60 page book, 3 X CDs, 2 X 7” singles, 4 X color prints)
1LP Gatefold
2CD Hardback Book
1CD Softpack
Digital
HD Digital
D2C Limited Edition Exclusives (free with boxset orders): 7” Single, Enamel pin badge
Although it appeared during a transitional period for The Kinks, Lola Versus Powerman was a success both critically and commercially for the group, charting in the Top 40 in America and helping restore them in the public eye, making it a "comeback" album. It contained two hit singles: "Lola", which reached the #9 US, #2 UK and Germany - becoming the Kinks' biggest success since "Sunny Afternoon" in 1966 - and "Apeman", which peaked at #5 in the UK and Germany.
Ray says: “The album is a celebration of artistic freedom (including my own) and the right for anyone to be gender free if one wishes. The secret is to be a good and trusting person and friend.”
Ahead of its time, the track "Lola" was written by Ray Davies in early 1970 and recorded at Morgan Studios in London. The track supposedly tells the romantic tale between a young man and a transgender person whom he meets in a club in Soho, inspired by an alleged encounter by the band’s manager. Released with Village Green Preservation Society outtake "Berkeley Mews" in the UK and the Dave Davies-penned "Mindless Child of Motherhood" in the US, the iconic hook has been sung around the world for decades.
The Lola Versus Powerman and the Moneygoround, Part One release plans follow the recent successful #LolaDay, celebrating 50 years of the seminal hit single. Fans were able to ‘Lolafy’ their individual photos with 10 new custom-made stickers available via The Kinks website. Throughout the day some of the finest acts such as The Amazons released their interpretations of the track via The Kinks’ channels, and various exciting Kinks archive audio, video and printed material was shared with fans.
The ‘Lolafy’ site has been updated from today to include four new stickers of the band members, Dave, Mick, Pete and Ray.
The 50th Anniversary box set campaign launches with a brand new Ray Davies’ remix / medley of the Kinks track "Any Time" (titled "The Follower - Any Time 2020 Feat: Anytime by The Kinks"). https://thekinks.lnk.to/AnyTime2020PR
Originally written by Ray as a possible B-side for "Apeman", "Any Time" includes previously unreleased versions and excerpts of several Kinks tracks from the Lola album as well as added spoken word and sound effects. It is a concept piece about which Ray states “The isolation caused by Coronavirus can give people time to re-evaluate the world and re-assess their lives. Music can comfort the lonely, transcend time and it’s not the future or the past, yesterday, today or tomorrow. It’s anytime”. He adds, “I saw a way of making this unreleased 1970s track connect to an audience in 2020. I also saw a way of showing that music can time-travel, that memory is instantaneous and therefore can join us in the ‘now’. I put this together as something surreal then realized that it was really happening. The song has found its place - after its 50th Birthday!”
THE KINKS LOLA VERSUS POWERMAN AND THE MONEYGOROUND, PART ONE
Guitarist virtuoso Cory Wong has released his new single, “Smooth Move,” featuring producer and multi-instrumentalist Tom Misch. “Smooth Move” heralds Wong’s eighth album of 2020, The Striped Album, due out Friday, October 23. The down-temp track follows the disco-funk single “Design” featuring New Zealand producer, singer and songwriter Kimbra and lead single “MASSIVE” featuring guitar legend Joe Satriani.
The self-produced album finds Wong in typical giddy form, masterfully combining elements of funk, blues and disco, and features a variety of special guests to share in the merriment, including Kimbra, Joe Satriani and David T. Walker. “Smooth Move” is available today on all streaming services and DSPs.
“Working with Tom Misch is always really fun. We come from such different backgrounds in influence and approach, but our styles blend so well together.
He started playing music by programming and beat making; I started by playing in a band. We met each other through the guitar community on the internet and had a mutual admiration for each other's playing. He came to Los Angeles for a writing retreat a couple of years ago and said, "Hey man, I'm in town if you wanna write and record something together." I went over to his Airbnb and 30 minutes after meeting each other we recorded the song “Cosmic Sans” from my album Motivational Music for the Syncopated Soul. I was on tour in the UK this past February and I had a couple of days off and some creative ideas in my head. I had written a tune that was basically done except for a melody over the B-Section. Tom said he'd love to come hang and play on it and that he had an idea in mind for me to play on one of his songs. AGAIN! 30 minutes after he got to the studio, we had recorded “Smooth Move” for my new album!
I love the idea of relying on our instincts. I think that's where we get into our real primal self as creatives and musicians. We played the tune down once to let Tom vibe over it and then he and I settled on a melody for him to play and we hit record! Also, when I say we went to the studio, that's a little generous of a term for the space we recorded in. It was actually a tiny rehearsal space that our friend has in London that's probably 8'x12' and barely fit the six of us in the room. We had to adjust our guitars so we weren't hitting each other with them because we were so close!
There's something about the two of us playing together that feels so natural and free of agenda. Since we both do such different things on the instrument, and we have mutual respect for each other, there's no ego and there's nothing to prove. We can just sit down and play music together. It's hard not to imagine what it would be like if we actually spent a week together in a real studio!”
Acclaimed pianist Holly Bowling has announced the second leg of her groundbreaking virtual concert tour, featuring extraordinary solo performances filmed live at some of America’s most spectacular natural locations. The second leg of the livestream tour begins Thursday, October, 22 with a performance from Casco Bay, Maine, followed every Thursday by new performances filmed at Taos, New Mexico (Oct. 29), Breckenridge, Colorado (Nov. 5), Hardscrabble Mountain, Colorado (Nov. 12) and Moab, Utah (Nov. 19). The virtual tour comes in advance of Bowling's new album Seeking All That's Still Unsung, a solo piano album featuring reimagined renditions of the music of the Grateful Dead, due out Friday, November 20.
All performances will be broadcast for free via Bowling’s official Facebook page; viewers are invited to contribute to the San Francisco-based pianist’s Virtual Tip Jar.
On the tour, Bowling says:
“There’s plenty of time to do something different,” says Bowling. “And I desperately wanted to get outside - that’s where I’ve been feeling most okay during all this. So we’re taking this crazy road trip in a self-contained little camper van and driving my gear out to these wild places and setting up and playing in settings I never in a million years thought I’d get to play music in.”
Los Angeles-based psychedelic rock band, Hearty Har have shared “Scream and Shout!” the first taste of what’s to come from their forthcoming debut album RADIO ASTRO (BMG) due out on February 19.
“Scream and Shout!” premiered exclusively via American Songwriter who said “‘Scream and Shout!’ swirls with kaleidoscopic swank and stomp,” and that Hearty Har are “capably holding their own against the immeasurable legacy of their father… happily creating music that forges a new stream alongside his musical current, the Fogerties are excited to see what’s out there for them.”
The 11-track RADIO ASTRO is the work of rockers who are seasoned beyond their years and live up to their Rock and Roll Hall of Fame lineage with a strand of that DNA they can truly call their own.
The sons of Creedence Clearwater Revival mastermind John Fogerty have been working under the Hearty Hear moniker since 2012, honing their crafts as songwriters and studio hands into a fully formed enterprise. RADIO ASTRO shows off the brothers' wide-ranging musicality; diversity while capturing an identifiable core sound from sibling chemistry. And plenty of hard work.
"We both really like to record and be in the studio," Tyler says. "We've spent a lot of time experimenting and honing and learning how to use everything. Our whole thing is 'Let's just make good-sounding records and songs." Shane adds that, "I feel like we're constantly chasing something new and something exciting, trying to find sounds and trying to expand what we've done so far and always trying to elevate it. I think that's the goal and what we're trying to follow."
With Tyler and Shane writing on their own, and two tracks composed together, the set kicks off in garage rock, lava lamp shimmer of "Radio Man 56’" and over the course of the album Hearty Har runs a gamut from the psychedelic blues of "One For the Other" to the gritty, Stax-flavored soul of "Calling You Out," the Brit pop nods of "Don't Go Looking For Me" and "Get Down," touches of Middle Eastern in "Fare Thee Well" and a sprawling instrumental, "Canyon of the Banshee," that lets the group "kind of flex our muscles," according to Tyler.
Part perfectionists and part mad scientists, Tyler and Shane acknowledge they've discarded more ideas than they've taken to completion over the years. The songs that meet those exacting standards share a timeless urgency; You can imagine hearing "Can't Keep Waiting" or "Don't Go Looking For Me" or "Get Down" or "Scream and Shout!" at Woodstock -- or Lollapalooza. And there's openness in many of the arrangements that would have man a remixer licking their chops over. "I just hope people love it and appreciate it," Shane says. "I feel like the music speaks for itself, and when people hear it they'll understand."
Legendary rock musician Ann Wilson has returned with her first release in two years. “The Revolution Starts Now” is available today on Ann’s official YouTube Channel and for digital download on AnnWilson.com.
“The Revolution Starts Now” was originally recorded by Steve Earle and first appeared as the title track of his GRAMMY nominated 2004 album The Revolution Starts Now.
“This is my first release since my 2018 solo album release, Immortal,” says Ann about the release. “‘The Revolution Starts’ Now is a powerful, uplifting anthem of unity. It’s an incitement to think higher than polarization and derision. We need that now. I used to love this song in a ‘fun’ way. Nowadays, I take it much more seriously and urgently.”
“Things are just building and have been building for a long time for this sort of fever pitch before the election, and I have never seen a time when people have been so divided,” Ann adds in an exclusive interview with Rolling Stone. “Even with the pandemic, which could have been a real unifier, it seems like there’s the lowest common denominator in human nature at play, where everyone’s just all split up and divided and hating each other. So this song talks about thinking higher.”
The single artwork for Ann’s “The Revolution Starts Now” was designed by American street artist and activist Shepard Fairey, who first emerged with his “Andre The Giant Has A Posse” sticker campaign before becoming widely known during the 2008 U.S. presidential election for his Barack Obama “Hope” poster.
Ann Wilson is one of the greatest voices in the history of rock ‘n’ roll. For the past 40 years, Ann has been lead singer for the rock band Heart (35 million records sold), thrilling audiences with her vocal power and natural gift to wrap her voice around an emotion in a song and lay it at the listener’s feet. Ann carved out a place for women to dominate a rock stage, and her icon status was cemented when Heart was inducted into the Rock n’ Roll Hall of Fame in 2013.
After an extensive 2019 with Heart Ann’s looking forward to bringing the same band on the road to perform all the great songs, and others, that she’s made famous since she founded her band in 1973.
Today, guitarist extraordinaire Cory Wong has released his eighth album of 2020, The Striped Album. The self-produced album finds Wong in typical giddy form, masterfully combining elements of funk, blues and disco, and features a variety of special guests to share in the merriment, including Kimbra, Joe Satriani and Tom Misch. To celebrate the release, Wong will release a three-episode series on his own “Wong Notes” podcast with Premier Guitar detailing the creative and technical process behind the album. The Striped Album is available today on all streaming services and DSPs.
The Striped Album is a culmination of a phenomenal year of musical exploration for Wong, blending elements from each of his diverse releases from 2020. Wong kicked off the year with jazz-funk album, Elevator Music for an Elevated Mood, followed by a live album with The Metropole Orkest, Live In Amsterdam. The raucous funk-fueled glee that runs rampant in these releases and his recent live albums - The Syncopate & Motivate Tour, Set 1 and Set 2 - fuels various tracks on The Stiped Album, like “Design” featuring Kimbra and “Livin’ It Up” featuring Mr. Talk Box.
The whirling track “Ellie” draws from Wong’s work on his two contemplative acoustic records - Trail Songs: Dusk and its sister record, Trail Songs: Dawn. Down-tempo funk songs like “MASSIVE” featuring Joe Satriani and “Smooth Move” featuring Tom Misch highlight Wong’s mastery of improvisation, as seen in his collaboration with Jon Batiste, Meditations.
The wait is over, Joe Bonamassa’s much-anticipated new solo studio album Royal Tea is finally here, available today online and in stores from his own label J&R Adventures! Last month, Bonamassa delivered a groundbreaking live performance from the legendary Ryman Auditorium in Nashville, where he played Royal Tea in its entirety to over tens of thousands of people across the globe. Now fans worldwide can enjoy the album whenever they want! Recorded at the iconic Abbey Road Studios in London, Royal Tea features honorable nods to his British heroes Jeff Beck, John Mayall & The Bluesbreakers, Eric Clapton, Led Zeppelin and Cream.
Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career but now he has found a new way to surprise his fans and music lovers. “This whole adventure,” admits Joe, “was a bucket-list thing for me.” This album reconnects the 43-year-old with the guitar-slinging kid from upstate New York, who stumbled across the best of British blues music in his dad’s vinyl collection – whose influences have shaped him to be the player he is today. “I would have been about twelve years old, and it was the sound I heard in my head. Like, ‘OK, I’m in. That’s what I want to be’.”
These ten original tracks were co-written by Joe and a cast of homegrown notables including former Whitesnake guitarist Bernie Marsden, ex-Cream lyricist Pete Brown and national-treasure piano man Jools Holland. “Writing this record in London has done its job,” reflects Bonamassa. “It really does sound inherently British. Bernie and I, we finish each other’s sentences. We’re cut from the same cloth.” Bonamassa’s long-standing producer Kevin Shirley and regular touring band flew in for the recording sessions, which included Anton Fig (drums), Michael Rhodes (bass) and Reese Wynans (keys).
Today, The Allman Betts Band has announced the release of their special run Bless Your Heart vinyl. The double-record was pressed on 180 Gram Coke Bottle Clear 2LP, gatefold, and is available for order now.
The Allman Betts Band released their sophomore studio album Bless Your Heart on Aug 28 via BMG. Following the release, the band performed a handful of drive-in concerts and streaming show experiences for their fans. Now, for the first time since March the band is back on the road. “We’re a family. And our family has been caged up like everyone else waiting for that day that we climb back onto the tour bus to bring our medicine to the good people. We are so deeply grateful to be back on tour and to also share the release of our new record “Bless Your Heart” on vinyl. It sounds straight up like 1976. Be with us” says Devon Allman.
The Allman Betts Band on Tour
10/23 @ South Farms | Strausstown, PA
10/24 @ Dr Pepper Park | Roanoke, VA
10/25 @ The Beacon Theatre | Hopewell, VA
10/26 @ The Birchmere | Alexandria, VA
10/27 @ The Birchmere | Alexandria, VA
10/29 @ Coca-Cola Roxy | Atlanta, GA
10/30 @ Walhalla Performing Arts Center, Walhalla, SC
11/1 @ Riverfront Live | Cincinnati, OH
11/15 @ Evie’s Golf Center on Bee Ridge | Sarasota, FL
11/16 @ Funky Biscuit | Boca Raton, FL
11/17 @ Funky Biscuit | Boca Raton, FL
11/19 @ Oceanfront Bandshell | Daytona Beach, FL
11/20 @ Centerplex Coliseum Drive-In | Macon, GA
11/21 @ Columbia SpeedwayEntertainment Center | Cayce, SC
11/22 @ Hart Theatre at The Egg Center | Albany, NY
*All Covid-19 local and national safety guidelines will be in place. Patrons must wear masks and practice social distancing at all Allman Betts Band live performances. Further info is available through the individual venues.
Today, Leon III released “This Whisper Is Ours,” the second glimpse at Leon III’s forthcoming album Antlers In Velvet, due out on March 5. "This Whisper Is Ours” is a song that dives into the mechanics of secrets between people. “It’s a song about a secret between two people that turns out to be a total misconception. But, they believe it and navigate their lives around this false truth nonetheless,” says Andy Stepanian. An action that happens daily, and one that anyone can relate to. The song premiered earlier this week exclusively via MxDwn who calls the song “expansive.” MxDwn further examines the intricate track saying “‘This Whisper Is Ours” grows exponentially to include elements like slide guitar, complex synthesizer textures, and a sonic presence that expresses the influence of country but has the suspense and heaviness of post-rock and the laid-back coolness of trip-hop. Lyrically the song is inspired by a horrific incident in Texas, though it doesn’t take a literal approach to the storytelling, instead dealing in the heaviness of the secret between the co-conspirators.”
“This Whisper Is Ours” follows the release of “Fly Migrator,” a rich and exploratory track that stretches over nine minutes, and the track that set the tone for the forthcoming album Antlers in Velvet.
Leon III is Andy Stepanian (vocal, guitar, keyboard, piano, omnichord) Mason Brent (guitar, bass, vocal, banjo) who were both members of Wrinkle Neck Mules, a long running Virginia based band with a significant cult following, and founders of the popular Austin apparel brand Howler Brothers.
Stepanian spoke about the song saying: “Fly Migrator is the template for the album.
Yesterday was Pelé's 80th birthday, and acoustic guitar maestro's Rodrigo y Gabriela are celebrating the soccer legend with a song they wrote with him called "Acredita No Véio (Listen To The Old Man)," which arrived this week worldwide via Rubyworks.
LISTEN TO "ACREDITA NO VÉIO (LISTEN TO THE OLD MAN)"
Pelé has always been crazy about music and songwriting, but he never really spoke about it, he says, because "I didn't want the public to make the comparison between Pelé the composer and Pelé the footballer. That would have been a huge injustice - in football my talent was a gift from God, music was just for fun."
Rodrigo y Gabriela add: "We are both big soccer fans. Growing up in Mexico City, we heard many stories about Pelé and the legendary Brazilian team that triumphed at the 1970 World Cup in our homeland. Imagine our surprise and delight to find out that not only is Pelé the greatest footballer of all-time, but is also a very talented singer and songwriter? It is a huge honor for us to collaborate with Pelé on the occasion of his 80th Birthday."
This special collaboration track began when Rodrigo y Gabriela, fresh from their Grammy win for their latest album Mettavolution, were invited by fellow Mexican music producer Jorge Berlanga to contribute a song for a tribute to legendary Hispanic composer Armando Manzanero. On discovering that Rod and Gab are soccer-mad, Berlanga mentioned that he was a good friend of Pelé, and asked if they would be interested in working on a song together. Quicker than you can say Edson Arantes do Nascimento, the music was flowing between Sao Paulo, Brazil and Ixtapa, Mexico. "Acredita No Véio" was originally written by Pelé in 2005 when working with his regular musical partner, the Brazilian jazz musician and arranger Ruria Duprat, best known for his work with visiting jazz stars Diana Krall, Randy Brecker and Ron Carter.
Regarding the song, Pelé says: "I wrote this one because when I used to play with Santos, the coach used to say that when we lost, it was the players' fault, but when we won, it was the macumba (black magic) that had helped. The song is joking about that - of course, macumba doesn't win games at all." *
On October 23rd, Pelé will celebrate his 80th birthday at home with his family in Sao Paulo. "Acredita No Véio" is a little birthday gift to his fans all over the world, and also a little present to himself.
The track will be released with the full support of the Pelé Foundation. Pelé has 2.5 million followers on Twitter, 4.1 million followers on Instagram and 5.2 million likes on Facebook.
Today, Larkin Poe share their take on the Phil Collins classic “In The Air Tonight.” The mysterious companion video for the song heralds the arrival of KINDRED SPIRITS, Larkin Poe’s first-ever covers album and second full-length of 2020, arriving November 20 via their own Tricki-Woo Records. The album was self-produced by Larkin Poe from their home studio. PARADE Magazine premiered the new video, and praised their take on the classic song calling it "intense and unique."
“We feel like every human on earth has probably sung or hummed or air drummed ‘In The Air Tonight’ at least once in their lives,” says Larkin Poe. “There’s a strange, hallow’s eve energy lurking beneath the lyric of this song that has captured countless imaginations, ours included. We wanted to delve deeper into this more sinister vibe by stripping the song back further with only lap steel, vocals, stomps, and claps.”
“When we decided to release this cover today, we were excited because it meant a spooky, moody music video would be a perfect fit,” Larkin Poe adds, “we love the darker undertones of the recording and — with the help of some vibey found footage — created the perfect Halloween flavored video.” The new song and video are delivered in the most timely fashion for these relatives of Edgar Allan Poe.
In the spirit of Halloween, Megan and Rebecca are going to share a Facebook video at 1pm CT this Saturday, October 31 in which they’ll perform the theme songs of their costumes -- Megan will be a character from Star Trek and Rebecca will be WWE’s The Undertaker.
Drive-By Truckers have released an extremely potent video for the title track of their latest album. Filmed entirely in Portland, OR, during the protests of summer 2020, the clip for "The New OK" is profoundly intense and emotional as it matches DBT co-founder Patterson Hood's lyrics that address America's state of disunion.
THE NEW OK was released via ATO Records at all DSPs and streaming services on Friday, October 2. The CD and red vinyl edition of the album will arrive on Friday, December 18
THE NEW OK came out mere months after the release of the band’s highly acclaimed THE UNRAVELING. Originally conceived as a quarantine EP collecting material recorded in Memphis during sessions for THE UNRAVELING -- including a fiery cover of The Ramones’ classic “The KKK Took My Baby Away” (vocals by bassist Matt Patton) -- the project quickly grew to include provocative new songs written and recorded over what Drive-By Truckers co-founder Patterson Hood calls “this endless summer of protests, riots, political shenanigans and pandemic horrors.” Tracks such as Hood’s “The New Ok” and “Watching The Orange Clouds” – inspired by the protests which followed George Floyd’s murder by Minneapolis police – were exchanged between Hood, co-founding singer/songwriter/guitarist Mike Cooley, bassist Patton, keyboardist/multi-instrumentalist Jay Gonzalez, and drummer Brad Morgan and then mixed by longtime DBT producer David Barbe. The result, says Hood, is “a full album that hopefully balances out the darkness of our current situation with a hope for better days and nights ahead.”
“To call these past few months trying would be a dramatic understatement,” Hood continues. “Our lives are intertwined with our work in ways that give us our best songs and performances. It is a life that has often rewarded us beyond our wildest dreams. Speaking for myself, I don’t have hobbies, I have this thing I do. To be sidelined with a brand new album and have to sit idly while so much that I love and hold dear falls apart before my very eyes has been intense, heartbreaking, anger provoking and very depressing. It has gone to the very heart of our livelihoods and threatened near everything that we have spent our lives trying to build. Here’s to the hope that we can make 2021 a better year than this one has been. In the meantime, here’s to THE NEW OK!”
Released January 31, 2020, THE UNRAVELING marked Drive-By Truckers’ first new LP in more than three years – the longest ever gap between new DBT albums. The album – recorded September 2018 at the legendary Sam Phillips Recording Service in Memphis, TN by GRAMMY® Award-winning engineer Matt Ross-Spang (Jason Isbell, Margo Price) and David Barbe – made a top 5 debut on Billboard’s “Rock Albums” chart amidst a wave of critical acclaim from the likes of American Songwriter, which hailed it as the band’s “best yet…a perfect storm of anger, resentment, frustration and even glimmers of hope, wrapped in the sharp, terse musical invention we have come to expect from these veterans.” Rolling Stone declared THE UNRAVELING to be “another sturdy addition to the band’s almost peerless discography,” noting, “Unfiltered fury suits the Truckers well.” Songs like “Armageddon’s Back in Town” and “Slow Ride Argument” “describe what it’s like to feel like a fugitive in your own town, your own country,” wrote the Chicago Tribune‘s Greg Kot. “In the world painted by the Drive By Truckers, their narrators are all running from something: their family, the law, perhaps even themselves. It’s no way to live, but these songs give their struggle meaning.”
"Protesting is an American right, protected by the constitution.
We fully support the right to peaceful protest.
We are steadfastly opposed to white supremacy and bigotry.
Kyle Hollingsworth, keyboardist of The String Cheese Incident has announced the Next Big Show, a very special livestream event via fans.live on Thursday, Nov 19 at 9pm ET. Kyle will present his second variety show-style livestream, treating fans to a full concert with special guests, surprises and even individual live bingo. Ticket holders presenting winning bingo cards will be mailed a signed postcard from Kyle. Come for the music and stay for the adventure.
“Here it is what we’ve all been waiting for, the NEXT BIG SHOW! I’m so excited to bring another round of music, laughs and entertainment. It’s going to be exhilarating, terrifying, electrifying, and mind-altering, like much of the year has been! We are the music makers, we are the dreamers of dreams, so slip away with me to the NEXT BIG SHOW!" - Kyle
In addition to the stream, fans will be able to grab one of Kyle's famous “Feline Fine” signature cat shirts, the “Colorado Cat,” previously only available at select SCI 2018 Colorado tour dates, returning for the first time ever, available online at ticket purchase.
The Next Big Show follows this year’s solo EP titled 2020. Amid a six-month touring break from The String Cheese Incident, Kyle decided to branch out and develop some musical ideas on his own. What resulted was five musically diverse and energetic songs including a rousing cover of Vampire Weekend’s “Step.”
Joe Bonamassa’s highly-anticipated new solo studio album Royal Tea hit the Billboard charts this week with record-breaking numbers, as the blues-rock titan landed his 24th #1 album on the Blues Chart; an incredible feat and more than any other artist in the history of the chart! The critically-acclaimed new album reigned over a slew charts this week, also hitting #5 – Top Current Albums, #6 – Top Albums, #6 Independent Albums, #7 Rock, #41 for the Billboard Top 200 and #48 on the Top Artist 100 Chart!
Royal Tea is available now online and in stores from Bonamassa’s own label J&R Adventures! Recorded at the iconic Abbey Road Studios in London, Royal Tea features honorable nods to his British heroes Jeff Beck, John Mayall & The Bluesbreakers, Eric Clapton, Led Zeppelin and Cream.
Joe Bonamassa has snatched a career-best release with Royal Tea, chalking up another chapter for the Abbey Road folklore, and finally delivering the album he’s dreamt of since the start. “The reason I wanted to come to Abbey Road was for myself, the band and the fans,” Bonamassa says. “The P.T. Barnum in me was going, ‘Hey, this would be a cool event’. It was a risk coming over here, and this album has fought us to get here. But I think we’ve pulled it off…”
Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career but now he has found a new way to surprise his fans and music lovers. Since his 2000 debut, A New Day Yesterday, that founding influence has stayed close to the surface of Bonamassa’s astounding solo album catalogue. Yet he’s always let his choice of studio infuse his work, whether stirring the vibe of the Greek island of Santorini into 2010’s Black Rock, placing his bets on Sin City for 2014’s Vegas-tracked Different Shades Of Blue, or working with the cream of Nashville on 2016’s Blues Of Desperation. “Where you record an album leaves a fingerprint on the music,” he points out. “This album is a snapshot, too.”
These ten original tracks were co-written by Joe and a cast of homegrown notables including former Whitesnake guitarist Bernie Marsden, ex-Cream lyricist Pete Brown and national-treasure piano man Jools Holland. “Writing this record in London has done its job,” reflects Bonamassa. “It really does sound inherently British. Bernie and I, we finish each other’s sentences. We’re cut from the same cloth.” Bonamassa’s long-standing producer Kevin Shirley and regular touring band flew in for the recording sessions, which included Anton Fig (drums), Michael Rhodes (bass) and Reese Wynans (keys).
New Orleans’ world famous music venue Tipitina’s, today, announces SAVE TIP’S, a free live streamed event benefiting the historic venue during the pandemic shutdown. An innovative livestream and fundraising event, the three+ hour event will take place on Saturday, November 14th at 9PM EST/8PM CST/6PM PST and will feature performances and exclusive backstage content from more than 35 of the most legendary musicians to ever grace the stage at Tipitina’s. These artists join Tipitina’s to help keep the music going at the world renowned venue by helping raise much needed funds necessary to keep the club alive. Beginning today, Monday November 9, fans can donate directly to the venue as well as participate in special fundraising sweepstakes offering prizes chosen by the staff at Tipitina’s and its supporting artists.
“In late 2018, our band took a huge leap of faith to purchase Tipitina’s,” said Robert Mercurio, owner of Tipitina's and member of the band Galactic.“ It was not because we wanted to own a venue, it was because we had a chance to save our favorite one in the world. But now we could really use some help to keep saving this national treasure. So in true New Orleans fashion we decided to throw a hell of a party to celebrate this musical institution.”
Tipitina’s has been a vibrant hub of New Orleans’ culture and music for over 40 years and has hosted some of the most legendary acts in the world while attracting hundreds of thousands of fans from across the globe. The COVID-19 pandemic and subsequent social distancing regulations have had a heavy effect on the legendary venue putting its future in peril as it, like thousands of other independent rooms, hasn’t had any revenue since being shuttered by the pandemic.
To support the benefit, Tipitina’s and Fandiem --- an all-in-one digital sweepstakes marketplace bringing exclusive virtual and in-real-life experiences to music fans -- are offering an exclusive collection of prizes integrated into the livestream platform and performances. Fans can donate for a chance to win these prizes, which will include the Ultimate NOLA Flyaway, an all-expense paid three-day weekend in New Orleans featuring VIP access to the first return show at Tipitina’s, access to a New Orleans-themed catered soundcheck, band meet & greet, and a mega merch pack from the venue, as well as a virtual backstage Zoom Hang with Galactic’s Stanton Moore and Robert Mercurio. Sweepstakes will be made available to the public beginning Monday, November 9 and additional exclusive sweepstakes prizes will be added after the November 14 livestream event. Net proceeds from sweepstakes entries will benefit Tipitina’s.
SAVE TIP’S to feature new and never-released-before vintage performances, recorded at Tipitina’s and beyond by:
Professor Longhair
Fats Domino
Willie Nelson
Dr. John
Widespread Panic
Wilco
Billy Strings
Jon Batiste & Stay Human feat. Trombone Shorty
Dinosaur Jr
Manu Chao
The Radiators feat. Gregg Allman
Michael Franti and Spearhead
St. Paul and the Broken Bones
Funky Meters
Preservation Hall Jazz Band feat. Allen Toussaint
Galactic feat. Anjelika “Jelly” Joseph
Les Claypool’s Flying Frog Brigade
The Revivalists
Big Freedia
Tank & The Bangas
Rebirth Brass Band
Zigaboo Modeliste
Juvenile
Samantha Fish
Dumpstaphunk
George Porter and Runnin’ Pardners
Big Chief Monk Boudreaux + Donald Harrison Jr.
Anders Osborne
Ivan Neville
Cha Wa
James Andrews
Papa John Gros
The Dirty Dozen Brass Band
Kermit Ruffins
Corey Henry
Roger Lewis
Leo Nocentelli
The Soul Rebels
Davel Crawford
John Cleary + Walter “Wolfman Washington”
The Naughty Professor Horns
Art Neville Tribute
Dr John Tribute
Allen Toussaint Tribute
Taj Mahal
North Mississippi Allstars + Big Sam
….and many more
PLUS…Meanwhile Backstage (Interviews hosted by Soul Sister)
SAVE TIP’S is also supported by Tipitina’s friends at Nugs.net, Relix Media, New Belgium Brewing Company, Gnarly Barley Brewing Company, and Frontier Airlines.
To learn more about SAVE TIP’S and to enter to win the exclusive sweepstakes available visit www.tipitinas.com and www.fandiem.com.
The Brummies are the kind of band that have a little something for everyone; they seamlessly blend indie and classic rock, funk and disco for a 360 degree experience that is sure to keep fans dancing at the bar, at their shows, and even at home in the basement these days. Their new album Automatic World arrives today, via Sandbox Entertainment, with a full scope of love, sunshine, fear for tomorrow, and the entire range of emotions. The record explores all things past and present diving into the theme of déjà vu. Automatic World will be available on vinyl Dec 18.
"Déjà vu, futures, past, all of that comes together in this record in a musical way," shares vocalist and multi-tool musician Jacob Bryant. "There are future sounds, but they are mixed with the old. Eternal Reach [The Brummies’ full-length debut] was all about recording to tape and capturing the vintage vibe. We recorded a lot of this the same way, but we expanded it sonically — there are a lot more synthesizers and production."
"When we started recording these songs, we were all on the same page, with everyone focused on the grooves that moved us. We locked into that," says singer and multi-instrumentalist John Davidson.
"We all wanted to expand and do different things," says percussionist and background vocalist Trevor Davis, "We didn't make the same record twice."
Tracks on Automatic World like the ethereal "Fever Dream," the vibey "After Midnight," and the searching "Cherry Blossom" resonate with a crisp and effortless freshness, the result of three players in possession of an almost telekinetic musical shorthand. In the studio or in the writing room, The Brummies (who wrote or co-wrote every track on the project) don't try; they just do.
"Have we been here before?/Because we're talking without speaking," they harmonize in the New Wave-y "Been Here Before," a song whose message sums up the inherent chemistry of the core bandmates.
In "After Midnight," The Brummies — originally from Birmingham, Alabama, their name is U.K. slang for a resident of Birmingham — revel in what they call "dark disco."
"Call Me," a pleading offer of help to a friend, came out of another spontaneous jam session, with the members each picking up a different instrument. Its intro and lyrics call to mind Eternal Reach's "Drive Away," the band's celebrated collaboration with Kacey Musgraves. "It started off with Jacob on the drums and this piano pad thing," John recalls. "Each song has a different process in how it evolves, and that one went through many different steps."
Sometimes inspiration would hit them square in the head. After being awoken every morning by sunlight creeping through a crack in his blinds, Jacob sat down and wrote the funky "Sunshine." Ebullient, joyful, and full of hope, it owes a debt to late soul singer Bill Withers. "He definitely inspired the beat to that song," John says.
Still other sounds on the project appeared as happy accidents. While Jacob was working on the harmony-rich relationship tune "Tomorrow," his guitar amp failed and began to emit a single droning note. He loved it and incorporated it into the track. "It's a sad song that we made into a love song," he says.
Produced by The Brummies along with Jarrad Kritzstein (Ruston Kelly) and Austin Jenkins (Leon Bridges), Automatic World exists in those atmospheric notes that seem to soundtrack our subconscious. There are rhythmic guitar riffs straight out of the Seventies, hypnotic Moog passages that evoke the electronica of Giorgio Moroder, and even the bright tones of soul music.
Atwood Magazine said of the album “The sheer scope of their creative visions for ‘Automatic World’ come through when listening to the record, which truly feels as if you’re listening to something purely brand new and undiluted, regardless of whether it’s the first listen or the tenth listen.”
Listeners can stay connected with The Brummies by following them on Instagram and Facebook @thebrummies, and @the_brummies on Twitter. For more info visit thebrummies.com.
The Allman Family Revival will be returning for its fourth year in celebration of Gregg Allman's birthday, This year the show will take place in Nashville, TN at the iconic Ryman Auditorium. Tickets will be on sale beginning Friday, October 13 at 10am central. There will be limited and socially distanced in person attendances, as well as streaming ticketing options available. Purchase tickets HERE.
The Allman Family Revival started as a celebration of music and life in honor of what would have been Gregg Allman’s 70th Birthday. It was a party at The Fillmore in San Francisco hosted by his son Devon Allman of The Allman Betts Band.
The Allman Family Revival has become a very special year-end tradition for The Allman Betts Band. In 2019 the Revival expanded from San Francisco to Denver and NYC, making the experience even more accessible to fans across the country. The 4+ hour-long shows feature epic jams and guest musicians that have ranged from Robert Randolph, Luther and Cody Dickinson, Marcus King, Samantha Fish, Jimmy Hall, G. Love, Brooklyn Allman ...and many, many more.
This year’s show will feature songs from the Allman Betts Band’s 2020 release, Bless Your Heart and songs from their 2019 debut album, Down to the River. As always, they’ll perform classic Allman Brothers & Gregg Allman songs as well as other fan favorites sprinkled in.
Discover the extraordinary story of legendary bluesman Joe Bonamassa in the inspirational documentary GUITAR MAN, arriving on Video-On-Demand and for Digital purchase December 8, 2020 from Paramount Home Entertainment.
From average Joe by day to guitar hero at night, GUITAR MAN tells the incredible rise of blues-rocker Joe Bonamassa, whose hard work and determination have made him one of today’s top-selling blues artists. With more #1 Blues albums than anyone else in history, Bonamassa pulls back the curtain on his incredible career, allowing us to see his remarkable musical achievements and pioneering style. Featuring behind the scenes interviews and live concert footage showcasing some of the biggest names in music, kick back and enjoy the exhilarating soundtrack of his phenomenal life.
GUITAR MAN showcases Bonamassa’s astounding talent from his childhood as a "wunderkind" discovered and mentored by Blues legend B.B. King. At the age of only 43, Bonamassa has an illustrious career spanning over three decades. Through highs and lows, Joe persevered, taking his musical journey into his own hands to overcome challenges and reach his goals. In 2009, Bonamassa fulfilled a lifelong dream of playing at the prestigious Royal Albert Hall and was joined on stage by Eric Clapton, marking a pivotal moment that elevated his music to the next level.
Filled with an abundance of music, live concert footage, and interviews with music industry legends, GUITAR MAN chronicles a musician growing in his craft, traveling the globe, collaborating with top artists from across the world of music, and ascending to the heights of inevitable success.
Arizona based progressive rock band Spafford has announced “Spafford New Year’s Eve 2020” - a two night New Year’s Eve concert experience that will include an epic three-set performance on Dec the 31st. The shows will take place at the Marquee Backyard at the Marquee Theatre, a brand new socially distanced concert venue outside of the Marquee Theatre. Tickets will be available on Friday, November 20 at 10 am MT via spafford.net.
To comply with local social distancing protocols, patrons will be seated in pods.
“2009-2010 NYE was the first “billed” Spafford show. So this is our 11th birthday. We haven’t ever missed playing on NYE and we damn sure aren’t missing this year. Despite the ups and downs of 2020 let’s end this year on a high note. We want to bring people music and joy in the safest way possible to celebrate the end of a crazy year and send prosperity to the years ahead.”
- Spafford
Earlier this year Spafford played one of the country’s first drive-in concerts. Their performance garnered attention from PBS Newshour, Good Morning America, Billboard, USA Today, Variety, and Rolling Stone.
Spafford are known for their astonishing improvisational ability and off-the-cuff extended jams, Spafford paints a picture in real-time each night with a musical palette known only to each other. It’s a private language comprised of both their talent as musicians as well as their formidable catalog of influences, spanning 90’s alt-rock radio hits to Steely Dan and The Crystal Method. Each and every Spafford show is a sonic pilgrimage, the journey of a team of musicians so in tune with each other that a single note communicates intent and purpose. Spafford is amongst the most creative and hard-traveling bands on the contemporary jam scene, performing countless sold-out headline dates along with high profile festival sets at Bonnaroo Music & Arts Festival, Firefly Music Festival, and many others.
The String Cheese Incident's iconic 1998 album ’Round The Wheel is now available for the first time ever on vinyl. The 180gm Double LP is a must-own for fans of Cheese and vinyl alike. The record features fan favorites such as "Restless Wind," "100 Year Flood," and of course the title track, “‘Round The Wheel.”
For the launch of the new vinyl, Michael Everett's cover artwork was used to create brand new exclusive t-shirts in both adult & youth sizes. Fans can package merch items together in a “Super Bundle” that includes the vinyl + t-shirt + a limited edition 12'x12" poster, signed by the band.
Pre-orders of ’Round The Wheel are available now HERE, and the album will begin shipping in early 2021.
The past 27 years have written a story that is packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments. They have been recognized for their commitment to musical creativity and integrity, for their community spirit, philanthropic endeavors, and for their innovative approach to the business of music.
When The String Cheese Incident’s growth first started gaining momentum over two decades ago, when the Internet was just beginning to take hold and the major-label business model was failing, the band decided to make music on their own terms.
Since then, The String Cheese Incident has gone on to carve out a completely different approach to the business of music; they are truly pioneers of a new way of “making a band.” With the Internet as their tool, SCI was among the first artists to disseminate information online, such as tour dates, release information, and other news, to their growing fan base. Rather than doing business on such terms as “the bottom line,” SCI put their music and their fans first, opening companies of their own, including a ticketing company, a merchandise company and a fan travel agency, to best serve their community. The band’s record label, SCI Fidelity Records, has always operated under the same ideals. Even early on, SCI Fidelity embraced downloadable music and file sharing, delivering SCI’s “On The Road” series, where every show the band plays is made available for download on the Internet. Whether they realized it at the time or not, The String Cheese Incident was inventing grassroots band development. Today, literally hundreds of bands are using some version of this same approach to building a band.
The String Cheese Incident’s commitment goes well beyond their immediate community, and even beyond the music community as a whole. Early on, the band took a serious interest in giving back to the communities that they visited, and they were among the first performers to encourage “Green” shows and tours. SCI’s support has helped give rise to such not-for-profit organizations as Conscious Alliance, Rock the Earth, and HeadCount. All the while, The String Cheese Incident has stayed committed to music as a creative endeavor, not just in their recordings but also in their live performances. The list of SCI’s special guests and collaborators is long and diverse. Their annual events such as Horning’s Hideout, and holiday shows such as New Year’s and Halloween, have helped redefine the concert experience and have garnered the band a reputation as live music vibe innovators.
Tipitina’s, the legendary New Orleans nightclub owned and operated by the band Galactic, has unveiled Tipitina’s Record Club, a new subscription service offering six annual vinyl releases celebrating the music and culture of New Orleans and the Gulf South. Tipitina’s Record Club will present specially curated, bi-monthly releases spanning archival milestones, never-before-heard rarities, out-of-print reissues, and brand new recordings, all on limited edition, 180g custom-colored vinyl exclusive to subscribers. Bi-monthly and annual subscriptions are available now. Free shipping will be included for subscribers in the contiguous United States. In addition, Tipitina’s Record Club members will receive exclusive access to upcoming special events, to be announced soon.
Tipitina’s Record Club will officially get underway in February 2021 with the release of Professor Longhair’s FESS AT HOME ’73, a previously unheard recording showcasing the groundbreaking singer-pianist in a uniquely intimate and personal setting. Future TRC releases include The Radiators’ KUNG POW!! LIVE AT TIPITINA’S – 05/01/97, James Booker’s LIVE AT TIPITINA’S, and the 25th Anniversary Deluxe Edition of Galactic’s landmark 1996 debut album, COOLIN’ OFF.
“Being a musician and playing at Tipitina’s, one feels the history and the greatness that has blessed that stage,” says Galactic’s Ben Ellman. “Professor Longhair," Clifton Chenier, James Booker, The Meters, The Neville Brothers and so many more local and national treasures. When Galactic took over ownership, it became our mission to preserve the important role Tipitina’s has played in the culture of New Orleans music and the Gulf South. Creating Tipitina’s Record Club, we get to dig into archives to present never-before-heard recordings, rare reissues, and some amazing new music we know you’ll love. We’re presenting this to everyone on a limited edition piece of art in the form of vinyl. This will make the product and the music something special…just like Tipitina’s.”
"Our band has been on both sides of the stage at Tipitina’s,” adds Galactic’s Robert Mercurio. “We all started going there as fans, then our band started playing there often, to now we are the stewards of the ship. We know there is a deep well of musical history associated with the club and thought that this Record Club would be a great way to share part of this history with everyone – and what more fitting then for it to be on vinyl. We have been digging deep into our chest of treasures and have some great performances and super rare reissues planned.”
Tipitina's is of course one of America’s most iconic music venues. Since its opening in 1977, Tipitina's has stood the test of time by hosting the most talented musicians and groups from New Orleans and the world at large, including the renowned Crescent City-based instrumental outfit, Galactic. In late 2018, Galactic announced their purchase of the internationally famous two-story yellow building on the corner of Tchoupitoulas Street and Napoleon Avenue, promising to both further Tipitina’s rich traditions while also continuing to honor the remarkable musical history of the Gulf South. Galactic’s most recent LP, last year’s acclaimed Already Ready Already, is available now via the band’s own Tchoup-Zilla Records.
In celebration of the 50th anniversary of George Harrison's classic solo album, All Things Must Pass, the George Harrison Estate is pleased to announce a new 2020 stereo mix of the LP’s title song as a prelude of what’s to come.
The new stereo mix of the seminal album’s title track was overseen by multi- GRAMMY® Award winner, Paul Hicks, known for his work with the Harrison Estate, The Beatles and this year’s chart-topping albums by The Rolling Stones (Goat’s Head Soup) and John Lennon (Gimme Some Truth).
“The new stereo mix of the album's title track is just a taste of more things to come in 2021 as we celebrate the 50th anniversary of my father's legendary All Things Must Pass album,” says Dhani Harrison. “We've been digging through mountains of tapes, and they just kept coming – boxes and boxes of them. Making this album sound clearer was always one of my dad’s greatest wishes and it was something we were working on together right up until he passed. But with the help of new technology and the work of Paul Hicks on this project, we are now able to make that happen. We can't wait for you all to hear everything we've been working on and your patience will be rewarded next year.”
Originally released fifty years ago today on November 27, 1970, All Things Must Pass, the triple LP produced by Phil Spector, includes “My Sweet Lord,” the first number one single by a solo Beatle. It was critically acclaimed and topped both the UK and US album charts, with Rolling Stone calling it “the War and Peace of rock and roll” and “an intensely personal statement and a grandiose gesture.” Over time the influence of the album has only grown as subsequent generations have discovered it. The album has been inducted into the GRAMMY® Hall Of Fame, included in Rolling Stone magazine’s Top 500 albums of all time, as well as The Times of London’s 100 best albums
The release of “All Things Must Pass (2020 Mix)” marks the beginning of celebrations for this historic album. Stay tuned for more All Things Must Pass 50th-anniversary release details beginning in 2021.
Continuing the All Things Must Pass celebrations, in partnership with Record Store Day's Black Friday event, the Harrisons are also releasing George Harrison’s “My Sweet Lord” on a 7” Milky Clear Single, individually numbered, exclusive to Record Store Day. This is a recreation of the Angola pressing of the 45 from 1970 with unique artwork. "My Sweet Lord" was originally released in November 1970 as a single, Harrison's first as a solo artist, and topped charts worldwide; it was the biggest-selling single of 1971 in the UK. In America and Britain, the song was the first number-one single by an ex-Beatle.
Larkin Poe are joining forces with Tyler Bryant & the Shakedown this holiday season to bring fans a virtual musical extravaganza that promises to bring plenty of Yuletide cheer and classic Christmas tunes.
The show will air twice on Dec 19 (7pm GMT / 8pm EST). Fans can join the airing live to watch the show and chat in real-time with both bands. Ticket purchases will allow patrons to watch on demand through Dec 26. Limited VIP packages & signed holiday cards are available for purchase. All tickets are available now via http://shakepoe.veeps.com.
On November 20, Larkin Poe released KINDRED SPIRITS, their first ever covers album - a collection of stripped-back versions of both classic and new songs. KINDRED SPIRITS is the second full-length album of 2020 following June’s release of SELF MADE MAN. Both albums were produced by Larkin Poe and released on their own Tricki-Woo Records.
The GRAMMY® Award-nominated sister duo of Rebecca and Megan Lovell kicked things off in June with their fifth studio album, SELF MADE MAN, topping an array of Billboard charts while earning unanimous acclaim around the world. Instead of a summer of tour buses and packed theaters, the Atlanta-bred, Nashville-based Lovells found themselves at home, performing many livestream concerts and adding to their much-loved YouTube covers series. That got them thinking, and led to the idea for the creation of KINDRED SPIRITS, a collection of stripped-back versions of covers, both classic and new, including songs by the Allman Brothers Band, Robert Johnson, Elton John, Post Malone, Ozzy Osbourne, and more.
While 2020 was supposed to be a year of hitting the road and taking their new songs to fans around the globe, it transformed into a year of reflection, of looking inward, of looking back. But Larkin Poe being Larkin Poe, looking in and looking back for them is also looking forward as they continue to put their own signature on the traditions they embrace. Not ones to sit around and wait for something to happen, Rebecca and Megan are constantly churning and creating. No one knows what this next year holds, but rest assured Larkin Poe will find ways to keep it fun and interesting for everyone, as we are all kindred spirits.
Innovative hybrid orchestra Nu Deco Ensemble are continuing their 6th season with an upcoming virtual live stream concert featuring a collaboration with Roots Rock N’ Roll sisters Larkin Poe. Live streaming from the North Beach Bandshell in Miami, FL on Saturday, December 12th, the evening will also include a world premiere arrangement and other original works by Pascal le Boeuf, commissioned in part by National YoungArts Foundation and a symphonic reimagination of the music of Led Zeppelin.
Rebecca & Megan Lovell of Larkin Poe are singer/songwriter, multi-instrumentalist sisters creating their own brand of Roots Rock 'n' Roll: gritty, soulful, and flavored by their southern heritage. Heralded as “a sister act with staying power” by NPR, the Lovell sisters are originally from Atlanta, currently living in Nashville and are descendants of tortured artist and creative genius Edgar Allan Poe.
On the upcoming performance, the duo shares "As children, our hands-on introduction to music began in the classical realm; many of our foundational memories are accompanied by strains of Handel, Mozart, or Beethoven. We have journeyed through many genres since then, but with such strong emotional ties to the ensemble format, we are very much looking forward to hearing our Roots Rock n Roll songs reinterpreted with the Nu Deco Ensemble.”
Described as "sleek, new" and "hyper-fluent" by the New York Times, Pascal Le Boeuf is a Grammy nominated composer, pianist, and producer whose works range from modern improvised music to cross-breeding classical with production-based technology. He is widely recognized for his polyrhythmic approach to chamber music and hybridization of disparate idioms.
Tickets for this performance, presented in partnership with the Rhythm Foundation and the North Beach Bandshell, are available now here: https://live.nu-deco.org/concert-02-larkin-poe. This will be streamed via Nu Deco Ensemble’s custom platform, which allows for increased audience interactivity through audience polling that chooses select pieces, viewer selected camera angles, digital program notes and other interactive features. Ticket buyers will have access to the performance on-demand for 72 hours following the performance.
“We feel tremendously honored to provide and share musical experiences that will bring Miami and our world community together to share the enjoyment and excitement of Live Streamed Music,” shares the ensemble’s co-founder Jacomo Bairos.
“During these extraordinarily challenging times, music and the arts serve the critical purpose of connection to one another. These performances which highlight a cutting-edge digital platform will bring our audiences closer to the music and our artists than ever before,” shares co-founder Sam Hyken.
Nu Deco is committed to following all CDC and local government recommendations, including physical distancing, masks mandated for all artists able to play with a mask, health and temperature screening, sanitization and disinfectant of all touch services, hand sanitizer available around the venue and a testing plan leading up to the production week.
For more information on the rest of the 2020-2021 Nu Deco Ensemble Performance Season, please visit Live.Nu-Deco.Org
Today, Connecticut-based rock quintet Goose announced plans for a live stream concert from Rockefeller Center in the heart of New York City. “Goosemas Livestream from Rockefeller Center” is the band’s seventh annual holiday celebration in as many years. The livestream premieres December 11 at 7pm ET exclusively on Twitch with proceeds benefiting Save Our Stages and Conscious Alliance. The unique performance will be streamed on Twitch’s new Relix Channel.
“Goosemas 4 was my first gig playing with Goose so the annual show has a big place in my heart. I’m bummed we can’t be with our family and friends in person for this one, but the location is going to make it that much more exciting to stream,” said Goose’s Peter Anspach (Guitar, Keys, Vocals). “I’m beyond stoked we were able to pull that together in such a chaotic year. Big shout out to our whole team for always crushing it, Peter Shapiro, and thanks to Rockefeller Center for hosting what will be a very special night.”
Nestled over seven stories high in the Manhattan skyline, “Goosemas Livestream From Rockefeller Center” will be the first livestream of its kind, which comes as no surprise given the band’s penchant for innovation and creativity over the past year. The late December event will be the capstone to an incredible year that saw Goose complete their universally acclaimed Bingo Tour, which amassed thousands of viewers over the “Digital Tour,” as well as a string of sold-out socially-distant drive-in shows this fall.
“Goose has amazing momentum right now and we are so excited to be working with them on this incredibly special performance at Rockefeller Center-- one of the most iconic locations in the world. There isn’t a more epic way to ring in the holidays than with a rock show in the sky,“ added Peter Shapiro, Publisher of Relix Magazine and Twitch Relix Channel.
Following the annual tradition, Goosemas will also include a charitable aspect during 2020’s most important giving month and at this time when people across the country are in an insurmountable amount of need. Proceeds from the benefit will go to two separate organizations; NIVA’s Save our Stages -- a national charity that provides support to independent live event venues and promoters throughout the United States in these trying times; Conscious Alliance -- a nonprofit that connects a network of creatives to collect large-scale donations in order to combat hunger in historically underserved communities. Donations from Goosemas will help keep Conscious Alliance on the road this winter delivering 200,000 meals to kids and families in need. Every $1 donation = 2 meals to someone going without food this holiday season.
Donations can begin now at www.GOOSEMAS.com. Those who make donations through the Goosemas website will receive early access to the Goosemas Merch Store on Wednesday December 9th at 10am ET, and opening to the general public at 1pm ET. For more information, visit GOOSEMAS.com.
From average Joe by day to guitar hero at night, GUITAR MAN tells the incredible rise of blues-rocker Joe Bonamassa, whose hard work and determination have made him one of today’s top-selling blues artists. With more #1 Blues albums than anyone else in history, Bonamassa pulls back the curtain on his incredible career, allowing us to see his remarkable musical achievements and pioneering style.
Featuring behind the scenes interviews and live concert footage showcasing some of the biggest names in music, kick back and enjoy the exhilarating soundtrack of his phenomenal life. Filled with an abundance of music, live concert footage, and interviews with music industry legends, GUITAR MAN chronicles a musician growing in his craft, traveling the globe, collaborating with top artists from across the world of music, and ascending to the heights of inevitable success.
WHY: Guitar Man, Joe Bonamassa at the age of only 43, has had an illustrious career spanning over three decades. Bonamassa’s astounding talent from his childhood as a "wunderkind" discovered and mentored by Blues legend B.B. King has had his share of highs and lows, but Joe persevered, taking his musical journey into his own hands to overcome challenges and reaching his goals. A dream come true, triumphing and beating the odds, Guitar Man is the story of the average Joe you want to know.
Today, Athens, GA based Lo Talker unveils “Automatic Love,” an upbeat love song mixing the crisp psychedelia of Sgt. Pepper’s-era Beatles with the honeyed indie folk of My Morning Jacket. It is the second song Lo Talker has released from their upcoming album Comedy Of Errors which is due out in Spring 2021 through Arts & Crafts.
Andrew Shepard, vocalist and songwriter of the band says "’Automatic Love’ is a demented love song from the perspective of someone who has some serious dependency issues. (Hopefully it’s not about me...). It’s about erasing your own identity to reflect someone else’s. Trying to find comfort in someone so not to deal with the uncomfortable things within our spongy, little brains."
Lo Talker released their debut song “No Champagne” in October, to great reviews in the blog community with The Revue saying “this is one of the year’s best songs” and Postcard Elba crowing “I couldn’t possibly love this song more.”
Lo Talker was founded by Shepard who was looking for a fresh start after leading his band Roadkill Ghost Choir for eight years, playing every major festival, an appearance on Late Night With David Letterman and touring alongside Band of Horses. Also joining Shepard in the band are brother Zach (bass), who also played in Roadkill Ghost Choir, as well as Alec Stanley (guitar/keyboard), Rhett Fuller (guitar), and Jeremiah Johnson (drums). The album was produced, mixed, and engineered by longtime friend of the band, Kevin Ratterman, known for his work with similar southern rock inspired indie acts like Jim James, My Morning Jacket, and Strand Of Oaks, at his studio in Los Angeles.
Before the days of quarantine, Jammcard’s JammJam live events hosted some of the nation’s most impactful musicians for incredible nights of unfiltered, collaborative raw convergence in the round as the who’s who of the music industry enjoyed the music from the packed sidelines. Last year, the incomparable Jacob Collier took the JammJam stage with his rendition of Michael Jackson’s hit song “Human Nature'' for a special night honoring the legendary Quincy Jones (who is a Jammcard investor and advisor). Today the performance has been made available for fans to enjoy across the globe, calling back to that in-person, packed house concert sensation and continuing to remind us what a brilliant and skilled artist Jacob is. Watch the video here.
Jacob’s latest album Djesse Vol. 3 received three 2021 GRAMMY Award nominations, including Album Of The Year. He was also nominated for Best R&B Performance: "All I Need" (with Mahalia & Ty Dolla $ign), and Best Arrangement, Instrumentals & Vocals: "He Won't Hold You" (Feat. Rapsody). The 26-year-old British musician, producer, songwriter and arranger now has a remarkable seven career GRAMMY Nominations, including four GRAMMY Award wins. Earlier this year, Collier earned two GRAMMY Awards for his Djesse Vol. 1 and Djesse Vol. 2 albums.
At the JammJam, the invite only pop up event was filled wall-to-wall with music royalty such as Quincy Jones himself and Harvey Mason Jr., Recording Academy Chief Chairman. Jacob took the stage to perform a solo version of “She’s Out of My Life,” mesmerizing everyone in the room before delivering his beautiful rendition of “Human Nature.” The musical virtuoso offered an extended jam session that combined the international musical talents of Alfredo Rodriguez (Cuba), Munir Hossn (Brazil), Eric Zayne (Democratic Republic of Congo) and drummer/founder of Jammcard, Elmo Lovano (US).
To see Jacob’s unparalleled musical capabilities in one of Jammcard’s signature settings, watch the video now on Jammcard’s YouTube.
For more music content from previous JammJams, visit the Jammcard channel on YouTube.
My Morning Jacket performed “Climbing The Ladder” from their critically acclaimed new album The Waterfall II on Late Night with Seth Meyers.
WATCH: “CLIMBING THE LADDER” LIVE ON LATE NIGHT WITH SETH MEYERS
Over the summer, My Morning Jacket surprise-released The Waterfall II. The album was met by worldwide critical acclaim, with Pitchfork declaring, “If its predecessor was about conflict and healing – it’s My Morning Jacket’s thorniest album, emotionally speaking – then this follow-up is more about what comes after that healing.” “Despite its sequel-style title, The Waterfall II stands as an equal to its well-loved predecessor,” wrote Consequence of Sound, “one that moves from the sunny banks at the top of the falls to the deep and bracing waters down below.” Uncut called the album “sweetly sprawling,” noting that it includes epic Crazy Horse jams, beautiful low-key ballads, a spot of soft jazz, country, and a soul number…tied together by Jim James’ consistently terrific vocals and the ever-present threat of sustained reverb.”
On Friday evening, December 7, Connecticut-based rock quintet Goose performed from a rooftop at Rockefeller Center for the continuation of a holiday tradition like no other. Called “Goosemas: Livestream from Rockefeller Center,” the band’s seventh annual holiday concert streamed exclusively on The Relix Channel on Twitch and drew over 60,000 worldwide viewers while raising over an astounding $45,000 with proceeds benefiting Save our Stages and Conscious Alliance.
“In a year when music and its empowering spirit has been stifled for so many, Goose’s performance was magic," said Gus Field (Tishman Speyer / Rockefeller Center). "And what better place to do this than from Rockefeller Center, where culture and community come together to surprise and delight. A huge thank you to Goose and their amazing team, Peter Shapiro, and the Rockefeller Center team for making such a special evening possible."
The livestream put the money towards two separate organizations; NIVA’s Save our Stages -- a national charity that provides support to independent live event venues and promoters throughout the United States in these trying times; Conscious Alliance -- a nonprofit that connects a network of creatives to collect large-scale donations in order to combat hunger in historically underserved communities. Donations made from Goosemas will help keep Conscious Alliance on the road this winter delivering 200,000 meals to kids and families in need. Every $1 donation = 2 meals to someone going without food this holiday season. Donations can be made at Goosemas.com through December 20th at 8pm ET.
Donning matching red ski suits atop a roof adjacent to St. Patrick’s Cathedral in Midtown Manhattan, Goose took to the stage just after 7 PM ET and kicked off an energetic, two-set performance highlighted by fan-favorite original tracks “Arcadia,” “All I Need,” and “Hot Tea.” Known for their uncanny ability to recreate cover songs in their signature style, while upholding the compositional integrity of the original piece, the band also incorporated covers of Vince Guaraldi’s “Linus and Lucy,” Pat Benatar’s “Love is a Battlefield,” and Jackie Wilson’s “Higher and Higher” into the setlist.
Viewers were treated to pro-shot video and clever, dazzling holiday-themed stage design by Goedde Sound and Light, with multiple moving cameras capturing each band member in front of a breathtaking New York City backdrop.
“We are so happy to have had the opportunity to host Goosemas, especially with all of the uncertainty this year,” said Ben Atkind (Drums). “We’re so grateful so many people tuned in and donated to two organizations doing incredible work.”
Fans will have the opportunity to watch a free rebroadcast of the performance this Saturday, December 19th at 8 PM ET on the band’s Facebook and YouTube pages as well as on FANS.LIVE. Goose plans to continue connecting donations for the aforementioned organizations through December, 20th at 8:00 pm ET at www.goosemas.com.
Backline—the music industry’s mental health and wellness resource—is proud to announce a new partnership with Breathwrk, a health & performance app that empowers people to harness their breath to maximize mental & physical health.
Breathwrk has successfully decoded breath’s impact on human physiology and translates that knowledge into simple, effective exercises designed to induce states of being like focus, creativity, calm & many others in as little as 90 seconds. In Backline’s growing effort to provide easily accessible tools to this community, the partnership will initially provide free subscriptions to the music industry, and grow to include in-app breaths engineered by and for musicians, functional workshops and more later this year.
“Breathing correctly is such a powerful yet underutilized way to improve mental & physical health, and our Backline partnership is an incredible opportunity to scale this knowledge through the entire music industry during a period of uncertainty & adaptation,” says Breathwrk Co-Founder & CMO Addie Conner.
“Mental health journeys look different for everyone,” expresses Backline co-founder and COO Kendall Corso. “We hope to provide as many access points as possible to this at-risk community while the music industry has this rare, but important, time off to learn new tools to bring back on the road once it’s safe to do so.” Corso will be hosting an IG Live with Breathwrk’s Head of Education and Community, Davi Brown, today at 3pm EST.
Backline’s new partnership comes on the heels of several other app collaborations with Meditation Studio by Muse®, Wanderlust, Hemi-Sync, and GTHX that break down financial barriers and provide free subscriptions and curated content for the music industry. Regular routine and wellness practices can drastically improve one’s overall mental health—ultimately positioning individuals for a more positive future. This includes meditation, yoga, breathwork, and other modalities that promote wellbeing: all of which can be done at home, and by one’s self.
Backline—which offers free case management, support groups, and educational resources to the music industry—has partnered with these like-minded organizations to make resources more easily accessible to a community that has been drastically affected by the effects of COVID-19. The pandemic has brought nearly all live events to a halt, magnifying stress and insecurity on individuals and the industry as a whole. It is Backline’s goal to bring purpose to this pause and help music industry professionals integrate these important practices into their everyday living before returning back to the strenuous realities of life on the road.
Today, Karen Jonas released a stunning rendition of “A Long December” (Counting Crows) with an accompanying music video. The song and video premiered via American Songwriter, who writes: “reflecting on the past year of canceled tour dates and other plans coming to an end, Karen Jonas was stuck in a strange limbo of hope for a new beginning and what-ifs.”
Like the last chapter of a too-long book, arduous and wordy, December 2020 rolls around. The calendar is finished but with so many canceled plans, I can’t quite call it complete. So I sit, caught between some vague sadness and my Christmas tree, wondering if next year is going to be any different. There are so many what-ifs, so much up in the air.
I became obsessed with Counting Crows’ melancholy song “A Long December,” strumming quietly on my bed while the chaos of my home hummed on. The stress of the year thawed, I became soft and nostalgic. We made it this far, and I began to believe that “maybe this year will be better than the last.”
So I sent it to the band on a Monday and said we needed to record it on Thursday and have a video done by Friday, because it’s a weird year and I’m in a hurry. They all knew it by heart so it didn’t matter. We got together and played through and it was love at first sight. I can’t thank the band (Tim Bray, Seth Morrissey and Seth Brown, producer EP Jackson) and videographer Mats Jerndal enough for going along with my crazy plans.
So, I present to you our version of “A Long December,” and I hope it helps you get through these next few months while we wait for the world to start turning again. Stay safe and be patient, friends. This year will be better than the last.
IT WAS THE MUSIC is celebrating Episode 4 of its 10-part series chronicling the lives and love of veteran musicians Larry Campbell and Teresa Williams, with a special Livestream event featuring Campbell and Williams along with special guests Rosanne Cash, John Leventhal, and Buddy Miller. The Livestream, available on FANS, is hosted by David Keith and starts at 8 PM Eastern on Sunday, January 17.
Directed by award-winning filmmaker Mark Moskowitz (STONE READER) for Red Poppy Music, IT WAS THE MUSIC premiered Sunday, December 13 on FANS, the leading concert, and music streaming platform, as well as on Amazon. The entire series is available on Amazon, Vimeo, and on FANS where the series unveils incrementally, debuting a new episode each Sunday through February 21.
Beginning on a Friday afternoon on Williams’ seventh-generation farm in Peckerwood Point, TN, IT WAS THE MUSIC follows Campbell and Williams over 15 months on the road; as they journey to Campbell’s native New York City and the couple’s home in Woodstock, NY; to recording studios, clubs, and theaters across the country. Highlights throughout include exclusive live performances from intimate venues to jam-packed music festivals, culminating in its grand finale with selections from the star-studded “The Last Waltz 40th Anniversary Celebration” presented by Lincoln Center, at NYC’s Damrosch Park.
ABOUT LARRY CAMPBELL AND TERESA WILLIAMS
Larry Campbell is of course one of Americana’s most well-regarded multi-instrumentalists and producers, known for his extraordinary collaboration with the late, great Levon Helm on three GRAMMY® Award-winning albums as well as his role as an invaluable session player and sideman for such iconic artists as Bob Dylan, Paul Simon, Willie Nelson, and Hot Tuna. Steeped in traditional gospel and years of performing in musical theatre, Teresa Williams has earned applause for her extraordinary voice and a resonant love for American music that bursts forth in her work with Levon Helm, Hot Tuna, Phil Lesh and Friends, Little Feat, Jackson Browne and Shawn Colvin. After almost three decades as a couple, the two gifted musicians finally united in the studio in 2015 for the acclaimed LARRY CAMPBELL & TERESA WILLIAMS, followed two years later by the even more ambitious CONTRABAND LOVE, the latter prompting American Songwriter to rave, “This couple has tapped into the dusky spirit of Americana in all of its forms (folk, blues, rock and roll, gospel etc.) and created a unique sound inspired by the past, that is spirited, stirring and timeless.” “Campbell and Williams have created another great album of new songs that evoke the old classics of the roadways (and roadhouses) stretching along the Deep South between Nashville and New Orleans and the lesser-known, dustier trails along the way,” declared PopMatters, adding, “The true Americana isn't a sound; it's a feeling. Larry Campbell and Teresa Williams make you feel it with every song.”
Mark Moskowitz is an internationally acclaimed producer and director, hailed for such award-winning documentaries as STONE READER, which drew applause in theatres and film festivals around the world en route to being named as one of the ten best films of 2003. Along with his full-length work as a documentarian, Moskowitz is widely known in the world of political media, directing thousands of issue-oriented ads for Democratic political candidates at every level, spanning local to national candidates in 49 states. Along with IT WAS THE MUSIC, his upcoming projects include ART STOPS HERE, a feature documentary about art collectors slated for release in 2021, as well as SLUM RUNNERS, a powerful film about youths trying to find their way out of Kibera (Nairobi) by competing as long-distance runners.
Today, The String Cheese Incident has released a cover version of the late Tony Rice’s “Old Train.” The track arrives just weeks following Rice’s Death. Rolling Stone called Tony Rice “Bluegrass music’s great experimentalist" and noted that Rice "expressed his music in modern terms and embraced bluegrass’s potential to both blend with and influence other genres.”
The String Cheese Incident is known for their cross-genre approach to music, spanning everything from bluegrass, jazz and rock, to electronic and EDM. SCI was founded on bluegrass roots, where Rice has been a major influence to the band’s overall approach to their music.
“Tony Rice’s guitar playing shaped a generation of musicians. His impeccable tone, taste and timing were unmatched and highly regarded by players and listeners alike. We are very fortunate to have so many great recordings of his life’s work. If you haven’t had the pleasure of hearing him perform, check out The Tony Rice Unit and David Grisman Quintet albums. I recommend you start with the album ‘Manzanita.’
We’ll never forget you Tony!” -Bill Nershi
SCI’s cover of “Old Train” can be found on YouTube as well as the band’s Facebook page.
The past three decades have written a story packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments. The String Cheese Incident has been recognized for their commitment to musical creativity and integrity, for their community spirit, philanthropic endeavors, and for their innovative approach to the business of music.
'When The String Cheese Incident’s growth first started gaining momentum in the 1990s, as the Internet was just beginning to take hold and the major-label business model was failing, the band decided to make music on their own terms.
Since then, The String Cheese Incident has gone on to carve out a completely unique approach to the business of music; they are truly pioneers of a new way of “making a band.” With the Internet as their tool, SCI was among the first artists to disseminate information online, such as tour dates, release information, and other news, to their growing fan base. Rather than doing business on such terms as “the bottom line,” SCI put their music and their fans first, opening companies of their own, including a ticketing company, a merchandise company and a fan travel agency, to best serve their community. The band’s record label, SCI Fidelity Records, has always operated under the same ideals. Even early on, SCI Fidelity embraced downloadable music and file sharing, delivering SCI’s “On The Road” series, where every show the band plays is made available for download on the Internet. Whether they realized it at the time or not, The String Cheese Incident was inventing grassroots band development. Today, literally hundreds of bands are using some version of this same approach to build their brand.
The String Cheese Incident’s commitment goes well beyond their immediate community, and even beyond the music community as a whole. Early on, the band took a serious interest in giving back to the communities that they visited, and they were among the first performers to encourage “Green” shows and tours. SCI’s support has helped give rise to such not-for-profit organizations as Conscious Alliance and HeadCount. All the while, The String Cheese Incident has stayed committed to music as a creative endeavor, not just in their recordings but also in their live performances. The list of SCI’s special guests and collaborators is long and diverse. Their annual events such as Electric Forest and Hulaween, and holiday shows such as New Year’s Eve, have helped redefine the concert experience and have garnered the band a reputation as live music vibe innovators.
GRAMMY® Award-nominated songwriter, producer, and guitarist extraordinaire Cory Wong has announced the premiere of Cory and the Wongnotes, an inventive new online video series showcasing live performances, original sketch comedy, special guests, interviews and much more. Created and hosted by the seemingly inexhaustible Wong, the eight-episode series premieres today exclusively via Wong’s hugely popular YouTube channel, with new episodes set to debut each and every Thursday.
“I’ve always been a fan of late-night TV,” says Wong, “specifically late-night talk shows. But as a musician, I’ve selfishly wanted more focus on the music and the musicians! So I figured I’d start my own show that does it…For years I have worked as a bandleader and music director for other projects, but doing it for my own show has been a real pleasure. Beyond the musical aspect, it has been a creatively energizing endeavor to write and act in sketches, and to take the wheel as host of the show. This is the most ambitious and creatively fulfilling project for me. I brought in some of my best friends and musicians that I know to create together and to interview them about their process.”
Cory and the Wongnotes heralds the upcoming release of Wong’s first new album of 2021. CORY AND THE WONGNOTES arrives on Friday, February 5. The album – which sees Wong backed by an 11-piece big band featuring a full six-member horn section along with vocalists Cody Fry and Antwaun Stanley – includes the ebullient first single, “Coming Back Around (Feat. Cody Fry),” which is available at all DSPs and streaming services this Friday, January 15.
A true renaissance man and artistic raconteur, Cory and the Wongnotes sees Cory Wong continuing to make his mark as a prolific, once-in-a-lifetime artist and personality. 2020 saw the Minneapolis-based musician presenting a remarkable series of eight original albums, an extraordinarily diverse range of releases spanning an equally stunning selection of sounds, styles and musical approaches. The year kicked off with the jazz-funk odyssey, ELEVATOR MUSIC FOR AN ELEVATED MOOD, which ascended to the top 20 on Billboard’s “Contemporary Jazz Albums” chart upon its January release. Wong continued to unfurl new music throughout 2020, including the GRAMMY® Award-nominated MEDITATIONS, an improvised collaboration with longtime friend and musical associate Jon Batiste, a pair of contemplative acoustic records (TRAIL SONGS: DUSK and TRAIL SONGS: DAWN), and multiple live recordings like LIVE IN AMSTERDAM, the latter of which features the Netherlands’ GRAMMY® Award-winning Metropole Orkest and reached the top 10 on Billboard’s “Classical Crossover Albums” chart. Wong’s astonishing run of new releases culminated with THE STRIPED ALBUM, a typically masterful marriage of myriad musical genres highlighted by such special guests as Kimbra, Tom Misch, Joe Satriani, and six-string soul icon David T. Walker. Indeed, THE STRIPED ALBUM was met by widespread critical applause, with American Songwriter declaring it to be “a slamming 10-song record filled with funky rhythms, precise and infectious guitar riffs, in the pocket tight performances, horn-fueled jams and stop on a dime breakdown sections. This record pops through the speakers and begs you to not move your body.”
As if all that weren’t enough, 2020 also saw Wong presenting his popular podcast,Wong Notes (presented in partnership with Premier Guitar), as well as creating the innovativeArchetype: Cory Wong plugin for Neural DSP Technologies and debuting such instructional vlogs as On The One and How To Musician with Cory Wong, both streaming now at Wong’s official YouTube channel.
Known far and wide as a restless creator and visionary musician, Cory Wong has been hailed since 2017 for his distinctly original approach and dazzling live performances. From his work as a member of Vulfpeck and The Fearless Flyers, to collaborations with Dave Koz and guest appearances on CBS’ The Late Show with Stephen Colbert and Minnesota Public Radio’s Live From Here with Chris Thile, Wong has consistently proven himself a masterful guitarist and impossible-to-categorize artist adept at blending a variety of genres into his own unique sound. 2017 saw Wong make his solo debut with CORY WONG AND THE GREEN SCREEN BAND, followed by 2018’s THE OPTIMIST and 2019’s MOTIVATIONAL MUSIC FOR THE SYNCOPATED SOUL, both of which reached the Top 20 on Billboard’s “Jazz Albums” chart.
CORY WONG AND THE WONGNOTES marks the first album in what will undoubtedly be another busy year for the indefatigable Wong. An array of new music releases are slated through 2021 – for updates and more, please visit www.corywongmusic.com.
Chicago-based slide guitar virtuoso and singer-songwriter, Joanna Connor, who is best known as one of the reigning Queens of blues-rock guitar, releases her 14th album 4801 South Indiana Avenue on Joe Bonamassa’s new independent blues record label Keeping The Blues Alive on February 26, 2021. The album is available to pre-order here.
Today she also shares the upbeat first single “I Feel So Good” along with the companion music video.
The new album, the follow up to her critically acclaimed studio album Rise, was produced by Joe Bonamassa and Josh Smith at Ocean Way Recording Studios in Nashville, Tennessee.
Joanna, Joe, and the rest of the musicians on the album dug deeply and conjured up an authentic, alive, and kicking non-derivative set of Chicago Blues.
Says Joanna, “We chose the album title ‘4801 South Indiana Avenue’ because it was the actual street address of the hallowed funky blues sanctuary ‘Theresa’s Lounge.’ We want the listener to open that door, walk in, and feel to their core some of the magic that a place like that brought night after night. It was an honor to bring this to you, the listener.”
Joanna has played guitar with the who’s who of blues including the likes of James Cotton, Buddy Guy, Jimmy Page, and Junior Wells. Debuting at Chicago’s premiere blues club Kingston Mines in the 1980s, she played there three nights a week ever since, in between gigs at larger clubs and festivals, before the spread of the pandemic earlier this year.
An aggressively edgy and highly innovative blues-rock guitarist with a tight groove that encompasses jazz and funk, Joanna’s hailed by many as one of the most powerful and influential female guitarists on the planet.
The new album reflects an entirely new experience from the way Joanna has recorded music in the past.
“This album is a homage to the blues school that I attended in Chicago,” says Joanna. “We attempted to capture the spirit of tradition and inject it with raw energy and passion.”
When Joanna was asked how Joe came to produce her album, she remembers it like it was yesterday.
“We recorded the album in Nashville. Joe retweeted one of my videos last May and it went viral on his site. I thanked him in a message, gave him my contact info, and he immediately responded.”
“He opened for me years ago at the House of Blues Backporch Stage in Chicago, where I played weekly for years! Joe was totally aware of me for years. He wanted to make an album for me that he felt I needed to make and had never really made.”
Joanna has a reputation in music circles for being a great guitar player. What did she try to achieve with her guitar playing on the new album?
Says Joanna, “We used no effects, lots of cool guitars and vintage amps, which is new for me. We tried to redo it to portray the deep history I have in the blues genre, bring out the thousands of sweaty hours in those blues clubs in Chicago and deliver it to the record.”
On the new album, Joe pushed Joanna which enabled her to deliver a more powerful vocal on every track.
“It was the hardest I’ve ever pushed my voice ever,” says Joanna.
But why did Joe Bonamassa want to produce Joanna’s new album?
“I remember asking Joe point-blank, ‘Out of all the guitar players in the world why me?’ He said, “Because you have an intensity about your playing that most people don’t have. As a matter of fact, I wish I had some of that in myself where you just let it go, and you don’t even think about it.”
The new album features the crème de le crème of musicians. Joanna cites working with them as an unforgettable experience.
“Playing with Reese Wynans was an honor and a privilege and brought me to tears. Having Josh Smith and Joe playing guitar on every cut and arranging everything was a gift to me. Bassist Calvin Turner was incredibly groovy and solid and was responsible for the horn arrangements. Lemar Carter is one of the hottest drummers on the music scene and plays with Frank Ocean and so many others. He’s a master of time and taste and groove. We recorded every song in a max of three takes. We were all in the same room together, except for Joe who was in the control room playing and producing. Making this album felt like a sweet gig.”
Los Angeles-based psych rockers Hearty Har have shared the video for “Waves of Ecstasy,” the latest track to be released from their forthcoming debut album RADIO ASTRO, which arrives February 19, 2021 via BMG. The video debuted via Glide Magazine, who said, "Though the band has a pedigree in throwback sounds, this music sounds fresh and different as it finds the band experimenting with a kaleidoscopic array of synth sounds and effects to make for a real mind-melter of a track. Ultimately, this song about melancholic longing is a drippy trippy groover that seems oddly fitting for these truly bizarre times we live in." Hear the track and watch the video HERE.
"'Waves of Ecstasy' is about a melancholic longing to live forever in a state of one's highest form," Tyler Fogerty explains. "It’s about understanding and empathy and finding beauty as the tide changes.”
The 11-track RADIO ASTRO is the work of rockers who are seasoned beyond their years and live up to their Rock and Roll Hall of Fame lineage with a strand of that DNA they can truly call their own.
The sons of Creedence Clearwater Revival mastermind John Fogerty have been working under the Hearty Har moniker since 2012, perfecting their crafts as songwriters and studio hands into a fully formed enterprise. RADIO ASTRO shows off the brothers' wide-ranging musicality; diversity while capturing an identifiable core sound from sibling chemistry. And plenty of hard work.
"We both really like to record and be in the studio," Tyler says. "We've spent a lot of time experimenting and honing and learning how to use everything. Our whole thing is 'Let's just make good-sounding records and songs." Shane adds that, "I feel like we're constantly chasing something new and something exciting, trying to find sounds and trying to expand what we've done so far and always trying to elevate it. I think that's the goal and what we're trying to follow."
With Tyler and Shane writing on their own, and two tracks composed together, the set kicks off in garage rock, lava lamp shimmer of "Radio Man" and over the course of the album Hearty Har runs a gamut from the psychedelic blues of "One For the Other" to the gritty, Stax-flavored soul of "Calling You Out," the Brit pop nods of "Don't Go Looking For Me" and "Get Down," touches of Middle Eastern in "Fare Thee Well" and a sprawling instrumental, "Canyon of the Banshee," that lets the group "kind of flex our muscles," according to Tyler.
Part perfectionists and part mad scientists, Tyler and Shane acknowledge they've discarded more ideas than they've taken to completion over the years. The songs that meet those exacting standards share a timeless urgency; You can imagine hearing "Can't Keep Waiting" or "Don't Go Looking For Me" or "Get Down" or "Scream and Shout!" at Woodstock -- or Lollapalooza. And there's openness in many of the arrangements that would have many a remixer licking their chops over.
"I just hope people love it and appreciate it," Shane says. "I feel like the music speaks for itself, and when people hear it they'll understand."
The legendary Tom Jones recently shared his cover of Todd Snider’s “Talking Reality Television Blues” which you can listen to here.
The song was first released on Snider’s critically acclaimed album Cash Cabin Sessions Vol. 3 which came out in 2019, and Jones’ cover will appearing on an album he has coming this Spring.
As to Jones covering him, Snider says, “Tom Jones is as great as a singer as there has ever been,” adding, “I prefer his version of the song to my own.”
Jealous of the Birds – the musical project of Northern Ireland-based singer-songwriter Naomi Hamilton – shares a new lyric video created by Juliet Bryant (The Japanese House, MICHELLE) for “Pendulum.” The track is from the latest LP Peninsula, which came out September 18th, 2020 via Canvasback/Atlantic.
Naomi shares, “'Pendulum' is one of the most hopeful, anthemic songs on the album. It grew from the idea that relationships are always a constant back and forth of energy, like the movement of a pendulum swing. I wanted to celebrate that kind of reciprocal romantic and platonic love that’s essential to conquering hardship.”
Jealous of the Birds’ new album, PENINSULA, was produced by Marta Salogni (Bon Iver, Let’s Eat Grandma, Björk) and David Wrench (David Byrne, Jaime xx, FKA Twigs). The album features the two singles, “Young Neanderthal” and “Something Holy” which are available for streaming now via Jealous of the Birds’ official YouTube channel HERE.”
Hailed by NPR for her “remarkable gift for converting spare and common ingredients (voice, acoustic guitar, a bit of whistling) into a sound that’s dense, gently hypnotic and utterly her own,” Naomi Hamilton has recorded and toured as Jealous of the Birds since 2015, earning worldwide critical applause for her intimate lyricism and a dynamic musical approach. Born in Portadown in County Armagh but now based in Belfast, Hamilton first lifted the curtain on Jealous of the Birds’ intensely introspective songcraft with 2015’s CAPRICORN EP, followed the next year by her acclaimed full-length independent debut, PARMA VIOLETS. The album “shatters any preconceived notions,” raved The Irish Times. “PARMA VIOLETS progresses from whimsical folk-pop to atmospheric indie post-punk of real substance…Hamilton rises to the occasion time and time again.” PARMA VIOLETS is “a thing of ridiculous talent and a mix of all manner of genres,” enthused The Irish News. “Required listening.”
Nu Deco Ensemble will kick off 2021 from the North Beach Bandshell on Miami Beach on January 30th. The live performance will feature music from some of the most forward-thinking artists of their time: George Gershwin, Chris Rogerson, and a new symphonic reimagination of the music from The Beach Boys. Special collaboration on this concert will feature the Grammy-nominated songwriter, producer, and guitarist extraordinaire, Cory Wong. Wong is known to deliver live performances that combine head-spinning guitar wizardry and technical ebullience. Wong spoke about the upcoming performance saying: "This is going to be extra special because I’ll have my rhythm section with me, and we’ll have the NuDeco Ensemble playing with us performing all new arrangements and even a couple of new songs!”
“We feel tremendously honored to provide and share musical experiences that will bring Miami and our world community together to share the enjoyment and excitement of live streamed music,” shares the ensemble’s co-founder Jacomo Bairos.
Nu Deco will live stream performances via their custom platform, which allows for increased audience interactivity through audience polling that chooses select pieces, viewer selected camera angles, digital program notes and other interactive features.
“During these extraordinarily challenging times, music and the arts serve the critical purpose of connection to one another. These performances which highlight a cutting edge digital platform will bring our audiences closer to the music and our artists than ever before,” adds co-founder Sam Hyken.
The performance will be streamed live, to a crowdless venue. Nu Deco is committed to following all CDC and local government recommendations, including physical distancing, masks mandated for all artists able to play with a mask, health and temperature screening, sanitization and disinfectant of all touch services, hand sanitizer available around the venue and a testing plan leading up to the production week.
Nu Deco Ensemble’s mission is to create compelling and transformative genre-bending musical experiences that inspire, enrich, and connect new and diverse audiences and artists.
2020-2021 Performance Season:
October 29, 2020 – Nu Deco Ensemble with José James
December 12, 2020 – Nu Deco Ensemble with Larkin Poe
January 30, 2021 – Nu Deco Ensemble with Cory Wong
April 10, 2021 – Nu Deco Ensemble with Richard Bona
May 15, 2021 – World-Premiere Orchestral Work with Cory Henry & Special Guest TBA
Nu Deco Ensemble was created by two of classical music’s most in demand artists, Jacomo Bairos and Sam Hyken, Nu Deco Ensemble is a flexible and innovative hybrid orchestra that celebrates living composers, reimagines all genres of music and collaborates with a wide range of diverse musical guests, composers, choreographers, dancers and mixed media artists. Since its inception in 2015, the 30-piece ensemble has exploded onto Miami’s eclectic musical scene, captivating audiences, engaging with its community, and fusing innovative, genre-bending orchestral performances and collaborations with the highest levels of musical artistry.
Imagination Series:
Nu Deco Ensemble has a strong passion for the youth in their immediate, and global community, and believes the best way to empower the next generation is to teach. Each year, Nu Deco Ensemble inspires and engages tens of thousands of children annually through their educational component, called the interactive Imagination Series. Through this series, educators are able to access resource materials such as quizzes and detailed programs created by Nu Deco Ensemble. The educational aspect of the organization strives to create compelling and transformative genre-bending musical experiences that inspire, enrich and connect new and diverse audiences and artists.
On January 29th the next installment of the series will stream live from the North Beach Bandshell as Nu Deco Ensemble explores how the music that composers create is influenced by their surroundings and by traveling to new places. Featuring the music of Aaron Copland, George Gershwin, The Beach Boys, and newly composed works by living composers, students will be able to interact with the orchestra by clapping, singing, and counting. There will also be an opportunity to ask the orchestra questions during a Q&A session at the end.
The ensemble also works with the local community to bring in those from underserved areas in and around Miami to attend performances. In the Spring of 2020, Nu Deco Ensemble launched its youth ensemble which in addition to instruction in classical and popular musical styles, arranging, composition, and improvisation offers coaching in wellness, health, leadership, collaborative communication, interpersonal skills, and community stewardship.
Fantastic Negrito is bringing Black Roots Music to a worldwide audience on Saturday, January 23, 2021. The two-time GRAMMY® Award-winner will be streaming a live concert to fans all around the world at 6:30 pm PT / 9:30 pm ET. Tickets are available exclusively through Frazier Trager Presents HERE.
“I can’t believe I wrote an album called ‘Have You Lost Your Mind Yet?’ because it’s just so aligned with the universe," says Negrito. "I really believe in this thing, that these things are sent to us, and I think that’s why we are here. That’s the mystery of life.”
Tickets are now on sale for the first Fantastic Negrito live stream concert of 2021. Fantastic Negrito will be performing live at The Downtown Theatre in Fairfield, California. As part of the live stream event, one lucky winner will receive a personally autographed collection of three Fantastic Negrito limited edition vinyl records. All ticket holders who add a tip for the band while purchasing tickets will be eligible to win. The final date to qualify is January 20th, 2021. Fantastic Negrito will pick the winner by drawing a name and announcing the winner during the meet and greet at the end of the show.
When you listen to Fantastic Negrito, you’re invited to hear the story of life after destruction. Each song is a real story about a musician from Oakland who experienced the highs of a million-dollar record deal, the lows of a near-fatal car accident that left him in a coma and is now in the midst of a rebirth that took him from the streets of Oakland to the world stage.
Negrito's songs are born from a long hard life that he channels through black roots music -- slide guitar, drums, piano; urgent, desperate, edgy. He burst onto the national radar by winning the inaugural NPR Tiny Desk contest in 2015 and has since won 2 Grammys, one for each of his first two albums: The Last Days of Oakland (2017) and Please Don’t Be Dead (2019). His third album, Have You Lost Your Mind Yet?, featuring E-40 and Tank from Tank and the Bangas, was just nominated for a Grammy this year for “Best Contemporary Blues Album.”
Continuing the 50th celebrations and following December’s special multi-format release of Lola Versus Powerman and the Moneygoround, Part One, The Kinks return again with the unveiling of The Moneygoround one-man show live stream - available to watch as a one time broadcast HERE at The Kinks’ YouTube channel on January 29th at 8PM (GMT). Subscribe to the channel now to set a reminder.
Ray commented: “The Moneygoround' is a one-man show documenting a character facing the challenging circumstances of making an album under extreme pressure. This play, similar to a psychodrama, follows the ups and downs of the character as he plays out events in his life. He confronts the dark forces surrounding him after falling into an emotional and financial "hole" eventually he is saved by a song after confiding in his friend, Lola."
The 45-minute play is co-written by Ray and Paul Sirett, who worked with him on "Come Dancing" and the BBC Radio 4 play "Arthur."
This unique audio-visual production has been intimately filmed with the Actor Ben Norris as the leading Character - https://bennorris.net. The presentation will also feature video content inserts of archive footage. The whole show will also include the "Any Time 2020" lyric video, the "Lola" Unboxing Video, and the "Lola" lyric video.
Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, or just Lola, is the eighth studio album by The Kinks, recorded and released in 1970. A concept album ahead of its time, it’s a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. One of the all-time classic Kinks albums.
Although it appeared during a transitional period for The Kinks, Lola Versus Powerman was a success both critically and commercially for the group, charting in the Top 40 in America and helping restore them in the public eye, making it a "comeback" album. It contained two hit singles: "Lola," which reached the #9 US, #2 UK, and Germany - becoming the Kinks' biggest success since "Sunny Afternoon" in 1966 - and "Apeman," which peaked at #5 in the UK and Germany.
The special multi-format release of Lola Versus Powerman and the Moneygoround, Part One is out now as a lovingly produced Deluxe Box Set, 1LP, Deluxe 2CD, 1CD, and digitally - order here.
Today, Topgolf Band Competition winners, Hounds released their new song “Three Hits of Acid,” the latest track from their forthcoming album Cattle in the Sky (BMG) due out on February 5. Accompanying the song is a stunning music video directed by JT Ibanez (P.O.D, Robert Randolph, Picturesque). Jordan Slone spoke about the inspiration of the song by simply saying that “it’s about me at 17, doing three tabs of acid at once.” Slone goes on to say that the song is about a time when he is learning to navigate the ups and downs in life, including his first break up.
“Three Hits of Acid” premiered earlier this week exclusively via Media News Group’s Gary Graff.
“Three Hits of Acid” follows “Shake Me Up,” which arrived in October 2020. With “Shake Me Up” the band hopes it provides listeners inspiration to tap into their authentic selves and have a little fun, no matter who’s watching.
On Tuesday, January 26, Hounds will be airing a special performance via Bandsintown’s Twitch channel. The performance will go live at 4pm ET and can be viewed HERE.
In October, Hounds released a rousing cover of Jet’s hit song “Look What You’ve Done,” and in December a majestic cover of Louis Armstrong’s “What A Wonderful World.” Through both of these re-imagined songs, Hounds are offered yet another outlet to showcase their impressive four-part harmonies, and musical depth.
WATCH “WHAT A WONDERFUL WORLD” (LOUIS ARMSTRONG COVER)
The story of Hounds, and the St. Louis-based quartet’s debut album, Cattle in the Sky, just may be the epitome of rock-and-roll success in the 21st century.
As youths, Jordan Slone and his younger brother, Logan, were equally precocious musicians. Essentially self-taught- Jordan, singer and guitarist; bassist Logan- while in high school the two assembled their first working group, recruiting longtime friend and drummer Logan Mohler. Within two years, they were touring clubs and making festival appearances throughout a 30-state region, supporting notable artists such as Blues Traveler, Andy Grammer, and O.A.R., peaking at 100 performances a year.
They were cast as a cute, local boy band, hustled into the studio for two albums and an EP, pushed to be more pop-centric than they wished. Logan was eventually replaced on bass by area compadre, Jack McCoy. After a fruitful half-decade together, the idea of maintaining the status quo as a pleasant, heartland folk troupe in the mold of latter-day One Direction or Mumford and Sons held less and less appeal for the maturing threesome.
“We no longer wanted to do something just because it seemed like a good business move”
It was at that point that the band pivoted to a more aggressive brand of rock laced with rich and resounding harmonies. In 2019, Jordan suggested the three audition for the second season of the nationwide band competition, Who Will Rock You?, a web-series sponsored by TopGolf venues.
Who Will Rock You? was dubbed the search for America’s next super group. In Who Will Rock You? Twelve of the best unsigned bands in America battle to win over an eager crowd, and impress celebrity judges in an effort to be the last band standing. Hounds emerged as the 2019 Who Will Rock You? champions, scoring an artist development deal with BMG.
Refreshed and with a renewed commitment, Logan asked to return to the band. He was welcomed back, this time as the ensemble’s keyboardist. Completing the current lineup as a quartet, he brought not only another color and dimension to Hounds’ sound, but an additional voice and songwriting capability, as well.
Built on vibrant, ringing harmonies and concentrated, muscular riffs, the four crafted a forward-moving, immediate, and pulsing collection of songs ranging from greasy rumble-seat rock to up-to-the-minute, angst ridden modern musings. Start with “Shake Me Up” and follow the quartet down the dragstrip lined with poodle-skirt Bettys and their denim-clad boyfriends; a veritable mash-up of jukebox soul and reformist rock. “We’re a rock-and-roll band, and we’re never afraid of the technology of today,” says Jordan. “We follow wherever the inspiration takes us.”
Legendary rock singer and songwriter Ann Wilson has announced today’s premiere of a powerful new single. “Tender Heart” is available now at all DSPs and streaming services.
“‘Tender Heart’ came out of a personal struggle,” says Wilson, “but quickly evolved into a greater, more universal meaning. We as the human race are coming to realize realities we never dreamed we’d have to face – environmentally, culturally, financially, and health-wise. Humanity is coming to terms with uncomfortable, heartbreaking, terrifying truths. This song is for the soul whose heart is blindsided by reality, but is still soft and innocent. I hope people will identify with this song and feel they are not alone.”
Widely regarded as one of the greatest voices in the history of rock ‘n’ roll, Wilson will discuss “Tender Heart” and much more in a special interview with The Washington Post national arts reporter Geoff Edgers on his weekly Instagram Live show, Stuck With Geoff, set for today at 2:00 PM ET/11:00 AM PT exclusively via the official Washington Post Instagram page.
“Tender Heart” follows last year’s release of “The Revolution Starts Now,” available now at all DSPs and streaming services; an official video is streaming now via YouTube. Written and originally recorded by Steve Earle, the track – which marked Wilson’s first new music in more than two years – was met by universal acclaim from the likes of Rolling Stone, which praised it for “a sense of urgency that arrives like a jolt to the heart.” “With thrumming guitar and crashing high hat/kick drum combination, ‘The Revolution Starts Now’ is propulsive,” agreed American Songwriter. “Classic hard rock, it swells on the chorus, then falls away. Her voice is strong, somewhat dusky, retains its power.”
“The Revolution Starts Now” – which features original artwork by renowned American street artist and activist Shepard Fairey – is also being offered on limited edition signed 7” vinyl, available now for pre-order via AnnWilson.com. The single includes the exclusive B-side, “Rooster,” originally performed by Alice In Chains; a live performance from last year’s “MoPOP Founders Award Honoring Alice In Chains: A Benefit for the Museum of Pop Culture” is streaming now at the official Ann Wilson YouTube channel.
Ann Wilson is a true icon, known far and wide as lead singer and songwriter of the groundbreaking rock band Heart. Led by Wilson’s extraordinary vocal power, Heart has thrilled audiences for more than four decades, earning sales of more than 35 million and well-deserved induction into the Rock and Roll Hall of Fame in 2013. Wilson’s second solo album, 2018’s IMMORTAL, saw her putting her unique stamp on songs made famous by a number of hugely influential artists, including David Bowie, Leonard Cohen, Tom Petty, Amy Winehouse, and more. Produced by longtime Heart collaborator Mike Flicker, the album earned widespread critical acclaim, with Associated Press declaring it “an exciting, eye-opening look at largely obscure songs by big-name artists” and Goldmine praising Wilson for “her mighty vocal firepower and a far ranging creative spirit.”
Fretland released the song “One More Try” from their forthcoming sophomore album Could Have Loved You via Soundly Music due out on March 26.
The release of “One More Try” follows previously released songs “Could Have Loved You,” which premiered via Kelly McCartney’s Southern Craft Radio on Apple Music, and “Do You Think of Me,” which premiered exclusively via Atwood Magazine.
Hillary Grace Fretland, founder of the band spoke about “One More Try” saying: “This song is one of my favorites on the album. I did something I never do and recycled some lyrics off a dusty but romantic short song. I haven’t had the opportunity to try and get someone back in my life at this capacity but imagine I would try something like this. Lots of tears, wine and avoiding but longing to match their gaze. Hoping that I’d be able to read how much love or fight is left in the conversation.”
In many ways, FRETLAND has been able to take advantage of the current state of the world. Taking on new challenges, or approaching familiar tasks in a different, or new light. Hilary has done a deep dive within her music, and subsequently, her soul, that exploration has been captured on FRETLAND’s new album Could Have Loved You.
Since releasing their debut album in the spring of 2020, FRETLAND has amassed a significant following despite having the opportunity to ever tour outside of their home-base region of the pacific northwest due to Covid-19. A blaring validation that art is as important now as it has ever been.
About FRETLAND:
FRETLAND, the shimmering Americana sensation, play songs that sway between steel-soaked yearning and Lynchian intimacy, a sound where fragile alt-country builds to passionate gushes of indie rock. From the riverside town of Snohomish, Washington, FRETLAND has racked up more than a million streams with their aching ballads, leaf-strewn sound and gently spun secrets.
"This story is about two people who have moved on and will always wonder and always have love for each other," leader Hillary Grace Fretland — yes, her real name — told American Songwriter. "I feel like some live in a space where romanticism means only having space in your heart for one person. There’s nothing wrong with that at all. I just feel that I have made room for it to be more complex."
The nine enveloping tracks on Could Have Loved You tell similar tales of loves lost and lessons learned. Produced by Nich Wilbur (Angel Olsen, Black Belt Eagle Scout) and mixed by Trevor Spencer (Father John Misty, Fleet Foxes) it's equal parts Nashville country and Northwest indie rock, dappled with the atmospheres of U.K. dream-pop.
FRETLAND released their self-titled debut in May of 2020. A swift success, the band garnered attention from Billboard, American Songwriter, The Boot, Gimme Country, Americana Highways and No Depression, who said, "this talented Americana band … has a bright future ahead of it." They embarked on a successful West Coast tour in early 2020, but subsequent dates were put on hold due to the pandemic.
Until FRETLAND can safely cross the country, they will continue to release tender, lovelorn music best suited for front porches, spiced apple cider, and crisp night air.
Singer-songwriter Eric Hirshberg announces his debut album Spare Room which will come out on February 26. In addition, he’s shared the video for his song “I Just Want To Be Here.”
The song, which he initially wrote for his wife as a 20th anniversary present, ““I wanted it to be honest and real and something that she would recognize both herself and us in.” He told American Songwriter who premiered the video, “I realized that most love songs, that we all know, are about either falling in love or getting your heart broken. There are very few songs about the journey and the ups and the downs of making a marriage last,” says Hirshberg. “It has love with more complexity in it.”
“I Just Want To Be Here,” fits well into the themes of Spare Room a decidedly adult album, with themes of marriage and fatherhood, death and aging, along with some political songs including an earlier released “(Keep Mar-A-Lago) I Want America Back” which has been viewed over a million times on YouTube. Hirshberg worked with producer John Alagia (Lukas Nelson, Paul Simon, Herbie Hancock) to make Spare Room.
Hirshberg is has been writing songs non-stop since the age of 15, he took an unusual path to release the debut LP. He spent his college days and most of his 20s playing Los Angeles clubs with his band and trying to build a music career. And while he wasn't looking, a whole other career took over; Hirshberg had a remarkably successful run as a creative executive first in advertising, then in video games, ultimately becoming the CEO of Activision, a post he held for almost a decade. (He is one of the only people ever to become a CEO of a company of that scale to have an art degree.) Over the years, the demands of his life and career drove his music more and more into the background of his life, carefully hidden from public view, but his passion and output as a songwriter never diminished. Spare Room has been decades in the making.
ECHO is proud to announce the Jimi Hendrix 2021 Print Series. This officially licensed limited-edition series will showcase some of today’s biggest and brightest visual artists, creating works inspired by guitar icon Jimi Hendrix.
First in the series is a print by artist Dirty Donny commemorating Hendrix’s performance from March 1968 in Ottawa, Ontario. This print will be available starting Friday, January 29 starting at 2 PM EST / 11 AM PST.
“I was really stoked to get to work on this official Hendrix piece for ECHO and add my art to his legacy of amazing posters. I hand-inked it like they did back in the day and choose some vibrant colors for the screen printing that I know would pop out nice. I also selected a show that took place back in the day in my hometown of Ottawa Canada.” – Dirty Donny
“It’s always interesting to see Jimi, his art, and his essence through the eyes of other creatives. Their artistic interpretations bringing out special nuances of Jimi others may not have seen. And we’re extremely pleased to have some of today’s best and brightest joining us to bring to life this unique and beautiful work!” – Janie Hendrix
This 7-color screenprint measures 18”x24” and will be available in these limited edition variations:
In the future, look for Hendrix prints in the series from artists Jermaine Rogers, Jim Mazza, Frank Kozik, Miles Tsang, and other artists TBA.
ECHO is also excited to present the Jimi Hendrix Print Series 2021 Subscription. Subscribers will receive exclusive Subscription Variants of all 6 prints in the 2021 series. These variants will be screen printed on creamy pearlescent gallery stock with a semi-metallic finish, and only available via this subscription. In addition to the 6 series prints, subscribers will get an additional (and exclusive!) 7th print, plus a host of other cool surprises shipped directly to their doorsteps in three separate shipments during 2021. Only 50 of these Subscription Sets are available. More details available on the ECHO homepage. Dirty Donny’s Jimi Hendrix Experience March 19, 1968, Ottawa and Jimi Hendrix Print Subscription will be available at 11AM PST / 2PM EST Friday, January 29th.
Leon III share their uninhibited new song “Rumors of Water,” which premiered exclusively via Glide Magazine earlier this week. Glide Magazine goes into great detail on the track with a careful dissection of the layers that make up the song: “Traversing an expansive sonic landscape, the band skillfully layers twangy 70s rock guitars, psychedelic solos, and suspense-building drum fills to create a sound that feels rooted in the arena-filling rock of Pink Floyd as well as jammy spaceouts of My Morning Jacket. We also hear a touch of fellow Austinite Israel Nash’s desert folklore. All of this combines to make for a track that feels like a compelling musical journey with peaks and valleys that comes to an enlightening conclusion. In listening to the track, you get the sense that Leon III is more focused on a big and cohesive album-oriented rock sound than they are on cranking out Spotify one-hitters. You can tell that these guys are having fun in the studio, experimenting with different sounds and building their songs piece by piece.”
Leon III is Andy Stepanian (vocal, guitar, keyboard, piano, omnichord) and Mason Brent (guitar, bass, vocal, banjo) who were both members of Wrinkle Neck Mules, a long running Virginia based band with a significant cult following, and founders of the popular Austin apparel brand Howler Brothers.
About:
Leon III, sounds like a relic from another age. In a time when so much of today’s music seems as disposable and temporal as a tweet, Leon III is standing athwart the tide; and here, the band conjures the spirit and ambition of Pink Floyd and Grateful Dead. Make no mistake, this is an album with the potential for a serious shelf life – and one that begs for an immersive listening experience. So sit down, pour a whiskey, let the needle find the groove, and prepare to float downstream.
Even though this is only the second effort from Leon III, the project can trace its roots to the late ’90s when Andy Stepanian (vocals, guitar, songwriter) and Mason Brent (guitar, bass, banjo) started a band in Charlottesville, Virginia called Wrinkle Neck Mules, a honky-tonk outfit that made six albums, had a song featured in a GEICO commercial, and built up a dedicated and far-ranging fan base. Stepanian and Brent also collaborate in the form of Howler Brothers, a popular outdoor clothing line based in Austin, Texas, which they operate and which bears their artistic imprimatur.
Stepanian and Brent grew up in Richmond, Virginia, where country and roots music informed much of their musical development. But the two have always been drawn to the progressive, exploratory ethos of the psychedelic masters, as well as left-of-center folk artists like Vic Chesnutt and Bonnie ‘Prince’ Billy. This new record is the consummation of that vision.
The advent of Covid-19 and the “safer at home” mantra has disrupted the supercharged tempo of 21st – century life. As difficult as it’s been, the period has also been a time for reflection, for patience, for a new way of looking at things. With that in mind, Leon III’s forthcoming record, Antlers in Velvet is the perfect album for an imperfect time – a song cycle that allows for a deeper dive into some of the darker and more complex corners of American music that speaks coherently to the very strange times in which we find ourselves.
GRAMMY® Award-nominated songwriter, producer, and guitarist extraordinaire Cory Wong appeared on The Late Show with Stephen Colbert’s #playathome series last Friday, January 29. Wong and his 11-piece band performed “Bluebird” off his new record Cory and the Wongnotes, due out this Friday, February 5, from the vintage-inspired set of his new online variety show. Cory and the Wongnotes web series is available exclusively via Wong’s hugely popular YouTube channel, with new episodes out every Thursday.
Dark Horse Records has announced the upcoming release of a new best-of album from The Clash legend, Joe Strummer. ASSEMBLY arrives Friday, March 26, 2021, on gatefold 2xLP black vinyl, CD, and digitally for streaming and download; pre-orders are available now HERE.
ASSEMBLY showcases carefully curated singles, fan favorites, and archival rarities from the Joe Strummer solo catalog, including “Coma Girl,” “Johnny Appleseed,” and “Yalla Yalla” (with The Mescaleros) to his iconic rendition of Bob Marley’s “Redemption Song” and soundtrack contributions like “Love Kills” (from the 1986 film, Sid and Nancy). This 16-track compilation features three previously unreleased versions of classic Clash tracks, including the never-before-heard “Junco Partner (Acoustic)” and electrifying live performances of “Rudie Can’t Fail” and “I Fought The Law”, the latter two of which were recorded by Joe Strummer and the Mescaleros at London’s Brixton Academy on November 24, 2001. In addition, ASSEMBLY includes exclusive liner notes written especially for this collection by lifelong Strummer fan, Jakob Dylan.
Punk poet, musician, composer, actor, and style icon, Joe Strummer spent his life smashing musical and cultural boundaries both as the singer of The Clash and as a solo artist. His songs sound as urgent and vital today as when they were written. Calling out social injustices and giving a voice to the struggles of the working class, Strummer’s politically charged lyrics struck a chord with legions of fans and the press alike, with Rolling Stone calling The Clash “the greatest rock & roll band in the world.” “People can change anything they want to,” he famously once said, “and that means everything in the world.” Through his art, Joe Strummer played his part in shaping the musical landscape of the world and with it left an unrivaled and timeless legacy.
Last year saw Strummer’s iconic life and music commemorated with “A Song For Joe: Celebrating the Birthday of Joe Strummer,” a star-studded global live stream featuring performances and testimonials from an array of friends, fans, and musical followers, including Bruce Springsteen, Jeff Tweedy, Bob Weir, Lucinda Williams, Josh Homme, Tom Morello, Jim Jarmusch, members of The Strokes, Brian Fallon, Steve Buscemi, and many more. The free event benefitted the National Independent Venue Association’s (NIVA) #SaveOurStages campaign to preserve and nurture the ecosystem of independent live event venues and promoters throughout the United States and is streaming now via Joe’s Official YouTube Channel HERE.
George Harrison's passion for introducing the world to new music expressed itself in May of 1974 when he created his own new label – DARK HORSE RECORDS. The label contained a variety of talented artists on its roster, including George himself. ASSEMBLY marks the first new Joe Strummer title released via the newly relaunched Dark Horse Records, led by Dhani Harrison and David Zonshine.
Cellist and composer Ben Sollee joined forces with acclaimed string trio Time For Three to collaborate on the score for the new Focus Features’ film Land, starring and directed by Robin Wright. The song “Over The Pines” is available today on all DSP’s with the soundtrack available on February 12 through Back Lot Music. The film will be released in theaters on February 12.
The score for Land is an extraordinary collaborative effort by composer, cellist and vocalist Ben Sollee, and the members of the string trio Time for Three (TF3): Charles Yang (violin), Nick Kendall (violin) and Ranaan Meyer (double bass). All are classically trained musicians who bring that artistry to non-classical genres, resulting in vibrant takes on folk, R&B, bluegrass, jazz, pop and Americana. The alchemy. Of Sollee and Time For Three yielded a score that is deeply suited to the film.
“We were so lucky to get Time For Three and Ben,” says Wright. “It was so moving to be able to sit on Zoom and they just pick up their violin and say, ‘let me play something for you. How about this?’ And you’re just weeping! Like, ‘it’s so beautiful! I love it!’”
The process of writing and recording the score for Land was unusual. The composing duties would be shared: all four musicians initiated songs, themes, and cues. “It was very special and unique,” says Sollee. “Everybody let themselves be vulnerable and did something that I, certainly, have never seen as a composer, which is thrown four composers in the same space and say, ‘hey, make a score to a movie.’”
The arrival of the pandemic necessitated a complete rethinking of logistics. No one could be in the same physical space; everything had to be done remotely and virtually. In ordinary circumstances, Wright would have been in the room with the musicians to break out the process of writing music to picture. Instead, she and the musicians, along with music editor Shari Johanson and music supervisor Sue Jacobs, had several Zoom meetings to go through the film, scene by scene, to determine the placement of the music. Supervising sound editor/re-recording mixer Paul Hsu took part in the first meeting to address where the sound design would come in.
She struggles mightily against odds that grow steeper by the day, but a timely encounter with a local man, Miguel Borras (Demián Bichir), opens the door to a deeper understanding of nature as he teaches her the skills she needs to survive. An unexpected friendship develops between two wounded souls and a bond that confers healing and grace.
A story about healing and the transcendent power of human kindness, Land follows the journey of a woman searching for a new way to live in the wake of a life-altering loss. Edee Holzer (Robin Wright) removes herself from society to embark on a solitary existence in the remote mountain wilderness of Wyoming. Living off the grid without no prior wilderness experience, Edee is buffeted by the elements and unprepared for nature’s formidable realities. She struggles mightily against odds that grow steeper by the day, but a timely encounter with a local man, Miguel Borras (Demián Bichir), opens the door to deeper understanding of nature as he teaches her the skills she needs to survive. An unexpected friendship develops between two wounded souls, and a bond that confers healing and grace.
Larkin Poe, the multi-instrumentalist sister duo, comprised of the Atlanta-bred, Nashville-based Rebecca and Megan Lovell performed “Back Down South,” “Holy Ghost Fire” and “She’s A Self Made Man” on CBS This Morning’s Saturday Sessions. The songs are off Larkin Poe’s dynamic, chart-topping 2020 release SELF MADE MAN.
In any normal year, the band would have released an acclaimed new album and then hit the road for a very long time; but 2020 was no ordinary year. The GRAMMY® Award-nominated siter duo of Rebecca and Megan Lovell kicked things off last June with their fifth studio album, SELF MADE MAN, topping an array of Billboard charts while earning unanimous acclaim around the world. Instead of a summer of tour buses and packed theaters, the Lovells found themselves at home, performing many livestream concerts and adding to their much-loved YouTube covers series. That got them thinking and led to the idea for the creation of KINDRED SPIRITS, a collection of stripped-back versions of covers.
Today Saxapahaw, NC outfit, The Collection released ”Blue Day” - a simple, poignant song fit for these short winter days and the blues that can unexpectedly accompany them. About the song, lead singer David Wimbish said, “It was a song idea that sparked on my front porch while I was enjoying this otherwise *perfect* day, but I found myself looking down at this sun-scorched plant - and I just had the realization that, no matter how well things may be going, the blues can and will sneak their way in - and often with no perceivable reason or cure.”
To release it as a winter one-off, Wimbish and the band worked within the confines of COVID-19 recording set-up - a new approach and process for them. The band tapped Stephen Price (Charlie Hunter, Chad Lawson) and his studio in High Point, NC for the session. “It wasn’t your typical session of course, because of all of the COVID-19 protocols - we weren’t all together like usual. But in a strange way - how it all came together really matched the vibe and tone of the overall song - the whole year, really...” said Wimbish, “When I heard Stephen’s first mix, I was blown away! It’s so incredibly delicate and it really brings out the magic that happens between Sarah, Hayden, and me.”
The Collection is a 2019 NPR Tiny Desk Judge’s Pick and has released 3 records independently. Their raucous live show has drawn accolades nationwide and has seen them touring with pals The Oh Hellos and on various festival side stages - steadily making waves with each new record. With touring at a halt the band has spent their downtime this year as we all have: adjusting and tweaking their routines to the times; trying - as a lot of bands are - to figure out what being in a band, recording and making music together even is during these times. “I guess one of the song’s main messages and what I hope people take from it,” says Wimbish “is just a lot of what we’ve been hearing and facing during this pandemic - we just have to be kind and patient with ourselves and ride it out as it comes.”
My Morning Jacket drummer Patrick Hallahan has announced the premiere of his one-of-a-kind new cooking show, In The Kitchen with Patrick Hallahan. Hosted bySeated.com, the three-episode series will see the veteran musician, passionate home chef, and Louisville, KY restaurateur celebrating his unbridled enthusiasm for food with unique recipes, full demonstrations, stories, and surprise guest visits from VHS or Beta’s Craig Pfunder, My Morning Jacket bassist Tom Blankenship, and his own beloved daughter. Over the span of the three episodes, Hallahan will share some of his tips and tricks to help maximize ingredients and make the most out of one’s food budget.
In The Kitchen with Patrick Hallahan premieres Sunday, February 21 at 6:00 PM ET, with additional episodes following on Sunday, February 28 and Sunday, March 7. Tickets are available now via Seated.com at an individual episode price of $25.00; three-episode subscriptions are available for $50.00 with VIP options as well.
“For as long as I can remember, cooking and making music have been hand in hand in how I express myself,” says Hallahan. “I’ve had the honor of playing music for people all of my adult life. Now, through taping cooking segments, it’s really nice to be able to do the same with food.”
Episode 1:
Roasted Spatchcocked Chicken with Vegetables, and Brown Butter Grits
Plus: homemade Chicken Stock
Episode 2:
Mushroom Risotto with Kale Salad
Plus: Chicken Rillette with Sorghum
Episode 3:
Reverse Sear Ribeye, with Potato Pave and Creamed Spinach
Plus: Crispy Risotto Cake
Each episode of In The Kitchen with Patrick Hallahan will see Hallahan sharing great recipes that he cooks for his family – delicious, easy-to-prepare meals inspired by traditional Southeast comfort food, from spatchcocked chicken and roasted vegetables to grits and much more. All tickets for In The Kitchen will include the full recipe, shopping lists, and an exclusive playlist, showcasing his personal soundtrack for culinary adventure.
Best known for his two decades behind the drum kit with My Morning Jacket, Hallahan co-founded Louisville, KY’s renownedButchertown Grocery, named by USA Today readers as one of the best new restaurants in the country for its refined food, chef-selected, single-barrel bourbons, and historic location.
Nu Deco Ensemble is thrilled to welcome Tank and the Bangas for a stunning collaborative performance to close out the 2020/21 season on May 15th from their home at North Beach Bandshell on Miami Beach. "We could not be more grateful to continue to make music, create new art, and reach new audiences during this challenging year. To be able to throw a musical party like this will be an unforgettable gift that has been created and inspired by all the love and support we received all year, world-wide," said Nu Deco Ensemble co-founder Jacomo Barios.
New Orleans based Tank and the Bangas, winners of NPR’s Tiny Desk Contest in 2017, are one of the most thrilling, unpredictable, and sonically diverse bands on the planet; a unit where jazz meets hip-hop, soul meets rock, and funk is the beating heart of everything they do.
Sam Hyken, co-fonder of Nu Deco Ensemble spoke about the newly announced performance saying: “Jacomo and I have wanted to collaborate with Tank and the Bangas since we first saw them on Tiny Desk back in 2017! We are thrilled to finally have that chance and to welcome them to Miami for an epic re-imagination of their eclectic and powerful music.”
"Arguably one of the most relevant contemporary groups out there" adds Barios.
The May 15 performance will also feature Grammy-nominated piano virtuoso Cory Henry, who will be premiering a newly commissioned piece in collaboration with Nu Deco Ensemble.
Barios continues: "Never could I imagine, after everything we all went through this year, that Nu Deco Ensemble would not only perform live concerts together in the community of music, but commission one of our all time revered collaborators with musical genius Cory Henry. His boundless musical virtuosity and his creativity have been constant inspirations to us at Nu Deco Ensemble ever since we collaborated, and I simply have no words to describe the excitement we feel to perform this commissioned work."
Nu Deco Ensemble will live stream the performance via their custom platform, which allows for increased audience interactivity through audience polling that chooses select pieces, viewer selected camera angles, digital program notes and other interactive features.
The performance will be streamed live, to a crowdless venue. Nu Deco Ensemble is committed to following all CDC and local government recommendations, including physical distancing, masks mandated for all artists able to play with a mask, health and temperature screening, sanitization and disinfectant of all touch services, hand sanitizer available around the venue and a testing plan leading up to the production week.
Nu Deco Ensemble’s mission is to create compelling and transformative genre-bending musical experiences that inspire, enrich, and connect new and diverse audiences and artists.
2020-2021 Performance Season:
October 29, 2020 – Nu Deco Ensemble with José James
December 12, 2020 – Nu Deco Ensemble with Larkin Poe
January 30, 2021 – Nu Deco Ensemble with Cory Wong
April 10, 2021 – Nu Deco Ensemble with Richard Bona
May 15, 2021 – World-Premiere Orchestral Work with Cory Henry & Tank and the Bangas
ECHO is proud to announce the Pink Floyd 2021 Print Series. This officially licensed limited-edition series will showcase some of today’s biggest and brightest visual artists, creating works inspired by Pink Floyd.
First in the series is a print by artist WolfSkullJack commemorating Pink Floyd’s performance from October 13, 1973, in Vienna, Austria. This print will be available starting Friday, February 19 starting at 2 PM EST / 11 AM PST.
“My father introduced me to Pink Floyd when I was but a wee pup and Dark Side of the moon was a regular on the record player. I am eternally thankful to have inherited his excellent music taste.
When working for musicians I love to put on their music as I sketch and ink in an attempt to capture the band's essence and I think that shines through here. The art is heavily influenced by Time and Breathe, two of my favorites, with reference to the lyrics, ‘Run, rabbit run’ in Breathe. Wolves in my work are often ethereal/celestial creatures who represent time and space. The wolf is represented as part of the natural life cycle of the rabbit in an all-natural way rather than something sinister.” – WolfSkullJack
This 12-color screen print measures 18”x24” and will be available in these limited edition variations:
Pink Floyd October 13, 1973 Vienna, Austria (Gallery Edition) – 175 pcs / $55
Pink Floyd October 13, 1973 Vienna, Austria (Lava Foil Variant) – 75 pcs / $80
Pink Floyd October 13, 1973 Vienna, Austria (Rainbow Variant) – 75 pcs / $80
ECHO is also excited to present the Pink Floyd Print Series 2021 Subscription. Subscribers will receive exclusive Subscription Variants of all 12 prints in the 2021 series. These variants will be screen printed on creamy pearlescent gallery stock with a semi-metallic finish, and only available via this subscription. In addition to the 6 series prints, subscribers will get an additional (and exclusive!) 7th print, plus a host of other cool surprises shipped directly to their doorsteps in three separate shipments during 2021. Only 50 of these Subscription Sets are available. More details available on the ECHO homepage. WolfSkullJack’s Pink Floyd October 13, 1973, Vienna, Austria, and Pink Floyd Print Subscription will be available at 11AM PST / 2PM EST Friday, February 19.
Brooklyn-based indie-pop singer-songwriter, Aubrey Haddard, is back with a "shadowy and intoxicating (American Songwriter)" new single, "Portuguese Red," that arrives on all streaming platforms today, paired with a music video that adds extra flavor to the track's already full-bodied intensity. The song is "a brooding synth-pop ballad inspired by a real-life meet-cute that will make you miss pre-Covid nightlife even more than you (probably) already do," according to American Songwriter who debuted it.
Describing the single, Haddard tells American Songwriter in an interiview, “The song is about the night I met my partner in 2016,” Haddard tells American Songwriter in a statement. “We met at a venue in Williamsburg where our bands were sharing a bill... After the show we shared a few drinks at the bar surrounded by our friends before he tugged on my hand and led me outside, and we shared our first kiss in the middle of a crosswalk on Berry Street. Later in his Brooklyn apartment, I sat on the kitchen countertop and he pulled out a half-empty bottle of wine from the fridge that we never finished as we quickly fell in love. I asked ‘If I were a wine, what would I be?’ and he told me I’d be a Portuguese Red.”
That moment in the kitchen is crystalized in the song, as Haddard sings: "Way back when / I warned you not to let me in / But you didn't listen." American Songwriter says ""Portuguese Red” brims with that intensity, centering Haddard’s striking, self-assured vocals," and that energy shines brightly in the chorus in her lyrics: "Just like a Portuguese Red I went to your head / and got you dizzy, Haddard sings. Took some time but for now we’re fine / lying on your couch in New York / simpler times / they’re on my mind / undefined / refrigerator wine."
The video, set in Brooklyn, brings that nostalgia into pixel-from and was inspired by the memories that Haddard has been gripping to years later. She says, "The video frames me escaping my reality of boring parties and band rehearsals to being trapped in a fantasy under stage lights.” This fear of change is captured in an indiescape for her romantic memories like a past life flashing before her eyes in a daydream that everyone can see.
Fans of Sunflower Bean, Future Islands, Chairlift, Christine and the Queens will recognize this vulnerbility of strength and maximalist musical identity. American Songwriter points out that "Haddard grew up in the Hudson Valley but cut her teeth in Boston before moving to Brooklyn. The Berklee dropout has now worked with Ruddell and Strmic for a few years and considers them close collaborators. “Aubrey is a very emotional person,” Ruddell told WBUR in 2019. “She’s maybe, in some ways, hyper-emotional… And she reflects that in her art. She kind of floors me, when she’s playing, with how sensitive she is.”
This sensitivity and awe-inspiring emotive capabilities are the brige between “Portuguese Red” and her prior work: her two of 2020 singles -- “Thin Line” and “Sweeter the Honey -- and herdebut album, Blue Part, from 2018, which followed her 2016 EP, Adult Lullabies. What's next (fingers crossed) will be a live performance at Levitate Music Festival on July 9, 2021 to showcase the magic of being in the room with Aubrey Harrard and her band.
Glide Magazine says, "Live shows may be on hold for the time being, but between her guitar playing and vocal strength, Haddard is definitely an artist we will be catching as soon as we can." In the meantime, Atwood Magazine says Haddard's music is "blissful and bubbly indie rock track at its heart, perfect for a daytime dance party over Zoom with your friends." Stay tuned for more Aubrey Haddard.
Nashville-based singer-songwriter, multi-instrumentalist and producer, James Levy, shares new single and video, "Myself Anymore," today via Side Hustle Records / The Orchard. His new album, Solider, is due out on March 12, 2021. Associated acts of Levy's include Reputante (Cult), James Levy &The Blood Red Rose (Heavenly), LEVY (OLI), Lolawolf (Innit), Charles Bradley, The Pierces, and this new record follows Levy's debut solo record, Somebody (Innit), which came out in 2019 and was produced by Paul Defiglia (The Avett Brothers).
The video for "Myself Anymore," was directed by Levy’s former LOLAWOLF bandmate Jimmy Giannopoulous, was shot in downtown Los Angeles. The video's wry sense of humor is classic James Levy, and the font plays a character, and it feels like he's competing with his own name flashing across the screen, as he roams LA. His sheer self-awareness breaks the marketing fourth wall in a way that makes it hard not to smile and feel in on the joke of what's it's like to take oneself too seriously in the music business, or in anything in life.
Levy recorded the new record at home in Nashville, where he wrote, produced and mixed it himself, in the span of two weeks. It is his first guitar record in over a decade. The surge of inspiration came from watching the show “Normal people.”
The forthcoming LP's first single and title track and "Solider" is also streaming everywhere, along with a video that debuted on American Songwriter. Much like the video for "Myself Anymore," text plays a character role in the video and is wrought with wit. He tells American Songwriter: “I was watching the show ‘Normal People’ and out of the blue the song came to mind... I wrote it very quickly and recorded it. It ended up being the catalyst to make a full record," adding, “I sang whatever came to mind knowing that I wouldn’t edit it...It felt like no matter what I said the feeling would come through.”
Levy worked with Julian Casablancas, Coldplay and Tim Wheeler of Ash on his last two records. He wrote songs with Zoe Kravitz, Jordan Lane Price, Zuri Marley, The Pierces and currently, he is working in Nashville writing with multiple artists. Levy recently recorded a duets EP with Herman Dune in LA and an EP produced by Richard Gottehrer in NYC. Levy’s collaborations with Charles Bradley on “Lucifer” and “Lonely as You Are” are out now and have received critical acclaim.
Ghost of Vroom – the new band comprised of veteran singer-songwriter Mike Doughty (Soul Coughing) and his longtime collaborator, bassist Andrew “Scrap” Livingston – have announced the release of their eagerly anticipated debut album. GHOST OF VROOM 1 arrives via Mod y Vi Records on Friday, March 19.
GHOST OF VROOM 1 is heralded by today’s premiere of the album’s first single, “I Hear the Ax Swinging,” available now at all DSPs and streaming services. Fans who pre-order GHOST OF VROOM 1 will receive a download of “I Hear The Ax Swinging.” An official companion video – directed by renowned humorist/cartoonist David Rees – is currently in post-production and will premiere later this month.
Produced by Doughty and the legendary Mario Caldato Jr. (Beastie Boys, Jack Johnson, Seu Jorge), GHOST OF VROOM 1 sees Ghost of Vroom fusing tense breakbeats, eclectic instrumentation, and Doughty’s celebrated lyrical dexterity to create a wildly inspired sound praised by American Songwriter for its “urgency and relevance…a beyond-perfect union, centered around a solid rhythm section, that elaborates on the hip-hop influences Doughty picked up as a young kid when he had just moved to New York in the late eighties.”
Recorded in Memphis, TN and completed at Caldato’s Eagle Rock studio space in Los Angeles a mere three days before California entered its first lockdown, the album follows last summer’s debut EP, GHOST OF VROOM 2, available via Mod y Vi Records on 12” black 180 gram vinyl with audio on Side A – including a vinyl-only exclusive instrumental track – and an etching of the cover artwork on Side B.
GHOST OF VROOM 2 includes the first single, “Rona Pollona,” joined by an animated music video streaming now at YouTube following its exclusive premiere via Rolling Stone, which applauded the “sardonic ode to the Covid-19 era” for its “extremely online stream-of-consciousness” and “laid back groove of shuffling drums, twisting guitar and lazy cello strokes, recalling the way A Tribe Called Quest flipped Lou Reed’s ‘Walk on the Wild Side’ for ‘Can I Kick It?’”
Hailed by Stereogum for its “offbeat, not-quite-this and not-quite-that arrangements – and, of course, Doughty’s famous tongue-in-cheek rhymes,” GHOST OF VROOM 2 also includes “Chief of Police” and “1918,” both accompanied by animated music videos streaming now at YouTube.
Mike Doughty first conjured Ghost of Vroom after the acclaimed release of his 2016 solo album, THE HEART WATCHES WHILE THE BRAIN BURNS. Now based in Memphis, TN, he initially considered a reunion with his former bandmates in the groundbreaking Soul Coughing but when those plans fell through, a new band was clearly in order. Doughty enlisted his longtime musical collaborator, bassist Andrew “Scrap” Livingston and set to work, weaving free-form wordplay and idiosyncratic lyricism with a dynamic, genre-agnostic musical approach that simultaneously celebrates and further evolves Doughty’s fascinating, two-decade-plus body of work.
Doughty has been creating a wide range of new music via his official Patreon page, with all patrons receiving exclusive access to at least one completely new song each week along with an autographed cassette tape-recorded live-in-studio at Memphis Magnetic Recording Co. Additional extras include the LIVE! AT ROYAL CD and a Ghost of Vroom t-shirt exclusive to Patreon members. For more information, please visit www.patreon.com/doughty.
Patreon members recently received free access to an all-new, all-improv set from Ghost of Vroom. Recorded at Memphis Magnetic Recording Co, the one-of-a-kind performance featured Doughty on vocals, sampler and guitar, Livingston on cello and keys, Madden “Lil Pepper” Klass on drums, and Logan Hanna on guitar. Additional livestream events will be announced soon.
Last year also saw the publication of Doughty’s acclaimed second memoir, I Die Each Time I Hear The Sound, available now from Hachette Books where books are sold. Praised by Kirkus Reviews as “a witty rock memoir delivered with arty, aphoristic verve,” this highly original gathering of autobiographical stories sees Doughty, in his inimitable voice, sending dispatches from a touring musician’s peripatetic life, vividly recalling moments when profound musical experiences made him see the world anew. Funny, vulnerable, and unsparing, I Die Each Time I Hear The Sound is a unique narrative, unstuck in time, and an unforgettable examination of what it is to be an artist in this cultural moment.
King Gizzard & the Lizard Wizard are excited to announce their seventeenth studio album L.W., to be released February 26, 2021. The album serves as a direct follow-up to last year's full-length K.G., and is the third volume in the band's explorations into microtonal tunings (which began with 2017's Flying Microtonal Banana). Pre-save the album HERE.
Following the recent releases of "If Not Now, Then When?" and "O.N.E.", both featured on L.W., the band has also shared new track "Pleura" -- hear the track HERE, and watch the video HERE. The video -- which consists of a live performance from the band's studio and was filmed just last night -- was directed by John Angus Stewart, who also helmed the band's 2020 concert film Chunky Shrapnel.
"I think a true document of live music shouldn’t rely entirely on editing," Stewart says. "There is something that happens with the way we perceive images, if something “live” is too produced, your mind sort of loses interest. With this format, we wanted to leave the editing up to the viewer. The decision of who to look at, and at what time determines each individual viewing experience. With each watch your experience will be completely different, which mirrors Gizzard’s experience playing the song live. The process is the same, yet the result is different."
Last year, the band released their sixteenth studio album K.G (the second volume in the band's previous explorations into microtonal tunings), as well as Live In S.F. '16 (ATO Records), a live album recorded during the band's 2016 U.S. tour stop at San Francisco venue The Independent. Stream/purchase K.G. HERE, and stream/purchase Live In S.F. '16 HERE.
Shortly before the album release, the band delighted fans with a full concert film accompanying Live In S.F. '16. Unlike their previous film release with Chunky Shrapnel, fans are able to own the film with a purchase of a stream. Stream/purchase the Live In S.F. '16 film HERE, and watch "Evil Death Roll" from the film HERE.
Freewheeling six-headed freak-rock beast King Gizzard & The Lizard Wizard return with seventeenth album L.W.
Serving as both a companion piece to its 2020 predecessor K.G. and a stand-alone work in its own right, L.W. sees the Melbourne-based innovators produce a truly original work. After a full decade of increasingly frenzied productivity, the inability to tour during 2020 and into 2021 allowed the band to find a window of time in which, as frontman Stu Mackenzie puts it, “reset our brains, and try to figure out how to do a different thing.”
Where in the past King Gizzard might have recorded fourteen or fifteen songs to make the cut on a ten-track album, thanks to having extra time on their hands, they instead recorded nineteen complete tracks back to back. “For me personally, making a record is always a certain percentage of fun and a small percentage of agonizing over it too,” says Mackenzie. “But there’s always a wild alchemy going into it. Like, you don’t really know what you’re doing, you’re just kind of throwing all of your emotional energy into nothing, which becomes…something?”
The result is a twin-set of records that expands upon the band’s microtonal explorations first heard on 2017’s Flying Microtonal Banana – regarded by many fans, and Stu himself, as one of their favorite Gizzard albums. Then as now, the band embarked upon a search for “the notes between the notes”, via modified instruments and the middle eastern tunings usually found on the bağlama, a Turkish stringed instrument. “We wanted to make new music that was somehow more colorful this time around, and which maybe reflected the many new things that we have learned along the way,” Stu explains. “After recording Flying Microtonal Banana the songs expanded when we played them live, so we felt ready to tackle the microtonal landscape again. Making these two new records was not expected, but because they were recorded in a way that was new to us – not being in the room at the same time – there was a feeling of almost being over-prepared, which is definitely not normal for us. Whatever normal is.”
On L.W. very different - and occasionally wonky - worlds collide. Album opener ‘If Not Now, Then When?’ morphs from mangled eastern rock into taut funk in a manner that somehow makes complete sense, while the amorphous and exotic ‘Pleura’ is a pungent gumbo of heady microtonal strings, tumescent riffs and endless surprises. Then there’s the slinky ‘Ataraxia’ which slithers like a sidewinder through the dusty catacombs of the imagination and the utterly disorientating ‘See Me’, which is nothing less than the national anthem of a scorched planet hitherto undiscovered. Here is an album that pulls, pushes and contorts western music into new shapes. Though some might categorize it as such, this is not ‘world music’ but ‘universal music’.
Only when this new clutch of songs was nearing completion did it become apparent they would form two separate releases. Such creative ambition and bold ideas have been King Gizzard’s stock in trade since day one. Let’s not forget this is a band whose innovative ideas have included – amongst other things – giving away the parts of an entire album for scores of international indie labels to press and sell themselves, have written a suite of songs that clock in at precisely 10 mins and 10 secs each, as well as a sludgy-stoner concept album about a lonely robot. Why record one album when you can record two?
Narratives are woven through the music across both release: L.W. ends, for example, with the same track that K.G. opens with (‘K.G.L.W’, obviously). Fans of the band will already be aware of similar such patterns embedded throughout their oeuvre: the award-winning, hard-riffing 2016 album Nonagon Infinity was a never-ending Möbius strip of music that looped in on itself. It was the type of iridescent collection of interlocking songs that you could imagine playing forever in a black hole as it spins on ever-deeper into the darkest reaches of the cosmos.
“I like to order a record early,” says Stu of these intricate structures and grand thematic concepts, in whose creation piles of maps and diagrams are often required. “That's something that I often do. And usually, the easiest one to slot in is the opener, so listening back to L.W. a theme song of sorts emerged. The outro is like a mirror image of the intro. And as we worked on it, it kept growing, as a lot of our songs do. In this case it just kept getting more and more ridiculous. I’m not sure how he acquired them, but Joe (Walker, guitarist) got all these crazy samples that he put on there. There’s an MRI machine, hammers, power tools, a drawbridge, a chainsaw, an angle-grinder. Cookie played a hammer and an anvil. It’s very metal. Literally.”
As the band enter their second decade – and their frontman still only thirty years old - the creative future of this most 21st century of outfits only promises to be bolder, madder and more imaginative than ever. Their place in the pantheon alongside such disparate predecessors such as Grateful Dead, Hawkwind, Frank Zappa, The Doors, Black Sabbath and AC/DC is assured; though rest assured The Gizz prefer to always face the future than the past.
“We're actually probably not as considered as people think that we are,” Stu concludes. “I’m always just trying to be in the band that I want to be in. But I’m also trying to be the band that I wish I could follow as a fan; so we’re both of those things at the same time. And I think that’s where my decision making lies: I’m always asking, what is the most fun thing we can do? If there’s a strategy at all, then it’s that.”
If the rumors emanating out of Melbourne are to be believed, King Gizzard are about to entire another fertile purple patch.
GRAMMY® Award-winning guitar virtuosos Rodrigo y Gabriela have announced their first release of the new decade. The JAZZ EP will be available via Rubyworks/ATO beginning Friday, February 18 with an exclusive vinyl release, limited to just 3,000 copies worldwide, pressed on cloudy orange vinyl and individually numbered. Pre-orders are available now. The JAZZ EP will arrive on standard vinyl and at all DSPs and streaming services on Friday, May 14.
The JAZZ EP is heralded by the release of “Street Fighter Mas,” composed and originally performed by Kamasi Washington and available today – coincidentally, Washington’s 40th birthday – at all DSPs and streaming services. The song was premiered earlier today on KCRW's Morning Becomes Eclectic. The song is accompanied by a celestial performance video available now.
“It was a no-brainer for us,” says Rodrigo. “Kamasi is one of the most exciting jazz musicians out there and ‘Street Fighter Mas’ has such a good groove.”
“It was a challenge for us,” adds Gabriela, “recreating the instruments with just two guitars, so it became a kind of game. We had to change a few bits and pieces, especially in how I interpreted the drum parts on my guitar.”
In addition to “Street Fighter Mas,” the JAZZ EP further includes distinctive covers of Snarky Puppy’s “Lingus” and Astor Piazzolla’s “Oblivion,” the latter highlighted by a guest appearance from flamenco-guitar legend Vicente Amigo.
“When you play someone else’s music,” says Rodrigo, “you need to get outside your own headspace, and learn from scratch, it’s a real challenge. We had great fun, we hope you like it too.”
The JAZZ EP continues a deeply creative period for Rodrigo y Gabriela, even as the COVID pandemic keeps them working from their home in Zihuatanejo, Mexico. The EP follows last fall’s release of METTAVOLUTION LIVE, an all-new double album recorded during Rodrigo y Gabriela’s sold-out 2019 METTAVOLUTION World Tour. METTAVOLUTION LIVE is available now via Rubyworks/ATO as 2LP, 2CD, and digital download.
Hearty Har unveils their debut album RADIO ASTRO (BMG). To ring in the release, the band has shared the official video for album highlight “Fare Thee Well,” which debuted via Paste Magazine -- watch HERE.
The album arrives on a wave of praise from all corners of the media world -- Relix notes that “The brothers pull from a wide swath of influences on this project, from spaghetti westerns (“Fare Thee Well”) to Tom Petty (“Don’t Go Looking for Me”) to the idea that you need to find beauty as the tide changes (“Waves of Ecstasy”), proving their description as ‘part perfectionists and part mad scientists.’” American Songwriter praised the Fogertys, saying “It is decidedly different than CCR and unique to itself in many of the best ways.” Tower Records acknowledges that “the brothers, who are the sons of CCR's John Fogerty, have spent a number of years learning the craft of Producing and mixing in order to create their chosen soundscapes as authentically as possible.”
The 11-track RADIO ASTRO is the work of rockers who are seasoned beyond their years and live up to their Rock and Roll Hall of Fame lineage with a strand of that DNA they can truly call their own. The sons of Creedence Clearwater Revival mastermind John Fogerty have been working under the Hearty Har moniker since 2012, perfecting their crafts as songwriters and studio hands into a fully formed enterprise. RADIO ASTRO shows off the brothers' wide-ranging musicality; diversity while capturing an identifiable core sound from sibling chemistry. And plenty of hard work.
"We both really like to record and be in the studio," Tyler says. "We've spent a lot of time experimenting and honing and learning how to use everything. Our whole thing is 'Let's just make good-sounding records and songs." Shane adds that, "I feel like we're constantly chasing something new and something exciting, trying to find sounds and trying to expand what we've done so far and always trying to elevate it. I think that's the goal and what we're trying to follow."
With Tyler and Shane writing on their own, and two tracks composed together, the set kicks off in garage rock, lava lamp shimmer of "Radio Man" and over the course of the album Hearty Har runs a gamut from the psychedelic blues of "One For the Other" to the gritty, Stax-flavored soul of "Calling You Out," the Brit pop nods of "Don't Go Looking For Me" and "Get Down," touches of Middle Eastern in "Fare Thee Well" and a sprawling instrumental, "Canyon of the Banshee," that lets the group "kind of flex our muscles," according to Tyler.
Tyler and Shane acknowledge they've discarded more ideas than they've taken to completion over the years. The songs that meet those exacting standards share a timeless urgency; You can imagine hearing "Can't Keep Waiting" or "Don't Go Looking For Me" or "Get Down" or "Scream and Shout!" at Woodstock -- or Lollapalooza. And there's openness in many of the arrangements that would have many a remixer licking their chops over.
"I just hope people love it and appreciate it," Shane says. "I feel like the music speaks for itself, and when people hear it they'll understand."
The Texas-based Leon III is trying to stay warm during one of the worst winters the state has seen... ever. The show must always go on, and today, Leon III is very excited to share their song “Skeletal Pines,” which premiered exclusively via The Vinyl District earlier this week. “Skeletal Pines” is the newest song to be released from the band’s forthcoming album Antlers in Velvet, due out on March 5.
The new album showcases the extreme depth and the genius musicianship that this project holds. MxDwn calls the album an “expansive, genre-bending new sound.” This holistic album is by definition a genre-less compilation that provokes the imagination and exploratory senses of its listener.
Glide Magazine expanded on these ideas recently saying: “Traversing an expansive sonic landscape, the band skillfully layers twangy 70s rock guitars, psychedelic solos, and suspense-building drum fills to create a sound that feels rooted in the arena-filling rock of Pink Floyd as well as jammy spaceouts of My Morning Jacket. We also hear a touch of fellow Austinite Israel Nash’s desert folklore. All of this combines to make for a track that feels like a compelling musical journey with peaks and valleys that comes to an enlightening conclusion. In listening to the track, you get the sense that Leon III is more focused on a big and cohesive album-oriented rock sound than they are on cranking out Spotify one-hitters. You can tell that these guys are having fun in the studio, experimenting with different sounds and building their songs piece by piece.”
Kitchen Dwellers are thrilled to announce their first headlining performance from The Wilma in Missoula, Montana streaming live on Saturday, February 27 via Fans.live at 10PM ET. The show will be filmed and directed by Goedde Light and Sound, promising viewers the ultimate experience.
“The Wilma is one of those amazing venues where awesome things just tend to happen,” says Torrin Daniels (banjo), “Something about the vibe in that room just tends to encourage musicians to throw down in any and all ways possible. It’s a staple venue of Montana, so it’s a place we’ve all been going to and attending shows since our early days as a band in college - a venue we have a history with. We’ve also been working on a lot of new music lately and are eager to start getting things out to people, so we’ve got a couple special things planned for the night. This stream is something we’re all very excited about.
PURCHASE TICKETS TO STREAM “KITCHEN DWELLERS LIVE FROM THE WILMA”
Kitchen Dwellers are coming off late-night performances following two of Billy Strings’ recent live-streamed performances from The Capitol Theatre.
Today, Athens, GA-based Lo Talker unveils a new song and video for “Astral Humming,” the fourth song released from their much-anticipated debut album A Comedy Of Errors, which is set to be released March 19, 2021, through Arts & Crafts.
"Astral Humming" highlights the more psychedelic folk leanings of Athens, Georgia-based indie rock outfit Lo Talker. Written as "a reminder to never get comfortable with what I think I know," says vocalist and songwriter Andrew Shepard, "Astral Humming" is a countrified indie folk song that refracts the merry prankster-like humor that threads through the various passages of Lo Talker's captivating debut, A Comedy Of Errors. Produced by Kevin Ratterman of Jim James, My Morning Jacket, Strand Of Oaks fame, the song swirls with reverberant pedal steel and shimmering harmonies, culminating in a languid acoustic jam awash in shoegazing synthesizers.
A classic indie rock opus that reflects the absurdity of modern life in America, A Comedy Of Errors places Lo Talker firmly in the great lineage of Athens sonic luminaries like REM, Of Montreal, Widespread Panic, and the seminal Elephant 6 collective. After eight years leading his prior band Roadkill Ghost Choir, Shepard adorns Lo Talker's music with reflexive lyrics and buoyant melodies that remind us that while the world is plunging to new levels of insanity, it does not mean that we have to follow suit. "Always try to grow, even if it hurts ... and it usually always does."
Lo Talker was founded by Shepard who was looking for a fresh start after leading his band Roadkill Ghost Choir for eight years, playing every major festival, an appearance on Late Night With David Letterman and touring alongside Band of Horses. Also joining Shepard in the band are brother Zach (bass), who also played in Roadkill Ghost Choir, as well as Alec Stanley (guitar/keyboard), Rhett Fuller (guitar), and Jeremiah Johnson (drums). A Comedy Of Errors was produced, mixed, and engineered by a longtime friend of the band, Kevin Ratterman, known for his work with similar southern rock-inspired indie acts like Jim James, My Morning Jacket, and Strand Of Oaks, at his studio in Los Angeles.
Legendary rock singer and songwriter Ann Wilson continues her streak of electric new singles with today’s premiere of “The Hammer,” available now at all DSPs and streaming services.
“The Hammer” was written by Wilson with guitarists Tyler Boley and Craig Bartock, and recorded last fall in Wilson’s Spiritual home, Seattle. “The Hammer“ is a triumphant return to Ann’s power rock roots.
"We had a great time recording this one! The whole experience was great! “ says Wilson. “ The band felt just as passionate as the lyrics!”
“The Hammer” follows Wilson’s latest single, “Tender Heart,” and its video featuring American Olympic medalist Gracie Gold, as well as “The Revolution Starts Now,” her first single release in two years. The song was originally written and recorded by Steve Earle and was backed by her version of Alice In Chains’ “Rooster,” available now at all DSPs and streaming services. The official videos are streaming now via Wilson’s official YouTube Channel.
Ann Wilson is a true icon, known far and wide as lead singer and songwriter of the groundbreaking rock band Heart. Led by Wilson’s extraordinary vocal power, Heart has thrilled audiences for more than four decades, earning sales of more than 35 million and well-deserved induction into the Rock and Roll Hall of Fame in 2013. Wilson’s second solo album, 2018’s IMMORTAL, saw her putting her unique stamp on songs made famous by a number of hugely influential artists, including David Bowie, Leonard Cohen, Tom Petty, Amy Winehouse, and more. Produced by longtime Heart collaborator Mike Flicker, the album earned widespread critical acclaim, with Associated Press declaring it “an exciting, eye-opening look at largely obscure songs by big-name artists” and Goldmine praising Wilson for “her mighty vocal firepower and a far ranging creative spirit.”
Chicago-based slide guitar virtuoso and singer-songwriter, Joanna Connor, who is best known as one of the reigning Queens of blue rock guitar, releases her 14th album 4801 South Indiana Avenue on Joe Bonamassa’s new independent blues record label Keeping The Blues Alive today! The album is available here.
The full album debuts on the heels of her singles “I Feel So Good” and “Destination” which was released just last weekend!
The new album, the follow up to her critically acclaimed studio album Rise, was produced by Joe Bonamassa and Josh Smith at Ocean Way Recording Studios in Nashville, Tennessee.
Joanna, Joe, and the rest of the musicians on the album dug deeply and conjured up an authentic, alive, and kicking non-derivative set of Chicago Blues.
Says Joanna, “We chose the album title ‘4801 South Indiana Avenue’ because it was the actual street address of the hallowed funky blues sanctuary ‘Theresa’s Lounge.’ We want the listener to open that door, walk in, and feel to their core some of the magic that a place like that brought night after night. It was an honor to bring this to you, the listener.”
Joanna has played guitar with the who’s who of blues including the likes of James Cotton, Buddy Guy, Jimmy Page, and Junior Wells. Debuting at Chicago’s premiere blues club Kingston Mines in the 1980s, she played there three nights a week ever since, in between gigs at larger clubs and festivals, before the spread of the pandemic earlier this year.
An aggressively edgy and highly innovative blues-rock guitarist with a tight groove that encompasses jazz and funk, Joanna’s hailed by many as one of the most powerful and influential female guitarists on the planet.
The new album reflects an entirely new experience from the way Joanna has recorded music in the past.
Singer-songwriter Eric Hirshberg’s debut album Spare Room is out today through Beautiful Corner/UMG. In addition, he also shares a video of his cover of The Cars hit song “Drive” which is also on Spare Room.
Hirshberg says of “Drive”: “I have always loved The Cars, and of course ‘Drive’ is one of their most iconic songs. But I have always felt that the polished, 80s production of the original somewhat obscured the raw intensity of the lyrics. I love it when a cover can reveal something new about a song you know and love and I thought there was an opportunity to do that with ‘Drive.’ This is a song about addiction and the impact that has on relationships. Someone is hitting bottom, and their partner is walking away. It's dark. I wanted to strip the song down to its essence so that darkness and intensity had nowhere to hide.”
Spare Room is an unapologetically adult album, with themes of marriage, fatherhood, death and aging, along with some political songs including an earlier released “(Keep Mar-A-Lago) I Want America Back” which has been viewed over a million times on Youtube and been reposted by people like Andrew Yang, Norman Lear, and General Barry McCaffrey (none of these people who Hirshberg knows personally). For Spare Room, Hirshberg worked with producer John Alagi known for his work with Dave Matthews Band, John Mayer, Lukas Nelson, and Paul Simon.
Hirshberg who has been writing songs non-stop since the age of 14, took an unusual path to release the debut LP. He spent his college days and most of his 20s playing Los Angeles clubs with his band and trying to build a music career. And while he wasn't looking, a whole other career took over; Hirshberg had a remarkably successful run as a creative executive first in advertising, then in video games, ultimately becoming the CEO of Activision, a post he held for almost a decade. (He is one of the only people ever to become a CEO of a company of that scale to have an art degree.) Over the years, the demands of his life and career drove his music more and more into the background of his life, carefully hidden from public view, but his passion and output as a songwriter never diminished. Spare Room has been decades in the making.
Joe Bonamassa is known for “always being on the road”. This time he’s bringing the concert into the homes of fans around the world in an epic pay-per-view performance from the live music capital of the world – Austin, Texas. On April 1st at 9PM ET, he’ll perform a specially curated set from Austin City Limits Live, alongside Late Night with David Letterman’s Anton Fig on drums and legendary bass player Steve Mackey, as a rare 3-piece Blues Rock power trio!
Austin is one of the first spots Joe originally performed as a three-piece, years ago at legendary Antone’s, and is the city that saw the rise of guitar visionary Stevie Ray Vaughan. Austin City Limits Live, known as “music’s best address,” is a national landmark and was awarded “Best New Major Concert Venue” by Pollstar when it opened. It has been home to some incredible artists over the years such as B.B. King, Willie Nelson, Santana, Paul McCartney, Peter Frampton, and Bonamassa himself as well as many others. ACL Live is a world-class stage to perform at and no doubt, Bonamassa will bring his incredible power to the stage, making his own mark on its history.
This event especially goes out to the fans, who via social media, have made their stamp on the evening, selecting their favorite Bonamassa tunes from his unparalleled, extensive catalogue of 24 #1 studio albums and countless productions, to create a very special set list. It will be a new and exciting celebration of some searing hits from his earliest influences as well as amazing original compositions embodying the guitar mastery that he’s best known for. This highly curated set will more than delight longtime super fans as well as captivate new ones.
There are a variety of pricing levels available for fans worldwide to be a part of this special “audience.” Tickets to the livestream event starts at $30. Fans may also purchase a $44.99 package that includes a limited-edition commemorative t-shirt, or upgrade to the Deluxe package for $64.99 which also features the Ultimate Video Collection, a 1-year all pass for Bonamassa’s on-demand service which includes 17+ concert releases from Joe Bonamassa, Black Country Communion, and Rock Candy Funk Party – available at any time on most devices.
As part of this unique concert event, fans also have the option to purchase a Commemorative VIP ticket giving them an experience they will never forget. VIP ticket holders will have their photo and name featured in the livestream credits and DVD credits as a virtual audience member.
Joe Bonamassa is one of the most celebrated performing musicians of today. Hailed internationally as one of the greatest guitar players of his generation, Guitar World has honored him as “the world’s biggest blues guitarist.” The TWO TIME GRAMMY-nominated artist has almost single-handedly redefined the blues-rock genre and brought it into the mainstream. Joe recently received his 24th #1 album on the Billboard Blues Chart with the studio album Royal Tea, a nod to his British heroes, recorded at the legendary Abbey Road Studios.
Amidst the pandemic, Joe performed the “Royal Tea” album in entirety before its release last September at the iconic Ryman Auditorium in Nashville with over 17,000 virtual tickets sold, reaching 44 different countries. The event also raised over $32,000 for Bonamassa’s Fueling Musicians program, presented by his non-profit Keeping the Blues Alive Foundation (KTBA). Now Joe is ready to hit the stage again for an even more exciting, fan-curated experience at Austin City Limits Live. Each ticket purchase for the livestream will include a $1 donation to ‘Fueling Musicians’.
Bonamassa has been working hard to raise money for musicians affected by the COVID-19 crisis. The Fueling Musicians program is an emergency relief fund designed to support musicians by providing immediate cash payments for essential living expenses of $1,500 to help them stay afloat and get back on the road again when it is safe. To date, they’ve raised over $380,000 and distributed the money to over 230 artists. In fact, they’re getting checks delivered to some folks who have yet to even receive their support from the government stimulus. As someone who has spent the majority of his life on the road, Joe knows the clear and evident impact of the crisis on his entertainment community. For those interested in donating, visit here: https://keepingthebluesalive.org/fueling-musicians/.
While much of the applause Bonamassa receives should be credited to his sheer talent, some part of his success needs to be attributed to Joe and his business partner for having the foresight and ability to become some of music’s savviest entrepreneurs. Bonamassa now 43, and his partner Roy Weisman have together devised a 360-degree independent business model that has survived and thrived during one of the music industry’s most uncertain eras, particularly considering the challenges created by the current pandemic.
In addition to the livestream, Bonamassa has announced a select run of live, limited capacity, safe and socially distanced in-person shows for March and April through Macon, GA, Clearwater, FL, Austin, TX, and Huntsville, AL. Tickets for those events can be purchased at https://jbonamassa.com/tour-dates
03/27 - MACON, GA - MACON CITY AUDITORIUM (SOLD OUT)
03/29 - CLEARWATER, FL - RUTH ECKERD HALL
03/31 - AUSTIN, TX - ACL LIVE
04/01 - AUSTIN, TX - ACL LIVE
04/03 - HUNTSVILLE, AL - MARK C SMITH CONCERT HALL (SOLD OUT)
Joe continues to crank out weekly programming for his radio show “Different Shades Of Blue” for Sirius XM’s Bluesville channel. Last year, he kicked off a new at-home weekly video interview series “Live From Nerdville” which currently has over 40 episodes aired on his Facebook, YouTube and podcast outlets. With a new episode each week, Joe has featured conversations with Neal Schon of Journey, John Oates of Hall & Oates, Glenn Hughes, Paul Stanley of Kiss, Warren Haynes, Keb’ Mo’, Walter Trout, Steve Lukather of Toto, Bob Lefsetz, esteemed singer-songwriter Dion and is currently booking new names for his 3rd season. In June 2020, Bonamassa and his manager Roy Weisman debuted their new record label Keeping The Blues Alive Records by releasing music icon Dion’s critically-acclaimed latest album Blues With Friends. Last Friday, KTBA Records released Chicago’s reigning Queen of Blues Guitar, Joanna Connor’s new album 4801 South Indiana Avenue, featuring her recent singles “I Feel So Good” and “Destination.”
To keep up with everything Bonamassa, visitjbonamassa.com, and be sure to stay connected on social media.
Dark Horse Records is celebrating the upcoming release of its newly remastered collection of solo cuts from Joe Strummer, the former frontman of The Clash, with today’s world premiere of “Junco Partner (Acoustic)”. The track is available for streaming now and comes with an accompanying animated mixed-media video created by Spencer Ramsey [WATCH HERE]. Discovered deep in the legendary artist’s vaults on a hand-labeled cassette tape, “Junco Partner” was a constant throughout Joe’s career. He first discovered the song on a scratchy R&B compilation in the 1970s and it became a staple on the setlist of Joe’s first band, the 101ers, before recording it with The Clash for the seminal Sandinista! album in 1980 and it is a mainstay of live shows until the very end of Joe’s career with The Mescaleros. This previously unreleased home recording of “Junco Partner” sees Strummer wailing through the song with just a guitar, offering an intimate insight into his unique vocal delivery and distinctive driving rhythmic guitar playing.
“Junco Partner (Acoustic)” is available now at all DSPs and streaming services; ASSEMBLY arrives Friday, March 26 on Limited Edition 2xLP Red vinyl, gatefold 2xLP 180g black vinyl, CD and digitally for streaming and download; pre-orders are available now HERE.
ASSEMBLY showcases carefully curated remastered singles, fan favorites, and archival rarities from the Joe Strummer solo catalog, including “Coma Girl,” “Johnny Appleseed,” and “Yalla Yalla” (with The Mescaleros) to his iconic rendition of Bob Marley’s “Redemption Song” and soundtrack contributions like “Love Kills” (from the 1986 film, Sid and Nancy). Remastered by three-time GRAMMY® Award-winning engineer Paul Hicks (The Beatles / John Lennon / The Rolling Stones / David Bowie), the 16-track compilation features three previously unreleased versions of classic The Clash tracks, including the never-before-heard recording of “Junco Partner” and electrifying live performances of “Rudie Can’t Fail” and “I Fought The Law” recorded by Joe Strummer and The Mescaleros at London’s Brixton Academy on November 24, 2001. In addition, ASSEMBLY includes exclusive liner notes written especially for this collection by musician, Jakob Dylan.
ABOUT JOE STRUMMER
Punk poet, musician, composer, actor, and style icon, Joe Strummer spent his life smashing musical and cultural boundaries both as the singer of The Clash and as a solo artist. His songs sound as urgent and vital today as when they were written. Calling out social injustices and giving a voice to the struggles of the working class, Strummer’s politically-charged lyrics struck a chord with legions of fans and the press alike, with Rolling Stone calling The Clash “the greatest rock & roll band in the world.” “People can change anything they want to,” he famously once said, “and that means everything in the world.” Through his art, Joe Strummer played his part in shaping the musical landscape of the world and with it left an unrivaled and timeless legacy.
George Harrison’s passion for introducing the world to new music expressed itself in May of 1974 when he created his own new label – Dark Horse Records. The label contained a variety of talented artists on its roster, including George himself. ASSEMBLY marks the first new Joe Strummer title released via the newly relaunched Dark Horse, led by Dhani Harrison and David Zonshine. For more, please visit www.darkhorserecords.com.
In this riveting new interview between two Grammy-nominated artists, Blues Rock Titan Joe Bonamassa talks with newcomer Marcus King for his incredible new interview series Live From Nerdville. The two chat about everything from the first the last time they saw each other in person at the Holland International Blues Festival to King’s first Grammy nomination this year for Best Americana Album with his debut record ‘El Dorado.’
They also discuss what it was like for King to work with Dan Auerbach of The Black Keys. King says that he likens Dan to Captain Ahab from Moby Dick… an interesting comparison!
Joe also gets personal with Marcus about growing up in a musical family with his dad and grandfather being well known musicians in different music scenes. King shares that his grandfather got him into country artists like George Jones, Merle Haggard, Willie Nelson, and Charley Pride, all of whom his grandfather had the pleasure of performing with as a backup vocalist.
As for his father? The Allman Brothers, Lynyrd Skynyrd and Jimi Hendrix.
As for Marcus himself? When asked about the first musicians he embraced musically on his own, he says James Brown, then, Aretha Franklin, Janis Joplin, and Tina Turner. He goes on to say he loved how their soulful vocals would transcend their emotions to their audiences. In fact, he even tried to emulate the riffs of these artists while playing his “PV Bandit” as a kid.
“I was trying to copy Aretha Franklin, Tina Turner and Janice riffs and what they were doing vocally and trying to get the sound and riffs out of my PV Bandit and my Vox overdrive! <laughing> I was a kid trying to recreate what they were doing and just playing it.” – MARCUS KING
OTHER KEY MOMENTS:
“People like to see what’s real; they like to see the unrehearsed, they like to see the breaking of that fourth wall, where we finally say yeah, this is show business!” – MARCUS KING referring to a disastrous show then ultimately receiving a 5 out of 5-star review.
“Giving everything, you have when you have nothing left” – MARCUS KING referring to performing.
Louisville's “Delightfully menacing” (Baeble Music) Chief Ghoul is back with the announcement of his forthcoming sixth album, These Lycanthropic Blues, due out June 4, 2021. Aptly named first single, "Let's Go," is now streaming everywhere and kicks off the journey of the upcoming LP. With its upbeat tempo and darkly poetic lyrics, it's clear that Lee Miles is returning to the spirit that previously landed him on the cover of Performer Magazine, where he was quoted saying, "When you get discouraged, use it and don’t let it defeat you. Don’t let it overwhelm you to the point where you don’t do anything at all.” Pain is one hell of a motivator and Miles haunts with purpose and raw power, using elements of alt-country, folk, rock and blues to craft a sound that is "a truly special sound," according to Performer Magazine.
Music as therapy has always been an underlying theme of Miles' songwriting, and the autonomy of self-producing has made the sound of the record even more personal, vulnerable and true to his old-soul. Guitar-playing has been an impulse and necessity when times are tough, and it's obvious that his guitar playing up levels with every release -- hinting that life doesn't get easier, but the therapy is working. A gut instinct to connect to the deeper parts of his subconscious come through the strings and the wildness of the sound, and the new single is just a starting point for where the album is leading. A deeper, darker path lays ahead, but the catharsis builds along with the blackness. The intimacy of getting to know what plagues Miles deepens to the bond, and although he always says he makes this music for himself -- it's hard not to feel connected and relate. With that raw energy, "Let's Go" opens the path forward and leads toward These Lycanthropic Blues' release.
BIO
Lee Miles is an old-soul troubadour with the ear of bygone bluesmen and the pen of a poet. His sixth album as alter ego Chief Ghoul, These Lycanthropic Blues, melds years of wandering the wildlands of his native Kentucky with an extended immersion in Chicago’s gritty blues scene.
Released on June 4, These Lycanthropic Blues is an utterly authentic breath of nostalgic, intriguingly arcane Americana.
“I’ve always been obsessed with music, and it’s really heavily affected me,” mulled Miles, speaking from his 19th century Louisville home. “I remember my grandpa would put on the movie To Kill a Mockingbird, and the intro song is just one of my favorite pieces of music ever.”
Visual stimuli continued to move Miles as he began writing and performing as Chief Ghoul in Chicago a decade ago. Inspired by dark movies and historical documentaries, he’s often written songs while watching black-and-white horror or ‘70s exploitation flicks. Tattooed and bearded, he’s a man who sometimes pines for simpler times and pristine places, seeking these out in the Kentucky backwoods to where he retreats with his guitar.
Miles has occasionally worked with a band, but more typically alone. It was Chicago that nurtured the profound connection with the blues – Muddy Waters, Robert Johnson, Buddy Guy – that’s been a throughline of Chief Ghoul’s releases to date.
“It really all gets back to guitar playing, for me,” Miles explained. “I wouldn’t be doing this project if it weren’t for my love of the guitar. And when I pick up a guitar, the first thing I’m gonna do is play some standard blues licks. It always gets back to that.”
But then there’s Miles’ passion for early Bob Dylan, Led Zeppelin (he cites Jimmy Page as his favorite guitarist), metal, and punk. And he feels a growing sonic kinship with the likes of Graveyard’s blues-rinsed rock, and Dunbarrow’s throwback proto-doom.
These Lycanthropic Blues traces a sepia finger almost chronologically along Miles’ musical journey. The deceptively upbeat dark folk of first single “Let’s Go” is a much more refined take on what Chief Ghoul’s been doing all along. But as the album unfolds, it increasingly hints at where he’s headed, with album closers “The Blackest of Souls” and the title track indulging more menacing stoner tones.
“With those last two tracks, I think that’s more the sound I’m going for,” he confirmed. “In the future I’m gonna be doing a lot more of that.”
On many levels, These Lycanthropic Blues is the realization of a Chief Ghoul rebirth that began with 2019’s 1892. That album was the first Miles had self-produced, having tired of the creative restraints of commercial studios. But whereas 1892 was still very connected to its lo-fi, hauntingly stark predecessors, These Lycanthropic Blues is a more three-dimensional expression; still earthy and organic, but embroidered with piano, percussion, dirty bass and sometimes cavernous drums.
A Chief Ghoul constant is Miles’ grainy, lived-in timbre. It’s a wise yet wistful sound equally apt to a distant desert stare or a drunken dive bar divulgence. And it’s at the heart of Chief Ghoul’s compelling communication of our shared, vulnerable humanity. These Lycanthropic Blues reconnects us to primal sentiments and sensations suppressed by today’s sanitized society. It’s a window not only into Miles’ soul, but also a glimpse of our own neglected spaces – with all of the terror and comfort that implies.
Some of Miles’ favorite songs have come to him almost without conscious effort, out of nowhere. And maybe that’s what Chief Ghoul is: not a palpable process or personality, but rather the blurry true-self of our subconscious. It’s certainly where Miles’ music makes such rare connection, giving voice to the lurking, unspoken bonds between us. Yet he pulls it off with a subtle cowboy swagger, leaving much to the imagination and shunning sentimentality.
Miles hesitates to characterize such songwriting as “channeling,” but it’s something close.
“I know a lot of people believe in that sort of thing,” he said. “I’m not saying that I don’t. I definitely like the idea of it.”
These Lycanthropic Blues is preceded by “Let’s Go” in March, and rural-gothic second single “Out Here” in April. Miles has shot a video for the ominous yet oddly escapist “The Blackest of Souls” and, conditions permitting, Chief Ghoul will return to stages as soon as possible, be it with a band or solo with his resonator guitar.
Appropriately for someone so influenced by visuals, Miles is in negotiations to start licensing his innately cinematic songs for film and TV.
“I’ve always had in mind getting my music to something that would give it that extra visual,” he said. “That is a huge dream of mine – to get some of my music to that other medium.”
Ultimately, Chief Ghoul is the sound of an artist creating music solely for himself. Ironically, this is almost certainly why it so resonates with others.
“At the end of the day, I listen to it, and I like it,” he concluded. “It’s more niche; it’s not gonna appeal to everyone. And that’s okay.” -- Paul Rogers
The Divided Sky Foundation, founded by Trey Anastasio, has announced the recent purchase of a facility in Ludlow, VT to be developed as a non-profit substance use disorder (SUD) treatment center. Launched last year, Divided Sky Foundation is dedicated to delivering quality care and compassionate treatment to those affected by alcoholism and addiction.
The as-yet-unnamed center will be managed by Ascension Recovery Services, which has created successful, inclusive treatment programs in 23 states. Acquiring the facility site is the first step in a plan that also includes building renovations and program development. The center is tentatively slated to open by the end of 2021.
The purchase was made possible in part by funds raised last fall during Anastasio’s The Beacon Jams, an unprecedented eight-week virtual residency presented live from New York City’s historic Beacon Theatre and streamed free exclusively via Twitch. Donations were encouraged throughout the run, with fans ultimately contributing more than $1.2 million.
“Substance use disorders affect people from all walks of life,” says Anastasio, “and the problem is intimately linked with isolation – whether that’s isolation due to the pandemic or for any other reason. The Beacon Jams helped us find a way to connect people and get this project off the ground. To be able to do that together during this difficult year touches my heart.”
Performed without a live audience, The Beacon Jams saw Anastasio reimagining music from across his three-decade career including new, never-performed songs, Trey Anastasio Band favorites and unexpected versions of classic Phish songs. The Beacon Jams also served as a virtual gathering for fans everywhere, allowing a rare opportunity for personal interaction between Anastasio and his fans. Over the course of eight Fridays, he showcased his compassion, humor, and natural positivity, engaging with fans via Twitch as well as with his fellow musicians on stage.
The virtual run proved another example of Anastasio’s affirmed commitment to bringing the Phish fan community together during these extraordinary times, from his solo performances on Instagram in the early days of lockdown to Phish’s ongoing Dinner and a Movie live archival video series. That series has raised over $750,000 for Phish’s Waterwheel Foundation, which was distributed to more than two-dozen organizations working on issues such as hunger, health, the environment, and social justice.
Vermont currently ranks 11th in the nation for overdose rates but only has four state-certified residential treatment facilities for substance use disorder. The proposed Ludlow center would help bridge the gap between need and existing services.
The center’s goal: to be a local asset not only for treatment, but for giving back to the community. The non-profit center plans to serve people from all income levels.
Care services being planned include multiple pathways to entering and maintaining recovery, with plans and programs tailored to individual guests’ needs. In addition, the center plans to offer job training and workforce reintegration. Education opportunities are planned to prepare guests who need them with certification in skills and trades.
Anastasio, himself 14 years sober, launched the Divided Sky Foundation to deliver help to those affected by substance use. Vermont, his adopted home state, is a natural place to begin this chapter of his own giving back.
“Like so many people in America and so many in Vermont, I became addicted to opiates,” Anastasio said. “I was extremely lucky to have access to care, and I know how important it is to be part of a recovery community. I’m grateful that we can help provide that opportunity for others.”
“None of this would be possible without the hard work and generosity of so many people,” Anastasio said. “I want to personally thank Madison Square Garden Entertainment for hosting the shows at the Beacon Theatre, and Twitch for sending The Beacon Jams out across the world. I also want to personally thank all the people who supported the Divided Sky Foundation so generously, and the fans who contributed everything from donations to well wishes. It means so much to me, and it’s going to mean so much to the families that will benefit from this treatment center.”
If you or someone you know needs help for a substance use disorder, contact SAMHSA.gov or call 800-662-HELP (4357) to find a treatment center near you.
Please visit Trey.com/donate to support the Divided Sky Foundation.
Leon III, the Texas-based genre-exploratory outfit led by Andy Stepanian (vocal, guitar, keyboard, piano, omnichord) and Mason Brent (guitar, bass, vocal, banjo) who were both members of Wrinkle Neck Mules, a long running Virginia based band with a significant cult following, and founders of the popular Austin apparel brand Howler Brothers are thrilled to release their highly anticipated sophomore album, Antlers in Velvet.
In celebration of the release, the band will host a release day livestream party on March 5 via their YouTube channel at 9pm ET. Andy cordially invited fans to join the party via the group’s Instagram page saying: “Get your brain right and come along on this 43:05 sonic and auditory journey. We will be there reading and, perhaps, responding to your comments (and deleting the negative ones). Even Mason will come out of his analog slumber to enter the digital fiesta. Be there."
With some tracks lasting nearly ten-minutes, this record begs the listener to dive in headfirst and commit to an ultimate and holistic listening experience. The new album showcases the extreme depth and the genius musicianship that this project holds. MxDwn calls the album an “expansive, genre-bending new sound.”
Leon III, sounds like a relic from another age. In a time when so much of today’s music seems as disposable and temporal as a tweet, Leon III is standing athwart the tide; and here, the band conjures the spirit and ambition of Pink Floyd and Grateful Dead. Make no mistake, this is an album with the potential for a serious shelf life.
Glide Magazine expanded on these ideas recently saying: “Traversing an expansive sonic landscape, the band skillfully layers twangy 70s rock guitars, psychedelic solos, and suspense-building drum fills to create a sound that feels rooted in the arena-filling rock of Pink Floyd as well as jammy spaceouts of My Morning Jacket. We also hear a touch of fellow Austinite Israel Nash’s desert folklore. All of this combines to make for a track that feels like a compelling musical journey with peaks and valleys that comes to an enlightening conclusion. In listening to the track, you get the sense that Leon III is more focused on a big and cohesive album-oriented rock sound than they are on cranking out Spotify one-hitters. You can tell that these guys are having fun in the studio, experimenting with different sounds and building their songs piece by piece.”
Multi-platinum band Barenaked Ladies announce an epic weekend concert streaming event, Flip n’ Hits with BNL: A Night of Monster Jams of Pandemic Proportions, to take place on Saturday, April 17 at 9pm EDT / 6pm PDT with a very special encore performance on Sunday, April 18 at 8pm GMT. The show will be a 60 minutes long and have its own high-powered energy and fun, and will be available for fans to attend from any region, across the globe.
Vocalist/guitarist Ed Robertson shares, “We had such a blast playing together again when we made the Holiday Special, and we’ve been trying to find more ways to connect with fans. The Selfie Cam Jams are fun, but we’re really jonesing to play an actual concert!”
For this event, Barenaked Ladies are returning to the historic Danforth Music Hall in Toronto for the first time in 30 years. Robertson adds, “We chose a very special venue in the history of BNL. The Danforth Music Hall was where we played one of our first REALLY big shows in our hometown over 30 years ago. It’s going to be cool to return and share the experience with fans all over the world. Does anybody remember laughter??!”
Flip n’ Hits with BNL will take place at posted show times and will not be available to view after the event. There is no rewind! Hosted by SESSIONS, tickets start at $15 USD and ticket bundles with exclusive commemorative merchandise are available to purchase HERE. As part of the bundle options, the band will be participating in a post-show virtual Q&A on Saturday and Sunday. Q&A quantities will be extremely limited.
This unique concert experience will feature some of the band’s biggest smash hits and a lot of fan-favorites from their extensive catalogue. Barenaked Ladies are “flipping” out waiting for the return of live shows, so the time is now to bust out their own show of “pandemic proportions.” Get ready for a concert jam-packed with the songs music lovers all know and sing along to. Try to get all the words right this time to “One Week,” or change it to Jimmy Fallon’s version about Biden from The Tonight Show. Reminisce with “Pinch Me.” Dream big with “If I Had $1,000,000.” Get cozy with the TV for the catchy and unforgettable “Big Bang Theory Theme,” and so many other musical treasures.
Barenaked Ladies have continued to find new ways to engage with their fans during quarantine and keep spirits high. Over the last year, they’ve entertained fans with their #SelfieCamJams, performing together but remotely from their homes and raising money for various charities with each video. In December, Barenaked Ladies hosted a variety show streaming event BARENAKED LADIES PRESENTS: A Very Virtual Christmas. The night featured a slew of songs from the popular Barenaked For The Holidays album as well as a surprise guest appearance from Sarah McLachlan. Recently in February, the band participated in TikTok’s #CoversForLovers campaign, contributing their stellar version of Led Zeppelin’s hit “Whole Lotta Love,” adding their trademark Barenaked Ladies spin to the rock n roll classic.
“We’re delighted to continue this great partnership with BNL,” said Tim Westergren, Sessions co-founder. “They clearly understand the power of Sessions and are really leveraging it to grow and engage their fan base.”
BNL’s extensive Last Summer On Earth Tour, originally scheduled for 2020, is currently scheduled for June 2021. This includes a headline tour of North America with Gin Blossoms and Toad the Wet Sprocket to be followed by dates in the UK in the fall. This will be the 6th edition of their Last Summer On Earth tour, following 2019’s critically-acclaimed shows with Hootie & the Blowfish. Tickets purchased for 2020 remain valid for 2021. Click here for full tour routings.
In this week’s interview on Joe Bonamassa’s series Live From Nerdville, Joe speaks candidly with the one-and-only Todd Rundgren on the verge of his Clearly Human Virtual Tour that has been making major headlines!
In the hour long interview, Todd dives into everything from working with Janis Joplin, who apparently didn’t enjoy the traditional studio recording process and rather lived for the on-stage fan interaction, to his experience as the master producer who could turn “dumpster fires into hit records.” In his wild ride from singer-songwriter to producer, expanding his breadth of multi-instrumental skills along the way, Todd has worked with so many major artists and bands, helping them to bend their respective genres along the way and keep fans interested! In this episode he shares stories about Meat Loaf, Hall & Oates, New York Dolls, Van Morrison, Eric Clapton, Cream, Grand Funk Railroad – Todd has seen it all! He even gets into the history of the Blues, where he and Joe discuss the evolution through the different generations, from the legendary Robert Johnson to Muddy Waters, and beyond through today.
“You listen to Eric Clapton with The Bluesbreakers and your balls drop!” – TODD RUNDGREN
“I never met someone who was so not into the process of making a record, getting ready to make a record or the actual recording itself!” TODD RUNDGREN - Referring to Janis Joplin
Todd goes on to discuss that at an early age, with his guitar, “I started learning every George Harrison guitar solo! Continuing on, they discuss things like Todd growing up in Philly, and about how James Cotton is one of the first guys who gave him a break with producing his 1970 album for Capitol Records. During this time, Todd spent a lot of time at New York’s “Café A Go Go” where he saw all of the Blues greats of the time from Paul Butterfield to Cream which he claims that he sat six feet away from Eric Clapton’s amp and how every night, he would go home with his ears ringing!
“I was such a rat around [Café A Go Go] that I got to hang out after hours when Eric Clapton showed up and did a jam session for the people hanging around along with Clapton was Howling Wolf, and Muddy Waters. Wow! Here I am, a scrawny 19-year-old white kid watching history that nobody else would ever hear!” – TR
Rundgren on James Cotton – “He was the sweetest guy in the world! He was wonderful to work with but more in an outsider kind of way, if he learned a song in a certain way, he was never going to unlearn it. So, we let him play it the way it was and then just slowed down the Bariac recorder to keep the song in tune when he played it!”
The chat moves on to Grand Funk Railroad and comparing them to Cream, then talking about Criteria Studios, Badfinger, Bearsville Studio Sessions and the production of Meat Loaf’s “Bat Out of Hell” as well as John Stork and his amazing studio designs. Rundgren also get into his new virtual tour coming up and how he’s embracing the digital age, interactive albums and livestreams as a means to connect with the fans.
Goose has announced the release of their eagerly awaited new album. SHENANIGANS NITE CLUB arrives on Friday, June 4; pre-orders are available now.
The Norwalk, CT-based band’s second studio LP and first full-length collection in more than five years, SHENANIGANS NITE CLUB is heralded by the mesmerizing new single, “Spirit of the Dark Horse,” available now at all DSPs and streaming services. Generally recognized as the first Goose song ever written, “Spirit of the Dark Horse” has garnered legendary status within the band’s faithful fan community. Despite this, the boldly ambitious track – which originated after a “twelve-minute meditation” between co-founders Rick Mitarotonda (vocals, guitar) and Trevor Weekz (bass) – has long been a setlist rarity, featured in only a handful of live performances during the band’s early years.
SHENANIGANS NITE CLUB follows the recent release of Goose’s remarkable cover of Vampire Weekend’s “2021 (January 5th, to be exact),” featured on Vampire Weekend’s new 40:42 EP and available now at all DSPs and streaming services. Personally commissioned by Vampire Weekend’s Ezra Koenig – a longtime Goose fan – with the only directive to make it twenty minutes and twenty-one seconds long, the expansive track is accompanied by a full-length performance video, streaming now via YouTube.
WATCH VAMPIRE WEEKEND PRESENTS “2021 (JANUARY 5TH, TO BE EXACT)”
Hailed by Billboard for their “penchant for innovation and creativity during the pandemic,” Goose will celebrate SHENANIGANS NITE CLUB with a series of socially distant live dates beginning May 3 and 4 at Frederick, MD’s Showtime At The Drive-In and then hitting North Charleston, SC’s Riverfront Park (May 6) and Pelham, TN’s The Caverns Above Ground Amphitheater (May 8 and 9). All dates are completely sold out; additional shows will be announced soon. For updates and complete details, please visit goosetheband.com/tour.
GOOSE TOUR 2021
MAY
3 – Frederick, MD – Showtime At The Drive-In – SOLD OUT
4 – Frederick, MD – Showtime At The Drive-In – SOLD OUT
6 – North Charleston, SC – Riverfront Park – SOLD OUT
8 – Pelham, TN – The Caverns Above Ground Amphitheater – SOLD OUT
9 – Pelham, TN – The Caverns Above Ground Amphitheater – SOLD OUT
# # #
An ode to oft-forgotten vestiges of Goose’s musical journey, both personal and collective, SHENANIGANS NITE CLUB marks the apex of a rich history between friends of differing ages and experiences from the same small town in Connecticut, drawn together through a deep love of music and storytelling. Songs like the tectonic “Labyrinth” and the ruminative deep-dive, “SOS,” fluidly traverse genres with head-spinning hooks, technical fireworks, and the kind of rare chemistry only possible among truly close collaborators.
“While we’ve been touring, the record has been happening in the background,” says Rick Mitarotonda. “It’s been quite the process. At times, it was difficult. The record is a companion to those growing pains.”
Goose made their remarkable debut with 2016’s Moon Cabin and quickly took flight, playing countless shows while steadily amassing a fervent nationwide following. Years of relentless touring culminated in a string of milestone festival performances during the summer of 2019, highlighted by a now-legendary performance at Scranton, PA’s annual Peach Fest (streaming in its entirety HERE). Further touring followed, including a completely sold out fall headline run and hastily scheduled dates at NYC’s Bowery Ballroom and Music Hall of Williamsburg in January 2020, both of which proved instant sell outs.
2019 and 2020 also saw Goose return to the studio for a series of extraordinary single releases, collected on last year’s NIGHT LIGHTS EP (available HERE). The tracks – mastered by the first-ever female GRAMMY® Award winner for “Best Engineered Album, Non-Classical,” Emily Lazar (Sia, Clairo, Haim) – exhibit a fully unified live outfit eager to showcase and develop their studio voice.
Due in part to their trademark inclination for improvisation, Goose was able to creatively navigate the myriad challenges presented by the COVID-19 pandemic. A succession of intimate virtual performances culminated with the unprecedented “Bingo Tour,” a two-week live streaming event featuring four unique concerts with setlists determined by the outcome of a live Bingo game. Held at a bucolic private property in Fairfield County, CT, the interactive performances were captured for posterity in the full-length concert film, Bingo Tour, joined by an exclusive 55-minute behind-the-scenes documentary and available to rent or download HERE.
Fall 2020 saw a welcome return to live performance with a slew of sold-out drive-in shows across the Northeast, Midwest, and Mid-Atlantic regions. Propelled by seemingly unstoppable momentum, Goose wrapped up the year with their seventh annual Goosemas holiday benefit concert, streamed live from a rooftop in New York City’s Rockefeller Center to over 50K fans exclusively via Twitch’s new Relix Channel. The epic 3-hour performance – which raised over $45,000 for NIVA’s Save Our Stages and Conscious Alliance – can be viewed now at the official Goose YouTube channel HERE; a full-length audio recording is available via Bandcamp HERE.
“Our dream is to inspire people to step off the beaten path,” says Mitarotonda. “There are a lot of voices that tell you to play it safe. I think the coolest thing in the world is when someone breaks free and goes for whatever weird shit they dream of doing.”
Goose is Rick Mitarotonda (vocals, guitar), Peter Anspach (vocals, keys, guitar), Trevor Weekz (bass), Ben Atkind (drums), and Jeff Arevalo (vocals, percussion, drums).
Spafford is thrilled to announce their first shows of 2021. The band will make their return to the Marquee Theatre Backyard in Tempe, AZ, for two special performances on April 20 and 21.
The performances will be outdoors and socially distanced with pod seating. Spafford were one of the first in the US to host a drive-in concert, almost one year ago to the day where their performance turned heads of several outlets including Billboard, Good Morning America, PBS News Hour, Rolling Stone, and USA Today who calls the band “electro-funk sensations.”
Spafford is known for their astonishing improvisational ability and off-the-cuff extended jams, Spafford paints a picture in real-time each night with a musical palette known only to each other. It’s a private language comprised of both their talent as musicians as well as their formidable catalog of influences, spanning 90’s alt-rock radio hits to Steely Dan and The Crystal Method. Each and every Spafford show is a sonic pilgrimage, the journey of a team of musicians so in tune with each other that a single note communicates intent and purpose. Spafford is amongst the most creative and hard-traveling bands on the contemporary jam scene, performing countless sold-out headline dates along with high profile festival sets at Bonnaroo Music & Arts Festival, Firefly Music Festival, and many others.
In the fall of 2020, with live concerts and gatherings on hold, Andy Frasco, Kitchen Dwellers, Mihali (Twiddle), and Shawn Eckels (Andy Frasco & The UN) embarked on an extraordinary road trip to the Southeastern U.S. where the group would play a series of concerts that would become known as the "Isolation: Concerts For No One."
The trip saw the musicians play multiple sets and collaborate in scenic locations while traveling between wilderness areas in Arizona, Utah, and Colorado. In conjunction with Distrokid, Fans.Live will broadcast 4 episodes filmed across the week-long caravan featuring sets from each act, never-before-seen collaborations, and behind-the-scenes footage from the series of concerts played for without an audience in some of the country's most beautiful and remote locations.
New episodes will air every Tuesday night beginning March 30 at 9 PM ET. Fans can purchase each episode for $10, or the full season for $30. Episodes will remain on demand through Sunday, May 25.
On April 10th, Backline will host “Set Break,” their first-ever livestream fundraiser on The Relix Channel, exclusively on Twitch—featuring live performances from all over the world, public service announcements from music industry professionals, and immersive wellness experiences.
During the event, the music industry will come together to honor the experiences of community members, break the stigma around mental health in the community, and raise money to expand Backline’s programs and services in a time when they are critical for so many.
The genre-spanning lineup includes Alanis Morissette, Leon Bridges, Dawes, Black Pumas, Sara Bareilles, Bob Weir & Wolf Bros, Ben Folds, Oteil Burbridge, Los Lobos, Michael Franti, K. Flay, Galactic, American Authors, Larkin Poe, Deer Tick, DJ Millie, and a chorus of voices calling out for increased access to mental health and wellness support services for the music industry.
“It’s truly awesome to see artists from all corners of the musical landscape come together to speak to such an important cause for our community,” says Paradigm Agent and Backline’s Chairman of the Board, Joshua Knight.
To further represent the diverse experiences of the music industry, “Set Break" will feature conversations with the Black Mental Health Alliance, and will debut the findings from the largest study on tour professionals conducted by the Tour Health Research Initiative (THRIV).
In addition to conversations about mental health, “Set Break” will include immersive wellness experiences from Wanderlust, Breathwrk, The Big Quiet, and Meditation Studio by Muse to present an opportunity for collective healing for all those affected by the closures of the live events industry.
“Set Break will demonstrate the music industry’s resilience, more than a year after the pandemic devastated our livelihoods,” explains Backline’s Executive Director Hilary Gleason. “Backline has provided a safe place to land for industry workers during this time, and the event will bring together fans, artists, and organizations who all believe in the cause and want to create a safer and more supported environment for music to thrive."
Set Break is a free event, but there will be many opportunities to donate and support the mental health of the music industry. In addition to benefiting Backline, a portion of the proceeds will benefit Crew Nation, Live Nation's global relief fund for live music crews, and Sweet Relief's Mental Health Fund, which provides financial assistance to music industry workers seeking therapy and other forms of mental health care, who may otherwise be struggling to make ends meet. Fans can even turn their physical activity into charitable donations by signing up for wellness app Sweatcoin anytime before the event.
Backline is a national 501(c)(3) nonprofit organization that connects music industry professionals and their families with mental health and wellness resources—streamlining access to a network of trusted organizations and care providers that truly understand this line of work.
Life in this industry can be incredibly isolating and difficult; Backline provides a safe, private, and immediate place to go for help. Available for free to artists, managers, agents, crew, producers, labels, and their families, Backline programs offer case management, support groups, and wellness programs to meet the needs of this unique community.
Amigo The Devil (aka Danny Kiranos) has released the new track “Murder At The Bingo Hall” from his upcoming sophomore album Born Against. The new album is set for an April 16th release via Liars Club/Regime Music Group.
“Murder At The Bingo Hall” is a tongue-in-cheek, first person account of a fiercely competitive, and somewhat paranoid, gamer who takes his bingo a little too seriously. While the title of the track may imply a possible homicide, the figurative murder signifies the protagonist’s triumph over his opponents with his weapons of choice, the dabber and the bingo card. The intensity of the rhythm builds as he inches closer to victory one square at a time, until he jumps up and screams, “someone should call the cops! I’m killing it”. Just when he begins to feel comfortable, the momentum starts to plateau as he sings, “Then the room got quiet... My breath was still... It gave me the feeling in my chest, that tightness, that only losing everything will. The game begins now”. Listen Here.
Amigo the Devil has built a reputation as a storyteller with a knack for the macabre. His songs can range from tender to dark, heartbreaking to humorous, thought-provoking to whimsical, sometimes all in the same song. On Born Against, he incorporates expansive arrangements and emotive vocals with romantic and, at times, peculiar narratives that reach beyond genre boundaries and connect deeply with his fervent and rapidly growing cult following.
Born Against is the follow up to Amigo The Devil’s acclaimed 2018 debut Everything Is Fine, which introduced an unflinching raconteur with a distinctive artistic vision. The album garnered positive press reaction ranging from Consequence of Sound to Rolling Stone Country to Kerrang. His home city of Austin, TX declared November 16th, 2018 “Amigo The Devil Day”.
Kitchen Dwellers have announced a livestream and virtual auction titled “Love for Boulder” that will air Saturday, March 27 via theRelix Twitch Channel. The stream is free, and donations will be directed to The Colorado Healing Fund in support of the victims, families, and community affected by the Boulder Supermarket tragedy.
Along with Kitchen Dwellers, special guests including Andy Thorn, Dave Burzza, Ross James, and Vince, Colin & Silas Herman will make appearances during the stream.
To raise additional funds Positive Legacy has organized an online auction including signed merchandise, concert & festival tickets, VIP experiences, and gift cards from Widespread Panic, The String Cheese Incident, Greensky Bluegrass, Billy Strings, Yonder Mountain String Band, Oteil Burbridge, Goose, WinterWonderGrass Festival, Electric Forest, Jay Blakesburg, and more.
“This all started as a series of jam sessions in the kitchen,” says Joe Funk, bassist for the breakout progressive bluegrass band Kitchen Dwellers. “We were getting together to play covers and traditional music and old-time tunes for fun after school, and everything else just evolved from there.”
For Kitchen Dwellers, "everything else,” as Funk so modestly puts it, has been nothing short of remarkable. In the near-decade they’ve been together, the Montana-based four-piece has performed for thousands at Red Rocks, shared bills with the likes of Railroad Earth, The Infamous Stringdusters, and Twiddle, graced festival stages from Northwest String Summit to WinterWonderGrass, and transcended traditional genre boundaries, blending virtuosic bluegrass wizardry with ecstatic rock and roll energy and adventurous psychedelia.
About Positive Legacy:
Positive Legacy integrates music and service to benefit people and the environment. We coordinate environmental and humanitarian service projects fueled by the power of music. We transcend cultural boundaries by attending to the needs and aspirations of the communities where music happens. We create sustainable support through action from musicians and fans.
Dark Horse Records celebrates today’s release of ASSEMBLY, the newly remastered collection of solo cuts from Joe Strummer, the former frontman of The Clash, with the world premiere of a video for “I Fought The Law.” The song was famously covered by Joe’s former band, The Clash, and this newly unearthed version was recorded live in London by Joe and his band The Mescaleros, WATCH HERE.
“I Fought The Law,” along with the other live track, The Clash favorite, “Rudie Can’t Fail,” were thought to be lost, but were discovered and mixed and mastered by three-time GRAMMY® Award-winning engineer Paul Hicks (The Beatles / John Lennon / The Rolling Stones / David Bowie) especially for the release of ASSEMBLY. The accompanying video for the track was created by Spencer Ramsey.
ASSEMBLY is available now on Limited Edition 2xLP Red vinyl, gatefold 2xLP 180g black vinyl, CD, and digitally for streaming and download HERE.
Joe Bonamassa is known for “always being on the road.” This time he’s bringing the concert into the homes of fans around the world in an epic pay-per-view performance from the live music capital of the world – Austin, Texas. This Thursday, on April 1st at 9PM ET, he’ll perform a specially curated set from Austin City Limits Live, alongside Late Night with David Letterman’s Anton Fig on drums and legendary bass player Steve Mackey, as a rare 3-piece Blues Rock power trio! This virtual event will bring fans together around the world as Bonamassa broadcasts to their living room in an unforgettable night of guitar wizardry!
Austin is one of the first spots Joe originally performed as a three-piece, years ago at legendary Antone’s, and is the city that saw the rise of guitar visionary Stevie Ray Vaughan. Austin City Limits Live, known as “music’s best address,” is a national landmark and was awarded “Best New Major Concert Venue” by Pollstar when it opened. It has been home to some incredible artists over the years such as B.B. King, Willie Nelson, Santana, Paul McCartney, Peter Frampton, and Bonamassa himself as well as many others. ACL Live is a world-class stage to perform at and no doubt, Bonamassa will bring his incredible power to the stage, making his own mark on its history.
This event especially goes out to the fans, who via social media, have made their stamp on the evening, selecting their favorite Bonamassa tunes from his unparalleled, extensive catalogue of 24 #1 studio albums and countless productions, to create a very special set list.
Livestream tickets and packages are available to purchase at www.jbonamassa.com/streaming/acl. For all ticket purchases, the show will be available to watch on demand for one month.
There are a variety of pricing levels available for fans worldwide to be a part of this special “audience.” Tickets to the livestream event starts at $30. Fans may also purchase a $44.99 package that includes a limited-edition commemorative t-shirt, or upgrade to the Deluxe package for $64.99 which also features the Ultimate Video Collection, a 1-year all pass for Bonamassa’s on-demand service which includes 17+ concert releases from Joe Bonamassa, Black Country Communion, and Rock Candy Funk Party – available at any time on most devices.
As part of this unique concert event, fans also have the option to purchase a Commemorative VIP ticket giving them an experience they will never forget. VIP ticket holders will have their photo and name featured in the livestream credits and DVD credits as a virtual audience member.
Joe Bonamassa is one of the most celebrated performing musicians of today. Hailed internationally as one of the greatest guitar players of his generation, Guitar World has honored him as “the world’s biggest blues guitarist.” The TWO TIME GRAMMY-nominated artist has almost single-handedly redefined the blues-rock genre and brought it into the mainstream. Joe recently received his 24th #1 album on the Billboard Blues Chart with the studio album Royal Tea, a nod to his British heroes, recorded at the legendary Abbey Road Studios.
Amidst the pandemic, Joe performed the “Royal Tea” album in entirety before its release last September at the iconic Ryman Auditorium in Nashville with over 17,000 virtual tickets sold, reaching 44 different countries. The event also raised over $32,000 for Bonamassa’s Fueling Musicians program, presented by his non-profit Keeping the Blues Alive Foundation (KTBA). Now Joe is ready to hit the stage again for an even more exciting, fan-curated experience at Austin City Limits Live. Each ticket purchase for the livestream will include a $1 donation to ‘Fueling Musicians.'
Bonamassa has been working hard to raise money for musicians affected by the COVID-19 crisis. The Fueling Musicians program is an emergency relief fund designed to support musicians by providing immediate cash payments for essential living expenses of $1,500 to help them stay afloat and get back on the road again when it is safe. To date, they’ve raised over $380,000 and distributed the money to over 230 artists. For those interested in donating, visit here: https://keepingthebluesalive.org/fueling-musicians.
To keep up with everything Bonamassa, visitjbonamassa.com, and be sure to stay connected on social media.
Today, Backline and the Black Mental Health Alliance announced a new partnership that will expand the organizations’ educational tools and mental health resources to vulnerable communities within the music industry. The organizations will develop custom educational curriculums and workshops to match the growing demand of music industry professionals in need of assistance. Resources and tools to be made available include PSAs, video livestream content, social media platforms campaigns, website tools and services and more.
Each non-profit organization is uniquely suited to do this work, having focused specifically on individuals who are living with depression, anxiety and other mental health concerns in the music industry, and in Black communities, respectively, in their mission(s). Since 1984, Black Mental Health Alliance has provided trusted resources, programs and services for Black people and vulnerable communities. Backline provides mental health and wellness programs unique to the music industry, including artists, managers, promoters, agents, labels, crew, and their family members.
The organizations detail a comprehensive strategy to educate, inform, and provide access to customized mental health resources, particularly for Black, Indigenous, and People of Color (BIPOC) in 2021. One critical piece will be to train the more than 150 mental health providers that make up Backline’s clinical referral network. Trainings will cover topics such as the history of systemic racism and racial microaggressions within the music industry, barriers to accessing mental health care within BIPOC communities, and how these challenges can present in the form of mental strife, psychological fatigue and emotional exhaustion.
Additionally, Backline and Black Mental Health Alliance will offer non-clinical trainings to other organizations serving the music population, including corporations and individuals within the music industry, with the goal of generating awareness about the specific mental health challenges that exist within the music business, which will lead to acknowledgment, understanding, respect and enduring action.
In order to address precisely how issues of race and racism have affected the mental health of the music community, Backline and BMHA have developed a survey to be distributed throughout the industry. The results of this survey will be used to better offer support, resources, services, referrals, workshops and trainings to those in need. [LINK TO SURVEY]
These training programs are the first step in ensuring that Backline’s services are appropriate for every community that is represented in the music industry, and overtly available to all. Diversity is a core tenant of Backline; the organization recognizes that mental health impacts everyone, but especially those who have faced the reality of systemic racism, prejudice, cultural invalidation, and who have been marginalized by societal norms.
Backline’s commitment to the Black community is the first step in making progressive action towards those who have been disproportionately left behind, disparaged, and stigmatized when it comes to mental health awareness and aid. Backline will also work this year to extend their outreach to music industry professionals from other marginalized groups and individuals, including those of Latinx, Asian, LGBTQ+, Indigenous, and the disabled community.
*** Bonnaroo organizers cancel this year's festival, citing flooding from heavy rains***
The Bonnaroo Music & Arts Festival announces the lineup for the internationally acclaimed camping festival’s upcoming 20th-anniversary edition. Set to take place September 2–5, 2021 on the Bonnaroo Farm, located just 60 miles southeast of Nashville in Manchester, TN. Bonnaroo will once again present an extraordinarily diverse bill featuring a remarkable selection of top artists performing around the clock across more than 10 unique stages over the four-day festival.
Hailed by the New York Times as the summer event that “revolutionized the modern rock festival,” Bonnaroo has drawn high-profile media attention and critical acclaim for two groundbreaking decades.
The complete Bonnaroo 2021 lineup is below.
Tickets for Bonnaroo will go on sale today, March 31 at 1 PM ET/12 PM CT, via www.bonnaroo.com/tickets. Options include General Admission (4-Day), GA+ (4-Day), VIP (4-Day), Platinum (4-Day), General Admission Camping & Parking, VIP Camping, Platinum Camping, and more. Once again, Bonnaroo is presenting an array of affordable options, with tickets starting at $35 down and accommodations available for as low as $99 per night. Car Camping Passes are priced at only $60 (plus fees) per car, not per person, allowing fans to both save money and reduce their carbon footprint by carpooling.
To celebrate the return of Bonnaroo and to commemorate the festival’s 20th Anniversary, Bonnaroo has created a one-of-a-kind NFT collection including a 1 of 1 special edition of the 2021 Lineup Poster. This is the first time a music festival has produced an NFT collection and Bonnaroo is so excited to partner with digital artist Archan Nair and premier NFT marketplace, Makers Place. These digital works of art will be available exclusively on Makers Place on Saturday, April 3rd at 5:30pm CT! Bid on both still & animated versions of the 2021 Lineup Poster, as well as a special edition animated artwork dedicated to Roofus. For complete details, please visit Makers Place.
Throughout its 20-year history, Bonnaroo has evolved and innovated to make each and every event more enjoyable, with the safety of its fans, artists, and staff a top priority. Bonnaroo organizers as always will be in regular communication with local health and public safety officials and will continue to abide by relevant recommendations. As it approaches, Bonnaroovians will receive regular updates with the important information needed to plan their trip to The Farm, including any changes to policies and procedures they’ll need to know before entering the festival and campgrounds. Updates will be shared at www.bonnaroo.com, through Bonnaroo’s social media channels, and via the Bonnaroo email list (sign up HERE).
“It’s exciting to see Tennessee stages come back to life in time to celebrate the 20th anniversary of this internationally acclaimed festival,” said Gov. Bill Lee. “Fans are ready to gather together and celebrate their shared love of music once again. We welcome them back for a full Bonnaroo and what is sure to be a truly unforgettable event!”
THE COMPLETE BONNAROO 2021 LINEUP IS BELOW:
THURSDAY, SEPTEMBER 2
Grand Ole Opry Featuring Special Guests
99 Neighbors
Andy Frasco
BIG Something
Briston Maroney
Dabin
Devon Gilfillian
The Funk Hunters
HE$H
Joy Oladokun
Larkin Poe
Liz Cooper & The Stampede
MIZE
Nubya Garcia
Scarypoolparty
Spock
Sweet Crude
Taska Black
Too Many Zooz
ZiA
FRIDAY, SEPTEMBER 3
Foo Fighters
Megan Thee Stallion
Run The Jewels
Janelle Monáe
Glass Animals
Deftones
Young Thug
Tipper
Jack Harlow
Grace Potter
Primus
Nelly
The Disco Biscuits
Dashboard Confessional
Big Wild
TroyBoi
Marcus King Band
Lennon Stella
Orville Peck
Kim Petras
Turkuaz w/Jerry Harrison and Adrian Belew: Remain In Light
SVDDEN DEATH
Omar Apollo
Lucii
Waxahatchee
The Weather Station
Resistance Revival Chorus
LP Giobbi
ATLiens
Mija
Detox Unit
Rome In Silver
Jac Ross
Mdou Moctar
Tripp St.
NotLö
SATURDAY, SEPTEMBER 4
Lizzo
Tame Impala
My Morning Jacket
G-Eazy
Jason Isbell & The 400 Unit
Phoebe Bridgers
Incubus
Seven Lions
King Gizzard And The Lizard Wizard
Superjam: Sylvan Esso Presents "WITH"
Kevin Gates
Marc Rebillet
Goose
Subtronics
Surfaces
JID
Jon Batiste
The Band Camino
Ashnikko
Yaeji
Ekali
Tate McRae
Pinegrove
Uncle Acid & The Deadbeats
Remi Wolf
Wooli
Dr. Fresch
William Black
Christone “Kingfish” Ingram
Flamingosis
Hero The Band
Level Up
DJ Mel
Almost Monday
Lick
SUNDAY, SEPTEMBER 5
Tyler, The Creator
Lana Del Rey
Lil Baby
deadmau5
Leon Bridges
Young the Giant
Brittany Howard
Flogging Molly
Boombox Cartel
Greensky Bluegrass
The Struts
CAAMP
Oliver Tree
PEEKABOO
Julien Baker
LSDREAM
Colony House
Flo Milli
Breland
Niko Moon
Jamila Woods
Bill Frisell: Harmony featuring Petra Haden, Hank Roberts & Luke Bergman
Osiris Media announces the release of the season finale of Salute the Songbird, a podcast hosted by rock and soul singer Maggie Rose. In this final episode of Season One, musician, songwriter and author Kathy Valentine joins Maggie to talk about growing up in Austin as the only child of a single mom, becoming the bassist for The Go-Go’s and the process of writing her memoir, All I Ever Wanted. Valentine shares some of her earliest musical influences and memories, what it was like to be a female in the rock industry in the 80s, and the creative projects that she's working on now.
Valentine has been a working musician and songwriter for over 40 years, ever since she started her first band at age 16 in her hometown of Austin, Texas. After moving to Los Angeles, Valentine joined a band that would go on to make music history: The Go-Go’s. In this group, Valentine wrote or co-wrote some of the band's most renowned tunes, including the hits “Vacation” and “Head Over Heels.” She returned to Austin in 2006 and began finding new creative pursuits and career opportunities as a public speaker, spokesperson, producer, actor and author.
Salute the Songbird features candid conversations with Rose’s female musical heroes about their lives in and out of music, challenging the status quo, and with a desire to offer guidance for young artists starting their careers. The podcast will feature guests such as Grammy nominee Mickey Guyton, singer-songwriter Nicki Bluhm, Heart’s Nancy Wilson, Martina McBride, Chrissy Metz from This Is Us and other female musicians, songwriters, producers, and industry mavens who detail their triumphs, struggles and how they continue to succeed as women in the music industry.
Phish keyboardist Page McConnell announces the release of his new solo album, MAYBE WE’RE THE VISITORS, arriving digitally via Keyed Records this Friday, April 9. MAYBE WE’RE THE VISITORS was written and recorded in Reykjavik, Iceland and in Burlington, VT. The release is preceded by today’s premiere of the album’s first song, “Radio Silence,” which David Fricke called in his album notes “an overture of slowly dawning arpeggios that dot the void like hopeful transmissions.” An accompanying visualizer for the song is streaming now.
The paragraphs below are more excerpts from Fricke’s album notes:
In January 2020, shortly before the coronavirus shut down modern life, including travel, McConnell took a road trip that had nothing to do with his normal touring itinerary as the keyboard player in Phish: a holiday in Iceland. Inevitably, music got made there. But it was unlike anything McConnell had recorded before as a solo artist, for side projects or within the collaborative energies of Phish: fully electronic pieces created on location, in response to the epic landscapes, dramatic weather, and geologic fury that he experienced in Iceland. He also came back energized and determined to keep going amid, indeed despite, lockdown.
MAYBE WE’RE THE VISITORS is the result: an imaginary voyage charged with eyewitness awe and intense, solitary reflection; expressed without lyrics, vocals or any sign of piano, organ or clavinet, McConnell's signature armory with Phish. The album is his third solo outing – following 2007's song-based Page McConnell and a 2013 instrumental release, Unsung Cities and Movies Never Made – and a genuine breakthrough: the first McConnell has conceived and performed entirely with synthesizers. Maybe We're the Visitors is also the most personal record he has ever made because it is an album that has been on his mind for a long time.
The narrative flow of MAYBE WE’RE THE VISITORS – exploration, colony and, finally warning; that, as Icelanders already know, we are only stewards here and nature always has the last word – did not present itself "until I was close to the end," McConnell confesses. "But I always knew there was something alien about these pieces…”
On April 10th, Backline will host “Set Break”, their first-ever livestream fundraiser on The Relix Channel, exclusively on Twitch—featuring live performances from all over the world, public service announcements from music industry professionals, and immersive wellness experiences.
Following their initial announcement, the non-profit organization, which connects music industry professionals with mental health and wellness resources, has added musical performances from Old Dominion, Wyclef Jean & Jerry Wonda (The Fugees), Bailey Bryan, Fruition’s Mimi Naja, Phoffman of Greensky Bluegrass, Souleye, and a DJ set from Vacationer's Kenny Vasoli. Additionally, there will be special appearances from Rage Against The Machine frontman Tom Morello, as well as Lily Cornell Silver, mental health advocate and daughter of Chris Cornell, Khruangbin frontwoman Laura Leezy, famed photographer Danny Clinch, and YOLA.
This new wave of talent joins a genre-spanning lineup that includes Alanis Morissette, Leon Bridges, Dawes, Black Pumas, Sara Bareilles, Bob Weir & Wolf Bros, Ben Folds, Oteil Burbridge, Los Lobos, Michael Franti, K. Flay, Galactic, American Authors, Larkin Poe, Deer Tick, DJ Millie, and a chorus of voices calling out for increased access to mental health and wellness support services for the music industry.
To further present an opportunity for collective healing for all those affected by the last year’s closures of the live events industry, “Set Break” will include immersive wellness experiences from Wanderlust, Breathwrk, The Big Quiet, and Meditation Studio by Muse.
“Set Break” will also feature experiences from Backline partners Black Mental Health Alliance, National Independent Venue Association, and Tour Health Research Initiative (THRIV), who will be debuting the findings from the largest study on tour professionals.
Set Break is a free event, but there will be many opportunities to donate and support the mental health of the music industry. In addition to benefiting Backline, a portion of the proceeds will benefit Crew Nation, Live Nation's global relief fund for live music crews, and Sweet Relief's Mental Health Fund, which provides financial assistance to music industry workers seeking therapy and other forms of mental health care, who may otherwise be struggling to make ends meet. Fans can even turn their physical activity into charitable donations by signing up for wellness app Sweatcoin anytime before the event.
Nashville-based rock and soul singer-songwriter Maggie Rose is unveiling a trilogy of music videos to be released accompanying her forthcoming album Have A Seat, due out on August 20 via Starstruck Records. The first clip is for the gospel-charged single, “What Are We Fighting For” which was produced by Jared Rauso/Bolo Brothers and directed by Ford Fairchild.
“‘What Are We Fighting For’ is one of three videos and it takes place after the epic fight at the table has occurred,” Rose tells CMT. “The story as a whole isn’t told in chronological order and I wanted to present the ending first to tell the viewer ‘it’s all going to be ok; we survived.’ But, we can still reflect and do better moving forward.”
Like any great soul singer, Rose beautifully captures the tensions of the current moment, gently presenting her pensive social commentary while providing a much-needed reprieve from the everyday chaos.
“These songs were written during a contentious time, and there are undertones to the lyrics that are influenced by the state of our world politics and the politics of the music industry,” she says. “The title Have a Seat is responsorial, placing an emphasis on inclusivity — like, ‘Here, sit down. Let’s try talking to each other.’ One of the most loving things we can do is listen and make others feel heard — give people the space to speak their mind and be themselves. However, there’s also an intended meaning to the title that points to the power in occupying the seat that’s designated to you: I am claiming a seat I believe is rightfully mine, and I want others to do the same.”
The album is Rose’s third full-length and was produced by Ben Tanner of Alabama Shakes at the iconic FAME Studios in Muscle Shoals, AL. In a series of pre-pandemic sessions, Rose recorded live with a lineup of heavy-hitters that includes bassist David Hood of the Swampers (the group of session musicians who played on records from legends like Aretha Franklin and Etta James) and guitarist Will McFarlane (Bonnie Raitt, Levon Helm), along with her longtime bandmates/collaborators Larry Florman (background vocals/percussion), Alex Haddad (guitars), and Sarah Tomek (drums) of Them Vibes, as well as guests such as Marcus King, among others.
Rose also recently announced two upcoming live music events in April. The first show will take place at Cervantes in Denver, Colorado on April 16. The special live performance event will include an early show at 6:45 pm MDT, a late show at 9:45 pm MDT and will be available to live stream via Mandolin. A portion of ticket proceeds benefiting Sweet Relief. Tickets can be purchased HERE.
On April 28, Rose will host her podcast Salute The Songbirds as a live concert event at City Winery in Nashville, TN. The event, presented by Osiris Media, will feature performances from Elizabeth Cook, Jillette Johnson, Kalie Shorr, Nicole Atkins and Nicki Bluhm. Fans can also tune in to live stream the show via Mandolin A portion of proceeds from the event will benefit Women in Music and can be purchased HERE.
Osiris Media is excited to release the latest episode of Alex Skolnick’s Moods & Modes featuring legendary guitarist Peter Frampton.
Frampton is among the most celebrated guitarists in rock history. His 1976 album, Frampton Comes Alive!, remains one of the top-selling live records of all time. In this episode, he joins Alex to talk about his exceptional career, from his early days with Humble Pie to his success as a solo artist and the making of his upcoming release, Frampton Forgets The Words. Peter tells Alex about growing up with David Bowie, his reluctance to be a lead vocalist, and the two geek out over Peter’s signature guitar gadget, the talk box.
Frampton has collaborated with such legends as George Harrison, David Bowie, Jerry Lee Lewis, Bill Wyman, and Ringo Starr, among many others. In 2007 he won the Grammy Award for Best Pop Instrumental Album for Fingerprints, and in 2014 he was inducted into the Musicians Hall of Fame. His memoir, Do You Feel Like I Do, was published in 2020.
Moods & Modes is, in Skolnick’s words, a “No Reservations for guitar.” Traveling from vintage guitar shops in Brooklyn to iconic recording studios and legendary music venues around the world, Skolnick explores the work of renowned musicians through commentary, conversation, and live performance.
Louisville's “Delightfully menacing” (Baeble Music) Chief Ghoul shares his new single "I'll Be There" today, as the latest taste of his forthcoming sixth album, These Lycanthropic Blues, due out June 4, 2021. Describing the new song, Lee Miles says, "'I’ll Be There” is a sort of love song. Imagery and vibes in my head are those of classic gothic literature like Annabel Lee by Edgar Allan Poe. Lyrically, I wanted to compare and contrast mundane issues with apocalyptic events."
The new album's first single, aptly named first single, "Let's Go," is now streaming everywhere and kicks off the journey of the upcoming LP. With its upbeat tempo and darkly poetic lyrics, it's clear that Miles is returning to the spirit that previously landed him on the cover of Performer Magazine, where he was quoted saying, "When you get discouraged, use it and don’t let it defeat you. Don’t let it overwhelm you to the point where you don’t do anything at all.” Pain is one hell of a motivator and Miles haunts with purpose and raw power, using elements of alt-country, folk, rock and blues to craft a sound that is "a truly special sound," according to Performer Magazine.
Music as therapy has always been an underlying theme of Miles' songwriting, and the autonomy of self-producing has made the sound of the record even more personal, vulnerable and true to his old-soul. Guitar-playing has been an impulse and necessity when times are tough, and it's obvious that his guitar playing up levels with every release -- hinting that life doesn't get easier, but the therapy is working. A gut instinct to connect to the deeper parts of his subconscious come through the strings and the wildness of the sound, and the new single is just a starting point for where the album is leading. A deeper, darker path lays ahead, but the catharsis builds along with the blackness. The intimacy of getting to know what plagues Miles deepens to the bond, and although he always says he makes this music for himself -- it's hard not to feel connected and relate.
With that raw energy, "Let's Go" opens the path forward and leads toward These Lycanthropic Blues' release and "I'll Be There" reminds us that sometimes everything isn't as extreme in reality as it feels in our hearts -- everything except love dies.
Guitar virtuoso Julian Lage shares "Boo's Blues," the second song from his soon-to-be-released Blue Note Records debut album, Squint, out June 11. The loping swing feel of "Boo’s Blues" exemplifies Lage’s ability to write with his bandmates in mind while echoing his influences.
“I like to imagine this music being played by the titans of bass and drums,” Lage says. “I'm imagining Billy Higgins, I'm imagining Art Taylor, I'm imagining Wilbur Ware, even though I’m writing explicitly for Dave and Jorge.”
Squint is a striking full-length that weds incisive, expressive songwriting with the profound interplay Lage has honed over the past few years with his deft trio featuring bassist Jorge Roeder and drummer Dave King (The Bad Plus). The album was heralded last month with the release of the album's lead single "Saint Rose." Squint is available now for pre-order on vinyl, CD, or download.
“I absolutely love improvised music, and I've always been fascinated by singer-songwriter music,” says Lage. “For me, the jazz that came out of Blue Note always engaged both sides of that. It had incredible improvisational vocabularies and performances, but when I think of albums from Grant Green’s Idle Moments to Joe Henderson’s Inner Urge to McCoy Tyner’s Time for Tyner with Bobby Hutcherson – all these records that I love so much also have such great songs. I felt like this was an opportunity to present new music born out of the Blue Note tradition as I’ve interpreted it.”
When the trio took the stage of the Village Vanguard for a six-night residency in January 2020, those ideas seemed ripe enough to explore as they planned to head into the studio. When those plans were upended by the pandemic, Lage took the opportunity to retool his new songs in light of the summer’s lockdown and protests over social justice. By the time he, Roeder, and King finally set foot in Nashville’s Sound Emporium in August, the tunes had taken on a deeper, darker air of mystery and searching.
Crafted after two years of touring together, Squint reflects the trio’s loose but deeply attuned chemistry while tracing the threads of those wide-ranging influences into new original pieces. Lage’s lyrical writing reveals his love for early rock and blues as well as songbook standards and the bold, memorable compositions of his jazz idols. In addition to co-producer Margaret Glaspy’s keen-eared influence, he’s also sharpened his songcraft via the informal counseling of Jeff Tweedy. The Wilco frontman’s influence can be felt on vibrant, infectious songs like “Saint Rose,” an ode to Lage’s California hometown Santa Rosa.
“Going into this album,” Lage recalls, “my first tactic was just to make positive, beautiful music – a beam of light from three cats who love each other. After the recording didn't happen, I started reflecting on the music’s intent. It was clearer than ever that art and music are platforms to influence and heal and facilitate conversations. It became really important to me to capture a certain sense of emotional complexity to the music, a little fuzziness. This record sits comfortably in the unknown.”
Finding comfort in that tenuous space was also aided by the presence in the studio of two of Lage’s closest compatriots, who served as co-producers: guitarist and longtime collaborator Armand Hirsch and singer-songwriter Glaspy. “On one level, the combination of Margaret and Armand is just abundant support,” Lage says. “But I also have such deep respect for what they both bring to the music. They helped make sure that the essential experience was always there, that Squint never became a pursuit to make a good jazz guitar record, but to create music with a clear spiritual pulse.”
Lage will be continuing his popular series of masterclasses with upcoming sessions on April 11 and April 18. A 30-minute solo performance will follow each class. Tickets are available here.
The Grammy Museum recently interviewed Lage as part of their month-long celebration of Blue Note Records. The interview posted yesterday.
WATCH JULIAN LAGE'S GRAMMY MUSEUM CELEBRATION OF BLUE NOTE RECORDS INTERVIEW
Phish keyboardist Page McConnell releases his new ambient electronic solo album, MAYBE WE’RE THE VISITORS, digitally today via Keyed Records. MAYBE WE’RE THE VISITORS was written and recorded in Iceland and in Burlington, VT. The release was heralded earlier in the week with the album’s first song, “Radio Silence,” which David Fricke called in his album notes “an overture of slowly dawning arpeggios that dot the void like hopeful transmissions.”
In January 2020, shortly before the coronavirus shut down modern life, including travel, Page McConnell took a rare, road trip that had nothing to do with his regular itinerary as the keyboard player in Phish: a holiday in Iceland. Inevitably, music got made there. But it was unlike anything McConnell had recorded before as a solo artist, in side projects or within the collaborative energies of Phish: fully electronic pieces created on location, in response to the epic landscapes, dramatic weather and geologic fury that he experienced in Iceland. He also came back energized and determined to keep going amid, indeed despite, lockdown.
Maybe We're the Visitors is the result: an imaginary voyage charged with eyewitness awe and intense, solitary reflection; expressed without lyrics, vocals or any sign of piano, organ or clavinet, McConnell's signature armory with Phish. The album is his third solo outing – following 2007's song-based Page McConnell and a 2013 instrumental release, Unsung Cities and Movies Never Made – and a genuine breakthrough: the first McConnell has conceived and performed entirely with synthesizers. Maybe We're the Visitors is also the most personal record he has ever made, because it is an album that has been on his mind for a long time.
"I always imagined that I would have synthesizers," recalls McConnell, who began playing piano at age four and formally studied composition and improvisation along with, in one college class, the aesthetics of British producer and ambient-music pioneer Brian Eno. "But I'd take the long game, learn harmonics and theory, so I would be good enough to play them. I wanted the synths to evoke melodies, to show me where the music could go by the sounds I was creating.
"I had to understand the gear, and it had to work with me. It was always my goal to get to this point – where the synths inspire me and the melodies."
Maybe We're the Visitors begins with "Radio Silence," an overture of slowly dawning arpeggios that dot the void like hopeful transmissions. "Moss Suite, Part 1" – large, billowing notes in a slow, buoyant walk as if through near-zero gravity – was recorded at a geothermal spa in a lava field. The eerily lunar cover photograph was taken by McConnell's wife outside their door.
Iceland "had an effect on me," he admits. "There was something otherworldly about it, especially with the earthquakes. One night, it was just rockin'. There's a knock at the door: 'It might be a volcano. We'll let you know.'"
Back in his home studio in Vermont, McConnell was writing and recording at a pace that was exciting and, for him, unprecedented. "As long as I've had my own place to work, I've been running in parallel," he says – working on projects like his 2007 self-titled album alongside "these keyboard experiments I never put out.”
"But something happened," McConnell continues, "where, all of a sudden, I was recording all of these tracks" – first in April, 2020, then in another blitz that November. "Some were created spontaneously; others were composed ahead of time. Each element was performed live, in one take.”
Born in Philadelphia and raised in New Jersey, McConnell was attending Goddard College in Plainfield, Vermont when he began playing with Phish – initially as a friend and guest in the spring of 1985; soon in the defining quartet with singer-guitarist Trey Anastasio, drummer Jon Fishman and bassist Mike Gordon. McConnell's senior thesis at Goddard, published in 1987, was titled "The Art of Improvisation" – which, of course, became Phish's jubilant specialty. "So much of what we do in our improvisations is go for these peaks," he explains. "You can feel them, the waves starting to crest." But on Maybe We're the Visitors, "I wanted more of a constant energy – bubbling along, not necessarily realized.
"Passage," for example, is three minutes of streaking light with no stated rhythm but a steady, implied momentum – "this journey of nothingness," as McConnell puts it, "like you're in a shuttle craft over one of Jupiter's moons." Other pieces such as "Terra Incognita," "The Settlement" and "Set in Stone" have decisive undertows grounded in McConnell's lifelong passion for the funk, blues and jazz of New Orleans, especially his 21st Century side trips in Vida Blue – a trio with Crescent City drummer Russell Batiste and bassist Oteil Burbridge – and the Meter Men, an R&B powerhouse featuring guitarist Leo Nocentelli, bassist George Porter, Jr. and drummer Zigaboo Modeliste of the original Meters.
"Getting to play with those guys had a big impact on me," McConnell says gratefully He also credits another, surprising inspiration here, the American abstract painter Ellsworth Kelly: "I was looking at some of his pieces – simple two-or-three color paintings. That's all they were. I'd think, 'These big chords, like rich colors playing off each other – that's enough for this track.'"
The narrative flow of Maybe We're the Visitors – exploration, colony and, finally warning; that, as Icelanders already know, we are only stewards here and nature always has the last word – did not present itself "until I was close to the end," McConnell confesses. "But I always knew there was something alien about these pieces" – like the hint of another presence in the long dub-reggae swim of the title track. "It feels like there is something going on in the background – this guy talking to you, trying to communicate through all of this.”
Today, multi-platinum band Barenaked Ladies release the upbeat new single and video “Flip”, their first new music in four years from BNL’s upcoming 16th studio album Detour de Force. The band is set to perform the new single Friday, April 16th on the Today Show. This will be followed by the band’s global streaming event Flip n’ Hits with BNL: A Night of Monster Jams of Pandemic Proportions, to air on Saturday, April 17 at 9pm EDT / 6pm PDT with an encore on Sunday, April 18 at 8pm GMT. The show will be 60 minutes of their greatest hits, including “Flip”. Singer-songwriter KT Tunstall will appear as a very special guest.
Stream / purchase “Flip” HERE | Watch the creative, stop-motion animation video for “Flip” HERE
The recording of “Flip” has been a major journey for Barenaked Ladies. Originally the group began work on new music before the pandemic, but quarantine forced them out of the studio and into their respective homes. The last year has been one of major changes and “flips” for the world, and the new music reflects that. At first listen, “Flip” is an upbeat trademark Barenaked Ladies classic filled with new sparks and fresh flavor. However, with further inspection, listeners will note its nuanced take on the human psyche, conflicts in our communities, and the many ‘flips’ that have occurred all over the world during this last year. The stop-motion animated video, created using original paper models and directed by Stefano Bertelli, follows the band on a colorful pop-up book journey through an amusement park full of surprises.
In an interview with Consequence of Sound, lead vocalist/guitarist Ed Robertson explains, “’Flip’ is about being open to other perspectives. We live in a time where people seem to just dig deeper into their own trenches, without any willingness to see another viewpoint, or even engage in discussion… It’s all yelling, and no listening. I like that saying, ‘We were given one mouth, and two ears, and we’re supposed to use them proportionately!’”
At this time, the band also announces they are rescheduling their extensive Last Summer On Earth tour to 2022. They’ve shared a special video for fans about the postponement HERE. All previously purchased tickets and VIP packages will remain valid for 2022. Check the routing and contact the original point of purchase for any questions. Also, a show in Charlotte, NC has been added for Saturday, June 5.
In the meantime, Barenaked Ladies have pre-recorded a safe and secure livestream concert event for their fans to air this weekend. For Flip n’ Hits with BNL, the band returned to the historic Danforth Music Hall in Toronto for the first time in 30 years. The concert will stream at posted show times and will not be available to view after the event. Hosted by SESSIONS, tickets start at $15 USD and ticket bundles with exclusive commemorative merchandise are available to purchase HERE. As part of the bundle options, the band will be participating in a post-show virtual Q&A. Get ready for a concert jam-packed with the favorites, including “One Week,” which has been featured on late night TV for Jimmy Fallon’s song about Biden on The Tonight Show, and for Colbert’s rendition “It’s Been One Year Since I’ve Been Outside.” Reminisce with “Pinch Me.” Dream big with “If I Had $1,000,000.” Get cozy with the TV for the catchy and unforgettable “Big Bang Theory Theme,” and so many other musical treasures.
For more information on all things Barenaked Ladies, visit their website and stay connected via social media.
LA rockers Dawes have announced a fall tour in support of their latest album, GOOD LUCK WITH WHATEVER (Rounder). The first leg of the tour begins in Charleston, SC at the Music Hall on September 9 and ends at The Ryman in Nashville, TN on October 2. The second leg begins on November 17 in Vancouver, BC at The Vogue and culminates on December 12 in Houston, TX at the Heights Theater. Singer-songwriter Erin Rae will open all shows. The itinerary is below.
GOOD LUCK WITH WHATEVER is Dawes' seventh studio LP and was produced by 6x GRAMMY® Award-winner Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit) at Nashville’s famed RCA Studio A. The reaction to GOOD LUCK WITH WHATEVER was stellar and found the band performing on Jimmy Kimmel Live!, The Late Show with Stephen Colbert #playathome series as well as CBS This Morning: Saturday Sessions.
WATCH "WHO DO YOU THNK YOU'RE TALKING TO?" ON JIMMY KIMMEL LIVE!
WATCH "ST. AUGUSTINE AT NIGHT" ON JIMMY KIMMEL LIVE!
WATCH "DIDN'T FIX ME" ON THE LATE SHOW WITH STEPHEN COLBERT #PLAYATHOME
“Good Luck with Whatever is another Lucky Strike for One of Rock’s Best Bands.”
-Variety
“Recorded live to tape with all four band members playing in one room simultaneously, the seventh outing from the Taylor Goldsmith-led outfit is their liveliest, most visceral set yet.
Plug this in—and turn the volume way up.”
-Esquire
"Hell, there isn’t a single song here that doesn’t creep under the skin and remain lodged there for the duration of the encounter. Every one speaks directly to its listeners
and resonates with them as well."
-American Songwriter
“Enter Dawes and its new album, Good Luck with Whatever. Man, it’s a good one.”
-No Depression
"Such poetic elegance, empathy, and wisdom are extremely rare in popular art, but they are abundant in the music of Dawes, and never more so than on their latest record."
-The Week
Dawes is: Taylor Goldsmith (guitars, vocals), Griffin Goldsmith (drums), Wylie Gelber (bass), Lee Pardini (keys)
Spafford is thrilled to announce that their first shows of 2021 will be available to stream as the band makes their return to the Marquee Theatre Backyard in Tempe, AZ, for two special performances on April 20 and 21.
The in-person performances will be outdoors and socially distanced with pod seating. Spafford were one of the first in the US to host a drive-in concert, almost one year ago to the day where their performance turned heads of several outlets including Billboard, Good Morning America, PBS News Hour, Rolling Stone, and USA Today who calls the band “electro-funk sensations.”
Spafford is known for their astonishing improvisational ability and off-the-cuff extended jams, Spafford paints a picture in real-time each night with a musical palette known only to each other. It’s a private language comprised of both their talent as musicians as well as their formidable catalog of influences, spanning 90’s alt-rock radio hits to Steely Dan and The Crystal Method. Each and every Spafford show is a sonic pilgrimage, the journey of a team of musicians so in tune with each other that a single note communicates intent and purpose. Spafford is amongst the most creative and hard-traveling bands on the contemporary jam scene, performing countless sold-out headline dates along with high profile festival sets at Bonnaroo Music & Arts Festival, Firefly Music Festival, and many others.
This Sunday, April 18th Joe Bonamassa hosts the ultimate livestream experience with his 2nd Annual Stream-A-Thon at 3 pm ET. The colossal charity event will feature 3+ hours of music with over 35 incredible performances from a star-studded lineup including Bonamassa, Toto, Dion, Ana Popovic, Warren Haynes, Bobby Rush, Jared James Nichols, Emily Wolfe and many more. The Stream-A-Thon is sure to wow fans old and new, with such variety and talent in their lineup full of Joe’s legendary friends along with a slew of new emerging acts, there’s something for everyone!
This spectacular display of musicianship is presented by Bonamassa’s Keeping the Blues Alive Foundation and will raise money to support the music community through their Fueling Musicians Program. Supporting artists for over a year amid the pandemic, they’ve secured $417,000 in funding for qualifying touring musicians who are suffering financial hardship since their careers have been put on hold. The program provides immediate $1,500 cash payments for essential living expenses to help musicians stay afloat until they can get back out on the road. Many recipients were given their funding even before receiving aid from the government! Joe quips, “We give away the money as fast as we get it because people are in need and we have a little saying – ‘It’s the Bona-Stimulus.’ With your support we can reach so many more artists that need financial assistance.” To date, 250 musicians have been helped through Joe’s Fueling Musicians Program.
Coming right off a critically acclaimed show at ACL Live on April 1st, where Bonamassa gave an exceptional Blues Rock Trio performance from “music’s best address,” alongside Late Night with David Letterman’s Anton Fig on drums and legendary bass player Steve Mackey, to a socially distanced crowd and a global audience via livestream. This incredible concert is available to view on-demand until May 2nd. To watch the show visit: https://joeb.me/aclticket. Each ticket includes a donation to the KTBA Fueling Musicians program. Sonic Abuse raved, “Meticulously prepared, with a set list to die for and in a power trio format we see far too infrequently, ‘Live At Austin City Limits’ is another triumph for Joe Bonamassa.”
In addition to the Stream-A-Thon event, KTBA Records will be releasing a special collaborative digital album put together by the legendary Jimmy Vivino to help continue the fundraising. The band was named The Blue Quarantinos and the album titled ‘Phoning It In’ because it was created during lockdown. It features 20 special guests including Dion, Joe Bonamassa, the North Mississippi All Stars, Shemekia Copeland and many more showcasing their talents over 12 amazing tracks. The Stream-A-Thon will premiere the video singles “Skinny Woman” and “I’m Yours and I’m Hers” to help promote the album’s release. The digital album will be available starting this Sunday at KTBA.org and 100% of the proceeds will go to the Fueling Musicians Program. “Thank you to Jimmy and all the amazing artists that donated their talents and time for this great cause,” exclaimed Bonamassa.
Be sure to look out for more exclusive merchandise for the event, including signature guitars signed by Emily Wolfe and Jared James Nichols, along with other new products on KTBA.org
In other Bonamassa news, the highly anticipated 7th Annual Keeping The Blues Alive at Sea Caribbean Cruise is now sold out! It will set sail February 21-25, 2022 and leave from Miami, Florida to Ocho Rios, Jamaica aboard Norwegian Pearl. An all-star lineup of artists will be joining Joe Bonamassa onboard the blues rock festival at sea including George Thorogood & The Destroyers, Charlie Musselwhite, Samantha Fish, Eric Gales, Shemekia Copeland, The War & Treaty, Jimmy Vivino, Sue Foley, Popa Chubby, Jontavious Willis, Vanessa Collier, Joe Robinson, with more to be announced soon.
Similar to past sailings, in addition to multiple performances from artists on the line-up, guests will enjoy an immersive blues vacation including unique collaborations and exclusive curated content filled with discussions, activities and more with details to be announced soon. The cruises have always been a major fundraising event for KTBA and will continue to be an important source of funding to benefit music education! While the 2022 Keeping The Blues Alive at Sea Caribbean voyage is currently sold out, fans are encouraged to join the waiting list at www.bluesaliveatsea.com and also connect with Keeping the Blues Alive at Sea on Facebook, Instagram and Twitter.
Individuals or organizations interested in helping Joe support the Keeping The Blues Alive Foundation and the Fueling Musicians program should go to the foundation’s website ktba.org or http://joeb.me/FMP
Artists who would like to be considered for financial aid from Fueling Musicians can fill out an application via http://joeb.me/FMPapplication
Movie City Films, in association with Evolve Studios, is proud to announce the premiere of the new documentary, CHASING WHISKEY – THE UNTOLD STORY OF JACK DANIEL’S, available now across all streaming platforms. Much more than a simple narrative chronicling the origins and impact of the iconic Tennessee whiskey, the full-length film features original music composed and performed by 2x GRAMMY® Award-winner Shooter Jennings, who also appears alongside such famous names as Tim Matheson, Eric Church, John Grisham, Tina Sinatra, and many more.
A 57,000 mile journey across five countries and 16 time zones that is equal parts thought-provoking, insightful, moving, and hilarious, CHASING WHISKEY – THE UNTOLD STORY OF JACK DANIEL’S is available now on iTunes, Apple TV, Amazon Prime Video, Google Play, and YouTube for $9.99 (HD/SD purchase) and $4.99 (HD/SD Video-On-Demand). Additional platforms will follow in the coming weeks, including VUDU, Comcast Xfinity, Dish Network, and DirecTV.
The original music featured on the CHASING WHISKEY soundtrack was recorded in 2017 with Jennings providing piano and synthesizer alongside an all-star lineup of musicians that includes legendary Guns N' Roses/Velvet Revolver drummer Matt Sorum, Michael Devin (Whitesnake, From The Earth) on bass, harmonica, and vocals, Jesse Dayton (Johnny Cash, Waylon Jennings, Willie Nelson) on guitar and vocals, and longtime collaborator/fiddle player Aubrey Richmond (Duff McKagen, Mustangs of the West).
The Jack Daniel’s brand has been an iconic image of American Cool for generations, its instantly identifiable bottle linked with equally archetypal artists spanning Frank Sinatra to the Rolling Stones, as well as films like ANIMAL HOUSE, THE SHINING, and countless others. From the small town of Lynchburg, TN – where every drop of Jack Daniel’s is made – to Beverly Hills, the outback of Australia, and the streets of Havana, Cuba, CHASING WHISKEY – THE UNTOLD STORY OF JACK DANIEL’S documents a cultural exploration into why people all over the world identify so deeply with one of the most distinctly American brands. Through it all, Jack Daniel’s serves as the compass on a journey that offers a unique glimpse into humanity, shared value, differing views, dreams, and delusions.
A Secret Weapon Films, Stray Dog LLC Production, CHASING WHISKEY – THE UNTOLD STORY OF JACK DANIEL’S was directed by acclaimed filmmaker Greg Olliver. Known for such landmark documentaries as 2010’s widely praised LEMMY (chronicling the life and times of Motörhead frontman Lemmy Kilmister), Olliver has spent a decade crafting honest, compelling stories about iconic musicians, war heroes, major brands, and more in a long series of award-winning feature documentaries, narrative films, and short-form branded content work.
“Why is whiskey so intertwined with popular culture, and how did Jack Daniel’s become the most iconic whiskey brand in the world?,” says Olliver. “These are some of the questions we were asking as we began our journey on CHASING WHISKEY. Fortunately, no matter where we went, from Tennessee to Japan to Cuba to the outback of Australia – and even Scotland – we always found someone who had a compelling, personal story to tell about Jack. With unprecedented access that was given to us by Jack Daniel’s, we uncovered surprising stories that began even before Jack started making his own whiskey. We’re proud to present this insightful, whiskey-infused adventure that tells the story of Jack that’s been more than a hundred-and-fifty years in the making.”
For more information about CHASING WHISKEY – THE UNTOLD STORY OF JACK DANIEL’S, please visit chasingwhiskey.com.
GRAMMY®-Award-winning guitar virtuosos Rodrigo y Gabriela are honoring this year’s Astor Piazzolla centenary with a very special new version of the Argentinian tango master’s “Oblivion.” The song – which is highlighted by a guest appearance from flamenco-guitar legend Vicente Amigo – premieres today at all DSPs and streaming services. “Oblivion” will be featured on Rodrigo y Gabriela’s upcoming JAZZ EP, arriving via Rubyworks/ATO on 12” cloudy orange vinyl (limited to 3,000 copies worldwide and individually numbered) and digital download on Friday, May 14; pre-orders and pre-saves are available now.
“We have always had a great respect for Astor Piazzolla as a composer,” say Rodrigo y Gabriela. “We did a cover version of ‘Libertango’ on our first live album a long time ago, so we are delighted to present our take on his composition ‘Oblivion.’ What makes this even more special is to welcome one of our musical heroes – the great Spanish flamenco guitarist Vicente Amigo – as guest collaborator on this track. We are long-time fans of both Astor and Vicente, so we hope that our fans will now enjoy all these elements coming together.”
Rodrigo y Gabriela’s first release of the new decade, the JAZZ EP further includes distinctive covers of Snarky Puppy’s “Lingus” and Kamasi Washington’s “Street Fighter Mas,” the latter of which is available now at all DSPs and streaming services; a celestial performance video is streaming now at YouTube. KCRW's Morning Becomes Eclectic posted the song, naming it as “Today’s Top Tune,” writing, “Guitar virtuosos Rodrigo y Gabriela have…recreated the LA jazz maestro’s ‘Street Fighter Mas’ with just two guitars. It may sound stripped down, but we don’t lose any of the song’s intricacies.”
The release of “Oblivion” coincides with Rodrigo y Gabriela's entry into the new world of NFT's. The duo has collaborated with LA-based artist Josh Pierce on their last two album releases and also on the artwork for the METTAL and JAZZ EPs. Pierce is already active in the world of NFT art, so a joint entrance into this new field is a logical step.
“I immediately connected with Rod and Gab on the subjects of mindfulness, meditation and raising conscious awareness,” says Pierce. “Their talent transcends and rises above the rest of the everyday music scene. In the same way, I feel my art is intended to transform and, over the past two years, it has been a perfect fit."
The NFT of the JAZZ EP artwork is available for bid now. In addition to the digital file, the purchaser will also receive a physical print of the vinyl artwork signed by Rodrigo y Gabriela and Josh Pierce, plus an exclusive, private online performance streamed live from Rod and Gab's home studio in Mexico.
Rodrigo y Gabriela have also announced an EP release celebration livestream performance set to take place via Dreamstage on May 14. The show will take place at 6 pm PT/9 pm ET with an additional airing on May 15 at 8 pm GMT. Tickets are available now.
Van Morrison will mark the May 7 release of his eagerly anticipated new double-album Latest Record Project: Volume 1 by playing his first-ever virtual performance on May 8. Volume 1 by playing his first-ever virtual performance on May 8. The multiple Grammy Award-winning singer-songwriter and multi-instrumentalist will perform a livestream event from the renowned Real World Studios in Wiltshire that will see him debut some brand new songs alongside a selection of classic tracks.
The event is a partnership with nugs.net, the leading music platform for live concert streams and recordings. The platform hosts live streams and professionally recorded archive concerts from iconic artists. Fans can tune in to the performance live on Saturday, May 8 at 3pm EST. Tickets are available to pre-order here.
The 28-track Latest Record Project: Volume 1 album spans everything from the saxophone-led R&B gem "Jealousy" to the joyful, country-tinged "A Few Bars Early" via the spirited Them-style garage rock of the self-explanatory "Stop Bitching, Do Something." While it touches upon the romantic sentiment and late-night warmth that people love Van Morrison for, the overriding theme is a straight-talking commentary on contemporary life.
Latest Record Project: Volume 1 was heralded in March with the release of its first two songs -- the title track and "Only A Song." In keeping with the album's sonic thread, "Only A Song" channels Morrison’s love of blues, R&B, jazz, and soul into a sound that’s dynamic and utterly contemporary. It shows that he continues to be an artist of integrity and distinction. The rhythm section immediately hits an irresistible tight swinging groove that’s equal parts rhythm and blues and rock ‘n’ roll. Their sound-bed is embellished with an enlivening cocktail of organic live instrumentation, with call-and-response vocals and flourishes of saxophone. Both songs are provided as instant downloads to fans who pre-order the album. Latest Record Project: Volume 1 will be released via Exile/BMG on double-CD, deluxe-CD, triple-vinyl, and digital formats.
Guitarist, multi-platinum-selling singer-songwriter, bandleader, Rock and Roll Hall of Fame inductee, and Songwriters Hall of Fame electee Steve Miller shares the second song from his historic soon-to-be-released album of an epic live show from 1977. "Shu Ba Da Du Ma Ma Ma Ma" is streaming now at all DSPs. The new full-length concert recording, Steve Miller Band Live! Breaking Ground: August 3, 1977, arrives via Sailor/Capitol/UMe on Friday, May 14. A variety of formats will be available, including digital, CD, and 2xLP black vinyl. Pre-orders are available now. The accompanying live concert video featuring the full performance will be available to stream on The Coda Collection on Amazon Prime Video. The album was heralded last month with the release of a fantastic version of the classic "Jet Airliner (Live)."
Says Miller: “This show from August of 1977 at the Cap Center in Landover, Maryland, captures the band right at the peak after The Joker, and in the middle of Fly Like an Eagle and Book of Dreams, a stream of hits…We decided to call it Breaking Ground because that's exactly what we were doing.”
Steve Miller Band Live! Breaking Ground: August 3, 1977 includes original liner notes by music journalist David Fricke who says – “Breaking Ground captures the Steve Miller Band on stage in one of their biggest years, 1977. They were at a perfect crossroads of psychedelic zeal and progressive, popcraft while staying true to Miller's first love, the blues.”
Steve Miller Band Live! Breaking Ground: August 3, 1977 captures Miller’s legendary 1977 lineup at the beginning of the band’s turn from playing ballrooms and theatres to arenas and football stadiums. Recorded at the Capital Centre in Landover, MD on multi-track tape and newly mixed and mastered by Miller and his veteran audio engineer Kent Hertz.
The Steve Miller Band Greatest Hits 74-78 album is in the top 40 of the best-selling albums of all time according to the RIAA. Recent releases for SMB include the 9LP 180-gram vinyl box set, Complete Albums Volume 2 (1977-2011), as well as the 3CD + DVD archival box set, Welcome To The Vault, both available via uDiscover.
Greensky Bluegrass, Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [Mandolin] proudly share the 26-song live album, The Leap Year Sessions: Volume 2. The Leap Year Sessions are a collection of songs taken from a series of live-streamed performances in 2020.
"We’d never gone that long without playing music or seeing each other.” Paul Hoffman explains, “We talked about all the things we could do to play shows, socially distanced safe shows, but it wasn’t safe for people to be together, so we thought we would do a series of live streams.”
“We tackled 8 full sessions with no repeats,” Bruzza adds. “2020, will not go undocumented. Certainly, it won’t be forgotten.”
Earlier this week, Rolling Stone Country exclusively premiered the video performance of Greensky’s take on John Prine’s “Speed of the Sound of Loneliness,” featured in TLYS Volume 2.
Bruzza spoke with Rolling Stone Country saying “John Prine’s music has always inspired us. We wanted to do some different covers during these shows, and since he passed away in April we thought this would be a nice tribute to him and his music.”
Later this Spring, Greensky will hit the road for several multi-night runs across the country.
The tour kicks off on May 14 in Charleston, SC, and will take the band all across the country, hitting fan favorites like Red Rocks in Colorado and Horning’s Hideout in Oregon as well as festival appearances at Bonnaroo, 4848, Strings & Sol. More dates to be announced in the coming weeks.
CAKE will celebrate Earth Day and Arbor Day 2021 with the launch of a groundbreaking reforestation campaign with One Tree Planted, a 501(c)(3) environmental nonprofit dedicated to global reforestation. The #CAKEforests initiative will help raise much-needed funds to plant trees, sustain healthy communities, and help to restore the environment in three U.S. regions devastated by last year’s wildfires.
In 2020, the Western United States experienced a series of major wildfires across California, Oregon, and Washington, burning more than 10.2 million acres. The #CAKEforests campaign will take action to help restore these forests, habitats, and communities by working to plant trees and return the forests to their natural state. One Tree Planted has reserved 16,000 trees on behalf of CAKE to be planted in 2021 in each region. Every dollar donated will plant a tree in one of three reforestation projects, including California’s Slater Fire Restoration, Oregon’s Replanting Within Canyon Mountain Fire Complex and Rail Fire, and Washington’s Cougar Creek Wildfire Reforestation. All three projects are slated for completion by the end of December 2021. Donations made surpassing the 16,000 in each region will be used in an additional 2022 reforestation program.
“Humans evolved alongside trees,” says CAKE co-founder/singer John McCrea. “What we are has to do with them, and we eliminate them only at our peril.”
“Trees are beautiful and majestic!” adds CAKE co-founder/multi-instrumentalist Vincent DiFiore. “Their regal stature undoubtedly gives them a monument-like quality. CAKE is pleased to be associated with the continuous efforts to help restore forests, communities, and the work to support urban green spaces that disperse heat and filter pollution.”
“When you plant a tree, you are planting hope while also mitigating the effects of global climate change,” says CAKE lead guitarist Xan McCurdy. "Replenishing existing forests and woodlands depleted by deforestation, clearcutting and wildfires is vital.”
“Artists can have an incredible positive impact for the planet, and we're honored to have the support of CAKE, and their community of fans, contributing to reforestation efforts for forest fire recovery,” says Canopy Director of One Tree Planted, Diana Chaplin.
Along with their committed activism, CAKE is currently at work on the much-anticipated full-length follow-up to 2011’s acclaimed sixth studio album, SHOWROOM OF COMPASSION. Hailed by The New Yorker for its “deadpan brilliance,” the self-produced, independently-released collection proved a milestone for the Sacramento, CA-based band, debuting at #1 on Billboard’s “Top Alternative Albums,” “Independent Albums,” and “Rock Albums” charts as well as the SoundScan/Billboard 200 – CAKE’s first ever #1 on the overall chart.
2018 saw the premiere of CAKE’s first new original song in seven years, “Sinking Ship,” available for streaming and download; all proceeds from the track benefit “Doctors Without Borders.” The extraordinary protest anthem dropped alongside a stop motion companion video streaming now at YouTube Both the track and video were met by immediate acclaim from the likes of Rolling Stone, which wrote, “The alt-rockers churn up a signature groove built on grimy electric guitar, funky bass, carnivalesque organ and sighing trumpet, as frontman John McCrea observes a society crumbling in real-time,” further praising its “stunning claymation video full of war scenes and deception, seemingly satirizing the public’s thirst for conflict and tragedy.”
ABOUT ONE TREE PLANTED:
One Tree Planted is a 501(c)(3) nonprofit on a mission to make it simple for anyone to help the environment by planting trees. Their projects span the globe and are done in partnership with local communities and knowledgeable experts to create an impact for nature, people, and wildlife. Reforestation helps to rebuild forests after fires and floods, provide jobs for social impact, and restore biodiversity. Many projects have overlapping objectives, creating a combination of benefits that contribute to the UN's Sustainable Development Goals.
Last year when COVID-19 put the live touring industry on hold, guitar hero Joe Bonamassa did something unprecedented for his fans – he put together a one-night-only show at the iconic Ryman Auditorium in Nashville, TN to be live-streamed for fans everywhere. That night he united people across 44 countries worldwide for a phenomenal live music presentation of his brand-new album “Royal Tea” before it was even released. The concert was re-mixed and mastered for physical release as “Now Serving: Royal Tea Live From The Ryman” on June 11th and will be available to own on CD, DVD, Blu-Ray and Double LP. The DVD will include a film introduction narrated by actor Jeff Daniels. To pre-order, visit shop.jbonamassa.com. The stellar performance includes 12 incredible live tracks, featuring the best from his latest studio release Royal Tea, Joe’s 24th #1 record on the Billboard Blues chart, which was recorded at Abbey Road Studios in London. It also includes 3 electrifying tracks from his 20th anniversary album A New Day Now. Get your serving and relive the excitement time and time again with this once-in-a-lifetime release from one of the most celebrated Blues Rock entertainers!
Recalling the magical night, Bonamassa shares, “I have always wanted to film a show at the legendary Ryman Auditorium in Nashville. Our band has had the honor of playing there now 8 1/2 times over the past 10 years. The audience is always alive and electric, hanging on every word and phrase. It feels like the greatest, most intimate gig you will ever do but there are 2,300 people sharing this joy and musical journey. I love the place as it is a national treasure and selfishly close to my house. Here’s where I get to the 1/2 part. We missed you. As great as it is to be on that stage in any capacity, YOU the fans make it special. You are part of the show and a big part of it. As this show was being filmed live, almost 100,000 eyes were on us in various forms around the world in front of TVs and computers alike. But you were not in the room with us.”
In normal times, the legendary venue typically seats 2,300, but for one night only, the real crowd was the size of a major stadium, and in-house nearly every seat was filled with a custom cardboard cutout of a fan. The event sold over 17,000 tickets, reaching a global audience and bringing people of all different cultures together during a time when it often felt like the world was falling apart. Considering the number of households watching concerts together from home, one ticket could actually account for an entire family, so the true number of viewers would likely skyrocket.
Joe continues, “We played as good as we could in front of those 1700 cardboard cut outs of your faces and tried to imagine you there. For split seconds I would catch a glimpse of the room and it almost felt normal. Then the song would end and there would be dead silence. Only the footsteps of our crew could be heard. With all of that said, this DVD is a snapshot of a concert performance within the confines a vast sea change of the world. A world that had temporarily deemed us unnecessary. Nobody knows when I will ever get back to this stage in front of a full house again, but I sure do know that I do love it and miss you greatly. This show counts as a 1/2.”
The night at the Ryman should also be celebrated as an event that brought the music industry together. Between ticket sales and donations during his After Party Showcase, the event raised $32,000 for Bonamassa’s Fueling Musicians program, presented by his non-profit Keeping the Blues Alive Foundation (KTBA). Supporting artists for over a year amid the pandemic, to date the program has secured $460,000 in funding for qualifying touring musicians who are suffering financial hardship since their careers have been put on hold. The program provides immediate $1,500 cash payments for essential living expenses to help musicians stay afloat until they can get back out on the road. This past weekend Joe hosted his 2nd Annual Stream-A-Thon event, featuring over 35 stunning performances and 3+ hours of music to continue raising money for the cause. The event featured a star-studded lineup including Bonamassa, Toto, Dion, Ana Popovic, Warren Haynes, Bobby Rush, Jared James Nichols, Emily Wolfe and many more.
As for the amazing set list for “Now Serving: Royal Tea Live From The Ryman”, Bonamassa has made a career out of taking risks and venturing into uncharted territory throughout his wide-ranging career and outstanding live shows, and the delivery at Ryman Auditorium was nothing short of perfection. Bonamassa shines brighter than ever, always adding new genre-bending flavor in his guitar playing and his trademark spin on the vocals. It’s no wonder he’s often praised for bringing new audiences to the Blues Rock universe. Bonamassa already has an incredible catalogue of live and studio releases that continue to evolve over the years and catch the ears of music critics far and wide. “Now Serving: Royal Tea Live From The Ryman” provides much needed invigoration for live music fans and will give them back the unbelievable feeling of being at a live concert event. With the audio/visual experience they’ll get with this release, they’ll get front row seats for one of the best touring acts around!
Larkin Poe, the GRAMMY® Award-nominated sister duo comprised of Atlanta-bred, Nashville-based multi-instrumentalists Rebecca and Megan Lovell, have unveiled a number of high-profile performances. The upcoming schedule begins with a remarkable rendition of “The Star-Spangled Banner” filmed live on a Nashville rooftop and set for broadcast on FS1’s NASCAR Race Hub tonight, April 21, at 6:00 PM (EST), officially kicking off FOX Sports’ coverage of NASCAR’s Spring Tripleheader Weekend at Talladega Superspeedway (April 24-25).
This week has already seen Larkin Poe joining forces with Dierks Bentley for an unforgettable rendition of U2’s “Pride (In the Name of Love),” performed live at Nashville’s Station Inn for the 56th Academy of Country Music Awards. The performance – also featuring The War & Treaty, Ben Helson, and The Hawktail Band – is streaming now at YouTube.
“PRIDE (IN THE NAME OF LOVE)” (LIVE AT THE 56TH ACM AWARDS)
The band will also be among the stars celebrating the legendary career of ZZ Top’s Billy Gibbons at America Salutes You Presents: A Tribute To Billy Gibbons, a benefit concert supporting the military, veterans and first responder charities set for Sunday, May 16 at Nashville, TN’s historic Grand Ole Opry. Limited tickets for the show – also featuring appearances from Brad Paisley, Dennis Quaid, Eric Church, Jimmie Vaughan, Lucinda Williams, Ronnie Milsap, Travis Tritt, and other surprise guests – are on sale now via the Grand Ole Opry HERE; the live audience will be at reduced capacity and socially distanced. All public donations raised by America Salutes You Presents A Tribute To Billy Gibbons will be made to non-profits including ThanksUSA, CreatiVets, the USO, First Responders Children’s Foundation. Returning sponsors include: Walgreens, Verizon Media, Amazon, Medstar Health, KLOVE Media, The Center for Discovery, and The Davis Elkins Foundation, with more to be announced. For more information, please visit americasalutesyou.org.
Larkin Poe will return to the road next month for an eagerly anticipated run of live dates beginning with a special open-air, socially distant “Vertical Concert” appearance set for May 26 at Santa Cruz, CA’s Dream Inn; reservations are available HERE. Additional scheduled dates include headline performances at the Memphis Zoo’s Roar and Pour Tennessee Whiskey Trail (June 4) and Billings, MT’s Magic City Blues (August 6), as well as the 20th-anniversary edition of the Bonnaroo Music & Arts Festival, set to take place September 2–5 on the Bonnaroo Farm in Manchester, TN. Furthermore, Larkin Poe have rescheduled dates for their upcoming 2022 tours of Australia, Europe, and the United Kingdom. For updates, complete tour details, and ticket information, please visit www.larkinpoe.com.
Last year saw Larkin Poe ascended to #1 on an array of Billboard charts with their widely acclaimed fifth studio album, SELF MADE MAN, available now via the band’s own Tricki-Woo Records. While a normal year might’ve seen Larkin Poe hitting the road, the Lovells instead found themselves at home, performing a number of “Home Sweet Home” livestream concerts and adding to their much-loved YouTube covers series. Inspired, Larkin Poe released their second full-length of 2020, KINDRED SPIRITS, a self-produced collection of stripped-back covers both classic and new, including songs by the Allman Brothers Band, Robert Johnson, Elton John, Post Malone, Ozzy Osbourne, and more. Building further off the strength of their popular YouTube presence, the band has now started LPTV, a livestreaming and video-on-demand platform. LPTV is a subscription service that offers multiple channels providing exclusive concerts and other original content.
On April 28, Nashville-based rock and soul singer Maggie Rose will bring her acclaimed podcast, Salute The Songbird, to City Winery for a live episode entitled "Salute the Songbirds." The evening will feature in the round performances as well as candid in-depth discussions with Rose and her guests, all of whom appeared in season one of Salute The Songbird.
Salute the Songbird is a podcast hosted by Nashville-based rock and soul singer Maggie Rose, and produced by Osiris Media. On the show, Rose invites listeners into her world as an independent artist in the male-dominated, often volatile, music industry. She hosts candid conversations with her female musical heroes about their lives in and out of music, challenging the status quo, and changing the game for those coming up behind them. Season One featured 13 episodes with guests ranging from Grammy-nominated singer-songwriter Mickey Guyton, to Nancy Wilson from Heart, to Leslie Fram, SVP of Music Strategy at CMT.
About Maggie Rose:
Maggie Rose is a Nashville-based singer/songwriter who has dreamed up her own unbridled collision of rock n’roll, soul, folk, funk, and R&B. She is about to release her third studio album, Have a Seat. Produced by Ben Tanner of Alabama Shakes, Have a Seat came to life at the iconic FAME Studios in Muscle Shoals, AL. In a series of pre-pandemic sessions, Rose recorded live with a lineup of heavy-hitters that includes bassist David Hood of the Swampers (the group of session musicians who played on records from legends like Aretha Franklin and Etta James) and guitarist Will McFarlane (Bonnie Raitt, Levon Helm), along with her longtime bandmates/collaborators Larry Florman (background vocals/percussion), Alex Haddad (guitars), and Sarah Tomek (drums) of Them Vibes. Also featuring an esteemed string section and swampy horn ensemble—in a way that’s never been so integral to Rose’s sonic aesthetic — Have a Seat continues the free-flowing musical exploration she first began on her powerhouse 2018 album Change the Whole Thing. Centered on the stunning vocal command she’s revealed in taking the stage at The Grand Ole Opry over 80 times, Have a Seat finds Rose approaching her music with more confidence and clarity of vision than ever, ultimately sharing a selection of songs both timeless and urgent. In 2019, Rose toured with Heart, Joan Jett & the Blackhearts, and Kelly ClarKson. She also shared the Cayamo Cruise bill with Emmylou Harris and Jason Isbell.
Acclaimed modern Americana duo Beta Radio has announced the release of their new album. YEAR OF LOVE arrives via Nettwerk Records on Friday, June 11.
Written and recorded over the course of 2020, YEAR OF LOVE sees the Wilmington, NC-based duo – Benjamin “Ben” Mabry and Brent Holloman – taking a moment to breathe in life’s simplest inspiration and, ultimately, urging everyone else to do the same. The album collects songs first featured on Beta Radio’s recently released WAY OF LOVE and AFRAID OF LOVE EPs alongside four brand new tracks including the evocative new instrumental single “The Lowlands,” premiering today at all DSPs and streaming services.
“From the beginning, we’ve always loved writing instrumental songs,” says Brent Holloman. “‘The Lowlands’ is an exercise in trying to hold the tension for as long as possible musically speaking, while still being (hopefully) enjoyable. We wanted it to not be predictable, but to flow from one part to another. Finding bits and pieces of it along the way, it came together over a few years.”
Beta Radio first heralded YEAR OF LOVE earlier this month with the premiere of the passionate title track, hailed by Glide Magazine as “engaging and forthright in its conviction” and available now at all streaming and download services.
“YEAR OF LOVE is a collection of songs from the year of the pandemic,” says Beta Radio. “These are songs that were written and recorded while we – Brent and Ben – were isolating together. This is the first time we’ve written a group of songs that, from the outset, had no theme or plan, (we had done a lot of thematic album writing and we were tired of it). But as last year progressed, from one tragedy to another, the thing we kept thinking about was love. It seemed right to call the whole thing YEAR OF LOVE, not just because the last song has the same name, but more than that, because we dig redemption and healing, and seeing the tragedy and sorrow of the past year made it seem even more necessary. 2020 was a global tragedy. But sometimes it takes tragedy and absolute breakdown to bring about a breakthrough and hopefully, understanding and love. Maybe this year will bring more of that."
Rooted in vocal harmonies, acoustic and electric guitar, piano, banjo, and an eclectic range of additional instrumentation and soulful arrangements. Beta Radio has quietly crafted a catalog of anthems steeped in folk tradition and galvanized by sonic adventurism. Over the course of three albums and a lifetime of friendship, Mabry and Holloman have generated more than 150M streams for such standout tracks as “On The Frame,” “Tongue Tied,” and “Our Remains,” the latter two songs featured on the duo’s widely acclaimed third album and Nettwerk debut, 2018’s ANCIENT TRANSITION.
Beta Radio began writing what would become YEAR OF LOVE at the onset of 2020. The world shut down and though chaos and sadness ensued, Ben and Brent remained steadfast in their Wilmington studio. The duo broke from their traditional structure by releasing music as it came together rather than waiting to finish a full project. Tracks such as “Destined To Pretend“ were met by immediate applause, with Glide Magazine hailing “the duo’s shimmering folksy Americana,” noting, “(Beta Radio) craft a warm sonic backdrop from arpeggiated synth and strings as delicately plucked acoustic guitar upholds lilting vocals while meditating simultaneously on themes of hope and pain.” “It Doesn’t Really Feel Like Spring“ followed and received equivalent acclaim, with American Songwriter praising it as “tranquil and layered, opening with a meditative synth part around which Mabry and Holloman built the rest of the arrangement.”
WAY OF LOVE arrived in August, highlighted by a sweeping title track featuring The National’s Bryan Devendorf on drums and horns by veteran trumpeter/arranger CJ Camerieri (Paul Simon, Bon Iver). Released in January 2021, AFRAID OF LOVE collected additional new material that emerged in the latter half of the year, including the title track, featuring strings from GRAMMY® Award-winning musician/arranger Rob Moose (Bon Iver, Paul Simon, Taylor Swift, Alabama Shakes) and joined by a powerful music video streaming now at YouTube HERE.
“On this album, we took what we learned from our last record, structured it, organized it, and told more of a story,” says Holloman. “Every six weeks over the past year, we turned in a song. So, it felt like we gave every song its own personality.”
“This was our pandemic project,” says Mabry. “It’s the first time we started without a theme. However, it ended up being more unified than anything we’ve ever done.
Nashville-based rock and soul singer-songwriter Maggie Rose releases the gospel-power of new song “Saint” from her forthcoming album, Have A Seat. “Saint” unfolds slowly as a delicate refusal to succumb to the expectations of others and ends in a giant choir-swaying groove as Rose belts “I’m not a saint” to the waves and swells of a fading Hammond B-3 and string section.
“This song’s about admitting to not being perfect and being okay with that,” says Rose. “It’s something we should stop expecting of women—because women are many things, and saintly is not a requirement.” Have A Seat arrives everywhere Friday, August 20 via Starstruck Records. Pre-orders are available now.
Have A Seat has received early praise with the release of the album’s fiery-horn-groove stomp song “Do It,” and the powerful “What Are We Fighting For,” a song that offers a gorgeous introduction to the album’s message of loving solidarity. The accompanying video for “What Are We Fighting For” premiered exclusively via CMT and MTV.
Have A Seat is Rose’s third full-length and was produced by Ben Tanner of Alabama Shakes at the iconic FAME Studios in Muscle Shoals, AL. In a series of pre-pandemic sessions, Rose recorded live with a lineup of heavy-hitters that includes bassist David Hood of the Swampers (the group of session musicians who played on records from legends like Aretha Franklin and Etta James) and guitarist Will McFarlane (Bonnie Raitt, Levon Helm), along with her longtime bandmates/collaborators Larry Florman (background vocals/percussion), Alex Haddad (guitars), and Sarah Tomek (drums) of Them Vibes, as well as guests such as Marcus King, among others.
Guitar virtuoso Julian Lage shares the elegant lead song, "Etude," from his soon-to-be-released Blue Note Records debut album, Squint, out June 11. Besides the graceful and intimate audio track, Lage today also releases a live performance video of the song.
Squint is a striking full-length that weds incisive, expressive songwriting with the profound interplay Lage has honed over the past few years with his deft trio featuring bassist Jorge Roeder and drummer Dave King (The Bad Plus). The album is available now for pre-order on vinyl, CD, or download. Squint was heralded last month with the release of the infectious lead single "Saint Rose." It was followed shortly thereafter by the loping swing of "Boo's Blues," which exemplifies Lage’s ability to write with his bandmates in mind while echoing his influences.
“I absolutely love improvised music, and I've always been fascinated by singer-songwriter music,” says Lage. “For me, the jazz that came out of Blue Note always engaged both sides of that. It had incredible improvisational vocabularies and performances, but when I think of albums from Grant Green’s Idle Moments to Joe Henderson’s Inner Urge to McCoy Tyner’s Time for Tyner with Bobby Hutcherson – all these records that I love so much also have such great songs. I felt like this was an opportunity to present new music born out of the Blue Note tradition as I’ve interpreted it.”
When the trio took the stage of the Village Vanguard for a six-night residency in January 2020, those ideas seemed ripe enough to explore as they planned to head into the studio. When those plans were upended by the pandemic, Lage took the opportunity to retool his new songs in light of the summer’s lockdown and protests over social justice. By the time he, Roeder, and King finally set foot in Nashville’s Sound Emporium in August, the tunes had taken on a deeper, darker air of mystery and searching.
Crafted after two years of touring together, Squint reflects the trio’s loose but deeply attuned chemistry while tracing the threads of those wide-ranging influences into new original pieces. Lage’s lyrical writing reveals his love for early rock and blues as well as songbook standards and the bold, memorable compositions of his jazz idols. In addition to co-producer Margaret Glaspy’s keen-eared influence, he’s also sharpened his songcraft via the informal counseling of Jeff Tweedy. The Wilco frontman’s influence can be felt on vibrant, infectious songs like “Saint Rose,” an ode to Lage’s California hometown Santa Rosa.
“Going into this album,” Lage recalls, “my first tactic was just to make positive, beautiful music – a beam of light from three cats who love each other. After the recording didn't happen, I started reflecting on the music’s intent. It was clearer than ever that art and music are platforms to influence and heal and facilitate conversations. It became really important to me to capture a certain sense of emotional complexity to the music, a little fuzziness. This record sits comfortably in the unknown.”
Finding comfort in that tenuous space was also aided by the presence in the studio of two of Lage’s closest compatriots, who served as co-producers: guitarist and longtime collaborator Armand Hirsch and singer-songwriter Glaspy. “On one level, the combination of Margaret and Armand is just abundant support,” Lage says. “But I also have such deep respect for what they both bring to the music. They helped make sure that the essential experience was always there, that Squint never became a pursuit to make a good jazz guitar record, but to create music with a clear spiritual pulse.”
The Golden Hour, set for June 11 release, demonstrates what happens when musical masters of two different generations venture fearlessly off their regular career paths, hightail it into a live-in-the-studio session with a powerhouse ensemble, and create a momentum-shifting project that puts them on fresh creative trajectories. Saxophonist/entrepreneur Dave Koz and hipster funk/jam band guitarist Cory Wong (Vulfpeck, the Fearless Flyers, Cory and the Wongnotes) may seem an unlikely pair, but together they imbue the album with a hard-edged spontaneous combustion and wind-in-your-hair carefree coolness. They’re backed by Wong’s 10-piece band, which includes a horn section arranged by Michael Nelson, Prince’s chief horn arranger.
Today, as the album pre-order launched, the two-GRAMMY nominated artists shared the exuberant first single, “Today,” and the accompanying video, which premiered on Wong’s YouTube channel.
To celebrate the release of The Golden Hour, Koz and Wong will play the entire album live from the rooftop of a houseboat, cruising Minneapolis’ St. Croix River at sunset. The livestream concert, which will feature Wong’s band, can be seen on Looped on Saturday, June 12.
“Recording The Golden Hour was the most fun I’ve ever had in the studio. It was also the most terrifying, but in a good way, because it was all about being vulnerable and having to stand on my own musical instincts, with everyone jamming on the arrangements at the same time,” recalls Dave Koz.
Cory Wong – who produced the album, co-wrote 10 of its 11 tracks, and played electric guitar, among other instruments – adds, “Besides ‘The Golden Hour’ being one of Dave’s favorite songs on the album, the term conjures up an image of a quintessential part of the day, either the afternoon before sunset or just after the sun comes up. That moment is about capturing warmth and authenticity when you feel so alive and full of energy, excited about what the future may hold. It’s that intersection between night and day, a transitional moment where momentum shifts from one thing to another.”
The Golden Hour – Track Listing
1. Today
2. Getaway Car
3. Feed The Id
4. The Golden Hour
5. Junkyard Dunebuggy
6. Little Rascals
7. Family Reunion
8. Engine 71
9. Your Side of Town (Art of Key Noise) feat. Phoebe Katis
10. Together Again
11. Gratitude
About Dave Koz:
In a recording career that spans three decades, saxophonist Dave Koz has racked up an astoundingly impressive array of honors and achievements: nine GRAMMY nominations, 12 No. 1 albums on Billboard’s Current Contemporary Jazz Albums chart, numerous world tours, performances for multiple U.S. presidents, a Star on the Hollywood Walk of Fame and more. A Platinum-selling artist, the California native is also known as a humanitarian, entrepreneur, radio host, and instrumental music advocate.
His 2020 album, A New Day -- released exactly 30 years to the week after his very first album came out – marked Dave’s first album of original material in 10 years and his 20th overall album. Conceived and recorded completely under the umbrella of COVID-19, with the express purpose of providing some musical comfort in these extremely uneasy times, it featured special guests Brian McKnight, Antwaun Stanley (Vulfpeck), Meshell Ndegeocello, Bob James, Marc Antoine, Rick Braun, Jeff Lorber, Chris "Big Dog" Davis and others. The album reached the No. 1 position on numerous jazz charts, including iTunes and Amazon, and delivered two back-to-back No. 1 singles: “Side By Side” ft. David Sanborn and “Dr. Norm” ft. Paul Jackson Jr. Koz will be touring the U.S. this summer.
About Cory Wong:
GRAMMY® Award-nominated songwriter, producer, and guitarist extraordinaire Cory Wong is a masterful musician and impossible-to-categorize artist adept at blending a variety of genres into his own unique sound. From his work as a member of Vulfpeck and The Fearless Flyers, to collaborations with Dave Koz and Jon Batiste, the Minneapolis, MN-based Wong has proven a restless creator and visionary musician, hailed for his distinctly original approach and dazzling live performances. 2020 saw Wong release an extraordinarily diverse series of eight original albums, spanning a stunning selection of sounds and musical styles. This year has already seen the premiere of his inventive new YouTube musical variety series, Cory and the Wongnotes, as well as an original album collecting music from the series’ first season backed by his explosive new 11-piece big band. CORY WONG AND THE WONGNOTES marks the first album in what will undoubtedly be another busy year for the indefatigable Wong as he continues making his mark as a prolific, once-in-a-lifetime artist and personality.
GRAMMY® Award-nominated songwriter, producer, and guitarist extraordinaire Cory Wong has announced the first ever live tour by Cory and the Wongnotes. The North American headline tour – which will see Wong performing two nightly sets backed by an 11-piece big band including a full six-member horn section including members of the Hornheads as well as members of the Late Show with Stephen Colbert house band along with featured vocalist Antwaun Stanley – begins November 3 in Kansas City, MO and then continues into February 2022; support comes from special guest Sierra Hull on select dates. Fan presales (powered by Seated) are available today at 12:00 PM (ET) through Wednesday, May 12 at 10:00 PM (local) – Password: WONGNOTES. Local presales follow on Thursday, May 13 from 10:00 AM-10:00 PM (local). General Admission sales begin Friday, May 14 at 10:00 AM (local). For complete details and ticket availability, please see www.corywongmusic.com/tour.
CORY AND THE WONGNOTES
FEATURING ANTWAUN STANLEY
NORTH AMERICAN TOUR 2021-2022
WITH SPECIAL GUEST SIERRA HULL ON ALL 2022 DATES
NOVEMBER 2021
3 – Kansas City, MO
5 – Denver, CO
6 – Salt Lake City, UT
8 – Vancouver, BC
9 – Portland, OR
10 – Seattle, WA
12 – San Francisco, CA
13 – Los Angeles, CA
14 – San Diego, Ca
16 – Phoenix, AZ
19 – Dallas, TX
20 – Austin, TX
JANUARY 2022
26 – Columbus, OH
27 – Detroit, MI
28 – Toronto, ON
29 – Pittsburgh, PA
30 – Rochester, NY
FEBRUARY 2022
1 – Burlington, VT
2 – Boston, MA
3 – Philadelphia, PA
4 – New York, NY
5 – Washington, DC
7 – Charlottesville, VA
8 – Raleigh, NC
10 – Asheville, NC
11 – Atlanta, GA
12 – Nashville, TN
13 – Indianapolis, IN
15 – St. Louis, MO
16 – Des Moines, IA
17 – Madison, WI
18 – Chicago, IL
19 -Minneapolis, MN
The epic tour marks the premiere live run from Cory and the Wongnotes following their debut earlier this year on Cory and the Wongnotes, the inventive new online variety series created and hosted by the seemingly inexhaustible Wong. The eight-episode series – which features live performances, original sketch comedy, special guests, interviews, and much more – was met by applause from such publications as Guitar World, which declared, “The master of funk wastes no time in picking up where he left off in 2020, with a show that boasts funky music, funny sketches and a number of special guests…a dizzying display of musical talent and comedic brilliance.” Cory and the Wongnotes is streaming now exclusively via Wong’s hugely popular YouTube channel.
Cory and the Wongnotes are also featured on CORY AND THE WONGNOTES, Wong’s first new album of 2021 after releasing an astounding eight original albums in 2020. The album – which collects music from Season 1 of Cory and the Wongnotes – includes the singles, “Coming Back Around (Feat. Cody Fry)” and “United (Feat. Antwaun Stanley),” both streaming now across all digital platforms. CORY AND THE WONGNOTES is available digitally HERE and on limited edition vinyl HERE.
Cory and the Wongnotes made their national television debut earlier this year an exuberant live #PLAYATHOME performance of “Bluebird” featuring legendary sax man Eddie Barbash on CBS’ The Late Show with Stephen Colbert.
Wong has also recently announced a series of European live dates, set to get underway July 2 at Lewes, England’s Love Supreme Jazz Festival 2021 and then resume in October with headline shows in Spain, Italy, Switzerland, France, Germany, Belgium, the Netherlands, Ireland, and the United Kingdom. For complete details and ticket availability, please see www.corywongmusic.com/tour.
CORY AND THE WONGNOTES marks the first album in what will undoubtedly be another busy year for the indefatigable Wong. An array of releases are slated through 2021 including the recently announced THE GOLDEN HOUR, a new album recorded in collaboration with GRAMMY® Award-nominated saxophonist Dave Koz. The album – which sees the two musical masters leading a live-in-the-studio session backed by members of The Wongnotes and a horn section arranged by Prince’s chief horn arranger, Michael Nelson – arrives at all DSPs and streaming services on Friday, June 11.
Wong and Koz will celebrate THE GOLDEN HOUR with a special virtual concert event featuring a performance of the album in its entirety, streaming live from the rooftop of a houseboat cruising Minneapolis’ St. Croix River at sunset. The livestream concert – which will feature backing from Wong’s band – will be broadcast via Looped on Saturday, June 12 at TIME TK. Tickets are available now HERE, with all ticket purchases accompanied by a digital copy of THE GOLDEN HOUR.
Phish has announced plans for a combined Summer and Fall Tour, set to get underway July 28 at Rogers, AR’s Walmart AMP and then travel through a four-night Halloween run – beginning October 28 – at Las Vegas, NV’s MGM Grand Garden Arena. The tour includes multi-night stands at Alpharetta, GA’s Ameris Bank Amphitheatre (July 31 - August 1), Nashville, TN's Ascend Amphitheater (August 3 - 4), Noblesville, IN’s Ruoff Music Center (August 6 - 8), Hershey, PA’s Hersheypark Stadium (August 10 - 11), Atlantic City, NJ’s Atlantic City Beach (August 13 - 15), George, WA’s Gorge Amphitheatre (August 27 - 29), Stateline, NV’s Lake Tahoe Outdoor Arena at Harveys (August 31 - September 1), Commerce City, CO’s Dick’s Sporting Goods Park (September 3 - 5), San Francisco, CA’s Chase Center (October 16 - 17), Eugene, OR’s Matthew Knight Arena (October 19 - 20). Additional highlights include Sacramento, CA’s Golden 1 Center (October 15) – Phish’s first show in the California state capitol in 25 years – as well as Phoenix, AZ’s Ak-Chin Pavilion (October 22), marking the band’s first Arizona date since 2003.
The upcoming schedule includes a number of dates rescheduled from 2020; a limited quantity of tickets for these previously announced shows are available now via Phish Tickets as a real-time sale (while supplies last), as well as at public outlets such as Ticketmaster. An abbreviated ticket request period for all newly announced shows is currently underway at https://tickets.phish.com and will continue through Monday, May 17 at 10 am (ET). Tickets go on sale to the general public beginning Friday, May 21 at 10 am (ET).
Travel packages for Las Vegas will go on sale Thursday, May 20 at 1 pm (ET), exclusively via www.cidentertainment.com/events/phish. A limited number of travel packages have already been released for the George, Lake Tahoe, and Commerce City runs; Foundation tickets and travel packages for Atlantic City are available now.
Fans who cannot attend the rescheduled dates and have purchased tickets from an authorized sales channel – including Ticketmaster, Phish Tickets, CID, or venue websites – will have until June 10, 2021 to request a full refund; all ticket buyers will be contacted soon with further instructions. In addition, shows originally scheduled for Atlanta, GA’s Piedmont Park and Hershey, PA’s Giant Center have been canceled. Refunds will be automatic at the point of purchase; Ticketmaster and Phish Tickets will be contacting all buyers directly.
Phish Tour:
07/28 Walmart AMP, Rogers, AR
07/30 Oak Mountain Amphitheatre, Pelham, AL
07/31 Ameris Bank Amphitheatre, Alpharetta GA
08/01 Ameris Bank Amphitheatre, Alpharetta GA
08/03 Ascend Amphitheater, Nashville, TN
08/04 Ascend Amphitheater, Nashville, TN
08/06 Ruoff Music Center, Noblesville, IN
08/07 Ruoff Music Center, Noblesville, IN
08/08 Ruoff Music Center, Noblesville, IN
08/10 Hersheypark Stadium, Hershey, PA
08/11 Hersheypark Stadium, Hershey, PA
08/13 Atlantic City Beach, Atlantic City, NJ
08/14 Atlantic City Beach, Atlantic City, NJ
08/15 Atlantic City Beach, Atlantic City, NJ
08/27 Gorge Amphitheatre, George, WA
08/28 Gorge Amphitheatre, George, WA
08/29 Gorge Amphitheatre, George, WA
08/31 Lake Tahoe Outdoor Arena at Harveys, Stateline, NV
09/01 Lake Tahoe Outdoor Arena at Harveys, Stateline, NV
09/03 Dick’s Sporting Goods Park, Commerce City, CO
09/04 Dick’s Sporting Goods Park, Commerce City, CO
09/05 Dick’s Sporting Goods Park, Commerce City, CO
10/15 Golden 1 Center, Sacramento, CA
10/16 Chase Center, San Francisco, CA
10/17 Chase Center, San Francisco, CA
10/19 Matthew Knight Arena, Eugene, OR
10/20 Matthew Knight Arena, Eugene, OR
10/22 Ak-Chin Pavilion, Phoenix, AZ
10/23 North Island Credit Union Amphitheatre, Chula Vista, CA
The String Cheese Incident is thrilled to announce their 5-night Colorado run this July. SCI will play two nights at the Dillon Amphitheater on July 13 and 14, followed by three nights at Red Rocks Amphitheatre July 16, 17 and 18.
A note from the band:
We understand the demand for our Red Rocks shows may exceed the available tickets and want all fans to have a fair shot at joining us. This year, there will be a "Fair AXS" ticket request period. Fans can begin to request Red Rocks tickets starting now for individual nights, as well as 3-Day passes.
Information regarding AXS Fair, ticket prices, viewing sections, accessible viewing and more can be found on the 3-Day and individual show pages for July 16, 17, and 18.
In the event that Red Rocks capacity is increased and sectioning is no longer required, all tickets for Red Rocks only will be general admission (besides rows 1-4 and row 70).
About The String Cheese Incident:
The past three decades have written a story packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments. The String Cheese Incident has been recognized for their commitment to musical creativity and integrity, for their community spirit, philanthropic endeavors, and for their innovative approach to the business of music.
When The String Cheese Incident’s growth first started gaining momentum in the 1990s, as the Internet was just beginning to take hold and the major-label business model was failing, the band decided to make music on their own terms.
Since then, The String Cheese Incident has gone on to carve out a completely unique approach to the business of music; they are truly pioneers of a new way of “making a band.” With the Internet as their tool, SCI was among the first artists to disseminate information online, such as tour dates, release information, and other news, to their growing fan base. Rather than doing business on such terms as “the bottom line,” SCI put their music and their fans first, opening companies of their own, including a ticketing company, a merchandise company and a fan travel agency, to best serve their community. The band’s record label, SCI Fidelity Records, has always operated under the same ideals. Even early on, SCI Fidelity embraced downloadable music and file sharing, delivering SCI’s “On The Road” series, where every show the band plays is made available for download on the Internet. Whether they realized it at the time or not, The String Cheese Incident was inventing grassroots band development. Today, literally hundreds of bands are using some version of this same approach to build their brand.
The String Cheese Incident’s commitment goes well beyond their immediate community, and even beyond the music community as a whole. Early on, the band took a serious interest in giving back to the communities that they visited, and they were among the first performers to encourage “Green” shows and tours. SCI’s support has helped give rise to such not-for-profit organizations as Conscious Alliance and HeadCount. All the while, The String Cheese Incident has stayed committed to music as a creative endeavor, not just in their recordings but also in their live performances. The list of SCI’s special guests and collaborators is long and diverse. Their annual events such as Electric Forest and Hulaween, and holiday shows such as New Year’s Eve, have helped redefine the concert experience and have garnered the band a reputation as live music vibe innovators.
This summer Joe Bonamassa is returning to the main stage for a string of concerts in the US! With dates already announced for California, Colorado, and Utah, today he adds two more shows for Las Vegas, NV, and Cheyenne, WY. Fans have long awaited seeing their guitar hero perform live again, and now they will finally have the chance to reunite. Bonamassa, a man who before COVID-19, spent more days on the road than not every year, has been itching to get back to his busy international tour schedule. Thankfully, as the world continues to work towards a return to normalcy with new health guidelines and continued precautions against the COVID-19 virus, concerts are slowly but surely starting again. When Bonamassa hits the stage at Red Rocks Amphitheatre this year, it will be an extra special show, as he’ll commemorate his 6th year performing there! Tickets to Bonamassa’s Summer 2021 tour are on sale now at https://jbonamassa.com/tour-dates
Bonamassa will be backed by a stellar band of legendary musicians including Late Night with David Letterman's Anton Fig (drums), Nashville recording legend Michael Rhodes (bass), Rock & Roll Hall of Famer and member of Stevie Ray Vaughan and Double Trouble, Reese Wynans (piano/organ), Paulie Cerra (sax), Lee Thornburg (trumpet), along with soulful background singers to bring a whole new life to the show which will feature brand new songs alongside career-spanning favorites.
Bonamassa is one of today's top live performers and his enthusiastic shows are one of the biggest parts of his career and a favorite for music lovers worldwide. Hailed internationally as one of the greatest guitar players of his generation and cited by Guitar World Magazine as “the world's biggest blues guitarist,” Bonamassa has almost single-handedly redefined the blues-rock genre and brought it into the mainstream.
Last year when COVID-19 put the live touring industry on hold, Joe Bonamassa did something unprecedented so he could still connect with fans – he put together a one-night-only show at the iconic Ryman Auditorium in Nashville, TN to be live-streamed for fans everywhere. That night he united people across 44 countries worldwide for a phenomenal live music presentation of his brand-new album “Royal Tea” before it was even released. Now, to celebrate the return of live shows, the concert has been re-mixed and mastered for physical release as “Now Serving: Royal Tea Live From The Ryman” on June 11th and will be available to own on CD, DVD, Blu-Ray, and Double LP. The DVD will include a film introduction narrated by actor Jeff Daniels. To pre-order, visit shop.jbonamassa.com. The critically-acclaimed performance includes 12 incredible live tracks, featuring the best from his latest studio release Royal Tea, Joe’s 24th #1 record on the Billboard Blues chart, which was recorded at Abbey Road Studios in London. It also includes 3 electrifying tracks from his 20th-anniversary album A New Day Now.
There’s never been a more important time to celebrate live music, and what better way to do it than with one of the most mesmerizing live performers and powerful Blues Rock players in the biz! Bonamassa cannot wait to re-connect with his fans on the road this summer, so be sure to get tickets before they sell out, and grab a copy of “Now Serving: Royal Tea Live From The Ryman” for the perfect soundtrack to get ready for the live concert! Bonamassa is back, better than ever, and ready to rock! Don’t miss out!
Today marks the start of Greensky Bluegrass’s spring tour which will feature several multi-night performances at venues across the country including fan favorites like Red Rocks in Colorado and Horning’s Hideout in Oregon as well as festival appearances at Summerfest, Bonnaroo, Telluride Bluegrass Festival, 4848, and many more. A welcomed change from the past year.
Today also marks the release of The Leap Year Sessions: Volume 3. The Leap Year Sessions came to life in 2020 when the band was forced to halt everything. The sessions were a way for the band to perform for fans in a safe way. There were eight sessions in total and not a single song repeat. This year, the band has been releasing the sessions as a way to give back to their fans, as well as a reminder to themselves of what 2020 was for us all.
Earlier this week, Garden and Gun exclusively premiered video performances of “Tuesday Letter” and “Past My Prime,” both songs featured in TLYS: Volume 3.
Award-winning singer-songwriter-guitarist Molly Tuttle has announced today’s release of her all new digital only three-song covers EP. …but i’d rather be with you, too is available now via Compass Records at all DSPs and streaming services. A companion official music video for Tuttle's cover of Phantogram's "You Don't Get Me High Anymore," featuring Iron & Wine is available now via her YouTube page.
WATCH "YOU DON'T GET ME HIGH ANYMORE" OFFICIAL MUSIC VIDEO
Produced once again by Tony Berg (Phoebe Bridgers, Andrew Bird), …but i’d rather be with you, too is an addendum to Tuttle’s acclaimed 2020 covers LP, …but i’d rather be with you. The new EP showcases a remarkable trio of creative covers performed with some of Tuttle’s friends and favorite fellow artists, including renditions of Sheryl Crow’s “Strong Enough” performed with Madison Cunningham, Phantogram’s “You Don’t Get Me High Anymore” performed with Iron & Wine, and the Tom Petty/Stevie Nicks classic “Stop Draggin’ My Heart Around” performed with Nathaniel Rateliff, the latter of which had its official world premiere yesterday on SiriusXM’s Tom Petty Channel.
“Nathaniel has been someone whose music helped get me through the struggles of this past year,” Tuttle says, “and it was such an honor to sing with him on this song that I love. I have always wanted to work up this classic Stevie Nicks/Tom Petty duet with someone and it was a thrill to do it with one of my favorite singers. We recorded our parts remotely but I hope we get to do it in person someday!”
Released last August to worldwide critical applause, …but i’d rather be with you collects 10 striking cover songs recorded during quarantine and produced with the help of Tony Berg. Among its many riches, the album includes renditions of The National’s epic “Fake Empire,” Rancid’s “Olympia, WA,” The Rolling Stones’ “She’s A Rainbow,” FKA twigs’ “Mirrored Heart,” and the Grateful Dead favorite, “Standing On The Moon,” all joined by official companion videos streaming now via YouTube.
MOLLY TUTTLE ON TOUR 2021
05..20.21 - Delray Beach, FL // Old School Square^
05.21.21 - St. Augustine, FL // The Saint Augustine Amphitheater^
05.22.21 - North Charleston, SC // The Bend^
05.25.21 - Arden, DE // Arden Club
05.26.21 - Sellersville, PA // Sellersville Theater*
05.27.21 - Alexandria, VA // The Birchmere
05.28.21 - Alexandria, VA // The Birchmere
05.29.21 - Charlottesville, VA // The Festy*
05.30.21 - Annapolis, MD // Rams Head On Stage
06.04.21 - Hattiesburg, MS // The Lawn At Lake Terrace^
Today, guitarist, multi-platinum-selling singer-songwriter, bandleader, Rock and Roll Hall of Fame inductee, and Songwriters Hall of Fame electee Steve Miller releases his album of an epic live show from 1977. The new full-length concert recording, Steve Miller Band Live! Breaking Ground: August 3, 1977, arrives via Sailor/Capitol/UMe in a variety of formats, including digital, CD, and 2xLP black vinyl. The accompanying live concert video featuring the full performance is also now available to stream on The Coda Collection on Amazon Prime Video.
Says Miller: “This show from August of 1977 at the Cap Center in Landover, Maryland, captures the band right at the peak after The Joker, and in the middle of Fly Like an Eagle and Book of Dreams, a stream of hits…We decided to call it Breaking Ground because that's exactly what we were doing.”
Steve Miller Band Live! Breaking Ground: August 3, 1977 includes original liner notes by music journalist David Fricke who says – “Breaking Ground captures the Steve Miller Band on stage in one of their biggest years, 1977. They were at a perfect crossroads of psychedelic zeal and progressive, popcraft while staying true to Miller's first love, the blues.”
Steve Miller Band Live! Breaking Ground: August 3, 1977 captures Miller’s legendary 1977 lineup at the beginning of the band’s turn from playing ballrooms and theatres to arenas and football stadiums. Recorded at the Capital Centre in Landover, MD on multi-track tape and newly mixed and mastered by Miller and his veteran audio engineer Kent Hertz.
The Steve Miller Band Greatest Hits 74-78 album is in the top 40 of the best-selling albums of all time according to the RIAA. Recent releases for SMB include the 9LP 180-gram vinyl box set, Complete Albums Volume 2 (1977-2011), as well as the 3CD + DVD archival box set, Welcome To The Vault, both available via uDiscover.
GRAMMY® Award-winning guitar virtuosos Rodrigo y Gabriela release their JAZZ EP today via Rubyworks/ATO at all DSPs and on 12” cloudy orange vinyl (limited to 3,000 copies worldwide and individually numbered). Rod and Gab’s recently released heroic interpretation of "Street Fighter Mas" by tenor sax giant Kamasi Washington, their sublime interplay with flamenco-guitar legend Vicente Amigo on Astor Piazzolla’s timeless "Oblivion," have helped introduce their magical guitar interplay to a whole new world of music fans. Today, they get to hear the duo's distinctive take on Snarky Puppy's "Lingus."
"For the final track on the JAZZ EP, we really enjoyed the challenge of arranging and recording this epic 2014 track by jazz ensemble Snarky Puppy for two guitars," says Rodrigo.
"The response from our fans to our interpretations of the tracks by Kamasi Washington and Astor Piazzolla has been incredibly gratifying," adds Gabriela. "We really hope they will now enjoy the JAZZ EP as a complete listening experience, as it was a blast for us to put all the music together."
"When I first heard Rodrigo y Gabriela's take on 'Lingus,' my jaw hit the floor," says Snarky Puppy's Michael League. "Taking a song written for 16 people and doing it with two is no small task, but what struck me most was the way in which they made it their own while preserving the heart of the composition."
Rodrigo y Gabriela will be celebrating the release of JAZZ EP with a livestream performance via Dreamstage tonight. The show will take place at 6 pm PT/9 pm ET with an additional airing on May 15 at 8 pm GMT. Tickets are available now.
Rodrigo y Gabriela are also excited to announce 22 American tour dates. The shows start on September 1 at Boulder, CO's Chautauqua Auditorium and end October 16 at the Fillmore in Minneapolis, MN. Complete dates below. Tickets will go on sale on Friday, May 21 at 10am (local). Irish singer-songwriter David Keenan will support on select dates as well as Mexican singer-songwriter Silvana Estrada as noted below.
RODRIGO Y GABRIELA TOUR 2021
SEPTEMBER
1 - Boulder, CO - Chautauqua Auditorium *
3 - Vail, CO - Gerald R. Ford Amphitheater *
4 - Colorado Springs, CO - Pikes Peak Center *
8 - Troutdale, OR - Edgefield *
10 - Sacramento, CA - Crest Theater *
11 - Napa, CA - Oxbow Riverstage Concert Series *
12 - San Diego, CA - Humphrey's Concerts By The Bay *
14 - Santa Barbara, CA - Arlington Theater *
15 - Anaheim, CA - House of Blues *
26 - Austin, TX - ACL Live at Moody Theater
28 - San Antonio, TX - Tobin Center for Performing Arts **
OCTOBER
1 - Atlanta, GA - Buckhead Theater
2 - Charleston, SC - Charleston Music Hall **
3 - Wilmington, NC - Greenfield Lake Amphitheatre **
5 - Charlotte, NC - The Fillmore Charlotte **
6 - Washington, DC - Anthem
8 - Hershey, PA - Harrisburg University at Hershey Theatre **
9 - Boston, MA - Orpheum Theatre **
10 - New York, NY - Pier 17
11 - Munhall, PA - Carnegie of Homestead Music Hall **
Following a completely sold-out run of tour dates this month, Norwalk, CT-based rockers Goose release the third song from their eagerly awaited new album, SHENANIGANS NITE CLUB. The 10-minute odyssey the band is calling "Madhuvan" is a live show staple of late that the band shortened for the studio version. Though half as long here, the song still captures the travelogue aesthetic that has made it a fan favorite. Classically Goose in that its groove is as deep as its sense of melody is indelible, "Madhuvan" references the story of Dhruva and his quest for enlightenment, originally written in the Bhagavata Purana. The song is an exploratory journey, examining life's most beautiful offerings and most dangerous pitfalls.
"The underlying idea is questioning what you’re pursuing and that, ultimately, true fulfillment often comes from something other than outer acquisition," says guitarist/vocalist Rick Mitarotonda.
SHENANIGANS NITE CLUB is Goose's second studio LP and first full-length collection in more than five years. It was heralded in March with the release of its first song, “Spirit of the Dark Horse," and arrives everywhere on Friday, June 4. Pre-orders are available now. Last month, the band released "So Ready." Hitting that sweet spot where rock met disco in the late 70s, the slinky funk pocket groove of "So Ready," made indelible by its catchy wide lapel melody lines and liquified guitars, is available now at all DSPs and streaming services. An animated official music video that harkens back to the feverish Saturday nights of the dancing days of yesteryear is available for streaming via Goose's YouTube channel.
SHENANIGANS NITE CLUB follows the recent release of Goose’s remarkable cover of Vampire Weekend’s “2021 (January 5th, to be exact),” featured on Vampire Weekend’s new 40:42 EP and available now at all DSPs and streaming services. Personally commissioned by Vampire Weekend’s Ezra Koenig – a longtime Goose fan – with the only directive to make it twenty minutes and twenty-one seconds long, the expansive track is accompanied by a full-length performance video, streaming now via YouTube.
WATCH GOOSE x VAMPIRE WEEKEND'S “2021 (JANUARY 5TH, TO BE EXACT)”
Hailed by Billboard for their "penchant for innovation and creativity during the pandemic," Goose debuted some of the new SHENANIGANS NITE CLUB songs during a series of socially distant live dates beginning May 3 and 4 at Frederick, MD’s Showtime At The Drive-In and then hitting North Charleston, SC’s Riverfront Park (May 6) and Pelham, TN’s The Caverns Above Ground Amphitheater (May 8 and 9). All five dates completely sold out after unprecedented demand; limited tickets remain for shows at Silver Lake Drive in Perry, NY (June 15 and 16) and Legend Valley in Thornville, OH (June 18 and 19). For updates and complete details, please visit goosetheband.com/tour.
An ode to oft-forgotten vestiges of Goose’s musical journey, both personal and collective, SHENANIGANS NITE CLUB marks the apex of a rich history between friends of differing ages and experiences from the same small town in Connecticut, drawn together through a deep love of music and storytelling. Songs like the tectonic “Labyrinth” and the ruminative deep-dive, “SOS,” fluidly traverse genres with head-spinning hooks, technical fireworks, and the kind of rare chemistry only possible among truly close collaborators.
“While we’ve been touring, the record has been happening in the background,” says Mitarotonda. “It’s been quite the process. At times, it was difficult. The record is a companion to those growing pains.”
Goose made their remarkable debut with 2016’s Moon Cabin and quickly took flight, playing countless shows while steadily amassing a fervent nationwide following. Years of relentless touring culminated in a string of milestone festival performances during the summer of 2019, highlighted by a now-legendary performance at Scranton, PA’s annual Peach Fest (streaming in its entirety HERE). Further touring followed, including a completely sold-out fall headline run and hastily scheduled dates at NYC’s Bowery Ballroom and Music Hall of Williamsburg in January 2020, both of which proved instant sell-outs.
2019 and 2020 also saw Goose return to the studio for a series of extraordinary single releases, collected on last year’s NIGHT LIGHTS EP (available HERE). The tracks – mastered by the first-ever female GRAMMY® Award winner for “Best Engineered Album, Non-Classical,” Emily Lazar (Sia, Clairo, Haim) – exhibit a fully unified live outfit eager to showcase and develop their studio voice.
Due in part to their trademark inclination for improvisation, Goose was able to creatively navigate the myriad challenges presented by the COVID-19 pandemic. A succession of intimate virtual performances culminated with the unprecedented “Bingo Tour,” a two-week live streaming event featuring four unique concerts with setlists determined by the outcome of a live Bingo game. Held at a bucolic private property in Fairfield County, CT, the interactive performances were captured for posterity in the full-length concert film, Bingo Tour, joined by an exclusive 55-minute behind-the-scenes documentary and available to rent or download HERE.
Fall 2020 saw a welcome return to live performance with a slew of sold-out drive-in shows across the Northeast, Midwest, and Mid-Atlantic regions. Propelled by seemingly unstoppable momentum, Goose wrapped up the year with their seventh annual Goosemas holiday benefit concert, streamed live from a rooftop in New York City’s Rockefeller Center to over 50K fans exclusively via Twitch’s new Relix Channel. The epic 3-hour performance – which raised over $45,000 for NIVA’s Save Our Stages and Conscious Alliance – can be viewed now at the official Goose YouTube channel HERE; a full-length audio recording is available via Bandcamp HERE.
“Our dream is to inspire people to step off the beaten path,” says Mitarotonda. “There are a lot of voices that tell you to play it safe. I think the coolest thing in the world is when someone breaks free and goes for whatever weird shit they dream of doing.”
Goose is Rick Mitarotonda (vocals, guitar), Peter Anspach (vocals, keys, guitar), Trevor Weekz (bass), Ben Atkind (drums), and Jeff Arevalo (vocals, percussion, drums).
The St. Louis roots, rock and ‘grass duo River Kittens have shared their new song “Trouble” ahead of their forthcoming, debut EP Soaking Wet is due out on May 28 via Create Records.
The River Kittens have been on tour with The Allman Betts Band as direct support for several weeks already this year, and are gearing up to head back out later this month.
“Trouble” follows the release of “Illinois Boy” earlier this spring, as well as a bluegrass makeover of Bruce Springsteen’s “Atlantic City” which was released earlier this year.
River Kittens, Allie Vogler and Mattie Schell sound like they’ve been singing together their entire lives. They sing like angels and fight like sisters, even though the pair first met and sang together at a metal bar in 2014. They’re salty and sweet, and sometimes sour too, but their two unique approaches blend together perfectly. River Kittens’ effortless harmonies and honest songwriting can move an audience to laughter or tears, sometimes both.
Today - The Allman Betts Band have announced several new dates to their already busy spring and summer touring schedule and will hit the road on May 27. In addition to newly announced shows, the band has announced three very special NoCap livestreams. The streams will air on Mondays, starting June 14, and will go through June 28. When fans purchase all three streams, they will unlock an exclusive interview with acclaimed TV host and radio DJ Matt Pinfield.
Monday, June 14 - From the famous Village Studios in Los Angeles, The Allman Betts Band will play a special seated, intimate acoustic show. Featuring songs from Down to the River, Bless Your Heart and some other gems.
Monday, June 21 - The Allman Betts Band will play their latest album Bless Your Heart in its entirety for the first time ever. Live from the famous Roxy Theatre on The Sunset Strip in Hollywood, California.
Monday, June 28 - By very popular fan demand, The Allman Betts Band for the first time ever, will play an entire set of Allman Brothers Band songs. Live from the Roxy Theatre in Hollywood, California.
Exclusive merchandise for these events will be offered. Limited edition T-shirts, hoodies, posters, setlists, handwritten song lyrics, and a chance to win an autographed guitar signed by the band. Order all three shows as a 3-pack and one merchandise bundle to be instantly entered for a chance to win the guitar.
Tickets for the NoCap livestreams are available HERE.
Allman Betts Band on Tour
May 27 | Florence, SC @ Francis Marion University PAC
May 29 | Birmingham, AL @ Alabama Theatre
May 30, | Pensacola, FL @ Saenger Theatre
Jun 1 | Key West, FL @ Key West Theatre
Jun 2 | Key West, FL @ Key West Theatre
Jun 3 | Delray Beach, FL @ Old School Square
Jun 4 | Clearwater, FL @ Ruth Eckerd Hall
Jun 5 | Orlando, FL @ Hard Rock
Jun 6 | Tallahassee, FL @ The Moon
Jun 9 | Macon, GA @ Macon City Auditorium
Jun 10 | Walhalla, SC @ Walhalla Performing Arts
Jun 11 | Ashland, VA @ The Pavilion
Jun 12 | Union Hall, VA @ The Coves
Jun 13 | Alexandria, VA @ Birchmere
Jun 15 | Vineland, NJ @ Landis Theatre
Jun 18 | Swanzey, NH @ Monadnock Drive-In
Jun 19 | Lafayette, NY @ Apple Valley Park
Full touring schedule and up to date news can be found HERE.
My Morning Jacket have unveiled plans for their first US headline tour in five years. The dates begin August 27 at Charlotte, NC’s Metro Credit Union Amphitheatre, and then travel through a three-night-stand at Chicago, IL’s Auditorium Theater on November 4, 5, and 6. Additional highlights include multi-night-stands at Queens, NY’s Forest Hills Stadium (September 10-11) and Seattle, WA’s Paramount Theater (October 1-2). Special guests throughout the tour will include Flock Of Dimes (August 27), Brittany Howard (September 3-11), Durand Jones & The Indications (September 23-October 3), and Bedouine (October 29-November 6).
Fan presales and VIP presales begin tomorrow, May 19 at 10:00 AM (local) and continue through Thursday, May 20 at 10:00 PM (local). All remaining tickets will be released to the general public on Friday, May 21 at 10:00 AM (local) except for Chicago shows, which go on sale on Friday, May 21 at 12:00 PM (local). For complete details and ticket availability, please see www.mymorningjacket.com/events.
My Morning Jacket will present a wide-ranging live set encompassing new music alongside fan favorites and classic greatest hits from their epic catalog. In addition to the just-announced headline dates, the band will also make a number of festival appearances, including Lexington, KY’s Railbird Festival (August 28), Manchester, TN’s Bonnaroo Music & Arts Festival (September 4), Dana Point, CA’s Ohana Festival (September 24), and Live Oak, FL’s Suwannee Hulaween (October 30).
In partnership with PLUS1, $1/ticket will go to support non-profits working for environmental justice, racial equity, and securing access to mental health care for all.
Hailed by the New York Times as “the new kings of expand-your-mind, religious-experience rock,” My Morning Jacket has released eight studio albums, with 2008’s EVIL URGES, 2011’s CIRCUITAL, and 2015’s THE WATERFALL each receiving GRAMMY® Award nominations for “Best Alternative Album.” In summer 2020, the band surprise-released THE WATERFALL II and the album was met by worldwide critical acclaim. Pitchfork declared, “If its predecessor was about conflict and healing – it’s My Morning Jacket’s thorniest album, emotionally speaking – then this follow-up is more about what comes after that healing,” while the Wall Street Journal called it “an epic meditation on desire.” “Despite its sequel-style title, The Waterfall II stands as an equal to its well-loved predecessor,” wrote Consequence, “one that moves from the sunny banks at the top of the falls to the deep and bracing waters down below.” Uncut called the album “sweetly sprawling,” noting that it includes epic Crazy Horse jams, beautiful low-key ballads, a spot of soft jazz, country, and a soul number…tied together by Jim James’ consistently terrific vocals and the ever-present threat of sustained reverb.” My Morning Jacket made band history at radio with THE WATERFALL II’s single, “Feel You,” which reached #1 on the Billboard, Mediabase, and Triple-A charts.
My Morning Jacket: Jim James (vocals, guitar), Tom Blankenship (bass), Patrick Hallahan (drums), Carl Broemel (guitar), and Bo Koster (keyboards).
MY MORNING JACKET US TOUR 2021
AUGUST
27 – Charlotte, NC – Charlotte Metro Credit Union Amphitheatre ”
28 – Lexington, KY – Railbird Festival
SEPTEMBER
3 – Alpharetta, GA – Ameris Bank Amphitheatre ^
4 – Manchester, TN – Bonnaroo Music & Arts Festival
7 – Columbia, MD – Merriweather Post Pavilion ^
8 – Philadelphia, PA – The Mann - TD Pavillion ^
10 – Queens, NY – Forest Hills Stadium ^
11 – Queens, NY - Forest Hills Stadium ^
23 – Santa Barbara, CA – Santa Barbara Bowl *
24 – Dana Point, CA – Ohana Festival
25 – Berkeley, CA – Greek Theatre at UC Berkeley *
28 – Troutdale, OR – McMenamins Edgefield Concerts *
Set to appear LIVE on US stages for the first time since the pandemic hit, Ben Folds has announced a series of concerts that include solo piano and orchestral performances he’s dubbed his “In Actual Person Live For Real Tour.” The tour begins with a solo piano concert on August 27 at the Appell Performing Arts Center in York, PA, and continues through mid-November.
Folds has been in isolation in Australia since February 2020, where he was on tour when COVID-19 shut down international travel and touring. While in Australia, he has continued working, launching a podcast series called Lightning Bugs: Conversations with Ben Folds, performing live stream concerts and online chats via his Patreon page, composing new music, and preparing for the launch of a new TV series.
Mickey Hart, the renowned percussionist for the Grateful Dead, is on a mission to awaken and expand our awareness through sound. He is gathering the universe’s deepest vibrations, mixing them with rhythm, and bending one's sense of self. Indeed, mystics for millennia have used meditation and sound to merge individual consciousness with cosmic consciousness. Hart’s new Commune course, Sound Consciousness: Drones for Sonic Bathing, serves the same timeless purpose. In collaboration with tabla virtuoso Zakir Hussain, he has produced 10 sonic bathing experiences paired with mind-bending animations of his own artwork. On May 20, 2021, Sound Consciousness will be released publicly on Commune, a video course platform for personal and societal well-being. Everyone can experience the first five segments of the 10-day course for FREE by visiting https://www.onecommune.com/drones.
Sound Consciousness: Drones for Sonic Bathing invites participants to go on a 10-day journey, setting aside 15 minutes per day to leave their usual plane of existence and travel through the vastness of their mindspace, gently landing back on earth relaxed, renewed, and with a radically revised sense of self.
"This is a sonic wonderland that gets you into the moment, into the now,” Hart says. “It gets you to connect to the very center of you, the vibratory center of you."
Each track mixes musical techniques old and new: traditional musical instruments such as the tabla, digitized rhythms of natural phenomena, sounds from Hart’s extensive collection of global recordings, and underlying and weaving through it all — mind-bending drones played on The Beam, an amplified Pythagorean monochord Hart has been refining for more than 40 years.
According to Hart, "A drone is a sonic miniature of the workings of the entire universe." They are not simple sounds, but rather complex sonic architecture. Drones are the key to connecting you to different veins of existence and to the fundamental physics of the universe.
ADDITIONAL INFORMATION
About Vibrational Expressionism: The Art of Mickey Hart:
The artwork accompanying this program is not separate from the musical experience, but rather a visual extension of it. The paintings featured in each video were literally drummed and vibrated into existence using techniques Hart developed in his studio in Northern California.
"These visual representations from my sonic-driven world are snapshots into the music I am making. Painting feeds the music, and music feeds the painting. They are two halves of the same experience."
Each painting has then been animated to the music, resulting in a mesmerizing experience akin to flying over alien landscapes or getting lost in a psychedelic interpretation of the infinitely complex organic patterns of water, wood, and weather.
Why Is This Program Unique?
There are many doorways on the path to investigating the true nature of the self. Our culture has refreshed and re-embraced the ancient lineages of yoga and meditation on this quest. In this course, however, Hart revives and reimagines one of the oldest portals to self-realization — sound. His creation of a 10-day sonic bathing experience represents a fresh-yet-timeless approach to healing that is needed more than ever in our constantly distracted and superficial modern condition.
Music as a Method of Healing:
Music has a profound impact on the brain, and thus is also a profound method for healing. This course is not only intended to bring you into the present but also as sonic medicine. You connect with the sound, and it releases you from the before and the after, which is where stress resides. Physically you begin to feel your pulse, your brainwaves entrain to the rhythms, and you become a different organism than you were before you heard the sound. From this point, you can engage more fully in life. You get to dance a different dance.
Guitar virtuoso Julian Lage will be touring the United States in the fall. Beginning September 25 at Los Angeles, CA's Teragram Ballroom, this first leg of touring in support of his June 11-released Blue Note Records debut, Squint, ends on October 9 at Toronto, ONT's Axis Club. The dates pick up again on December 4 at (Le) Poisson Rouge in New York City and continue through December 12 at Nashville, TN's The Basement East. The September-October run will feature bassist Jorge Roeder and drummer Kenny Wollesen.
Lage will be offering exclusive Master Classes in select cities throughout the tour. All Master Class tickets include admission for one to the evening’s concert. Where available, Master Class tickets will also include early admission to the show. During each class, 30 minutes will be spent teaching a unique piece of curriculum before a 10-15 minute Q&A session. Tickets to these classes are limited to ensure everyone comes away with a unique and hands-on experience. All tickets are on sale now. The complete itinerary is below. For more information on Lage's tour plans and Master Classes, please visit www.julianlage.com/tour.
Today, Lage is also releasing another epic live performance video of one of the songs from Squint. Beginning with a brooding pulse from King and bassist Roeder, “Familiar Flower” is a dedication to the great Charles Lloyd, with whom Lage has had the opportunity to play in recent years.
"Charles somehow writes and arranges his songs so that the second the beat starts, you know it's his tune," says Lage. "His DNA is just embedded into the rhythm section. I still don't know how he does it, but I tried to write that tune so that the tone is set before I even come in."
Squint is a striking full-length that weds incisive, expressive songwriting with the profound interplay Lage has honed over the past few years with his trio featuring Roeder and drummer Dave King (The Bad Plus). The album is available now for pre-order on vinyl, CD, or download. It was heralded in March with the release of the infectious lead single "Saint Rose," and then was followed shortly thereafter by the loping swing of "Boo's Blues," which exemplifies the guitarist's ability to write with his bandmates in mind while echoing his influences. Last month, he shared a live performance video of Squint's elegant lead song, "Etude."
“I absolutely love improvised music, and I've always been fascinated by singer-songwriter music,” says Lage. “For me, the jazz that came out of Blue Note always engaged both sides of that. It had incredible improvisational vocabularies and performances, but when I think of albums from Grant Green’s Idle Moments to Joe Henderson’s Inner Urge to McCoy Tyner’s Time for Tyner with Bobby Hutcherson – all these records that I love so much also have such great songs. I felt like this was an opportunity to present new music born out of the Blue Note tradition as I’ve interpreted it.”
Kate Vargas shares “Rumpumpo,” the first song to be released from her forthcoming album Rumpumpo, due out on Friday, July 16 via Bandaloop Records. The world got their first listen to the new song earlier this week on Apple Music’s Record Bin Radio.
The New Mexico native, and now New York-based artist wrote “Rumpumpo” during lockdown at Kid Rock’s old house in Malibu, and on Jackson Browne’s guitar.
“We had planned two full days in the studio to record the whole album live” Vargas says. “It felt like I, along with the whole world, went from being an object in motion to an object at rest. This was not initially how I thought about it but, in July 2020, in a conversation with Mikel Ross at Lucky Recording Company (The Go-Go's, George Clinton, Talib Kweli), after telling him I stalled out, he simply stated Newton’s First law - ‘an object in motion stays in motion, an object at rest stays at rest, unless acted upon by an external force.’ I needed an external force.”
Thus, “Rumpumpo” was born.
About Kate Vargas:
A reformed wild child, in recent years Kate Vargas has traded the party for meditation, yoga, clean eating and a renewed focus on what she values most—her music. The New Mexico-raised, NYC-based artist is building ever more mindfully on her sound, and the music press is taking notice, Vargas receiving praise from a variety of respected outlets including Billboard, NPR, Noisey, and the Huffington Post, the latter assessing, “There is an unlimited amount of potential in this superstar on the rise.”
Vargas has packed houses from Ireland’s Westport Folk and Bluegrass Festival to The Troubadour in London, The Mansion on O Street in Washington D.C. to New York’s Bowery Electric. Featuring her singular folk-style storytelling, Vargas’ songs are grounded in a darkly melodic, reverb-washed sonic palette of dreampop, dusty folk and junkyard blues, all carried by rough-hewn vocals and guitar playing. In equal measure, she channels a surprising array of artists, from Tom Waits, Fiona Apple, and 16 Horsepower to Lana Del Rey and K. Flay.
In March of 2020, the pandemic brought the world to a screeching halt just weeks before Vargas was scheduled to record her new album. With plans on indefinite hold, Vargas found herself struggling to find a way forward. Months later, while talking to a friend about her feeling that she had stalled out, he simply stated Newton’s First law - an object in motion stays in motion, an object at rest stays at rest, unless acted upon by an external force. She needed an external force.
Around the same time, in a fortuitous twist of fate, Vargas found herself on the west coast just as her producer was relocating out west as well. An external force. Not one to squander an opportunity, Vargas quickly made plans to record in Los Angeles. Two more problems emerged. One, Vargas’ beloved Gibson guitar was twenty eight hundred miles away in her apartment in New York and two, she still needed to write one more song for the album. Ever resourceful, calls were made and in the eleventh hour, Vargas found herself writing a song based on Newton’s First law on a guitar on loan from Jackson Browne. That song would become the title track, Rumpumpo.
“Gotta make the levee break, let the tonic take, double-stroking in a swim-or-syncopation
Well you won’t if you don’t get to doing, it’s Newtonian.”
Always challenging, Rumpumpo is peppered with restless moments, from the title track to the mesmerizing “Glorieta to the Holy Place”, a New Mexico-based story of a young girl’s pilgrimage to the town of Chimayo as a test of faith during the pandemic. Vargas escorts us to dark and uncomfortable places, but always with an arm around the shoulder and a reassuring grin. In the swampy “Spit 3 Times”, we are taken on a musical Mr. Toad’s Wild Ride, exploring the nooks and crannies of obsession, then thrust into the stripped-down ballad “Someday”, a love song at once morbid, disturbing and yet beautiful that reaches a peak reminiscent of George Martin and The Beatles (circa 1967). Whether drawn from folklore or direct experience, Vargas injects an intimate feel into each song via her poetic lyricism and jagged vocal delivery. At times, Vargas damn near hypnotizes, her compositions seeping to the edge of the subconscious, hardwiring listeners to ponder questions that, in other contexts, might make them squirm.
Vargas’ childhood in Corrales, New Mexico, had a profound impact on the woman and artist she would become. This artist and farming village just outside Albuquerque was populated with Mexican-Catholic families like hers, as well as creatives and a variety of seekers. It was a community rich in oral tradition and folklore, steeped in tales of good and evil, ghosts and witches, sin, The Devil—even extraterrestrial visitors. “It was a strange and wonderful place that I’ve really come to appreciate as an adult. There was a culture of storytelling, and the stories were often dark—the way I write songs now is rooted in that tradition. The paranormal and the supernatural always seem to make their way in. It was a great place for an imagination to run wild. If I told my mother I was bored, she’d tell me, ‘Go outside and pretend something.’”
Still, the slow pace of rural small-town life was excruciating at times for Vargas, who longed for the action and possibility of the big city. She began playing the flute at a young age and by the time she was in high school developed an interest in jazz that led her to Boston where she studied music at Berklee. Once there, she consistently found herself coming back to writing and guitar after classes. Upon graduating from Berklee, Vargas relocated to New York City, playing an open mic night every Monday at the now defunct P & G Bar on the Upper West Side. “People were so disgustingly positive,” she says, “and that kept me coming back.”
Eventually, the club gave her a showcase spot and more gigs followed. With people continually asking her for a CD, Vargas knew the time had come to make an album. Her debut, the DIY affair Down to My Soul, was released in 2014, hinting at the promise of a vibrant new voice. Her follow-up, 2016’s Strangeclaw, was recorded at New York’s Mercy Sound Studios (Blondie, Macy Gray) and mastered at the legendary Abbey Road Studios in London, capturing Vargas’ impressive growth as an artist in gorgeous fidelity.
Vargas really hit her stride with 2018’s For the Wolfish & Wandering, connecting with audiences like never before, culminating in invitations to perform on NPR’s Mountain Stage, an official showcase at Nashville’s AmericanaFest, several performances at the 30A Songwriters Festival, as well as her songs appearing on television shows Stumptown (ABC), Midnight, Texas (NBC) and Good Trouble (Freeform).
With Rumpumpo, Vargas continues her meteoric rise with songs that stir the emotional cauldron, blazing a genre-bending path that is both sonically and lyrically daring.
Trojan Jamaica/BMG is proud to announce the release of U-Roy’s final full-length album, SOLID GOLD U-ROY. The album was originally set to come out in 2020 with plans for a worldwide tour in support, but unfortunately, the pandemic delayed the release. Now, with the heartbreaking loss of U-Roy on February 17, the album has become a celebration of one of the most profoundly influential reggae stars of his generation. An originator of the chatty rhythmic vocal style known as toasting -- a key foundational element in the development of rap in its early stages in the 1970s -- U-Roy left behind an unmatched legacy which is clearly on display on SOLID GOLD U-ROY, with its guest appearances including Ziggy Marley, Shaggy, Mick Jones of The Clash, Santigold, Sly & Robbie, David Hinds of Steel Pulse, Big Youth, Tarrus Riley, Rygin King, Jesse Royal, Richie Spice, and Scientist. The album arrives on July 16, 2021; pre-orders are available now.
SOLID GOLD U-ROY is being heralded today by the release of “Man Next Door. (Feat. Santigold).” One of the great reggae songs of all time, the track features an indelible guest appearance by the incomparable Santigold. “Man Next Door” is a beloved reggae standard written by John Holt and released in 1968 by his group The Paragons. U-Roy sampled the song in 1982 for “Peace and Love in the Ghetto” on his Original DJ album. Pre-orders of SOLID GOLD U-ROY will come with an instant grat download of “Man Next Door.”
An official music video is also available now. The clip captures U-Roy in 2018 at the Trojan Jamaica studios in one of his last sessions ever. Santigold was filmed at Sunset Sound later that year. The video was directed by Nick Franco/1185 Films in collaboration with Trojan Jamaica co-founders Zak Starkey and Sharna "Sshh" Liguz.
“It was such an honor to get to work on this project with U-Roy, a true creator,” says Santigold. “He was a major pioneer in a genre that influenced me so deeply. And it just so happened that the song I was asked to sing, ‘Man Next Door,' has been a favorite of mine since I was a little girl. It felt so special to get to sing that song in particular – I knew the harmonies in my body without having to think for a second – and to hear his voice cutting through, driving the rhythm, drawing us all into his world. What a gift that I got a chance to sing on this track with him. He was one of the greats.”
“Man Next Door” is the second song to be released from SOLID GOLD U-ROY. In early 2020, to support a tour of Brazil, U-Roy and Trojan Jamaica put out the iconic “Wake The Town.” Originally released in 1970, it became a #1 Jamaican pop chart phenomenon and went on to establish the legendary toaster as an international dancehall star.
Zak and Sshh met U-Roy in 2018 and their friendship quickly developed beyond merely being his label presidents. They feel privileged to have signed him, were devastated by the surprise news of his death, and are deeply committed to honoring his legacy.
“We met U-Roy through our friend, Wayne Jobson, who took us to meet him in Kingston in early 2018,” says Sshh. “We ate lunch and got on great, and talked about re-recording his greatest hits, with him joined by special guest artists. He was easy to talk to, very dignified and confident, but very approachable. Cool looking and unassuming, but then he would open his mouth, and out would come a big, booming statement.”
“Three weeks after our meeting, we started recording in Trojan Jamaica Sounds studio in Ocho Rios,” says Zak. “U-Roy would toast his songs live and Sshh would sing the songs that were to be sung later by the guests. Sshh and U-Roy bonded quickly doing this and had a lot of fun doing it. The band was Sly & Robbie, Tony Chin, Robbie Lyn and me. We had to work quickly (four days), as U-Roy was leaving for a six-week European tour right after recording his parts. After he split to go on tour, we spent a couple of months overdubbing and adding the guest artists. Most artists came to our studio in JA and some recorded at their own studios.
“An honor, a pleasure, and a musical education from the Originator, Daddy U-Roy. We loved touring with him and I worked out some good riffs to bounce off his signature style. Sshh and U-Roy had particularly good chemistry on stage -- the whole Brazilian tour was so much fun and so rewarding because of the fantastic songs that we got to play and sing with him. We played gigs for 150,000 people and many of them were waving his vinyl records and hailing him as The Originator.”
“We had always loved U-Roy because of the power of his voice, and his lyrics, with their humor and seriousness,” continued Sshh. “We made the Solid Gold album because we wanted everyone to know that U-Roy helped invent rap.”
“One of our favorite memories is of him explaining to us why Bob Marley and others cut dubplates especially for him because ‘I was it, man, I was it!’ He was.”
U-Roy’s legacy was honored in the hours and days that followed his passing on February 17 with tributes from artists, DJs, Sound Systems, media, and record labels, further cementing the iconic deejay's significance on the global stage. New York Times, BBC, Variety, The FADER, Rolling Stone, and NME, among many others, all highlighted the infinite ripple that U-Roy set forth to the universe. "U-Roy's impact on popular music worldwide cannot be overstated," said acclaimed journalist Rob Kenner of Boomshots and VIBE. "He pioneered the way for someone like myself to do what I do," credits Sean Paul in a statement to NPR's Pat Meschino. Radio stations and DJs around the world honored U-Roy with tribute sets from the likes of BBC Radio 1's David Rodigan in the UK, and 99 Jamz's King Waggy Tee in Miami, who played an exclusive dubplate of "Wake The Town.”
Legendary vocalist and Rock and Roll Hall of Fame inductee Ann Wilson has unveiled a collection of unreleased archival songs made with the band that she was in before Heart. The Daybreaks were a short-lived hard rock group fronted by Wilson in the late 60s. They performed in various small venues, recorded a handful of songs and released a 7” single in 1969 before she left the band to form Heart with sister Nancy. The Daybreaks EP is out now at all streaming platforms. A limited edition 10” vinyl is available for pre-order at annwilson.com with a digital redemption code.
Ann Wilson is jumping right back into live performances with the “Rite of June: An Evening with Ann Wilson” Florida tour set for June. A complete list of tour dates is available below. For more information and ticket availability, please visit www.annwilson.com.
RITE OF JUNE: AN EVENING WITH ANN WILSON
TOUR DATES
JUNE
22 - Fort Myers FL - Barbara B. Mann Performing Arts Hal
24 - Orlando, FL - Hard Rock Live Orlando
27 - St. Augustine, FL - St. Augustine Amphitheatre
Willie Nelson, Blackbird Presents, Live Nation, and the Outlaw Music Festival Tour are thrilled to be back on the road again. Willie will once again be live and in concert with his family and friends, including Chris Stapleton, Sturgill Simpson, The Avett Brothers, Nathaniel Rateliff & The Night Sweats, Gov’t Mule, Lucinda Williams, Ryan Bingham, Margo Price, Yola, Kathleen Edwards, Ida Mae, and more as part of the 14-stop tour starting this summer. (For artists performing in various cities, please refer to the specific market lineups listed below.)
Tickets for the general public go on sale Thursday, May 27, at 10 AM (local for each venue). VIP packages including great seats and exclusive festival merchandise will be available. Citi is the official presale credit card of the Outlaw Music Festival. As such, Citi cardmembers will have access to purchase presale tickets beginning Tuesday, May 25, at 10AM local until Wednesday, May 26, at 10PM local through Citi Entertainment. For complete presale details visit www.citientertainment.com.
“The Outlaw Music Festival Tour has always been about family and friends coming together for a great day of music and fun, and with the amazing group of artists joining us, this year promises to be our most special Outlaw Tour to date. I just can’t wait to get back on the road again” says Willie Nelson.
The inaugural Outlaw Music Festival made its debut in 2016 in Scranton, PA. The sold-out show was so well received that Blackbird and Nelson have developed it into one of North America’s biggest annual touring franchises. Musicians such as Robert Plant, Neil Young, Bob Dylan, Van Morrison, Eric Church, Bonnie Raitt, Luke Combs, Sheryl Crow, Sturgill Simpson, The Avett Brothers and many more have been a part of the Outlaw Tour, sharing unforgettable music memories and unique vendor villages with local food, drinks and shopping in Live Nation amphitheaters across the country.
INFORMATION ON INDIVIDUAL OUTLAW MUSIC FESTIVAL TOUR DATES & LINEUPS:
Sunday, August 22, 2021
Austin, TX – Germania Insurance Amphitheatre
Willie Nelson & Family
Chris Stapleton
Ryan Bingham
Yola
Friday, September 10, 2021
Gilford, NH – Bank of New Hampshire Pavilion
Willie Nelson & Family
Sturgill Simpson
Gov’t Mule
Margo Price
Saturday, September 11, 2021
Philadelphia, PA – TD Pavilion at the Mann
Willie Nelson & Family
Sturgill Simpson
Gov’t Mule
Margo Price
Sunday, September 12, 2021
Saratoga, NY - Saratoga Performing Arts Center
Willie Nelson & Family
Sturgill Simpson
Gov’t Mule
Margo Price
Friday, September 17, 2021
Virginia Beach, VA – Veterans United Home Loans Amphitheatre
Willie Nelson & Family
Sturgill Simpson
Gov’t Mule
Margo Price
Saturday, September 18, 2021
Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek
Willie Nelson & Family
Sturgill Simpson
Gov’t Mule
Margo Price
Sunday, September 19, 2021
Charlotte, NC – PNC Music Pavilion
Willie Nelson & Family
Sturgill Simpson
Gov’t Mule
Margo Price
Wednesday, September 22, 2021
Alpharetta, GA – Ameris Bank Amphitheatre
Willie Nelson & Family
Sturgill Simpson
Nathaniel Rateliff & The Night Sweats
Kathleen Edwards
Friday, September 24, 2021
Columbia, MD – Merriweather Post Pavilion
Willie Nelson & Family
Sturgill Simpson
Nathaniel Rateliff & The Night Sweats
Gov’t Mule
Kathleen Edwards
Friday, October 15, 2021
Phoenix, AZ – Ak-Chin Pavilion
Willie Nelson & Family
The Avett Brothers
Gov’t Mule
Lucinda Williams
Ida Mae
Saturday, October 16, 2021
Irvine, CA – Five Point Amphitheatre
Willie Nelson & Family
The Avett Brothers
Gov’t Mule
Lucinda Williams
Ida Mae
Sunday, October 17, 2021
San Diego, CA – Cal Coast Credit Union Open Air Theatre
Willie Nelson & Family
The Avett Brothers
Ida Mae
Saturday, October 23, 2021
Mountain View, CA – Shoreline Amphitheatre
Willie Nelson & Family
The Avett Brothers
Gov’t Mule
Lucinda Williams
Ida Mae
Sunday, October 24, 2021
Wheatland, CA – Toyota, Amphitheatre
Willie Nelson & Family
The Avett Brothers
Gov’t Mule
Lucinda Williams
Ida Mae
For complete Outlaw Music Festival tour details, please visit:
Today, Leon III ("Leon the Third") shares Kai Welch's remix of "Fly Migrator," the first track off Leon III's latest album Antlers in Velvet.
Kai's syncopated, and expressive take on the song is the perfect amount of weird synthy articulation to uncover brand new musical flavors of the 9-minute track.
"Kai Welch might not be a household name but he’s kind of a superpower." Says Andy Stepanian. "He’s capable of such a wide range of musical output. He’s a wizard on synthesizer and can come up with this extraordinary weirdness in that realm. But he’s also tremendously talented as a songwriter, trumpet player, pianist and composer. He was nominated for a Grammy this last year for a beautiful song of his called "Ceiling to the Floor" that mandolin virtuoso Sierra Hull recorded. We’ve had a chance to collaborate with Kai on a variety of things over the last few years including the time he spent with us in California making the Antlers in Velvet record. After the recording was finished, we thought it would be fun to throw "Fly Migrator" back to Kai and see what kind of craziness he could come up with in a remix. We love what he did. He kept the essence of the song, including Mason’s bombastic guitar solo, but also made it something new. I guess that’s the point of a remix."
Leon III, the Texas-based, exploratory psych-folk outfit led by Andy Stepanian (vocal, guitar, keyboard, piano, omnichord) and Mason Brent (guitar, bass, vocal, banjo), sounds like a relic from another age. In a time when so much of today’s music seems as disposable and temporal as a tweet, Leon III is standing athwart the tide. With their latest release, Antlers in Velvet, the band conjures the spirit and ambition of Pink Floyd and the Grateful Dead.
Make no mistake, this is an album with the potential for a serious shelf life.
Larkin Poe, the GRAMMY® Award-nominated sister duo comprised of Atlanta-bred, Nashville-based multi-instrumentalists Rebecca and Megan Lovell, are thrilled to announce that they will be hitting the road with the Monster Energy Outbreak Tour which kicks off on September 15, 2021, in St. Louis.
In addition to the Monster Energy Outbreak Tour, Larkin Poe has announced several tour dates that will begin on June 4 in Memphis. Throughout the summer Larkin Poe will make stops at venues and iconic festivals like Bonnaroo, BeachLife, Treefort, Roots N Blues, and Shaky Knees. The duo will also be supporting both Melissa Etheridge and Kenny Wayne Shepherd on select dates.
Needless to say, whatever touring was not able to be done in, is certainly being made up for now.
LARKIN POE ON TOUR
June 4 - Memphis, TN - Roar & Pour at the Memphis Zoo - SOLD OUT
June 11 - Alexander City, AL - Alexander City Jazz Fest
June 18 - Henderson, KY - W.C. Handy Blues & Barbecue Festival
June 19 - Huntsville, AL - Concert at Three Caves
June 26 - Syracuse, NY - New York State Blues Festival
July 10 - Rexford, MT - Abayance Bay Marina
August 6 - Billings, MT - Magic City Blues
August 8 - Mammoth Lakes, CA - Mammoth Festival of Beers & Bluesapalooza
August 22 - Thornton, NH - White Mountain Boogie N Blues
August 25 - Doswell, VA - After Hours Concerts at The Meadow Event Park (supporting Melissa Etheridge)
August 28 - Selbyville, DE - Freeman Arts Pavilion (supporting Melissa Etheridge)
August 31 - Kettering, OH - Fraze Pavilion (supporting Kenny Wayne Shepherd)
September 2 - Manchester, TN - Bonnaroo - SOLD OUT
September 10 - Redondo Beach, CA - BeachLife Festival
September 15 - St. Louis, MO - Delmar Hall*
September 16 - Omaha, NE - Slowdown*
September 17 - Denver, CO - Ogden Theatre*
September 22-26 - Boise, ID - Treefort Music Fest
September 24 - Columbia, MO - Roots N Blues Festival
September 25 - London, KY - World Chicken Festival
September 26 - Prestonburg, KY - Mountain Arts Center*
October 7 - Cincinnati, OH - Bogarts*
October 8 - Columbus, OH - Newport Music Hall*
October 9 - Indianapolis, IN - The Vogue*
October 10 - Pittsburgh, PA - Roxian Theatre*
October 12 - Buffalo, NY - Forbes Theatre*
October 14 - Albany, NY - Upstate Concert Hall*
October 15 - Tarrytown, NY - Tarrytown Music Hall*
October 16 - Baltimore, MD - The Recher*
October 17 - Lancaster, PA - Lancaster Roots & Blues
October 19 - Norfolk, VA - The NorVA*
October 21 - Raleigh, NC - Lincoln Theatre*
October 22 - Charlotte, NC - Neighborhood Theatre*
October 23 - Atlanta, GA - Shaky Knees Music Festival
October 28 - Louisville, KY - Mercury Ballroom*
October 29 - Bloomington, IL - Castle Theatre*
October 30 - Grand Rapids, MI - Fountain Street Church*
October 31 - Cleveland, OH - House of Blues*
November 5 - Oxford, MS - The Lyric Oxford*
November 6 - New Orleans, LA - House of Blues*
November 7 - Jackson, MS - Duling Hall*
November 10 - Houston, TX - The Heights Theatre*
November 11 - Austin, TX - Mohawk*
November 13 - Fayetteville, AR - George’s Majestic Lounge*
December 3 - Asheville, NC - The Orange Peel*
December 4 - Knoxville, TN - Bijou Theatre*
December 8 - Little Rock, AR - U. of Arkansas – Pulaski Technical College
*Monster Energy Outbreak Tour Presents: Larkin Poe
In 2020, Larkin Poe ascended to #1 on an array of Billboard charts with their widely-acclaimed fifth studio album, Self Made Man, available via the band's own Tricki-Woo Records. The COVID-19 lockdown didn’t keep the Lovells from reaching their fans; the duo performed a number of "Home Sweet Home" livestream concerts and added to their much-loved YouTube covers series. Last summer, they released their second full-length of the year, Kindred Spirits, a self-produced collection of stripped-back covers both classic and new, including songs by the Allman Brothers Band, Robert Johnson, Elton John, Post Malone, Ozzy Osbourne, and more.
This spring, the band launched LPTV, a subscription-based livestreaming and video-on-demand platform offering exclusive concerts and original content. The duo also joined Dierks Bentley and The War and Treaty to perform “Pride (In the Name of Love)” at the 2021 ACM Awards. They will also be featured on a track on ZZ Top frontman Billy Gibbon’s forthcoming solo album, Hardware.
As all of the music for Self Made Man was originally written with live performance in mind, Larkin Poe is truly excited to finally let the songs breathe.
“We can’t wait to get back on stage with the Monster Energy Outbreak Tour this fall for the first time since our album, Self Made Man, came out!” said Larkin Poe. “It’s going to feel so good to be back in a room with people celebrating live music again!”
ABOUT LARKIN POE:
Rebecca & Megan Lovell of Larkin Poe are singer/songwriter, multi-instrumentalist sisters creating their own brand of Roots Rock 'n' Roll: gritty, soulful, and flavored by their southern heritage. Originally from Atlanta and currently living in Nashville, they are descendants of tortured artist and creative genius Edgar Allan Poe.
WUTI & Crush Palace present the first of the Sounds of Summer films at Exposition Park in Los Angeles with Stop Making Sense by Talking Heads. Stop Making Sense is considered to be one of the greatest concert films ever made, shot at the Hollywood Pantages Theatre in 1983 by Director Jonathan Demme. Kinetic, uplifting, intelligent but unpretentious, joyous but never pandering - on its release audiences danced through the aisles. The film famously opens with frontman David Byrne, his guitar and boombox, then proceeds to build the staging, and the band (including founding members bassist Tina Weymouth & drummer Chris Frantz and a show-stopping cadre of backup singers) towards an ecstatic conclusion.
Stop Making Sense at Exposition Park (South Lawn, 500 Exposition Park Dr, Los Angeles, CA 90037) is a “once in a lifetime” opportunity for lovers of cinema who want to feel the excitement of large scale in-person events again. The Sounds of Summer series is for all of us that have missed the experience of shared music over the past year. Now that we can finally be in-person S.O.S. brings the finest musically driven, landmark cinema to screens for us to celebrate together! Each Sounds of Summer event is set to be a unique experience with director conversations, featured talent, guest DJs, and unexpected happenings.
Curated food, beverage and alcohol concessions will be available exclusively through the GoPuff app via geo-fenced technology. Guests will be able to order items online at gopuff.com or via the gopuff app throughout the film screening series for pickup onsite.
Fifteen percent of the ticket sales and concession profits will be donated to My Friend’s Place. My Friend’s Place is a non-profit that has been assisting and inspiring youth experiencing homelessness to build self-sufficient lives for over 33 years. From their early beginnings as a volunteer-based group, to the dynamic resource center that they operate today, My Friend’s Place offers a comprehensive continuum of services to nearly 1,200 youth experiencing homelessness between the ages of 12 and 25, and their children, each year, helping them move toward wellness, stability and self-sufficiency.
Sounds of Summer is run in partnership by all women collectives; Women Under The Influence and Crush Palace, who strive towards beautifully curated events, fostering a sense of community with like minded collaborators.
Barenaked Ladies announce their 16th studio album Detour de Force will be released on July 16, 2021. Produced by JUNO and Grammy award winner Eric Ratz and Mark Howard, the eagerly awaited album features 14 newly minted tracks including “Flip”, the buoyant and sonically adventurous debut single and BNL’s first new music in four years. Detour de Force is available to pre-order starting today HERE and is available on CD and digital formats, along with a limited edition blue double vinyl featuring a bonus track. See below for a full tracklist.
Along with the announcement, the band has released a driving, and topical pop-rock gem titled “New Disaster”. Says Ed Robertson, "’New Disaster’ is about the distraction of modern politics coupled with the pressures of the 24-hour news cycle. It seemed like the Nostradamus predictions of new disasters were getting worse and worse, even after we recorded the song.” The official music video for will be released on June 11.
Detour de Force is BNL at its most ambitious, accomplished, intricate, intentional -- and, in some ways, circumstantial. Its gestation was long and exacerbated (as so many things have been) by the global pandemic. The good news is that it's BNL's most broad-reaching and diverse work to date -- fusing the distinct writing voices of Robertson, Hearn and Creeggan into a cohesive work from the stand-out tracks “Flip”, “New Disaster”, and “Good Life”, to the uptempo fun of "Flat Earth", the playful and country-flavoured "Roll Out" to the gentle melodics of "Live Well", "The National Park", "God Forbid" and "Man Made Lake" to the sonic roller coaster of the album-closing "Internal Dynamo".
The depth goes beyond sonics throughout the album. Though there's certainly the verbal playfulness and whimsy that's part of BNL's stock in trade, many of the songs have a reflective and philosophical, sometimes topical, underpinning that's also long been part of the BNL makeup.
"We've always liked that our band is very diverse in what we do," says Robertson, "and on this record I really enjoyed the exploration. This record is a journey. Taking off one song would tip it in a way we didn't feel was representative of the record we made. We wanted everything that's here to be part of the record."
Adds Tyler Stewart, "This is some of our strongest material in 30 years, easily. I think it stands up there with our best albums. It hangs with ‘Gordon,’ or it hangs with ‘Maroon.’
BNL wasn't dormant as the world shut down -- evidence the group's spirited "Selfie Cam Jam" series and Robertson’s weekly Friday livestreams online, both for charity, as well as a pair of virtual concerts. But the pause brought a fresh perspective to where the band wanted Detour de Force to go.
"The pandemic really affected the album in an interesting way," recalls Jim Creeggan, who penned a pair of the Detour de Force songs. "I was getting calls from friends to do remote-based stuff, people asking each other to add something to those projects. So we started reaching out and bringing other things into what we were doing."
"We took several detours de force," acknowledges Kevin Hearn, "but I think what you get is a beautiful hybrid of a live off-the-floor band, all the way to full-on production numbers.' It's kind of reminiscent of ‘Stunt’.”
"There was a lot that was amazing about recording at the cottage," recalls Robertson, who wrote songs on his own and with friends Kevin Griffin, Craig Wiseman, Donovan Woods and Danny Michel. "The focus was great. The vibe was great. The hang was great. It was super positive for the band dynamic." Virtual guests were also invited, including original BNL keyboardist Andy Creeggan (Jim's brother), all-star singer and bassist Fernando Saunders and MOOG bass pedals borrowed from Rush's Geddy Lee even make an appearance.
Filmed and edited by Edward Pond, the band has released a Detour de Force teaser that captures the making of the album - from the snowy cold of northern Ontario in a make-shift recording studio in Robertson’s living room with Mark Howard, completing the album with the inimitable Eric Ratz at Noble Street Studios in Toronto. Watch it here.
Barenaked Ladies rescheduled their extensive Last Summer On Earth tour to 2022. All previously purchased tickets and VIP packages will remain valid for 2022. Check the routing and contact the original point of purchase for any questions.
Over the course of 33 years, the beloved quartet has sold 15 million records worldwide and built up an arsenal of hits such as "If I Had $1,000,000," "One Week," "Pinch Me" and "The Big Bang Theory Theme." Widely acknowledged as one of the best live acts on the planet, BNL has hosted a cruise, had its own ice cream flavor, amassed eight JUNO Awards, and was inducted into the Canadian Music Hall of Fame in 2018. As Ed Robertson, Jim Creeggan, Tyler Stewart and Kevin Hearn put it on ‘Detour de Force,’ "Wasn't easy but it turned out alright/Wouldn't trade it for another...You don't wanna miss this mutha."
For more information on all things Barenaked Ladies, visit their website and stay connected via social media.
Detour de Force Tracklist
01. Flip
02. Good Life
03. New Disaster
04. Big Back Yard
05. Live Well
06. Flat Earth
07. Here Together
08. Roll Out
09. Bylaw
10. God Forbid
11. Paul Chambers
12. The National Park
13. Man Made Lake
14. Internal Dynamo
15. Way Of The Heart (Vinyl-only exclusive bonus track)
Joe Bonamassa is finally getting back on the road. For over a year, the live concert industry came to a full stop. During this time, Bonamassa put his efforts into raising money for his non-profit Keeping the Blues Alive Foundation through the Fueling Musicians Program. This relief fund is dedicated to assisting touring musicians unable to make a living due to the pandemic. Now that venues are opening back up, he’s back on the road where he feels most at home, performing for his fans. Today, he’s announced an extensive run of 33 dates across the U.S. for Fall 2021.
Tickets to Bonamassa’s Summer 2021 U.S. tour are on sale now and the Fall dates will be available for purchase this Friday, June 11. Tickets for all shows available at http://joeb.me/JB-Tickets.
Bonamassa, backed by a stellar band of legendary musicians, will perform brand new songs alongside career-spanning fan favorites.
Bonamassa is undoubtedly one of today's top live performers and a favorite of music lovers worldwide. Hailed internationally as one of the greatest guitar players of his generation and cited by Guitar World Magazine as “the world's biggest blues guitarist,” Bonamassa has almost single-handedly redefined the blues-rock genre and brought it into the mainstream.
The Fall tour, which will span 32 cities, kicks off with two nights at the legendary Ryman Auditorium in Nashville where Joe recorded his new live release, “Now Serving: Royal Tea Live From The Ryman”.
Now, to celebrate the return of live shows, the concert has been re-mixed and mastered for physical release as “Now Serving: Royal Tea Live From The Ryman”. On June 11th it will be released on CD and all streaming platforms, followed by the DVD and Blu-ray on June 18th. The special edition double LP vinyl will be released July 9. The DVD includes a film introduction narrated by actor Jeff Daniels. To order, visit https://joeb.me/NowServing. The critically-acclaimed performance includes 12 incredible live tracks, featuring the best from his latest studio release Royal Tea. Joe’s 24th #1 record on the Billboard Blues Chart, the album was recorded at Abbey Road Studios in London. It also includes three tracks from his 20th-anniversary album A New Day Now.
There’s never been a more important time to celebrate and enjoy live music, so what better way to do it than with one of the most mesmerizing live performers and powerful Blues Rock players in the world. Joe cannot wait to re-connect with his fans on the road this year, so be sure to get tickets before they sell out. Tickets are available at http://joeb.me/JB-Tickets. Bonamassa is back and ready to rock!
The Nashville-based rock and soul singer-songwriter Maggie Rose releases “For Your Consideration,” the lead single off her upcoming album, Have A Seat. CMT exclusively premiered the music video last week calling “For Your Consideration” a "stirring anthem" and Rolling Stone Country praised the new song saying that it's "the centerpiece of the upcoming album...With Rose delivering such an undeniable performance, it’ll be just perfect come awards season."
WATCH “FOR YOUR CONSIDERATION” OFFICIAL MUSIC VIDEO
The video for "For Your Consideration" is the final video in a three-part series that combine to create an in-depth story. The music video trilogy concept was the brainchild of close friend and acclaimed photographer/videographer Ford Fairchild.
"I was lucky enough to watch Maggie bring Have A Seat to life from the beginning and one thing I noticed was how much personal growth she worked through in making this record," says Fairchild. "You could tell she was stepping into an alternate universe every time she was in work mode. So when it came time to figure out creative direction, I wanted to show that growth with Maggie working through it over dinner with different versions of herself."
"We really wanted viewers to get to know the different sides of Maggie individually so we decided to do that in a trilogy, with 'For Your Consideration' bringing them all together," continues Fairchild. "The dinner table signifies the body of work as a whole so you’ll see nods to each song on the record throughout the trilogy."
Have A Seat, is due out on August 20 via Starstruck Records. The album was recorded live at FAME Studios in Muscle Shoals, AL, and was produced by Ben Tanner (Alabama Shakes). Rose will kick off her extensive album release tour on July 15 for a two-night stand at The Rams Head in Annapolis, MD.
Maggie Rose On Tour
6/11 @ Music for the Mind Music & Camping Festival | Wappapello, MO
6/12 @ Music for the Mind Music & Camping Festival | Wappapello, MO
7/8 @ Old Town Pub | Steamboat Springs, CO
7/15 @ Rams Head On Stage | Annapolis, MD
7/16 @ Rams Head On Stage | Annapolis, MD
7/17 @ Sunset Concert Series at Salmon Brook Park | Granby, CT
7/18 @ Long’s Park | Lancaster, PA
7/21 @ City Winery Boston | Boston, MA
7/22 @ Edgewood Park |New Haven, CT
7/23 @ Newport Playhouse & Cabaret Restaurant | Newport, RI
8/5 @ Handy Park | Memphis, TN
8/7 @ Chesterfield Amphitheater | Chesterfield. MO
8/12 @ Saturn |Birmingham, AL
8/13 @ Terminal West | Atlanta, GA
8/14 @ Charleston Pour House | Charleston, SC
8//19 @ Brooklyn Bowl | Nashville, TN
8/21 @ Summer Camp Music Festival | Chillicothe, IL
8/27 @ Dada Dallas | Dallas, TX
8/28 @ Antone’s | Austin, TX
8/29 @ Dosey Do Big Barn | The Woodlands, TX
9/4 @ The Grey Eagle | Asheville, NC
9/5 @ The Cottage at The Crystal Coast | Atlantic Beach, NC
9/10 @ Hi-Fi | Indianapolis, IN
9/11 @ Zanzabar | Louisville, KY
9/14 @ The Echo | Los Angeles, CA
9/15 @ Harlow’s Restaurant & Nightclub | Sacramento, CA
Last year when COVID-19 put the live touring industry on hold, guitar hero Joe Bonamassa did something unprecedented for his fans – he put together a one-night-only show at the iconic Ryman Auditorium in Nashville, TN to be livestreamed for fans everywhere. That night he united people across 44 countries worldwide for a phenomenal live music presentation of his brand-new album “Royal Tea” before it was even released. The concert was re-mixed and mastered for physical release as “Now Serving: Royal Tea Live From The Ryman” available today for streaming and on CD. The live show will be released on DVD and Blu-Ray on June 18th then on Double LP July 9th. The DVD includes a film introduction narrated by actor Jeff Daniels. To pre-order, visit shop.jbonamassa.com. The stellar performance includes 12 incredible live tracks, featuring the best from his latest studio release Royal Tea, Joe’s 24th #1 record on the Billboard Blues chart, which was recorded at Abbey Road Studios in London. It also includes 3 electrifying tracks from his 20th anniversary album A New Day Now. Get your serving and relive the excitement time and time again with this once-in-a-lifetime release from one of the most celebrated Blues Rock entertainers!
Recalling the magical night, Bonamassa shared, “I have always wanted to film a show at the legendary Ryman Auditorium in Nashville. Our band has had the honor of playing there now 8 1/2 times over the past 10 years. The audience is always alive and electric, hanging on every word and phrase. It feels like the greatest, most intimate gig you will ever do but there are 2,300 people sharing this joy and musical journey. I love the place as it is a national treasure and selfishly close to my house. Here’s where I get to the 1/2 part. We missed you. As great as it is to be on that stage in any capacity, YOU the fans make it special. You are part of the show and a big part of it. As this show was being filmed live, almost 100,000 eyes were on us in various forms around the world in front of TVs and computers alike. But you were not in the room with us."
In normal times, the legendary venue typically seats 2,300, but for one night only, the real crowd was the size of a major stadium, and in-house nearly every seat was filled with a custom cardboard cutout of a fan. The event sold over 17,000 tickets, reaching a global audience and bringing people of all different cultures together during a time when it often felt like the world was falling apart. Considering the number of households watching concerts together from home, one ticket could actually account for an entire family, so the true number of viewers would likely skyrocket.
Joe continued, “We played as good as we could in front of those 1700 cardboard cut outs of your faces and tried to imagine you there. For split seconds I would catch a glimpse of the room and it almost felt normal. Then the song would end and there would be dead silence. Only the footsteps of our crew could be heard. With all of that said, this DVD is a snapshot of a concert performance within the confines a vast sea change of the world. A world that had temporarily deemed us unnecessary. Nobody knows when I will ever get back to this stage in front of a full house again, but I sure do know that I do love it and miss you greatly. This show counts as a 1/2.”
The night at the Ryman should also be celebrated as an event that brought the music industry together. Between ticket sales and donations during his After Party Showcase, the event raised $32,000 for Bonamassa’s Fueling Musicians program, presented by his non-profit Keeping the Blues Alive Foundation (KTBA). Supporting artists for over a year amid the pandemic, to date the program has secured $460,000 in funding for qualifying touring musicians who are suffering financial hardship since their careers have been put on hold. The program has been providing immediate $1,500 cash payments for essential living expenses to help musicians stay afloat until they can get back out on the road.
As for the amazing set list for “Now Serving: Royal Tea Live From The Ryman”, Bonamassa has made a career out of taking risks and venturing into uncharted territory throughout his wide-ranging career and outstanding live shows, and the delivery at Ryman Auditorium was nothing short of perfection. Bonamassa shines brighter than ever, always adding new genre-bending flavor in his guitar playing and his trademark spin on the vocals. It’s no wonder he’s often praised for bringing new audiences to the Blues Rock universe. Bonamassa already has an incredible catalogue of live and studio releases that continue to evolve over the years and catch the ears of music critics far and wide. “Now Serving: Royal Tea Live From The Ryman” provides much needed invigoration for live music fans and will give them back the unbelievable feeling of being at a live concert event. With the audio/visual experience they’ll get with this release, they’ll get front row seats for one of the best touring acts around!
Fans can now plan to see Joe live again on his recently announced, highly-anticipated summer and fall tour dates! For almost a year, the touring industry had come to a full stop, with Bonamassa on the front lines with his Fueling Musicians non-profit. Now, he’s back on the road where he is most at home, performing for fans around the globe. Dates across the US are on sale now, available at https://jbonamassa.com/tour-dates. The tour begins in CA on July 30 with dates spanning the States through December and ending on the East Coast in Florida. These tickets are in high demand so be sure to get them before they sell out!
Today, acclaimed roots/rock and alt-Americana act Greensky Bluegrass release the final installment in their “Leap Year Sessions” series. The Leap Year Sessions came to life in 2020 when the band was forced to halt everything. The band performed eight sessions in total, allowing the band to perform for fans in a safe way. This year, the band has been releasing the sessions as a way to give back to their fans, as well as a reminder to themselves of what 2020 was.
Earlier this week, DittyTV exclusively premiered TLYS video performance of “In Control” featured on TLYS Volume 4.
Also out this week is Live at Red Rocks 9/14/19, streaming exclusively via The Coda Collection on Amazon Prime. Captured in 4K UHD amid the gorgeous surroundings of Red Rocks Amphitheater, Greensky Bluegrass delivers an energetic performance as part of its three-night stand in September 2019. Geoffrey Himes examines the thoughtfulness and deep exploration of the band’s honest songwriting, saying: “In a genre where happy-go-lucky party invitations and pastoral escapism are the norm, things don’t always work out for the best in Greensky Bluegrass songs. More often than not, there’s a conflict between the singer’s hope for better times and his dread of the situation deteriorating even further. That tension seeps out of the lyrics and into the playing, which gives the music its drama.”
The band will continue its extensive touring schedule this weekend at the famed Telluride Bluegrass Festival. All tour dates and up-to-date band information at greenskybluegrass.com.
Tour Dates
June 11, 12, 13 @ Telluride Bluegrass Festival | Telluride, CO
June 18, 19 @ Bank of New Hampshire Pavilion | Gilford, NH
June 25, 26 @ Coolray Field | Lawrenceville, GA
July 2, 3 @ Great Lawn at Waterfront Park | Louisville, KY
July 16,17, 18 @ Shagbark Farm | Caledonia, MI*
July 27, 28 @ Horning’s Hideout | North Plains, OR
July 29, 30 @ Roaring Camp | Felton, CA
Aug 28 @ Hot August Music Festival | Cockeysville, MD
Aug 29 @ Backwoods Music Festival | Ozark, AR
Sept 3, 4 @ 4848 Festival | Snowshoe, WV
Sept 5 @ Bonnaroo | Manchester, TN
Sept 9 @ Summerfest | Milwaukee, WI
Sept 17, 18, 19 @ Red Rocks | Morrison, CO **
Dec 9 - 13 @ Strings & Sol | Puerto Morelos, Mexico
For Delta Nove, the past decade has been both transformational and tragic. Following their last record, Imaginary Conversations, the former Jambase “Road Warriors of the Year” chose to slow down their once-relentless touring schedule to stay closer to home, focusing on their families and their individual careers while continuing to collaborate as Delta Nove. With a recording studio in Long Beach, California to call home and a core of seven musicians that had evolved into the band’s most cohesive unit, Delta Nove was poised to record and tour in support of a much-anticipated new album in 2018. Sadly, this plan came crashing down shortly after basic tracking on the album was completed when drummer, co-vocalist, and major contributing songwriter Dominic Feedam was diagnosed with cancer. After a hard-fought battle with the disease, Dominic lost his life in 2019.
After the initial shock and grief passed, Dominic’s “musical family” decided to honor their fallen brother by completing the album that they had worked closely together to write. So, in 2020, the surviving members regrouped to pick up the pieces, return to the studio, and finish the record; But no sooner than they started, the entire world shut down due to COVID. Despite the challenges that a pandemic posed, the band pressed on, holding sessions with one or two masked musicians until all overdubs and production were completed. With the album finally finished despite all the obstacles, but with many questions remaining as to “what comes next,” Delta Nove named the album Beyond.
Delta Nove’s eighth album, Beyond, is a passionate expression of a band at their most evolved level. The double-LP exemplifies the distinctly diverse “world-funk” sound that Delta Nove honed through more than two decades of playing together. Delta Nove’s live performances, affectionately dubbed “the D-No Show” by fans, are legendary in circles for taking dancers on a musical journey of globetrotting styles. This 16-song, 80-minute offering takes its inspiration from these live sets, seamlessly blending heavy funk, roots rock, reggae, Brazilian rhythms, afrobeat, and improvised psychedelic explorations.
To add even more depth to the album, the band calls on some of the friends they’ve made throughout two decades of touring; These world-class guest artists include funk legend Fred Wesley (James Brown, Parliament Funkadelic), whose signature sound is on display during the classic-sounding instrumental jam Money Funk. Several guest percussionists are present on the record, including Jiro Yamaguchi (Ozomatli), whose syncopated tabla rhythms bring a world-music flavor to the modern go-go track "Feet on the Ground", and Jason Hann (String Cheese Incident, EOTO), who takes up his djembe to solo over a massive brazilian percussion ensemble on the rootsy samba-reggae original "Samambaia". Also featured is vocal powerhouse Adryon DeLeon (Orgone), who contributes her soulful harmonies to four songs. And finally, Delta Nove’s original sax player and fan-favorite Rob Covacevich reunites with his old musical brothers for a guest feature on the band’s re-imagination of Fela Kuti’s Upside Down; aptly titled "Downside Up".
Thankfully, the basic tracking for Beyond was all completed before Dominic Feedam became too ill to play and sing. So, Dominic is present on all sixteen songs, and his performance is nothing short of inspired; almost as if he was aware that this album would be his parting gift to his musical family. While many questions remain about “what lies beyond” for Delta Nove, the band hopes that this album serves to honor the memory of their beloved brother Dominic, and as a testament to the never-ending pursuit to always go Beyond.
Released today, The Golden Hour captures the spontaneous combustion and wind in your hair carefree coolness that’s possible when musical masters of two different generations venture fearlessly off their regular career paths and hightail it into a live-in-the-studio setting with a powerhouse ensemble – including a five-piece horn section arranged by Prince’s chief horn arranger, Michael Nelson – to create a momentum-shifting project.
To celebrate its release, veteran saxophonist Koz and hipster funk/jam band guitarist Wong will play the entire album live from the rooftop of a houseboat on Minneapolis’ St. Croix River at sunset, accompanied by Wong’s 10-piece-band. The livestream concert can be seen on Looped tomorrow, June 12. Tickets, which can be purchased HERE, include a digital copy of The Golden Hour.
Minneapolis’ Star Tribune observed, “Koz and Wong is a seemingly unlikely pairing, as the guitarist noted last summer when Koz joined him onstage at Crooners in Fridley: ‘It's like Shaggy and Sting. Why are they doing stuff together?’ If the album is anything like that show, The Golden Hour should be a mix of finesse, funk and unstoppable passion.”
The album’s infectious first single, “Family Reunion,” was #1 Most Added at Smooth Jazz radio for two consecutive weeks. Praising “Getaway Car,” American Songwriter noted, “The jazzy and funky piece has a freeing, summer vibe, including everything from wild horns to groovy guitar." Rage Monthly said, “[‘Getaway Car’ is] a mix of Peter Gunn courtesy of Henry Mancini splashed with a bit of Herb Alpert and ‘Love Machine.’” Guitar World hailed “Today” as “seriously soulful.”
The video for the title track, which premiered earlier today on YouTube, gives fans a glimpse of the live-in-the-studio sessions for The Golden Hour. View HERE.
“It’s all about exploration,” adds Dave Koz. “The Golden Hour is on the edge of the day and night, just like we’re both on the edge of what is expected of us at this stage of our careers.”
Koz first became aware of Wong after the young guitarist urged fans to tag their posts from Wong’s live shows with #DAVEKOZ as part of his sly plot to secure an invite to perform on a Koz cruise. Shortly thereafter, Wong found himself on deck as an entertainer on a “Dave Koz & Friends At Sea” voyage. Now he’s a full-blown Koz collaborator – in addition to playing electric guitar on The Golden Hour, Wong produced the album and co-wrote 10 of its 11 tracks.
"The most beautiful part of what we have created on The Golden Hour is that while we’re both on the edge of our respective music scenes, we both brought to the session the energy of our live shows, which are very similar in a lot of ways,” says Cory Wong.
Koz will be returning to the road this summer with a fresh incarnation of his popular Summer Horns tour franchise. Wong will be touring Europe and the U.S. in the fall.
Joining Maggie Rose for the first episode of Salute the Songbird’s second season is singer/songwriter/multi-instrumentalist Sierra Hull. Sierra talks about her first Grand Ole Opry experience, discovering her sound as an artist, and working with inspiring women like longtime idol Alison Krauss.
In her first 25 years alone, Sierra Hull hit more milestones than many musicians accomplish in a lifetime. After making her Grand Ole Opry debut at the age of 10, the Tennessee-bred virtuoso mandolinist played Carnegie Hall at age 12, then landed a deal with Rounder Records just a year later. Now at 28, Hull is set to deliver her fourth full-length for Rounder: an elegantly inventive and endlessly captivating album called 25 Trips.
Salute the Songbird features candid conversations with Rose’s female musical heroes about their lives in and out of music, challenging the status quo, and with a desire to offer guidance for young artists starting their careers. Season Two will feature guests such as Grammy nominee Hannah Hooper of Grouplove, Noelle Scaggs of Fitz And The Tantrums, Kelly McCartney host of Record Bin Radio, singer-songwriter Shannon McNally, Grammy nominee Amythyst Kiah, singer-songwriter Valerie June and other female musicians, songwriters, producers, and industry mavens who detail their triumphs, struggles and how they continue to succeed as women in the music industry.
Last night, in Rocky Mount, VA history was made as Orion Gregory Allman made his stage debut playing a Hammond B3 with just like his grandfather, and late Allman Brothers Band co-founder Gregg Allman.
“My son has played piano since he was a little guy, but to see him getting mentored by John Ginty on the same instrument my Dad was famous for; the Hammond B3 organ, was just such a trip! I thought he was just getting some tips but he took the pro tips and then learned one of our songs on the spot and sat in with the band for the first time and it just blew my mind. Mind blown. Heart full. The road truly goes on forever!”
- Devon Allman
The Allman Betts Band are wrapping up a headline East Coast tour and gearing up for the "Spirit of the South Tour" with Blackberry Smoke. All news and up-to-date tour information can be found at allmanbettsband.com.
ABOUT THE ALLMAN BETTS BAND:
When The Allman Betts Band released Down to the River in June of 2019, the debut album represented not only the first time the group had recorded together but, in fact, the first time the seven-piece ensemble had ever played together. If Down to the River was the sound of the band’s combustible sparks igniting, then Bless Your Heart is their bonfire, built for the summer of 2020 and beyond; a double-album follow-up fueled by road-forged camaraderie and telepathic musical intensity, vibrantly reflecting the individual and collective experiences of these seven, all drawing inspiration from the band’s symbolic hometown- a place Devon Allman calls “the United States of Americana.”
The String Cheese Incident has announced a 13-city tour across the US. The String Cheese Incident is known for their high-energy live shows packed with extended improvisation and genre-transcendent approach to music. In addition to the recently announced 5-night Colorado run this July, the band will be making stops throughout the Midwest and Southeast, as well as festival appearances at Peach Music Festival, Backwoods, and Suwannee Hulaween.
On the latest installment of Joe Bonamassa’s hit interview series Live From Nerdville, Joe chats with Brandon Taz Niederauer of the successful Broadway musical "School of Rock." See the full video here.
After introductions, Joe commends Brandon on his excellent reputation, "Let me just start off with speaking on behalf of the 40+ guitar community when I say this: To have your skills and poise at the age of 17, it’s so impressive and we’re all collectively rooting for you, but also slightly jealous at the same time! It’s one thing to be able to play we know there are wonderkids and prodigies all over the place, where we can sit in front of the camera and play, and everyone says 'wow' that’s impressive and then there’s the jump to performing on stage and taking charge of it! You have that, that’s the unteachable stuff!" – JB
Then, Joe draws parallels between their similar upbringings as young performers in the music industry who both started before high school. Joe asks Brandon about his time with "School of Rock" and asks how it came about. Taz says that he just picked up the guitar and just started playing and shortly after realizes that this is what he wants to do for a living. He was playing shows with his friends at 8 or 9 and thought to himself "this is the coolest thing ever! I then get to play at bars which was even cooler!" When he took on the part in "School of Rock," he didn’t realize that he had to act as well. But the production got him the help he needed with the acting side of things.
Then the two get deep into touring and how it compares to Broadway. The theatre life is very disciplined with a rigid schedule of 8 shows per week. Joe asks Taz how he handles the workload. Taz says that it started out as a constant struggle but after awhile things started to ease up.
Joe comments that the pay must have been pretty good and Taz agreed. "I had an apartment in the city, it was a studio apartment in Times Square. You can’t get any better than that!" Joe then asks him what some of his career goals are at 21,30 and age 40? Taz replies that at 21 he would like an album or two, touring and graduating school, at 30 playing with more people and getting his songwriting skills up to par. Saying that he’s already been lucky to play large crowds and festivals.
The conversation moves on to playing live where Joe talks about being a kid and playing shows and selling Cd’s afterwards to the fans. Taz responds saying how he loved kickin’ it with the fans and hearing them say hi when they see him.
Next up they talk about the Allman Brothers and why Taz likes seeing and performing with jam bands. Basically, it all started with the Allman Brothers... Brandon and his dad would bang on pot and pans to their music. Plus, they were the first band that Brandon discovered and, to him, their music was heavy with a lot of versatility and improvisation. Joe tells him about seeing Dickie Betts Band with a very young Warren Haynes and the first time Joe saw a Sunburst Les Paul.
Joe then asks how Brandon picked up the guitar and who were his inspirations. "I just started playing by what I was feeling at the time, but I kept playing and things fell into place. Then my dad started giving me Miles Davis, Mahavishnu Orchestra, B.B. King, and others. Then I started playing with the radio, CDs, or vinyl... Rush and jam band stuff, which really resonates with me also mostly." – Taz
Joe and Brandon also discuss playing theatres in the round, more touring, and Taz performing for the NFL Playoffs, and singing the national anthem, with Joe asking how he managed to get that gig? Taz says it was a five minutes of fame moment. They talk about the Eddie Trunk interview, how you never want to ever be a meme, dealing with social media and how Taz doesn’t stress about social media comments or addressing constructive criticism. As well as the Instagram guitar warriors, the social media dopamine moments, the click bait, the pedal controversy, stompboxes, Signature guitars, and ending the interview with Joe telling Taz that he is a shiny example of doing the right things for the right reasons and that all this will pay off.
Acclaimed rock ’n’ roll band Heartless Bastards have announced the release of their long-awaited new album. A Beautiful Life arrives via Sweet Uknown Records/Thirty Tigers on Friday, September 10. The album is available now for pre-order including a limited edition hand-poured double LP and exclusive merchandise from the Sweet Unknown Records Official Store, and from retailers everywhere.
Heartless Bastards’ sixth studio album and first new music in more than half a decade, A Beautiful Life is heralded by today’s premiere of the soulful new single, "How Low," available now at all DSPs and streaming services; an official music video premieres today via YouTube.
"It’s becoming harder and harder to choose a simple life; so many people struggle to get ahead so they don’t get left behind,” says Heartless Bastards frontwoman Erika Wennerstrom. "I believe that a truly elevated, conscious society is one that seeks to lift each other up—one where we work for the common good."
On the new single, Wennerstrom says, "'How Low' was inspired by my frustration with late-stage capitalism's effect on humanity and our environment. The planet sustains our lives, but if we continue to make everything we use disposable to where we have to constantly buy things over and over again, and we pollute, we’re going to wipe ourselves out in the not too distant future. Profits have been put far ahead of what is good for humanity. We’re all trying to get by in this world, but at what cost? We need a better system, one where we work for the common good. Today's prevalent mental health issues are definitely tied to this every man for himself mentality. It’s very isolating, people are longing for deep connections. Maybe a balanced society seems idyllic, but let’s dare to dream of a better world and all the possibilities If we all stop fighting amongst ourselves, and look at the bigger picture. 'How Low' felt like a challenging message to convey in a 4-minute video, but I think Sam Wainwright Douglas and David Hartstein did an incredible job."
A Beautiful Life once again sees Wennerstrom alchemizing her idealism into viscerally potent rock ‘n ‘ roll. Co-produced by Wennerstrom and Kevin Ratterman (Strand Of Oaks, Jim James, White Reaper), the album – which follows 2015’s Restless Ones – finds the Austin, TX-based singer-songwriter backed by a powerhouse lineup comprising guitarist Lauren Gurgiolo (Okkervil River), drummer Greggory Clifford (White Denim), multi-instrumentalist Jesse Chandler (Mercury Rev, Midlake), keyboardist Bo Koster (My Morning Jacket), guitarist David Pulkingham (Patty Griffin), and longtime Heartless Bastards bassist Jesse Ebaugh.
Though Wennerstrom first considered releasing A Beautiful Life under her own name as the follow-up to her widely praised 2018 solo debut, Sweet Unknown, she ultimately came to view the new album as a continuation of the journey begun on Heartless Bastards’ milestone 2005 debut, Stairs and Elevators. Indeed, with its coalescence of so many eclectic touchstones – from French pop and Celtic folk to space rock, Disney scores, and post-punk – A Beautiful Life stands tall as Heartless Bastards’ most elaborately realized work to date. Songs such as the sprawling, psychedelic epic, “Photograph” and the rambling folk of “The River” (the latter featuring contributions from such singular musicians as Andrew Bird and Persian setar virtuoso Fared Shafinury) channel Wennerstrom’s nuanced observations into glorious music that incites contemplation, catharsis, and a joyful sense of defiance.
"For me, music is a gift," says Wennerstrom. "I do it because I love it, and because it helps me feel more connected to the world. I think we all long for a deep connection, and I hope this record adds to the conversation on how we as a species can stop seeing ourselves as separate. I hope it helps everyone to think about how we can look out for each other, take care of each other, and lift each other up."
A Beautiful Life also includes Heartless Bastards’ 2020 single, “Revolution,” available now on all digital platforms. An official music video – directed by documentary filmmakers Sam Wainwright Douglas and David Hartstein – is streaming now on YouTube.
The undeniable musical chemistry of A Beautiful Life inspired Wennerstrom to invite Gurgiolo and Clifford into the newest Heartless Bastards lineup for upcoming touring, set to get underway Thursday, September 16. The band recently made its live debut with a sold-out two-night-stand at Austin’s beloved Mohawk Austin, hailed by the Austin Chronicle as “front-loaded with fresh, interesting material…If you didn’t know better, you’d think the improbably tight unit had been playing together for five years.” Artist pre-sale tickets are on sale at noon Eastern today at www.theheartlessbastards.com/tour; venue on-sale is this Friday at 10am local times.
HEARTLESS BASTARDS TOUR 2021
Sep 16, 2021 - Stickyz - Little Rock, AR
Sep 17, 2021 - The Blue Note - Columbia, MO
Sep 18, 2021 - Off Broadway Nightclub - St. Louis, MO
My Morning Jacket has announced the launch of their new MMJ LIVE vinyl series, kicking off with LIVE 2015, collecting 16 previously unreleased live tracks recorded during 2015’s THE WATERFALL Tour. LIVE 2015 will arrive Friday, September 3 exclusively on 3LP white vinyl (with digital download card), with a digital release at a later date.
My Morning Jacket’s first official live release since 2006’s groundbreaking live album and concert film, OKONOKOS, the 16 tracks on LIVE 2015 were expressly chosen by the band and then mixed by longtime studio collaborator Kevin Ratterman.
Grammy-winning guitar duo Rodrigo y Gabriela are back on the road in America from September 1, their first US shows in two years. Their plans to tour their 2019 studio album METTAVOLUTION were denied by the pandemic, and Rod and Gab spent much of lockdown in the Mexican studio space, doing regular online sessions, including one-off cover versions, old album favorites, and even vegan cookery and mindfulness classes.
Thrilled to be back on the road; for this new "By Request" tour, the band have elected to hand over setlist selection to their American fanbase. Rodrigo says: "On the Mettavolution tour in 2019, we played the whole of that album. Here we are, two years later, and we have decided to let the fans choose what songs they want to hear from us on the 'By Request' tour."
Rodrigo y Gabriela have posted a long list of songs on rodgab.com and their social media platforms, repertoire covering 20 years of playing their unique brand of fiery acoustic rock together; with an invitation to fans to select the songs they want to hear played live on the "By Request" tour. Gabriela adds: "We are so excited to be getting back out on the road again. The 'By Request' tour puts the setlist in the hands of the fans. We can't wait to see what songs they pick."
A voting page for fans has been set up on rodgab.com, and there will be invitations to cast votes on Rodrigo y Gabriela's social media platforms going out later today. Twitter @rodgab Instagram @rodrigoygabriela Facebook - facebook.com/rodgab.
Rodrigo y Gabriela - the "By Request" tour starts in Boulder, CO on September 1, and runs through to October 16 in Minneapolis, MN. Full tour dates are below and ticket links at rodgab.com.
RODRIGO Y GABRIELA TOUR 2021
SEPTEMBER
1 - Boulder, CO - Chautauqua Auditorium *
3 - Vail, CO - Gerald R. Ford Amphitheater *
4 - Colorado Springs, CO - Pikes Peak Center *
8 - Troutdale, OR - Edgefield *
10 - Sacramento, CA - Crest Theater *
11 - Napa, CA - Oxbow Riverstage Concert Series *
12 - San Diego, CA - Humphrey's Concerts By The Bay *
14 - Santa Barbara, CA - Arlington Theater *
15 - Anaheim, CA - House of Blues *
26 - Austin, TX - ACL Live at Moody Theater
28 - San Antonio, TX - Tobin Center for Performing Arts **
OCTOBER
1 - Atlanta, GA - Buckhead Theater
2 - Charleston, SC - Charleston Music Hall **
3 - Wilmington, NC - Greenfield Lake Amphitheatre **
5 - Charlotte, NC - The Fillmore Charlotte **
6 - Washington, DC - Anthem
8 - Hershey, PA - Harrisburg University at Hershey Theatre **
9 - Boston, MA - Orpheum Theatre **
10 - New York, NY - Pier 17
11 - Munhall, PA - Carnegie of Homestead Music Hall **
One of the foremost faces of the current progressive jazz movement, 2x GRAMMY® Award-nominated drummer/composer/producer Nate Smith has announced the release of his inspired new album, Kinfolk 2: See The Birds. The highly anticipated follow-up to 2017’s GRAMMY® Award-nominated Kinfolk: Postcards From Everywhere arrives via Edition Records on Friday, September 17; pre-orders are available now.
To herald the release of Kinfolk 2: See The Birds, Smith is sharing the album’s first single, the hip-hop centric “Square Wheel,” which finds Smith juggling odd-meter beats in unison with rapper Kokayi’s intrepid rhythmic cadence alongside singer Michael Mayo’s impassioned vocals as well as Brad Allen Williams on guitar, bassist Fima Ephron, saxophonist Jaleel Shaw and Jon Cowherd on keys. A companion music video filmed in the recording studio is streaming on YouTube now.
"The politics of a high school cafeteria and band room are cutthroat,” says Smith. “At every turn, there is a brutal competition to be the coolest, the most unique, the most talented, the funniest. The square wheel was me; the kid in the back of the lunchroom with his manuscript pad open, writing snare drum parts for marching band.”
Kinfolk 2: See the Birds affirms Nate Smith as one of the most dynamic drummers, insightful composers, and engaging bandleaders of his generation, adept across infinite genres and multiple styles. The album sees Smith joined by an array of diverse fellow artists, including singers Brittany Howard, Amma Whatt, legendary guitarist Vernon Reid, violinist Regina Carter, vibraphonist Joel Ross, rapper Kokayi, and, Michael Mayo, and Stokley Williams (of the pioneering R&B band Mint Condition).
Kinfolk 2: See the Birds marks the second installment in a remarkable trilogy charting Smith’s continuing evolution as a musician and composer. While Kinfolk: Postcards From Everywhere touched upon Smith’s childhood in Chesapeake, VA, and the sounds that he absorbed in his family home, the new album offers an impressionistic portrait of the artist as a young man considering his future in music. Those years saw Smith inspired by the diverse and eclectic riches of Prince and Michael Jackson, hip-hop and the emerging neo-soul movement, as well as music associated with the groundbreaking Black Rock Coalition such as Living Colour (whose trailblazing founder, Vernon Reid, appears on the new album’s menacing “Rambo”).
“I can’t really overstate the importance of Living Colour’s impact on me,” Smith says. “I didn’t grow up in a rock-n-roll house; I grew up in an R&B house. Besides Prince, the only other Black man that I ever remember seeing with a guitar was George Benson. I didn’t know anything about Bo Diddley, Chuck Berry, or even Jimi Hendrix.”
However, Kinfolk 2 is no throwback – Smith reconciles his teenaged influences with the modern jazz sensibilities that he’s demonstrated with not just his solo material but as a sideman with such jazz titans as guitarist Pat Metheny, bassist Dave Holland, and saxophonists Ravi Coltrane and Chris Potter. Recorded mostly in two band sessions – June 2019 at Sear Sound in New York City and February 2020 at the Bunker Studio in Brooklyn – the album projects a dreamy, cinematic sensibility as the music ebbs and flows from wistful downtempo excursions to rugged hip-hop beats, hypnotic alt-rock leaning tunes to amorous laments. Kinfolk 2 boasts a slightly different lineup for its core ensemble than its predecessor. Saxophonist Jaleel Shaw and bassist Fima Ephron return, while Smith welcomes guitarist Brad Allen Williams and keyboardist Jon Cowherd to the combo.
For nearly two decades, Nate Smith has been a key piece in reinvigorating the international music scene with his visceral, instinctive, and deep-rooted style of drumming. He holds a diverse and ample résumé, including work with esteemed jazz leading lights such as Pat Metheny, Dave Holland, Chris Potter, José James, and Ravi Coltrane, as well as collaborations with Vulfpeck spinoff band The Fearless Flyers, Brittany Howard (of Alabama Shakes), Emily King, and Van Hunt.
“Drummer Nate Smith provides more than just a beat. He intentionally weaves nuanced rhythmic counterpoint in and out of his catchy melodies and dulcet harmonies,” said NPR Music for Smith’s Tiny Desk performance in 2017 in support of Kinfolk: Postcards From Everywhere. Hailed by All About Jazz as “a many-faceted jewel whose luster only grows with re-examination,” Kinfolk: Postcards From Everywhere was met by international acclaim, earning two GRAMMY® Award nominations for “Best Instrumental Composition” and “Best Arrangement, Instrumental, or A Capella.” Downbeat gave the album four stars, while the New York Times said, “all sorts of sounds participate in building the rhythm: taut but resonant bass notes, clipped guitar playing, zagging saxophone lines. The result is a sound that’s tart, bittersweet and almost nostalgic…and his drumming is a marvel unto itself.”
Smith – who recently relocated from New York City to Nashville, affording him recording opportunities with multi-instrumentalist Mike Elizondo, producer Dave Cobb, and singers Shania Twain and James Bay – followed Kinfolk: Postcards From Everywhere with projects including 2018’s breakbeat solo drums LP, Pocket Change, and last year’s R&B-infused EP, Light and Shadow.
Osiris Media, the leading music storyteller, releases Alive Again episode 2, entitled "Mr. Completely." In this episode, fans will hear Trey Anastasio and his TAB bandmates talk about the creation of Vermont recording studio The Barn, the rise of the Trey Anastasio Band, and watershed moments like their first shows at Red Rocks, the first Bonnaroo festival in 2002, and a show in Utica where the band actually brought the house down. This episode contains many never-before-heard stories from Anastasio and his collaborators.
Fans will also hear Anastasio talk about his personal struggles during this time which saw Phish’s two hiatuses and his work with Brendan O’Brien on the album Shine. The episode concludes with Anastasio looking forward to his period of recovery and his subsequent work with orchestras and Broadway.
“Trey Anastasio is a musical hero. One of the reasons I started podcasting was to dive deeply into his music,” said RJ Bee, CEO of Osiris Media. “To be able to hear him tell his story, in his own words, is an honor for us and will be a treasure trove to music fans who want to hear from this incredibly prolific, thoughtful, and hard-working musician."
About Osiris Media:
Osiris Media is the leading music storyteller — informing and delighting passionate music fans by connecting them with great stories and artists they love. Their 50 podcasts include Artist Spotlight shows with leading musicians, Original Podcasts that tell compelling stories in music, Studios Podcasts built with leading companies, and Community Podcasts, which cover a variety of music and cultural topics.
Deepen the connection with the music you love at OsirisPod.com.
Delta Nove has released their eighth studio album, a 16-song double LP titled Beyond. Relix exclusively premiered the full album earlier this week.
For Delta Nove, the past decade has been both transformational and tragic. Following their last record, Imaginary Conversations, the former Jambase “Road Warriors of the Year” chose to slow down their once-relentless touring schedule to stay closer to home, focusing on their families and their individual careers while continuing to collaborate as Delta Nove.
With a recording studio in Long Beach, California to call home and a core of seven musicians that had evolved into the band’s most cohesive unit, Delta Nove was poised to record and tour in support of a much-anticipated new album in 2018. Sadly, this plan came crashing down shortly after basic tracking on the album was completed when drummer, co-vocalist, and major contributing songwriter Dominic Feedam was diagnosed with cancer. After a hard-fought battle with the disease, Dominic lost his life in 2019.
Delta Nove called upon their most loyal fans to collaborate with them on a music video for their song Big Sky, a Dominic Feedam composition that has become a staple of the band's live shows over the years. This video serves as both a tribute to Dominic's memory as well as a love letter between the band and their fans.
After the initial shock and grief passed, Dominic’s “musical family” decided to honor their fallen brother by completing the album that they had worked closely together to write. So, in 2020, the surviving members regrouped to pick up the pieces, return to the studio, and finish the record; But no sooner than they started, the entire world shut down due to COVID. Despite the challenges that a pandemic posed, the band pressed on, holding sessions with one or two masked musicians until all overdubs and production were completed. With the album finally finished despite all the obstacles, but with many questions remaining as to “what comes next,” Delta Nove named the album Beyond.
Delta Nove’s eighth album, Beyond, is a passionate expression of a band at their most evolved level. The double-LP exemplifies the distinctly diverse “world-funk” sound that Delta Nove honed through more than two decades of playing together. Delta Nove’s live performances, affectionately dubbed “the D-No Show” by fans, are legendary in circles for taking dancers on a musical journey of globetrotting styles. This 16-song, 80-minute offering takes its inspiration from these live sets, seamlessly blending heavy funk, roots rock, reggae, Brazilian rhythms, afrobeat, and improvised psychedelic explorations.
To add even more depth to the album, the band calls on some of the friends they’ve made throughout two decades of touring; These world-class guest artists include funk legend Fred Wesley (James Brown, Parliament-Funkadelic), whose signature sound is on display during the classic-sounding instrumental jam Money Funk. Several guest percussionists are present on the record, including Jiro Yamaguchi (Ozomatli), whose syncopated tabla rhythms bring a world-music flavor to the modern go-go track Feet on the Ground, and Jason Hann (String Cheese Incident, EOTO), who takes up his djembe to solo over a massive Brazilian percussion ensemble on the rootsy samba-reggae original Samambaia. Also featured is vocal powerhouse Adryon DeLeon (Orgone), who contributes her soulful harmonies to four songs. And finally, Delta Nove’s original sax player and fan-favorite Rob Covacevich reunites with his old musical brothers for a guest feature on the band’s re-imagination of Fela Kuti’s Upside Down; aptly titled Downside Up.
Thankfully, the basic tracking for Beyond was all completed before Dominic Feedam became too ill to play and sing. So, Dominic is present on all sixteen songs, and his performance is nothing short of inspired; almost as if he was aware that this album would be his parting gift to his musical family. While many questions remain about “what lies beyond” for Delta Nove, the band hopes that this album serves to honor the memory of their beloved brother Dominic, and as a testament to the never-ending pursuit to always go Beyond.
About Delta Nove:
Born in a garage in Long Beach, California, Delta Nove has put in some serious work since their first independent release in 1998, leaving a trail of deep funk, thunderous Brazilian drums, greasy horns, and psychedelic exploration wherever they go. After over well over 1000 shows across the United States, 8 independent releases, and years of musical evolution, the band has truly developed into a singular powerhouse of sound and rhythm.
The live show is where the band shines, connecting with their energy to the audience, never failing to whip them into a full-on dance party. Each show features a unique set drawn from a huge catalog of original material and unique covers, sprinkled with lots of improvisation and on the spot creativity.
Delta Nove continues to make their uniquely original music year after year, and have done their part to help define the sound of Southern Californian music and culture, as well as international cross-cultural pollination. With a long and storied trip across many years through cities, states, festivals, benefits, and beyond, Delta Nove has no plans to stop to firing up crowds with their patented form of world funk.
The Memphis-based soul powerhouse Southern Avenue recently announced the release of their third full-length album BE THE LOVE YOU WANT along with the album’s feature track “Push Now.” Today, Southern Avenue share the official music video for the song; a light-hearted happy-go-lucky visual that showcases the band’s personality and incorporates family members from the entire Southern Avenue team.
"We wanted the video to be fun, colorful, and alive. What better way to do that than to make it a raging party filled with super-cute kids,” says Southern Avenue frontwoman, the song’s co-writer and mom of two of the video’s young stars, Tierinii Jackson. “The energy of the track was definitely matched by our adorable friends. It's LIT!"
BE THE LOVE YOU WANT was produced by multi-GRAMMY® winner, Steve Berlin (Los Lobos, Deer Tick, Susan Tedeschi, Jackie Greene), and co-produced by Ori Naftaly, and arrives on August 27, 2021 via Renew Records/BMG.
Ahead of the release, the band will set out on an extensive tour, which includes two weeks supporting 2X GRAMMY® Award-winning pop superstar Jason Mraz whom the band collaborated with on the song “Move Into The Light.”
The sessions for George Harrison’s All Things Must Pass began just six weeks after the April 1970 announcement of The Beatles’ break-up. Two days were spent recording thirty demos that were being considered for his new, as yet untitled, album in Studio Three at EMI Studios, Abbey Road in St. John’s Wood, London. The first day, May 26, saw Harrison record fifteen songs backed by Ringo Starr and his longtime friend, bassist Klaus Voormann, beginning with “All Things Must Pass.” The following day, May 27, George ran through an additional fifteen songs solo for co-producer Phil Spector on his own.
While a remarkable amount of the songs demoed made the triple LP, not everything made the cut and now for the first time ever, in celebration of the 50th anniversary of All Things Must Pass, all 30 demos are being made available, including 26 tracks never before officially released as well as several songs that didn’t make the album like “Cosmic Empire,” “Going Down To Golders Green,” “Dehra Dun,” “Sour Milk Sea,” “Om Hare Om,” Window Window,” “Beautiful Girl,” “Mother Divine,” and “Nowhere To Go.”
Five decades after it was recorded, “Cosmic Empire” debuts today and sees Harrison performing the song on acoustic guitar on the second day of recording. The song is accompanied by a compelling lyric video that brings to life the natural and cosmic worlds George sings about in the song through a series of colorful animated collages. The video, which was produced by the animation house, Yes, Please, is premiering on YouTube and the song is available to stream now everywhere.
“Cosmic Empire” is featured alongside all the demos as well as a host of outtakes on the new 50th anniversary Super Deluxe Edition of All Things Must Pass which will be released August 6 via Capitol/UMe. Decades in the making and lovingly crafted by the Harrison family, All Things Must Pass has now been completely remixed from the original tapes for a stunning suite of 50th-anniversary releases that fulfills Harrison’s longtime desire. Executive produced by Dhani Harrison and mixed by triple GRAMMY® Award-winning engineer Paul Hicks (The Beatles, The Rolling Stones, John Lennon), with the product produced by David Zonshine, the new mix transforms the album by sonically upgrading it - making it sound brighter, fuller and better than ever before.
All Things Must Pass 50th Anniversary Edition will be available in a variety of formats:
SUPER DELUXE EDITION
The Super Deluxe Edition box set, presented on 8LP (180g) or 5CD + 1 Blu-ray audio disc, explores the 1970 album sessions through 47 (42 previously unreleased) demos and outtakes. The Blu-ray allows fans to experience the main album in high-res stereo, enveloping 5.1 surround sound and Dolby Atmos mixes. The collection contains a beautiful 60-page scrapbook curated by Olivia Harrison, with unseen imagery and memorabilia from the era, handwritten lyrics, diary entries, studio notes, tape box images, a comprehensive track-by-track, and more. It also includes a replica of the original album poster.
All Things Must Pass will be released in multiple physical and digital configurations, including as a 5LP or 3CD Deluxe Edition that pairs the main album with the session's outtakes and jams. The main album will be available on its own as 2CD, 3LP or limited edition 3LP color vinyl. All versions are available for pre-order now.
UBER DELUXE EDITION
Exclusive to GeorgeHarrison.com, uDiscover, and Sound of Vinyl, All Things Must Pass 50th Anniversary Edition will be available as a very limited Uber Deluxe Edition box set, which includes the album on 8LP (180g) and 5CD + 1 Blu-ray audio disc housed in an artisan designed wooden crate (approx. 12.4” X 12.4” X 17.5”). The collection explores the 1970 album sessions through 47 (42 previously unreleased) demos and outtakes, offering an inside look into the creative process. The Blu-ray allows fans to experience the main album in high-res stereo, enveloping 5.1 surround sound and Dolby Atmos mixes.
The crate contains two books, an elaborate and expanded 96-page scrapbook curated by Olivia Harrison, with unseen imagery and memorabilia from the era, handwritten lyrics, diary entries, studio notes, tape box images, a comprehensive track-by-track and more; while a second 44-page book, curated by Harrison archivists Don Fleming and Richard Radford, chronicles the making of All Things Must Pass through extensive archival interviews with notes is also contained herein. The elegantly designed book pays homage to Harrison’s love of gardening and nature. The book also contains a wooden bookmark made from a felled Oak tree (Quercus Robur) in George’s Friar Park. This truly unique box will also contain 1/6 scale replica figurines of Harrison and the gnomes featured on the iconic album cover, a limited edition illustration by musician and artist Klaus Voormann, as well as a copy of Paramahansa Yogananda’s “Light from the Great Ones” and Rudraksha beads, contained in individual custom-made boxes.
"Since the 50th-anniversary stereo mix release of the title track to my father’s legendary All Things Must Pass album in 2020, my dear pal Paul Hicks and I have continued to dig through mountains of tapes to restore and present the rest of this newly remixed and expanded edition of the album you now see and hear before you,” says Dhani Harrison. “Bringing greater sonic clarity to this record was always one of my father’s wishes and it was something we were working on together right up until he passed in 2001. Now, 20 years later, with the help of new technology and the extensive work of Paul Hicks we have realized this wish and present to you this very special 50th Anniversary release of perhaps his greatest work of art. Every wish will be fulfilled."
Hailed by Rolling Stone as “the War and Peace of rock and roll” and “an intensely personal statement and a grandiose gesture,” All Things Must Pass was met by unanimous critical acclaim and spectacular commercial success, spending seven weeks at #1 on Billboard’s “Top LPs” chart and eight weeks atop the UK’s official albums chart (though chart records until 2006 mistakenly stated that it had peaked at #4). Currently certified 6x platinum by the RIAA, All Things Must Pass later received a 1972 GRAMMY® Award nomination for “Album of the Year,” while “My Sweet Lord” earned a GRAMMY® nod for “Record of the Year.” “What Is Life,” the album’s second single, also became an international hit, reaching the top 10 in the US and Canada as well as #1 in Australia and Switzerland.
All Things Must Pass has only grown in influence and stature in the half-century since its initial release, including induction in the GRAMMY® Hall of Fame and inclusion on The Times of London’s “The 100 Best Albums of All Time” and Rolling Stone’s 2020 listing of “The Top 500 Albums of All Time.” Pitchfork declared it to have “changed the terms of what an album could be.”
Musician Scott Hirsch shares today “Spirit True” a song from his upcoming album Windless Day. Hirsch, who was an original member of Hiss Golden Messenger, serves as both producer and artist for Windless Day which comes out October 10 via Echo Magic Records with Soundly Music. The album is available digitally, CD, and on vinyl (black and iridescent pearlized purple). Preorders are available now.
“Spirit True” cuts through the noise and false prophets in our lives in order to hold space for a meaningful way forward. For some people, this might involve religion (speak in tongues), others it might be meditation, for some it might be a vice, like sex or drugs, or simply music or art. This journey does not have a defined destination or an end point; it is difficult and ongoing work to know one's “Spirit True.” The destination lies in the awareness of the journey itself. Hirsch commiserates how it's easy to become impatient with this concept, and this endless waiting is in fact the hardest part, especially coming through the ordeal of the last year, time feels like it is running out. Hirsch sings the refrain "Oh I’m afraid, the hour’s getting late… One of these days I know I'm gonna know you."
Hirsch likes to craft his records as cohesive sonic journeys. About “Spirit True,” Hirsch explains, “I was looking for an entry point into this record. I'd been obsessed with this rhythm section turnaround on a Willie Nelson song, ‘Pretend I Never Happened’ on his brilliant Phases and Stages record. I started working on how to get something like that into a song. From there, I found the sideways groove that hits once the songs gets rolling through the pumping bassline. The horns, played by Karl Hunter, were inspired by Jamaican music, particularly some of Burning Spear's grand horn intros. And finally, Greg Loiacono provided the effervescent vocal “oohs” for punctuation. Once I sparkled in some Velvet's inspired electric guitars, and Daniel Wright got the marching beat going, the musical melting pot was really cooking.”
A founding member of Hiss Golden Messenger, Hirsch was integral to the band’s formative years in the studio and on the road. His sonic imprint remains on their productions; most recently mixing the new critically acclaimed album Quietly Blowing It. He also has recorded and mixed Follow The Music, the Grammy-nominated record by the legendary folk-singer Alice Gerrard and has produced and played on records by William Tyler, Mikael Jorgensen, Orpheo McCord, and Daniel Rossen.
Stay tuned for more Windless Day songs to be released in the near future.
These days, music festivals come and go, but some have stood the test of time, each year fostering bonds between fans and musicians, inspiring creativity, and building communities of fanatical and devoted attendees. Festival Circuit is a seasonal, narrative-style podcast about these festivals, with each season telling the story of a different, amazing music festival. Coming July 7, Osiris Media and host Carmel Holt will follow up with a second season focused on another long-running, timeless festival: Newport Folk Festival in Newport, RI
Started by the legendary George Wein, Newport Folk has been a staple in the scene since its foundation. The festival laid the groundwork for the modern-day plethora of music festivals we see today. We’ll bring the listener to the festival grounds, explore decades of social and political change wrapped up in the festival, take a deep dive into the music and the ever-evolving lineups, and give the audience a better understanding of what makes Newport Folk Festival a mystical and long-standing draw for talented musicians and rabid fans alike. We’ll tell the incredible story of Newport with the help of musicians, organizers, journalists, and community members like George Wein himself, executive festival producer Jay Sweet, Brittany Howard, Jim James, Judy Collins, Danny Clinch, Colin Meloy, Margo Price, Yola, Lucius, Deer Tick, and so many more.
“Newport is the gold standard, with so many legendary moments in its history,” said Kirsten Cluthe, COO of Osiris Media. “We’re honored to include it in our Festival Circuit series, especially as live music comes back to life. It’s the quintessential summer music festival, and now everyone can participate, even if they’re not in Rhode Island this summer.”
Trey Anastasio Band (TAB) announces its long-awaited return to the road with an upcoming series of live dates. The tour begins September 17 at Thompson’s Point in Portland, ME and then travels through a two-night-stand at New York City’s Radio City Music Hall on October 2 and 3. The upcoming run marks the first TAB tour for new bassist Dezron Douglas, who joins the band following the recent passing of original member Tony Markellis. Presales begin Wednesday, July 14 at noon ET. Tickets will go on sale to the general public on Friday, July 16 starting at 10am ET. For complete details, please visit trey.com/tour.
TREY ANASTASIO BAND
U.S. TOUR 2021
SEPTEMBER
17 – Portland, ME – Thompson’s Point
18 – Boston, MA – Leader Bank Pavilion
19 – New Haven, CT – Westville Music Bowl
21 – Philadelphia, PA – The Met
22 – Charlottesville, VA – Ting Pavilion
24 – Wilmington, NC – Riverfront Park Amphitheater
25 – Charlotte, NC – Metro Credit Union Amphitheatre
26 – Asheville, NC – Rabbit Rabbit
28 – Columbus, OH – Express Live Outdoors
29 – Pittsburgh, PA - Stage AE Outdoors
OCTOBER
1 – Washington, DC – Anthem
2 – New York, NY – Radio City Music Hall
3 – New York, NY – Radio City Music Hall
Last year saw Trey Anastasio Band release a new live album, Burn It Down, a three-dimensional sonic time capsule that captures the explosive eight-piece band on their January 2020 tour. Produced and mixed by Vance Powell (Phish, Chris Stapleton, Jack White), the 15-song collection shows TAB at the peak of its powers, combining their trademark tight musicianship with unbounded performances. Burn It Down is available now at all digital outlets HERE, and vinyl will be available on August 20. Pre-order the vinyl HERE.
Acclaimed rock ’n’ roll band Heartless Bastards have announced today’s premiere of “Photograph,” the latest single from their eagerly awaited new album, A Beautiful Life. On the new track, Heartless Bastards frontwoman Erika Wennerstrom says:
"Photograph is about building bridges. We have to approach each other with love and give each other some room to grow. When we went into the studio the song was conceptual in form, and with its complicated structure, I wasn’t even sure it was going to work. I put trust in my instincts and had faith it was all going to translate. There weren’t a lot of rehearsals leading up to it. It was fresh and exciting to dive right in. There can be a lot of magic in those moments where you’re vulnerably finding your way through a new song and the recording light is on. Having the brilliant musicianship of Jesse Ebaugh, Greg Clifford, and Lauren Gurgiolo was monumental. Lauren and I trading leads over a psychedelic landscape might be one of my favorite musical moments to date. It was everything I hoped it would be and then some. I really feel the stars aligned and we created something really special."
Heartless Bastards’ sixth studio album and first new music in more than half a decade, A Beautiful Life arrives via Sweet Unknown Records/Thirty Tigers on Friday, September 10; pre-orders are available now, including a limited edition hand-poured double LP and special merchandise available exclusively from the Sweet Unknown Records Official Store.
LIMITED EDITION VINYL AND EXCLUSIVE MERCHANDISE ARE AVAILABLE HERE
A Beautiful Life was heralded last month with the soulful new single, “How Low,” available now at all DSPs and streaming services; an official music video – directed by documentary filmmakers Sam Wainwright Douglas and David Hartstein – is streaming via YouTube. “How Low” was met by instant acclaim, with Rolling Stone declaring it to be “a satisfying summer song — with a deeper message in its lyrics,” further noting how the song’s companion video “juxtaposes the vacuous Instagram life with images of poverty, natural disaster, and ultimately acts of kindness.”
A Beautiful Life once again sees Heartless Bastards founder Erika Wennerstrom alchemizing her idealism into viscerally potent rock ‘n ‘roll. Co-produced by Wennerstrom and Kevin Ratterman (Strand Of Oaks, Jim James, White Reaper), the album – which follows 2015’s Restless Ones – finds the Austin, TX-based singer-songwriter backed by a powerhouse lineup comprising guitarist Lauren Gurgiolo (Okkervil River), drummer Greggory Clifford (White Denim), multi-instrumentalist Jesse Chandler (Mercury Rev, Midlake), keyboardist Bo Koster (My Morning Jacket), guitarist David Pulkingham (Patty Griffin), and longtime Heartless Bastards bassist Jesse Ebaugh.
Though Wennerstrom first considered releasing A Beautiful Life under her own name as the follow-up to her widely praised 2018 solo debut, Sweet Unknown, she ultimately came to view the new album as a continuation of the journey begun on Heartless Bastards’ milestone 2005 debut, Stairs and Elevators. Indeed, with its coalescence of so many eclectic touchstones – from French pop and Celtic folk to space rock, Disney scores, and post-punk – A Beautiful Life stands tall as Heartless Bastards’ most elaborately realized work to date. Songs such as the sprawling, psychedelic epic, “Photograph” and the rambling folk of “The River” (the latter featuring contributions from such singular musicians as Andrew Bird and Persian setar virtuoso Fared Shafinury) channel Wennerstrom’s nuanced observations into glorious music that incites contemplation, catharsis, and a joyful sense of defiance.
“For me music is a gift,” says Wennerstrom. “I do it because I love it, and because it helps me feel more connected to the world. I think we all long for a deep connection, and I hope this record adds to the conversation on how we as a species can stop seeing ourselves as separate. I hope it helps everyone to think about how we can look out for each other, take care of each other, and lift each other up.”
A Beautiful Life also includes Heartless Bastards’ 2020 single, “Revolution,” available now on all digital platforms. An official music video – also directed by Sam Wainwright Douglas and David Hartstein – is streaming now at YouTube HERE.
The passionate energy and undeniable musical chemistry of A Beautiful Life inspired Wennerstrom to invite Gurgiolo and Clifford into the Heartless Bastards lineup for their upcoming live schedule, set to get underway September 16 at Stickyz in Little Rock, AR and then travel through late November. Due to demand in sales, Heartless Bastards at The State Room in Salt Lake City is being moved to The Commonwealth Room. The band recently made its live debut with a sold out two-night-stand at Austin’s beloved Mohawk Austin, hailed by the Austin Chronicle as “front-loaded with fresh, interesting material…If you didn’t know better, you’d think the improbably tight unit had been playing together for five years.”
Building upon the amazing night they had at the Mohawk, Heartless Bastards have now announced a weekly residency in Austin for the month of August. "It’s been a rough year and a half for venues and we thought supporting some of our local spots would be a great way to warm up for tour,” says Wennerstrom. “We’ll be playing every Friday at C-Boys, and every Saturday at The Continental accompanied by some of our dear friends. With preparing to release the bands sixth record we have no shortage of material to make each night unique, and it’s been just as much fun to revisit the old material as it will be to share with you the new record. After 2020 it’s been hard to even put into words the gratitude we all have for the opportunity to perform music again, and it’s something we don’t want to ever take for granted.” For updates and ticket availability, please visit www.theheartlessbastards.com/tour.
Today, the Nashville-based rock and soul singer-songwriter Maggie Rose shares “Are We There Yet,” the newest single from her upcoming album, Have A Seat, following the releases of the songs “Do It,” “What Are We Fighting For,” “For Your Consideration,” and “Saint." Have A Seat is due out on August 20 via Starstruck Records. The album was recorded live at FAME Studios in Muscle Shoals, AL, and was produced by Ben Tanner (Alabama Shakes).
Garden & Gun exclusively premiered “Are We There Yet” earlier today, calling the song "an apt entry point to Have a Seat and to Rose’s catalog as a whole," and goes on to say, “'Are We There Yet' shows an artist at the top of her craft — and only improving."
Rose heralded the release of Have A Seat with a three-part video series that combined to create an in-depth story. The music video trilogy concept was the brainchild of close friend and acclaimed photographer/videographer Ford Fairchild.
"I was lucky enough to watch Maggie bring Have A Seat to life from the beginning and one thing I noticed was how much personal growth she worked through in making this record," says Fairchild. "You could tell she was stepping into an alternate universe every time she was in work mode. So when it came time to figure out creative direction, I wanted to show that growth with Maggie working through it over dinner with different versions of herself."
The trilogy began with "What Are We Fighting For." It was followed by "Saint" and then finally “For Your Consideration.”
"We really wanted viewers to get to know the different sides of Maggie individually so we decided to do that in a trilogy, with 'For Your Consideration' bringing them all together," continues Fairchild. "The dinner table signifies the body of work as a whole so you’ll see nods to each song on the record throughout the trilogy."
Like any great soul singer, Rose beautifully captures the tensions of the current moment, gently presenting her pensive social commentary while providing a much-needed reprieve from the everyday chaos. “These songs were written during a contentious time, and there are undertones to the lyrics that are influenced by the state of our world politics and the politics of the music industry,” she says. “The title Have a Seat is responsorial, placing an emphasis on inclusivity — like, ‘Here, sit down. Let’s try talking to each other.’ One of the most loving things we can do is listen and make others feel heard — give people the space to speak their minds and be themselves. However, there’s also an intended meaning to the title that points to the power in occupying the seat that’s designated to you: I am claiming a seat I believe is rightfully mine, and I want others to do the same.”
Rose kicked off her extensive album release tour yesterday for the first show of a two-night stand at Rams Head On Stage in Annapolis, MD.
Maggie Rose On Tour
7/16 @ Rams Head On Stage | Annapolis, MD
7/17 @ Salmon Brook Park | Granby, CT
7/18 @ Long’s Park | Lancaster, PA
7/21 @ City Winery Boston | Boston, MA
7/22 @ Edgewood Park |New Haven, CT
7/23 @ Newport Playhouse | Newport, RI
8/5 @ Handy Park | Memphis, TN
8/7 @ Chesterfield Amphitheater | St. Louis, MO
8/12 @ Saturn |Birmingham, AL
8/13 @ Terminal West | Atlanta, GA
8/14 @ Charleston Pour House | Charleston, SC
8//19 @ Brooklyn Bowl | Nashville, TN
8/21 @ Summer Camp Music Festival | Chillicothe, IL
8/27 @ Club Dada Dallas | Dallas, TX
8/28 @ Antone’s | Austin, TX
8/29 @ Dosey Doe Big Barn | The Woodlands, TX
9/4 @ The Grey Eagle | Asheville, NC
9/5 @ The Cottage | Atlantic Beach, NC
9/10 @ Hi-Fi | Indianapolis, IN
9/11 @ Zanzabar | Louisville, KY
9/14 @ The Echo | Los Angeles, CA
9/15 @ Harlow’s Restaurant & Nightclub | Sacramento, CA
9/16 @ Sweetwater Music Hall | Mill Valley, CA
9/19 @ Whetstone Wine Cellars | Napa, CA
9/29 @ World Cafe Live | Philadelphia, PA
9/20 @ Musikfest Cafe |Bethlehem, PA
10/1 Flood City Music Festival | Johnstown, PA
10/5 @ Mercury Lounge | New York, NY
10/8 @ Austin City Limits | Austin, TX
10/31 @ Suwannee Hulaween | Live Oak, FL
11/11 @ Beachland Ballroom | Cleveland OH
11/12 @ Thunderbird Cafe | Pittsburgh, PA
11/20 @ Thunderbird Cafe | Pittsburgh, PA
12/8 @ Asbury Lanes | Asbury Park, NJ
12/9 @ Knitting Factory Brooklyn | Brooklyn, NC
12/10 @ Birchmere | Alexandria, VA
12/17 @ 7th Street Entry | Minneapolis, MN
12/18 @ SPACE | Evanston, IL
Today, the New York City-based, New Mexico native shares her album Rumpumpo with the world. Kate Vargas, the “junkyard folk” artist, has put aside the party for meditation, yoga, clean eating, and a fresh perspective on life as she hones in on her music.
Weeks before Vargas was scheduled to record her new album, the pandemic struck. At an impasse, she struggled to move forward in her craft. Months later, in a conversation with a friend about feeling stuck, he stated Newton’s First Law: “An object in motion stays in motion and an object at rest stays at rest unless acted upon by an outside force,” which subsequently inspires the first single and title track off her album, “Rumpumpo”.
Rumpumpo features the previously released singles “Church of Misdirection,” and “Glorieta to the Holy Place”, an ode to her home of New Mexico that celebrates the pilgrimage to Chimayo. Each year, thousands of people travel over 30 miles to El Santuario de Chimayo on Good Friday to commemorate the crucifixion of Jesus. The church is said to have healing powers, particularly the sand inside. Vargas sings about a young girl who hears of this holy place and takes it upon herself to make the pilgrimage for the sake of her suffering family amidst the pandemic.
With Rumpumpo, Vargas continues her meteoric rise with songs that stir the emotional cauldron, blazing a genre-bending path that is both sonically and lyrically daring.
It has been six years since Pipeline Productions (creators of Wakarusa Music Festival) has been able to host a festival on the iconic Mulberry Mountain in Ozark, Arkansas.
Together, with the creators of Pemberton, Ubbi Dubbi and Hangout the wait is over. Interstellar Meltdown will be held Oct 1-3 and promises to embrace and embody all of what fans have come to expect at Mulberry Mountain. It will be a multi-sensory experience like no other.
A limited number of Super Early Bird Tickets (lowest price available) will go on sale Friday, July 23rd at 10 AM CST at www.interstellarmeltdown.com. In addition, VIP passes, multiple camping options, and several other ways to customize the event experience will be available.
Interstellar Meltdown is pleased to announce the official artist lineup for its inaugural event. The festival will take place on the iconic Mulberry Mountain in Ozark, Arkansas October 1-3. Headliners will include Jack Harlow, Louis The Child, and Liquid Stranger.
Interstellar Meltdown promises to embrace and embody all of what fans have come to expect at Mulberry Mountain. It will be a multi-sensory experience like no other.
3-Day Full Event passes and 2-Day Weekend Passes are on sale Tuesday, July 27 at 10 am CT at www.interstellarmeltdown.com. Interstellar Meltdown will have ticket payment plans start as low as $45 down. In addition, VIP passes and multiple camping options will be available, including reserved RV, primitive RV, next to gate camping, quiet shaded camping in West Woods, and more.
In celebration of the inaugural event, Interstellar Meltdown is offering fans a chance to win 4 backstage passes to the event. The winner will get access to VIP amenities, side stage viewing areas, and more. Enter the Ultimate Backstage Pass Giveaway contest HERE.
Mulberry Mountain offers an incredible array of outdoor activities, including hiking, biking, waterfalls, river floats, and multiple shopping and dining experiences, including two 24 hour fully stocked convenience stores.
This year’s festival promises nearly 60 sets of music and entertainment along with multiple sunrise sets.
INTERSTELLAR MELTDOWN 2021 ARTIST LINEUP:
JACK HARLOW
LOUIS THE CHILD
LIQUID STRANGER
BIG GIGANTIC
THE GLITCH MOB
buku
Dirt Monkey
Emancipator
EVAN GIIA
The Funk Hunters
Ghostland Observatory
Inzo
Lettuce
LSDREAM
Lucii
Magic City Hippies
Manic Focus
Masked Wolf
Mersiv
Phantoms (DJ Set)
Ship Wrek
Snakehips
Whethan
Yung Gravy
An-Ten-Nae
Bfb Da Packman
Break Science
Cassian
Mindchatter
Mystic Grizzly
Payday
Pluko
Random Rab
Russ Liquid
Too Many Zooz
Tripp St.
Cofresi
LuSid
Pachyman
Somatoast
Steady FloW
That 1 Guy
The Magic Beans
The North 41
Zion I & Amp
Broganic
Deep Sequence
Heatbox
Henry Invisible
Nate Hargis
Play Dead
Recycled Funk
Blues rock artist Joe Bonamassa is back with a brand-new single from his highly anticipated upcoming album, due out later this year. “Notches” exemplifies the unwavering journey Joe has experienced while taking the road less traveled, ultimately leading him to find success. A bit older in years, but wiser in knowledge earned, his new sound has a raw and vital flavor, combined with a resolute skill that can only be gained through years of perseverance and unyielding dedication. The first single arrives today as a foot-stomping, fist-pounding dose of rock mastermind that pays homage to the artist’s resilient history, with an eye on the future as he continues to bend genres, break down walls and defy the odds of the music industry.
Joe belts out the Blues-tinged lyrics in “Notches” with a vocal range that gets even better with each release, diving deeper into his rock capabilities as he croons the resounding chorus, “I got miles under my wheels. Notches in my walkin’ cane.” He takes no prisoners with his hard-hitting anthem and holds nothing back, delivering a fresh unchartered sound that isn’t like anything he’s done before. The cinematically excellent official music video was directed by Paul van Kan.
For recording “Notches,” Bonamassa hit the studio with longtime collaborators Kevin Shirley as producer and manager/business partner Roy Weisman as executive producer. The track was mixed by Bob Clearmountain (Bruce Springsteen, The Rolling Stones, Toto, Bon Jovi) and was co-written with Charlie Starr (Blackberry Smoke). Recorded in New York City at Germano Studios/The Hit Factory the band includes Steve Mackey (bass), Lachy Doley (piano), Bunna Lawrie (didgeridoo), Bobby Summerfield (percussion), and Late Night with David Letterman's Anton Fig (drums and percussion), along with Mahalia Barnes, Juanita Tippins, and Prinnie Stevens on backing vocals. The fantastic artwork on this single was created by famous graphic artist Hugh Syme (Rush, Aerosmith, Whitesnake).
The lyrics allude to Joe’s tenured uphill battle with the music industry. Looking back, he reflects, “Twenty years ago, I recorded a record of covers that eventually was called ‘Blues Deluxe.’ It was recorded at Bobby Nathan's studio in Manhattan. It captured an energy and purpose that always stuck with me as an artist…The music business is tough, very tough. Especially back in those days when major labels pulled all the strings and, in my case, all the punches.”
Now, maybe more than ever, Bonamassa holds the power of controlling both his artistry and his business in both hands. With 24 #1 albums, yearly sold-out tours worldwide and custom annual cruises, he’s a hard act to beat. Joe knows his worth, and albeit humble, he has no plans to back down now. “Notches” is a testament to his credentials. It’s Joe Bonamassa at his finest, ready to rock.
“Notches” is a song that begs to be heard live in an audience, banging loud from the speakers. Luckily for fans, this month Joe heads back out on tour for 42 shows, starting on the West Coast in the US at the end of this month, then traveling around the rest of the country throughout the fall season before taking the stage at sea for his sold out Keeping The Blues Alive At Sea VII cruise, sailing from Miami, FL to Ocho Rios, Jamaica on February 21-25, 2022, by way of the
Veteran singer/songwriter and storyteller Jay Nash has released “Shine,” a deeply personal song that began over ten years ago around the birth of his daughter. “Shine” premiered exclusively via The Bluegrass Situation earlier this week.
“Shine” follows the release of “Strange Illusion” earlier this year. “Strange Illusion” is a song Nash penned for his kids in an effort to provide a semblance of comfort, in turbulent and uncertain times.
About “Shine” (words by Jay Nash): The first two songs (‘Mack’s Lullaby’ and ‘Shine’) from this little project came into the world just moments after my first child, my daughter, Mackenzie had arrived.
After the cacophony of activity of doctors, midwives and nurses had resolved and my wife, Rebecca had settled into a restorative, post-natal slumber, my newborn daughter and I sat quietly together in the dark. I held her, then the size of a tightly swaddled football in my arms and she lay there with eyes wide open yet serenely quiet, staring up at me.
I told her then, ‘you and I are going to have some fun together.’
I swear she seemed to truly hear me and understand me in that moment. She was so calm in that moment and her facial expression suggested profound wisdom.
After some time, I’m not sure how much exactly, Mackenzie drifted off to sleep. I was still wide awake so I picked up the nylon string guitar that I had brought along to the hospital. (It was the same one that I had bought on a whim in Paris in 2007 and that I wrote ‘Over You’ on soon thereafter...the song that changed my life and first earned me a broader audience).
In those first few blissful silent moments of being a father, the melodies, chords and themes of ‘Mack’s Lullaby’ and ‘Shine’ came to be. I recorded both raw song ideas into my iPhone before finally drifting off and joining my wife and new daughter in a deep slumber.
It took me nearly ten years to return to those ideas, partly because, as all parents know, what followed those first few calm and quiet moments of parenthood, was an all out sprint...a crash course into the massive sea change of lifestyle that comes with becoming a parent. Also - because of my anxiety and drive to provide for my, then unborn child, in the months leading up to her birth, I had written and scheduled three new albums for recording and release along with a heavy tour schedule that would push the limits of my own personal health...not to mention the strength of my wife and my relationship.
It was a busy time, to say the least. I’ve always had a hard time saying ‘no’ to things and have been consistently guilty of trying to do ‘too much.’
Anyway, ten years, a second kid, nearly a thousand tour dates and ten records later, I did finally get back around to revisiting those ideas.
The String Cheese Incident has announced their 2021 New Year’s Eve Incidents. This very special three-night run will take place at the Auditorium Theatre in Chicago on December 30th, 31st, and January 1st - the band’s first NYE in The Windy City in 18 years. Pre-sale tickets, including 3-day travel packages at iconic locations Palmer House and Chicago Athletic Association, go on sale this Thursday 7/29, at 12pm CT, followed by a public on-sale this Friday, July 30, at 10am CT.
Ahead of the highly anticipated NYE run, the band will be on tour throughout the summer and fall. All up-to-date news and tour information can be found at stringcheeseincident.com.
Tour:
Aug 6-7 Greek Theatre | Berkeley, CA
Aug 13-14 Iroquois Amphitheater | Louisville, KY
Aug 15 Express Live! | Columbus, OH
Aug 17-18 Greenfield Lake Amphitheater | Wilmington, NC
Aug 19 Ting Pavilion | Charlottesville, VA
Aug 20-22 Salvage Station | Asheville, NC
Aug 24-25 Brooklyn Bowl | Nashville, TN
Aug 26-27 The Big Top | St. Louis, MO
Aug 28 Backwoods Festival at Mulberry Mountain | Ozark, AR
Oct 28-31 Suwannee Hulaween | Live Oak, FL
Nov 4-6 Stubb’s | Austin, TX
Dec 30 - Jan 1 Auditorium Theatre | Chicago, IL
Jan 21-25, 2022 International Incident: Jamaica | Runaway Bay, Jamaica
Jan 26-30, 2022 International Incident: Jamaica | Runaway Bay, Jamaica
June 10-12, 2022 The Hog Farm Hideaway | Laytonville, CA
Following the announcement of an extensive North American tour and the release of their brand-new single "I Will Destroy The Void In You," two-time JUNO Award-winning rock band The Glorious Sons have shared "Hold Steady," another smoldering new single with an accompanying lyric video. Hear the new track and watch the video HERE, and stay tuned for news about more new music coming very soon.
"The chorus is one of the oldest things I had kicking around in my head," says vocalist Brett Emmons. "We actually tried to find a home for it on The Union, but it wasn’t until a few months back, when I finished writing that bluesy, acoustic riff that you hear at the top of the song, that the melody and chorus just kind of popped back into my head and found its forever home.”
Last week, the band shared new single "I Will Destroy The Void In You" -- listen and watch the lyric video HERE. The band also recently announced The Unfinished Business Tour, which kicks off on December 10 in Pittsburgh, PA. The 29-date North American run includes three nights at the acclaimed Commodore Ballroom in Vancouver, in addition to dates in Chicago, Minneapolis, Ottawa, Montreal and Quebec City, among others. Find the full list of tour dates below.
HEAR "I WILL DESTROY THE VOID IN YOU"
AND WATCH THE LYRIC VIDEO
From headlining clubs to arenas and festival dates, from playing tiny rooms to massive shows with The Rolling Stones, Twenty-One Pilots and touring across the U.S. with The Struts, and from growing up in Kingston to headlining a hometown show at Richardson Memorial Stadium attended by over 14,000 of their biggest fans, The Glorious Sons have steadily cemented their position as “Canada’s Best Export” (Washington Times).
THE GLORIOUS SONS
THE UNFINISHED BUSINESS TOUR 2021/2022
12/10 - Pittsburgh, PA - Mr. Smalls Theatre
12/11 - Columbus, OH - Newport Music Hall
12/12 – Indianapolis, IN – The Vogue
12/14 - Chicago, IL - Metro
12/15 - Minneapolis, MN - Varsity Theater
12/17 - Cleveland, OH - Beachland Ballroom
12/18 - Grand Rapids, MI - Intersection
1/14 - Victoria, BC - The Royal Theatre*
1/15 - Victoria, BC - The Royal Theatre*
1/18 - Mission, BC - Clarke Theatre*
1/20 - Vancouver, BC - Commodore Ballroom*
1/21 - Vancouver, BC - Commodore Ballroom*
1/22 - Vancouver, BC - Commodore Ballroom*
1/25 - Vernon, BC - Performing Arts Centre*
1/27 - Grand Prairie, AB - Bowes Event Centre
1/28 - Edmonton, AB - Edmonton Convention Centre*
1/29 - Calgary, AB - MacEwan Hall*
1/31 - Red Deer, AB - Bar & Stage*
2/1 - Red Deer, AB - Bar & Stage*
2/3 - Lethbridge, AB - Enmax Centre*
2/5 - Saskatoon, SK - TCU Place*
2/9 - Regina, SK - Conexus Arts Centre*
2/10 - Winnipeg, MB - MTS Place*
2/11 - Thunder Bay, ON - Community Auditorium*
2/16 - Ottawa, ON - TD Place*
2/17 - Peterborough, ON - Memorial Centre*
2/19 - London, ON - Bud Gardens*
2/21 - Kitchener, ON - Centre in the Square*
2/22 - Kitchener, ON - Centre in the Square*
2/23 - Windsor, ON - Chrysler Theatre*
2/24 - Royal Oak, MI - Royal Oak Music Theatre*
2/26 - St. Catharines, ON - Meridian Centre*
3/3 - Montreal, QC – Mtelus*
3/4 - Quebec City, QC - Impérial Bell*
3/10 - Toronto, ON - Massey Hall*
3/11 - Toronto, ON - Massey Hall*
3/12 - Toronto, ON - Massey Hall*
In celebration of the 50th anniversary of George Harrison’s monumental masterpiece, All Things Must Pass, the album has been completely mixed from the original tapes and expanded with 47 (42 previously unreleased) demos and outtakes, allowing listeners to enjoy and explore the album and the legendary recording sessions like never before. Decades in the making and lovingly crafted by the Harrison family, the album was remixed to fulfill Harrison’s longtime desire. Executive produced by Dhani Harrison and mixed by triple GRAMMY® Award-winning engineer Paul Hicks (The Beatles, The Rolling Stones, John Lennon), with the product produced by David Zonshine, the new mix transforms the album by sonically upgrading it - making it sound brighter, fuller and better than ever.
All Things Must Pass 50th Anniversary Edition is available in a variety of formats, including a limited edition Uber Deluxe Edition box set, an 8LP or 6-disc (5CD + Blu-ray) Super Deluxe Edition, or a 5LP or 3CD Deluxe Edition that pairs the main album with the outtakes and jams. The main album is also available on its own as 2CD, 3LP, or limited edition 3LP color vinyl. All versions are available now via Capitol/UMe.
Reviews for the 50th-anniversary editions have been nothing short of effusive:
10/10
– UNCUT
5/5
– MOJO
5/5
– AMERICAN SONGWRITER
“People used to argue whether this triple album should have been edited down to one or two records – but this edition makes you believe it should have been a quadruple album.”
– ROLLING STONE
“George Harrison’s ‘All Things Must Pass’ 50th Anniversary Edition Proves It’s the Best Beatles Solo LP”
– VARIETY
“The Beatles guitarist’s most enduring solo album—tweaked and repackaged with bonus material—sounds better than ever at 50-plus.”
“Spector’s fingerprints remain, but the album now sounds warmer, punchier and more energetic, and the surround-sound mix is seductively immersive.”
– WALL STREET JOURNAL
“Remixed by Grammy Award-winning engineer Paul Hicks, the deluxe edition of ‘All Things Must Pass’ is chock-full of musical revelations. In Hicks' hands, the original album shimmers into life with the wider sonic palette made possible by technologies that would have been unimaginable five decades earlier.”
– SALON
“This new mix updates his finest work for today, in greater detail than ever before, while still managing to retain the atmosphere that binds these 106 minutes together.”
– UNCUT
“The original mix’s misty distance has gone, replaced with a clarity and definition that Harrison and Spector didn’t achieve (or seek) the first time around. Previously, one had to, like Spector during the playbacks, turn it up very loud to get the full effect. Not anymore. These mixes come to you.”
– MOJO
“These five-decade-old tapes sparkle with renewed life and a depth partially obscured by Spector’s heavy hand… it’s impossible to find fault with the obvious care and attention to detail dedicated to the end product.”
“All Things Must Pass is a landmark set; one that sounded timeless 50 years ago and will have the same effect 50 years from now. Even, perhaps especially, those who have lived with it for decades will enjoy this appropriately classy, beautifully crafted, refreshed/remixed, and likely definitive version.”
– AMERICAN SONGWRITER
“Epic, monumental”
– GUITAR WORLD
“Across 70 tracks, more than half of them previously unreleased, the album's evolution unspools via demos, outtakes and alternate versions, and it's a pretty remarkable journey.”
– ULTIMATE CLASSIC ROCK
“All Things Must Pass, the expanded 50th-anniversary reissue is nothing less than essential. It takes one of the greatest works in popular music history (forgive me if you think this is hyperbole but let’s at least admit that if so, it’s only slight), and expounds upon its genius by exposing its creation… Consider it the seminal reissue of a seminal original. You will find few done better.”
9/10
– UNDER THE RADAR
9/10
– FLOOD
To coincide with the release of the anniversary editions, the iconic cover of All Things Must Pass, depicting Harrison and his garden gnomes, has been recreated in larger-than-life fashion as a public, living art installation in London’s Duke Of York Square, King’s Road, Chelsea. The installation opens today and will be available to visit until August 20th. Designed by world-renown floral artist Ruth Davis, of All For Love London, the beautiful, interactive installation features gigantic versions of two gnomes that have been created out of flowers and foliage. The oversized gnomes, the largest measuring five meters, sit atop a large circle of turf, a meaningful, sacred shape, and are surrounded by the seasonal, impermanent beauty George embraced during his life. In the center are a wooden stool and an exaggerated pair of rubber gardening boots, similar to the ones seen on the cover, inviting people to take a seat, put their feet in the boots and create their version of the classic album photo while enjoying the garden.
Photos of the installation, including photos of Olivia Harrison at the opening, are available here
Hailed by Rolling Stone as “the War and Peace of rock and roll” and “an intensely personal statement and a grandiose gesture,” All Things Must Pass was met by unanimous critical acclaim and spectacular commercial success, spending seven weeks at #1 on Billboard’s “Top LPs” chart and eight weeks atop the UK’s official albums chart (though chart records until 2006 mistakenly stated that it had peaked at #4). Currently certified 6x platinum by the RIAA, All Things Must Pass later received a 1972 GRAMMY® Award nomination for “Album of the Year,” while “My Sweet Lord” earned a GRAMMY® nod for “Record of the Year.” “What Is Life,” the album’s second single, also became an international hit, reaching the top 10 in the US and Canada as well as #1 in Australia and Switzerland.
All Things Must Pass has only grown in influence and stature in the half-century since its initial release, including induction in the GRAMMY® Hall of Fame and inclusion on The Times of London’s “The 100 Best Albums of All Time” and Rolling Stone’s 2020 listing of “The Top 500 Albums of All Time.” Pitchfork declared it to have “changed the terms of what an album could be.”
50th ANNIVERSARY CREDITS
Executive Producer: Dhani Harrison
Product Producer: David Zonshine
2020 Re-Mixed & Produced in Stereo & Atmos by: Paul Hicks
Creative Director: Dhani Harrison
Book curated by: Olivia Harrison and Rachel Cooper
Art Direction: Darren Evans
Archive Research: Don Fleming, Richard Radford and Ryan Williams
This past weekend, Colorado’s experimental rock and jam band, The String Cheese Incident was featured on CBS News Sunday Morning in the piece titled Red Rocks: Nature’s Perfect Music Stage.
The String Cheese Incident has performed at Red Rocks 45 times, making them one of Its most frequent performers, CBS said.
Keith Moseley (bass, vocals) and Bill Nershi (guitar, vocals) spoke with CBS about playing the venue: “The intensity at Red Rocks is different," Moseley says. “The energy gets funneled down from the crowd to the stage...you walk out onto the stage and you look and it's everybody – just a wall of people above you" adds Nershi.
This, and so much more is what makes this venue "nature's perfect stage."
The past three decades have written a story packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments. The String Cheese Incident has been recognized for their commitment to musical creativity and integrity, for their community spirit, philanthropic endeavors, and for their innovative approach to the business of music.
When The String Cheese Incident’s growth first started gaining momentum in the 1990s, as the Internet was just beginning to take hold and the major-label business model was failing, the band decided to make music on their own terms.
Since then, The String Cheese Incident has gone on to carve out a completely unique approach to the business of music; they are truly pioneers of a new way of “making a band.” With the Internet as their tool, SCI was among the first artists to disseminate information online, such as tour dates, release information, and other news, to their growing fan base. Rather than doing business on such terms as “the bottom line,” SCI put their music and their fans first, opening companies of their own, including a ticketing company, a merchandise company and a fan travel agency, to best serve their community. The band’s record label, SCI Fidelity Records, has always operated under the same ideals. Even early on, SCI Fidelity embraced downloadable music and file sharing, delivering SCI’s “On The Road” series, where every show the band plays is made available for download on the Internet. Whether they realized it at the time or not, The String Cheese Incident was inventing grassroots band development. Today, literally hundreds of bands are using some version of this same approach to build their brand.
The String Cheese Incident’s commitment goes well beyond their immediate community, and even beyond the music community as a whole. Early on, the band took a serious interest in giving back to the communities that they visited, and they were among the first performers to encourage “Green” shows and tours. SCI’s support has helped give rise to such not-for-profit organizations as Conscious Alliance and HeadCount. All the while, The String Cheese Incident has stayed committed to music as a creative endeavor, not just in their recordings but also in their live performances. The list of SCI’s special guests and collaborators is long and diverse. Their annual events such as Electric Forest and Hulaween, and holiday shows such as New Year’s Eve, have helped redefine the concert experience and have garnered the band a reputation as live music vibe innovators.
The Memphis-based soul powerhouse Southern Avenue have just released their upbeat, colorful, and inspiring music video for their song “Move Into The Light.” The video premiered last week exclusively via CLASH, who called the song “Scorching” and a “raw soul stomper.”
Tierinii Jackson spoke with CLASH about the song and accompanying video saying:
"'Move Into The Light' is a fun, funky jam that speaks about moving from the dim moods of our minds and trusting our will to let go and have fun! We wrote this song with Jason Mraz and it conveys the type of positive energy we need more of in the world! After the year that everyone has had, we're feeling crazy blessed that we get to spread this positive message together, and literally move from darkness into the light while touring with Jason and his amazing band this summer.
For the video, we wanted to create this visually by presenting a strong sense of contrast. The band is wearing white coupled with an explosion of color which accents the uplifting mood of the song. Playing music is what we do to lift us out of our dark spaces and it was an inevitable choice that we jam it out in the video and just dance and have a good time!"
“Move Into The Light” was co-written with multi-GRAMMY® winning pop-sensation Jason Mraz and Platinum-selling producer Michael Goldwasser (Easy Star All-Stars) and is the second video to be released from the band’s forthcoming album BE THE LOVE YOU WANT.
Preceding the release of “Move Into The Light,” Southern Avenue shared “Push Now,” along with the official music video - a light-hearted happy-go-lucky visual that showcases the band’s personality and incorporates family members from the entire Southern Avenue team.
"We wanted the video to be fun, colorful, and alive. What better way to do that than to make it a raging party filled with super-cute kids,” says Southern Avenue frontwoman, the song’s co-writer and mom of two of the video’s young stars, Tierinii Jackson. “The energy of the track was definitely matched by our adorable friends. It's LIT!"
The third studio album from Southern Avenue, BE THE LOVE YOU WANT, was produced by multi-GRAMMY® winner, Steve Berlin (Los Lobos, Deer Tick, Susan Tedeschi, Jackie Greene), and co-produced by Ori Naftaly, and arrives on August 27, 2021 via Renew Records/BMG.
BE THE LOVE YOU WANT sees Southern Avenue pushing themselves towards bold new ideas of what it means to be a blues band in the modern world, bending and reshaping their musical heritage with electrifying performance, vivid production, and a remarkably clear vision. Operating from their distinctively international vantage point, Southern Avenue has produced a wide-ranging collection of original music – predominantly co-written by Israeli-born guitarist Ori Naftaly and powerhouse lead vocalist Tierinii Jackson – that links them to their home city’s glorious past while at the same time, demonstrates their ambitious intent to evolve Memphis music to contemporary effect. With BE THE LOVE YOU WANT, Southern Avenue continue driving the Southern soul legacy into the 21st century, preserving its glory and tradition while striving towards something diverse, universal, and altogether their own.
Ahead of the release and into the fall, the band is currently on an extensive tour that includes over a dozen previously announced dates supporting Jason Mraz.
The band brilliantly bridges the power of Memphis soul with jam band liberation, gospel blues, and R&B to craft their own timeless brand of American music. The ambitious sonic approach expertly complements BE THE LOVE YOU WANT’s rich themes of self-love, self-empowerment, personal accountability and the desire to push through towards something greater in life.
Southern Avenue is: Tierinii Jackson – Lead Vocals, Background Vocals * Ori Naftaly – Guitars *
Tikyra Jackson – Drums, Background Vocals * Jeremy Powell – Keys * Evan Sarver – Bass
SOUTHERN AVENUE ON TOUR
8/10 @ Rose Music Center | Huber Heights, OH*
8/11 @ Huntington Bank Pavilion at Northerly Island |, Chicago, IL*
8/13 @ Jacobs Pavilion at Nautica | Cleveland, OH*
8/14 @ Stone Pony Summerstage | Asbury Park, NJ*
8/15 @ The Anthem | Washington, DC*
8/19 @ Brooklyn Bowl | Nashville, TN w/ Maggie Rose
8/20 @ Summer Camp Music Festival | Chillicothe, IL
8/27 @ Performance Pavilion at Sweetwater | Fort Wayne, IN w/ Samantha Fish
8/28 @ Levitt Pavilion | Dayton, OH
8/29 @ Railbird Music Festival | Lexington, KY
9/1 @ Crested Butte Summer Concert Series | Crested Butte, CO
9/2 @ eTown Hall | Boulder, CO
9/3 @ Moxi Theater | Greeley, CO
9/4 @ Wave | Wichita, KS
9/10 & 11 @ Big Blues Bender | Las Vegas, NV
9/17 @ Mississippi Valley Blues Festival | Davenport, IA
9/18 @ Shipyard Festival | Cape Girardeau, MO
9/26 @ Roots N Blues Festival | Columbia, MO
10/1 @ Mempho Festival | Memphis, TN
10/8 @ Clay Center for the Arts | Charleston, WV
10/28 @ Wolf Den | Uncasville, CT
10/30 @ City Winery | New York, NY
1/22 - 26 @ Panic en la Playa | Riviera Maya, Mexico
1/29 - 2/5 @ Legendary Rhythm & Blues Cruise | Eastern Caribbean
*w/Jason Mraz
San Diego, CA-based SLIGHTLY STOOPID returns to live music this weekend with two sold-out shows at the historic Red Rocks Amphitheatre in Morrison, CO. Slightly Stoopid, in partnership with The Relix Channel on Twitch, deliver a FREE LIVESTREAM of the complete “DOUBLE ON THE ROCKS” lineups, each day. Both webcasts air entirely live on The Relix Channel via Twitch (twitch.tv/TheRelixChannel), starting at 6:00 pm MT on Saturday, August 14 and 4:25 pm MT on Sunday, August 15. Donations are encouraged during the stream to benefit St. Jude Children's Research Hospital (www.stjude.org) and Last Prisoner Project (www.lastprisonerproject.org).
Saturday evening’s lineup features an electric set from Slightly Stoopid, and special guests Pepper, Common Kings, and reggae legend Don Carlos. Sunday’s matinee lineup features a special sunset ‘Acoustic Roots’ set by Slightly Stoopid, and special guests Citizen Cope, Fortunate Youth, and The Hip Abduction. Both Slightly Stoopid sets are sure to feature an array of special guests and friends.
“We are stoked to partner with The Relix Channel on Twitch to broadcast our first two shows back to our audience at home, live and direct from Red Rocks, one of the most iconic venues in the world,” says Miles Doughty who handles vocals, bass, and guitar duties for Slightly Stoopid.
As an added bonus, the livestream will incorporate FANS.live’s “Be in the Stream.” Viewers at home can patch into the livestream, in real-time, via a special Zoom link. Voluntary donations are being encouraged to support St. Jude Children’s Research Hospital and Last Prisoner Project.
SATURDAY AUGUST 14, 2021
6:00pm - Don Carlos
7:00pm - Common Kings
8:00pm - Pepper
9:15pm - Slightly Stoopid (Electric)
SUNDAY AUGUST 15, 2021
4:25pm - The Hip Abduction
5:15pm - Fortunate Youth
6:15pm - Citizen Cope
7:30pm - Slightly Stoopid (Acoustic Roots)
Acclaimed singer-songwriter-producer-musician Scott Hirsch has announced today’s premiere of an exclusive new live in-studio acoustic performance video of his mesmerizing new single, “Dreamer.” Directed by musician/photographer Brendan Willing James at Hirsch’s Echo Magic in Ojai, CA, “Dreamer (Live In-Studio Acoustic Performance)” is streaming now via YouTube HERE. The official single version of “Dreamer” is available now at all DSPs and streaming services HERE.
“Dreamer” heralds the upcoming release of Hirsch’s eagerly awaited new album, WINDLESS DAY, due via Echo Magic Records with Soundly Music on Friday, October 8; pre-saves and exclusive vinyl pre-orders are available now HERE. A duet of sorts, “Dreamer” sees Hirsch exploring a deep well of emotion and sound joined by singer-songwriter Kelly McFarling, both accompanied on the new performance video by musicians Daniel Wright and Mikael Jorgensen.
WINDLESS DAY also includes the recently released singles, “Much Too Late” and “Spirit True,” both available now at all digital platforms. The latter track was met by praise from such influential outlets as Raven Sings The Blues, which wrote, “‘Spirit True’ sees Hirsch return to the JJ Cale cool that he’s wrangled in the past, shuffling into view on dive bar dancefloor drums, an afternoon sunset of sax, and Scott’s smoke ring sigh in the vocals. This one is a perfect after-work comedown that feels as refreshing as a cold drink on a hot day.”
A founding member of such groundbreaking bands as Hiss Golden Messenger and The Court & Spark, Scott Hirsch has spent much of the past half-decade gradually growing an acclaimed solo canon, staking his own visionary, deeply personal approach towards traditional American studio craft and songwriting. Hailed by the Chicago Reader as “an album of kaleidoscopic range and beauty that encompasses his varied interests,” 2016’s BLUE RIDER SONGS prompted Pitchfork to enthuse, “It’s taken a long time for (Hirsch) to let out his voice – a cool, soulful thing filled with deep reverence for his source material, if some cynicism about the myths it’s spun…On BLUE RIDER SONGS, Hirsch debunks the idea that redemption is ever a cakewalk, and finds something more truthful and lasting in the pursuit of accepting responsibility.”
Hirsch followed up two years later with LOST TIME BEHIND THE MOON, praised by Sungenre as “a genre-defying blend of all things Americana, showcasing Hirsch’s innate songwriting ability…a mixture of country, blues, folk-rock and psychedelic which come together to create something wholly different from the separate parts. It is moving and contemplative, bold and adventurous, whilst also delicate and sensitive.” LOST TIME BEHIND THE MOON “answers the question of what we might have gotten if Lou Reed had headed for Tulsa instead of Long Island when he bolted from the Velvet Underground,” declared MAGNET, while Pitchfork wrote, “There’s a new confidence here…These songs suggest that Hirsch has reached a destination, at least with his music: that he has arrived at a place where he is able to harness these sounds and allusions to convey the particulars of his wanderlust.” “LOST TIME INSIDE THE MOON bristles and broods,” raved Raven Sings The Blues, “and in the end is a salve and solace to lost souls…Hirsch’s vision of country elegance and barbiturate boogie hangs heavy on the diaphragm, groovin’ and singin’ in the same breath.”
Hirsch continues to work closely with Hiss Golden Messenger as a multi-instrumentalist, arranger, producer, and most recently, mixer on this year’s acclaimed QUIETLY BLOWING IT. The founder of Ojai, CA-based studio and sound design firm, Echo Magic, Hirsch received a 2015 GRAMMY® Award nomination for his work as engineer and mixer on folk music legend Alice Gerrard’s FOLLOW THE MUSIC. Other recent credits include collaborations with like-minded artists including Mikael Jorgensen, Orpheo McCord, Daniel Rossen, and William Tyler, the latter of whom recently wrote of Hirsch’s journey to WINDLESS DAY, “To the wandering soul, the promise of travel, the motion of the road, and necessary transience instills a love of the novel experience and fortifies the restless spirit. But when travel is no longer possible, when ‘the road’ becomes the familiar paths around your town and home, is there the time and space to create a new kind of journey? When else would we go inward, by choice or practice, then when the world shuts down around us and we are left with the thoughts and melodies in our heads?”
Southern Avenue shared their new song "Control," the third track to be released off the forthcoming, Steve Berlin produced album BE THE LOVE YOU WANT, due out on August 27 via BMG/Renew Records.
“The song “Control” is the voice of self-discipline that you hear inside your head,” said the song’s co-writer Tierinii Jackson. “There’s something about the repetition of the word “control” in the hook sticks with you, and hopefully that can be the voice that carries the listener through whatever journey they are on.”
Southern Avenue seamlessly bridges the power of Memphis soul with jam band liberation, gospel blues, and R&B to craft their own timeless brand of American music. The ambitious sonic approach expertly complements BE THE LOVE YOU WANT’s rich themes of self-love, self-empowerment, personal accountability, and the desire to push through towards something greater in life.
Earlier this month Southern Avenue released the music video for "Move Into The Light," a song about "moving from the dim moods of our minds and trusting our will to let go and have fun" explains Jackson. Earlier this summer, the band shared the song “Push Now,” along with the official music video - a light-hearted happy-go-lucky visual that showcases the band’s personality and incorporates family members from the entire Southern Avenue team.
The third studio album from Southern Avenue, BE THE LOVE YOU WANT, was produced by multi-GRAMMY® winner, Steve Berlin (Los Lobos, Deer Tick, Susan Tedeschi, Jackie Greene), and co-produced by Ori Naftaly, and arrives on August 27, 2021 via Renew Records/BMG.
BE THE LOVE YOU WANT sees Southern Avenue pushing themselves towards bold new ideas of what it means to be a blues band in the modern world, bending and reshaping their musical heritage with electrifying performance, vivid production, and a remarkably clear vision. Operating from their distinctively international vantage point, Southern Avenue has produced a wide-ranging collection of original music – predominantly co-written by Israeli-born guitarist Ori Naftaly and powerhouse lead vocalist Tierinii Jackson – that links them to their home city’s glorious past while at the same time, demonstrates their ambitious intent to evolve Memphis music to contemporary effect. With BE THE LOVE YOU WANT, Southern Avenue continue driving the Southern soul legacy into the 21st century, preserving its glory and tradition while striving towards something diverse, universal, and altogether their own.
The band is currently on an extensive tour that includes over a dozen previously announced dates supporting Jason Mraz.
Southern Avenue is: Tierinii Jackson – Lead Vocals, Background Vocals * Ori Naftaly – Guitars *
Tikyra Jackson – Drums, Background Vocals * Jeremy Powell – Keys * Evan Sarver – Bass
SOUTHERN AVENUE ON TOUR
8/14 @ Stone Pony Summerstage | Asbury Park, NJ*
8/15 @ The Anthem | Washington, DC*
8/19 @ Brooklyn Bowl | Nashville, TN w/ Maggie Rose
8/20 @ Summer Camp Music Festival | Chillicothe, IL
8/27 @ Performance Pavilion at Sweetwater | Fort Wayne, IN w/ Samantha Fish
8/28 @ Levitt Pavilion | Dayton, OH
8/29 @ Railbird Music Festival | Lexington, KY
9/1 @ Crested Butte Summer Concert Series | Crested Butte, CO
9/2 @ eTown Hall | Boulder, CO
9/3 @ Moxi Theater | Greeley, CO
9/4 @ Wave | Wichita, KS
9/10 & 11 @ Big Blues Bender | Las Vegas, NV
9/17 @ Mississippi Valley Blues Festival | Davenport, IA
9/18 @ Shipyard Festival | Cape Girardeau, MO
9/26 @ Roots N Blues Festival | Columbia, MO
10/1 @ Mempho Festival | Memphis, TN
10/8 @ Clay Center for the Arts | Charleston, WV
10/9 @ Wire & Wood Festival | Alpharetta, GA
10/28 @ Wolf Den | Uncasville, CT
10/30 @ City Winery | New York, NY
1/22 - 26 @ Panic en la Playa | Riviera Maya, Mexico
1/29 - 2/5 @ Legendary Rhythm & Blues Cruise | Eastern Caribbean
*w/Jason Mraz
Music tech company Serenade has announced the launch of a groundbreaking new artist/fan-centric platform, which aims to break down the barriers to entry surrounding Non-Fungible Tokens (NFTs) and make them easily accessible and affordable for artists and their fans.
The eco-friendly platform, which produces 1/44,000th of the carbon emitted by a standard NFT (or 1/10th of the energy usage of a tweet,) uses a 'Proof of Stake' authentication method that is far more efficient than a direct-to-Ethereum 'Proof of Work' approach and eliminates expensive ‘gas’ fees, the prohibitive costs that can be a major barrier to entry for anyone wanting to create affordable NFTs.
Purchases are made with a credit or debit card via Serenade’s innovative checkout facility that has been designed to function like a standard e-commerce cart, where the creation of a digital wallet and the transfer of traditional payments into cryptocurrency is handled directly by the platform.
Fans join a community of like-minded music lovers where they can build a profile, showcase and chat about their collectibles, be confident they are not harming the environment, access affordable digital collectibles, and do all of this without knowing the first thing about NFT technology.
Founded by Australian tech entrepreneur and music fan Max Shand, Serenade’s mission is to enable artists to build closer relationships with fans while creating dynamic new revenue streams. This is accomplished via music-related digital collectibles including specially recorded tracks, limited edition artworks, intimate live performances, rare or unreleased gems, and unique documentary footage and material. Digital collectibles are purchased by fans as NFTs and can be collected and resold, with artists receiving an ongoing share of the revenues every time they change hands.
Serenade, which works collaboratively with record companies, music publishers, artist management companies, and trade associations to ensure its platform respects rights and benefits all parties involved, will launch with an eclectic range of acclaimed artists who are offering exclusive and limited digital collectibles to their fans. These include, among others: Jungle, ArrDee, Kaiser Chiefs, Alexis Taylor of Hot Chip, The Game, Strawberries & Creem Festival, Young MA, Ride, Scouting For Girls, Ladyhawke, State Champs, Super Furry Animals, Ash, S1mba, Muki and more.
As part of the launch of Serenade, Mercury Nominated production duo Jungle made available a series of exclusive NFTs on August 13th to accompany their third album, Loving in Stereo,
Available for auction are special micro-videos to accompany each of the album’s fourteen tracks. Furthermore, Jungle are giving four fans the opportunity to bid to join them for a production masterclass. The star prize of the auction is the Loving in Stereo season pass, which will allow 2 people guestlist access to an unlimited number of Jungle live shows on the Loving in Stereo Tour.
Also, Cambridgeshire, UK based Strawberries & Creem Festival are announcing the S&C Limited Edition 2021 NFT Series, a collection of trading cards that will unlock special festival experiences and will go on sale later this month via Serenade.
Teaming up with British-Namibian creative director, illustrator, and music producer HAM the Illustrator and Soga World, Strawberries & Creem Festival have created 8 limited edition NFT trading cards.
Limited to just 8 collectible cards at 200 editions each, with one special ‘Founders Card,’ which in turn is limited to just 20 editions, owners of these unique NFTs will have access to VIP perks and special privileges at the festival including backstage access, VIP hospitality, exclusive content, special memorabilia and the ‘best seats in the house. Each edition will be minted on the blockchain and the series will never be replicated.
William Young, Founder of Strawberries and Creem Festival said, “We want to establish ourselves as one of the most progressive festivals in the world and NFTs give us the opportunity to reach a new audience in a rapidly growing market. Giving the option for customers to purchase experiences through NFTs adds an exciting new dimension to the event.”
Max Shand, Founder, and CEO of Serenade, said, “Serenade has been built from within the music industry, for the music industry, and respecting rights & creativity is at the heart of what we do. Our ambition is to simplify and demystify the NFT process among rights holders, artists, and music fans by creating an easy-to-use platform where those fans can buy amazing, affordable digital collectibles with their credit/debit cards, be confident they're not harming the environment, exist in a community of their peers and interact, purchase, showcase, trade & promote the work of their favorite artists. We already have some incredible artists on board and are passionate about building value for everyone involved.”
James Sandom, Managing Director of Red Light Management UK, which represents Kaiser Chiefs and Ride among others said, “We’re delighted to partner with Serenade on two forthcoming projects. Their NFT modeling empowers the fan and artist connection and suits any artist with a rich legacy and deep archive, creating highly collectible assets for dedicated fans. Serenade’s approach offers a more inclusive fan experience which was key to our thinking in working together.”
Ted Cockle, President, Hipgnosis said, “We’re eager to explore so many opportunities with Serenade. They are a progressive company that has arrived, really helping to demystify and simplify NFTs, with an excellent platform which delivers digital collectibles in an accessible and environmentally friendly way to true fans.”
GRAMMY® Award-nominated songwriter, producer, and guitarist extraordinaire Cory Wong has joined forces with Stockholm, Sweden-based twisted pop trio Dirty Loops for an exuberant, genre-busting new single. “Follow The Light” is available tomorrow at all DSPs and streaming services, but an official music video premieres via YouTube today. “Follow The Light” heralds a spectacular full-length collaboration between Wong and Dirty Loops, entitled TURBO and due later this year. Vinyl pre-orders are available now. WATCH “FOLLOW THE LIGHT”
“This album is to music as The Naked Gun was to movies,” says Dirty Loops’ Henrik Linder.
“My first interaction with Dirty Loops was with the viral videos of them doing insane arrangements of pop songs,” says Cory Wong. “Their musicianship is absolutely top tier. The only thing I thought was, Where’s the guitar?!? As I sat playing guitar along with the videos from my studio, I thought that I should reach out and see if they wanted to collaborate on something. Usually, a collaboration is just one song or a writing session, but I’ve been exploring the idea of doing collaborative albums with other artists because it allows the two visions of the artists to intermingle more and find more unique ways to blend together to create something new. This project really brought a lot of the musical chops side of my playing out that I often restrain from putting on my albums, and I added some restraint to parts of songs that they might get really intricate. It ended up being a perfect representation of both Cory Wong and Dirty Loops as artists and what a true collaborative project can be.”
“This record was a blast to make,” adds Linder. “We hope the excitement is contagious but remember to keep your distance.”
GRAMMY®Award-winning guitar virtuosos Rodrigo y Gabriela have announced the premiere of an exclusive new version of their visionary cover of Snarky Puppy’s “Lingus,” remixed by Snarky Puppy founder Michael League and longtime producer/engineer Nic Hard. “Lingus (Michael League & Nic Hard Remix)” premieres today at all DSPs and streaming services. Rodrigo y Gabriela’s original version of “Lingus” is featured on their recently released JAZZ EP, available now via Rubyworks/ATO at all DSPs and streaming services.
“For the final track on the JAZZ EP, we really enjoyed the challenge of arranging and recording this epic 2014 track by jazz ensemble Snarky Puppy for two guitars,” says Rodrigo.
“When I first heard Rodrigo y Gabriela’s take on ‘Lingus,’ my jaw hit the floor,” says Snarky Puppy’s Michael League. “Taking a song written for 16 people and doing it with two is no small task, but what struck me most was the way in which they made it their own while preserving the heart of the composition.”
LISTEN TO “LINGUS (MICHAEL LEAGUE & NIC HARD REMIX)”
Rodrigo y Gabriela will celebrate JAZZ with an eagerly awaited series of US tour dates, set to get underway August 31 at Aspen, CO’s Belly Up and then continues through a tour finale at the Fillmore in Minneapolis, MN on October 16. Special guests throughout the tour include Irish singer-songwriter David Keenan Mexican singer-songwriter Silvana Estrada. For complete details and ticket availability, please visit www.rodgab.com/tour-dates.
RODRIGO Y GABRIELA
US TOUR 2021
AUGUST
31 - Aspen, CO - Belly Up
SEPTEMBER
1 - Boulder, CO - Chautauqua Auditorium *
3 - Vail, CO - Gerald R. Ford Amphitheater *
4 - Colorado Springs, CO - Pikes Peak Center *
5 - Salt Lake City, UT - Red Butte Garden
7 - Woodinville, WA - Chateau Ste Michelle Winery
8 - Troutdale, OR - Edgefield *
10 - Sacramento, CA - Crest Theater *
11 - Napa, CA - Oxbow Riverstage Concert Series *
12 - San Diego, CA - Humphrey’s Concerts By The Bay *
14 - Santa Barbara, CA - Arlington Theater *
15 - Anaheim, CA - House of Blues *
17 - Los Angeles, CA - The Ford
19 - Saratoga, CA - The Mountain Winery
26 - Austin, TX - ACL Live at Moody Theater
28 - San Antonio, TX - Tobin Center for Performing Arts **
OCTOBER
1 - Atlanta, GA - Buckhead Theater
2 - Charleston, SC - Charleston Music Hall **
3 - Wilmington, NC - Greenfield Lake Amphitheatre **
5 - Charlotte, NC - The Fillmore Charlotte **
6 - Washington, DC - Anthem
8 - Hershey, PA - Harrisburg University at Hershey Theatre **
9 - Boston, MA - Orpheum Theatre **
10 - New York, NY - Pier 17
12 - Munhall, PA - Carnegie of Homestead Music Hall **
14 - Chicago, IL - Chicago Theater
16 - Minneapolis, MN - The Fillmore
* w/Special Guest David Keenan
** w/Special Guest Silvana Estrada
On September 8, 2021, Osiris Media will launch season two of Undermine, focusing on the community of fans that help make Phish one of the most compelling and enduring bands in the world. Based on more than 100 interviews with members of the community from all walks of life, this season will provide the most comprehensive look at the Phish fan community to date.
From day one, the fans have been an integral part of Phish, helping the band spread their music, carrying traditions and inside jokes forward, and providing inspiration. As guitarist Trey Anastasio said in Relix last year, when he’s playing, “it doesn’t feel like an audience—it feels to me, like a community.”
Narrator and Phish lyricist Tom Marshall will be the season’s guide to exploring the fan community, and how it has evolved alongside society, technology, and culture. For this season, Osiris added New York Times' best selling author Benjy Eisen as head writer. A longtime Phish fan, artist manager (Billy & the Kids) and music journalist, Benjy has covered Phish professionally for more than twenty years for Rolling Stone, Esquire, Relix and more. Benjy is helping to craft the main narrative of the season: although the Phish community is often depicted as a homogenous hippie mass, it’s much more complex, diverse and profound.
“Our goal is to make Undermine the definitive Phish podcast, a show that people will be listening to for years,” said RJ Bee, CEO of Osiris Media. “For this season, we wanted to push ourselves, and the audience, to dig into what makes this community so different, and so special. There are lifelong friendships and marriages that come from this community, and there have been spaces created for LBGTQ fans, sober fans, and many others, all around Phish. The band has inspired fans to create their own enterprises, from Jambase to HeadCount, and Phish fans have inserted their influence everywhere from the Obama administration to the NBA. This is a huge opportunity, and I’m grateful to Benjy for joining the team. His knowledge, incisive writing and wit are a huge asset to our team. We can’t wait for people to hear this season.”
Season two premieres September 8. The embargoed trailer can be found here, and on September 8, it can be found on Apple, Spotify, or wherever you get your podcasts.
Earlier in the summer, Tipitina’s, the legendary New Orleans nightclub owned and operated by the band Galactic, unveiled Tipitina’s Record Club. The new subscription service offering six annual vinyl selections celebrating the music and culture of New Orleans and the Gulf South is offering its first digital companion release today with Professor Longhair’s Fess At Home. A previously unheard recording showcasing the groundbreaking singer-pianist in a uniquely intimate and personal setting is available at all DSPs now.
Tipitina’s Record Club presents specially curated, bi-monthly releases spanning archival milestones, never-before-heard rarities, out-of-print reissues, and brand new recordings, all on limited edition, 180g custom-colored vinyl exclusive to subscribers. Bi-monthly and annual subscriptions are available now. Free shipping will be included for subscribers in the contiguous United States.
“Being a musician and playing at Tipitina’s, one feels the history and the greatness that has blessed that stage – Professor Longhair, Clifton Chenier, James Booker, The Meters, The Neville Brothers and so many more local and national treasures,” says Galactic’s Ben Ellman. “When Galactic took over ownership, it became our mission to preserve the important role Tipitina’s has played in the culture of New Orleans music and the Gulf South. Creating Tipitina’s Record Club, we get to dig into archives to present never-before-heard recordings, rare reissues, and some amazing new music we know you’ll love. We’re presenting this to everyone on a limited edition piece of art in the form of vinyl. This will make the music something special…just like Tipitina’s.”
"Our band has been on both sides of the stage at Tipitina’s,” adds Galactic’s Robert Mercurio. “We all started going there as fans, then we started playing there often, and now we are the stewards of the ship. We know there is a deep well of musical history associated with the club and thought that this Record Club would be a great way to share part of this history with everyone – and what more fitting then for it to be on vinyl. We have been digging deep into our chest of treasures and have some great performances and super rare reissues planned.”
Tipitina's is of course one of America’s most iconic music venues. Since its opening in 1977, Tipitina's has stood the test of time by hosting the most talented musicians and groups from New Orleans and the world at large, including the renowned Crescent City-based instrumental outfit, Galactic. In late 2018, Galactic announced their purchase of the internationally famous two-story yellow building on the corner of Tchoupitoulas Street and Napoleon Avenue, promising to both further Tipitina’s rich traditions while also continuing to honor the remarkable musical history of the Gulf South. Galactic’s most recent LP, last year’s acclaimed Already Ready Already, is available now via the band’s own Tchoup-Zilla Records.
My Morning Jacket proudly announce the upcoming release of their ninth studio album. Self-titled, MY MORNING JACKET (ATO Records) arrives Friday, October 22 at all DSPs and in various physical formats, including CD and special edition 2LP vinyl; pre-orders begin today. MY MORNING JACKET is preceded by today’s premiere of the album’s first single, “Regularly Scheduled Programming,” available everywhere now with an official music video co-directed by Jim James and George Mays streaming on YouTube.
“This song really hits home for me after what we’ve gone through with the pandemic,” says My Morning Jacket’s frontman Jim James on the release of “Regularly Scheduled Programming.” “But even before then, it felt like so many of us were trading real life for social media, trading our own stories for the storylines on TV, trading our consciousness for drugs. We need to help each other wake up to real love before it's too late."
The band’s first new music since 2015’s GRAMMY® Award-nominated THE WATERFALL, MY MORNING JACKET reaffirms the rarefied magic that’s made My Morning Jacket so beloved, embedding every groove with moments of discovery, revelation, and ecstatic catharsis. Produced and engineered by James over two multi-week sessions at Los Angeles, CA’s 64 Sound, the album came to life after what looked like a permanent hiatus for the band. But after performing four shows in summer 2019 – beginning with two mind-blowing nights at Red Rocks Amphitheatre – My Morning Jacket was overcome with the urge to carry on. That sense of purpose can be heard throughout the thrillingly expansive MY MORNING JACKET. For all its unbridled joy, songs like “Regularly Scheduled Programming” and the otherworldly, album-closing “I Never Could Get Enough” once again reveal My Morning Jacket’s hunger for exploring the most nuanced and layered existential questions in song form while simultaneously harnessing the hypnotic intensity of their legendary live show more fully than ever before.
“I hope this album brings people a lot of joy and relief, especially since we’ve all been cooped up for so long,” says James. “I know that feeling you get from driving around blasting music you love, or even lying in bed and crying to the music you love. The fact that we’re able to be a part of people’s lives in that way is so magical to us, and it feels really good that we’re still around to keep doing that.”
MY MORNING JACKET will be available on CD as well as two vinyl configurations: 2xLP Clear Vinyl featuring a gatefold jacket with artwork by Robert Beatty, custom inner-sleeves with lyrics, and digital download; and 2xLP 180-Gram Deluxe Colored Vinyl featuring cloudy blue and cloudy orange colored vinyl, deluxe foil gatefold jacket with artwork by Robert Beatty, 24” x 24” circular fold-out poster, custom inner-sleeves with lyrics, and digital download.
MY MORNING JACKET
MY MORNING JACKET
(ATO Records)
Release Date: Friday, October 22, 2021
Tracklist (Standard and Deluxe):
Regularly Scheduled Programming
Love Love Love
In Color
Least Expected
Never In The Real World
The Devil's In The Details
Lucky To Be Alive
Complex
Out Of Range, Pt. 2
Penny For Your Thoughts
I Never Could Get Enough
Backline has created a “Back-To-Work” resource hub for music industry professionals that are traveling, on tour, preparing for gigs, or simply want to explore a variety of stress-relieving, energy-increasing, and solution-oriented resources created specifically for them.
With live events happening again, the uncertainty levels continue to shift and music industry professionals are experiencing a new wave of challenges in the pandemic. The “Back-To-Work” resource hub serves as a one-stop-shop for artists, managers, agents, production personnel, and family members to access a collection of vetted resources at any stage in the pandemic’s return of live events. The webpage is currently divided into two categories: How To Help Yourself and How To Help Others.
“Working in the music industry was stressful before the COVID-19 outbreak,” says Executive Director Hilary Gleason, “and we anticipate increased anxiety, depression, and other mental health challenges as the community gets back to work. Our biggest goal is to meet the industry where they are, with resources that are appropriate and effective.”
Backline has tapped their partner mental health and wellness organizations to band together in providing the community with the tools they need to thrive, including de-escalation tips, communication tools, and educational materials. Partners include WanderlustTV, Behind The Scenes, Breathwrk, and other mental health and wellness organizations that have created resources specific to the music industry.
ABOUT BACKLINE
Backline is a national 501(c)(3) nonprofit organization that connects music industry professionals and their families with mental health and wellness resources—streamlining access to a network of trusted organizations and care providers that truly understand this line of work.
Life in this industry can be incredibly isolating and difficult; Backline provides a safe, private, and immediate place to go for help. Available for free to artists, managers, agents, crew, producers, labels, and their families, Backline programs offer case management, support groups, and wellness programs to meet the needs of this unique community.
The past two years have seen Connecticut rockers Goose grow from a local bar band to a premiere festival headliner who are today announcing their biggest show to date. On December 18, the band will be celebrating their annual “Goosemas” event at the Mohegan Sun Arena in Uncasville, CT, marking the eighth iteration of their annual holiday concert, a tradition that began with humble roots in the basement of a Norwalk, CT music studio. This year’s show will see Goose take the stage for three sets, with plenty of surprises in store for fans. Goosemas will be the last show of a highly anticipated, 19-date national fall run, with over half of the tour already sold out.
“We’re so stoked to host Goosemas back home in Connecticut. It has truly been incredible to see how the event has grown over the past few years, and we can’t wait to do it again in front of a live audience,” says guitarist/vocalist Rick Mitarotonda.
The challenges presented by the COVID-19 pandemic prevented Goose from performing in front of an audience in late 2020. Instead, the band hosted Goosemas on the roof of Rockefeller Center which livestreamed exclusively on Twitch. The universally acclaimed concert drew over 60,000 viewers worldwide, and raised $45,000 for Conscious Alliance and Save Our Stages.
“We are so grateful to everyone who will make plans to travel to Mohegan, this will be our biggest show to date and we couldn't be more stoked!” added guitarist/keyboardist/vocalist Peter Anspach.
Initial tickets will be available through a lottery, with a request period running today Tuesday, August 24th at 12 PM ET through Wednesday, August 25 at 5 PM ET. Winners will be notified before the general on-sale, beginning Friday, August 27 at 10 AM ET.
WATCH GOOSEMAS LIVESTREAM FROM ROCKEFELLER CENTER 2020
GOOSE FALL TOUR
SEP 3: 4848 Festival - Snowshoe, WV (Sold Out)
SEP 4: Bonnaroo - Manchester, TN (Sold Out)
SEP 18: Sea.Hear.Now Festival / Asbury Park, NJ
OCT 8: Terminal 5 / New York, NY (Sold Out)
OCT 9: Terminal 5 / New York, NY (Sold Out)
OCT 28: State Theatre / Portland, ME
OCT 29: State Theatre / Portland, ME (Sold Out)
OCT 30: The Palladium / Worcester, MA (Sold Out)
OCT 31: The Palladium / Worcester, MA
NOV 6: The Eastern / Atlanta, GA (Sold Out)
NOV 7 : The Eastern / Atlanta, GA (Sold Out)
NOV 9: Republic New Orleans / New Orleans, LA (Sold Out)
NOV 10: House of Blues / Houston, TX
NOV 11: Scoot Inn / Austin, TX (Sold Out)
NOV 12: Scoot Inn / Austin, TX (Sold Out)
NOV 13: The HiFi Dallas / Dallas, TX (Sold Out)
NOV 16: Tower Theatre / Oklahoma City, OK
NOV 17: The Truman KC / Kansas City, MO
NOV 21: The Mission Ballroom / Denver, CO (Sold Out)
NOV 22: The Mission Ballroom / Denver, CO
DEC 18: Goosemas / Mohegan Sun Arena / Uncasville, CT
GOOSE WINTER TOUR 2022
JAN 26: Marquee Theatre / Tempe, AZ
JAN 27: The Observatory North Park / San Diego, CA (Sold Out)
JAN 28: The Fonda Theatre / Hollywood, CA (Sold Out)
JAN 29: The Regency Ballroom / San Francisco, CA (Sold Out)
JAN 30: The Regency Ballroom / San Francisco, CA
FEB 2: Midtown Ballroom / Bend, OR
FEB 3: Wonder Ballroom / Portland, OR (Sold Out)
FEB 4: Wonder Ballroom / Portland, OR (Sold Out)
FEB 5: Neptune Theatre / Seattle, WA (Sold Out)
FEB 7: The ELM / Bozeman, MT
GRAMMY® Award-nominated songwriter, producer, and guitarist extraordinaire Cory Wong and Stockholm, Sweden-based twisted pop trio Dirty Loops have released another song from their new album due out later in the year. "Ring of Saturn" is a beautifully orchestrated Latin-jazz-tinged masterwork reminiscent of the likes of Cal Tjader, Eddie Palmieri, and Willie Bobo. The song is available now at all DSPs and streaming services, and once again a fantastic live performance video is on YouTube. "Ring of Saturn" is the second song from the spectacular full-length collaboration between Wong and Dirty Loops, entitled TURBO. Vinyl pre-orders are available now.
My Morning Jacket are inviting fans from around the world to experience their first headline tour in six years LIVE on September 11 from one of two iconic Forest Hills Stadium shows exclusively via nugs.net. For information on tickets and bundle packages, please visit nugs.net/mymorningjacket.
My Morning Jacket recently announced the upcoming release of their ninth studio album, self-titled MY MORNING JACKET (ATO Records), arriving at all DSPS and in various physical formats on Friday, October 22; pre-order HERE. In celebration, the band are presenting a wide-ranging live set encompassing new music alongside fan favorites and classic greatest hits on their first US headline tour in six years. The tour, which kicked off August 27, includes highlights such as top-billed festival appearances and multi-night-stands at Queens, NY’s Forest Hills Stadium (September 10-11), Seattle, WA’s Paramount Theater (October 1-2), Chicago, IL’s Auditorium Theatre (November 4-6), and a strong close out to 2022 for a New Years run at Denver, CO’s Mission Ballroom (December 29-31). Special guests throughout the tour will include Brittany Howard (September 3-11), Durand Jones & The Indications (September 23-October 3), and Bedouine (October 29-November 6). For complete details and ticket availability, please see www.mymorningjacket.com/events.
In partnership with REVERB and Fandiem in efforts to create a climate positive tour, My Morning Jacket are offering a chance to win a trip to the eagerly anticipated return of their One Big Holiday all-inclusive concert vacation set for March 2-5, 2022. Fans who donate to REVERB will be automatically entered for a chance to join the band at The Moon Palace in Riviera Cancun, Mexico for the fourth iteration of the event, which will feature special guest performances by Lord Huron, Brittany Howard, Black Pumas, Sharon Van Etten, Trampled By Turtles, Preservation Hall Jazz Band, Steel Pulse and many more. The winner will receive two tickets for an all-inclusive 5-night Deluxe Room hotel stay, roundtrip air travel & ground transportation, Jim James’ new signature Gibson guitar, and more. A limited range of all-inclusive One Big Holiday packages remain available – for complete information, please visit mmjonebigholiday.com.
MY MORNING JACKET
ON TOUR 2021-2022
SEPTEMBER
7 – Columbia, MD – Merriweather Post Pavilion ^
8 – Philadelphia, PA – The Mann - TD Pavilion ^
10 – Queens, NY – Forest Hills Stadium ^
11 – Queens, NY - Forest Hills Stadium ^
13 – Alpharetta, GA – Ameris Bank Amphitheatre ^ DATE CHANGE
23 – Santa Barbara, CA – Santa Barbara Bowl *
24 – Dana Point, CA – Ohana Festival
25 – Berkeley, CA – Greek Theatre at UC Berkeley *
28 – Troutdale, OR – McMenamins Edgefield Concerts *
GRAMMY® Award-nominated songwriter, producer, and guitarist extraordinaire Cory Wong and Stockholm, Sweden-based twisted pop trio Dirty Loops have released their new album, TURBO. Available digitally only today at all DSPs, the vinyl version of the album is still available for pre-order. To celebrate the release, they've released a live performance video of their cover of Michael Jackson's "Thriller."
TURBO was heralded earlier in the month with the release of their exuberant, genre-busting first single and performance video, “Follow The Light." Last week, they shared "Ring of Saturn," a beautifully orchestrated Latin-jazz-tinged masterwork reminiscent of the likes of Cal Tjader, Eddie Palmieri, and Willie Bobo.
ABOUT CORY WONG:
GRAMMY® Award-nominated songwriter, producer, and guitarist extraordinaire Cory Wong is a masterful musician and impossible-to-categorize artist adept at blending a variety of genres into his own unique sound. From his work as a member of Vulfpeck and The Fearless Flyers to collaborations with Dave Koz and Jon Batiste, the Minneapolis, MN-based Wong has proven a restless creator and visionary musician hailed for his distinctly original approach and dazzling live performances. 2020 saw Wong release an extraordinarily diverse series of eight original albums, spanning a stunning selection of sounds and musical styles. This year has already seen the premiere of his inventive new YouTube musical variety series, Cory and the Wongnotes, as well as an original album collecting music from the series’ first season backed by his explosive new 11-piece big band. CORY WONG AND THE WONGNOTES marks the first album in what will undoubtedly be another busy year for the indefatigable Wong as he continues making his mark as a prolific, once-in-a-lifetime artist and personality.
ABOUT DIRTY LOOPS:
Dirty Loops have earned millions of worldwide streams and countless fans around the globe with their one-and-only brand of twisted pop, a reimagined fusion of classical, jazz, and pop “loopified” into an inventive, infectious concoction all their own. Comprised of longtime friends and music school classmates Jonah Nilsson (vocals/keyboards), Henrik Linder (bass), and Aron Mellergardh (drums), the trio first made waves with a series of wildly inventive covers of pop hits like Justin Bieber’s “Baby” and Lady Gaga’s “Just Dance,” drawing them a long list of famous fans spanning Andreas Carlsson and David Foster to Adam Levine, Stevie Wonder, and Quincy Jones, the latter of whom declared, “The members of Dirty Loops are incredible musicians on their own, so when they get together, the ONLY way to go is UP.”
The podcast will launch on Friday, September 10, 2021, including interviews with Billy Strings, Dave Schools, and co-producer Jim Scott, among others. Each contributor to the album will be interviewed about the song they chose and their relationship with Neal. The podcast interviews will be released throughout the Fall of 2021.
Highway Butterfly: The Songs of Neal Casal serves as a tribute to the life and music of the gifted singer, songwriter, and musician, and will be released on November 12, 2021. A sprawling 41-song collection, now available for pre-order as both 5-LP and 3-CD box sets, brings together a galaxy of rock and roots luminaries that includes Susan Tedeschi & Derek Trucks, Bob Weir, Hiss Golden Messenger, Fruit Bats, Steve Earle & The Dukes, Jonathan Wilson, Vetiver, Shooter Jennings, Beachwood Sparks, Jaime Wyatt, Marcus King, J Mascis, Dori Freeman, Warren Haynes, Phil Lesh & The Terrapin Family Band, Cass McCombs, Leslie Mendelson, Johnathan Rice, Billy Strings, Kenny Roby, Norah Jones’ Puss N Boots and Aaron Lee Tasjan among many others. All proceeds from sales and streams of the recordings will benefit The Neal Casal Music Foundation.
“Working on the Neal Casal Highway, Butterfly project was a long-term emotional investment: saddening for those of us mourning the loss of a brilliant artist and friend, yet healing in the fellowship of recording Neal’s songs. Ultimately Highway Butterfly stands as one of the most rewarding projects I have ever completed,” said Dave Schools, co-producer of the album and the podcast. “I can’t wait for everyone to hear what the Highway Butterfly podcasts bring to light from these selfless artists who brought their unique magic to this project.”
Highway Butterfly: The Stories of Neal Casal will be distributed by Osiris Media, and will be available wherever you get your podcasts.
About the Neal Casal Music Foundation:
The Neal Casal Music Foundation is a 501c3 non-profit formed in 2020, which provides musical instruments and lessons to students in New Jersey and New York state schools where Neal Casal was born and raised, while also donating proceeds to mental health organizations that support musicians, including MusiCares and Backline.
About Osiris Media:
Osiris Media is transforming how fans connect with the music they love through the power and intimacy of audio storytelling. Our 50 podcasts, which reach 300,000 downloads per month, include a variety of podcasts about music, entertainment, and culture. Deepen your connection at OsirisPod.com.
Richard Ashcroft is set to release the new album Acoustic Hymns Vol. 1 on October 29th via RPA / BMG. The album features twelve newly recorded acoustic versions of classic songs from his back catalogue spanning both his solo career and his time with The Verve.
After the lockdown was lifted, Richard decided to start the project as a way to reunite the community around him, bringing a selection of great musicians and old friends back together again. As the project took shape, they discovered just how varied their new approaches could be. Some of the arrangements proved to be timeless and remained similar to the originals, with years of experience and a newfound passion that saw Richard’s vocals express a fresh empathy within their lyrics. Meanwhile, other songs took on a new shape in this stripped-back set-up.
The rebirth of the iconic "Bittersweet Symphony" was an emotional moment for Richard. It felt particularly poignant re-recording a song that he had written almost twenty-five years ago, especially as it's now officially his composition after Mick Jagger and Keith Richards relinquished their writing credits to him.
Another big moment comes with the new version of "C’Mon People (We’re Making It Now)," a duet with Richard’s old friend Liam Gallagher. The pair have often talked about recording or performing the song together since it was first released in 2000, and now it’s finally happened - the sheer energy and delight that they shared during the session is palpable as the new recording beams with a joyous feeling of optimism.
"Velvet Morning" is another track that has been transformed. The vocals on the original version, as featured on The Verve’s classic Urban Hymns were sung via a megaphone that Richard had purchased from a car boot sale the day before the recording session. Now Richard’s vocal really shines as it unleashes the song’s full magnitude.
The biggest surprise on Acoustic Hymns Vol. 1 is the inclusion of "This Thing Called Life," a song that Ashcroft has rarely played live. It was originally recorded with No I.D. in the USA as a highlight of his soul-tinged RPA & The United Nations Of Sound project. Now taken back to basics, the new arrangement reveals a song that feels perfectly at home alongside Richard’s most highly regarded work.
Produced by Richard with regular collaborator Chris Potter, the album features his regular live band boosted by some special collaborators. Wil Malone provides the string arrangements, which were recorded at Abbey Road Studios. In addition, Chuck Leavell (The Rolling Stones, The Allman Brothers) performs piano, Roddy Bloomfield leads the brass section, and Steve Wyreman (Leon Bridges, Vic Mensa) contributes acoustic guitar and backing vocals.
Richard Ashcroft recently announced details of four special shows, each billed as “An acoustic evening of his classic songs.” After quickly selling out two nights at London’s Palladium, he subsequently added two bigger shows at the Royal Albert Hall and the M&S Bank Arena in Liverpool to fulfill huge public demand for tickets. He will play:
TOUR DATES
OCTOBER
16th - London, Palladium (SOLD OUT)
17th - London, Palladium (SOLD OUT)
29th - Liverpool, M&S Bank Arena
Richard Ashcroft is a two-time Ivor Novello winner (Songwriter of the Year in 1998 and Outstanding Contribution to British Music in 2019) who has released five Top 5 solo albums, including the #1 debut "Alone With Everybody." He first came to attention with The Verve, with whom he released one of the biggest albums of the era in the shape of Urban Hymns, as well as a succession of anthems which remain staples of his live set today, including "The Drugs, Don’t Work," "Bittersweet Symphony," "Lucky Man" and "Sonnet."
Acoustic Hymns Vol. 1 tracklist:
Bittersweet Symphony
A Song For The Lovers
Sonnet - UH
C’mon People (We’re Making It Now) (featuring Liam Gallagher)
Weeping Willow
Lucky Man - UH
This Thing Called Life
Space & Time
Velvet Morning
Break The Night With Colour
One Day
The Drugs Don’t Work
Larkin Poe, the GRAMMY® Award-nominated sister duo comprised of Atlanta-bred, Nashville-based multi-instrumentalists Rebecca and Megan Lovell, will be hitting the road with the Monster Energy Outbreak Tour bringing their brand of gritty, raw, and in your face rock n roll. The 27-date cross-country tour kicks off on September 15, 2021, in St. Louis and will continue through the fall and winter.
As all of the music for the band’s 2020 release Self Made Man was originally written with live performance in mind, Larkin Poe is truly excited to finally let the songs breathe.
“We can’t wait to get back on stage with the Monster Energy Outbreak Tour this fall for the first time since our album, Self Made Man, came out!” said Larkin Poe. “It’s going to feel so good to be back in front of people celebrating live music again!”
In addition to the Monster Energy Outbreak Tour, Larkin Poe has announced several festival dates they are expected to perform at throughout the late summer and fall including BeachLife Festival, San Diego Blues Fest, Telluride Blues & Brews, Treefort, Columbia Roots N Blues, Shaky Knees, Fort Worth River & Blues, Lancaster Roots & Blues and more. The duo will also be supporting JJ Grey & Mofro for one performance in Salt Lake City this September.
LARKIN POE ON TOUR
September 10 - Redondo Beach, CA - BeachLife Festival
September 11 - San Diego, CA - San Diego Blues Fest
September 15 - St. Louis, MO - Delmar Hall*#
September 16 - Omaha, NE - Slowdown*#
September 17 - Denver, CO - Ogden Theatre*#
September 21 - Ketchum, ID - Argyros Performing Arts Center
September 22-26 - Boise, ID - Treefort Music Fest
September 24 - Columbia, MO - Roots N Blues Festival
September 25 - London, KY - World Chicken Festival
September 26 - Prestonsburg, KY - Mountain Arts Center*#
September 29 - Salt Lake City, UT - Red Butte Garden supporting JJ Grey & Mofro
October 7 - Cincinnati, OH - Bogarts*#
October 8 - Columbus, OH - Newport Music Hall*
October 9 - Indianapolis, IN - The Vogue*
October 10 - Pittsburgh, PA - Roxian Theatre*
October 12 - Buffalo, NY - Forbes Theatre*
October 14 - Albany, NY - Upstate Concert Hall*
October 15 - Tarrytown, NY - Tarrytown Music Hall*
October 16 - Baltimore, MD - The Recher*
October 17 - Lancaster, PA - Lancaster Roots & Blues
October 19 - Norfolk, VA - The NorVA*
October 21 - Raleigh, NC - Lincoln Theatre*
October 22 - Charlotte, NC - Neighborhood Theatre*
October 23 - Atlanta, GA - Shaky Knees Music Festival
October 28 - Louisville, KY - Mercury Ballroom*
October 29 - Bloomington, IL - Castle Theatre*
October 30 - Grand Rapids, MI - Fountain Street Church*
October 31 - Cleveland, OH - House of Blues*
November 5 - Oxford, MS - The Lyric Oxford*
November 6 - New Orleans, LA - House of Blues*
November 7 - Jackson, MS - Duling Hall*
November 10 - Houston, TX - The Heights Theatre*
November 11 - Austin, TX - Mohawk*
November 12 - Fort Worth, TX – River & Blues Festival
November 13 - Fayetteville, AR - George’s Majestic Lounge*
December 3 - Asheville, NC - The Orange Peel*
December 4 - Knoxville, TN - Bijou Theatre*
December 8 - Little Rock, AR - U. of Arkansas – Pulaski Technical College
*Monster Energy Outbreak Tour Presents: Larkin Poe
#w/ The Cold Stares
For their newest release, out September 17th, Larkin Poe partnered with innovative hybrid orchestra Nu Deco Ensemble for Paint the Roses: Live in Concert -- a new album that reinterprets Larkin Poe’s music, including their 2020 release Self Made Man and more, through an orchestral lens. Paint the Roses documents a collaborative, livestreamed concert by the two artistic groups in December 2020 at Miami’s North Beach Bandshell. The performance was part of Nu Deco’s 2020-21 virtual and socially-distanced concert season, which featured the ensemble’s genre-bending orchestral music and its powerful first collaboration with Larkin Poe.
In 2020, Larkin Poe ascended to #1 on an array of Billboard charts with their widely-acclaimed fifth studio album, Self Made Man, available via the band's own Tricki-Woo Records. The COVID-19 lockdown didn’t keep the Lovells from reaching their fans; the duo performed a number of "Home Sweet Home" livestream concerts and added to their much-loved YouTube covers series. Last summer, they released their second full-length of the year, Kindred Spirits, a self-produced collection of stripped-back covers both classic and new, including songs by the Allman Brothers Band, Robert Johnson, Elton John, Post Malone, Ozzy Osbourne, and more.
Acclaimed rock ’n’ roll band Heartless Bastards release A Beautiful Life today. The band's sixth studio album and first new music in more than half a decade, A Beautiful Life arrives via Sweet Unknown Records/Thirty Tigers at all DSPs and as a limited edition hand-poured double LP and special merchandise available exclusively from the Sweet Unknown Records Official Store.
Heartless Bastards founder Erika Wennerstrom, elated to share the new record, says, "I’m so happy to finally share 'A Beautiful Life' with the world. I’m so proud of it. I worked with so many lovely and talented folks making this record. What an honor and privilege it is to have the opportunity to share it with everyone. The album for me is a reminder to stay grateful, and as I type this I’m just sitting here thinking how truly lucky I am."
Drawing special attention to the newest single, "Went Around The World," a very near and dear track, Wennerstrom says, "I have had this idea for years, and it finally came together. I wrote the chorus about 6 years ago the second verse 20 years ago. Each piece kind of told me when it was ready, and I was able to connect the dots over time. The chorus seems fitting. I’ve been touring all over for years, and in my off time, I’ve also traveled and backpacked around. Through all that I was really learning to understand myself, and the world around me. I’ve always loved that saying “Life begins that the edge of your comfort zone”. When I experienced new situations I was getting to know parts of myself I’d never known.
She adds, "The “light” in the song is love. We’re all connected to each other no matter what our race, religion, or the country we’re from, male or female, straight or LGBT, but also to our environment, the water that sustains our life, and the different plant and animal species. It’s all family. I care deeply about the state of our environment, but I had gotten so concerned with it that I was in my head carrying the weight of the world. Like “how can I somehow fix this problem?”. I realize I’m no good to anyone, including myself if I don’t take some time to stop and breathe and take care of myself. All we can do is our best. Worrying about things I have no power to control isn’t a good use of energy. These issues are things we have to work on collectively and perhaps to start with, aside from my own individual daily acts, my part can be adding to the conversation with this album."
A Beautiful Life was heralded with the soulful single, “How Low,” alongside an official music video – directed by documentary filmmakers Sam Wainwright Douglas and David Hartstein. “How Low” was met by instant acclaim, with Rolling Stone declaring it to be “a satisfying summer song — with a deeper message in its lyrics,” further noting how the song’s companion video “juxtaposes the vacuous Instagram life with images of poverty, natural disaster, and ultimately acts of kindness.”
"How Low" was followed by “Photograph" and then by "You Never Know," which was joined by a cinematic and aesthetically pleasing video, complete with a love story, a zebra, and expressive face paint. In late 2020, the band released the first song from the album, "Revolution," alongside an official music video.
LIMITED EDITION VINYL AND EXCLUSIVE MERCHANDISE ARE AVAILABLE HERE
HEARTLESS BASTARDS TOUR 2021
SEPTEMBER
16 – Little Rock, AR – Stickyz
17 – Columbia, MO – The Blue Note
18 – St. Louis, MO – Off Broadway Nightclub
19– Nashville, TN – 3rd & Lindsley Lightning 100 Sunday Show
22 – Minneapolis, MN – Fine Line Music Cafe
23 – Madison, WI – Majestic Theatre
24 – Chicago, IL – Lincoln Hall
25 – Covington, KY – Madison Theater
27 – Millvale, PA – Mr. Small's Theatre
29 – Cambridge, MA – The Sinclair
30 – New York, NY – Bowery Ballroom
OCTOBER
1– Philadelphia, PA – World Cafe Live Downstairs
2 – Washington, DC – Union Stage
4 – Carrboro, NC – Cat's Cradle
5 – Atlanta, GA – Smith's Olde Bar
7 – Houston, TX – The Heights Theater
8 – Austin, TX – Austin City Limits Festival
9 – Kerrville, TX – Kerrville Folk Festival
29 – New Braunfels, TX – Gruene Hall
30 – Oklahoma City, OK – Tower Theatre
31 – Santa Fe, NM – Tumbleroot Brewery & Distillery
NOVEMBER
1 – Tucson, AZ – 191 Toole
3 – Solana Beach, CA – Belly Up Tavern
4 – West Hollywood, CA – Troubadour
5 – San Francisco, CA – The Independent
6 – Oakland, CA – Starline Social Club Ballroom
8 – Sacramento, CA – Harlow's Restaurant & Nightclub
9 – Arcata, CA – Arcata Theatre Lounge
11 – Eugene, OR – Sessions Music Hall
12 – Portland, OR – Wonder Ballroom
13 – Seattle, WA – The Crocodile
14 – Missoula, MT – The Wilma
15 – Bozeman, MT – The ELM
17 – Salt Lake City, UT – The Commonwealth Room
19 – Fort Collins, CO – Aggie Theatre
20 – Denver, CO – Bluebird Theater
21 – Boulder, CO – Fox Theatre
24 – Dallas, TX – The Kessler Theater
# # #
EUROPEAN TOUR 2022
JANUARY
24 - Cambridge, UK - Portland Arms
25 - Bristol, UK - Exchange
26 - Leeds, UK - Brudenell Social Club
27 - Glasgow, UK - Mono
28 - Newcastle, UK - Cluny 2
29 - Liverpool, UK - District
30 - Manchester, UK - Deaf Institute
FEBRUARY
1 - London, UK - Oslo
2 - Paris, FR - FGO
3 - Brussels, BE - Botanique Rotonde
4 - Amsterdam, NL - Paradiso (Upstairs)
6 - Hamburg, DE - Molotow Skybar
7 - Berlin, DE - Cassiopeia
8 - Munich, DE - Kranhalle
10 - Vienna, AT - Chelsea
HEARTLESS BASTARDS A BEAUTIFUL LIFE
(Sweet Unknown Records/Thirty Tigers)
Release Date: Friday, September 10
The String Cheese Incident has announced the release of their famed album Untying The Not on vinyl for the first time ever. The limited-edition, double LP, heavyweight gold vinyl is available for pre-order now HERE.
"Untying The Not was a different kind of album for us because for the first time, we hired a very hands-on producer (Youth), and let him craft the music with us. He brilliantly infused his studio savvy and clever arrangement ideas to help us create our most realized album to date. The goal was not to recreate the live in-concert sound of the band, but to stretch the limits of what could be achieved in the studio.
“From the soaring rock anthem treatment of ‘Wake Up,’ to the Pink Floyd-like vibe of ‘Orion’s Belt,’ to the space intro and outro of ‘Lonesome Road Blues,’ the creative studio mojo is all over this album. The hauntingly beautiful Kyle Hollingsworth composition ‘Elijah’ marked the passing of Bill Nershi’s nephew and features Mellotron and a one-man Michael Kang string section. ‘Valley Of The Jig’ is the first time SCI combined bluegrass and programmed dance music. Youth was very excited about this and it proved to be a fertile genre for the band moving forward. Check out the monstrous rock production of ‘Tinder Box,’ the beautifully evocative arrangement of the Nershi/Barlow classic ‘Just Passing Through,’ and the super popular studio version of ‘Sirens!’ I love the Beatles-esque treatment of ‘Who Am I?,’ and the rock opera production of Michael Travis’ ‘Time Alive.’
“This is a beautifully constructed and sequenced album that is a really fun listen, start to finish. Enjoy!"
- KEITH MOSELEY, The String Cheese Incident
About The String Cheese Incident:
The past three decades have written a story packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments. The String Cheese Incident has been recognized for their commitment to musical creativity and integrity, for their community spirit, philanthropic endeavors, and for their innovative approach to the business of music.
When The String Cheese Incident’s growth first started gaining momentum in the 1990s, as the Internet was just beginning to take hold and the major-label business model was failing, the band decided to make music on their own terms.
Since then, The String Cheese Incident has gone on to carve out a completely unique approach to the business of music; they are truly pioneers of a new way of “making a band.” With the Internet as their tool, SCI was among the first artists to disseminate information online, such as tour dates, release information, and other news, to their growing fan base. Rather than doing business on such terms as “the bottom line,” SCI put their music and their fans first, opening companies of their own, including a ticketing company, a merchandise company and a fan travel agency, to best serve their community. The band’s record label, SCI Fidelity Records, has always operated under the same ideals. Even early on, SCI Fidelity embraced downloadable music and file sharing, delivering SCI’s “On The Road” series, where every show the band plays is made available for download on the Internet. Whether they realized it at the time or not, The String Cheese Incident was inventing grassroots band development. Today, literally hundreds of bands are using some version of this same approach to build their brand.
The String Cheese Incident’s commitment goes well beyond their immediate community, and even beyond the music community as a whole. Early on, the band took a serious interest in giving back to the communities that they visited, and they were among the first performers to encourage “Green” shows and tours. SCI’s support has helped give rise to such not-for-profit organizations as Conscious Alliance and HeadCount. All the while, The String Cheese Incident has stayed committed to music as a creative endeavor, not just in their recordings but also in their live performances. The list of SCI’s special guests and collaborators is long and diverse. Their annual events such as Electric Forest and Hulaween, and holiday shows such as New Year’s Eve, have helped redefine the concert experience and have garnered the band a reputation as live music vibe innovators.
Rising Nashville indie quintet Future Crib have released their excellent new album Full Time Smile today -- stream it in full HERE, and watch the video for album highlight "Miserable" HERE. The band begins its U.S. tour tonight in Nashville and will continue on through October, including stops in San Francisco, Los Angeles, Memphis, Denver and more, as well as a performance at Treefort Music Fest in Boise, ID. Find the full list of dates below.
Future Crib announced Full Time Smile with the release of rollicking lead single "Most Likely Never Going To Die" and its accompanying video -- stream the single and watch the video HERE. Both debuted in an extensive interview feature with American Songwriter, who called the song "a catchy, nostalgic-sounding indie-rock bop that effortlessly expresses the euphoria of youthful love in modern times." Recent single "BG" debuted via FLOOD Magazine, who said that "Nashville’s Future Crib make twinkle-eyed songs that teeter between lo-fi psychedelia and vivid folk-rock," and praised the song as "a crunchier, more glowing bedroom pop track."
On the tail end of a pandemic that stunted artistic production around the globe, the sentiment chosen to open Future Crib’s Full Time Smile may seem at first listen a bit untimely. “Happiness is going out of style / pretend you are miserable for a while,” croons multi-instrumentalist and vocalist Johnny Hopson as keys and synths swish into a lush, blissful crescendo.
For the five-piece Nashville-based band, happiness isn’t so much passé as it is a process, or the end result of a transitional and sometimes tumultuous period. As drummer and vocalist Noah Pope puts it, the record's central theme revolves around “recontextualizing” the parts of life that are less than pleasant. “It’s about searching and having the guts and strength to move on and explore new territory,” Pope adds.
Recorded in the outskirts of Atlanta in December 2020, the band gave themselves the self-imposed limitation to record Full Time Smile in the span of a week. While challenging, the method of building a makeshift studio with analog gear was a testament to the friendship that undergirds how Future Crib operates on the regular. “We were in a state of being open and communicative about where we were in our lives and I think that comes off in the record,” says bassist and vocalist Julia Anderson. “We all weighed in because these songs were important to all of us.”
Whereas the band’s second LP, Silverdays, was, in the words of multi-instrumentalist Bryce DuBray’s words, “a reimagining” and a “polishing up” of previously-produced demos, Full Time Smile is a more carefully-crafted affair, a concerted effort to reflect the band in the most accurate way possible. It’s the first record by the band that features contributions of guitarist and vocalist George Rezek, who joined the group in a full-time capacity after filling in for Pope on a series of dates in 2019.
This “retreat” approach to making the record took the already-established bonds within the band to new levels. “When you make a record at home, it’s going to be pretty predictable,” says Hopson. Though bands are rarely a democracy, Future Crib sought to develop Full Time Smile without any particular member having absolute authority over a song’s final form. Blending electronic or synthesized instrumentation with organic sounds gives the album a balance so rarely found in even the most modern of releases.
Indeed, the band made a point to put egos aside during the production and craft something that transcended any one member’s preferences. “We decided to stay away from doing anything that would make the record sound like any particular band or influence,” says Hopson. “We were making all of the choices that were best for each song. The influences come no matter what.”
Though there was a conscious effort to avoid sounding like anything in particular, the result draws on a range of influential artists that dominated rock clubs and college radio in the 90s and early aughts. It comes as no surprise then, this alt-pop masterpiece dares to be embraced by fans of Built To Spill, Modest Mouse, Dr. Dog, and other acts of their ilk.
“We all really enjoy listening to records front-to-back,” says Pope. “We put a lot of effort into arrangements and how songs flow.” Though dynamic, the album retains an obvious cohesion that is owed to the band’s reliance on self-recording and making a point to avoid more traditional studio setups. “There’s a lot going on and a lot of room for error, but we trust each other with sounds and creative decisions because we know that ultimately we will do what’s best for the song,” adds Hopson.
The album’s lead single, “Most Likely Never Going To Die,” is an aptly-named earworm that is representative of the band’s penchant for writing indelible melodies with punchy guitar licks that will surely resonate with fans of the aforementioned acts. Hopson is at his best when he waxes philosophical about what constitutes the good life without coming off as pretentious.
On “Horses,” “Leaves,” and less-rollicking numbers, the tempos may slow down considerably, but the emotional weight and maturity remains. While these songs may be closer in presentation to the outsider art of Bill Callahan and Daniel Johnston than radio-rock, they’re no less effective. The record’s title track also trades raucous sing-alongs for a reflection on how to find happiness in spite of ever-present struggle.
Despite its ecstatic moments and joyful performances throughout, Future Crib exercise a stunning amount of humility on Full Time Smile -- perhaps most especially on the record’s closing track, “Forever Ain’t A Long Time And We Still Have A Lot To Do.” As Hopson sings, “We’re kidding ourselves if we ask for a three-minute rocker to last forever.” With songs as crafty as those found on Full Time Smile, though, it’s very possible that these three-minute rockers may stick around for quite a long time.
FUTURE CRIB ON TOUR 2021/2022
2021
September 10 - Nashville, TN @ Fairlane Hotel
September 11 - Nashville, TN @ Drkmttr
September 13 - Asheville, NC @ Grey Eagle
September 14 - Clarksville, TN @ Revel House Pub & Eatery
September 15 - Memphis, TN @ Hi Tone
September 16 - Tulsa, OK @ Mercury Lounge
September 17 - Hot Springs, AR @ Maxine’s Live
September 18 - Oklahoma City, OK @ 51st Street Speakeasy
September 19 - Lawrence, KS @ Replay Lounge
September 21 - Salida, CO @ Tap House
September 24-26 - Boise, ID @ Treefort Music Fest
September 27 - Sisters, OR @ Suttle Lodge & Boathouse
September 29 - San Francisco, CA @ DNA Lounge
September 30 - Los Angeles, CA @ Silverlake Lounge
October 2 - Reno, NV @ Off Beat Music Festival
October 4 - Orem, UT @ The Boardwalk
October 7 - Trinidad, CO @ Trinidad Lounge
October 8 - Pueblo, CO @ Blo Back Gallery
October 9 - Manitou Springs, CO @ Lulu’s Downstairs
October 10 - Denver, CO @ Hi-Dive
October 16 - Nashville, TN @ Light the Nations
Devon Allman is thrilled to announce the fifth annual Allman Family Revival, a celebration of the life, spirit, and music of Gregg Allman, hosted by his son, Blues Music Award-winning Devon Allman and anchored by his group, The Allman Betts Band.
On what would have been Gregg Allman’s 70th Birthday (December 8, 2017), Devon decided to gather his talented friends to pay homage musically. Musicians that had toured with Gregg, jammed with Gregg & inspired by Gregg turned up to throw down. Legends like Robin Zander of Cheap Trick, wunderkind Marcus King, and the Orbison’s, all took part in the inaugural performance, laying the groundwork for The Allman Family Revival to be an annual who’s who of musical talent.
Now…It’s a yearly tradition, and it’s grown from an annual celebration in San Francisco to a full fledged coast to coast tour. Based on the format of “The Last Waltz” concert with The Allman Betts Band as the house band and featuring up to a dozen marquee names in music, it’s an epic 3 hour show unlike any other. This year the touring lineup will include The Allman Betts Band, Robert Randolph, Donavon Frankenreiter, Lilly Hiatt, Cody and Luther Dickinson, Eric Gales, Joanne Shaw Taylor, Jimmy Hall, Lamar Williams Jr. plus many more to be announced. The Allman Family Revival will also feature Kenny Wayne Shepherd, G. Love, Samantha Fish, Alex Orbison, and Kenny Aronoff in select markets.
“Hard to believe we are in the fifth year of The Allman Family Revival shows! Says Devon, “This year is going to be bonkers! 18 cities, coast to coast in historic theaters with our beautiful, talented friends jamming all night long. Can’t wait!”
Public on-sale begins 9/17. For tickets and all up to date information, visit allmanfamilyrevival.com.
2021 Allman Family Revival
11/27 @ The Factory | St. Louis, MO
11/29 @ Majestic Theater | Dallas, TX
11/30 @ ACL Live at The Moody Theater | Austin, TX
12/1 @ Saenger Theater | New Orleans, LA
12/2 @ Coca-Cola Roxy | Atlanta, GA
12/3 @ Van Wezel PAC | Sarasota, FL
12/5 @ The Paramount | Huntington, NY
12/7 @ Orpheum Theater | Boston, MA
12/8 @ Beacon Theater | New York, NY
12/9 @ The Met | Philadelphia, PA
12/10 @ Fillmore | Silver Springs, MD
12/11 @ Michigan Theater | Ann Arbor, MI
12/12 @ Chicago Theater | Chicago, IL
12/14 @ Brady Theater | Tulsa, OK
12/16 @ Arizona Federal Theatre | Phoenix, AZ
12/17 @ Theater at Virgin Hotels | Las Vegas, NV
12/18 @ The Fillmore | San Francisco, CA
12/19 @ The Wiltern | Los Angeles, CA
Today, famed Colorado eclectic rock band The String Cheese Incident has announced their 2021 three-show Thanksgiving run at The Mission Ballroom in Denver, Colorado. These shows will mark the band's return to Denver's new venue for the first time in two years after the band sold out their inaugural performances at The Mission Ballroom in 2019.
Tickets will go on sale this Friday, September 17, and can be purchased by visiting Stringcheeseincident.com. There will be no pre-sale or lottery for this event.
Per AEG's nationwide COVID-19 protocol beginning October 1, all patrons & venue staff will be required to show proof of full COVID-19 vaccination to enter the venue. Find more info at aegpresents.com/health-policy.
The band also recently announced that their famed album Untying The Not will be available on vinyl for the first time ever. The limited-edition, double LP, heavyweight gold vinyl is available for pre-order now HERE.
Ahead of the newly announced Thanksgiving run of shows, the band will be performing at Suwannee Hulaween and Stubb’s in Austin, TX. Rounding out 2021, the band will ring in the New Year in Chicago at The Auditorium Theatre.
About The String Cheese Incident:
The past three decades have written a story packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments. The String Cheese Incident has been recognized for their commitment to musical creativity and integrity, for their community spirit, philanthropic endeavors, and for their innovative approach to the business of music.
When The String Cheese Incident’s growth first started gaining momentum in the 1990s, as the Internet was just beginning to take hold and the major-label business model was failing, the band decided to make music on their own terms.
Since then, The String Cheese Incident has gone on to carve out a completely unique approach to the business of music; they are truly pioneers of a new way of “making a band.” With the Internet as their tool, SCI was among the first artists to disseminate information online, such as tour dates, release information, and other news, to their growing fan base. Rather than doing business on such terms as “the bottom line,” SCI put their music and their fans first, opening companies of their own, including a ticketing company, a merchandise company and a fan travel agency, to best serve their community. The band’s record label, SCI Fidelity Records, has always operated under the same ideals. Even early on, SCI Fidelity embraced downloadable music and file sharing, delivering SCI’s “On The Road” series, where every show the band plays is made available for download on the Internet. Whether they realized it at the time or not, The String Cheese Incident was inventing grassroots band development. Today, literally hundreds of bands are using some version of this same approach to build their brand.
The String Cheese Incident’s commitment goes well beyond their immediate community, and even beyond the music community as a whole. Early on, the band took a serious interest in giving back to the communities that they visited, and they were among the first performers to encourage “Green” shows and tours. SCI’s support has helped give rise to such not-for-profit organizations as Conscious Alliance and HeadCount. All the while, The String Cheese Incident has stayed committed to music as a creative endeavor, not just in their recordings but also in their live performances. The list of SCI’s special guests and collaborators is long and diverse. Their annual events such as Electric Forest and Hulaween, and holiday shows such as New Year’s Eve, have helped redefine the concert experience and have garnered the band a reputation as live music vibe innovators.
My Morning Jacket share the first single from their self-titled ninth studio album. “Love Love Love” is available now at all DSPs and streaming services; a mesmerizing official music video directed by George Mays with animation by Mero premieres today via YouTube. MY MORNING JACKET arrives via ATO Records at all DSPs and in various physical formats on Friday, October 22.
“‘Love Love Love’ is trying to steer the ship away from everything I’m talking about in ‘Regularly Scheduled Programming,’ and speak toward positivity and pure love, finding truth within yourself and in the world around you,” says My Morning Jacket frontman Jim James.
MY MORNING JACKET was first heralded last month by the album’s first song, “Regularly Scheduled Programming,” available now at all DSPs and streaming services; an official music video – co-directed by James and George Mays – is streaming now at YouTube.
The band’s first new music since 2015’s GRAMMY® Award-nominated THE WATERFALL, MY MORNING JACKET reaffirms the rarefied magic that’s made My Morning Jacket so beloved, embedding every groove with moments of discovery, revelation, and ecstatic catharsis. Produced and engineered by James over two multi-week sessions at Los Angeles, CA’s 64 Sound, the album came to life after what looked like a permanent hiatus for the band. But after performing four shows in summer 2019 – beginning with two mind-blowing nights at Red Rocks Amphitheatre – My Morning Jacket was overcome with the urge to carry on. That sense of purpose can be heard throughout the thrillingly expansive MY MORNING JACKET. For all its unbridled joy, songs like “Regularly Scheduled Programming” and the otherworldly, album-closing “I Never Could Get Enough” once again reveal My Morning Jacket’s hunger for exploring the most nuanced and layered existential questions in song form while simultaneously harnessing the hypnotic intensity of their legendary live show more fully than ever before.
MY MORNING JACKET will be available on CD as well as two vinyl configurations: 2xLP Clear Vinyl featuring a gatefold jacket with artwork by Robert Beatty, custom inner-sleeves with lyrics, and digital download; and 2xLP 180-Gram Deluxe Colored Vinyl featuring cloudy blue and cloudy orange colored vinyl, deluxe foil gatefold jacket with artwork by Robert Beatty, 24” x 24” circular fold-out poster, custom inner-sleeves with lyrics, and digital download.
MY MORNING JACKET
ON TOUR 2021-2022
SEPTEMBER
23 – Santa Barbara, CA – Santa Barbara Bowl *
24 – Dana Point, CA – Ohana Festival
25 – Berkeley, CA – Greek Theatre at UC Berkeley *
28 – Troutdale, OR – McMenamins Edgefield Concerts *
29 – Spokane, WA – Riverfront Park Pavilion *
OCTOBER
1 – Seattle, WA – Paramount Theatre *
2– Seattle, WA – Paramount Theatre *
3 – Bend, OR – Les Schwab Amphitheater *
29 – Birmingham, AL – Alabama Theatre # SOLD OUT
30 – Live Oak, FL – Suwannee Hulaween SOLD OUT
31 – New Orleans, LA – Orpheum Theatre # SOLD OUT
NOVEMBER
2 – St. Louis, MO – Stifel Theater #
4 – Chicago, IL – Auditorium Theatre #
5 – Chicago, IL – Auditorium Theatre # SOLD OUT
6 – Chicago, IL – Auditorium Theatre # SOLD OUT
DECEMBER
29 – Denver, CO – Mission Ballroom
30 – Denver, CO – Mission Ballroom SOLD OUT
31 – Denver, CO – Mission Ballroom SOLD OUT
MARCH 2022
2-5 – Riviera Cancún, Mexico – One Big Holiday
* Special Guests Durand Jones & The Indications
# Special Guest Bedouine
The Ronnie Wood Band return to the blues this month with the second installment of his live album trilogy -‘Mr. Luck - A Tribute to Jimmy Reed: Live at the Royal Albert Hall’. Released by BMG today, September 17, 2021, the 18-track album features The Ronnie Wood Band including Mick Taylor with incredible special guests, Bobby Womack, Mick Hucknall, and Paul Weller, and pays tribute to one of Ronnie’s musical heroes and major influences, the Mississippi electric blues pioneer Jimmy Reed.
The album is recorded live on a memorable night at the Royal Albert Hall on November 1st, 2013. It features stunning tracks including “Good Lover,” “Ghost of A Man,” and “Shame, Shame, Shame.” With unique album artwork specially created by Ronnie, Mr. Luck will be available digitally, on CD, as a vinyl release, and as a beautiful limited-edition dual-tone smoky blue vinyl.
When self-taught guitarist Eddie Taylor imparted his skills onto his friend Jimmy Reed, he surely couldn’t have imagined the effect this was to have on the Chicago blues scene. Backing up such luminaries as John Lee Hooker, he is best remembered for his work with his former student.
Sweet coincidence, then, that in 1974 another Taylor, Mick, would make way for Ronnie Wood in the Rolling Stones, paving the way for these two friends and celebrated guitarists to work on projects ever since. The culmination of this to date is Taylor’s place in The Ronnie Wood Band at the Royal Albert Hall for 2013’s Bluesfest, where they played the now-legendary set that would come to birth to this recording.
Ronnie comments: “Jimmy Reed was one of the premier influences on the Rolling Stones and all the bands that love American blues from that era until the present day. It is my honor to have the opportunity to celebrate his life and legacy with this tribute.”
This album marks the second iteration in a trilogy of special and personal albums by Wood and the band, celebrating Ronnie’s musical heroes. The first album, Mad Lad explored the work of Chuck Berry as an emotional commemoration after Berry’s passing just over two years ago. Ronnie toured with Berry and was a lifelong fan.
RONNIE WOOD and the RONNIE WOOD BAND MR. LUCK–A TRIBUTE TO JIMMY REED: LIVE AT THE ROYAL ALBERT HALL RELEASED BY BMG
SEPTEMBER 17, 2021
Tracklist:
1. Essence
2. Good Lover
3. Mr. Luck
4. Let’s Get Together
5. Ain’t That Loving You Baby
6. Honest I Do
7. High & Lonesome
8. Baby What You Want Me To Do
9. Roll and Rhumba
10. You Don’t Have To Go
11. Shame Shame Shame
12. I’m That Man Down There
13. Got No Where To Go
14. Big Boss Man
15. I Ain’t Got You
16. I’m Going Upside Your Head
17. Bright Lights Big City
18. Ghost of a Man
Abramorama announced today that they have acquired distribution rights to Jesse Lauter’s music documentary Learning To Live Together: The Return of Mad Dogs & Englishmen. An electrifying documentary jam-packed with music spotlighting the celebrated “Mad Dogs & Englishmen,” Joe Cocker’s short-lived tour featuring a mammoth thirty-piece band, told through the lens of the reunion of 12 remaining band members, 45 years later, to perform with Grammy Award-winning Tedeschi Trucks at the Lockn’ Festival. The film features archival footage alongside current performances and interviews with Leon Russell, Derek Trucks, Susan Tedeschi, Rita Coolidge, Chris Robinson, Jim Keltner, Dave Mason, Claudia Lennear, and many more.
Filmmaker Jesse Lauter stated, “The original Mad Dogs & Englishmen album and documentary played a foundational role in my early years as a music producer and musician, so it’s only appropriate that my first film as a director is about this critical piece of music history. There has always been a shroud of mystery around this tour- how it came about, what was it like, why it never happened again - so I felt it was my duty to reveal the truth, beauty, and yes drama, behind the music, in hopes to uncover why this music has resonated for so many generations. It was the greatest honor of my career to capture this once-in-a-lifetime reunion.”
Susan Tedeschi and Derek Trucks added, “Mad Dogs & Englishmen were one of the groups that inspired us from when we first started our band and paying tribute to their work with so many of the original members on hand was a highlight on many levels. This film is a labor of love many years in the making, and we're so proud to share the music and the stories of the men and women of Mad Dogs & Englishmen.”
In the spring of 1970, Joe Cocker undertook what became the legendary Mad Dogs and Englishmen tour, immortalized in a live album and concert film. Fifty years later, first-time filmmaker Jesse Lauter tells the complete story through the lens of the Grammy Award-winning Tedeschi Trucks Band’s reunion of the Mad Dogs. In addition to Derek Trucks, Susan Tedeschi and the entire Tedeschi Trucks Band, this reunion featured 12 of the original Mad Dogs, including Leon Russell, Rita Coolidge and Claudia Lennear, plus guest performers Chris Robinson and Dave Mason, among others. The film showcases inspired performances from the reunion show, along with an exclusive look at the history of the tour and never-before-seen archival materials, commentary from the original members, critic David Fricke, notable fans who attended shows on the original tour and features the last filmed interview with the late Leon Russell.
Richard Abramowitz, Abramorama CEO said, “Jesse Lauter has woven a seamless fabric of great live music and insightful, often hilarious anecdotes into a film that honors the past while being firmly planted in the present. We’ve worked on a lot of music films over the years and this one instantly found its place among the very best.”
LEARNING TO LIVE TOGETHER: THE RETURN OF MAD DOGS & ENGLISHMEN (USA, 111 Minutes, English). Abramorama Presents a Swamp Family Productions Film. Directed & Produced by Jesse Lauter. Produced by Wayne Forte & Blake Budney. Executive Produced by Derek Trucks, Susan Tedeschi, John Beug, Thomas Tull, Alba Tull & Bert Ellis. Featuring: Leon Russell, Derek Trucks, Susan Tedeschi, Rita Coolidge, Chris Robinson, Jim Keltner, Dave Mason, Claudia Lennear, and Tedeschi Trucks Band. With appearances by: Joe Cocker, Steve Earle, Jon Landau, David Fricke, and Larry Campbell. Edited by Drew DeNicola. An Abramorama North American Release. For more information visit: https://www.maddogsdoc.com
One of the foremost faces of the current progressive jazz movement, 2x GRAMMY® Award-nominated drummer/composer/producer Nate Smith releases his new record, Kinfolk 2: See The Birds today via Edition Records. To celebrate, Smith shares a live-in-the-studio performance of the sanguine title track "See The Birds," on which singer Michael Mayo pens and sings optimistic lyrics about following one’s aspirations. The song also features vibraphonist Joel Ross.
Kinfolk 2: See the Birds affirms Nate Smith as one of the most dynamic drummers, insightful composers, and engaging bandleaders of his generation, adept across infinite genres and multiple styles. The album sees Smith joined by an array of diverse fellow artists, including singers Brittany Howard, Amma Whatt, legendary guitarist Vernon Reid, violinist Regina Carter, vibraphonist Ross, rapper Kokayi, and Mayo, and Stokley Williams (of the pioneering R&B band Mint Condition).
Kinfolk 2: See the Birds marks the second installment in a remarkable trilogy charting Smith’s continuing evolution as a musician and composer. While Kinfolk: Postcards From Everywhere touched upon Smith’s childhood in Chesapeake, VA, and the sounds that he absorbed in his family home, the new album offers an impressionistic portrait of the artist as a young man considering his future in music. Those years saw Smith inspired by the diverse and eclectic riches of Prince and Michael Jackson, hip-hop and the emerging neo-soul movement, as well as music associated with the groundbreaking Black Rock Coalition such as Living Colour (whose trailblazing founder, Vernon Reid, appears on the new album’s menacing “Rambo”).
Kinfolk 2: See The Birds is the highly anticipated follow-up to 2017’s GRAMMY® Award-nominated Kinfolk: Postcards From Everywhere. The album was heralded earlier in the summer with its first single, the hip-hop centric “Square Wheel,” which finds Smith juggling odd-meter beats in unison with rapper Kokayi’s intrepid rhythmic cadence alongside singer Mayo’s impassioned vocals as well as Brad Allen Williams on guitar, bassist Fima Ephron, saxophonist Jaleel Shaw and Cowherd on keys. A companion music video filmed in the recording studio is streaming on YouTube now.
"Square Wheel" was followed by the release of the gospel-laced ballad "Fly (For Mike)," dedicated to Smith's father, who passed away in 2015 and featuring Howard, with whom Smith collaborated on her Grammy-winning 2019 album, Jaime. The song also features poignant solos from saxophonist Shaw, guitarist Williams, and keyboardist Cowherd.
The third song released from the album, "Altitude," is a soaring mid-tempo instrumental featuring Mayo singing gorgeous wordless melodic passages alongside an alluring motif that gives way to sumptuous solos from Jon Cowherd on piano and vibraphonist Ross, before Mayo returns to the spotlight to showcase his lissome virtuosity. A live-in-the-studio performance video of "Altitude" is streaming now on YouTube.
WATCH “SQUARE WHEEL”; LISTEN TO "FLY (FOR MIKE)"; WATCH "ALTITUDE" LIVE IN THE STUDIO
Kinfolk 2 is no throwback – Smith reconciles his teenaged influences with the modern jazz sensibilities that he’s demonstrated with not just his solo material but as a sideman with such jazz titans as guitarist Pat Metheny, bassist Dave Holland, and saxophonists Ravi Coltrane and Chris Potter. Recorded mostly in two band sessions – June 2019 at Sear Sound in New York City and February 2020 at the Bunker Studio in Brooklyn – the album projects a dreamy, cinematic sensibility as the music ebbs and flows from wistful downtempo excursions to rugged hip-hop beats, hypnotic alt-rock leaning tunes to amorous laments. Kinfolk 2 boasts a slightly different lineup for its core ensemble than its predecessor. Saxophonist Jaleel Shaw and bassist Fima Ephron return, while Smith welcomes guitarist Brad Allen Williams and keyboardist Jon Cowherd to the combo.
For nearly two decades, Nate Smith has been a key piece in reinvigorating the international music scene with his visceral, instinctive, and deep-rooted style of drumming. He holds a diverse and ample résumé, including work with esteemed jazz leading lights such as Pat Metheny, Dave Holland, Chris Potter, José James, and Ravi Coltrane, as well as collaborations with Vulfpeck spinoff band The Fearless Flyers, Brittany Howard (of Alabama Shakes), Emily King, and Van Hunt.
The Lumineers have announced the release of their eagerly awaited new album. BRIGHTSIDE arrives Friday, January 14, 2022 via Dualtone in the U.S. & Canada and Decca Records for the rest of the world; pre-orders are available now.
The 2x GRAMMY® Award-nominated band’s fourth studio album, BRIGHTSIDE is heralded by today’s premiere of the vibrant first single and title track, “BRIGHTSIDE,” available now at all DSPs and streaming services; an official visualizer is streaming now at YouTube. The Lumineers will further celebrate today’s announcement with the debut live performance of “BRIGHTSIDE” on tonight’s installment of ABC’s Jimmy Kimmel Live! (check local listings).
“The song ‘BRIGHTSIDE’ was recorded in a single day,” says The Lumineers singer-guitarist and co-founder Wesley Schultz. “It’s like a 15-year-old’s fever dream, an American love story in all its glory and heartbreak. The last couple left, on the run from something and all alone...”
Produced by longtime collaborator Simone Felice and produced, mixed, and engineered by David Baron over two sessions in winter and spring 2021 at Baron’s Sun Mountain Studios in bucolic Boiceville, NY, BRIGHTSIDE marks The Lumineers’ first new music in more than two years as well as the band’s most joyous and spontaneous piece of work thus far. The nine-song collection sees The Lumineers’ co-founders/co-songwriters Wesley Schultz and Jeremiah Fraites performing virtually all of the eclectic, effervescent instrumentation, with Baron on a wide variety of keyboards and backing vocals and more by Simone Felice, touring members Byron Isaacs and Lauren Jacobson, famed backing singer Cindy Mizelle (Bruce Springsteen, Dave Matthews Band), The Felice Brothers’ James Felice, and acclaimed singer-songwriter Diana DeMuth.
The Lumineers have quickly risen to the ranks of the world’s most beloved bands of any genre. Fueled in part by the breakthrough hit single, “Ho Hey,” 2012’s self-titled debut proved an immediate sensation, rising to #2 on the SoundScan/Billboard 200 on its way to 3x RIAA platinum certification in the U.S. and Canada and a prestigious pair of GRAMMY® Award nominations including “Best New Artist.” CLEOPATRA followed in 2016, debuting at #1 on album charts in the U.S., Canada, and the United Kingdom on route to RIAA platinum in the US and 2x platinum certification in Canada. The album’s highlights include the smash single, “Ophelia,” which spent an astounding 13 weeks atop the Triple A radio chart and currently boasts over 610M worldwide streams on Spotify alone. The Lumineers’ third album, the cinematic and inventive III, proved a critical and popular phenomenon upon its September 2019 release, highlighted by such singles as “Life In The City” and “Gloria,” both of which lit up multi-format radio outlets across the country, with “Gloria” topping the charts at Americana, Adult Alternative, and Alternative, including six consecutive weeks at #1 on the latter chart.
Along with their two GRAMMY® Award nominations, the past decade has seen The Lumineers earn a broad array of other honors, including five Billboard Music Awards nominations, and a pair of Americana Music Honors & Awards nominations. Widely hailed for their energetic but intimate live shows, the band have traveled the world on a number of sold-out tours while also performing top-billed sets at such legendary global events as Bonnaroo, Glastonbury, Fuji Rock, Splendour in the Grass, and Osheaga Festival Musique et Arts, to name but a few. The Lumineers recently released the LIVE FROM THE LAST NIGHT OF TOUR EP, recorded at the final sold-out show on their epic III Tour and available now digitally HERE.
Coming off a weekend of three sold-out performances at the iconic Red Rocks Amphitheater, Greensky Bluegrass is thrilled to announce Stress Dreams, the band’s eighth studio album, due out on January 21 via Thirty Tigers.
For the past century, bluegrass music has traditionally relayed real tales of American life, struggle, tragedy, and triumph. It gives a voice to the quiet, yet colorful stories woven into the fabric of the country itself. Greensky Bluegrass live these stories through their records and performances.
When touring ceased in 2020 in the face of the global pandemic, the band hunkered down and compiled demos individually at first, sharing emails and voice notes. In July 2020, they got together for the first time in four months, dedicating rehearsals to the development of the new material. Once circumstances safely permitted, they recorded what would become Stress Dreams during a session in Guilford, VT and two sessions in Asheville, NC with frequent collaborator “and old friend” Dominic John Davis as producer and “wizard engineer” Glenn Brown mixing. They preserved the hallmarks of their sound while widening its expanse.
“Greensky is and always has been very unique in our world,” says Paul Hoffman. “We put our love, energy, and focus into what we appreciate about our music. We come together as a band in a way that’s organic. We take a lot of pride in how we grow and challenge each other too. We’re maturing together. I think we get more Greensky all of the time.”
Since their 2000 formation in Kalamazoo, MI, the quartet—Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [mandolin]—have unassumingly progressed into a phenomenon on their own terms with the undying support of a devout audience. Rolling back and forth across North America on successive tours, they’ve sold out multiple dates at Red Rocks Amphitheatre, the Ryman Auditorium, the Fillmore Detroit, Riviera Theater Chicago, and many more. Beyond standout sets at Bonnaroo, Outside Lands, New Orleans Jazz Festival, Telluride Bluegrass Festival, and Austin City Limits, they co-own and have headlined 4848 Festival and Strings & Sol. During 2019, All For Money marked their second #1 debut on the Billboard Top Bluegrass Albums Chart and third straight Top 3 entry. They’ve also earned critical acclaim from Billboard, Parade, NPR, and Rolling Stone who hailed them as “representing the genre for a whole new generation.”
Tour Dates
Oct 8-9 @ Hillberry Music Festival | Eureka Springs, AR
Oct 28 @ Suwannee Hulaween | Live Oak, FL
Oct 29-30 @ The Ryman | Nashville, TN w/ Lindsay Lou
Nov 11 @ The Observatory | San Diego, CA
Nov 12 @ The Fonda | Los Angeles, CA
Nov 13 @ The Fox | Oakland, CA
Nov 14 @ Crystal Bay | Stateline, NV
Nov 17 @ Midtown Ballroom | Bend, OR
Nov 18 @ Crystal Ballroom | Portland, OR
Nov 19-20 @ The Showbox | Seattle, WA
Nov 26-27 @ Kalamazoo State Theatre | Kalamazoo, MI
Dec 9 - 13 @ Strings & Sol | Puerto Morelos, Mexico
Dec 30-31 @ The Factor | St. Louis, MO
Chicago singer, songwriter, and pianist Neal Francis releases his second song from his soon-to-be-released album. "Alameda Apartments" is available now at all DSPs, and a companion video filmed in the church in which Francis lived as well as wrote and recorded the album is streaming on YouTube. "Alameda Apartments" is the opening song on In Plain Sight, mixed by the Grammy-winning producer Dave Fridmann (The Flaming Lips, Tame Impala, MGMT) and out via ATO Records on November 5. The song makes for a majestic introduction to the album's unveiling of Francis's inner demons.
“I started writing that song maybe six years ago, before I got sober,” Francis says. “I was going through another breakup and getting kicked out of my place, and I had a nightmare about moving into an art-deco apartment that was haunted, where the walls were all shifting around.”
A prime showcase for Francis’s piano work, “Alameda Apartments” simulates that dream state in its untethered melodies, luminous grooves, and lyrics that drift from despair to detached curiosity (e.g., “It remains to be seen if the ghosts are all right”).
“The craziest thing is that I’d never encountered the name ‘Alameda’ at any time in my life prior to that dream,” says Francis. “It’s bizarre that I even remembered it, especially since you don’t dream very often when you’re getting fucked up.”
Last week, Francis shared a live in-studio performance video of In Plain Sight's first single, "Can't Stop The Rain." Recorded at Shirk Studios in Chicago, the clip truly captures Francis' infectious live-show energy which started the word-of-mouth chatter that's growing louder every day.
In Plain Sight was heralded last month with the release of the studio version of “Can’t Stop The Rain,” which features the Grammy-winning guitarist Derek Trucks. The song was premiered on KCRW's Morning Becomes Eclectic and was #1 Most Added at Triple-A and Non-Comm Radio.
9/21: Johnny Brenda’s – Philadelphia, PA
9/22: Brooklyn Bowl – Brooklyn, NY
9/25: Americana Music Fest – Nashville, TN
9/30: Union Craft Brewery – Baltimore, MD
10/1: Tuck Fest – Charlotte, NC
10/2: Parks Fest – Evansville, IN
10/7: Railgarten – Memphis, TN
10/8: The Parish Room at House of Blues – New Orleans, LA
10/15: The Sylvee – Madison, WI *
10/16: 20 Monroe Live – Grand Rapids, MI *
10/20: Lincoln Theatre – Raleigh, NC
10/21: The Blind Tiger – Greensboro, NC
10/22: Purgatory at The Masquerade – Atlanta, GA
10/23: Shaky Knees Festival – Atlanta, GA
10/24: The Charleston Pour House – Charleston, SC
10/27: Bourgie Nights –Wilmington, NC
10/28: The Grey Eagle – Asheville, NC
10/29: Suwannee Hulaween – Live Oak, FL
10/31: Outside Lands – San Francisco, CA
11/4: El Club – Detroit, MI
11/6: Canopy Club – Urbana, IL
11/11: Ballroom at Taft Theatre – Cincinnati, OH
11/12: Kenny’s Westside Pub – Peoria, IL
11/13: The Back Room at Colectivo – Milwaukee, WI
11/18: Old Rock House – St. Louis, MO
11/19: Headliners Music Hall – Louisville, KY
11/20: Hi-Fi – Indianapolis, IN
12/8: Antone’s Nightclub – Austin, TX
12/9: Antone’s Nightclub – Austin, TX
12/10: The Heights Theater – Houston, TX
12/11: Stanley's – Tyler, TX
12/12: The Kessler Theater – Dallas TX
1/5: Teragram Ballroom – Los Angeles, CA
1/8: Doug Fir Lounge – Portland, OR
1/9: The Crocodile – Seattle, WA
1/12: 7th Street Entry – Minneapolis, MN
1/13: High Noon Saloon – Madison, WI
1/14: Thalia Hall - Chicago, IL
1/17-1/21: Wilco’s Sky Blue Sky – Puerto Aventuras, QR
UK & Europe 2022:
1/23: O2 Academy2 Islington - London, UK
1/25: Merleyn - Nijmegen, NL
1/26: Vera - Groningen, NL
1/27: Bitterzoet - Amsterdam, NL
1/28: Metropool - Hengelo, NL
1/29: TivoliVredenburg - Utrecht, NL
1/30: Bird - Rotterdam, NL
1/31: Haldern Pop Bar - Haldern, DE
2/1: Privatclub - Berlin, DE
2/2: Häkken - Hamburg, DE
2/4: New Morning - Paris, FR
2/5: L'Ouvre Boite - Beauvais, FR
2/6: De Zwerver - Leffinge, BE
My Morning Jacket performed "Regularly Scheduled Programming" from their soon-to-be-released self-titled album last night on ABC’s Jimmy Kimmel Live! The performance is streaming now via YouTube.
WATCH “REGULARLY SCHEDULED PROGRAMMING" ON JIMMY KIMMEL LIVE!
"Regularly Scheduled Programming" was the first song the band shared from its ninth studio album, MY MORNING JACKET, last month. Due out on ATO on October 22, it's the first new music since 2015’s GRAMMY® Award-nominated THE WATERFALL. MY MORNING JACKET reaffirms the rarefied magic that’s made My Morning Jacket so beloved, embedding every groove with moments of discovery, revelation, and ecstatic catharsis. Produced and engineered by James over two multi-week sessions at Los Angeles, CA’s 64 Sound, the album came to life after what looked like a permanent hiatus for the band. But after performing four shows in summer 2019 – beginning with two mind-blowing nights at Red Rocks Amphitheatre – My Morning Jacket was overcome with the urge to carry on. That sense of purpose can be heard throughout the thrillingly expansive MY MORNING JACKET, once again revealing the band’s hunger for exploring the most nuanced and layered existential questions in song form while simultaneously harnessing the hypnotic intensity of their legendary live show more fully than ever before.
The announcement of MY MORNING JACKET and premiere of “Regularly Scheduled Programming” was met by high profile media attention and immediate critical applause:
“‘Regularly Scheduled Programming’ starts with a swooning intro but soon settles into a sprightly beat that builds to a rich, chaotic and ultimately cathartic conclusion. The song finds frontman Jim James contending with the trappings of modernity: ‘Programming to drown out how we feel,’ he sings, ‘Fresh fiction, rewriting how we think/Screen time addiction, replacing real life and love/Erasing forgiveness/Bow down to your overlords.’ The song arrives with a music video, directed by James and George Mays, that complements the song’s message.”
– ROLLING STONE
“‘Regularly Scheduled Programming’ finds the band fed up with the internet age and the endless, numbing state of distraction it’s foisted upon us all…the antidote to our increasingly Black Mirror-esque reality.”
– PASTE
“Rather than being a metacommentary on their career path, though, the new single and its video address the ubiquity of screen time—a once-urban concept that’s now bled into the rurality of MMJ’s alt-country sound.”
– FLOOD
On ‘Regularly Scheduled Programming,’ MMJ have returned. Circuiting the more stagnant human state of digital ‘reality,’ the electrified riffs reveal all the virtual vexes of ‘Screen time addiction replacing real life and love/Erasing forgiveness/Bow down to your overloads,’ and is visually marked in the featured video,
co-directed by MMJ vocalist Jim James and George Mays.”
– AMERICAN SONGWRITER
“The six-year wait for a real deal, full-fledged new My Morning Jacket album
is about to end…”
– STEREOGUM
Widely ranked among the greatest live bands of their generation, My Morning Jacket is currently celebrating MY MORNING JACKET on their first US headline tour in six years. The second leg of the tour begins tonight at the Santa Barbara Bowl in Santa Barbara, CA. Highlights still to come include top-billed festival appearances and multi-night-stands at Seattle, WA’s Paramount Theater (October 1-2), Chicago, IL’s Auditorium Theatre (November 4-6), and a strong closeout to 2022 for a New Year’s run at Denver, CO’s Mission Ballroom (December 29-31). Special guests throughout the tour include Durand Jones & The Indications (September 23-October 3), and Bedouine (October 29-November 6). The full itinerary is below.
MY MORNING JACKET
ON TOUR 2021-2022
SEPTEMBER
23 – Santa Barbara, CA – Santa Barbara Bowl *
24 – Dana Point, CA – Ohana Festival
25 – Berkeley, CA – Greek Theatre at UC Berkeley *
28 – Troutdale, OR – McMenamins Edgefield Concerts *
29 – Spokane, WA – Riverfront Park Pavilion *
OCTOBER
1 – Seattle, WA – Paramount Theatre *
2– Seattle, WA – Paramount Theatre *
3 – Bend, OR – Les Schwab Amphitheater *
29 – Birmingham, AL – Alabama Theatre # SOLD OUT
30 – Live Oak, FL – Suwannee Hulaween SOLD OUT
31 – New Orleans, LA – Orpheum Theatre # SOLD OUT
NOVEMBER
2 – St. Louis, MO – Stifel Theater #
4 – Chicago, IL – Auditorium Theatre #
5 – Chicago, IL – Auditorium Theatre # SOLD OUT
6 – Chicago, IL – Auditorium Theatre # SOLD OUT
DECEMBER
29 – Denver, CO – Mission Ballroom
30 – Denver, CO – Mission Ballroom SOLD OUT
31 – Denver, CO – Mission Ballroom SOLD OUT
MARCH 2022
2-5 – Riviera Cancún, Mexico – One Big Holiday
* Special Guests Durand Jones & The Indications
# Special Guest Bedouine
There has been a huge public interest in the return of Richard Ashcroft with his upcoming acoustic shows. All three London dates have sold-out long in advance, while his arena show in Liverpool will be one of the biggest solo shows of his career. Anticipation for the shows was further fuelled with the announcement that Ashcroft will release Acoustic Hymns Vol. 1 on October 29th. An album featuring new stripped-back versions of some of his classic songs, Acoustic Hymns Vol. 1 was launched with interviews on Radio X and 6 Music.
Now Richard Ashcroft builds momentum ahead of the album’s release by sharing the new acoustic version of "This Thing Called Life." After starting the album campaign with the iconic "Bittersweet Symphony," this new single puts a fresh perspective on one of the most underrated songs from his back catalogue.
"This Thing Called Life" is a totally reworked version of a song that was originally recorded with No I.D. for the RPA & The United Nations Of Sound project in 2010. By stripping away the punchy, hip-hop flavoured beats and funk guitar embellishments in the flavour of an organic, full-band sound, "This Thing Called Life" now feels like a classic addition to his songbook. Between the sweeping gospel-tinged backing harmonies and the richer, more mature timbre of his voice, "This Thing Called Life" is ripe for rediscovery. Lyrically it’s perfectly primed for 2021, a plea for living in the moment and embracing whatever challenges life throws at you.
The nostalgic element of the song is further explored in its accompanying official video. It shows Richard returning to Olympic Studios, a location that’s particularly poignant for him as so many key songs from his back catalogue were recorded there before its studio facilities closed in 2009. The cinema screen shows a montage of footage from Richard’s personal archive, covering his career and his family life, dating the way back to childhood. Those clips are interspersed with a typically charismatic performance of the song, which was recently filmed at Richmond Theatre.
Other highlights on Acoustic Hymns Vol. 1 include "Bittersweet Symphony," which is significant as the acoustic version was the catalyst that led to Mick Jagger and Keith Richards returning the songwriting credit to Richard, and "C’Mon People (We’re Making It Now)" which features Liam Gallagher. The song has been a favourite of both artists since Richard first played it to Liam on piano in Majorca in 1998.
Produced by Richard with Chris Potter, Acoustic Hymns Vol. 1 features his regular live band boosted by some special collaborators. Wil Malone provides the string arrangements, which were recorded at Abbey Road Studios. In addition, Chuck Leavell performs piano, Roddy Bloomfield leads the brass section, and Steve Wyreman contributes further acoustic guitar and backing vocal arrangements
Acoustic Hymns Vol. 1 is available to pre-order here. A yellow double-vinyl version is available exclusively from Richard’s official store, and is packaged with a flexi-disc (the only physical format) of his single "Bring On The Lucie (FREDAPEEPLE)."
TOUR DATES
OCTOBER
16th - London, Palladium (SOLD OUT)
17th - London, Palladium (SOLD OUT)
29th - Liverpool, M&S Bank Arena
NOVEMBER
1st - London, Royal Albert Hall
Richard Ashcroft is a two-time Ivor Novello winner (Songwriter of the Year in 1998 and Outstanding Contribution to British Music in 2019) who has released five Top 5 solo albums, including the #1 debut "Alone With Everybody." He first came to attention with The Verve, with whom he released one of the biggest albums of the era in the shape of Urban Hymns, as well as a succession of anthems which remain staples of his live set today, including "The Drugs, Don’t Work," "Bittersweet Symphony," "Lucky Man" and "Sonnet."
Last month, Villagers released their fifth album Fever Dreams; a paean to human connection, the transporting and hypnotic record hit the Top 20 in the UK charts and garnered praise from across the board. Villagers’ Conor O’Brien saw Fever Dreams as a way of bringing the real and the surreal together.
Ahead of Villagers’ UK & Irish tour next month, O’ Brien is happy to share a very special new video for “Circles In The Firing Line”. The 6-and-a-half-minute track is the perfect showcase of the music found on Fever Dreams, songs that twist and turn with the magical ambivalence of dreams. The accompanying video for “Circles In The Firing Line” is an animated odyssey that nods to surrealistic collage and retro computer games before dissolving into a more liminal, abstract space. It is at once playful whilst filled with a sense of foreboding.
On “Circles In The Firing Line” Conor says: “I like Keats’ concept of ‘negative capability’ which he defines as ‘when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason’. This is a song about when our negative capability fails us. I think the internet has a lot to answer for.”
The video director, Rosie Barrett, says: “It was such a joy to team up with Conor again for this brilliant song. From the very first listen, I felt this piece really needed to live in another world, and that's what we set out to do. Starting with a green screen process shot by the superb cinematographer, Albert Hooi, while also working together with Conor on themes for this dystopian world of doom was a really interesting and fun process.
“For the build, I had the pleasure of working collaboratively with the immensely talented motion designer Cian McKenna on the amazing visual world, accompanied by beautiful animation inside Conor's brain by the brilliant ‘Eat the Danger,’ while also having great fun bringing in my own design collage elements made by hand too.”
Watch Villagers’ recent five-song session for KEXP here.
Watch Villagers’ CBS Saturday Session for “So Simpatico” here.
2021 live dates
October 7 – Vicar Street, Dublin
October 12 – SWG3, Glasgow
October 13 – Rescue Rooms, Nottingham
October 15 – Albert Hall, Manchester
October 16 – SWX, Bristol
October 17 – Junction, Cambridge
October 18 – The Glee Club, Birmingham
October 20 – Chalk, Brighton
October 21 – Roundhouse, London
November 2 – Opera House, Cork
November 3 – Set Theatre, Kilkenny – SOLD OUT
November 4 – Dolans Warehouse, Limerick – SOLD OUT
November 5 – Black Box, Galway – SOLD OUT
November 7 – Empire Music Hall, Belfast – SOLD OUT
December 11 – Vicar Street, Dublin – SOLD OUT
December 12 – Vicar Street, Dublin – SOLD OUT
December 13 – Vicar Street, Dublin
2022 live dates
January 9 – Burgerweehuis, Deventer, NL
January 10 – Trix Zaal, Antwerp, BE
January 11 – La Gaîte Lyrique, Paris, FR
January 12 – Lantaren Venster, Rotterdam, NL
January 14 – Paradiso Noord, Amsterdam, NL
January 15 – Doornroosje, Nijmegen, NL
January 16 – Muziekgieterij, Maastricht, NL
January 18 – Fabrik, Hamburg, DE
January 19 – Metropol, Berlin, DE
January 21 – Technikum, Munich, DE
January 22 – Bogen F, Zurich, CH
The Lumineers share the first video for the title track of their upcoming album BRIGHTSIDE which is set to arrive Friday, January 14, 2022 via Dualtone in the U.S. & Canada and Decca Records for the rest of the world; pre-orders are available now.
The poignant video, directed by noted documentarian filmmaker Kyle Thrash, explores love and relationships through real people of different ages, ethnicity, and orientations. The band appears in the video, performing at a dance in an American Legion Hall.
“The ‘BRIGHTSIDE’ music video is like a documentary of the American love story,’ says the band’s Wesley Schultz, “It features all real people – none of the people that appear in it are actors.”
Released last Monday, the song “BRIGHTSIDE” is quickly making an impact with well over two million streams and is the #1 most added song on the Alternative radio this past The album BRIGHTSIDE was produced by longtime collaborator Simone Felice and produced, mixed, and engineered by David Baron over two sessions in winter and spring 2021 at Sun Mountain Studios in bucolic Boiceville, NY. BRIGHTSIDE marks The Lumineers’ first new music in more than two years as well as the band’s most joyous and spontaneous piece of work thus far. The nine-song collection sees The Lumineers’ co-founders/co-songwriters Wesley Schultz and Jeremiah Fraites performing virtually all of the eclectic, effervescent instrumentation, with Baron on a wide variety of keyboards and backing vocals and more by Simone Felice, touring members Byron Isaacs and Lauren Jacobson, famed backing singer Cindy Mizelle (Bruce Springsteen, Dave Matthews Band), The Felice Brothers’ James Felice, and acclaimed singer-songwriter Diana DeMuth.
Guitar legend Joe Bonamassa today reveals his stunningly sweeping new single, "Time Clocks." This is the third song taken from his forthcoming brand-new studio album of the same name, released on October 29 via Provogue (Europe) and J&R Adventures (North America).
Joe continues his soul-searching evolution on this beautifully poignant Bonamassa-Shirley penned song. At just over seven minutes long, it has all the epic musical grandeur of him at his most expressive and ambitious. With a heart on sleeve narrative weaving its way throughout, the rousing chorus rises to the heavens as he sings, "and the rain soaking through my coat, about to capsize my boat I push it along away from the docks, I was never a good puncher of time clocks." Backed with cascading vocals from Juanita Tippins and Prinnie Stevens, as well as the supreme musicianship of Anton Fig (Drums), Steve Mackey (Bass), Lachy Doley (Piano/Organ) and Kevin Shirley (Percussion), it has an aura of pure timelessness.
The album was recorded in New York City and took Joe back to his early roots and rediscovers him at a newfound peak with an unparalleled Blues Rock prowess. Known as the man in the suit, loved by many as the ultimate guitar hero, and cited by critics as "the world's biggest blues guitarist" (Guitar World), somehow the music mastermind has found yet another layer of immense new artistry to share with his fans. Recently Bonamassa dropped hints of the new album with his reeling anthem "Notches", and the Blues heavy single "The Heart That Never Waits", another instant classic that takes a tale of heartbreak and turns it around into an undeniable showstopper meant for the stadiums
It’s Joe Bonamassa at his finest, ready to rock. “What started out with the intentions of being a trio record turned into probably my most adventurous and involved record to date,” explains Bonamassa. His longtime producer Kevin Shirley adds, “I think Joe Bonamassa has made an album that is truly transitional. From a blues musician to a superstar artist, [and] I’m so thrilled to be along for the ride.” Joe and Kevin brought on the legendary Bob Clearmountain to mix the epic tracks, and Bob declares that “This is one of the best albums I've mixed in years. Joe is not only one of the finest blues & rock guitarists of our time, he's also a brilliant songwriter, [which is] impressively apparent on this record.”
The new album is a collection that sheds new light on Joe's life as a journeyman, constantly creating and always on the run. As "Notches" and "The Heart That Never Waits" would suggest, this album shows that even though Joe chose the road less traveled, it's led him to success in the end. And he's not backing down any time soon. A bit older in years but wiser in knowledge earned, his new sound has a raw and vital flavor, combined with a resolute skill that can only be gained through years of perseverance and unyielding dedication. 'Time Clocks' follows Joe on his never-ceasing evolution as he continues to forge ahead, bending genres, breaking down walls and defying the odds of the music industry.
For the new studio album, Bonamassa hit the studio with longtime collaborators Kevin Shirley as producer and manager/business partner Roy Weisman as executive producer. Recorded in New York City at Germano Studios/The Hit Factory, the band includes Steve Mackey (bass), Lachy Doley (piano), Bunna Lawrie (didgeridoo), Bobby Summerfield (percussion), and Late Night with David Letterman's Anton Fig (drums and percussion), along with Mahalia Barnes, Juanita Tippins, and Prinnie Stevens on backing vocals. The album was mixed by Bob Clearmountain (Bruce Springsteen, The Rolling Stones, Toto, Bon Jovi), and the fantastic artwork on this album was created by famous graphic artist Hugh Syme (Rush, Aerosmith, Whitesnake).
"Time Clocks" is a song that has all the hallmarks of a sure-fire fan-favorite hit. As the world begins to open up and Joe the showman, Joe the entertainer, takes his place on this rightful home on the stage, you can already picture thousands of fans singing back the stirring chorus.
In releasing new music destined for the loudspeakers, Joe is elated to get back to the stage. Recently completing a summer tour, he'll be back on tour for the fall season with shows across the rest of the country before taking the stage at sea for his sold-out Keeping The Blues Alive At Sea VII cruise, sailing from Miami, FL to Ocho Rios, Jamaica on February 21-25, 2022, by way of the Norwegian Pearl. Joe will also be touring the US and Europe in Spring 2022. For tickets and full tour dates, visit https://jbonamassa.com/tour-dates/.
For everything Joe Bonamassa, visit his website at jbonamassa.com.
Noah Gundersen’s fifth solo LP and first new album in more than two years, A Pillar of Salt is heralded by today’s live version of the latest single, “Sleepless In Seattle,” available now at all digital platforms HERE. A Pillar of Salt arrives via Cooking Vinyl on Friday, October 8; pre-orders are available now HERE.
“I moved to Seattle in 2009,” Gundersen says a small-town kid, just 20 years old. I lived out of my sleeping bag in garages, under tables, on couches, until finally moving into a place in the Queen Anne neighborhood with some friends. There was a feeling that anything was possible. Over time, like all things, the city changed. The few bands that ‘made it’ moved away, while the less fortunate gracefully bowed out when the insurmountable odds finally stacked too high. Tech companies moved in and priced out the artists. The culture of the place I fell in love with slowly disappeared. When Covid hit in early 2020, all the bars closed and I finally realized my time there was over. So I packed up and left. And yet, like Lot’s wife, I can’t help looking back, the voice in my head taunting me with Springsteen’s ‘Glory Days.’ I loved Seattle. I miss it. Or I guess I miss the memory of it.
LISTEN TO THE LIVE VERSION OF “SLEEPLESS IN SEATTLE”
Gundersen will celebrate the arrival of A Pillar of Salt with a solo headline tour, getting underway October 9 and 10 with a two-night residency at The Soiled Dove Underground in Denver, CO; two- and three-night stands continue across the US through mid-December. Much of the tour is already sold out, including multiple shows in Decatur, GA, New York City, and Nashville. For complete details and remaining ticket availability, please visit www.noahgundersen.com.
AN EVENING WITH NOAH GUNDERSEN
US TOUR 2021
OCTOBER
9 – Denver, CO – The Soiled Dove Underground
10 – Denver, CO – The Soiled Dove Underground
14 – Decatur, GA – Eddie’s Attic – SOLD OUT
15 – Decatur, GA – Eddie’s Attic – SOLD OUT
16 – Decatur, GA – Eddie’s Attic – SOLD OUT
22 – New York, NY – Rockwood Music Hall – SOLD OUT
23 – New York, NY – Rockwood Music Hall – SOLD OUT
NOVEMBER
5 – Fort Worth, TX – Tulips
6 – Fort Worth, TX – Tulips
18 – Austin, TX – 3TEN ACL Live
19 – Austin, TX – 3TEN ACL Live
DECEMBER
8 – Nashville, TN – The High Watt
9 – Nashville, TN – The High Watt – SOLD OUT
10 – Nashville, TN – The High Watt – SOLD OUT
11 – Evanston IL – SPACE
12 – Evanston IL – SPACE
Two time-Grammy nominee, 24x Billboard chart-topper, and Blues-Rock star Joe Bonamassa announced a run of shows for Spring of 2022. The 24-date tour across the U.S., is in support of his highly anticipated upcoming album Time Clocks which is set to be released on October 29. The dates which begin February 15, in Orlando, FL, also features the return of his sold-out Keeping The Blues Alive at Sea cruise from February 21-25, and ends in Washington, DC on March 21, 2022.
Joe Bonamassa’s fan Pre-sale starts today and the public on-sale will start on Friday a 10am Local venue time. Tickets to Bonamassa’s Spring 2022 U.S. tour and tickets to his current 2021 Fall tour are available at http://joeb.me/JB-Tickets.
Bonamassa, a virtuoso on guitar is backed by a stellar band of some of the top musicians around. Hailed internationally as one of the greatest guitar players of his generation and cited by Guitar World Magazine as “the world's biggest blues guitarist,” Bonamassa has almost single-handedly redefined the blues-rock genre and brought it into the mainstream. On tour, he will perform brand new songs from Time Clocks and Royal Tea alongside career-spanning fan favorites with his incredible all-star band.
Time Clocks due out October 29, is a testament to his credentials and a toast to his longtime fans. His new sound has a raw and vital flavor, combined with a resolute skill that can only be gained through years of perseverance and unyielding dedication. It’s Joe Bonamassa at his finest, ready to rock. “What started out with the intentions of being a trio record turned into probably my most adventurous and involved record to date,” explains Bonamassa. His longtime producer Kevin Shirley adds, “I think Joe Bonamassa has made an album that is truly transitional. From a blues musician to a superstar artist, [and] I’m so thrilled to be along for the ride.” Joe and Kevin brought on the legendary Bob Clearmountain to mix the epic tracks, and Bob declares that “This is one of the best albums I've mixed in years. Joe is not only one of the finest blues & rock guitarists of our time, he's also a brilliant songwriter, [which is] impressively apparent on this record.”
Recorded in New York City, the album rediscovers Bonamassa at a newfound peak with heartfelt songwriting and an unparalleled Blues Rock prowess. The album was created with longtime collaborators Kevin Shirley as producer and manager/business partner Roy Weisman as executive producer. Recorded in New York City at Germano Studios/The Hit Factory, the album was mixed by the legendary Bob Clearmountain (Bruce Springsteen, The Rolling Stones, Toto, Bon Jovi). The band members include Steve Mackey (bass), Lachy Doley (piano), Bunna Lawrie (didgeridoo), Bobby Summerfield (percussion), and Late Night with David Letterman’s Anton Fig (drums and percussion), along with Mahalia Barnes, Juanita Tippins, and Prinnie Stevenson backing vocals. The fantastic artwork on the album was created by famous graphic artist Hugh Syme (Rush, Aerosmith, Whitesnake). ‘Time Clocks’ will be available on CD, VINYL, and Digital and released on Bonamassa’s own record label, J&R Adventures.
The Office of Nightlife (ONL) at the Mayor’s Office of Media and Entertainment (MOME) and the Mayor’s Office of Community Mental Health (MOCMH), in partnership with Backline Care, announce the launch of Elevate: Nightlife Mental Health Initiative. Through the new partnership, members of NYC’s nightlife community – including restaurant workers, performers, and hospitality business operators – can join free weekly online support groups to address trauma and stress in the nightlife industry. They also have the opportunity to work one-on-one with a case manager to create a personalized mental health plan, and access additional resources and training.
The COVID-19 pandemic has had a profound effect on the livelihood and wellbeing of NYC nightlife workers, many of whom have experienced sudden unemployment, loss of income and community, exposure to illness, and grief. Elevate: Nightlife Mental Health Initiative seeks to address the collective trauma that has developed in an industry that remains on the frontlines of the city’s re-opening and recovery.
“The Office of Nightlife is extremely happy to launch Elevate: Nightlife Mental Health Initiative with our partners at the Mayor’s Office of Community Mental Health and Backline Care,’ said Ariel Palitz, Senior Executive Director at the Office of Nightlife. “This is a critically important resource as we are on the road back to recovery. While there has always been a great need for mental health support for the nightlife community, it has only been amplified now throughout this most difficult year.”
"As New Yorkers in the nightlife industry help our city recover, many are dealing with the stress, anxiety, loss and instability brought on by COVID-19," said Susan Herman, Director of the Mayor’s Office of Community Mental Health. "That's why we are proud to partner with the Office of Nightlife and Backline Care to bring mental health support to New York City's nightlife community through online support groups.”
A significant component of the initiative are free online weekly support groups (Mondays at 4:00pm ET) to address trauma and stress in the nightlife industry. Led by a licensed therapist, and run by Backline, a national nonprofit organization that provides mental health and wellness resources to the music and nightlife industries, these virtual meetings serve as safe spaces for nightlife workers to come together, share their experiences and talk about what it means to work in the industry today. Past support group participants list multiple benefits of the offering, including gained perspective, stress reduction and healing through shared experiences. To sign up for the weekly support group, please visit https://backline.care/nyc-nightlife-support-group/.
Additionally, the Office of Nightlife will host a Suicide Detection Webinar to bring awareness to and provide resources for personal and workforce bystander training for depression and suicide detection, all additional topics covered under the Elevate harm reduction umbrella. This webinar will be held Wednesday, September 29th with the American Foundation for Suicide Prevention, during Suicide Prevention Awareness Month.
"We are so honored to be called upon to serve the New York City Nightlife community, and to have the opportunity to expand our services to where they're needed most,” said Hilary Gleason, Executive Director of Backline. “By providing group and individual support to individuals in need, we can create a healthier and happier community for the music and nightlife community.”
“Covid accelerated and amplified the toll that the nightlife industry takes on its workers and spotlighted the fact that this issue has been swept under the rug for too long,” said Anya Sapozhnikova, Co-founder and Creative Director at House of Yes. “Backline is a massive step in the right direction, not just by providing much needed resources, but by highlighting the urgent necessity of mental health care in our industry.”
“We cannot express enough our gratitude to the Office of Nightlife for working so hard to create this much-needed resource for our community,” said Diana Mora, Owner, Friends + Lovers; Co-founder, NYC Nightlife United. “As an industry, the nightlife sector was one of the hardest hit and now our staff along with other members of the ecosystem have the tools to cope and build the resilience they need to succeed. NYC nightlife is vital to the revitalization of our communities and economy, if we don't take care of the people who run nightlife then we don't have a way forward.”
“The Elevate nightlife mental health initiative is so important for all night life people to process and connect to services and support,” said Mizael Mickey Ramos, Promoter. “I found it extremely helpful to have an outlet to discuss mental health and to bring back to my peers that are navigating social events in NYC.”
“The last eighteen months have been unimaginable for millions of New Yorkers grappling with the long-term consequences of the COVID-19 pandemic. As a city, we rallied together to respond and recover simultaneously from the ongoing threat to public health and small businesses. The interagency partnership behind the Elevate: Nightlife Mental Health Initiative reflects our deepening commitment to connect all New Yorkers in professions that are often overlooked with the support needed to better cope with trauma, lead more balanced lives, without compromising their livelihoods,” said Council Member Farah N. Louis, Chair of the Committee on Mental Health, Disabilities, and Addictions.
In addition to the free weekly support groups, specific resources available at on.nyc.gov/elevatementalhealth as part of this initiative include:
Free one-on-one case management support to create a personalized mental health plan specifically catered to one’s needs, location, and financial resources.
Access to the Elevate Nightlife Mental Health Forum, featuring presentations from the Office of Nightlife, NYC Nightlife United, House of Yes and Backline and training from the Mayor’s Office of Community Mental Health.
A downloadable mental health resource guide, specifically tailored to those in the nightlife industry.
Audacy, in partnership with Osiris Media, announces BREAKING WAVES, a podcast series that centers around stories and anecdotes revisited by bands, Audacy talent, stations, and friends who watched, lived and defined a particular music scene or movement. The series will begin on Tuesday, October 12, everywhere podcasts are available. New episodes will be available Sundays exclusively on the Audacy app.
Season one will launch with BREAKING WAVES: SEATTLE, an oral history of the emergence and growth of grunge and alternative music in the city in the 80’s and 90’s –celebrating the 30th anniversary of the birth of the Seattle grunge scene. It will follow the chronological journey of the evolution of grunge and the bands that started it all – Alice in Chains, Nirvana, Soundgarden, and Pearl Jam.
“We are so excited to introduce the ‘Breaking Waves’ podcast series to our audience,” said Dave Richards, Senior Vice President, Programming, Audacy. “This music was such a defining genre in the history book of American culture and set the stage for so many bands that followed. We’re thrilled to bring the genuine storytelling from the people who created and lived the scene - from its start in the 80’s into the groundbreaking 90’s, to now. This is the first of many podcasts that will give our audience the story of a time and place, that went from local to worldwide.
"So many music scenes have their roots in radio, and the grunge scene in Seattle is no different,” said RJ Bee, Chief Executive Officer, Osiris Media. “We're thrilled to partner with Audacy to share the history of grunge in a way that nobody has heard it before — with insightful interviews, lots of music, and a story that shines a light on this amazing city."
Acoustic guitar pioneer Leo Kottke and Phish bassist Mike Gordon have announced plans for an eagerly awaited series of live dates. The brief tour – which marks the duo’s first live run together in more than 16 years – begins December 8 at Munhall, PA’s Carnegie of Homestead Music Hall and continues through late December. Ticket pre-sales begin today at select venues; general on-sales for all dates get underway this Friday, October 8.
LEO KOTTKE & MIKE GORDON
DECEMBER 2021
8 – Munhall, PA – Carnegie of Homestead Music Hall
9 – Washington, DC – Sixth & I
10 – Tarrytown, NY – Tarrytown Music Hall
12 – Beverly, MA – The Cabot
13 – Lebanon, NH – Lebanon Opera House *
15 – Troy, NY – Troy Savings Bank Music Hall
16 – Norwalk, CT – Wall Street Theater
17 – York, PA – Appell Center for the Performing Arts
19 – Plattsburgh, NY – Strand Center for the Arts
All Dates On Sale Friday, October 8 @ 10 am ET
Except * On Sale Friday, October 8 @ 12 pm ET
(Covid-19 protocols such as proof of full vaccination or negative test will be required.
Please see venue website for exact details as protocols may vary from show to show.)
The upcoming tour celebrates last year’s release of the first new Kottke/Gordon album in 15 years, NOON, hailed by Rolling Stone as “full of lilting grooves that go on wild musical tangents.” NOON is available via ATO records on CD, Digital Download, and Limited Edition Red/Gold Split Colored Vinyl HERE.
A 4-song mini set premieres today on YouTube, including performances of the Kottke-penned “Sheets” and Gordon’s song “How Many People Are You” both from NOON, the latter of which features Phish drummer Jon Fishman. The set is rounded out with the Kottke classic “Rings”, which was released with Gordon on 2005’s SIXTY SIX STEPS, and “Disco”, from the duo’s 2002 release, CLONE.
WATCH 4-SONG SET
Intricate, warmly askew, and indelibly dexterous, NOON showcased 11 new tracks, several of which were performed on The Late Show with Stephen Colbert and NPR’s Tiny Desk. The album – which marks Kottke’s first studio record since his previous collaboration with Gordon, 2005’s SIXTY SIX STEPS – was recorded in New Orleans and Vermont, with music exchanged between the two artists by file, tape-sealed boombox, sheet music, and face-to-face. Working with longtime Gordon collaborator, producer/engineer Jared Slomoff, Kottke and Gordon crafted a singular collection of improvisational mood music, including a stripped-back version of Gordon’s classic “Peel” and Kottke’s stark rethinking of the Byrds’ “Eight Miles High.” NOON further includes a bopping cover of Prince’s “Alphabet St.” featuring Phish drummer Jon Fishman, who also joins Kottke and Gordon on four additional tracks. In addition, the LP includes nearly ambient appearances by pedal steel player Brett Lanier (The Barr Brothers) and cellist Zoë Keating (Imogen Heap, Amanda Palmer, Tears For Fears).
Today, the forward-thinking Americana/alt-bluegrass torch bearers Greensky Bluegrass have shared “Monument,” the first sampling from Stress Dreams, the band’s eighth studio album, due out on January 21 via Thirty Tigers.
“I enlisted the help of my buddy Chris Gelbuda to help turn a bunch of ideas that I had had into my first lyrical venture for Greensky,” says Anders Beck. “This song is essentially about what it was like to have my life, career, and world slammed to a halt by the Covid-19 pandemic. It was really emotionally shocking to have everything we've worked for and built ripped out of our hands almost overnight. With all of that in mind, we decided that the musical vibe of the song should take on the air of the first song that we would want to play when we get back on stage in front of thousands of people dancing and partying in a field at a festival... I think we got pretty close!”
Since their 2000 formation in Kalamazoo, MI, the quartet—Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [mandolin]—have unassumingly progressed into a phenomenon on their own terms with the undying support of a devout audience. Rolling back and forth across North America on successive tours, they’ve sold out multiple dates at Red Rocks Amphitheatre, the Ryman Auditorium, the Fillmore Detroit, Riviera Theater Chicago, and many more. Beyond standout sets at Bonnaroo, Outside Lands, New Orleans Jazz Festival, Telluride Bluegrass Festival, and Austin City Limits, they co-own and have headlined 4848 Festival and Strings & Sol. During 2019, All For Money marked their second #1 debut on the Billboard Top Bluegrass Albums Chart and third straight Top 3 entry. They’ve also earned critical acclaim from Billboard, Parade, NPR, and Rolling Stone who hailed them as “representing the genre for a whole new generation.”
For the past century, bluegrass music has traditionally relayed real tales of American life, struggle, tragedy, and triumph. It gives a voice to the quiet, yet colorful stories woven into the fabric of the country itself. Greensky Bluegrass live these stories through their records and performances.
When touring ceased in 2020 in the face of the global pandemic, the band hunkered down and compiled demos individually at first, sharing emails and voice notes. In July 2020, they got together for the first time in four months, dedicating rehearsals to the development of the new material. Once circumstances safely permitted, they recorded what would become Stress Dreams during a session in Guilford, VT and two sessions in Asheville, NC with frequent collaborator “and old friend” Dominic John Davis as producer and “wizard engineer” Glenn Brown mixing. They preserved the hallmarks of their sound while widening its expanse.
“Greensky is and always has been very unique in our world,” says Paul Hoffman. “We put our love, energy, and focus into what we appreciate about our music. We come together as a band in a way that’s organic. We take a lot of pride in how we grow and challenge each other too. We’re maturing together. I think we get more Greensky all of the time.”
Tour Dates
Oct 8-9 @ Hillberry Music Festival | Eureka Springs, AR
Oct 28 @ Suwannee Hulaween | Live Oak, FL
Oct 29-30 @ The Ryman | Nashville, TN w/ Lindsay Lou
Nov 11 @ The Observatory | San Diego, CA
Nov 12 @ The Fonda | Los Angeles, CA
Nov 13 @ The Fox | Oakland, CA
Nov 14 @ Crystal Bay | Stateline, NV
Nov 17 @ Midtown Ballroom | Bend, OR
Nov 18 @ Crystal Ballroom | Portland, OR
Nov 19-20 @ The Showbox | Seattle, WA
Nov 26-27 @ Kalamazoo State Theatre | Kalamazoo, MI
Dec 9 - 13 @ Strings & Sol | Puerto Morelos, Mexico
Dec 30-31 @ The Factor | St. Louis, MO
Today, Kitchen Dwellers share their new song “Stand At Ease.” In collaboration with Backline, and in time for World Mental Health Day, October 10. No matter how silent the struggle with mental health may seem, its effects loom as loudly as an earthquake throughout the music industry. Without prejudice, even heroes sometimes succumb to its throes.
Kitchen Dwellers decided not to stay silent on their 2021 single “Stand At Ease.” Following the tragic suicides of a personal hero and close collaborator, the Bozeman, MT quartet—Shawn Swain [Mandolin], Torrin Daniels [banjo], Joe Funk [upright bass], and Max Davies [acoustic guitar]—composed the tune in an effort to not only heal, but remind anyone struggling, “You’re not alone.”
“The main thing we want to do is raise awareness and create engagement with people who are struggling, but also encourage those who aren’t struggling to support the community,” says Funk. “It’s a big issue in the music industry. Road life escalates any mental health issue present in someone’s life, so we’re trying to talk about it.”
“Stand At Ease” took shape over the next year, and the guys recorded it during the 2021 sessions for their third full-length album, in Minneapolis with producer Cory Wong of Vulfpeck. It addresses suicide head-on with the hook, “I can’t stand to see what you’ve done to be free,” as banjo and piano entwine in a somber serenade.
“Initially, I wanted to write it from the perspective of kids who lost their parents to suicide,” he elaborates. “It’s a reminder there are people who love you and you probably have no idea. The song portrays you’re not alone. You can reach out. Personally, it’s the song I’m most proud of. I really want it to do good in the world.”
By partnering with Backline, it will invariably do just that. “Whether you’re struggling with depression, anxiety, or substance abuse, maybe the song can trigger a happy thought or urge you to reach out to a friend, organization, or even lift yourself up,” he leaves off. “Maybe we can uplift even one person with this.”
Kitchen Dwellers on Tour:
Oct 8 @ High Noon Saloon | Madison, WI
Oct 9 @ Martyrs’ | Chicago, IL
Oct 14 @ The Charleston Pour House | Charleston, SC
Oct 15 @ Smith’s Olde Bar | Atlanta, GA
Oct 16 @ The High Watt | Nashville, TN
Oct 21 @ Salvage Station | Asheville, NC
Oct 22 @ The Music Yard at SouthBound | Charlotte, NC
Oct 23 @ Pour House | Raleigh, NC
Oct 26 @ 8x10 | Baltimore, MD
Oct 27 @ World Cafe | Philadelphia, PA
Oct 28 @ Brooklyn Bowl | Brooklyn, NY
Oct 29 @ The Hollow Bar + Kitchen | Albany, NY
Oct 30 @ Electric Haze | Worcester, MA
Oct 31 @ Brooklyn Bowl Las Vegas | Las Vegas, NV
11/3 @ The Press Room | Portsmouth, NH
11/4 @ Higher Ground | South Burlington, VT
11/5 @ Brighton Music Hall | Boston, MA
11/6 @ Portland House of Music and Events | Portland, ME
11/7 @ Bank of NH Stage | Concord, NH
12/10 @ Knotty Pine | Victor, ID
12/11 @ The Depot | Salt Lake City, UT
12/30 @ Elm | Bozeman, MT
12/31 @ Elm | Bozeman, MT
Chicago-based singer-songwriter-pianist Neal Francis has shared a stirring live performance of his new single, “Alameda Apartments.” Filmed at SHIRK Studios in Chicago, IL with backing from Francis’s crack touring band, “Alameda Apartments [Live]” premieres today at YouTube.
The original studio version of “Alameda Apartments” arrived last month alongside an official companion video – filmed on VHS in the church where Francis lived, wrote, and recorded his eagerly anticipated new album. “Alameda Apartments” precedes Francis’s upcoming second LP, In Plain Sight, mixed by GRAMMY® Award winner Dave Fridmann (The Flaming Lips, Tame Impala, MGMT) and due via ATO Records on vinyl, CD, and digital formats on Friday, November 5. Pre-orders are available now. In addition, a brand new range of limited edition In Plain Sight merch – including signed cherry red vinyl, signed CDs, signed posters, t-shirts, button bundles, and more.
“I started writing ‘Alameda Apartments’ maybe six years ago, before I got sober,” Francis says. “I was going through another breakup and getting kicked out of my place, and I had a nightmare about moving into an art-deco apartment that was haunted, where the walls were all shifting around. The craziest thing is that I’d never encountered the name ‘Alameda’ at any time in my life prior to that dream. It’s bizarre that I even remembered it, especially since you don’t dream very often when you’re getting fucked up.”
In Plain Sight was first heralded this summer with the lead single, “Can’t Stop The Rain,” featuring GRAMMY® Award-winning guitarist Derek Trucks and hailed in its world premiere on KCRW’s Morning Becomes Eclectic as “an invigorating heat wave banger… hits with an unapologetically joyful, electric feel that makes for just the jolt to the system we needed.” The track – which quickly ascended to #1 Most Added at Triple A and Non-Commercial Radio outlets nationwide – is joined by an official music video, streaming now; an electrifying live version, filmed at Chicago’s SHIRK Studios and showcasing Francis and his band’s infectious on-stage energy, can be viewed now as well.
WATCH “CAN’T STOP THE RAIN (OFFICIAL LIVE SESSION)”
After returning home from touring on the back of his widely lauded 2019 debut album, Changes, Neal Francis went through a painful breakup and found himself living in a possibly haunted church where he ended up writing a series of inspired new songs exploring honesty and resilience. Working once again with producer Sergio Rios (a guitarist/engineer known for his work with CeeLo Green and Alicia Keys), Francis and his bandmates recorded In Plain Sight entirely on tape – mostly in that same church – and the resulting songs are dreamlike and reflective, anchored in the analog rock and soul sound that has seen him hailed by PopMatters for “(embodying) the spirit of classic New Orleans artists such as Dr. John, the Meters, Allen Toussaint as well as the deep and mysterious roots music of Leon Russell.”
“I’m owning up to all my problems within my relationships and my sobriety,” Francis says. “So much of it is about coming to the understanding that I continue to suffer because of those problems. It’s about acknowledging that and putting it out in the open in order to mitigate the suffering and try to work on it, instead of trying to hide everything.”
Francis is currently celebrating In Plain Sight with a truly epic North American tour, highlighted by headline dates, shows supporting Black Pumas and My Morning Jacket, and festival appearances including Atlanta, GA’s Shaky Knees (Saturday, October 23), Live Oak, FL’s Suwannee Hulaween (Friday, October 29), San Francisco, CA’s Outside Lands (Sunday, October 31), and Wilco’s sold out Sky Blue Sky, a curated concert vacation set for January 17-21, 2022 at Mexico’s Hard Rock Hotel Riviera Maya. From there, Francis will cross the Atlantic for a much anticipated European/UK tour, making stops in London, the Netherlands, Germany, France, and Belgium in early 2022. Additional dates will be announced. For complete details and ticket availability, please visit www.nealfrancis.com/tour.
NEAL FRANCIS
ON TOUR 2021-2022
OCTOBER
7 – Memphis, TN – Railgarten
8 – New Orleans, LA – The Parish Room at House of Blues New Orleans
9 – New Orleans, LA – Tipitina's (SOLD OUT)
15 – Madison, WI – The Sylvee *
16 – Grand Rapids, MI – 20 Monroe Live *
20 – Raleigh, NC – Lincoln Theatre
21 – Greensboro, NC – The Blind Tiger
22 – Atlanta, GA – Purgatory at The Masquerade (Shaky Knees Aftershow)
23 – Atlanta, GA – Shaky Knees †
24 – Charleston, SC – The Charleston Pour House
27 – Wilmington, DE – Bourgie Nights
28 – Asheville, NC – The Grey Eagle
29 – Live Oak, FL – Suwannee Hulaween †
31 – San Francisco, CA – Outside Lands † (SOLD OUT)
NOVEMBER
4 – Detroit, MI – El Club
6 – Urbana, IL – Canopy Club
11 – Cincinnati, OH – Ballroom at Taft Theatre
12 – Peoria, IL – Kenny’s Westside Pub
13 – Milwaukee, WI – The Back Room at Colectivo Coffee
18 – St. Louis, MO – Old Rock House
19 – Louisville, KY – Headliners Music Hall
20 – Indianapolis, IN – Hi-Fi
8 – Austin, TX – Antone’s Nightclub
9 – Austin, TX – Antone’s Nightclub
10 – Houston, TX – The Heights Theater
11 – Tyler, TX – Stanley’s Famous Pit Barbecue
12 – Dallas TX – The Kessler Theater
29 – Denver, CO – The Mission Ballroom **
31 – Denver, CO – Globe Hall
DECEMBER
3 – Lawrence, KS – The Bottleneck
4 – Columbia, MO – Rose Music Hall
5 – Oklahoma City, OK – Ponyboy
JANUARY 2022
5 – Los Angeles, CA – Teragram Ballroom
8 – Portland, OR – Doug Fir Lounge
9 – Seattle, WA – The Crocodile
12 – Minneapolis, MN - 7th Street Entry
13 – Madison, WI – High Noon Saloon
14 – Chicago, IL – Thalia Hall
17-21 – Wilco’s Sky Blue Sky – Puerto Aventuras, MX † (SOLD OUT)
23 – London, UK – O2 Academy2 Islington
25 – Nijmegen, NL – Merleyn
26 – Groningen, NL – Vera
27 – Amsterdam, NL – Bitterzoet
28 – Hengelo, NL – Metropool
29 – Utrecht, NL – TivoliVredenburg
30 – Rotterdam, NL – Bird
31 – Haldern, DE – Haldern Pop Bar
FEBRUARY 2022
1 – Berlin, DE – Privatclub
2 – Hamburg, DE – Häkken
4 – Paris, FR – New Morning
5 – Beauvais, FR – L’Ouvre Boite
6 – Leffinge, BE – De Zwerver
25 – Nashville, TN – Basement East
AUGUST 2022
26-28 – Tisbury, MA – Beach Road Weekend †
* w/Black Pumas
** w/My Morning Jacket
† Festival Appearance
Acclaimed singer-songwriter-producer-musician Scott Hirsch today releases his third solo album Windless Day through Echo Magic Records with Soundly Music. To mark the occasion, he’s sharing an imaginative new music video for the song “Night People.”
An original member of Hiss Golden Messenger, Hirsch notes that the video was made “with a couple friends, director Myles Jewell who animated, and fellow musician and photographer/cinematographer Brendan Willing James. I was inspired by the brilliant Charles and Ray Eames short film "Powers of Ten (1977)" - and the discovery of human beings' minuscule existence in the universe, and how it relates to our overinflated egos. Somehow these concepts were compatible for me with the context of my song "Night People" and generally being at the mercy of nature in our lives. I'm happy with how the collage nature of the visuals aligns with the way the song came together in the studio which was also in a patchwork, quilt-like fashion.
On Windless Day which Mojo gave a 4 out of 5 rating to Hirsch says, “When I started releasing music under my own name five short (long?) years ago, it was beyond my wildest dreams that I would complete one song, let alone one entire record. And I sit here on the precipice of releasing my THIRD full length. I feel elated, humbled, and supported that I can hold this vinyl, pop this cd in, or tell my phone to play these songs. Making my own records is a pathway to complete all my unused musical ideas in so I can connect with the world outside the studio. This process feels like magic to me. The fact that I have had this opportunity to do this now three times is heartening, and I have so much gratitude and love for those who have listened along and encouraged me.”
Hirsch will celebrate the release of Windless Day with a show at Gold Diggers in Los Angeles on October 14 and an outdoor show in his hometown of Ojai, California on the 15.
TRACKLIST
1. Spirit True
2. Much Too Late
3. Dreamer
4. Big Passenger
5. Redstone
6. Night People
7. The Price of Gold
8. Wolves
9. Drummer of Shiloh
10. Love Is Long
The Lumineers have announced the release of their second single “BIG SHOT,” featured on their eagerly awaited new album, BRIGHTSIDE. The track is joined by an official music video, streaming now at YouTube. BRIGHTSIDE arrives Friday, January 14, 2022, via Dualtone in the U.S. & Canada and Decca Records for the rest of the world; pre-orders are available now HERE.
“We are all big shots in our own story,” says The Lumineers singer-guitarist and co-founder Wesley Schultz, “and, now, we’ve all been humbled over the last 18 months. The video was inspired by the 90s, and the storytelling music videos we grew up watching on MTV.”
The 2x GRAMMY® Award-nominated band’s fourth studio album, BRIGHTSIDE also includes the first single and title track, “BRIGHTSIDE,” available now at all DSPs and streaming services HERE; an official music video is streaming now at YouTube HERE. The Lumineers celebrated the single’s release with a live performance of “BRIGHTSIDE” on ABC’s Jimmy Kimmel Live! (streaming HERE).
WATCH “BRIGHTSIDE” WATCH “BRIGHTSIDE (LIVE ON JIMMY KIMMEL LIVE!)”
Produced by longtime collaborator Simone Felice and produced, mixed, and engineered by David Baron over two sessions in winter and spring 2021 at Baron’s Sun Mountain Studios in bucolic Boiceville, NY, BRIGHTSIDE marks The Lumineers’ first new music in more than two years as well as the band’s most joyous and spontaneous piece of work thus far. The nine-song collection sees The Lumineers’ co-founders/co-songwriters Wesley Schultz and Jeremiah Fraites performing virtually all of the eclectic, effervescent instrumentation, with Baron on a wide variety of keyboards and backing vocals and more by Simone Felice, touring members Byron Isaacs and Lauren Jacobson, famed backing singer Cindy Mizelle (Bruce Springsteen, Dave Matthews Band), The Felice Brothers’ James Felice, and acclaimed singer-songwriter Diana DeMuth.
Canna Provisions, the award-winning leader of the adult-use retail cannabis community in Western Massachusetts, proudly announce musician, performer, producer, actor, director, international DJ, activist, historian, teacher, New York Times best-selling author, and one of the world’s foremost authorities on both contemporary and traditional rock and roll Stevie Van Zandt will launch Little Steven’s Underground Apothecary line of cannabis pre-roll joints using Smash Hits cannabis, Canna Provisions proprietary craft cannabis flower.
Canna Provisions stores in Lee and Holyoke Massachusetts will be the exclusive carriers of Little Steven’s Underground Apothecary cannabis pre-rolls which will be rolled using hand-grown high-CBD, low-THC craft cannabis from Canna Provisions available for all 21+ adults.
This cannabis is meant to provide a powerful feeling of well-being and enriching your endocannabinoid system with high-CBD and low-THC flower, so it’s less of a stoned-high and more a full-body balancing effect with uplifting pep. The impact of the global pandemic was a wake-up call to Van Zandt, as it was to others, to the importance of personal well-being. He would start Little Steven’s Underground Apothecary and release a line of holistic teas, lollipops, and candles created to turn on people’s immune systems and control their own wellness.
“The United States may be the only country in the world that considers healthcare, both physical and mental, as an afterthought. Little Steven's Underground Apothecary was created to help combat that issue by focusing on natural, holistic remedies. Some will help relax you, some will help energize you, all will help you take charge of your own wellness.” says Van Zandt.
And with so many states enacting medical or recreational legalization laws, cannabis remaining federally illegal was a wrong that needed to be righted in the eyes of Van Zandt.
“We need to help spread cannabis education, destigmatization, and stop unjust criminalization for a plant that not only does a lot of good but has proven during COVID to be almost as essential as art to people’s well-being and quality of life,” says Van Zandt.
“You don’t have to smoke cannabis or even use it to support national legalization, but for those that do use it, Little Steven wanted to be sure to have an approachable, low-THC and high-CBD cannabis that is less about the recreational high, and more for people seeking the benefits of cannabis and cannabinoids like high-CBD cannabis on the body and mind,” says Meg Sanders, Canna Provisions CEO.
This isn’t the first time Sanders has partnered with a musician or woven cannabis and the arts together in the culture. Previously Sanders has partnered with Willie Nelson’s estate to Launch Willie’s Reserve. Additionally, in 2015, 60 Minutes shot a broadcast feature on Meg as a rising leader in the Denver cannabis scene after working with other dispensaries and cannabis partners to sponsor a series of Bring Your Own Pot “BYOP” fundraisers to support the Colorado Symphony Orchestra with friend, cannabis activist/lobbyist, and then-chief clarinetist for the Wyoming Symphony Orchestra, Shawn Coleman.
As an agent of social change, Van Zandt says cannabis needs all the help it can get to help right the wrongs of the so-called “War on Drugs” and continue to fight for national legalization and increased access for adults seeking safe, legal cannabis. 10% of profits from sales of Little Steven’s Underground Apothecary pre-rolls will go to the National Organization for Marijuana Legalization (NORML).
"I have always demanded the very best from myself and of everyone around me, and my new wellness brand Little Steven's Underground Apothecary is no different,” says Van Zandt. “Products like Smash Hits cannabis are like my other partners for the Apothecary - the best I can find in the world. So enjoy, be well, and stay focused on the only part of our destinies we totally control - what we choose to put in our bodies.”
Canna Provisions’ commitment to growing the best cannabis genetics in its state-of-the-art facility is fueled by a superstar cultivation team with decades in cannabis cultivation. Thanks to seeds and genetics only available to one of the most knowledgeable and recognizable growers in America, Canna Provisions Director of Cultivation and legacy market cannabis icon - Greg “Chemdog” Krzanowski - as well as the just-debuted Massmosa strain spearheaded by Grow Manager Johnny Greenfingaz - underscores the cultivars and cannabis strains only available at Canna Provisions locations in Western Massachusetts through Smash Hits cannabis.
A West Mass native, Krzanowski’s expertise in growing some of the most sought after and popular strains of flower has resulted in such staple high-end strains as Sour Diesel, OG Kush, Chemdog, Chem D, and many others.
Canna Provisions has locations in the Pioneer Valley and in the Berkshires where the company is headquartered 300 yards off the first exit into Massachusetts from New York state on I-90/Mass Pike.
The Rolling Stones are excited to announce The Glorious Sons will join the North American ‘No Filter’ tour as guest artists in Los Angeles, CA on Sunday, October 17 at SoFi Stadium.
This marks The Glorious Sons’ third time opening for the legendary British rockers (first in Marseilles in 2018, followed by a Toronto show in 2019). With two back to back US radio #1 singles and nominations for the 2020 iHeartRadio Award and 2021 JUNO Group Of The Year under their belt, The Glorious Sons’ footprint continues to expand, and another opening slot with The Rolling Stones raises their flag ever higher. The Two-Time JUNO Award-winning rock band recently independently released their latest single “Hold Steady” (lyric video) which marks their 15th top-10 rock radio single in Canada. The Glorious Sons also recently announced US dates as part of their “Unfinished Business Tour,” taking place in December.
The Rolling Stones are currently on the road making 13 stops across the United States. The NO FILTER tour marks the rock ‘n’ roll legends first time reuniting following last year’s postponement. The series of dates follows a massively successful and record-breaking first leg in 2019.
Bob Mould begins his solo run of his Distortion and Blue Hearts tour this Friday at the Castle Theater in Bloomington, IL and will end in Iowa City, IA at the Englert Theater. Mould also announces that his show at the Stoughton Opera House in Stoughton, WI will be available to live stream here. Mould shares, “First, I’m thrilled that the Bob Mould Band shows had 99-100% mask compliance! We were able to complete the tour without any health incidents. Thank you so much, and let’s keep the mask on for the Solo Electric shows.
I’m really looking forward to this month’s run of Solo Electric dates. These shows were originally scheduled for March 2020 — right after recording and mixing Blue Hearts (Merge, Sep 25, 2020). I’ll be playing lots of new material, some favourites from DISTORTION, and a handful of early songs.
It’s great to be back on stage, and I’m looking forward to celebrating my birthday this Saturday, October 16. Buy a streaming ticket, have some virtual birthday cake, and enjoy the Stoughton (WI) Opera House show.”
Fred Armisen was a surprise special guest at two of Mould’s concerts earlier in October, joining bassist Jason Narducy and drummer Jon Wurster and Mould at shows in Los Angeles and Boulder. For fans that missed the Mould-Armisen performances on those dates, the pair’s set at this year’s virtual Hardly Strictly Bluegrass is streaming here.
Mould’s tour is in support of his last album, 2020’s Blue Hearts, and his massive career retrospective box set Distortion. On tour, Mould is performing songs from his early days in the seminal band Hüsker Dü, his solo career, and his 1990’s band Sugar. See below for tour dates (all are solo shows).
TOUR DATES: US
October 15 – Bloomington, IL – Castle Theatre
October 16 – Stoughton, WI – Stoughton Opera House (SOLD OUT)
October 17 – Kalamazoo, MI – Bell’s Eccentric Café
October 19 – Kent, OH – Kent Stage
October 20 – Nelsonville, OH – Stuart’s Opera House
October 22 – Cincinnati, OH – Memorial Hall
October 23 – St. Louis, MO – Off Broadway Nightclub (SOLD OUT)
October 24 – Iowa, City, IL – Englert Theater
EUROPE
January 19 – Dublin, IE – Whelan’s
January 21 – Liverpool, UK – Arts Club
January 23 – Cardiff, UK - The Globe
January 24 - Chester, UK – The Live Rooms
January 25 – Birmingham – The Mill
January 27 – Stoke-on-trent – The Sugarmill
January 28 - Bristol, UK – Theka
January 29 – Nottingham, UK – Rescue Rooms
January 31 – Glasgow, UK. – Oran Mor
February 1 – Newcastle, UK - Riverside
February 3 – Southampton, UK – Engine Rooms
February 4 – Brighton, UK – Concorde 2
February 5 - Oxford, UK – Academy O2
February 7 - Leeds, UK – Brudenell Social Club
February 8 - London, UK Islington Assembly Hall
The fifth annual Allman Family Revival Presented by Gibson has added a 19th date to the previously announced tour and will ring in the New Year in Macon, Georgia at the Macon City Auditorium. Additionally, several new artists have been added to select markets including George Porter, Karl Denson, Marc Ford, Ivan Neville, Art Edmaiston, Beth Hart, J.D. Simo, Jessica Lynn, and Ally Venable who will join the previously announced touring lineup featuring The Allman Betts Band, Robert Randolph, Donavon Frankenreiter, Lilly Hiatt, Cody and Luther Dickinson, Eric Gales, Joanne Shaw Taylor, Jimmy Hall, Lamar Williams Jr. The Allman Family Revival will also feature Kenny Wayne Shepherd, G. Love, Samantha Fish, Alex Orbison, and Kenny Aronoff in select markets. VIP packages will be available to purchase Friday, October 22 at allmanfamilyrevival.com.
The Allman Family Revival is a celebration of the life, spirit, and music of Gregg Allman, hosted by his son, Blues Music Award-winning Devon Allman, and anchored by his group, The Allman Betts Band.
On what would have been Gregg Allman’s 70th Birthday (December 8, 2017), Devon decided to gather his talented friends to pay homage musically. Musicians that had toured with Gregg, jammed with Gregg & inspired by Gregg turned up to throw down. Legends like Robin Zander of Cheap Trick, wunderkind Marcus King, and the Orbison’s, all took part in the inaugural performance, laying the groundwork for The Allman Family Revival to be an annual who’s who of musical talent.
Now…It’s a yearly tradition, and it’s grown from an annual celebration in San Fransisco to a full fledged coast to coast tour. Based on the format of “The Last Waltz” concert with The Allman Betts Band as the house band and featuring up to a dozen marquee names in music, it’s an epic 3 hour show unlike any other.
“Hard to believe we are in the fifth year of The Allman Family Revival shows! Says Devon, “This year is going to be bonkers! 19 cities, coast to coast in historic theaters with our beautiful, talented friends jamming all night long. Can’t wait!”
Macon, GA New Year's Eve tickets go on sale Friday, October 22, all other tickets on sale now. For tickets and all up to date information, visit allmanfamilyrevival.com.
2021 Allman Family Revival
11/27 @ The Factory | St. Louis, MO
11/29 @ Majestic Theater | Dallas, TX
11/30 @ ACL Live at The Moody Theater | Austin, TX
12/1 @ Saenger Theater | New Orleans, LA
12/2 @ Coca-Cola Roxy | Atlanta, GA
12/3 @ Van Wezel PAC | Sarasota, FL
12/5 @ The Paramount | Huntington, NY
12/7 @ Orpheum Theater | Boston, MA
12/8 @ Beacon Theater | New York, NY
12/9 @ The Met | Philadelphia, PA
12/10 @ Fillmore | Silver Springs, MD
12/11 @ Michigan Theater | Ann Arbor, MI
12/12 @ Chicago Theater | Chicago, IL
12/14 @ Brady Theater | Tulsa, OK
12/16 @ Arizona Federal Theatre | Phoenix, AZ
12/17 @ Theater at Virgin Hotels | Las Vegas, NV
12/18 @ The Fillmore | San Francisco, CA
12/19 @ The Wiltern | Los Angeles, CA
12/31 @ Macon City Auditorium | Macon, GA
2x GRAMMY® Award-nominated drummer/composer/producer Nate Smith is celebrating his acclaimed new album, Kinfolk 2: See The Birds, with a wide range of diverse activities – including live shows, an in-depth interview on Apple Music’s The Ebro Show, and more. Kinfolk 2: See The Birds is available now.
One of the foremost artists of the current progressive jazz movement, Smith will spend much of the next year on the road, both as drummer and music director for Brittany Howard as well as with his own incredible combo. Nate Smith + KINFOLK will embark on a limited east-coast run from November 4 – November 11. His soon-to-be-announced 2022 dates will include runs in the Midwest and West Coast as well as a tour of Europe and Asia. For complete details and ticket information, please visit www.natesmithmusic.com.
NATE SMITH + KINFOLK
WORLD TOUR 2021-22
NOVEMBER 2021
4 – Pembroke, MA – Soundcheck Studios
5 – Portsmouth, NH – Jimmy’s on Congress
7 – New York, NY – Le Poisson Rouge (w/DJ Scratch + Special Guests)
9 – Philadelphia, PA – WRTI/NPR Live Session
10 – Philadelphia, PA – World Café Live (Downstairs)
11 – Washington, DC – City Winery (w/Special Guest Kokayi)
Chicago-based singer-songwriter-pianist Neal Francis has unveiled “Prometheus,” the latest single from his eagerly anticipated new album; a music video is streaming now. “Prometheus” heralds Francis’s upcoming second LP, In Plain Sight, mixed by GRAMMY® Award winner Dave Fridmann (The Flaming Lips, Tame Impala, MGMT) and due via ATO Records on vinyl, CD, and digital formats on Friday, November 5. Pre-orders are available now. In addition, a brand-new range of limited edition In Plain Sight merch – including signed cherry red vinyl, signed CDs, signed posters, t-shirts, button bundles, and more – are available for pre-order via Francis’s official webstore.
In Plain Sight also includes the recently released singles, “Alameda Apartments” and “Can’t Stop The Rain,” both available now at all DSPs and streaming services. “Alameda Apartments” arrived last month alongside an official companion video – filmed on VHS in the church where Francis lived, wrote, and recorded his eagerly anticipated new album – streaming now via YouTube; a stirring live performance of the track – filmed at SHIRK Studios in Chicago, IL with backing from Francis’s crack touring band – is also streaming now via YouTube.
In Plain Sight was first heralded this summer with the lead single, “Can’t Stop The Rain,” featuring GRAMMY® Award-winning guitarist Derek Trucks and hailed in its world premiere on KCRW’s Morning Becomes Eclectic as “an invigorating heatwave banger… hits with an unapologetically joyful, electric feel that makes for just the jolt to the system we needed.” The track – which quickly ascended to #1 Most Added at Triple-A and Non-Commercial Radio outlets nationwide – is joined by an official music video, streaming now at YouTube; an electrifying live version, filmed at Chicago’s SHIRK Studios and showcasing Francis and his band’s infectious on-stage energy, can be viewed now as well.
WATCH “CAN’T STOP THE RAIN (OFFICIAL VIDEO)” WATCH “CAN’T STOP THE RAIN (OFFICIAL LIVE SESSION)”
After returning home from touring on the back of his widely lauded 2019 debut album, Changes, Neal Francis went through a painful breakup and found himself living in a possibly haunted church where he ended up writing a series of inspired new songs exploring honesty and resilience. Working once again with producer Sergio Rios (a guitarist/engineer known for his work with CeeLo Green and Alicia Keys), Francis and his bandmates recorded In Plain Sight entirely on tape – mostly in that same church – and the resulting songs are dreamlike and reflective, anchored in the analog rock and soul sound that has seen him hailed by PopMatters for “(embodying) the spirit of classic New Orleans artists such as Dr. John, The Meters, Allen Toussaint as well as the deep and mysterious roots music of Leon Russell.”
“I’m owning up to all my problems within my relationships and my sobriety,” Francis says. “So much of it is about coming to the understanding that I continue to suffer because of those problems. It’s about acknowledging that and putting it out in the open in order to mitigate the suffering and try to work on it, instead of trying to hide everything.”
Francis is currently celebrating In Plain Sight with a truly epic North American tour, highlighted by headline dates (including an exclusive Album Release Party, set for November 5 at Rosa’s Lounge in Chicago), shows supporting My Morning Jacket, and festival appearances including Atlanta, GA’s Shaky Knees (Saturday, October 23), Live Oak, FL’s Suwannee Hulaween (Friday, October 29), San Francisco, CA’s Outside Lands (Sunday, October 31), and Wilco’s sold-out Sky Blue Sky, a curated concert vacation set for January 17-21, 2022 at Mexico’s Hard Rock Hotel Riviera Maya. From there, Francis will cross the Atlantic for a much anticipated European/UK tour, making stops in London, the Netherlands, Germany, France, and Belgium in early 2022. Additional dates will be announced. For complete details and ticket availability, please visit www.nealfrancis.com/tour.
NEAL FRANCIS
ON TOUR 2021-2022
OCTOBER
20 – Raleigh, NC – Lincoln Theatre
21 – Greensboro, NC – The Blind Tiger
22 – Atlanta, GA – Purgatory at The Masquerade (Shaky Knees Aftershow)
23 – Atlanta, GA – Shaky Knees †
24 – Charleston, SC – The Charleston Pour House
27 – Wilmington, DE – Bourgie Nights
28 – Asheville, NC – The Grey Eagle
29 – Live Oak, FL – Suwannee Hulaween †
31 – San Francisco, CA – Outside Lands †
NOVEMBER
4 – Detroit, MI – El Club
5 – Chicago, IL – Rosa’s Lounge *
6 – Urbana, IL – Canopy Club
11 – Cincinnati, OH – Ballroom at Taft Theatre
12 – Peoria, IL – Kenny’s Westside Pub
13 – Milwaukee, WI – The Back Room at Colectivo Coffee
18 – St. Louis, MO – Old Rock House
19 – Louisville, KY – Headliners Music Hall
20 – Indianapolis, IN – Hi-Fi
DECEMBER
3 – Lawrence, KS - The Bottleneck
4 – Columbia, MO – Rose Music Hall
5 – Oklahoma City, OK - Ponyboy
8 – Austin, TX – Antone’s Nightclub
9 – Austin, TX – Antone’s Nightclub
10 – Houston, TX – The Heights Theater
11 – Tyler, TX – Stanley’s Famous Pit Barbecue
12 – Dallas TX – The Kessler Theater
29 – Denver, CO – The Mission Ballroom **
31 – Denver, CO – Globe Hall
JANUARY 2022
5 – Los Angeles, CA – Teragram Ballroom
8 – Portland, OR – Doug Fir Lounge
9 – Seattle, WA – The Crocodile
12 – Minneapolis, MN - 7th Street Entry
13 – Madison, WI – High Noon Saloon
14 – Chicago, IL – Thalia Hall
17-21 – Wilco’s Sky Blue Sky – Puerto Aventuras, MX † (SOLD OUT)
22 – Glasgow, UK – Celtic Connections
23 – London, UK – O2 Academy2 Islington
25 – Nijmegen, NL – Merleyn
26 – Groningen, NL – Vera
27 – Amsterdam, NL – Bitterzoet
28 – Hengelo, NL – Metropool
29 – Utrecht, NL – TivoliVredenburg
30 – Rotterdam, NL – Bird
31 – Haldern, DE – Haldern Pop Bar
FEBRUARY 2022
1 – Berlin, DE – Privatclub
2 – Hamburg, DE – Häkken
4 – Paris, FR – New Morning
5 – Beauvais, FR – L’Ouvre Boite
6 – Leffinge, BE – De Zwerver
25 – Nashville, TN – The Basement East
AUGUST 2022
26-28 – Tisbury, MA – Beach Road Weekend †
* In Plain Sight Album Release Party
** w/My Morning Jacket
† Festival Appearance
Acclaimed singer-songwriter-producer Simone Felice has announced the release of his eagerly awaited new album. All The Bright Coins – which marks Felice’s first release through a newly signed deal with Chrysalis Records – arrives Friday, January 28, 2022; pre-orders are available now.
Felice’s first studio album in many years, All The Bright Coins is preceded by the resonant new single, “Puppet featuring Four Tet” available now on all DSPs.
PRE-ORDER ALL THE BRIGHT COINS STREAM/DOWNLOAD “PUPPET (FEAT. FOUR TET)” WATCH “PUPPET (FEAT.FOUR TET)” OFFICIAL MUSIC VIDEO
“I began writing All The Bright Coins in 2019,” says Felice. “It had been several years since I had written anything of my own, as I’d felt called to produce records and write with other artists I love. Then one rainy morning I wrote ‘Puppet,’ a mainly autobiographical tune about the dark, empty, and farcical side of being an underground touring troubadour most of my adult life. Part of me felt as though perhaps this should, and would, be the last Simone Felice song I’d ever put out, ‘Puppet stand, Puppet bow,’ a final curtain call. But then a few months later I wrote ‘Prisoner,’ and then ‘Bare Trees.’ The ‘Heat’ (that’s what myself and a few close friends call it: that sweet, painful, ungovernable whisper) was with me once again…”
All The Bright Coins also includes the strikingly poignant “Year Around The Sun,” available now for streaming and download HERE; an official music video is streaming now via YouTube HERE. In addition, a limited edition 7” vinyl single of “Year Around The Sun” b/w the previously unreleased album track, “No Tomorrows,” is available for purchase now exclusively via Felice’s official webstore HERE.
STREAM/DOWNLOAD “YEAR AROUND THE SUN” WATCH OFFICIAL MUSIC VIDEO BUY “YEAR AROUND THE SUN” B/W “NO TOMORROWS” 7” VINYL SINGLE
Hailed by the UK’s The Telegraph as “a lyricist to rival Dylan and Cohen,” Felice will introduce the songs of All The Bright Coins and much more with live dates, beginning with “Radio Woodstock Steeple Sessions,” which just announced a new in-person concert on Friday, October 22 after selling out the Saturday, October 23 show. Tickets for the Saturday night livestream are available HERE (8pm EST) with a scheduled rebroadcast on October 24 at 8PM BST. Additional live dates will be announced soon. For updates and tickets, please visit http://www.simonefelice.com/tour.
Today, St. Louis, Missouri based duo River Kittens have announced that they will be joining Samantha Fish on tour for several dates along the East Coast beginning November 7 in Philadelphia. Following their run with Fish, the duo will join The Allman Family Revival as the only opening act for the full 19-day cross-country tour and celebration of the life, spirit and music of Gregg Allman, hosted by his son, Blues Music Award-winning Devon Allman, and anchored by his group, The Allman Betts Band.
RIVER KITTENS ON TOUR
W/ SAMANTHA FISH
11/7 @ Union Transfer | Philadelphia, PA
11/9 @ Empire Live | Albany, NY
11/10 @ The Warehouse | Fairfield, CT
11/11 @ The Fillmore Silver Spring | Silver Spring, MD
11/12 @ XL Live | Harrisburg, PA
11/13 @ Stone Pony | Asbury Park, NJ
11/14 @ The National | Richmond, VA
W/ THE ALLMAN FAMILY REVIVAL
11/27 @ The Factory | St. Louis, MO
11/29 @ Majestic Theater | Dallas, TX
11/30 @ ACL Live at The Moody Theater | Austin, TX
12/1 @ Saenger Theater | New Orleans, LA
12/2 @ Coca-Cola Roxy | Atlanta, GA
12/3 @ Van Wezel PAC | Sarasota, FL
12/5 @ The Paramount | Huntington, NY
12/7 @ Orpheum Theater | Boston, MA
12/8 @ Beacon Theater | New York, NY
12/9 @ The Met | Philadelphia, PA
12/10 @ Fillmore | Silver Springs, MD
12/11 @ Michigan Theater | Ann Arbor, MI
12/12 @ Chicago Theater | Chicago, IL
12/14 @ Brady Theater | Tulsa, OK
12/16 @ Arizona Federal Theatre | Phoenix, AZ
12/17 @ Theater at Virgin Hotels | Las Vegas, NV
12/18 @ The Fillmore | San Francisco, CA
12/19 @ The Wiltern | Los Angeles, CA
12/31 @ Macon City Auditorium | Macon, GA
Earlier this year the duo released their debut EP titled Soaking Wet via Devon Allman’s Create Records, recorded at the legendary Sun Studios in Memphis, TN.
“We were so thrilled for the opportunity to work with Devon Allman on Soaking Wet. It was truly a blast from start to finish. We can’t even describe how honored and humbled we are to have tracked these songs at Sun Studios. It was so surreal for us to be able to add our small contribution to the history of such a legendary space. We really feel that this record is quintessentially River Kittens – brutally honest, tons of fun, and slow and sweet when it needs to be.”
About River Kittens:
River Kittens, Allie Vogler and Mattie Schell sound like they’ve been singing together their entire lives. They sing like angels and fight like sisters, even though the pair first met and sang together at a metal bar in 2014. They’re salty and sweet, and sometimes sour too, but their two unique approaches blend together perfectly. River Kittens’ effortless harmonies and honest songwriting can move an audience to laughter or tears, sometimes both.
Globally successful singer-songwriter Carol Ades arrives today with the release of her debut EP. Through (AWAL) is a culmination of six deeply reflective songs from Ades, marking a powerful reclamation of personal artistry and creative control for the New-Jersey-born, LA-based rising star, who has penned fan-favorite hits by Demi Lovato, Benny Blanco, Ava Max and more. Years in the making, Through is available today at all DSPs HERE.
Two new songs are available to hear for the first-time today, including “Brunette Caroline” and the EP’s title track “Through,” co-produced by Mike Crossey (Wolf Alice, The 1975).
“The EP is about the hardest year of my life,” says Ades. “‘Through’ is the last song, but also the title track because it really encapsulates the feeling of being (almost) at the end of a hard thing. It's the glue of this EP because it's not just about getting through a breakup but about getting through any hard thing. I go to it all the time for reassurance that whenever I am feeling a hard thing, the only way out is ‘through,’ and everything is okay with time.”
Through is heralded by highlight tracks “I Can’t Wait to Be British,” “Unlearn Me,” “Can’t Say No” and “Crying During Sex,” the latter of which accompanied by an official music video directed by Zachary Bailey (JAWNY, Clear Bones, Power Freaks), starring Warner Records recording artist Adam Melchor.
“This song is the result of my friend Hayley's beautiful genius wisdom during a break up last year,” says Ades about “Through.” “ I called her from London in November of 2020, having traveled there during the pandemic to win back an old relationship. It obviously didn't go to plan and I was stuck in London during the lockdown.”
“I was miserable and heartbroken and desperately needed a way to get through it,” Ades continues. “Hayley just kept reminding me over and over that even though it was painful... Pain moves and the only way out of it is through it. I clung to those words so tight, listened to it every day for a month until I felt stronger. Her advice and this song seriously saved me from going crazy during such a painful time.”
With the onset of quarantine, Carol wrote for herself at a prolific pace, making emotional lyric-driven songs “you can scream to or sob to in your car” under the influence of everything from the series Fleabag, Greta Gerwig, Elizabeth Gilbert, and Glennon Doyle, to Japanese House, MUNA, and Phoebe Bridgers.
Recounting heartbreak, loss and trauma through a heady lens of nostalgic influences, the six tracks are laced with optimism despite their crushing subject matter and Ades’ emotional delivery. Through boasts world-class collaborators like BRIT Award winning producer Mike Crossey (Wolf Alice, The 1975), Andy Seltzer (Maggie Rogers, joan), Lauren Aquilina (Rina Sawayama, Fletcher) and Marcus Andersson (Ashnikko, LIZ, SOPHIE).
Having already gained support from key tastemakers including Rolling Stone, PAPER, SPIN, Ones To Watch and The Line Of Best Fit, as well as consistently featuring in Spotify’s Fresh Finds playlist, Carol’s quickly multiplying fanbase is vocal in their admiration across her social platforms as she shares stripped-back performances and glimpses of her creative process.
Through is triumphant and a decisive statement of intent from an artist who’s already gearing up for her next chapter.
“She is a brilliant songwriter who is going to become a big star. That is currently a prediction but soon will be a dry, very obvious fact and no-one will give you points for saying it.” - SPIN
“Carol Ades has been dominating as a songwriter for the likes of pop all-stars Demi Lovato, Ava Max and Selena Gomez — and now she's focusing on her solo career with a soon-to-be-announced debut EP.” - PAPER
“Pinned on the values of expressing raw, unfiltered emotions” - Ones to Watch
GRAMMY® Award-nominated songwriter, producer, and guitarist extraordinaire Cory Wong has announced today’s release of THE PAISLEY PARK SESSION, an all-new live album recorded and filmed earlier this year at Prince’s legendary Paisley Park private estate and production complex near Wong’s hometown of Minneapolis. The album is available now at all DSPs and streaming services. In addition, last night saw the full-length video livestream premiere of THE PAISLEY PARK SESSION; unlimited replays are available now on-demand through 12:00 midnight ET on Saturday, October 30. Tickets are available now, exclusively via Mandolin HERE. THE PAISLEY PARK SESSION includes "Dean Town," originally performed by Vulpeck and available now on Youtube and all streaming and download services.
“Paisley Park is such a legendary place to record music,” says Wong. “It was Prince’s studio and even home for years. Studio A was his sanctuary. Coming back to Paisley Park and recording my songs was an absolute joy. The band was HOT that day and it shows in the recording.
“I grew up just on the other side of town from Paisley Park and this was my first time recording in Studio A. It was fun to watch and listen to The Hornheads and Sonny T tell stories about countless hours and nights in the studio and hear about the music they made there that’s both become hit songs AND never been released before. The creative energy in the studio is palpable, and you hear/see it in this session."
Cory Wong and The Wongnotes – joined by featured vocalist Antwaun Stanley – are currently poised to embark on an epic North American tour, kicking off November 3 at Kansas City, MO’s Madrid Theatre and then traveling through a February 19, 2022 homecoming at Minneapolis, MN’s famed First Avenue. For complete details and ticket availability, please visit www.corywongmusic.com/tour.
CORY WONG AND THE WONGNOTES FEAT. ANTWAUN STANLEY
NORTH AMERICAN TOUR 2021-2022
NOVEMBER 2021
3 – Kansas City, MO – Madrid Theatre
5 – Denver, CO – Ogden Theatre
6 – Salt Lake City, UT – The Commonwealth Room
8 – Eugene, OR – Sessions Music Hall
9 – Portland, OR – Wonder Ballroom
10 – Seattle, WA – Neptune Theatre (SOLD OUT)
12 – San Francisco, CA – The Regency Ballroom
13 – Los Angeles, CA – The Fonda Theatre
14 – Solana Beach, CA – Belly Up Tavern (SOLD OUT)
16 – Phoenix, AZ – Crescent Ballroom
19 – Dallas, TX – The HiFi Dallas
20 – Austin, TX – Mohawk
JANUARY 2022
26 – Columbus, OH – Newport Music Hall
27 – Detroit, MI – Majestic Theatre
28 – Toronto, ON – Danforth Music Hall
29 – Pittsburgh, PA – Roxian Theatre
30 – Rochester, NY – Anthology
FEBRUARY 2022
1 – South Burlington, VT – Higher Ground
2 – Boston, MA - Royale
3 – Philadelphia, PA – Theatre of Living Arts
4 – Brooklyn, NY – Brooklyn Steel
5 – Washington, DC – 9:30 Club
7 – Charlottesville, VA – Jefferson Theater
9 – Raleigh, NC – Lincoln Theatre
10 – Asheville, NC – The Orange Peel
11 – Atlanta, GA – Variety Playhouse
12 – Nashville, TN – Brooklyn Bowl Nashville
13 – Indianapolis, IN – The Vogue
15 – St. Louis, MO – Delmar Hall
16 – Des Moines, IA – Wooly’s
17 – Madison, WI – Majestic Theatre
18 – Chicago, IL – The Vic Theatre
19 – Minneapolis, MN – First Avenue
SoCal native and rural France resident Dylan Cox releases his second single, "Welcome" off of his upcoming debut EP, A Place to Meet. Dylan’s music is an intimate brand of indie folk influenced by his days surfing to escape a turbulent home life in San Clemente and his time working three jobs while studying philosophy and literature at UC Berkeley.
"Welcome", the opening track of the record is an ode to the doubt that accompanies the beginning of a relationship with someone. Dylan's oldest song on the record, "Welcome", also sets a tone for many of the other songs: it's at once a rich expression of an abstract scene of intimacy between two people learning to be vulnerable with one another and a hope for what a song can do as a collective place of belonging.
Originally written after a breakup in 2017, the song took on a new form when Dylan was invited to his friend's neighbor's for a drink in the French south-west beach town of Biarritz; the neighbors were the internationally renowned all-men Basque choir, Oldarra, who were having their annual evening of mourning for the choir members they had lost (the choir was almost completely 60+). After a bottle of cider, Dylan performed "Welcome" with them and found for the first time the chorus vocal melody with forty voices singing along.
In the studio, the gang-vocal chorus became a way of nodding to this experience, of leaning into doubt but doing so with others, a kind of welcome to the unknown multitude of listeners to a place where singing together is possible. The percussion on the song, performed by producer Abraham Rounds, is done entirely on co-producer Sarah Walk's piano, using the sustain pedal as a kick and brushes on the wood. Dylan's fingers scratch the piano as well, mimicking the intimate sounds of feet on wood, of notes being written, welcoming the details of love (and the record) to begin.
Windows written by Dylan Cox
Guitar and vocals by Dylan Cox
Percussion by Abe Rounds
Piano by Sarah Walk
Organ and Keyboard by Jake Sherman
Stand-up bass by Alan Hampton
Back up Vocals by Abe Rounds, Sarah Walk, Dylan Cox, Kirra Bennett
Fresh off the road with The Hives and Spoon, Nicole Atkins shares a new version of her song, "Mind Eraser," today. The shadowy noir song Rolling Stone called a "hazy dream," was co-written by My Morning Jacket's guitarist Carl Broemel. It comes from a milestone new album and full-length performance film called MEMPHIS ICE. The album arrives via Single Lock Records Friday, December 10 on limited-edition vinyl and at all DSPs and streaming services; pre-orders are available now. A reimagined companion project to last year’s acclaimed ITALIAN ICE, MEMPHIS ICE was recorded live and an official music video taken from the performance film is streaming now at YouTube.
“Mind Eraser was the first song we worked on for this record," says Atkins. "I wanted to start the rehearsal with it because I thought stylistically it would be the most difficult song to get through, so, better to knock out the hard work first. The string arrangements got to shine through in a bigger way than on the original, Dan Chen's piano work carried the song, and I got to play the role of the storyteller in a new way. More upfront and present than ever. And, I have to say, the middle section of the song is maybe my favorite moment on the whole album!”
WATCH "MIND ERASER" LISTEN TO "MIND ERASER"
PRE-ORDER MEMPHIS ICE
The album was heralded last month by the first song and video, "Promised Land," which was recorded during the Italian Ice sessions, but never released.
LISTEN TO “PROMISED LAND”
WATCH “PROMISED LAND”
Hailed by UNCUT as “clear-eyed, warm, and stylish,” ITALIAN ICE was among the best albums of 2020, its warmth, vivid color, and a tilt-a-whirl variety of musical grooves providing much-needed positivity in what proved a very difficult year. Unable to tour behind the album’s release, Atkins began hosting a variety show from her attic. “Live From The Steel Porch with Nicole Atkins” soon received support from Amazon Music, with new episodes shot at Asbury Park, NJ’s famed Paramount Theater with such special guests as Kurt Vile and the Dean Ween Group.
The back-to-basics performances inspired Atkins to explore new and previously untapped flavors in her vocals and songcraft. Backed by an ace trio of Dan Chen (piano), Laura Epling (violin), and Maggie Chaffee (cello), Atkins recorded MEMPHIS ICE live in one day at Memphis Magnetic studio, simultaneously filming the performance with painterly shadow and light. The stripped-down, smoky style of both brings all-new emotional vistas to fan-favorite songs like “Domino,” “Captain,” and “Forever,” while opening the door even wider to where Atkins would like to go next as a singer.
“I always thought about my Judy Garland or Liza Minnelli moment coming later in life,” she says. “But after we finished that day of recording, I had so much fun just singing and was so in the moment, I thought, ‘I want to do that sooner, I want to do that for my next record.’ I want to make a record of standards that are new if that’s possible. Songs that make you feel like you’re singing ‘Stardust,’ but you’re not. I kept thinking that on my first record, NEPTUNE CITY, the songs felt old, but they were new. Why can’t there be new songs that feel like the old standards?”
Indeed, that committed spirit of timeless songcraft has already earned MEMPHIS ICE praise from avowed Atkins fan Elvis Costello.
“Songs don’t stop living when the red light goes out,” says Costello.” “Pulling the colors and curtains from the studio versions of these songs, you find yourself within melodies and their emotions. Borne up by some beautiful playing from the small ensemble, this is some serious singing.”
To celebrate the release of her album, Atkins will also be presenting a global livestream event on December 10th at 9PM ET via the premium social live media platform Moment House. Tickets can be purchased here.
NICOLE ATKINS
ON TOUR 2022
JANUARY 2022
27-31 – Riviera Maya, MEX – Hard Rock Hotel & Unico **
MARCH 2022
18-25 – Miami, FL – Cayamo, A Journey Through Song
The Lumineers have announced the release of a third song “A.M. RADIO” from their eagerly awaited new album, BRIGHTSIDE. BRIGHTSIDE arrives Friday, January 14, 2022 via Dualtone in the U.S. & Canada and Decca Records for the rest of the world; pre-orders are available now HERE.
“‘A.M. Radio’ features the biggest chorus we’ve ever recorded, while colliding with an intimate verse,” says The Lumineers’ singer-guitarist and co-founder Wesley Schultz, “The song is an anthem about the supernatural pull of one’s calling in life - for Jeremiah and me, it was songs.”
The 2x GRAMMY® Award-nominated band’s fourth studio album, BRIGHTSIDE also includes the first single and title track, “BRIGHTSIDE,” which is currently #1 on the Billboard AAA Radio Chart. It marks the 6th time the band has topped that chart. Dating to their first week atop AAA Chart in 2012, The Lumineers now boast the most #1’s among all acts in that span. In addition to AAA, the song currently is #3 at Alternative Radio Airplay. The song also is #1 on Mediabase’s AAA chart for a third consecutive week.
Produced by longtime collaborator Simone Felice and produced, mixed, and engineered by David Baron over two sessions in winter and spring 2021 at Baron’s Sun Mountain Studios in bucolic Boiceville, NY, BRIGHTSIDE marks The Lumineers’ first new music in more than two years as well as the band’s most joyous and spontaneous piece of work thus far. The nine-song collection sees The Lumineers’ co-founders/co-songwriters Wesley Schultz and Jeremiah Fraites performing virtually all of the eclectic, effervescent instrumentation, with Baron on a wide variety of keyboards and backing vocals and more by Simone Felice, touring members Byron Isaacs and Lauren Jacobson, famed backing singer Cindy Mizelle (Bruce Springsteen, Dave Matthews Band), The Felice Brothers’ James Felice, and acclaimed singer-songwriter Diana DeMuth.
The Lumineers are represented by Wasserman Music and Activist Artists Management.
Following a month-long tour on the East Coast, the Kitchen Dwellers are sharing the official video for their latest single, “Stand At Ease.”
Torrin Daniels [banjo], Joe Funk [upright bass], and Max Davies [acoustic guitar]—composed the tune in an effort to not only heal but remind anyone struggling, “You’re not alone."
In October the band released “Stand At Ease” in collaboration with Backline for World Mental Health Day.
"It’s a big issue in the music industry. Road life escalates any mental health issue present in someone’s life, so we’re trying to talk about it. The main thing we want to do is raise awareness and create engagement with people who are struggling, but also encourage those who aren’t struggling to support the community.”
“Stand At Ease” was recorded in Minneapolis during their 2021 recording sessions for their third full-length album, with producer Cory Wong of Vulfpeck.
“It’s a reminder there are people who love you and you probably have no idea. The song portrays that you’re not alone. You can reach out. Personally, it’s the song I’m most proud of. I really want it to do good in the world.”
By partnering with Backline, it will invariably do just that.
“Whether you’re struggling with depression, anxiety, or substance abuse, maybe the song can trigger a happy thought or urge you to reach out to a friend, organization, or even lift yourself up,” he leaves off. “Maybe we can uplift even one person with this.”
The Kitchen Dwellers will wrap up their winter tour in their hometown of Bozeman for a two-night New Year’s Eve run before kicking off their winter tour in late January which will bring the band through The Rockies, Pacific Northwest, and West Coast. All tour information and up to date news can be found at kitchendwellers.com.
Kitchen Dwellers on Tour:
12/10 @ Knotty Pine | Victor, ID
12/11 @ The Depot | Salt Lake City, UT
12/30-12/31 @ Elm | Bozeman, MT
1/19-1/20 @ Public House | Crested Butte, CO
1/21 @ Ogden Theatre | Denver, CO
1/22-1/23 @ Aggie Theatre | Fort Collins, CO
1/29 @ Parish | Austin, TX
2/9 @ Historic Ashland Armory | Ashland, OR*
2/10 @ Sessions Music Hall | Eugene, OR*
2/11 @ Revolution Hall | Portland, OR*
2/12 @ Neptune Theatre | Seattle, WA*
2/16 @ Domino Room | Bend, OR
2/17 @ CSU Chico - Laxson Auditorium | Chico, CA
2/18 @ Felton Music Hall | Felton, CA*
2/19-2/20 @ The Independent | San Francisco, CA*
2/25-2/27 @ WinterWonderGrass | Steamboat Springs, CO
4/1-4/33 @ WinterWonderGrass Tahoe |Olympic Valley, CA
4/29-5/1 @ Sweetwater 420 Fest | Atlanta, GA
*w/Leftover Salmon
Chicago-based singer-songwriter-pianist Neal Francis has shared his new video for the song “Problems,” the latest single from his new album, In Plain Sight (ATO). In Plain Sight is Francis' second album and it was mixed by GRAMMY® Award winner Dave Fridmann (The Flaming Lips, Tame Impala, MGMT). The hilarious and raucous clip, directed by Alec Basse and Max Moore, finds Francis singing on a microphone dropped down from the ceiling in a doctor's office waiting room. As the walls close in on the disparate cast of characters, the dance party ensues.
"To us, the song is about indecision and choosing or not choosing paths in life based on various levels of apprehension," says video directors Alec Basse and Max Moore. "Naturally, this inaction leads to unforeseen consequences. To visualize this, we aimed to squish Neal between the walls of time and, while he messed about singing and dancing, his world becomes smaller and smaller. Eventually, life chooses your path for you. We also wanted to match Neal’s love for tried and true analog creation and shot the video on a late 60s 16mm Eclair NPR. There is no beating film."
Besides "Problems," In Plain Sight also includes the recently released singles, “Prometheus,” “Alameda Apartments,” and “Can’t Stop The Rain,” all available now at all DSPs and streaming services. “Prometheus” is joined by an official visualizer, while “Alameda Apartments” arrived last month alongside an official companion video – filmed on VHS in the church where Francis lived, wrote, and recorded In Plain Sight – streaming now via YouTube; a stirring live performance of the track – filmed at SHIRK Studios in Chicago, IL with backing from Francis’s crack touring band – is also streaming now via YouTube.
In Plain Sight was first heralded this summer with the lead single, “Can’t Stop The Rain,” featuring GRAMMY® Award-winning guitarist Derek Trucks and hailed in its world premiere on KCRW’s Morning Becomes Eclectic as “an invigorating heatwave banger… hits with an unapologetically joyful, electric feel that makes for just the jolt to the system we needed.” The track – which quickly ascended to #1 Most Added at Triple-A and Non-Commercial Radio outlets nationwide – is joined by an official music video, streaming now at YouTube; an electrifying live version, filmed at Chicago’s SHIRK Studios and showcasing Francis and his band’s infectious on-stage energy, can be viewed now as well.
WATCH “CAN’T STOP THE RAIN (OFFICIAL LIVE SESSION)”
Francis continues to celebrate In Plain Sight with a truly epic North American tour highlighted by headline dates (including an exclusive Album Release Party, set for November 5 at Rosa’s Lounge in Chicago), shows supporting My Morning Jacket, and more festival appearances including Wilco’s sold-out Sky Blue Sky, a curated concert vacation set for January 17-21, 2022 at Mexico’s Hard Rock Hotel Riviera Maya. From there, Francis will cross the Atlantic for a much anticipated European/UK tour, making stops in London, the Netherlands, Germany, France, and Belgium in early 2022. Additional dates will be announced. For complete details and ticket availability, please visit www.nealfrancis.com/tour.
NEAL FRANCIS ON TOUR 2021-2022
NOVEMBER 2021
18 – St. Louis, MO – Old Rock House
19 – Louisville, KY – Headliners Music Hall
20 – Indianapolis, IN – Hi-Fi
DECEMBER 2021
3 – Lawrence, KS - The Bottleneck
4 – Columbia, MO – Rose Music Hall
5 – Oklahoma City, OK - Ponyboy
8 – Austin, TX – Antone’s Nightclub
9 – Austin, TX – Antone’s Nightclub
10 – Houston, TX – The Heights Theater
11 – Tyler, TX – Stanley’s Famous Pit Barbecue
12 – Dallas TX – The Kessler Theater
29 – Denver, CO – The Mission Ballroom **
31 – Denver, CO – Globe Hall
JANUARY 2022
5 – Los Angeles, CA – Teragram Ballroom
8 – Portland, OR – Doug Fir Lounge
9 – Seattle, WA – The Crocodile
12 – Minneapolis, MN - 7th Street Entry
13 – Madison, WI – High Noon Saloon
14 – Chicago, IL – Thalia Hall
17-21 – Wilco’s Sky Blue Sky – Puerto Aventuras, MX † (SOLD OUT)
“Many people seem to be struggling with mental health and substance issues right now especially in the music community,” says Andy Stepanian. “With this release, we decided to make a donation to the SIMS Foundation for every download on our Bandcamp page and for every time someone saves the song on Spotify or Apple Music for the first week after release. The Sims Foundation, which is based in Austin, is doing great work providing mental health and substance use recovery services for music industry professionals and their families.
The Story:
I came across Hoyt Axton’s 1969 album “My Griffin is Gone” in 2020. Like a lot of people, I discovered all kinds of music during the COVID months but “My Griffin is Gone” really stood out to me. I played it a lot. The record rambles all over the place and it has this very late 60’s psychedelic folk thread running through it that is borderline absurd at times. There are quasi-cheesy string arrangements and songs with lyrics about “riding on a green velvet dragon” but there’s also a manic darkness to the record that offsets all of this and grounds it as a serious, singular work.
After digging into it I realized I knew a bunch of Axton’s songs that were made famous by others like 'The Pusher' that Steppenwolf did (although I only know the Blind Melon version) and 'Snowblind Friend' that I knew from the Vic Chesnutt / Widespread Panic collab called brute. And, of course, everyone knows Joy to the World. He was also an actor in movies like Gremlins and Black Stallion.
'Kingswood Manor' hit me most on the album. It encapsulates the duality of the entire record. It has these over-the-top lyrics about “floating through the air on a cotton candy cloud” and “crystal Buddhas from the sea” and chimey lullaby sounds but it also has a dark underbelly about struggling to find bliss in the throws of mental illness. It’s a disconcerting song but also soothing and hopeful.
A few months back we had a day to kill in Nashville and I thought it would be fun to go into our friend Kai Welch’s studio and try and get down a version of 'Kingswood Manor.' It was a super relaxed session. We had exhausted ourselves for two whole days before shooting a live set so we had no real agenda or expectation. Some friends who had played on our Antlers in Velvet record like Paul Niehaus (Justin Townes Earle) and Tony Crow (Lambchop) stopped in to play and producer Paul Ebersold (Morgan Wade) just stopped in to hang and talk shit. We had a great day. After we were gone, Kai got Molly Martin to come in and sing background vocals. She really brought the song together and gave it a timeless feel.
After it was all mixed we thought it would be cool to release the song digitally and try to use the occasion to do some good.
- Andy Stepanian, Leon III
About Leon III:
Leon III, the Texas-based, exploratory psych-folk outfit led by Andy Stepanian (vocal, guitar, keyboard, piano, omnichord) and Mason Brent (guitar, bass, vocal, banjo), sounds like a relic from another age. In a time when so much of today’s music seems as disposable and temporal as a tweet, Leon III is standing athwart the tide. With their latest release, Antlers in Velvet, the band conjures the spirit and ambition of Pink Floyd and Grateful Dead.
Make no mistake, this is an album with the potential for a serious shelf life. leoniii.com
About SIMS Foundation:
The SIMS Foundation provides mental health and substance use recovery services and supports for musicians, music industry professionals, and their dependent family members. Through education, community partnerships, and accessible managed care, SIMS seeks to destigmatize and reduce mental health and substance use issues, while supporting and enhancing the wellbeing of the music community at large. simsfoundation.org
Ahead of the upcoming Thanksgiving run, and in celebration of ‘Fansgiving’ The String Cheese Incident are thrilled to share “Hi Ho No Show” - a song the band has been performing live that’s quickly become a fan favorite. “Hi Ho No Show” is a high energy track that opens up into an extended journey filled with intense fiddle and the full classic sound of The String Cheese Incident.
Kyle Hollingsworth spoke about the track saying: "We are super excited to be releasing a new track from the Lab. This one has been in the live rotation for a little bit now, but it’s always fun to dig a bit deeper with a studio release. Influenced by Afro Celt Sound System, this song has tinges of Celtic and Americana roots. I love the flow of this one, it has nice sonic landscapes plus a great groove!!"
The band has also announced several additions to the upcoming Thanksgiving run, including special guest appearances, all of which will be streamed live on Volume.com.
Chris Pandolfi and Andy Hall of The Infamous Stringdusters will join the band on November 24 for the ‘Acoustic Barn Burner’ - a fully stripped down and acoustic performance. “We’re really psyched to break it down to the nitty gritty with our friends from The Infamous Stringdusters,” says Bill Nershi. “It’s a great opportunity to get back to the rootsy sound of our earlier years. We’ll even be able to hear Kyle on acoustic piano and Keith on the upright bass. Yeeeehaaaa!!!”
Dominic Lalli of Big Gigantic will join the band on November 26. "We're super excited to have our brother of many years and many jams, Dominic Lalli, from Big Gigantic, joining us for Friday night.” adds Michael Travis, “Hopefully we can surprise you with the deep jams featuring Dom on sax and other tricks!"
The band has also revealed that the November 27 performance set list will be chosen exclusively from fan votes via social media.
One of the most iconic bands in British music and Rock & Roll Hall of Fame inductees, The Hollies, are celebrating their 60th anniversary with their return to the US in 2022.
"‘We felt like this is something no other band gets to do, celebrate six decades together, 60 years of this band and these songs means so much to us and so many others,” says Tony Hicks, the band’s original guitar player.
"We’re incredibly excited performing for everyone on what will be some of the most special shows in the history of The Hollies,” adds the Hollies’ drummer of six decades, Bobby Elliott.
The dates mark the band’s first US tour in over two decades and take in New York, Los Angeles, Chicago, New Jersey, and Washington DC.
Famed for their soaring, distinctive melodies and brilliantly crafted songs, the 60th-anniversary tour will see The Hollies performing their best-known hits including ‘He Ain’t Heavy, He’s My Brother’, ‘The Air That I Breathe’, ‘Long Cool Woman (In A Black Dress)’, ‘Bus Stop’, ‘Carrie-Anne’ and ‘Sorry Suzanne’.
The line-up includes powerhouse drummer Bobby Elliott, and singer, songwriter, and lead guitarist Tony Hicks, both of whom are original members of the band. They are joined by lead singer Peter Howarth, as well as bass player Ray Stiles, Keyboardist Ian Parker, and Steve Lauri on Rhythm Guitar.
Celebrated as one of the most influential bands from the 1960s British Invasion era alongside the likes of the Beatles and the Rolling Stones, the Hollies have had over 20 worldwide hits, including number one singles in both the US and UK. They have spent an astonishing 263 weeks in the UK's top 40 official singles chart, and have been performing continuously since their formation in 1962.
Their cultivated musicianship, coupled with the Hollies’ extensive back catalog of memorable rock ‘n’ roll tunes, has ensured the longevity of one of the greatest groups to emerge from the early 1960’s British Rock Revolution.
In 1995, they have bestowed the coveted Ivor Novello Award for Outstanding Contribution To British Music, and in 2010 were inducted into the American Rock ‘n’ Roll Hall of Fame for their ‘impact on the evolution, development, and perpetuation of Rock and Roll’.
TOUR DATES:
APRIL 2 - Mayo Performing Arts Center, Morristown, NJ
APRIL 4 - The Kennedy Center, Washington DC
APRIL 5 - Town Hall, New York, NY
APRIL 7 - The Athenaeum, Chicago, IL
APRIL 9 - The Saban, Los Angeles, CA
Veteran troubadour Steve Poltz has announced the arrival of his upcoming new album, Stardust & Satellites, due via Red House Records on Friday, February 18; pre-orders are available now. Produced by Oliver Wood and Jano Rix of The Wood Brothers, Stardust & Satellites is heralded by today’s premiere of the disarmingly moving “Conveyor Belt,” available now at all DSPs and streaming services. For fans, it’s a different side of Poltz, using a voice and a new solemnity for a song that touches a universal nerve.
“My mom passed away, and then a year later my dad crossed over,” says Poltz. “I started thinking that I was next on the conveyor belt in a factory on the wheel of time. Next thing I know I grabbed my guitar and this song appeared to me like a gift. It didn’t exist and then voila, there it was. It’s all a mystery to me. I’m lucky to be a conduit.”
Hailed by American Songwriter for “his unhinged live performances, incredible way with a comedic lyric and ability to spin a ripping tale,” Steve Poltz has spent more than three decades as a singer-songwriter-performer of the first order, earning international applause and fans around the world with his inspired brand of rockin’ countrified folk Americana. Having first made his bones as frontman for underground legends The Rugburns, the Halifax, NS-born tunesmith has established a critically lauded solo catalog while also collaborating with such diverse artists as Jewel – an ongoing creative partnership that includes co-writing the RIAA platinum-certified #1 hit, “You Were Meant For Me” – and GRAMMY® Award-winning bluegrass phenom Billy Strings, to name but a few.
Poltz’s 14th solo album and first new LP in more than two years, Stardust & Satellites is an exuberant, thoughtful batch of songs that celebrate life in all of its stages. It came to fruition last year as a result of one of those serendipitous situations that were created by the pandemic. Poltz, a road dog and performance junkie who regularly spends 300+ days a year on the road, bringing it to the people, should’ve been on tour in 2020. Esteemed Nashville roots rockers The Wood Brothers (Chris Wood being a former neighbor to Steve), also should’ve been on tour. Stuck in Nashville, Steve often joined the Wood Brothers for outdoor socially distant hangs, and, on a whim, decided to record one song with Oliver Wood and Jano Rix.
They cut a song called “Frenemy,” a wistful, “keep your friends close and your enemies even closer” song that made it clear to all involved that they’d stumbled onto something special. With no studio clock ticking, no schedule or deadlines to meet, the companionship and ability to collaborate with like-minded musicians added a joyful diversion to what was a boring-ass year. Musically, the sky was the limit, and the group of musicians and friends embarked on a musical experience that found cast and crew reaching toward the stratosphere with Stardust & Satellites.
Tracklist:
Wrong Town
Conveyor Belt
Can O’Pop
Frenemy
It’s Baseball Season
Up With People
Lord and Savior
Let’s Stay Together
Miles In My Heart
Stardust and Satellites
Poltz will celebrate Stardust & Satellites with a wide-ranging tour schedule, including headline dates, festival performances, and an eagerly awaited winter run with The Wood Brothers beginning January 25 at the Kodak Center in Rochester, NY. For complete details and ticket availability, please visit poltz.com/concerts.
STEVE POLTZ
ON TOUR 2021-2022
NOVEMBER
19 & 20 – St. John’s, NL – The Ship Pub
DECEMBER
1 – Evanston, IL - SPACE
2 – Ann Arbor, MI – The Ark
3 – Petoskey, MI – Crooked Tree Arts Center
4 – Spring Lake, MI – Seven Steps Up
10 – Nashville, TN – Eastside Bowl (Dee Oh Gee Album Release)
JANUARY
25 – Rochester, NY – Kodak Center *
26 – Washington, DC – 9:30 Club *
28 – Albany, NY – Palace Theatre *
29 – Portland, ME – State Theatre *
30 – Plattsburgh, NY – Strand Theatre for the Arts *
31 – Providence, RI – The Strand Ballroom & Theatre *
FEBRUARY
2 – New Haven, CT – College Street Music Hall *
3 – Philadelphia, PA – The Fillmore Philadelphia *
4 – Boston, MA – House of Blues Boston *
5 – New York, NY - Webster Hall *
18 – Solana Beach, CA – 13th Annual 50th Birthday Bash @ Belly Up Tavern †
19 – Solana Beach, CA – 13th Annual 50th Birthday Bash @ Belly Up Tavern ††
MAY
17-21 – Joshua Tree, CA – BaHOOTenzie Folk Fest + SongSchool @ Joshua Tree Music Festival
26-29 – Grass Valley, CA – Strawberry Music Festival
* w/The Wood Brothers
† w/special guest Aaron Lee Tasjan
†† w/ The Rugburns & special guests Oliver Wood and Lindsay Lou
The fifth annual Allman Family Revival Presented by Gibson will kick off this week in St. Louis, MO. The tour is also excited to announce the artist additions of Charlie Starr (Blackberry Smoke) and Eric Krasno (Soulive, Lettuce) who will join the star-studded event in select markets. Previously announced performers include The Allman Betts Band, Robert Randolph, Donavon Frankenreiter, Lilly Hiatt, Cody and Luther Dickinson, Eric Gales, Joanne Shaw Taylor, Jimmy Hall, Lamar Williams Jr. The Allman Family Revival will also feature Kenny Wayne Shepherd, G. Love, George Porter, Karl Denson, Marc Ford, Ivan Neville, Art Edmaiston, Beth Hart, J.D. Simo, Jessica Lynn, and Ally Venable, Samantha Fish, Alex Orbison, and Kenny Aronoff. Tickets and VIP packages are available to purchase at allmanfamilyrevival.com.
The Allman Family Revival is a celebration of the life, spirit, and music of Gregg Allman, hosted by his son, Blues Music Award-winning Devon Allman, and anchored by his group, The Allman Betts Band.
On what would have been Gregg Allman’s 70th Birthday (December 8, 2017), Devon decided to gather his talented friends to pay homage musically. Musicians that had toured with Gregg, jammed with Gregg & inspired by Gregg turned up to throw down. Legends like Robin Zander of Cheap Trick, wunderkind Marcus King, and the Orbison’s, all took part in the inaugural performance, laying the groundwork for The Allman Family Revival to be an annual who’s who of musical talent.
Now…It’s a yearly tradition, and it’s grown from an annual celebration in San Fransisco to a full fledged coast to coast tour. Based on the format of “The Last Waltz” concert with The Allman Betts Band as the house band and featuring up to a dozen marquee names in music, it’s an epic 3 hour show unlike any other.
“Hard to believe we are in the fifth year of The Allman Family Revival shows! Says Devon, “This year is going to be bonkers! 19 cities, coast to coast in historic theaters with our beautiful, talented friends jamming all night long. Can’t wait!”
2021 Allman Family Revival
11/27 @ The Factory | St. Louis, MO
11/29 @ Majestic Theater | Dallas, TX
11/30 @ ACL Live at The Moody Theater | Austin, TX
12/1 @ Saenger Theater | New Orleans, LA
12/2 @ Coca-Cola Roxy | Atlanta, GA
12/3 @ Van Wezel PAC | Sarasota, FL
12/5 @ The Paramount | Huntington, NY
12/7 @ Orpheum Theater | Boston, MA
12/8 @ Beacon Theater | New York, NY
12/9 @ The Met | Philadelphia, PA
12/10 @ Fillmore | Silver Springs, MD
12/11 @ Michigan Theater | Ann Arbor, MI
12/12 @ Chicago Theater | Chicago, IL
12/14 @ Brady Theater | Tulsa, OK
12/16 @ Arizona Federal Theatre | Phoenix, AZ
12/17 @ Theater at Virgin Hotels | Las Vegas, NV
12/18 @ The Fillmore | San Francisco, CA
12/19 @ The Wiltern | Los Angeles, CA
12/31 @ Macon City Auditorium | Macon, GA
Groundbreaking musician/songwriter/producer Steven Wilson has been honored with two prestigious GRAMMY® Award nominations for his acclaimed sixth album, THE FUTURE BITES, available everywhere now HERE. The album earned nods for “Best Immersive Audio Album” and “Best Boxed Or Special Limited Edition Package,” marking Wilson’s fifth and sixth total career GRAMMY® nominations thus far.
THE FUTURE BITES is available now on all digital platforms, along with vinyl, CD, and a limited-edition deluxe box set that contains CDs of the album, an instrumental version of the album, bonus material (including six additional songs and several reworked versions of the album tracks), a cassette of demos, and a Blu-ray featuring videos and Wilson’s own 5.1 surround sound and Dolby Atmos versions of the album (marking THE FUTURE BITES as the first contemporary album to be mixed and released in Dolby Atmos).
Co-produced in London by Wilson with David Kosten (Bat For Lashes, Everything Everything), THE FUTURE BITES sees Wilson exploring contemporary addiction and the lasting effect of ever-increasing technology on our daily lives. The album marks his most inventive and far-reaching musical construction to date, spanning soaring acoustics, lush electronica, relentless bass-driven grooves, murky funk, and so much more, all linked through powerfully focused songcraft and this one-of-a-kind artist’s always unique creative vision.
Hailed by Rolling Stone’s David Fricke for his “fighting spirit and truly progressive ideals in rock composition, group improvisation and emotionally authentic storytelling,” Wilson – whose eagerly awaited first book, A Limited Edition of One, will be published by Little, Brown on May 17, 2022 – is currently hard at work creating two new albums due in 2022 and 2023 respectively. For updates, additional information, and much more, please visit thefuturebites.com.
GRAMMY®Award-winning guitar virtuosos Rodrigo y Gabriela have received a GRAMMY® Award nomination for “Best Arrangement, Instrumental or A Cappella,” honoring their acclaimed version of Metallica’s “The Struggle Within,” featured on the recently released tribute album, THE METALLICA BLACKLIST. The nod marks the duo’s second-ever GRAMMY® nomination, following their previous “Best Contemporary Instrumental Album” win for 2019’s METTAVOLUTION. The 64th Annual GRAMMY® Awards will be presented on January 31, 2022, at the Crypto.com Arena in Los Angeles.
Rodrigo y Gabriela’s dexterous rendition of “The Struggle Within” is available now at all DSPs and is joined by an official visualizer, streaming via YouTube. In addition, an exclusive behind-the-scenes look at the making of “The Struggle Within” is streaming now. All profits from the song benefit Metallica’s All Within My Hands Foundation and the community-driven conservation non-profit Whales of Guerrero.
LISTEN TO “THE STRUGGLE WITHIN” WATCH “THE STRUGGLE WITHIN” BEHIND-THE-SCENES VIDEO
Hailed by Variety as “a fleet-fingered, clattering tango,” “The Struggle Within” was met by rave reviews from media outlets everywhere, with Guitar World declaring it “awe-inspiring… Rodrigo y Gabriela stay remarkably true to the original, trading its military-style intro snare rolls for expertly delivered percussive slaps and James Hetfield’s vocals for smooth, oft-slide-driven unplugged leads. (Rodrigo) even replicates Kirk Hammett’s guitar solo note-for-note on acoustic guitar.”
Rodrigo y Gabriela have long celebrated the inspiration of Metallica on their own distinctive music, including classic reimaginings of “Orion” and “Battery,” the latter featured on 2019’s METTAL EP. The duo recently discussed their shared passion for Metallica, their approach to translating “The Struggle Within” to an acoustic, instrumental track, and much more in an exclusive two-part metallica.com “So What! Interview” streaming now.
This fall saw the release of THE JAZZ METTAL EP, a special CD release pairing the three thrash metal covers of the METTAL EP with this year’s three-track JAZZ EP, collecting distinctive renditions of songs by Snarky Puppy, Kamasi Washington, and Argentinian tango master Astor Piazzolla. THE JAZZ METTAL EP is available now.
The Lumineers have unwrapped a festive gift for their fans everywhere with today’s premiere of a brand new Yuletide song. “This is Life (Merry Christmas) Featuring Daniel Rodriguez” premieres today at all DSPs and streaming services. Proceeds from the song – written by acclaimed singer-songwriter Daniel Rodriguez and Brandy Schultz – will benefit MusiCares.
“I've been a big Daniel Rodriguez fan for a few years now,” says The Lumineers singer-guitarist and co-founder Wesley Schultz. “We had him over for dinner one night, and my wife Brandy – against my wishes – told Daniel one of his songs was a Christmas song. The song was called ‘This Is Life’ and she suggested Daniel add ‘Merry Christmas’ to the chorus. Daniel was not insulted at all, tried it, and liked the idea. It turned out she was right, and the rest is Christmas history.”
LISTEN TO “This is Life (Merry Christmas) Featuring Daniel Rodriguez” HERE
This week has also seen the world premiere of the official music video for “A.M. RADIO,” the recently released third song from The Lumineers’ upcoming new album, BRIGHTSIDE. Directed by Lumineers Creative Director and Schultz’s longtime friend Nicholas Sutton Bell, on location at their alma mater of Ramsey High School in Ramsey, NJ, and featuring additional footage filmed earlier this year during the band’s sold out show at CA’s Santa Barbara Bowl, “A.M. RADIO” is streaming now at YouTube HERE.
“Nick told me he wanted to make this a video that was like a Nike commercial for artists,” Schultz says. “We loved the idea so we went back to our Ramsey High School to film the video – BIG thanks to RHS for letting us take over for a few days. It tells the story of three different artists in high school who just won’t quit.”
The 2x GRAMMY® Award-nominated band’s fourth studio album, BRIGHTSIDE arrives Friday, January 14, 2022 via Dualtone in the U.S. & Canada and Decca Records for the rest of the world; pre-orders are available now HERE. The eagerly awaited album includes the chart-topping first single and title track, “BRIGHTSIDE,” which recently made history by ascending to #1 on Billboard’s “Adult Alternative Airplay” chart – the band’s sixth time atop that ranking in less than 10 years. The Lumineers now boast the most #1 singles among all acts on that chart in the span since achieving their first AAA chart-topper in 2012. In addition, “BRIGHTSIDE” continues its run at #1 on Mediabase’s “Triple A” tally while also standing strong at #3 on Billboard’s Alternative National Airplay” chart.
Produced by longtime collaborator Simone Felice and produced, mixed, and engineered by David Baron over two sessions in winter and spring 2021 at Baron’s Sun Mountain Studios in bucolic Boiceville, NY, BRIGHTSIDE marks The Lumineers’ first new music in more than two years as well as the band’s most joyous and spontaneous piece of work thus far. The nine-song collection sees The Lumineers’ co-founders/co-songwriters Wesley Schultz and Jeremiah Fraites performing virtually all of the eclectic, effervescent instrumentation, with Baron on a wide variety of keyboards and backing vocals and more by Simone Felice, touring members Byron Isaacs and Lauren Jacobson, famed backing singer Cindy Mizelle (Bruce Springsteen, Dave Matthews Band), The Felice Brothers’ James Felice, and acclaimed singer-songwriter Diana DeMuth.
Def Leppard and lead singer Joe Elliott, Duran Duran’s Simon Le Bon and John Taylor, Living Colour, Rob Thomas, Gary Oldman, Walk the Moon, Jake Wesley Rogers along with a special appearance by Ricky Gervais are among the artists joining the second annual A Bowie Celebration, set for January 8, 2022, what would have been David Bowie’s 75th birthday. The event, like last year’s inaugural live stream, will be available on RollingLiveStudios.com to enjoy worldwide for 24 hours.
This year’s A Bowie Celebration will also celebrate the 35th anniversary of Labyrinth, the classic fantasy film and Jim Henson/David Bowie collaboration, with a special performance from actress Evan Rachel Wood, and an appearance by Brian Henson. The show will be dedicated to frequent Bowie photographer Mick Rock, and will include never-before-seen interview footage.
The band will be comprised of former Bowie alumni band members from throughout his legendary career, led by Mike Garson, who was the rock icon’s longest running and most frequently used band member. Other band members will include Earl Slick, Charlie Sexton, Alan Childs, Steve Elson, Mark Guiliana, Omar Hakim, Stan Harrison, Tim Lefebvre, Gerry Leonard and Carmine Rojas.
A portion of the ticket sales will go to the Save the Children organization, a charity important to Bowie and the beneficiary of funds raised from his 50th Birthday Concert held in 1997 at Madison Square Garden.
Additional guest vocalists set to perform Bowie favorites include Gail Ann Dorsey, Bernard Fowler, Judith Hill, Gaby Moreno, Gretchen Parlato, Joe Sumner and more to be announced. Line-up subject to change.
Americana/alt-country and roots-rock band, Greensky Bluegrass are thrilled to share "Absence of Reason" off the band's forthcoming studio album Stress Dreams. WMOT - Middle Tennessee Public Radio and roots music discovery station premiered the track earlier this week calling the band "game changing." Stress Dreams is due out on January 21 via Thirty Tigers.
The new song was written by Paul Hoffman who said "I want all the songs to be really close to my heart but sometimes when I’m a little detached there’s more freedom to explore the potential. I just loved this interval and all the chord flips that create tonal ambiguity. songs like this always become surprise favorites for me. somehow, free from emotional attachment, they become quintessential Greensky. this song feels like an example of an idea defined by a band. what once was simple, is now unique."
Absence of Reason follows the releases of "Grow Together" which premiered exclusively via The Boot who said, “this song will hit you right in the heart.” And "Monument" - a powerful song written by Anders Beck who remarks “this song is essentially about what it was like to have my life, career, and world slammed to a halt by the Covid-19 pandemic.
Greensky is currently in Mexico at their annual Strings & Sol festival, upon their return the band will round out the year for two NYE shows in Saint Louis and then will head to Denver for a two show run at The Mission Ballroom before heading out on a 19-date tour with very special guests The Infamous Stringdusters.
All up to date news tour info can be found at greenskybluegrass.com.
Tour Dates
Dec 30-31 @ The Factor | St. Louis, MO
Jan 7-8 @ The Mission Ballroom | Denver, CO
Featuring Very Special Guests The Infamous Stringdusters
Jan 20 @ The Palace Theatre | Albany, NY
Jan 21 @ The Met Philadelphia | Philadelphia, PA
Jan 22 @ The Capitol Theatre | Port Chester, NY
Jan 26 @ Flynn Theatre | Burlington, VT
Jan 27 @ The State Theatre | Portland, ME
Jan 28-29 @ House of Blues | Boston, MA
Feb 2 @ Stage AE | Pittsburgh, PA
Feb 3 @ Agora Theatre & Ballroom | Cleveland, OH
Feb 4-5 @ The Anthem | Washington, DC
Feb 17 @ The Pavilion at Pan AM | Indianapolis, IN
Feb 18 @ Fillmore Detroit | Detroit, MI
Feb 19 @ Riverside Theatre | Milwaukee, WI
Feb 20 @ The Palace | St. Paul, MN
Feb 23 @ Old Forester’s Paristown Hall | Louisville, KY
Feb 24 @ Iron City | Birmingham, AL
Feb 25-26 @ The Tabernacle | Atlanta, GA
Since their 2000 formation in Kalamazoo, MI, the quartet—Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [mandolin]—have unassumingly progressed into a phenomenon on their own terms with the undying support of a devout audience. Rolling back and forth across North America on successive tours, they’ve sold out multiple dates at Red Rocks Amphitheatre, the Ryman Auditorium, the Fillmore Detroit, Riviera Theater Chicago, and many more. Beyond standout sets at Bonnaroo, Outside Lands, New Orleans Jazz Festival, Telluride Bluegrass Festival, and Austin City Limits, they co-own and have headlined 4848 Festival and Strings & Sol. During 2019, All For Money marked their second #1 debut on the Billboard Top Bluegrass Albums Chart and third straight Top 3 entry. They’ve also earned critical acclaim from Billboard, Parade, NPR, and Rolling Stone who hailed them as “representing the genre for a whole new generation.”
For the past century, bluegrass music has traditionally relayed real tales of American life, struggle, tragedy, and triumph. It gives a voice to the quiet, yet colorful stories woven into the fabric of the country itself. Greensky Bluegrass live these stories through their records and performances.
When touring ceased in 2020 in the face of the global pandemic, the band hunkered down and compiled demos individually at first, sharing emails and voice notes. In July 2020, they got together for the first time in four months, dedicating rehearsals to the development of the new material. Once circumstances safely permitted, they recorded what would become Stress Dreams during a session in Guilford, VT and two sessions in Asheville, NC with frequent collaborator “and old friend” Dominic John Davis as producer and “wizard engineer” Glenn Brown mixing. They preserved the hallmarks of their sound while widening its expanse.
“Greensky is and always has been very unique in our world,” says Paul Hoffman. “We put our love, energy, and focus into what we appreciate about our music. We come together as a band in a way that’s organic. We take a lot of pride in how we grow and challenge each other too. We’re maturing together. I think we get more Greensky all of the time.”
Today, Rolling Stone Country shared their highly anticipated top albums of the year list naming Maggie Rose among the top 25 of the year alongside artists like Morgan Wade, Eric Church, Sturgill Simpson, Brandi Carlile, and Kacey Musgraves saying:
"For Have a Seat, her first album since tearing up the country music script in 2018 and throwing herself into the spontaneity of jam-rock, Maggie Rose put Nashville even further in the rearview, decamping to Muscle Shoals, Alabama, to record at FAME Studios. The result is a living, breathing album that oozes soul. Nothing is sterilized here: the vocalist and band Them Vibes cut live on the floor, making R&B numbers like “Telephone” and “Best in Me” sound particularly loose. On “What Makes You Tick,” she enlists Marcus King to play Duane Allman to her Aretha. High praise, sure, but it’s as good as any guitarist-belter collab you’ll hear this year."
On December 15, Black Music Action Coalition will host “This is How I Show Up,” the first in a series of conversations around race and identity in the music industry, and their effects on mental health. The event will be hosted in partnership with Black Mental Health Alliance and Backline, the music industry’s mental health and wellness resource.
The event will highlight the many ways in which music industry professionals show up in the world, and for themselves. Black professionals and other persons of color within the music industry need to know that their mental health and well-being truly matter. Thus, this forum will offer participants with a special culturally responsive, life-affirming and healing-centered experience that will serve as the launching pad for a series of ongoing healing activities and solution focused convenings through 2022.
More than just conversation, the event will point to culturally competent mental health resources and opportunities for deeper healing, as well as actions that can be taken to move the needle.
This is How I Show Up is a free event, meant to foster further action across the music industry to protect the mental health of industry professionals. This will be the first of a series of events hosted by these partners in the next year.
ABOUT THE BLACK MUSIC ACTION COALITION
Tuesday June 2, 2020, the music industry went silent for one day to join the fight for equality as part of #BlackOutTuesday...the day the show paused!. This movement spread beyond the business and inspired tens of millions worldwide to follow suit. Galvanized by this historic moment, close to 200 preeminent artist managers, attorneys, business managers, agents and other industry executives signed up to join forces, instituting and introducing the first-ever BLACK MUSIC ACTION COALITION.
Together, these individuals form one common voice, representing the interests of artists, producers, songwriters, and executives.
This illustrious cadre of industry heavyweights notably represents artists who comprise a majority of the industry’s revenue.
This advocacy organization endeavors to uphold and actualize the mission of Black Lives Matter in the music industry and reach racial justice not just across labels, publishers, agencies, distributors, and DSP’s but throughout society at large. BMAC works together with leaders from various business leaders to hold their companies accountable and implement a system of checks and balances to ensure change takes root. The group fosters and shepherds various educational, mental health, financial literacy, entrepreneurship, policing, social justice, and political causes that directly impact Black communities. In 2021, the BMAC released the first annual Music Industry Action report card that measured and assessed the music industry’s progress toward achieving racial justice and equity. To commemorate the report card, BMAC also held the inaugural Music In Action Awards Gala to honor musicians, activists and industry professionals who have used their platforms to enact change within the music industry and broader society.. The Weeknd, H.E.R., Ethiopia Habtemariam Ben Crump and more were honored for their contributions to change.
Real change begins now with BMAC. BLACK MUSIC MATTERS. BLACK LIVES MATTER.
ABOUT THE BLACK MENTAL HEALTH ALLIANCE
The Black Mental Health Alliance (BMHA) is a 501(c) (3) non-profit advocacy and membership organization, comprised of culturally competent professionals and community centered licensed behavioral health clinicians. The primary mission of the BMHA is to provide a trusted forum to lead and promote a holistic, culturally relevant approach to the development and maintenance of whole health, mental health programs and services for Black people and other vulnerable communities.
ABOUT BACKLINE
Backline is a national 501(c)(3) nonprofit organization that connects music industry professionals and their families with mental health and wellness resources—streamlining access to a network of trusted organizations and care providers that truly understand this line of work.
Life in this industry can be incredibly isolating and difficult; Backline provides a safe, private, and immediate place to go for help. Available for free to artists, managers, agents, crew, producers, labels, and their families, Backline programs offer case management, support groups, and wellness programs to meet the needs of this unique community.
An all-star cast from the worlds of music, TV, film and comedy have come together to honor George Harrison in the first-ever official music video for his iconic hit song, “My Sweet Lord.” Directed by Lance Bangs, and executive produced by Dhani Harrison and David Zonshine, the video stars Fred Armisen and Vanessa Bayer as metaphysical special agents who are tasked by the head of a clandestine agency, played by Mark Hamill, to search for that which can’t be seen.
Along the way dozens of agents team up to look high and low for what may have been right in front of their face all along, mirroring the seeking nature of the song. More than forty musicians, actors, comedians, directors, artists and other creatives make appearances, ranging from Harrison’s friends and former band mates Ringo Starr and Jeff Lynne; to actors Darren Criss, Jon Hamm, Rosanna Arquette; musicians Joe Walsh, “Weird Al” Yankovic, Reggie Watts, comedians Moshe Kasher, Natasha Leggero, Patton Oswalt; comedy duos Tim and Eric (Tim Heidecker and Eric Wareheim) and Garfunkel and Oates (Kate Micucci and Riki Lindhome); and others like writer, actor, director Taika Waititi (“What We Do In The Shadows,” “Jojo Rabbit,” “Thor”) and visual artist Shepard Fairey. The video also features Harrison’s wife Olivia Harrison and their son Dhani Harrison, who appear in scenes with actress Aimee Mullins and actor Rupert Friend, respectively. The full cast list in order of appearance is below.
In addition to Harrison’s massive influence on popular music as a member of The Beatles and his successful solo career, the legendary songwriter, musician, film producer and peace activist also greatly influenced the comedy world through his groundbreaking British film studio, HandMade Films, which was responsible for such classic films as Monty Python’s “Life Of Brian,” “Time Bandits” and the cult favorite, “Withnail and I.” This music video pays tribute to Harrison’s sense of humor and his indelible impact on both music and comedy.
"Making this was one of the most fulfilling experiences of my life,” says director Lance Bangs. “The approach was to represent the song visually while these agents and inspectors kept missing the metaphysical wonder around them. Images are choreographed to the sounds of vocal melodies, guitar strums, drum patterns, chord changes. George threaded a sense of humor through all of his videos, so we kept that spirit and filled the cast with friends and admirers of his music, many coming from the current comedy landscape. I tracked down vintage prime lenses from some of the films George's HandMade Films had produced, and I hope that viewers can feel a sense of wonder and searching while they watch it, and that the song continues to add to all of our lives.”
The video for “My Sweet Lord” boasts the new 2020 mix of the song mixed by triple GRAMMY Award-winning engineer, Paul Hicks (The Beatles, The Rolling Stones, John Lennon), released August 6 via Capitol/UMe on a suite of 50th anniversary editions of Harrison’s monumental masterpiece, All Things Must Pass. In celebration of its 50th anniversary, All Things Must Pass has been reissued in an array of formats, from a lavish and incredibly limited edition Uber Deluxe to an expansive Super Deluxe Edition box set to a variety of CD and vinyl configurations, in addition to streaming and download configurations. Harrison’s masterwork has been completely remixed from the original tapes and expanded with 47 (42 previously unreleased) demos and outtakes, allowing listeners to enjoy and explore the album and the recording sessions like never before. Decades in the making and lovingly crafted by the Harrison family, the album was remixed to fulfill Harrison’s longtime desire. Executive produced by Dhani Harrison, with the product produced by David Zonshine, the new mix transforms the album by sonically upgrading it - making it sound brighter, fuller and better than ever. For more info or to purchase visit GeorgeHarrison.com
Half a century since its initial release, the 7x platinum All Things Must Pass, only continues to grow in influence and stature, underscoring the love for George Harrison and his timeless music. Most recently, “My Sweet Lord” was certified platinum, while the 50th Anniversary Uber Deluxe Edition of All Things Must Pass received a GRAMMY nomination for Best Boxed Or Special Limited Edition Package for the 64th Annual GRAMMY Awards, taking place January 31, 2022.
“My Sweet Lord”
Written & Directed By
Lance Bangs
Executive Produced By
Dhani Harrison
David Zonshine
Featuring In Order of Appearance:
Mark Hamill
Fred Armisen
Vanessa Bayer
Moshe Kasher
Natasha Leggero
Jeff Lynne
Reggie Watts
Darren Criss
Patton Oswalt
“Weird Al” Yankovic
David Gborie
Sam Richardson
Atsuko Okatsuka
Rosanna Arquette
Brandon Wardell
Ringo Starr
Joe Walsh
Jon Hamm
Brett Metter
Anders Holm
Dhani Harrison
Rupert Friend
Angus Sampson
Taika Waititi
Eric Wareheim
Tim Heidecker
Kate Micucci
Riki Lindhome
Alyssa Stonoha
Mitra Jouhari
Sandy Honig
Olivia Harrison
Aimee Mullins
Courtney Pauroso
Natalie Palamides
Shepard Fairey
Claudia O'Doherty
Tom Scharpling
Paul Scheer
Sarah Baker
2x GRAMMY® Award-winner Shooter Jennings has announced the digital premiere of yet another previously unheard new track. "Gene's Song" is available now at all DSPs and streaming services and follows the American Songwriter premiere earlier today.
"I’m 2016 I wrote and recorded a series of songs for an album I called “Over A Cocaine Rainbow”. Like 'Leave Those Memories Alone,' which we released last month, many of these songs were tributes to people who touched my life in special ways. While the full album may never see the light of day, I felt it would be a disservice not to release the songs that paid tribute to my friends through my life. 'Gene’s Song' is one of my favorites from the sessions.
"Gene Sizemore taught Art at the University School of Nashville, where I attended for my last two years of high school. Right off the bat, I loved Gene, but unbeknownst to me, we would forge a deep friendship that carried all the way until his death. When I came back to Nashville, I would visit Gene at the art supply store that he founded and ran. We would sit back and listen to music and talk about the world and catch up.
"He provided a foundation and mentorship to some degree that really helped me in hindsight, especially after losing my dad as a young man. He was a great man, a funny man, and a blues man. He loved music, art, and life and always brought a smile to my face.
"Before he died, Gene drew pictures for the folks that he had special relationships with. One day I received one of these drawings: a pistol with 'Gene' written below it. It touched me beyond words and inspired me to paint my own picture of him after he passed away.
"I hope you enjoy the song. It really is a tribute to Gene Sizemore’s profound impact on my life and a celebration of his life and legacy.
"Here’s to you, Gene!"
# # #
"Gene's Song" follows the release last month of “Leave Those Memories Alone.”
"In 2017, we went in and recorded an entirely new album called 'Over A Cocaine Rainbow,'" says Jennings. "Once the album was done, at the time, I felt it was too dark and experimental and wasn't the right album to be released. Many of the songs from the album are tributes to friends who have passed on. The first song I wrote for the album was taken from a title that the late great Colonel Jon Hensley had given me, 'Leave Those Memories Alone.' After Jon passed away, I decided to write the song and make it a tribute to him. This will be the first in a series of releases from 'Over A Cocaine Rainbow.' I'm very happy this song is finally seeing the light of day and am very proud of this whole album. I hope you enjoy it and stay tuned for more..."
Recorded between 2016-2018 for a still-unreleased album to be titled Over A Cocaine Rainbow, the soulful “Leave Those Memories Alone” continues a typically busy year for Jennings, including the release of two new albums produced by the multi-talented artist/musician/producer. Brandi Carlile’s In These Silent Days (Low Country Sound/Elektra Records) is available everywhere now; Jason Boland & The Stragglers’ The Light Saw Me (Thirty Tigers/Proud Souls Entertainment) follows on Friday, December 3. A diverse variety of additional productions will follow later this year and into 2022.
In addition, Jennings recently shared his “From Here to Eternity (Goof The Floof Remix),” available now at all DSPs and streaming services. Written by Giorgio Moroder and Pete Bellotte, the original version of “From Here To Eternity” was among the highlights of Jennings’ historic 2016 album, Countach (For Giorgio), an extraordinarily heartfelt tribute to the legendary Moroder that reached #7 on Billboard’s “Top Dance/Electronic Albums” chart upon its initial release – a rare achievement placing Jennings alongside Diplo and Miley Cyrus as one of very few artists to achieve top 10 success on both the “Top Dance/Electronic Albums” and “Top Country Albums” charts.
LISTEN TO “FROM HERE TO ETERNITY (GOOF THE FLOOF REMIX)”
Named “Hot New Producer” in Rolling Stone‘s 2020 “Hot List” issue, Shooter Jennings’ growing production discography has seen him earning a wide range of media attention, with the influential Saving Country Music writing, “Sitting in the producer chair and leaning over a mixing board, Shooter has found a renewed passion and enthusiasm for music, and is using it not just for the famous who have the opportunity to be considered for GRAMMY® Awards, but for some of the most important unheralded voices in country and Americana…Being a producer now feels like the primary focus or at least an equal effort for the second-generation performer. And most importantly, that’s where Shooter’s passion is.”
For nearly two decades, Shooter Jennings has defied expectations while constantly expanding the parameters of country, rock ‘n’ roll, and beyond. The scion of American music royalty, he has affirmed his own place in histories still to come as a truly limitless artist whose ambitious experimentation spans myriad genres and creative platforms, from releasing eight solo LPs, countless EPs, and founding his own label and multimedia outlet, Black Country Rock, to hosting his “Shooter Jennings’ Electric Rodeo” on Sirius XM’s Outlaw Country channel, and the creation of acclaimed BBS Door games (available via his own BCRGames.com).
Jennings honed his production skills helming sessions from such iconic artists as Jamey Johnson, Wanda Jackson, Billy Ray Cyrus, and his mom, Jessi Colter. 2018 saw him team up with longtime collaborator, 6x GRAMMY® Award-winner Dave Cobb, to co-produce Brandi Carlile’s critically hailed By The Way, I Forgive You. The album proved a landmark release, earning worldwide accolades and the 2019 GRAMMY® Award for “Best Americana Album.” In 2020, Tanya Tucker’s While I’m Livin’ – co-produced by Jennings and Carlile – garnered the country music legend her first-ever GRAMMY® Awards for “Best Country Album” and “Best Country Song.”
Stevie Van Zandt’s Renegade Circus and Sixthman, the industry leader in festivals at sea, continue their successful partnership of creating world-renowned music-themed cruises with the announcement of Outlaw Country West and The Great Rock ‘N’ Roll Sea Cruise. Tickets for both cruises are on sale now; visit outlawcountrywest.com or rocknrollseacruise.com to book.
A spin-off of the annual Outlaw Country Cruise, which has sold-out five consecutive events, Outlaw Country West offers customers a fresh itinerary that sails out of Los Angeles, CA November 3-8, 2022 making stops in Cabo San Lucas and Ensenada, Mexico.
The Great Rock ‘N’ Roll Sea Cruise goes international for its inaugural voyage sailing the Mediterranean Sea from Athens, Greece, August 18-23, 2022, with stops in Mykonos, Greece, and Izmir, Turkey.
“After five highly successful Outlaw Country Cruises sailing the Caribbean and a sold-out sixth coming in February 2022, we could not be more excited to expand this special festival at sea to the West Coast, sailing from Los Angeles. A new line-up never sailed destinations and a rockin’ country adventure awaits the Outlaw Country community with this new sailing,” said Anthony Diaz, CEO of Sixthman.
Sailing on Norwegian Jewel, Outlaw Country West will celebrate California’s Country Rock and Cow Punk legacy with Social Distortion, Lucinda Williams, Steve Earle, X, Los Lobos, Dave Alvin with the Guilty Ones, Jimmie Dale Gilmore, Chuck Prophet & The Mission Express, The Beat Farmers, Long Ryders, Rosie Flores, Jade Jackson, Lillie Mae, James Intveld, and Deke Dickerson & The Whippersnappers, along with hosts from SiriusXM’s Outlaw Country channel, including Elizabeth Cook, Jim Lauderdale and, of course, Mojo Nixon.
The Great Rock ‘N’ Roll Sea Cruise promises five nights with Punk Rock pioneers The Stranglers, Buzzcocks, The Dictators, and two original members of the Sex Pistols - Paul Cook with The Professionals, and Glen Matlock; Pub Rock icons Graham Parker and Wilko Johnson; Poguetry featuring Spider Stacy and Cait O’Riordan performing songs of the Pogues; Mekons, The Nomads, and Steve Wynn; along with multiple DJ’s from Little Steven’s Underground Garage on SiriusXM performing with their bands including Michael Des Barres performing with Kris Rodgers and The Dirty Gems, Peter Zaremba (The Fleshtones), Kelly Ogden (The Dollyrots), The Mighty Manfred (The Woggles), and Palmyra Delran, with more artists to be announced soon.
“Put your seatbelts on Rock and Roll fans…the coolest cruise in the world is coming at you from Athens, Greece next August!” added Diaz.
Guests can expect artists performing multiple sets in a variety of venues, along with radio tapings, panel discussions, film screenings, and other interactive artist activities while visiting exotic European ports sailing on Norwegian Jade.
Sixthman is proud to participate in Norwegian Cruise Line Sail Safe, the leading health and safety program that allows customers to cruise with the ultimate freedom and confidence. For more information on Sail Safe visit ncl.com/sail-safe.
Peter Jackson, the acclaimed film director of the critically lauded Beatles documentary Get Back will be the featured guest on Robert Rodriguez’s Something About The Beatles podcast. The director had been a fan of the podcast and he himself tracked down Rodriguez for a special three-hour conversation covering Michael Lindsay-Hogg’s goldmine of footage and the information that still could not fit in the new series’ nearly 8-hour runtime. Along for the chat is guest co-host Dan Rivkin of the They May Be Parted blog, which examines the Let It Be project in detail.
Rodriguez has broken the conversation down into three episodes (in the best Peter Jackson tradition), of an hour apiece. The second episode dropped on Monday December 13; the final installment arrives on December 19th. (Peter has indicated an interest in returning to the show, possibly even bringing a special guest along).
In episode one, Jackson reveals that a Blu-Ray is coming, in 2022 at the soonest, and that it will be all of the nearly 8-hour cut. He also defends Michael Lindsay-Hogg throughout, pointing out that the 2021 work people are admiring so much now was possible only because of the work that Lindsay-Hogg captured back in 1969.
Jackson describes how The Beatles were initially self-conscious before the cameras, and how they eventually let their guard down. Jackson describes Lindsay-Hogg’s technique of covering up a camera's power light to trick the group into believing they weren't being filmed, therein capturing priceless moments
In episode two, Peter discusses at length the technical challenge of taking previously believed worthless footage or tape and, through AI, suddenly revealing conversation buried beneath the noise and cross chatter. Nowhere is this more evident than in the moment after George quits when John and Paul have a frank, serious discussion, believing that what they're saying is private. The surreptitiously taped discussion was long believed to be frustratingly inaudible underneath the sounds of clattering silverware and ambient noise. With Peter's innovative use of technology, this Holy Grail of moments suddenly came to light.
Episode three wraps up with a discussion of how, despite how these sessions were described by the participants after the fact, their friendship was intact. He also discusses the intent behind the sneak peek reel, and how it wasn't intended to give the feel of the full piece doc. Lastly, Jackson notes a number of moments that were necessarily cut from the doc and how he's keeping track of them, in case an extended cut opportunity comes his way.
Noel Gallagher has been added to the line-up of the second annual A Bowie Celebration, set for January 8, 2022, what would have been David Bowie’s 75th birthday. They join Def Leppard and lead singer Joe Elliott, Duran Duran’s Simon Le Bon and John Taylor, Living Colour, Rob Thomas, Gary Oldman, WALK THE MOON and Jake Wesley Rogers, along with a special appearance by Ricky Gervais. The event will be available on RollingLiveStudios.com to enjoy worldwide for 24 hours.
This year’s A Bowie Celebration will also honor the 35th anniversary of Labyrinth, the classic fantasy film and Jim Henson/David Bowie collaboration, with a special performance from actress Evan Rachel Wood, and an appearance by Brian Henson. The show will be dedicated to frequent Bowie photographer Mick Rock, and will include never-before-seen interview footage.
The band will be comprised of former Bowie alumni band members from throughout his legendary career, led by Mike Garson, who was the rock icon’s longest running and most frequently used band member. Others include David Sanborn, Earl Slick, Charlie Sexton, Alan Childs, Steve Elson, Mark Guiliana, Omar Hakim, Stan Harrison, Tim Lefebvre, Gerry Leonard and Carmine Rojas.
$2 per ticket purchase will be donated to the Save the Children organization, a charity important to Bowie and the beneficiary of funds raised from his 50th Birthday Concert held in 1997.
Additional guests set to perform Bowie favorites include Gail Ann Dorsey, Bernard Fowler, Judith Hill, Gaby Moreno, Gretchen Parlato, Joe Sumner, The Section Quartet, plus Kitten Kuroi, Maiya Sykes, and Jules Galli who are also singing with the band with more to be announced. Line-up subject to change.
Tickets are on sale now at http://RollingLiveStudios.com/Bowie. The livestream, beginning at 6PM PST, will be available for 24 hours after the event. VIP ticket bundles include various exclusive merchandise and opportunities, including access to a virtual Q&A with members of the band and even a custom piano track from Garson himself.
Garson played on dozens of Bowie albums and performed in more concerts with Bowie than any other band member, including both Bowie’s first and final performances in the United States.
Mike Garson says, “It’s an honor to be able to continue to share David Bowie’s music with the world. I’m excited for everyone to be able to experience this very special show we’ve got in store in celebration of what would have been David’s 75th birthday with the bandmates he recorded and performed with, plus a great group of guest artists who he was such an influence to.”
Rolling Live Studios have quickly become the preeminent producers of premium events and livestreams, including WME partner Richard Weitz’s now-legendary Quarantunes series.
“It’s an absolute thrill for me and the stellar team at Rolling Live Studios to be producing and directing A Bowie Celebration for the second year,” said RLS founder Kerry Brown. “Working with my dear friend and Bowie’s piano man Mike Garson alongside the best musicians and artists in the world celebrating David Bowie’s amazing career is a dream come true.”
Chrissie Hynde has announced plans for a very special livestream holiday event. Filmed and recorded live at London’s historic Royal Opera House, CHRISSIE HYNDE & CO. SING BOB DYLAN (AND OTHER SONGS) premieres Sunday, December 26, at 3:00 PM (EST), with on-demand viewing available through Monday, January 3 at 2:59 AM (EST). Tickets for CHRISSIE HYNDE & CO. SING BOB DYLAN (AND OTHER SONGS) are available via Veeps exclusively at chrissiehynde.veeps.com.
BUY TICKETS CHRISSIE HYNDE & CO. SING BOB DYLAN (AND OTHER SONGS)
CHRISSIE HYNDE & CO. SING BOB DYLAN (AND OTHER SONGS) will see Hynde performing songs from her acclaimed latest album, Standing In The Doorway: Chrissie Hynde Sings Bob Dylan, alongside classics from Ray Davies, Charles Trenet, Hoagy Carmichael, and her own legendary catalog. Hynde is joined for the stripped-back, intimate performance by a crack combo comprising Pretenders guitarist James Walbourne, keyboardist Carwyn Ellis (Pretenders, Edwyn Collins), and Danny Williams (Black Grape, Peter Bruntnell) on upright bass.
A brand new album of original Bob Dylan covers, Standing In The Doorway: Chrissie Hynde Sings Bob Dylan is available now via BMG. The nine-track collection includes stunning new interpretations of such Dylan songs as “You’re a Big Girl Now,” “Love Minus Zero / No Limit,” “Don’t Fall Apart on Me Tonight,” and “Every Grain of Sand,” recorded last year during lockdown by Hynde and her longtime collaborator and Pretenders bandmate, James Walbourne. Standing In The Doorway was made almost exclusively via text message, with Walbourne recording initial musical ideas on his phone and then sending it off to Hynde to add her vocal. The new versions were then mixed by multiple GRAMMY® Award-winning producer/engineer/mixer Tchad Blake (The Black Keys, Fiona Apple) before originally premiering via The Pretenders’ official YouTube channel.
The intimate process behind Standing In The Doorway: Chrissie Hynde Sings Bob Dylan is captured in Tomorrow Is A Long Time, a new documentary by International Emmy® Award-winning filmmakers Michael Nunn and Billy Trevitt (Romeo & Juliet: Beyond Words, BalletBoyz). The acclaimed film had its long-awaited United Stated premiere earlier this month via AXS TV.
PRAISE FOR STANDING IN THE DOORWAY: CHRISSIE HYNDE SINGS BOB DYLAN:
“Hynde has always had a rare knack for figuring out what she has in common with the soul of song and playing that up…Rather than reinterpret ‘Like a Rolling Stone’ and ‘Mr. Tambourine Man’ like masters of warhorses, Hynde and Walbourne opted for less obvious fare, including many recordings Dylan made in the early Eighties, allowing Hynde a wider berth to fit them to her voice and character.”
– ROLLING STONE (****)
“There isn’t a false note on this entire album. Hynde sings every song as though she’s telling you about experiences she’s had. The dry bitterness that can overwhelm some of these compositions when Dylan performs them ripens into a more lush atmosphere here.”
– NPR
“Rewarding and often illuminating…These versions focus on Hynde’s distinctive voice, phrasing and of course, Dylan’s creative wordplay…Standing In The Doorway displays her ability to inject a fresh approach to Dylan’s timeless work, revealing nuances of his writing that often get overlooked in his or others’ hands.”
– AMERICAN SONGWRITER
The Allman Betts Band has announced their 'Trippin' into Spring 2022' tour dates. The run will begin on March 1 in Milwaukee, WI, and will make stops across the country and Hawaii.
Ahead of the Spring tour, the Allman Betts Band will be on the road as part of The Allman Family Revival tour - a 19 date, star-studded celebration of the life, spirit, and music of Gregg Allman.
All up to date news and tour information can be found at allmanbettsband.com.
TRIPPIN' INTO SPRING 2022
3/1 @ Turner Hall Ballroom | Milwaukee, WI
3/2 @ Kalamazoo State Theatre | Kalamazoo, MI
3/3 @ Kent State University | Kent, OH
3/4 @ Riverfront Live | Cincinnati, OH
3/5 @ Robins Theatre | Warren, OH
3/6 @ EXPRESS LIVE! | Columbus, OH
3/9 @ Town Ballroom | Buffalo, NY
3/10 @ The Stanley Theatre | Utica, NY
3/12 @ Garde Arts Center | New London, CT
3/16 @ Lebanon Opera House | Lebanon, NH
3/18 @ Loos Center for the Arts | Woodstock, CT
3/24 @ Hart Theatre at The Egg | Albany, NY
3/27 @ Whitaker Center | Harrisburg, PA
4/1 @ Hawaii Theatre | Honolulu, HI
4/2 @ Maui Arts & Cultural Center | Kahului, HI
“Grow Together,” the newest song from Americana/alt-bluegrass outfit Greensky Bluegrass is out everywhere now. The new song was written by Paul Hoffman upon the arrival of his daughter. “I wrote this with my 5-week-old daughter at my feet. She laid there and listened, so content. I hoped this was the first of many experiences like this for her and I," Hoffman told The Boot. "I reflected on the amazing gift her mother had given me and 'Grow Together' just fell out of my heart," Hoffman continues. "It's a testament to a new chapter in my life and a love song for the woman who made me a father."
Accompanying the song is a documentary-style music video that offers intimate and behind the scenes content. A perfect visual companion for such a powerful song.
Stress Dreams, the band’s eighth studio album is due out on January 21 via Thirty Tigers.
Greensky will continue their rigorous touring schedule along the West Coast this November, and will make their way to Mexico for Strings & Sol in December and will round out the year for two NYE shows in Saint Louis. The band recently announced their Winter 2022 dates which will kick off on January 7 for two shows in Denver at The Mission Ballroom before launching a 19-date tour with very special guests The Infamous Stringdusters.
Tour Dates
Dec 30-31 @ The Factor | St. Louis, MO
Jan 7-8 @ The Mission Ballroom | Denver, CO
Featuring Very Special Guests The Infamous Stringdusters
Jan 20 @ The Palace Theatre | Albany, NY
Jan 21 @ The Met Philadelphia | Philadelphia, PA
Jan 22 @ The Capitol Theatre | Port Chester, NY
Jan 26 @ Flynn Theatre | Burlington, VT
Jan 27 @ The State Theatre | Portland, ME
Jan 28-29 @ House of Blues | Boston, MA
Feb 2 @ Stage AE | Pittsburgh, PA
Feb 3 @ Agora Theatre & Ballroom | Cleveland, OH
Feb 4-5 @ The Anthem | Washington, DC
Feb 17 @ The Pavilion at Pan AM | Indianapolis, IN
Feb 18 @ Fillmore Detroit | Detroit, MI
Feb 19 @ Riverside Theatre | Milwaukee, WI
Feb 20 @ The Palace | St. Paul, MN
Feb 23 @ Old Forester’s Paristown Hall | Louisville, KY
Feb 24 @ Iron City | Birmingham, AL
Feb 25-26 @ The Tabernacle | Atlanta, GA
Americana/alt-country and roots-rock band, Greensky Bluegrass are kicking off 2022 with a brand new song, and the title track off their forthcoming album "Stress Dreams." Stress Dreams is due out on January 21 via Thirty Tigers.
"Stress Dreams" follows the releases of "Absence of Reason," "Grow Together," and "Monument."
"This Sounds like a quarantine song- and it truly became one - but was originally based on a recurring experience," explains Mike Devol. "I’d have what I began to call stress dreams, in which I’d need to be somewhere, often on stage, but for reasons beyond my control, I was unable to do so: my bass was in my car, the backstage door was locked. Sometimes in the dreams, I would need to text, but my phone wouldn’t type. I'd wake up and just be so relieved to not have to deal with the annoyance of whatever inconvenience I was facing. The song took on a melodrama, though, that I was happy to amplify. My wife walked through the room at one point when I was writing the mandolin solo melody in the middle and literally said, 'well, that’s dramatic.' Works for me."
"Not only did Devol write a lyrical epic story of a song, but created the music to match it." says Anders Beck, "So often a writer hits one mark or another, but on this one, Devol got both"
Greensky will kick off the year with a two-night run of shows in Denver at The Mission Ballroom which will include a special soundcheck set to benefit the Colorado communities affected by the recent fires:
Greensky Bluegrass and Mission Ballroom are heartbroken by the recent fires that have gutted communities in the Front Range of Colorado. We're teaming up to play a special 'soundcheck set' on Saturday, 1/8. For a minimum donation of $25 at the door to Conscious Alliance, ticket holders can gain early entry to the venue at 6pm and enjoy a 30 min Greensky set from 6:30-7pm. Additionally, we're coordinating an auction to benefit those directly affected featuring some truly unique Greensky items, a year long pass to Mission Ballroom and more. We hope you can join us for this special moment and provide much-needed support our neighbors who are facing incredible challenges this season.
Then, later this month the band will link up with The Infamous Stringdusters for a 19-date tour that will begin on January 20th in Albany, NY.
Tour Dates
Jan 7-8 @ The Mission Ballroom | Denver, CO
Featuring Very Special Guests The Infamous Stringdusters
Jan 20 @ The Palace Theatre | Albany, NY
Jan 21 @ The Met Philadelphia | Philadelphia, PA
Jan 22 @ The Capitol Theatre | Port Chester, NY
Jan 26 @ Flynn Theatre | Burlington, VT
Jan 27 @ The State Theatre | Portland, ME
Jan 28-29 @ House of Blues | Boston, MA
Feb 2 @ Stage AE | Pittsburgh, PA
Feb 3 @ Agora Theatre & Ballroom | Cleveland, OH
Feb 4-5 @ The Anthem | Washington, DC
Feb 17 @ The Pavilion at Pan AM | Indianapolis, IN
Feb 18 @ Fillmore Detroit | Detroit, MI
Feb 19 @ Riverside Theatre | Milwaukee, WI
Feb 20 @ The Palace | St. Paul, MN
Feb 23 @ Old Forester’s Paristown Hall | Louisville, KY
Feb 24 @ Iron City | Birmingham, AL
Feb 25-26 @ The Tabernacle | Atlanta, GA
Since their 2000 formation in Kalamazoo, MI, the quartet—Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [mandolin]—have unassumingly progressed into a phenomenon on their own terms with the undying support of a devout audience. Rolling back and forth across North America on successive tours, they’ve sold out multiple dates at Red Rocks Amphitheatre, the Ryman Auditorium, the Fillmore Detroit, Riviera Theater Chicago, and many more. Beyond standout sets at Bonnaroo, Outside Lands, New Orleans Jazz Festival, Telluride Bluegrass Festival, and Austin City Limits, they co-own and have headlined 4848 Festival and Strings & Sol. In 2019, All For Money marked their second #1 debut on the Billboard Top Bluegrass Albums Chart and third straight Top 3 entry. They’ve also earned critical acclaim from Billboard, Parade, NPR, and Rolling Stone who hailed them as “representing the genre for a whole new generation.”
For the past century, bluegrass music has traditionally relayed real tales of American life, struggle, tragedy, and triumph. It gives a voice to the quiet, yet colorful stories woven into the fabric of the country itself. Greensky Bluegrass live these stories through their records and performances.
When touring ceased in 2020 in the face of the global pandemic, the band hunkered down and compiled demos individually at first, sharing emails and voice notes. In July 2020, they got together for the first time in four months, dedicating rehearsals to the development of the new material. Once circumstances safely permitted, they recorded what would become Stress Dreams during a session in Guilford, VT and two sessions in Asheville, NC with frequent collaborator “and old friend” Dominic John Davis as producer and “wizard engineer” Glenn Brown mixing. They preserved the hallmarks of their sound while widening its expanse.
“Greensky is and always has been very unique in our world,” says Paul Hoffman. “We put our love, energy, and focus into what we appreciate about our music. We come together as a band in a way that’s organic. We take a lot of pride in how we grow and challenge each other too. We’re maturing together. I think we get more Greensky all of the time.”
Bonnaroo Music & Arts Festival has shared the lineup for this year’s edition of the internationally acclaimed camping festival, taking place June 16-19, 2022 on the Bonnaroo Farm, located just 60 miles southeast of Nashville in Manchester, TN. Bonnaroo 2022 will once again present a wide-ranging bill featuring a spectacular selection of top artists performing around the clock across more than 10 unique stages over the four-day festival.
Highlights will include performances by Tool, J. Cole, Stevie Nicks, The Chicks, Machine Gun Kelly, Flume, Illenium, Roddy Ricch, 21 Savage, Billy Strings, Robert Plant & Alison Krauss, $uicideboy$, and Porter Robinson. The complete Bonnaroo 2022 lineup is below.
Tickets for Bonnaroo will go on sale Thursday, January 13, at 12 pm (CT), exclusively via www.bonnaroo.com/tickets. Options include General Admission (4-Day), GA+ (4-Day), VIP (4-Day), Platinum (4-Day), General Admission Camping & Parking, VIP Camping, Platinum Camping, and more. As always, Bonnaroo will be offering a range of affordable options, with tickets starting at $35 down and accommodations available for as low as $99 per night. Car Camping Passes prices start at only $70 (plus fees) per car, not per person, allowing fans to both save money and reduce their carbon footprint by carpooling.
Bonnaroo has paid close attention to fan feedback throughout its history in order to best enhance the onsite experience, each year integrating new features and exciting upgrades to the overall event. Bonnaroo 2022 will see the debut of an array of additional activities and site improvements, including enhanced signage, wayfinding help, pedicabs, info booths, cooling stations, and much more.
PLAZAS:
Bonnaroo’s campground hubs of curated activities and convenience – known as Plazas – will return better than ever in 2022. Strategically located and well-lit public places throughout the campgrounds, Plazas include shade, free public Wi-Fi, charging stations, misting stations, showers, restrooms, medical and safety stations, information booths and incredible programming for the fans.
JAMTRAK:
This year’s Bonnaroo will see getting around the festival made easier and more convenient than ever before with the arrival of JamTrak, a free on-site transport system enabling attendees to easily travel day or night to and from Centeroo and the far away parts of the site.
STAGE IMPROVEMENTS:
Bonnaroo 2022 will also see a number of stage improvements, including a spectacular production makeover for the festival’s second biggest stage, The Which Stage. In addition, The Other Stage – Bonnaroo’s beloved home for electronic music – will now feature all-night performances and DJ sets through sunrise each day, along with spectacular new lighting, lasers, and surprises galore. Fans will also love the reinvention of the Silent Disco and the Who Stage, and even the What Stage has a special surprise in store.
CAMPING AND TENT OPTIONS:
2022 will also feature an assortment of improved camping options, including an updated campground layout allowing for more convenient camping closer to Centeroo. Bonnaroovians will have a new way to stay cool at this year’s festival with the introduction of Air-Conditioned Darkroom Tents, available for GA, GA+, and VIP ticket holders. All set up and ready to go upon arrival, each tent is completely opaque and comes with a choice of cot or inflatable bed, electric cooling unit, a souvenir blanket for each ticket holder, and more. This year will also see the introduction of Bonnaroo Daily Entry Camping Passes, a new system required for all vehicles and campers that will drastically cut wait times entering the festival site. GA ticket-buyers will be required to secure a vehicle pass by day for either Tuesday, Wednesday, or Weekend access from Thursday through Sunday. The earlier campers arrive, the closer they will camp in proximity to Centeroo. For more information please visit https://www.bonnaroo.com/accommodations.
VIP AND PLATINUM ENHANCEMENTS:
Bonnaroo’s VIP and Platinum guests will also enjoy a large number of upgrades, including a new VIP campground layout providing direct entry into the venue, broader dining options, and upgraded shower facilities. Platinum patrons will enjoy the best campground and amenities on the entire site, all in a new shaded grove just south of Centeroo. Enjoy all the classic Platinum amenities plus a dedicated Platinum vehicle entrance off Campground Road, full-service RV spots, expanded food and beverage offerings, as well as a completely shaded and wooded campground with newly added access to the Artist Lounge. New this year is the addition of the VIP Day Parking Pass, which must be purchased with a VIP or Platinum Ticket. To learn more about VIP & Platinum, please see www.bonnaroo.com/premium.
NASHVILLE AND CHATTANOOGA SHUTTLES:
Official Bonnaroo shuttle buses will now depart twice a day from Chattanooga as well as Nashville and return from The Farm twice each night. Pickup locations will be located near downtown in both cities, with free parking available for all shuttle pass holders. Single-day shuttle options will also be available. For full details, shuttle schedules, and pricing, please visit www.bonnaroo.com/accommodations.
Bonnaroo Music & Arts Festival is generously supported by Verizon, Toyota, PayPal, BACARDÍ®, and Corona Extra.
THE COMPLETE BONNAROO 2022 LINEUP IS BELOW:
THURSDAY, JUNE 16
Gryffin
Clozee
Sidepiece
Role Model
The Brook & The Bluff
Sons of Kemet
Goth Babe
Blu Detiger
Indigo De Souza
Adam Melchor
The Weather Station
Andy Frasco & The U.N.
Jessie Murph
The Dip
Nothi
Wreckno
VNSSA
Weval
Kenny Mason
Calder Allen
FRIDAY, JUNE 17
J. Cole
The Chicks
Illenium
Robert Plant & Alison Krauss
Disclosure
Lord Huron
The War On Drugs
King Gizzard & The Lizard Wizard
Goose
Bleachers
Isaiah Rashad
Lane 8
Still Woozy
Whiskey Myers
Denzel Curry
Japanese Breakfast
Tove Lo
Dayglow
John Summit
Arlo Parks
Chris Lorenzo
Tai Verdes
The Regrettes
J. Worra
LP Giobbi
Briston Maroney
Noga Erez
Phantoms
Ship Wrek
Westend
Maggie Rose
Claud
Southern Avenue
SATURDAY, JUNE 18
Tool
Flume
21 Savage
Billy Strings
$uicideboy$
Porter Robinson
Marc Rebillet
Chvrches
LANY
Ludacris
Chris Lake
Tobe Nwigwe
Judah & The Lion
Mt. Joy
100 gecs
All Time Low
Nora En Pure
Slowthai
Black Tiger Sex Machine
Ashe
Said The Sky
Pigeons Playing Ping Pong
Joy Oladokun
The Backseat Lovers
Benee
Habstrakt
Lucii
Femi Kuti & The Positive Force
Teddy Swims
Moore Kismet
Patrick Droney
Cory Henry
Lucille Croft
COM3T
SUNDAY, JUNE 19
Stevie Nicks
Machine Gun Kelly
Roddy Ricch
Nathaniel Rateliff & The Night Sweats
Rezz
Herbie Hancock
Puscifer
Wallows
Tash Sultana
Coin
G Jones
Zach Bryan
All Them Witches
Tinashe
Fletcher
Tierra Whack
Lettuce
Dombresky
Bas
Protoje
Of The Trees
Sierra Ferrell
Ravenscoon
Wild Rivers
Flipturn
A Hundred Drums
Access to the A Bowie Celebration livestream has been extended through Sunday, January 16th. The concert, with direction by Kerry Brown and musical direction by Mike Garson, took place on what would have been David Bowie’s 75th birthday and features Def Leppard, Duran Duran’s Simon Le Bon and John Taylor, William Corgan, Rob Thomas, Noel Gallagher, Living Colour, Evan Rachel Wood, Gary Oldman, WALK THE MOON and Jake Wesley Rogers among other special guests, including an appearance by Ricky Gervais. The event is available on RollingLiveStudios.com to enjoy worldwide through Sunday, January 16.
Highlights from this year’s concert include the first performance by Def Leppard in two years as they perform Bowie’s hit single “Drive-In Saturday.” Duran Duran’s Simon Le Bon and John Taylor perform an energetic“Let’s Dance” featuring many of the Bowie alumni musicians who recorded that mega-hit song with Bowie.
WALK THE MOON rocks three Bowie classics including “Fame,” “Golden Years” and “Under Pressure,” while Grammy Award winner Judith Hill soars to new heights with her take on “It Ain’t Easy” and her jaw-dropping duet of “Wild is the Wind” with The Rolling Stone’s Bernard Fowler who also expertly sings the Bowie classic “The Jean Genie.” The show features a stunning turn by Bowie alumni Gail Ann Dorsey who sings “Shadow Man” from Bowie’s just released Toy album, along with a gorgeous rendition of “Valentine’s Day” by Noel Gallagher.
Academy Award winning actor and friend of Bowie, Gary Oldman sings an emotional “Slip Away” while Living Colour offers a powerful “I’m Afraid of Americans” and a thrilling version of Bowie’s hit “Young American’s” with the song’s original legendary saxophone player David Sanborn. Up and coming singer/songwriter Jake Wesley Rogers commands the stage with show-stopping takes of “Modern Love” and “Life on Mars?” along with Matchbox Twenty’s Rob Thomas who performs “Changes” and a soaring “Heroes” encore.
This year’s show also honors the 35th anniversary of Labyrinth, the classic fantasy film and Jim Henson/David Bowie collaboration, with a special performance from actress Evan Rachel Wood and a beloved character from the film created by Jim Henson’s Creature Shop specifically for the event, along with an appearance by Brian Henson. The show is dedicated to frequent Bowie photographer Mick Rock.
The band is comprised of former Bowie alumni band members from throughout his legendary career, led by Mike Garson, who was the rock icon’s longest running and most frequently used band member. Other players include David Sanborn, Charlie Sexton, Alan Childs, Steve Elson, Mark Guiliana, Omar Hakim, Stan Harrison, Tim Lefebvre, Gerry Leonard, and Carmine Rojas.
Additional guest performers include Gaby Moreno, Gretchen Parlato, Joe Sumner, The Section Quartet, Billy Mohler, Max Gilbert, plus Kitten Kuroi, Maiya Sykes, and Jules Galli who sing with the band.
Kerry Brown’s Rolling Live Studios partnered with Mike Garson for this second A Bowie Celebration livestream concert with $2 per ticket purchase donated to the Save the Children organization, a charity important to Bowie and the beneficiary of funds raised from his 50th Birthday Concert held in 1997.
Tickets are on sale now at http://RollingLiveStudios.com/Bowie with VIP ticket bundles including various exclusive merchandise and opportunities such as access to a virtual Q&A with members of the Bowie alumni band and even a custom piano track from Garson himself.
Garson played on dozens of Bowie albums and performed in more concerts with Bowie than any other band member, including both Bowie’s first and final performances in the United States.
Mike Garson says, “It’s an honor to be able to continue to share David Bowie’s music with the world. I’m excited for everyone to be able to experience this very special show we’ve got in store in celebration of what would have been David’s 75th birthday with the bandmates he recorded and performed with, plus a great group of guest artists who he was such an influence to.”
Rolling Live Studios have quickly become the preeminent producers of premium events and livestreams, including WME partner Richard Weitz’s now-legendary Quarantunes series.
“It’s an absolute thrill for me and the stellar team at Rolling Live Studios to be producing and directing A Bowie Celebration for the second year,” said RLS Founder Kerry Brown. “Working with my dear friend and Bowie’s piano man Mike Garson alongside the best musicians and artists in the world celebrating David Bowie’s amazing career is a dream come true.”
To learn more about A Bowie Celebration, visit Facebook, Twitter and Instagram.
U-Roy is releasing the standard 2LP black vinyl of his critically acclaimed album SOLID GOLD U-ROY today. The album can be purchased HERE. This vinyl release follows Trojan Jamaica/BMG's offering of the Limited Edition 2LP Gold Vinyl exclusively available at VP Records retail outlets in Queens, NY, and Miramar, FL, and via VP Reggae HERE.
Both of these vinyl releases follow the creation of the official music video for U-Roy Feat. Jesse Royal’s “Small Axe (Jamaica Soundsystem Remix).” Directed by Daryl Higgins and Executive Produced by Gabriel Jagger for whynow alongside Trojan Jamaica co-chiefs Zak Starkey and Sharna “Sshh” Liguz, the new video interpolates historic footage of U-Roy and the newly Grammy-nominated Jesse Royal captured during sessions for the late reggae icon’s acclaimed new album, SOLID GOLD U-ROY, alongside iconic scenes from the legendary 1978 Jamaican film, Rockers (courtesy of Blue Sun Film Co.) featuring cameos by reggae superstars including world-renowned bassist Robbie Shakespeare, whose recent passing is still being mourned by the entire music community. Big Youth, Gregory Isaacs, Kiddus I, Ras Michael and The Sons of Negus, drummers Sly Dunbar and Leroy “Horsemouth” Wallace, percussionist Bongo Herman, engineer Sylvan Morris, guitarist Earl “Chinna” Smith, and horn players Bobby Ellis, Cedric “Im” Brooks, David Madden, Tommy McCook, and Richard “Dirty Harry” Hall all make appearances too. U-Roy feat. Jesse Royal’s “Small Axe (Jamaica Soundsystem Remix)” is streaming now via YouTube.
“I absolutely loved working with Zak and Sshh to create the ‘Small Axe’ video,” says Jagger. “It is such a privilege to work on this amazing track from U-Roy and Jesse Royal that breathes new life into Bob Marley’s iconic song.”
“Rockers is one of our favorite movies,” say Starkey and Liguz, “and we are blessed to have worked with Kiddus I, Big Youth, Horsemouth, Bongo Herman, Robbie Shakespeare, and other musical giants featured in the film, and we recently mixed a Gregory Isaacs tune. All of these guys represent the ‘Small Axe’ that is going to chop down ‘the big tree’”
The original version of U-Roy & Jesse Royal’s “Small Axe” can be found on the acclaimed new album, SOLID GOLD U-ROY, available now via Trojan Jamaica/BMG.
The dub-powered new take on Bob Marley’s classic early hit, “Small Axe” sees the late, great Daddy U-Roy trading big vocals with Kingston, Jamaica-based singer-songwriter Jesse Royal over an indelible riddim that is rich with instrumentation and reverb, yet leaves enough space as to highlight the contrasting deliveries of the singer and deejay, as well as the guitar and piano by Zak Starkey, organ by Robbie Lyn, and fresh backing vocal arrangements courtesy of Robbie Shakespeare, Tony Chin, and Sharna “Sshh” Liguz.
On hearing U-Roy & Jesse Royal’s version of “Small Axe,” legendary producer and Island Records founder Chris Blackwell commented, “I love the unique production sound, it’s “f*cking great!”
“It was and always will be an honor and a pleasure to work on U-Roy’s recordings,” says Zak and Sshh. “We miss him, but our mission is to keep his legacy strong with the music that lives on. Jesse Royal gives a stand-out performance with passion and talent that we have come to know from ‘the small axe’. Maximum Respect!”
“We are all from the same bloodline,” says Jesse Royal. “Products of one of the greatest places on Earth! Walking talking blessings. The session for me was a school, as whoever knows me knows that I’m an avid studier when it comes to the ones who set it! The vibrations are always high, as the respect is mutual, and for me the level of gratitude was undeniable! Incredible concept that the team came up with, and brilliant execution by the musical team. Truly honored to be a part of such an amazing project!”
SOLID GOLD U-ROY – which also features appearances from such icons as Ziggy Marley, Shaggy, Mick Jones of The Clash, Santigold, Sly & Robbie, David Hinds of Steel Pulse, Big Youth, Tarrus Riley, Rygin King, Richie Spice, and Scientist – has proven one of this year’s most celebrated releases.
Produced by Starkey and Liguz, with Martin “Youth” Glover (of Killing Joke), and mixed by David Sardy (Toots & The Maytals, Oasis, The Who), SOLID GOLD U-ROY further boasts a stellar band of superstar personnel comprised of Zak Starkey on guitar, as well as reggae royalty, including Sly Dunbar on drums, Robbie Shakespeare on bass and backing vocals, Tony Chin on guitar and backing vocals, Robbie Lyn on keyboards, Stingwray on trumpet, and the maestro Dean Fraser on saxophone and backing vocals.
The album recently spent several weeks atop the NACC (North American College & Community Radio) World charts, confirming that U-Roy's uniquely timeless sound has been fully embraced by a new generation of fans. Influential on-air personalities at key stations offered their thoughts:
"U-Roy has always been a huge staple in my musical collection,” shared Santa Monica-based KCRW’s Jason Kramer. He continued, “this new album is special because U-Roy also seamlessly passes the torch to the future of reggae music. His infectious toasting makes you want these songs never to end on this final Solid Gold masterpiece of classic songs. Most important when I was a youth staying in Boston Beach near Port Antonio, I remember vividly U-Roy played over the bar sound system. His sound just amplified the importance of Jamaican music and culture. Even though I was visiting, I felt like I was home."
"Solid Gold U-Roy is a beautiful celebration of his inimitable style and far-reaching impact on music. The inspired updates sound stellar and bring U-Roy's timeless flavor to a new generation of music lovers," added Seattle-based KEXP’s Kid Hops.
Originally scheduled for release in 2020, SOLID GOLD U-ROY now serves as a musical memorial to the one and only U-Roy, who sadly passed away on February 17 of this year. One of the most profoundly influential reggae stars of his generation, U-Roy left behind an unmatched legacy as an originator of the chatty rhythmic vocal style known as toasting – a key foundational element in the development of rap and hip hop in the 1970s. Ahmir “Questlove” Thompson, drummer and joint frontman of The Roots, paid tribute to U-Roy as “the god of toasting,” adding that “without him, we wouldn’t have the concept of hip-hop.”
The Lumineers are proud to announce today’s release of their eagerly anticipated new album, BRIGHTSIDE, available now via Dualtone in the U.S. & Canada and Decca Records for the rest of the world.
"Hope is a risky thing,” says The Lumineers singer-guitarist and co-founder Wesley Schultz. “It doesn’t ignore the danger, but rather it believes in the face of danger. BRIGHTSIDE is an album that hopes, even against the sadness and staggering odds.”
To celebrate today’s arrival of BRIGHTSIDE, The Lumineers have shared a visually arresting official music video for the album’s “WHERE WE ARE,” premiering today via Facebook at Noon Eastern Time. The video and song are based on a real life event involving Schultz and his future wife. It was directed by The Lumineers Creative Director and Schultz’s longtime friend Nicholas Sutton Bell and his brother Dylan Bell.
The 2x GRAMMY® Award-nominated band’s fourth studio album, BRIGHTSIDE includes such new favorites as “A.M. RADIO,” “BIG SHOT,” and the chart-topping first single and title track, “BRIGHTSIDE,” all joined by official music videos streaming now at YouTube. “BRIGHTSIDE” recently made history by ascending to #1 on Billboard’s “Alternative National Airplay” and “Adult Alternative Airplay” charts – the band’s sixth time atop the latter ranking in less than 10 years. The Lumineers now boast the most #1 singles among all acts on that chart in the span since achieving their first AAA chart-topper in 2012. The song “BRIGHTSIDE” has been #1 at AAA for eight weeks and has topped the Alternative chart for four weeks and counting.
Produced by longtime collaborator Simone Felice and produced, mixed, and engineered by David Baron over two sessions in winter and spring 2021 at Baron’s Sun Mountain Studios in bucolic Boiceville, NY, BRIGHTSIDE marks The Lumineers’ first new music in more than two years as well as the band’s most joyous and spontaneous piece of work thus far. The nine-song collection sees The Lumineers’ co-founders/co-songwriters Wesley Schultz and Jeremiah Fraites performing virtually all of the eclectic, effervescent instrumentation, with Baron on a wide variety of keyboards and backing vocals and more by Simone Felice, touring members Byron Isaacs and Lauren Jacobson, famed backing singer Cindy Mizelle (Bruce Springsteen, Dave Matthews Band), The Felice Brothers’ James Felice, and acclaimed singer-songwriter Diana DeMuth.
The Lumineers are represented by Wasserman Music and Activist Artists Management.
Connecticut rock band Goose announce a return to New York City for their inaugural appearance at one of the most iconic venues in the world, Radio City Music Hall. On Saturday, June 25th, the band will take the stage at the legendary 6,000 seat theatre for a milestone three-set performance, including one acoustic set and two electric sets. The concert is yet another quantum leap for the dynamic quintet, currently in the midst of a 25-date winter tour.
Initial Radio City Music Hall tickets will be available through a lottery, with a request period starting today, Tuesday, January 18th at 12 PM ET through Wednesday, January 19th at 5 PM ET. Winners will be notified before a venue presale on Thursday, January 20th from 10 AM ET to 10 PM ET. The general onsale begins Friday, January 28th at 10 AM ET.
“Performing at a historic venue like Radio City Music Hall is a dream come true for all of us! I can’t thank our fans enough for getting us here,” said drummer Ben Atkind.
Goose is celebrating the announcement with the release of a new studio single, “Borne.” Ruminating on the complexities of artistry, the song grapples with the self-doubt that emerges as a product of the creative process. A sanguine take on a common artist’s dilemma, the charming track is a reminder to all of us to keep pushing forward.
“Borne is a pretty unfiltered breath of newness; a beginning statement,” said guitarist, lead singer Rick Mitarotonda. “The song is a declaration to oneself to remember to not overthink things and make them more than they should be. It’s a reminder to try to be honest, and to let our work be what it is.”
GOOSE WINTER TOUR 2022
JANUARY
26 - Marquee Theatre - Tempe, AZ
27 - The Observatory North Park - San Diego, CA (Sold Out)
28 - The Fonda Theatre - Los Angeles, CA (Sold Out)
29 - The Regency Ballroom - San Francisco, CA (Sold Out)
30 - The Regency Ballroom - San Francisco, CA
FEBRUARY
2 - Midtown Ballroom - Bend, OR (Sold Out)
3 + 4 - Wonder Ballroom - Portland, OR (Sold Out)
5 - Neptune Theatre - Seattle, WA (Sold Out)
7 - Elm - Bozeman, MT (Sold Out)
9 - First Avenue - Minneapolis, MN
10 - The Sylvee - Madison, WI
11 - Old Forester's Paristown Hall - Louisville, KY (Sold Out)
12 - Stage AE - Pittsburgh, PA
26 - Mohegan Sun Arena - Uncasville, CT
MARCH
1 - 9:30 Club - Washington, DC (Sold Out)
1 - 9:30 Club - Washington, DC (Sold Out)
3 - The Fillmore Charlotte - Charlotte, NC (Sold Out)
4 - Brooklyn Bowl - Nashville, TN (Sold Out)
5 - Brooklyn Bowl - Nashville, TN (Sold Out)
7 - The Mill & Mine - Knoxville, TN
9 - Royal Oak Music Theatre - Royal Oak, MI
10 - Agora Theatre and Ballroom - Cleveland, OH
11 - The Fillmore - Philadelphia, PA
12 - The Fillmore - Philadelphia, PA (Sold Out)
Ben Folds has announced additional 2022 dates for his “In Actual Person Live For Real Tour” of US solo piano and orchestral performances, kicking off April 1st, 2022 with a symphony concert at Powell Hall in St. Louis, MO, with additional shows to be added throughout the year. Folds, who spent much of 2020 and early 2021 in isolation in Australia because of COVID-19 lockdowns, returned to US stages in the Fall of 2021 to numerous sold-out performances.
In addition to a return to performing live in 2022, Folds is also working on his new album, continues to produce his podcast series called Lightning Bugs: Conversations with Ben Folds, and is scheduled to begin taping a new TV series.
Tickets for the newly added 2022 dates go on sale to the public on Friday, January 21st. For complete details on upcoming show dates, please visit www.benfolds.com/tour-dates.
BEN FOLDS "IN ACTUAL PERSON LIVE FOR REAL TOUR"
2022 DATES
APRIL
1 - St. Louis, MO - Powell Hall ^
2 - St. Louis, MO - Powell Hall ^
3 - Iowa City, IA - The Englert Theatre
5 - Omaha, NE - Holland Center
6 - Lawrence, KS - Liberty Hall
9 - Miami, FL - North Beach Bandshell
10 - Tampa, FL - Seminole Hard Rock Hotel & Casino – Event Center
11 - Orange Park, FL - Thrasher-Horne Center
13 - Charleston, SC - Charleston Gaillard Center
14 - Savannah, GA - District Live
15 - Wilmington, NC - Greenfield Lake Amphitheater
21 - Waukegan, IL - Genesee Theatre
23 - Denver, CO - Boettcher Concert Hall ^
MAY
3 - Northampton, MA - Calvin Theatre
4 - Concord, NH - Capitol Center for the Arts
6 - Rochester, NY - Kodak Hall at Eastman Theatre ^
JUNE
15 - Portland, OR - Arlene Schnitzer Concert Hall ^
17 - Santa Clarita, CA - Santa Clarita Performing Arts Center
18 - San Francisco, CA - Golden Gate Theatre *
19 - Chandler, AZ - Chandler Center for the Arts *
22 - Pittsburgh, PA - Heinz Hall ^
24 - Detroit, MI - Sound Board at MotorCity Casino Hotel
26 - Nashville, TN - Brown County Music Center *
30 - Nashville, TN - Schermerhorn Symphony Center ^
JULY
1 - Nashville, TN - Shermerhorn Symphony Center ^
2 - Nashville, TN - Shermerhorn Symphony Center ^
AUGUST
26 - York, PA - Appell Center for the Performing Arts
27 - Bensalem, PA - XCite Center at Parx Casino
28 - New Haven, CT - College Street Music Hall
Americana/alt-country and roots-rock band, Greensky Bluegrass are thrilled to share their eighth studio album Stress Dreams, out now via Thirty Tigers.
Ahead of the release, Stress Dreams received high praise from critics. Garden & Gun calls the album "one of the most complete and engaging of the group’s more than twenty-year career" and Glide says “Stress Dreams perfectly exemplifies, once again, why Greensky Bluegrass is heralded as one of the most important & influential bands of the modern progressive-bluegrass era.” As Greensky continues to write their own script, Holler. points out that: “Once again, Greensky Bluegrass have deliberately gone outside the box.”
In addition to the new album, the band has collaborated with famed animator Grant Kolton - who has created videos for Cage The Elephant, My Morning Jacket, and more. The band will be hosting a YouTube premiere today at 5 pm ET and will be participating in a live chat with fans.
TUNE IN TO WATCH THE OFFICIAL MUSIC VIDEO FOR “STRESS DREAMS” HERE
Greensky kicked off their 19-date winter tour with special guests The Infamous Stringdusters yesterday in Albany, NY, and will make their way through the east coast, Midwest, and mid-Atlantic wrapping up with two nights in Atlanta on February 25 and 26.
Greensky Bluegrass Featuring Very Special Guests The Infamous Stringdusters
Jan 21 @ The Met Philadelphia | Philadelphia, PA
Jan 22 @ The Capitol Theatre | Port Chester, NY
Jan 26 @ Flynn Theatre | Burlington, VT
Jan 27 @ The State Theatre | Portland, ME
Jan 28-29 @ House of Blues | Boston, MA
Feb 2 @ Stage AE | Pittsburgh, PA
Feb 3 @ Agora Theatre & Ballroom | Cleveland, OH
Feb 4-5 @ The Anthem | Washington, DC
Feb 17 @ The Pavilion at Pan AM | Indianapolis, IN
Feb 18 @ Fillmore Detroit | Detroit, MI
Feb 19 @ Riverside Theatre | Milwaukee, WI
Feb 20 @ The Palace | St. Paul, MN
Feb 23 @ Old Forester’s Paristown Hall | Louisville, KY
Feb 24 @ Iron City | Birmingham, AL
Feb 25-26 @ The Tabernacle | Atlanta, GA
Cypress Hill has returned with their tenth studio album, Back In Black, produced entirely by Black Milk and due March 18, 2022 via MNRK. To ring in the announcement, the group has shared new single "Bye Bye," featuring a standout verse from rapper Dizzy Wright -- listen and pre-order Back In BlackHERE. The new track comes on the heels of the announcement of the band's extensive slate of touring for the year, including a leg of Slipknot's Knotfest Roadshow 2022. Find all announced tour dates below. In yet another monumental move, the group has announced a brand-new documentary titled Insane In The Brain: Cypress Hill, which will be released this spring.
"In Cypress Hill tradition, we always try to make a dark song," Cypress Hill's B Real says about "Bye Bye." "It’s what we’ve been known for, especially on our first three albums. This song is a statement. In a roundabout way, we spoke to the politics of today. Being lulled into this dreamworld by the government. Trying to blind us from the separation that they created, to put us to sleep while they do whatever they want."
"Bye Bye" follows the 2021 release of album highlights “Open Ya Mind” and “Champion Sound." Back in Black is Cypress Hill's first full length since 2018’s Elephants on Acid, and comes at an already busy time for the band. Cypress Hill recently wrapped a co-headline tour with Atmosphere, and celebrated the 30th anniversary of their groundbreaking self-titled debut album with a sold-out show at LA's Greek Theatre and an expanded anniversary edition reissue of their critically acclaimed debut. The band recently partnered with Z2 Comics for their very own original graphic novel, Cypress Hill: Tres Equis! which is out now. In addition to launching their own NFT collection at the end of 2021 -- which sold out of "legendaries" and "rares" and will see a Back In Black collection dropping in March -- the band also launched their own STANCE sock.
Cypress Hill shifts culture. The South Gate, California rap group championed cannabis before it became fashionable, ushered in a genre-shifting sonic tapestry, performed thousands of shows at a time when rappers were having a hard time getting booked for live gigs, and helped pave the way for rappers to use Spanish in their rhymes. Along the way, Cypress Hill earned a star on the Hollywood Walk of Fame, sold more than 9 million albums, and were nominated for three Grammy Awards.
During a time increasingly defined by singles of the moment, rappers B-Real and Sen Dog wanted to make a statement by releasing an album. Back in Black, the group’s forthcoming tenth studio project, finds the group flexing its musical muscles and pushing itself creatively.
“If you're making music, you don't just want to make one song,” B-Real says. “You want to make an album to show people like your skillset, your versatility, and to capture their minds. You can do that with one song, but an album is a journey. You have to take the trip. We were always fond of taking people on a journey, the rollercoaster ride, if you will, and you can only do that with an album.”
With a mesmerizing mix of celebratory, confrontational, inspirational, reflective, and rugged songs, Cypress Hill shines throughout Back in Black. Entirely produced by Black Milk (Slum Village, Lloyd Banks, Pharoahe Monch), the LP is an homage to Cypress Hill’s return and its collaboration with Black Milk.
Over crisp, thunderous drums and undulating bass, B-Real and Sen Dog turn a distinctive leaf on Back in Black selection “Open Ya Mind.” Here, the pair rap about the educational and legal aspects of cannabis. Yes, Cypress Hill enjoys getting high, of course. But the group’s affinity for herb runs much deeper. “We can talk about smoking, but there's still a lot of people out there that need to be educated,” B-Real reveals. “As the scene has progressed and evolved into what it is now, there still are some road bumps out there. It’s not federally legal across the United States. It’s legal here in California and other states, but we still face a lot of obstacles in terms of the federal government. A lot of us are pushing to finally get it recognized federally. There’s still a whole lot of work to be done, so we just keep pushing along.”
As is the case on much of Back in Black, Sen Dog delivers the first verse on “Open Ya Mind.” “We haven’t done a lot of that,” Sen Dog says. “I’ve always been on the second verse or on a song by myself, so it feels good to be the one to throw out that first rhyme in a song.”
On the dark, percussive “Bye Bye” Cypress Hill throws another curveball by featuring rising rapper Dizzy Wright, who delivers a standout verse about the cost of violence. Elsewhere, the meditative “Come With Me” features Cypress Hill channeling Tupac Shakur. “We were good friends with him,” Sen Dog says of the late rap icon. “We never got to the point where we made a song together, though, so we wanted to give him props.”
Like Tupac, Cypress Hill has remained prolific throughout its illustrious career. On the drum-driven “Break of Dawn,” B-Real declares that he’s not going to stop regardless of what obstacles he’s facing, while on the sonically stirring “Hit ‘Em,” B-Real and Sen Dog rap about the importance of not slowing down and staying focused on your goals.
“Staying aggressive and going forward has to be part of the plan because you don’t get anywhere without that mentality,” Sen Dog says. “We’ve done it all, but since hip-hop is overcrowded, you have to keep your foot on the gas pedal and keep it moving or else you’re going to fall by the wayside. We don’t want that.”
Elsewhere, Back in Black cut “The Original” features live percussion from Eric “Bobo” Correa and turntable wizardry from DJ Lord, both of whom also add heft to brilliant album-closing cut “The Ride.” On the latter, B-Real recalls the pain he suffered and inflicted on others while participating in the street life. He made a conscious effort to leave that life behind when he dedicated himself to music, which he knew was also a cutthroat business. “I don’t think any of us thought that we would’ve been this successful,” B-Real says. “Hip-hop is a tough industry. It’s dictated by the record companies and is supposedly a young man’s game. But it’s really not. It’s about who still has the pass and who can put it down properly.”
Since releasing its eponymous debut album 1991, Cypress Hill has regularly revolutionized rap. B-Real and Sen Dog’s innovative lyrics, distinctive voices and poignant street-centered subject matter catapulted the group to superstar status. Cypress Hill ushered in a dusted sound thanks to primary producer DJ Muggs, introducing a distinctive West Coast aesthetic and presence. Its first LP sold more than 2 million units and its second album, 1993’s Black Sunday, pushed another 3 million units thanks to the Grammy-nominated singles “Insane In The Brain” and “I Ain’t Goin’ Out Like That.”
As its music captivated millions of listeners, Cypress Hill earned fans around the world thanks to its riveting stage show, which features phenomenal percussionist Bobo bringing additional sonic wrinkles to such songs as “Rock Superstar,” “How I Could Just Kill A Man,” “Lick A Shot,” and “Real Estate.”
More than 30 years since it debuted, Cypress Hill knew it had more to offer with Back in Black. “This album is a return to our roots,” Sen Dog says. “We were proud hip-hoppers back in the day and we’ve gone through it all. We’re proud to be part of the hip-hop industry. Doing a straight hip-hop joint was the way to go.”
Back in Black proves Cypress Hill right. Again.
CYPRESS HILL
LIVE 2022
3/18 - Kings Of The West - Rio Rancho, NM %
3/20 - Big Surf Water Park - Tempe, AZ
4/2 - Smoking Gun Casino - El Paso, TX
4/9 - North Carolina Azalea Fest 2022 - Wilmington, NC ^
4/19 - Red Rocks - Morrison, CO %
5/18 - Bryce Jordan Center - University Park, PA *
5/20 - Barclays Center - Brooklyn, NY *
5/21 - Dunkin Donuts Center - Providence, RI *
5/22 - SNHU Arena - Manchester, NH *
5/24 - MVP Arena - Albany, NY *
5/26 - Bell Centre - Montreal, QC *
5/28 - Videotron Centre - Quebec, QC *
5/29 - Canadian Tire Centre - Ottawa, ON *
5/30 - Budweiser Stage - Toronto, ON *
6/1 - Heritage Bank Center - Cincinnati, OH *
6/2 - Van Andel Arena - Grand Rapids, MI *
6/4 - Alpine Valley Music Theatre - East Troy, WI *
6/5 - TaxSlayer Center - Moline, IL *
6/7 - Azura Amphitheater - Bonner Springs, KS *
6/9 - The Broadmoor World Arena - Colorado Springs, CO *
6/11 - Ford Idaho Center - Nampa, ID *
6/13 - Climate Pledge Arena - Seattle, WA *
6/14 - RV Inn Style Resorts Amphitheater - Ridgefield, WA *
6/17 - MGM Grand Garden Arena - Las Vegas, NV *
6/18 - North Island Credit Union Amphitheatre - Chula Vista, CA *
% - w/ Ice Cube
^ - Festival date
* Knotfest Roadshow 2022
Robert Rodriguez's Something About The Beatles podcast recently hosted Peter Jackson teased as "a listener from New Zealand" to discuss the sprawling 8-hour documentary he'd directed in three parts in advance of its debut. Now that fans around the world have had a chance to absorb it at least once, Rodriguez sought out the perspective of those whose careers were profoundly influenced by The Beatles: the musicians.
Drummer Dennis Diken (Smithereens), bassist Arion Salazar (ex-Third Eye Blind), multi-instrumentalist Pat Sansone (Wilco, The Autumn Defense) and Luther Russell (currently performing as one half of the duo Those Pretty Wrongs alongside ex-Big Star Jody Stephens) form a panel with Rodriguez to discuss Get Back from a musician’s perspective.
The panel's insights as working musicians watching the most successful group in history go through dysfunction, tedium, bickering and tremendous bursts of playfulness, levity, and creativity while toiling under daunting conditions toward eventual triumph is presented in three episodes with the first making its debut this past Saturday. Each musician offered up their take on what the members of the Beatles were going through, as witnesses to experiences that every successful band endures. All were moved by what they saw (some to tears) and their takes bring to the non-musician fan some further understanding of the Beatles' collective magic, much of it coming down to their profound work ethic, as well as their off-the-charts synergy.
As for Rodriguez and SATB, he has more special guests coming to the show in the months ahead; witnesses to history who worked with them as well as analysis from Beatle academics. You will not want to miss his artful blend of entertainment and scholarship on the band who in 1964 were presciently called "the entertainment phenomenon of the century."
Award-winning author Robert Rodriguez is the creator and host of the Something About The Beatles podcast. In the nine years he has produced the show, a number of luminaries have come to talk: Beatle witnesses and family members, authors, academics, musicians, filmmakers, photographers, producers and engineers - just about any relevant role you can imagine.
Past guests on Something About The Beatles include producers Chris Thomas and John Leckie; Beatle colleagues Ken Mansfield, Chris O'Dell, Kevin Harrington (featured prominently in the Get Back film) and Alan Parsons; Beatle family members Mike McCartney (Paul's brother) and Jenny Boyd (George's sister-in-law); recording artists Randy Bachman - Heart's Ann Wilson - Billy Bragg - Marshall Crenshaw - Ramsey Lewis - members of Wilco, The Smithereens, Third Eye Blind, The Attractions, among others; and filmmakers Andrew Solt, Paul Saltzman and Dave Mirkin. There have been journalists, writers and academics beyond counting, as well as radio hosts and TV personas (The Simpsons' Jeff Martin among them).
Due to overwhelming demand, Connecticut rock band Goose announce an additional performance in New York City at one of the most iconic venues in the world, Radio City Music Hall. On Friday, June 24 and Saturday, June 25, the band will take the stage at the legendary 6,000 seat theatre for a pair of milestone three-set performances, both nights including one acoustic set and two electric sets. The two concerts are another quantum leap for the dynamic quintet, currently in the midst of a 25-date nationwide winter tour.
Tickets for both shows will be available through a general onsale, beginning Friday, January 28th at 10 AM ET.
“Performing at a historic venue like Radio City Music Hall is a dream come true for all of us! I can’t thank our fans enough for getting us here,” said drummer Ben Atkind.
Goose has been celebrating the announcement with the release of a new studio single, "Borne" this week Ruminating on the complexities of artistry, the song grapples with the self-doubt that emerges as a product of the creative process. A sanguine take on a common artist’s dilemma, the charming track is a reminder to all of us to keep pushing forward.
“Borne is a pretty unfiltered breath of newness; a beginning statement,” said guitarist, lead singer Rick Mitarotonda. “The song is a declaration to oneself to remember to not overthink things and make them more than they should be. It’s a reminder to try to be honest, and to let our work be what it is.”
GOOSE WINTER TOUR 2022
JANUARY
26 - Marquee Theatre - Tempe, AZ
27 - The Observatory North Park - San Diego, CA (Sold Out)
28 - The Fonda Theatre - Los Angeles, CA (Sold Out)
29 - The Regency Ballroom - San Francisco, CA (Sold Out)
30 - The Regency Ballroom - San Francisco, CA
FEBRUARY
2 - Midtown Ballroom - Bend, OR (Sold Out)
3 + 4 - Wonder Ballroom - Portland, OR (Sold Out)
5 - Neptune Theatre - Seattle, WA (Sold Out)
7 - Elm - Bozeman, MT (Sold Out)
9 - First Avenue - Minneapolis, MN
10 - The Sylvee - Madison, WI
11 - Old Forester's Paristown Hall - Louisville, KY (Sold Out)
12 - Stage AE - Pittsburgh, PA
26 - Mohegan Sun Arena - Uncasville, CT
MARCH
1 - 9:30 Club - Washington, DC (Sold Out)
1 - 9:30 Club - Washington, DC (Sold Out)
3 - The Fillmore Charlotte - Charlotte, NC (Sold Out)
4 - Brooklyn Bowl - Nashville, TN (Sold Out)
5 - Brooklyn Bowl - Nashville, TN (Sold Out)
7 - The Mill & Mine - Knoxville, TN
9 - Royal Oak Music Theatre - Royal Oak, MI
10 - Agora Theatre and Ballroom - Cleveland, OH
11 - The Fillmore - Philadelphia, PA
12 - The Fillmore - Philadelphia, PA (Sold Out)
APRIL
29 - Salvage Station - Asheville, NC
JUNE
24 - Radio City Music Hall - New York, NY
25 - Radio City Music Hall - New York, NY
Devon Allman and Samantha Fish are thrilled to announce a co-headlining spring tour. The tour kicks off on March 3 in Kent, OH and will travel through the east coast for 19 dates wrapping up on March 26 in Hopewell, VA.
The Devon Allman Project will feature special guests from The Allman Family Revival touring band including Eric Gales, Luther Dickinson, Donavon Frankenreiter, and Larry McCray for select stops along the upcoming spring tour. The Devon Allman Project is a 6-piece band that gracefully blends & bends genres and are well versed in the jamming vernacular that the Allman family is famous for. Following the east coast tour with Samantha Fish, The Devon Allman Project will play two very special shows in Hawaii with Donavon Frankenreiter as the band’s featured guest.
“I can’t wait to get back out and spread some music around with my friends. I’ve known Samantha forever now and she’s such a phenomenal talent, her voice and guitar playing are smokin' and her new band are world class…we’re gonna have some fun out there” says Allman. Luther Dickinson (Grammy nominee and founding member of North Mississippi All Stars) and monster guitarist Eric Gales & mega talented wife LaDonna Gales, Donavon Frankenreiter, and blues master Larry McCray will be joining The Devon Allman Project lineup on various dates throughout the tour.
Samantha Fish, is one of the most exciting and inventive artists on the scene. Guitar World Magazine placed Fish in their ‘Top 10 Best Blues Guitarists in the World’ list. A triple threat, Fish, is a singer, songwriter, and electrifying guitarist who’s topped the Billboard Blues Charts numerous times and is the recipient of Blues Music and Blues Blast awards.
THE DEVON ALLMAN PROJECT + THE SAMANTHA FISH BAND ON TOUR
Mar 3 @ The Kent Stage | Kent, OH
Mar 4 @ Riverfront Live | Cincinnati, OH
Mar 5 @ Robins Theatre | Warren, OH
Mar 6 @ Kemba Live | Columbus, OH
Mar 8 @ Jergel's | Warrendale, PA
Mar 9 @ Town Ballroom | Buffalo, NY
Mar 10 @ Stanley Theater | Utica, NY
Mar 11 @ HMAC | Harrisburg, PA
Mar 12 @ Palladium | New York, NY
Mar 13 @ Sugar Loaf Performing Arts Center | Chester, NY
Mar 16 @ Musikfest Cafe | Bethleham, PA
Mar 17 @ Palace Theater | Manchester, NH
Mar 18 @ Loos Center for the Arts | Woodstock, CT
Mar 19 @ Cabot Theater | Beverly, MA
Mar 20 @ Westhampton Beach PAC | Westhampton Beach, NY
Mar 23 @ Academy of Music | Northampton, MA
Mar 24 @ The Egg | Albany, NY
Mar 25 @ Mayo Performing Arts Center | Morristown, NJ
Mar 26 @ The Beacon Theatre | Hopewell, VA
THE DEVON ALLMAN PROJECT
Apr 1 @ Hawaii Theatre Center | Honolulu, HI
Apr 2 @ Castle Theater | Maui, HA
Bozeman, Montana-based neo-bluegrass band, raconteurs and outdoor enthusiasts, Kitchen Dwellers have announced their third, full-length album Wise River and are thrilled to share the title track off the record. “Wise River” follows 2021’s release and collaboration with Backline to raise mental health awareness. “Stand At Ease” was inspired by the many mental health issues throughout the music industry, “It’s about losing a lot of our friends and idols,” says Joe Funk. Wise River was produced by Cory Wong (Vulfpeck) and is due out everywhere on April 29.
In “Wise River,” banjo brushes up against acoustic guitar as visuals of a “lonely river town where the barfly knows you best,” “the ghosts of miners,” and a place “where the snow can fall like cannonballs and lonesome wind blows bitter.”
The quartet—Shawn Swain [Mandolin], Torrin Daniels [banjo], Joe Funk [upright bass], and Max Davies [acoustic guitar]—twist bluegrass, folk, and rock through a kaleidoscope of homegrown stories, rich mythology, American west wanderlust, and psychedelic hues. After amassing 5 million-plus streams, selling out shows, and receiving acclaim from Huffington Post, Relix, American Songwriter, and more, the group brings audiences back to Big Sky Country on their third full-length album.
“The town of Wise River is basically a forgotten spot on the map,” Shawn says. “It used to be a thriving place with many prosperous mines, but now it’s practically dried up. There’s a hell of a lot of melancholy. In our mind, it symbolizes the overall feeling of being in slowed-down Montana life.”
WATCH KITCHEN DWELLERS BEHIND THE SCENES - RECORDING WISE RIVER
*video by Wimberg Productions
Among the many natural wonders in Montana, Wise River runs for about 30 miles through the Southwestern region of the state, cutting through the mountains and flowing into the Big Hole River. Beyond being a favorite spot for fly fishermen, it remains etched into the topography of the land itself. Two hours away in Bozeman, Kitchen Dwellers equally embody the spirit and soul of their home with a sonic palette as expansive as Montana’s vistas.
The band has already announced several tour dates including their first appearance at the iconic Telluride Bluegrass Festival as well as appearances at venues and festivals across the country including WinterWonderGrass, Sweetwater 420 Fest, Tuck Fest, Bear Shadow, Domefest, Summer Camp Music Festival, Electric Forest, Northwest String Summit, FloydFest, RiverWonderGrass, and many more to be announced. This month they will be on the road supporting Leftover Salmon for several shows across the west coast.
KITCHEN DWELLERS ON TOUR
Feb 9 @ Historic Ashland Armory | Ashland, OR *
Feb 10 @ Sessions Music Hall | Eugene, OR*
Feb 11 @ Revolution Hall | Portland, OR*
Feb 12 @ Neptune Theatre | Seattle, WA*
Feb 16 @ Domino Room | Bend, OR
Feb 17 @ CSU Chico - Laxson Auditorium | Chico, CA
Feb 18 @ Felton Music Hall | Felton, CA*
Feb 19 @ The Independent | San Francisco, CA*
Feb 20 @ The Independent | San Francisco, CA*
Feb 25-27 @ WinterWonderGrass | Steamboat Springs, CO
Apr 1-3 @ WinterWonderGrass Tahoe | Olympic Valley, CA
Apr 8 @ WINSTONS | San Diego, CA
Apr 5 @ The Mint | Los Angeles, CA
Apr 29 @ Tuck Fest | Charlotte, SC
Apr 30 @ Sweetwater 420 Fest | Atlanta, GA
May 1 @ Bear Shadow | Highlands, NC
May 19-21 @ Domefest | Thornville, OH
May 27-29 @ Summer Camp Music Festival | Chillicothe, IL
June 15-19 @ Telluride Bluegrass Festival | Telluride, CO
June 23-26 @ Electric Forest Festival | Rothbury, MI
June 30-July 3 @ Dream Mountain Bluegrass Festival | Albright, WV
July 15-16 @ The Boogiedown Music Festival | Yuba, WI
July 27-31 @ FloydFest | Floyd, VA
Aug 1-4 @ RiverWonderGrass | Jensen, UT
* Supporting Leftover Salmon
Kitchen Dwellers
Wise River
Release Date: April 29, 2022
The Lumineers BRIGHTSIDE World Tour 2022 has announced North American dates. The shows begin May 18 at Jacksonville, FL’s Daily’s Place and then continue through early September. Special guests throughout the tour will include Caamp (May 18-June 17, September 3), Gregory Alan Isakov (July 12-August 16), Daniel Rodriguez (July 12-August 16), and James Bay (August 17-September 6). Additional dates will be announced.
After successfully creating the world’s first major climate positive tour in 2020, The Lumineers are proud to continue their partnership with environmental non-profit REVERB.org, on this year’s tour. The band has committed to a comprehensive climate action program via REVERB’s Music Climate Revolution campaign, which, in addition to reducing the tour’s environmental footprint and engaging fans to take action at the shows, will support projects that directly and measurably eliminate greenhouse gases while benefitting diverse global communities. These efforts will make the tour climate positive; eliminating significantly more greenhouse gas pollution than the tour emits including fan travel to and from shows.
Rescheduled dates from the 2020 tour will honor previously purchased tickets, and additional tickets for those dates are currently on sale (see below for more information). All new dates will go on sale Friday, February 18 at 10 am(local). The Lumineers BRIGHTSIDE Tour Club members will have first access to purchase tickets beginning Monday, February 14 at 10 am (local) through Thursday, February 17 at 10 pm (local).
Citi is the official credit card for The Lumineers BRIGHTSIDE World tour dates in the United States. Citi cardmembers can take advantage of a special Citi Presale powered by Ticketmaster Verified Fan® opportunity by registering now thru Sunday, February 13 at 10 pm (ET) to unlock access to tickets and use their Citi card to complete the ticket purchase if verified. The Citi Presale begins Tuesday, February 15 at 10 am (local) and will continue through Thursday, February 17 at 10 pm (local). To register for the Citi Presale powered by Ticketmaster Verified Fan® visit www.thelumineersbrightsidetour.com. Citi cardmembers will also have access to presale tickets for the Forest Hills Stadium date in New York, MGM Grand Garden Arena in Las Vegas and the Wrigley Field show in Chicago beginning Tuesday, February 15 at 10 am (local) through Thursday, February 17 at 10 pm (local) through the Citi Entertainment program. For complete presale details visit www.citientertainment.com. Additionally, fans may register now through Sunday, February 13 at 10pm (ET) at www.thelumineersbrightsidetour.com to unlock tickets for the Ticketmaster Verified Fan® presale beginning Wednesday, February 16 at 10 am (local) through Thursday, February 17 at 10 pm (local). All remaining tickets will be released to the general public on Friday, February 18 at 10 am (local). For complete details and ticket availability, please visit www.thelumineers.com
The Lumineers will once again partner with On Location & CID Entertainment to offer packages that bundle a premium reserved ticket with an invitation to the BRIGHTSIDE pre-show lounge, an exclusive gift bag and more. For full details, visit: https://www.cidentertainment.com/events/the-lumineers-tour/.
The BRIGHTSIDE World Tour celebrates the recent arrival of the Lumineers’ eagerly anticipated new album, BRIGHTSIDE, available now via Dualtone in the U.S. & Canada and Decca Records for the rest of the world. The 2x GRAMMY® Award-nominated band’s fourth studio album, BRIGHTSIDE includes such new favorites as “A.M. RADIO,” “BIG SHOT,” “WHERE WE ARE,”and the chart-topping first single and title track, “BRIGHTSIDE,” all joined by official music videos streaming now at YouTube. “BRIGHTSIDE” recently made history by ascending to #1 on Billboard’s “Alternative National Airplay” and “Adult Alternative Airplay” charts – the band’s sixth time atop the latter ranking in less than 10 years. The Lumineers now boast the most #1 singles among all acts on that chart in the span since achieving their first AAA chart-topper in 2012.
Produced by longtime collaborator Simone Felice and produced, mixed, and engineered by David Baron over two sessions in winter and spring 2021 at Baron’s Sun Mountain Studios in bucolic Boiceville, NY, BRIGHTSIDE marks The Lumineers’ first new music in more than two years. The nine-song collection sees The Lumineers’ co-founders/co-songwriters Wesley Schultz and Jeremiah Fraites performing virtually all of the eclectic, effervescent instrumentation, with Baron on a wide variety of keyboards and backing vocals and more by Simone Felice, touring members Byron Isaacs and Lauren Jacobson, famed backing singer Cindy Mizelle (Bruce Springsteen, Dave Matthews Band), The Felice Brothers’ James Felice, and acclaimed singer-songwriter Diana DeMuth.
THE LUMINEERS
BRIGHTSIDE WORLD TOUR – NORTH AMERICA 2022
MAY
18 - Jacksonville, FL - Daily's Place *
20 - West Palm Beach, FL - iTHINK Financial Amphitheater *
21 - Charleston, SC - Credit One Stadium *
24 - Raleigh, NC - Coastal Credit Union Music Park *
25 – Columbia, MD - Merriweather Post Pavilion *
27 - Canandaigua, NY – CMAC *
28 - Holmdel, NJ - PNC Bank Arts Center *
29 - Saratoga Springs, NY - Saratoga Performing Arts Center *
JUNE
1 - Gilford, NH - Bank of New Hampshire Pavilion *
3 - Mansfield, MA - Xfinity Center *
4 - Camden, NJ – Waterfront Music Pavilion *
7 - Cincinnati, OH - Riverbend Music Center *
8 - Maryland Heights, MO - Hollywood Casino Amphitheatre *
10 - Clarkston, MI - Pine Knob Music Theatre *
11 - Toronto, ON - Budweiser Stage *
14 - Noblesville, IN - Ruoff Music Center *
15 - Burgettstown, PA - The Pavilion at Star Lake *
17 - Forest Hills, NY - Forest Hills Stadium *
JULY
9 - Cleveland, OH - WonderStruck Music Festival
12 - Boise, ID - ExtraMile Arena **
14 - Portland, OR - Moda Center **^
16 - Quincy, WA - The Gorge **^
17 - Vancouver, BC - Rogers Arena **^
20 - Salt Lake City, UT - Maverik Center **^
22 - Denver, CO - Coors Field **^
24 - Las Vegas, NV - MGM Grand Garden Arena **
26 - Glendale, AZ - Gila River Arena **^
27 - San Diego, CA - Pechanga Arena San Diego **^
29 - Los Angeles, CA - crypto.com Arena **^
AUGUST
2 - Sacramento, CA - Golden1 Center **
3 - San Francisco, CA - Chase Center **^
6 - Calgary, AB - Scotiabank Saddledome **^
7 - Edmonton , AB - Rogers Place **^
9 - Saskatoon, SK - Sasktel Centre **^
10 - Winnipeg, MB - Canada Life Centre **^
12 - St. Paul, MN - Xcel Energy Center **^
13 - Kansas City, MO - T-Mobile Center **^
16 - Omaha, NE - CHI Health Center **^
17 - Tulsa, OK - BOK Center †
19 - Dallas, TX - American Airlines Center †
20 - Austin, TX - Moody Center †
26 - Atlanta, GA - State Farm Arena †
27 - Charlotte, NC - Spectrum Center †
31 – Louisville, KY - KFC Yum! Center †
SEPTEMBER
1 - Nashville, TN - Bridgestone Arena †
3 - Chicago, IL - Wrigley Field * †
6 - Grand Rapids, MI - Van Andel Arena †
24/25 - Bridgeport, CT - Sound On Sound Music Festival
* w/Special Guests Caamp
** w/Special Guests Gregory Alan Isakov and Daniel Rodriguez
† w/Special Guest James Bay
^Rescheduled date. These shows are on sale now. If you previously purchased tickets for one of these shows and you’re no longer able to attend, you may request a refund within 30 days. To be eligible you must have purchased your tickets through the venue’s primary ticket platform and not have transferred, posted or sold them. Please visit the venue website for more information.
Bozeman's Kitchen Dwellers are thrilled to announce a three-night run at Pine Creek Lodge in Livingston MT June 2-4. Tickets are on sale now at kitchendwellers.com/tour.
The band recently announced their third, full-length album Wise River and shared the title track. “Wise River” follows 2021’s release and collaboration with Backline to raise mental health awareness. “Stand At Ease” was inspired by the many mental health issues throughout the music industry, “It’s about losing a lot of our friends and idols,” says Joe Funk. Wise River was produced by Cory Wong (Vulfpeck) and is due out everywhere on April 29.
In “Wise River,” banjo brushes up against acoustic guitar as visuals of a “lonely river town where the barfly knows you best,” “the ghosts of miners,” and a place “where the snow can fall like cannonballs and lonesome wind blows bitter.”
The band has already announced several tour dates including their first appearance at the iconic Telluride Bluegrass Festival as well as appearances at venues and festivals across the country including WinterWonderGrass, Sweetwater 420 Fest, Tuck Fest, Bear Shadow, Domefest, Summer Camp Music Festival, Electric Forest, Northwest String Summit, FloydFest, RiverWonderGrass, and many more to be announced. This month they will be on the road supporting Leftover Salmon for several shows across the west coast.
KITCHEN DWELLERS ON TOUR
Feb 9 @ Historic Ashland Armory | Ashland, OR *
Feb 10 @ Sessions Music Hall | Eugene, OR*
Feb 11 @ Revolution Hall | Portland, OR*
Feb 12 @ Neptune Theatre | Seattle, WA*
Feb 16 @ Domino Room | Bend, OR
Feb 17 @ CSU Chico - Laxson Auditorium | Chico, CA
Feb 18 @ Felton Music Hall | Felton, CA*
Feb 19 @ The Independent | San Francisco, CA*
Feb 20 @ The Independent | San Francisco, CA*
Feb 25-27 @ WinterWonderGrass | Steamboat Springs, CO
Apr 1-3 @ WinterWonderGrass Tahoe | Olympic Valley, CA
Apr 8 @ WINSTONS | San Diego, CA
Apr 5 @ The Mint | Los Angeles, CA
Apr 29 @ Tuck Fest | Charlotte, SC
Apr 30 @ Sweetwater 420 Fest | Atlanta, GA
May 1 @ Bear Shadow | Highlands, NC
May 19-21 @ Domefest | Thornville, OH
May 27-29 @ Summer Camp Music Festival | Chillicothe, IL
June 2-4 @ Pine Creek Lodge | Livingston, MT
June 15-19 @ Telluride Bluegrass Festival | Telluride, CO
June 23-26 @ Electric Forest Festival | Rothbury, MI
June 30-July 3 @ Dream Mountain Bluegrass Festival | Albright, WV
July 15-16 @ The Boogiedown Music Festival | Yuba, WI
July 27-31 @ FloydFest | Floyd, VA
Aug 1-4 @ RiverWonderGrass | Jensen, UT
* Supporting Leftover Salmon
Soul Coughing's MIke Doughty and Sebastian Steinberg performed together for the first time in 22 years last weekend. A reunion that never seemed possible, Steinberg was performing at Largo in Los Angeles on Saturday night, February 5, as part of the Watkins Family Hour and brought up Doughty unexpectedly and unannounced to perform Soul Coughing songs “Super Bon Bon” and “True Dreams of Wichita."
In other Doughty news, his LA residency continues this Friday at Harvard & Stone through the end of the month. Admission will be free (first come first serve). Members of the Mike Doughty Patreon will get free exclusive items at the merch table. More info is available at mikedoughty.com/govla.
RSVP FOR LA RESIDENCY SHOWS HERE
Harvard & Stone / (http://harvardandstone.com/) 5221 Hollywood Blvd, Los Angeles, CA 90027
Schedule for all shows:
8PM Doors
8:30PM SET 1
10PM SET 2
My Morning Jacket has unveiled plans for an upcoming US headline tour. The dates begin April 19 at Memphis, TN’s Orpheum Theatre and then continue through September. Special guests throughout the tour will include Madison Cunningham, Indigo de Souza, and Joy Oladokun.
Artist presales begin Wednesday, February 16 at 10:00 am (local) and continue through Thursday, February 17 at 10:00 pm (local). VIP packages are available beginning Wednesday, February 16 at 10:00 am (local). Local/venue presales begin Thursday, February 17 at 10:00 am (local) and continue through Thursday, February 17 at 10:00 pm (local). All remaining tickets will be released to the general public on Friday, February 18 at 10:00 am (local), except for the following shows: Morrison, CO’s Red Rocks Amphitheatre at 12:00 pm (MT), Dillon, CO’s Dillon Amphitheater at 2:00 pm (MT), and Santa Barbara, CA’s Santa Barbara Bowl at 9:00 am (PT). For complete details and ticket availability, please see www.mymorningjacket.com/events.
Highlights include a very special pair of shows in Louisville, KY – My Morning Jacket’s first hometown live dates in six years. The weekend will feature amazing Louisville musicians and local eateries while also shining a light on non-profits doing incredible work in the Derby City, beginning Friday, June 24 with an intimate concert at Iroquois Amphitheater, with proceeds supporting Change Today, Change Tomorrow (CTCT), a Louisville-based non-profit working to fight racial injustice in education, access to healthy food, and proper health care; special guests include River City Drum Corps and Kiana & the Sun Kings. On Saturday, June 25, My Morning Jacket will then headline Louisville’s Waterfront Park, with support from Louisville Leopard Percussionists and Producing a Kind Generation. Tickets for June 24 will be available exclusively as an added option bundled with purchase of tickets for Waterfront Park – standalone tickets will not be available.
VIP tickets and exclusive travel packages will be available for both the Louisville weekend as well as an eagerly anticipated two-night return to Morrison, CO’s world-famous Red Rocks Amphitheatre (August 26 and 27). For details and availability, please visit www.cidentertainment.com/events/my-morning-jacket.
Once again, My Morning Jacket has partnered with PLUS1 with $1 from each ticket supporting non-profits working to secure social justice, ensure mental health care for all, and confront the climate crisis.
MY MORNING JACKET
TOUR 2022
MARCH
2 - Moon Palace, Cancún, MX - My Morning Jacket’s One Big Holiday
3 - Moon Palace, Cancún, MX - My Morning Jacket’s One Big Holiday
4 - Moon Palace, Cancún, MX - My Morning Jacket’s One Big Holiday
5 - Moon Palace, Cancún, MX - My Morning Jacket’s One Big Holiday
APRIL
19 - Memphis, TN - Orpheum Theatre *
20 - Knoxville, TN - Knoxville Civic Auditorium *
22 - Raleigh, NC - Red Hat Amphitheater *
23 - N. Charleston, SC - High Water Music Festival ‡
24 - Miramar Beach, FL - Moon Crush Festival ‡
27 - Houston, TX - White Oak Music Hall Lawn *
28 - Dallas, TX - The Factory in Deep Ellum *
29 - Austin, TX - Moody Amphitheater *
MAY
1 - Atlanta, GA - Shaky Knees Music Festival ‡
JUNE
21 - Cleveland, OH - Jacobs Pavilion ^
22 - Pittsburgh, PA - Stage AE ^
24 - Louisville, KY - Iroquois Amphitheater **
25 - Louisville, KY - Louisville Waterfront ***
28 - Rochester Hills, MI - Meadow Brook Amphitheatre ^
29 - Columbus, OH - Kemba Live! ^
JULY
1 - Madison, WI - Breese Stevens Field ^
2 - Chicago, IL - Huntington Bank Pavilion at Northerly Island ^
AUGUST
11 - Seattle, WA - Marymoor Park †
12 - Bend, OR - Hayden Homes Amphitheater †
14 - Palo Alto, CA - Frost Amphitheater †
16 - Santa Barbara, CA - Santa Barbara Bowl †
17 - Los Angeles, CA - Hollywood Forever Cemetery †
19 - Taos, NM - Kit Carson Park †
23 - Dillon, CO - Dillon Amphitheater †
24 - Dillon, CO - Dillon Amphitheater †
26 - Morrison, CO - Red Rocks Amphitheatre †
27 - Morrison, CO - Red Rocks Amphitheatre †
SEPTEMBER
16 - New Haven, CT - Westville Music Bowl †
19 - Charlottesville, VA - Ting Pavilion †
20 - Wilmington, NC - Live Oak Bank Pavilion †
22 - Asheville, NC - Rabbit Rabbit †
23 - Nashville, TN - Ascend Amphitheater †
24 - Huntsville, AL - Orion Amphitheater †
* w/Special Guest Madison Cunningham
^ w/Special Guest Indigo de Souza
† w/Special Guest Joy Oladokun
** w/Special Guests River City Drum Corps and Kiana & the Sun Kings
*** w/Special Guests Louisville Leopard Percussionists
and Producing a Kind Generation
‡ Festival Performance
Veteran troubadour Steve Poltz has shared his effervescent new single, “Can O’ Pop,” available now at all DSPs and streaming services. Produced by Oliver Wood and Jano Rix of The Wood Brothers, the exuberant, syncopated track is joined by an official animated video, directed by Boston-based artist/animator Duncan Hatch (Galactic, American Authors) and premiering today via Rolling Stone Country, who called the song "a delirious delivery reminiscent of 'Subterranean Homesick Blues.'" “Can O’ Pop” heralds the arrival of Poltz’s 14th solo album and first new LP in more than two years, Stardust & Satellites, due via Red House Records on Friday, February 18; pre-orders – and an exclusive line of new merch – are available now.
“What a glorious video that dude Mr. Hatch made,” Poltz told Rolling Stone Country. “He totally nailed it. I just watched it while on tour with The Wood Brothers. They let me ride on their fancy tour bus with them and they had a big old tv and we howled and danced and sang along at the top of our lungs. All I did was write the song with my pal Jano Rix. That video dude did all the heavy lifting. God bless him. Wow wow wow. It’s weird to see your song all grown up with a college degree.”
Stardust & Satellites also includes the acclaimed singles, “Conveyor Belt” and “Miles In My Heart,” both available now at all DSPs and streaming services. Hailed by American Songwriter for “his unhinged live performances, incredible way with a comedic lyric and ability to spin a ripping tale,” Poltz is marking the album’s release with a typically busy live schedule, kicking off with a very special album release party, set for Nashville, TN’s City Winery on February 22, and then continuing into the summer. Additional headline dates and festival appearances will be announced. For complete details and ticket availability, please visit poltz.com/concerts.
Steve Poltz has spent more than three decades as a singer-songwriter-performer of the first order, earning international applause and fans around the world with his inspired brand of rockin’ countrified folk Americana. Having first made his bones as frontman for underground legends The Rugburns, the Halifax, NS-born tunesmith has established a critically lauded solo catalog while also collaborating with such diverse artists as Jewel – an ongoing creative partnership that includes co-writing the RIAA platinum certified #1 hit, “You Were Meant For Me” – and GRAMMY® Award-winning bluegrass phenom Billy Strings, to name but a few.
An exuberant, thoughtful batch of songs that celebrate life in all of its stages, Stardust & Satellites came to fruition last year as a result of one of those serendipitous situations created by the pandemic. Poltz, an irrepressible road dog and performance junkie who regularly spends more than 300 nights on the road each year, should’ve been on tour in 2020. Esteemed Nashville roots rockers The Wood Brothers (Chris Wood being a former neighbor to Steve), also should’ve been on tour. Stuck in Nashville, Steve often joined the Wood Brothers for outdoor socially distant hangs, and, on a whim, decided to record one song with the band’s Oliver Wood and Jano Rix.
The trio cut a song called “Frenemy,” a wistful, “keep your friends close and your enemies even closer” song that made it clear to all involved that they’d stumbled onto something special. With no studio clock ticking, no schedule or deadlines to meet, the companionship and ability to collaborate with like-minded musicians added a joyful diversion to what was a boring-ass year. Musically, the sky was the limit, and the group of musicians and friends embarked on a musical experience that found cast and crew reaching toward the stratosphere with Stardust & Satellites.
STEVE POLTZ
ON TOUR 2022
FEBRUARY
18 – Solana Beach, CA – 13th Annual 50th Birthday Bash @ Belly Up Tavern †
19 – Solana Beach, CA – 13th Annual 50th Birthday Bash @ Belly Up Tavern †† (SOLD OUT)
22 – Nashville, TN – City Winery (Stardust & Satellites Album Release Party) #
MARCH
1 – Portland, OR – Doug Fir Lounge
2 – Seattle, WA – The Triple Door
3 – Salt Lake City, UT – The State Room
4 – Sun Valley, ID – Sun Valley Museum (SOLD OUT)
5 – Boise, ID – The Olympic
6 – McCall, ID – Foresters Club
9 – Fort Collins, CO – Aggie Theatre
10 – Denver, CO – The Soiled Dove Underground
11 – Boulder, CO – eTown Hall
12 – Colorado Springs, CO – Friends House Concerts
25 – Safety Harbor, FL - Safety Harbor Art & Music Center
30 – St. Augustine, FL – Original Café Eleven
31 – Bluffton, SC – Roasting Room Lounge & Listening Room
APRIL
3 – Decatur, GA – Eddie’s Attic
4 – Asheville, NC – The Grey Eagle
10 – Piermont, NY – Turning Point Café
12 – Philadelphia, PA – The Loft at City Winery
13 – Vienna, VA – Jammin Java
14 – New York, NY – City Vineyard by City Winery
15 – Cambridge, MA – Club Passim
16 – Exeter, NH – The Word Barn
20 – Oakville, ON – The Moonshine Café (SOLD OUT)
21 – Owen Sound, ON – Heartwood Concert Hall
22 – Orillia, ON – Roots North Music Festival *
23 – Haliburton, ON – Haliburton County Folk Society
25 – Picton, ON – Acoustic Grill
26 – Toronto, ON – The Dakota Tavern
27 – Toronto, ON – The Dakota Tavern
MAY
17-21 – Joshua Tree, CA – BaHOOTenzie Folk Fest + SongSchool @ Joshua Tree Music Festival *
26-29 – Cumberland, MD – Del Fest *
26-29 – Grass Valley, CA – Strawberry Music Festival *
JUNE
24-26 – Greenfield, MA – Green River Festival *
30-7/1 – Quincy, CA – High Sierra Music Festival *
* Festival Appearance
† w/special guest Aaron Lee Tasjan
†† w/ The Rugburns & special guests Oliver Wood and Lindsay Lou
# w/special guest Crystal Bowersox
Phish has announced plans for North American spring and summer tour, set to get underway on May 27-29 with a three-night Memorial Day weekend stand at Orange Beach, AL’s The Amphitheater at the Wharf and culminating with the band’s first four-night Labor Day weekend run at Commerce City, CO’s Dick’s Sporting Goods Park on September 1-4. The tour includes multi-night stands in Charleston, SC (May 31-June 1), Noblesville, IN (June 3-5), Mansfield, MA (July 14-15), Philadelphia, PA (July 19-20), Bethel, NY (July 22-23), Wantagh, NY (July 26-27), Columbia, MD (July 30-31), Atlantic City, NJ (August 5-7), and East Troy, WI (August 12-14).
A ticket request period for all newly announced shows is now underway at tickets.phish.com and will continue through Friday, February 25 at 12 noon (ET). All remaining tickets go on sale to the general public beginning Friday, March 4 at 10 am (ET). In addition, travel packages for the Bethel, Atlantic City, East Troy, and Commerce City runs will go on sale Thursday, March 3 at 10 am (local), exclusively via www.cidentertainment.com/events/phish.
Phish will take to the stage later this month with Phish: Riviera Maya, a sold-out concert vacation in Moon Palace, Cancún, Mexico, set for February 24-27. April will see Phish return to Madison Square Garden in New York City for their rescheduled four-night NYE run now taking place April 20-23, including a three-set show on April 22.
2/24 - Moon Palace, Cancún, MX - Riviera Maya (SOLD OUT)
2/25 - Moon Palace, Cancún, MX - Riviera Maya (SOLD OUT)
2/26 - Moon Palace, Cancún, MX - Riviera Maya (SOLD OUT)
2/27 - Moon Palace, Cancún, MX - Riviera Maya (SOLD OUT)
4/20 - New York, NY - Madison Square Garden (Originally December 29, 2021)
4/21 - New York, NY - Madison Square Garden (Originally December 30, 2021)
4/22 - New York, NY - Madison Square Garden (Originally December 31, 2021)
4/23 - New York, NY - Madison Square Garden (Originally January 1, 2022)
5/27 - Orange Beach, AL - The Wharf Amphitheater
5/28 - Orange Beach, AL - The Wharf Amphitheater
5/29 - Orange Beach, AL - The Wharf Amphitheater
5/31 - Charleston, SC - Credit One Stadium
6/01 - Charleston, SC - Credit One Stadium
6/03 - Noblesville, IN - Ruoff Music Center
6/04 - Noblesville, IN - Ruoff Music Center
6/05 - Noblesville, IN - Ruoff Music Center
7/14 - Mansfield, MA - Xfinity Center
7/15 - Mansfield, MA - Xfinity Center
7/16 - Bangor, ME - Maine Savings Amphitheater
7/19 - Philadelphia, PA - TD Pavilion at the Mann
7/20 - Philadelphia, PA - TD Pavilion at the Mann
7/22 - Bethel, NY - Bethel Woods Center for the Arts
7/23 - Bethel, NY - Bethel Woods Center for the Arts
7/24 - Hartford, CT - Xfinity Theatre
7/26 - Wantagh, NY - Northwell Health at Jones Beach Theater
7/27 - Wantagh, NY - Northwell Health at Jones Beach Theater
7/29 - Raleigh, NC - Coastal Credit Union Music Park at Walnut Creek
7/30 - Columbia, MD - Merriweather Post Pavilion
7/31 - Columbia, MD - Merriweather Post Pavilion
8/02 - Cuyahoga Falls, OH - Blossom Music Center
8/03 - Clarkston, MI - Pine Knob Music Theatre
8/05 - Atlantic City, NJ - Atlantic City Beach
8/06 - Atlantic City, NJ - Atlantic City Beach
8/07 - Atlantic City, NJ - Atlantic City Beach
8/10 - Toronto, ON - Budweiser Stage
8/12 - East Troy, WI - Alpine Valley Music Theatre
8/13 - East Troy, WI - Alpine Valley Music Theatre
8/14 - East Troy, WI - Alpine Valley Music Theatre
9/01 - Commerce City, CO - Dick’s Sporting Goods Park
9/02 - Commerce City, CO - Dick’s Sporting Goods Park
9/03 - Commerce City, CO - Dick’s Sporting Goods Park
9/04 - Commerce City, CO - Dick’s Sporting Goods Park
Today, Bozeman, Montana's Kitchen Dwellers have announced the 'Wise River' Tour 2022 in support of the band's third full-length album Wise River, produced by Cory Wong (Vulfpeck). The new record is due out everywhere on April 29. The tour will take the band across the country, from the pacific northwest to the southeast, and will include plenty of festival appearances along the way including their first appearance at the iconic Telluride Bluegrass Festival as well as appearances at venues and festivals across the country including WinterWonderGrass, Sweetwater 420 Fest, Tuck Fest, Bear Shadow, Domefest, Summer Camp Music Festival, Peach Fest, Electric Forest, Northwest String Summit, FloydFest, RiverWonderGrass, and many more to be announced. All tickets are available at kitchendwellers.com.
KITCHEN DWELLERS ON TOUR
Apr 1-3 @ WinterWonderGrass Tahoe | Olympic Valley, CA
Apr 7 @ The Mint | Los Angeles, CA
Apr 8 @ WINSTONS | San Diego, CA
Apr 28 @ Charleston Pour House | Charleston, SC
Apr 29 @ Tuck Fest | Charlotte, NC
Apr 30 @ Sweetwater 420 Fest | Atlanta, GA
May 1 @ Bear Shadow | Highlands, NC
May 4 @ Richmond Music Hall | Richmond, VA
May 5 @ Virginia Arts Festival | Norfolk, VA
May 7 @ Pearl Street Warehouse | Washington, DC
May 10 @ Gateway City Arts | Holyoke, MA
May 11 @ Stageone | Fairfield, CT
May 12 @ Wonder Bar | Asbury Park, NJ
May 13 @ Mercury Lounge | New York, NY
May 14 @ XL Live | Harrisburg, PA
May 17 @ Thunderbird Cafe and Music Hall | Pittsburgh, PA
May 18 @ Buffalo Iron Works | Buffalo, NY
May 19 @ Domefest | Thornville, OH
May 20 @ The Clay Center | Charleston, WV
May 21 @ Hi-Fi | Indianapolis, IN
May 26 @ Otus Supply - Parliament Room | Ferndale, MI
May 27 @ Rivers Edge Amphitheater | Hamilton, OH
May 28 @ The Livery | Benton Harbor, MI
May 29 @ Summer Camp Music Festival | Chillicothe, IL
June 2-4 @ Pine Creek Lodge | Livingston, MT
June 15-19 @ Telluride Bluegrass Festival | Telluride, CO
June 23-26 @ Electric Forest Festival | Rothbury, MI
June 30-July 1 @ Peach Fest | Scranton, PA
July 15-16 @ The Boogiedown Music Festival | Yuba, WI
July 21-24 @ Northwest String Summit | North Plains, OR
July 27-31 @ FloydFest | Floyd, VA
Aug 1-4 @ RiverWonderGrass | Jensen, UT
Kitchen Dwellers - Wise River (Official Video)
Today, Connecticut-based rock quintet Goose share the official music video for their recently released single, “Borne.” The dulcet indie tune, now available at all DSPs and streaming services, ponders the grit, focus, and passion required to conceive a dream. While reminding us the journey is no easy undertaking, “Borne” celebrates the beauty of the inner flame that drives us all forward. The dreamlike video, directed by Dylan Hahn, captures a weary artist’s sojourn at a deserted cabin.
“[Borne] is a pretty unfiltered breath of newness; a beginning statement,” said guitarist, lead singer Rick Mitarotonda. “The song is a declaration to oneself to remember to not overthink things and make them more than they should be. It’s a reminder to try to be honest, and to let our work be what it is.”
The video release is accompanied by the announcement of a three-show run visiting two iconic Colorado venues, Red Rocks Amphitheatre (August 18) and the Dillon Amphitheater (August 16-17).
“Colorado has been so good to us! We can’t wait to come back with three gorgeous outdoor shows,” added vocalist, multi-instrumentalist Peter Anspach. “We are so grateful for the opportunity everyone out there has given us to put on our best CO shows to date.”
Pre-sale tickets will be available on Thursday, February 17th at 10AM MT for Red Rocks, and at 11 AM MT for Dillon using the code 'BORNE.' Red Rocks general on-sale will begin at 10AM MT this Friday, February 18, Dillon general onsale will begin at 11AM MT.
Chicago-based singer-songwriter-pianist Neal Francis appeared on CBS This Morning's "Saturday Sessions" today, performing "Can't Stop The Rain," "Problems," and "Alameda Apartments" from his critically acclaimed latest album, In Plain Sight (ATO).
WATCH "CAN'T STOP THE RAIN" ON CBS SATURDAY MORNING
WATCH "ALAMEDA APARTMENTS" ON CBS SATURDAY MORNING
In Plain Sight was mixed by the Grammy-winning producer Dave Fridmann (The Flaming Lips, Tame Impala, MGMT) and is available for streaming and purchase now.
“If there’s a name that you best be aware of in 2022, it’s Neal Francis.”
– SPIN
“Chicagoan singer-songwriter-pianist’s second LP opens with a barrelling triad...He digs deep on guileless rock and soul with bold flourishes a la Lowell George or Randy Newman.”
– MOJO – 4 stars
“What do Dr. John, Leon Russell, and boogie-woogie piano have in common?
Neal Francis is the answer.”
– KCRW
NEAL FRANCIS TOUR 2022
FEBRUARY
19 – Washington, DC – Union Stage
20 – Pittsburgh, PA – Club Café
22 – Richmond, VA – Canal Club
23 – Charlotte, NC – Visulite Theatre
24 – Chattanooga, TN – Songbirds
25 – Nashville, TN – The Basement East
26 – Atlanta, GA – Terminal West
27 - Tampa, FL - Gasparilla Music Festival
MARCH
12 - St. Augustine, FL - JJ Grey's Blackwater SOL Revue
17 - Austin, TX - Luck Reunion
22 - Aspen, CO - Belly Up Aspen
23 - Salt Lake City, UT - The State Room
23 - 27 - Boise, ID - Treefort Music Fest
26 - San Diego, CA - The Mustache Bash
28 - Los Angeles CA - Teragram Ballroom
APRIL
1 - New Orleans, LA - Hogs For The Cause
7 - 9 - Live Oak, FL - Suwanee Rising
8 - Macon, GA - Grant's Lounge
9 - Asheville, NC - Asheville Music Hall
10 - Charleston, WV - Mountain Stage
22 - Ogden, UT - HillFest Kickoff Party at Union Station
23 - Salado, TX - Sounds Over Salado
MAY
6 - New Orleans, LA - Toulouse Theatre
12 - 15 - Joshua Tree, CA - Joshua Tree Music Festival
21 - Gulf Shores, AL - Hangout Music Festival
24 - Portland, OR - Wonder Ballroom
25 - Seattle, WA - Madame Lou's
26 - Eugene, OR - The Big Dirty
28 - San Francisco, CA - The Independent
JUNE
4 - Tucson, AZ - Fox Tucson Theatre #
5 - Mesa, AZ - Ikeda Theater #
7 - Santa Fe, NM - Lensic Performing Arts Center #
9 - San Antonio, TX - Tobin Center for the Performing Arts #
10 - Houston, TX - Cullen Performance Hall #
14 - St. Louis, MO - The Pageant #
19 - Indianapolis, IN - Rock the Ruins at Holiday Park #
24 - Charleston, SC - Charleston Music Hall #
25 - Durham, NC - Durham Performing Arts Center #
JULY
5- London, UK - O2 Academy Islington
7 - Amsterdam, NL - Bitterzoet
10 - Rotterdam, South Holland - North Sea Jazz Festival
27 – 31 – Floyd, VA – Floyd Fest
Blink once and you may miss GOOSE fly by. These days, that’s how it seems. Owing much of their success to an exponentially expanding fan base, steady creative output, and a collective commitment to pushing themselves to constantly improve, Goose has flourished over the last few years, emerging as one of the premier bands working today. Now the Connecticut rock group is proud to announce the release of their third studio album, DRIPFIELD. Out on June 24, the album is a 10-track LP that explores the details of their incredible journey.
“Dripfield,” the album’s titular single, is an ode to unbridled creativity. A sonic departure from the band’s stylistic roots, the tune combines arpeggiated synths and otherworldly vocals with a thunderous rhythm section. An equally experimental music video, the band’s second collaboration with director Dylan Hahn, accompanies the release. Shot over the course of three days in the Mojave Desert, the clip is a visual companion piece to the band’s recently released video for their song “Borne.”
“The underlying idea of Dripfield is that of saturation,” adds Mitarotonda. “Imagine a piece of earth – it’s kind of like the water level rising and seeping up to the top. It’s a metaphor for the creativity we have inside of us. I’m not sure what pulls it out of us – maybe it’s our subconscious.”
“To me, every music video project is a new task of understanding the artist, and finding what I think is the best visual interpretation for them and their music,” says Hahn. “Collaborating with Goose, learning their unique humor and energy, and involving it in the story narrative was a rewarding part of the process.”
Produced and engineered by D. James Goodwin at The ISOKON in Woodstock, NY, DRIPFIELD is the band’s first full-length album completed exclusively with an outside producer. Known for his unconventional recording style and eclectic equipment collection, Goodwin guided Goose through an entirely new process to album creation.
“James was great. He really got us to think about our approach in so many different ways,” says lead guitarist, vocalist Rick Mitarotonda. “I really liked re-working some of the stuff we’ve been playing for years and taking the material in directions I would have never expected.
GOOSE
DRIPFIELD
Release Date: June 24, 2022
Tracklist:
Borne
Hungersite
Dripfield
Slow Ready
The Whales
Arrow
Hot Tea
Moonrise
Honeybee
726
In late May, Goose will embark on a massive summer tour marked by headlining appearances at several notable festivals and venues nationwide. After a highly anticipated return to the Westville Music Bowl in New Haven, CT (5/27-28), the quintet will migrate north, making stops in Essex Junction, VT (6/6) and Lewiston, NY (6/8).
Following a pair of shows at Legend Valley in Thornville, OH (6/10-11), the band will return to Indianapolis, IN for an appearance at the picturesque TCU Amphitheater at White River State Park (6/14). After concerts in Wilmington and Raleigh, NC (6/14-15), Goose concludes the first leg of the summer tour at the legendary Radio City Music Hall (6/24-25).
Mid-August will see the band in Columbia, MD at The Chrysalis Amphitheater (8/12-13), a unique, open-air theater nestled in a quaint forest. A subsequent western migration will include a previously announced trio of shows in colorful Colorado. After a two-night stint at the Dillon Amphitheater (8/16-17), Goose heads to Red Rocks Amphitheatre for their inaugural performance. Due to overwhelming demand, limited tickets remain for Dillon, and Red Rocks is officially sold out.
After a stop at Brooklyn Bowl Las Vegas (8/20), the band will visit the historic Greek Theater in Los Angeles (8/21). Tour concludes in downtown Portland, Oregon at The Square (8/25).
Tickets for all summer shows will be available through a lottery, with a ticket request period open from 12 PM ET on Tuesday, February 22nd through 5 PM ET Wednesday, February 23. A venue presale will run from 10 AM ET - 10 PM ET on Thursday, February 24. General onsale begins on Friday, February 25 at 10 AM ET.
For more information, and to purchase tickets, visit goosetheband.com.
“We are eternally grateful to our Goose family for the support to push our boundaries and explore music in some truly beautiful spaces this summer!” says vocalist, keys, guitarist Peter Anspach.
Goose Summer Tour 2022
4/29-5/1 - Atlanta, GA - Sweetwater 420 Festival
5/27 - New Haven, CT - Westville Music Bowl
5/28 - New Haven, CT - Westville Music Bowl
6/6 - Essex Junction, VT - Midway Lawn at Champlain Valley Expo
6/8 - Lewiston, NY - ArtPark
6/10 - Thornville, OH - Legend Valley
6/11 - Thornville, OH - Legend Valley
6/12 - Indianapolis, IN - TCU Amphitheater at White River State Park
6/14 - Wilmington, NC - Greenfield Lake Amphitheater
6/15 - Raleigh, NC - Red Hat Amphitheater
6/16 - 6/19 - Manchester, TN - Bonnaroo
6/24 - New York, NY - Radio City Music Hall
6/25 - New York, NY - Radio City Music Hall (SOLD OUT)
6/30 - 7/2 - Quincy, CA - High Sierra Music Festival
6/30 - 7/3 - Scranton, PA - Peach Music Festival
8/12 - Columbia, MD - The Chrysalis Amphitheater
8/13 - Columbia, MD - The Chrysalis Amphitheater
8/16 - Dillon, CO - Dillon Amphitheater
8/17 - Dillon, CO - Dillon Amphitheater
8/18 - Morrison, CO - Red Rocks Amphitheatre (SOLD OUT)
8/20 - Las Vegas, NV - Brooklyn Bowl
8/21 - Los Angeles, CA - Greek Theatre
8/25 - Portland, OR - The Square
Greensky Bluegrass are thrilled to announce their return to Colorado for four unforgettable performances. The band will kick things off with An Evening With Greensky Bluegrass Sept. 14 and 15 at the Dillon Amphiteater. Then, the band will head down the mountain to Morrison for two more fun-filled evenings at Red Rocks Sept. 16 and 17. Special guests for Red Rocks TBA. For more information and all up to date news and tour info visit greenskybluegrass.com.
Earlier this year, the band released their eighth studio album Stress Dreams via Thirty Tigers. Ahead of the release, Stress Dreams received high praise from critics. Garden & Gun calls the album "one of the most complete and engaging of the group’s more than twenty-year career" and Glide says “Stress Dreams perfectly exemplifies, once again, why Greensky Bluegrass is heralded as one of the most important & influential bands of the modern progressive-bluegrass era.”
About Greensky Bluegrass:
Since their 2000 formation in Kalamazoo, MI, the quartet—Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [mandolin]—have unassumingly progressed into a phenomenon on their own terms with the undying support of a devout audience. Rolling back and forth across North America on successive tours, they’ve sold out multiple dates at Red Rocks Amphitheatre, the Ryman Auditorium, the Fillmore Detroit, Riviera Theater Chicago, and many more. Beyond standout sets at Bonnaroo, Outside Lands, New Orleans Jazz Festival, Telluride Bluegrass Festival, and Austin City Limits, they co-own and have headlined 4848 Festival and Strings & Sol. In 2019, "All For Money" marked their second #1 debut on the Billboard Top Bluegrass Albums Chart and third straight Top 3 entry. They’ve also earned critical acclaim from Billboard, Parade, NPR, and Rolling Stone who hailed them as “representing the genre for a whole new generation.”
For the past century, bluegrass music has traditionally relayed real tales of American life, struggle, tragedy, and triumph. It gives a voice to the quiet, yet colorful stories woven into the fabric of the country itself. Greensky Bluegrass live these stories through their records and performances.
When touring ceased in 2020 in the face of the global pandemic, the band hunkered down and compiled demos individually at first, sharing emails and voice notes. In July 2020, they got together for the first time in four months, dedicating rehearsals to the development of the new material. Once circumstances safely permitted, they recorded what would become Stress Dreams during a session in Guilford, VT and two sessions in Asheville, NC with frequent collaborator “and old friend” Dominic John Davis as producer and “wizard engineer” Glenn Brown mixing. They preserved the hallmarks of their sound while widening its expanse.
“Greensky is and always has been very unique in our world,” says Paul Hoffman. “We put our love, energy, and focus into what we appreciate about our music. We come together as a band in a way that’s organic. We take a lot of pride in how we grow and challenge each other too. We’re maturing together. I think we get more Greensky all of the time.”
Osiris Media, the leading storyteller in music, today announced the premiere of SUGAR MAPLE, the studio’s first fiction podcast. Starring Fred Savage, and featuring a soundtrack of 16 original songs, Sugar Maple will premiere on Tuesday, March 15. This eight-episode season will run every Tuesday from March 15 through May 3. Rolling Stone Country premiered Maggie Rose's song from the soundtrack and fans can subscribe to the podcast via Apple, Spotify, as well as other DSPs.
Fred Savage, coming off a successful reboot of The Wonder Years, plays the narrator, Terrance Woodridge, a documentarian obsessed with finding an amazing guitar of legend—before it finds him. A Fender Telecaster, rebuilt using a scrap of mysterious wood and dubbed Sugar Maple, passes by strange circumstances to eight different owners over decades. Each owner discovers the guitar and writes a single song on it ... or is it, Terrance wonders, that the guitar writes a song using each of them? What pattern do the songs form? What power do they hold? And what will happen if Terrance can't solve the puzzle in time?
This show is a must-listen for fans of fiction podcasts, original music, and dramatic storytelling. Part adventure, part fantasy, this show will keep listeners entertained and on the edge of their seats, pushing the boundaries with plot twists and original music. Each episode focuses on a different character from a different era and a different genre of music. From 1950s blues to 1970s Motown to 1990s metal, the story and soundtrack take listeners on a thrilling journey.
Sugar Maple features music from artists like Maggie Rose, who, besides contributing her song, also plays a major character in the series. Music direction comes from Don Hart, a Nashville-based composer, and arranger who has worked with symphonies and artists around the world. Other actors include L Morgan Lee (A Strange Loop), Michele Hurst (Orange is the New Black), Jacob Ming-Trent (The Watchmen), and dozens of others.
Osiris Media has also teamed up with the hugely popular poster artist Ryan Kerrigan to create limited-edition posters for each episode. And Osiris will create unique NFT variations of each poster released, along with NFTs for each of the main characters in the series. This marks the first time a music podcast has released episode-specific NFT art alongside physical posters.
“Sugar Maple is the most innovative show we’ve made yet,” said RJ Bee, CEO of Osiris Media. “The writers developed a truly unique story, and our music team created a magical soundtrack to accompany this story. We can’t wait for people to join us on this amazing journey.”
Sugar Maple's Executive Producers are Tom Marshall and RJ Bee. Produced, Edited, Mixed, and Mastered by Brad Stratton. Story by Ben Colmery, A.R. Moxon, and Tom Marshall. Directed by James Masciovecchio. Musical direction by Don Hart. Produced by Tom Sullivan. Production assistance from Zach Brogan and Christina Collins. Art by Mark Dowd.
About Osiris Media:
Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music. We inform and delight music fans by creating shows with leading artists, telling untold stories, and working with brands to craft compelling narratives that bring music to life. Learn more at OsirisPod.com.
Last night, Jim James of My Morning Jacket performed a solo acoustic version of "In Color" on The Tonight Show Starring Jimmy Fallon. The performance was filmed at the famed RCA Studio A in Nashville, TN by Danny Clinch. "In Color" is the current single from My Morning Jacket's critically acclaimed self-titled album from 2021. MY MORNING JACKET was produced and engineered by Jim James over two multi-week sessions at Los Angeles, CA’s 64 Sound. It is the band’s 9th studio album and reaffirms the rarefied magic that’s made My Morning Jacket so beloved, embedding every groove with moments of discovery, revelation, and ecstatic catharsis. The album made an explosive chart debut upon its October release, arriving at #1 on Billboard’s “Top Vinyl” along with #3 on both “Top Rock Albums” and “Independent Albums.”
WATCH "IN COLOR" ON THE TONIGHT SHOW STARRING JIMMY FALLON
The band recently unveiled plans for an upcoming US headline tour. The dates begin April 19 at Memphis, TN’s Orpheum Theatre and then continue through September. Special guests throughout the tour will include Madison Cunningham, Indigo de Souza, and Joy Oladokun. For complete details and ticket availability, please see www.mymorningjacket.com/events.
Highlights include a very special pair of shows in Louisville, KY – My Morning Jacket’s first hometown live dates in six years. The weekend will feature amazing Louisville musicians and local eateries while also shining a light on non-profits doing incredible work in the Derby City, beginning Friday, June 24 with an intimate concert at Iroquois Amphitheater, with proceeds supporting Change Today, Change Tomorrow (CTCT), a Louisville-based non-profit working to fight racial injustice in education, access to healthy food, and proper health care; special guests include River City Drum Corps and Kiana & the Sun Kings. On Saturday, June 25, My Morning Jacket will then headline Louisville’s Waterfront Park, with support from Louisville Leopard Percussionists and Producing a Kind Generation. Tickets for June 24 will be available exclusively as an added option bundled with purchase of tickets for Waterfront Park – standalone tickets will not be available.
VIP tickets and exclusive travel packages will be available for both the Louisville weekend as well as an eagerly anticipated two-night return to Morrison, CO’s world-famous Red Rocks Amphitheatre (August 26 and 27). For details and availability, please visit www.cidentertainment.com/events/my-morning-jacket.
Once again, My Morning Jacket has partnered with PLUS1 with $1 from each ticket supporting non-profits working to secure social justice, ensure mental health care for all, and confront the climate crisis.
Tonight sees the beginning of the band's eagerly anticipated return of My Morning Jacket’s One Big Holiday, an all-inclusive concert vacation that goes through this Saturday, March 5 at the Moon Palace Cancún resort in Riviera Cancún, Mexico. Presented in partnership with CID Presents, the fourth iteration of One Big Holiday finds My Morning Jacket performing three nights at a one-of-a-kind beachfront concert venue especially reimagined for the event. One Big Holiday will also include performances by some of the band’s favorite artists and pals, including Lord Huron, Brittany Howard, Black Pumas, Sharon Van Etten, Trampled By Turtles, Preservation Hall Jazz Band, Steel Pulse, Fruit Bats, Washed Out, Strand of Oaks, and more. For complete information, please visit mmjonebigholiday.com.
MY MORNING JACKET
TOUR 2022
MARCH
2 - Moon Palace, Cancún, MX - My Morning Jacket’s One Big Holiday
3 - Moon Palace, Cancún, MX - My Morning Jacket’s One Big Holiday
4 - Moon Palace, Cancún, MX - My Morning Jacket’s One Big Holiday
5 - Moon Palace, Cancún, MX - My Morning Jacket’s One Big Holiday
APRIL
19 - Memphis, TN - Orpheum Theatre *
20 - Knoxville, TN - Knoxville Civic Auditorium *
22 - Raleigh, NC - Red Hat Amphitheater *
23 - N. Charleston, SC - High Water Music Festival ‡
24 - Miramar Beach, FL - Moon Crush Festival ‡
27 - Houston, TX - White Oak Music Hall Lawn *
28 - Dallas, TX - The Factory in Deep Ellum *
29 - Austin, TX - Moody Amphitheater *
MAY
1 - Atlanta, GA - Shaky Knees Music Festival ‡
JUNE
21 - Cleveland, OH - Jacobs Pavilion ^
22 - Pittsburgh, PA - Stage AE ^
24 - Louisville, KY - Iroquois Amphitheater **
25 - Louisville, KY - Louisville Waterfront ***
28 - Rochester Hills, MI - Meadow Brook Amphitheatre ^
29 - Columbus, OH - Kemba Live! ^
JULY
1 - Madison, WI - Breese Stevens Field ^
2 - Chicago, IL - Huntington Bank Pavilion at Northerly Island ^
AUGUST
11 - Seattle, WA - Marymoor Park †
12 - Bend, OR - Hayden Homes Amphitheater †
14 - Palo Alto, CA - Frost Amphitheater †
16 - Santa Barbara, CA - Santa Barbara Bowl †
17 - Los Angeles, CA - Hollywood Forever Cemetery †
19 - Taos, NM - Kit Carson Park †
23 - Dillon, CO - Dillon Amphitheater †
24 - Dillon, CO - Dillon Amphitheater †
26 - Morrison, CO - Red Rocks Amphitheatre †
27 - Morrison, CO - Red Rocks Amphitheatre †
SEPTEMBER
16 - New Haven, CT - Westville Music Bowl †
19 - Charlottesville, VA - Ting Pavilion †
20 - Wilmington, NC - Live Oak Bank Pavilion †
22 - Asheville, NC - Rabbit Rabbit †
23 - Nashville, TN - Ascend Amphitheater †
24 - Huntsville, AL - Orion Amphitheater †
* w/Special Guest Madison Cunningham
^ w/Special Guest Indigo de Souza
† w/Special Guest Joy Oladokun
** w/Special Guests River City Drum Corps and Kiana & the Sun Kings
*** w/Special Guests Louisville Leopard Percussionists
and Producing a Kind Generation
‡ Festival Performance
Big Gigantic recruit longtime collaborator GRiZ for a new single. “Open Your Mind” is available today at all DSPs with a mind expanding video, streaming now on Big Gigantic’s Official YouTube Channel.
“Open Your Mind” is Big Gigantic and GRiZ’s fourth collaboration. It’s the next chapter in their creative relationship following 2015 fan-favorite “Good Times Roll,” which currently has 40 million streams and has garnered over two dozen top-tier sync placements, including Apple, ESPN and more.
“Jumped in the studio with GRiZ and we made another super banger!!,” says Big Gigantic saxophonist and producer Dom. “It’s always so much fun getting in the studio with GRiZ, we work so well together and always seem to come up with something fun and fresh. A positive message, some fun sax lines and a lot of crazy bass sounds make up Open Your Mind. This one is gonna be a festival favorite all summer long.”
“GRiZ is an absolute monster in the studio,” adds Big Gigantic drummer Jeremy. “He took the idea and brought it to another level sonically with a lot of cool bass. Even though it’s a heavy song, it’s in line with what we’re about.”
“Dom and I go way back so it’s always fun to get in the studio with a friend,” says GRiZ. “It was great to revisit our collaborative spaces, and hey the song is fkn awesome. Hope you love it.”
Jack White has released “Hi-De-Ho,” the latest single from FEAR OF THE DAWN (out April 8), and a collaboration with A Tribe Called Quest figurehead and acclaimed artist and producer Q-Tip. The blistering new single is joined by “Queen of the Bees,” featured on White’s second new album of the year, ENTERING HEAVEN ALIVE, which is set for release on July 22. A limited-edition “Hi-De-Ho” b/w “Queen of the Bees” tri-color 7” will be available exclusively at Third Man Records Cass Corridor Detroit on Saturday, April 9 in celebration of both the album’s release and the start of White’s eagerly anticipated Supply Chain Issues Tour.
LISTEN TO “HI-DE-HO (W/ Q-TIP)” & “QUEEN OF THE BEES”
FEAR OF THE DAWN is also now available for pre-order and pre-save digitally. Vinyl and CD pre-orders are available as well, along with a newly announced CD Box Set with exclusive t-shirt at thirdmanstore.com and a limited-edition cassette via Newbury Comics. In addition to the standard black vinyl version of FEAR OF THE DAWN, five limited edition vinyl variants have been announced: a midnight blue vinyl version with a screen-printed jacket available to Third Man Records Vault Members in the Vault Novelties store, astronomical blue vinyl at select independent record stores, moon glow white vinyl at Target, and a split moon glow white & astronomical blue LP with an 11”x11” screen printed poster and Third Man Records compilation CD at Rough Trade Records. An exclusive slip mat is also available with the album only at Urban Outfitters.
As noted, FEAR OF THE DAWN will be followed this summer by ENTERING HEAVEN ALIVE, due via Third Man Records on July 22. Vinyl and CD pre-orders are available now. Complete details on digital pre-orders and vinyl variants will be announced soon.
White recently announced the first dates of The Supply Chain Issues Tour, with shows in North America, Europe, and the United Kingdom. Produced by Live Nation, the tour – which features White’s first headline shows in four years – begins with two sold out FEAR OF THE DAWN album release shows, set for April 8 and 9 at Detroit’s Masonic Temple Theatre, and then continues through late August (full list of dates below). A limited number of VIP packages will be available for each show. To celebrate the release of “Hi-De-Ho” and the two upcoming albums, starting today through March 10 a limited amount of $33 tickets will be available for most North American headline shows (while supplies last). For ticket availability and more information, please visit jackwhiteiii.com/tour-dates.
JACK WHITE
THE SUPPLY CHAIN ISSUES TOUR 2022
April 08 – Detroit, MI – Masonic Temple Theatre (SOLD OUT)
April 09 – Detroit, MI – Masonic Temple Theatre (SOLD OUT)
April 10 – Grand Rapids, MI – Van Andel Arena
April 12 – Chicago, IL – Credit Union 1 Arena
April 13 – Cincinnati, OH – The Andrew J Brady ICON Music Center
April 14 – Pittsburgh, PA – Petersen Events Center
April 16 – Laval, QC – Place Bell
April 17 – Boston, MA – Agganis Arena
April 19 – Washington, DC – The Anthem
April 21 – Brooklyn, NY – Barclays Center
April 23 – Portsmouth, VA – Atlantic Union Bank Pavilion
April 24 – North Charleston, SC – High Water Festival *
April 26 – Atlanta, GA – Tabernacle
April 27 – Atlanta, GA – Tabernacle
April 28 – Atlanta, GA – Tabernacle
April 30 – Nashville, TN – Ascend Amphitheater
May 01 – Nashville, TN – Ascend Amphitheater
May 23 – Irving, TX – The Pavilion at Toyota Music Factory
May 24 – Tulsa, OK – BOK Center
May 25 – Austin, TX – Moody Center
May 27 – El Paso, TX – El Paso County Coliseum
May 28 – Phoenix, AZ – Arizona Federal Theatre
May 29 – Las Vegas, NV – The Chelsea at The Cosmopolitan
May 31 – Los Angeles, CA – YouTube Theater
June 01 – Los Angeles, CA – YouTube Theater
June 03 – Reno, NV – Reno Events Center
June 04 – Mountain View, CA – Shoreline Amphitheatre
June 06 – Portland, OR – Moda Center
June 07 – Vancouver, BC – Pacific Coliseum
June 08 – Seattle, WA – Climate Pledge Arena
June 10 – Salt Lake City, UT – USANA Amphitheatre
June 11 – Broomfield, CO – 1STBANK Center
June 27 – London, UK – Eventim Apollo
June 28 – London, UK – Eventim Apollo
June 30 – Cologne, Germany – Palladium
July 01 – Amsterdam, Netherlands – AFAS Live
July 02 – Leipzig, Germany – Haus Auensee
July 04 – Berlin, Germany – Verti Music Hall
July 07 - Lyon, France - Le Radiant
July 8 – Barcelona, Spain – Cruilla Festival *
July 10 – Madrid, Spain – Mad Cool Festival *
July 12 – Carcassonne, France – Festival de Carcassonne *
July 14 – Zurich, Switzerland – Samsung Hall
July 15 – Frankfurt, Germany – Jahrhunderthalle
July 16 – Brussels, Belgium – Forest National
July 18 – Paris, France – L’Olympia
July 19 – Paris, France – L’Olympia
July 20 – Paris, France – L’Olympia
August 13 – Minneapolis, MN – Armory
August 16 – Milwaukee, WI – UWM Panther Arena
August 17 – Indianapolis, IN – TCU Amphitheater at White River State Park
August 19 – Toronto, ON – Budweiser Stage
August 21 – Lewiston, NY – Artpark
August 23 – Portland, ME – Cross Insurance Arena
August 24 – Baltimore, MD – Pier Six Pavilion
August 25 – Charlotte, NC – Charlotte Metro Credit Union Amphitheatre
August 27 – Huntsville, AL – Orion Amphitheater
August 28 – St. Louis, MO – Saint Louis Music Park
August 29 – Kansas City, MO – Starlight Theatre
TREY ANASTASIO has announced that he will be releasing his first-ever solo acoustic album, MERCY, this Friday, March 11.
Below are excerpts from the album’s liner notes written by David Fricke:
“Mercy is a genuine and surprising first for Trey Anastasio: his studio debut as a solo, acoustic singer-songwriter. The nine songs were all written in the emotional ricochet of recent, pandemic life, then recorded with the absolute purity of one man with a guitar and a microphone. There is nothing like it in Anastasio's lifetime of albums, even after nearly four decades as the singer, guitarist, and primary composer in Phish, numerous side projects, collaborations, and the long-running Trey Anastasio Band.
“’I've never done anything like this before,’ Anastasio confirms. But the last two years of fear, loss, and, at times, devastating quiet have been unlike anything most of us have ever known. Mercy is Anastasio's account of that confusion and isolation in unresolved questions and conflicted passions, in a music of quietly gripping force. And it arrives with the same immediacy: just weeks after Anastasio recorded it and two years – almost to the day – since his adopted home, New York City, went into lockdown.
“Mercy ‘is like a bookend,’ Anastasio explains. ‘It's two years since we went into hiding. This is still going on, and it's an even lonelier trip.’ There were highs along the way – a Phish studio album, Sigma Oasis, in the spring of 2020; Anastasio's ‘Beacon Jam’ charity concerts that fall, livestreamed from New York's Beacon Theater; and Phish's return to the road in the fall of 2021, during a brief window between variants. Most of the time, though, ‘Here I was, still at home, playing acoustic guitar. I thought, ‘These songs just want to be one guy with a guitar, singing.’
“The roots of Mercy go back further – to Anastasio's first tours as a solo, acoustic performer, starting with three shows in 2017, followed by longer runs in 2018 and 2019, highlighted by a sold-out two-night stand at New York’s legendary Carnegie Hall. The setlists were largely made up of Phish songs stripped to their chord progressions, signature licks, and vocal melodies. ‘But I found this weird thing happening,’ Anastasio recalls, ‘where 'Maze’ – an eight-minute trip on 1993's Rift – ‘worked on acoustic guitar. Who would have thought that? 'It's about the jam, the organ solo.' Turns out it wasn't. It was about the lyrics and the music.’
"Then in June 2021, Anastasio played his first shows for live fans in more than a year – a week of solo, acoustic gigs in Saratoga, New York, and back at the Beacon. The songs again were mostly from the Phish bag. But the emotional exchange ‘was like a direct path,’ Anastasio recalls, ‘from my heart to the audience. The honesty and simplicity of those shows – without it, this album would not have happened.’"
Mercy was produced by Bryce Goggin and Robert “rAab” Stevenson and engineered and mixed by Mike Fahey.
Keith Wortman, Robbie Robertson, Sebastian Robertson, and Blackbird Presents are thrilled to announce The Last Waltz New Orleans: A Celebration of the 45th Anniversary of the Band’s Historic Farewell Concert to be held on Saturday, May 7, 2022, at the historic Saenger Theatre in New Orleans, LA.
This special night of music captures the excitement of The Band’s historic 1976 Thanksgiving concert and features an all-star lineup including: Warren Haynes, Grace Potter, Jamey Johnson, Don Was, Dave Malone, John Medeski, Cyril Neville, Terence Higgins, Bob Margolin, Mark Mullins & The Levee Horns. Featuring Special Guests, George Porter Jr., and Ivan Neville.
Tickets go on sale Monday, March 14, at 10AM CT at http://ticketmaster.com and the Saenger Theatre Box Office. VIP packages, including great seats and exclusive event merchandise, will be available.
Over forty years ago, The Band performed their final concert to a sold-out crowd with a who’s who of Rock 'n’ Roll royalty in attendance. “As far as farewells go, this one was major,” stated Rolling Stone Magazine in a 2016 expose about the famed concert. The evening culminated with “Don’t Do It,” The Band’s cover of Marvin Gaye’s “Baby Don’t You Do It.” After the last note, Robbie Robertson, The Bands’ lead guitarist, songwriter, and founding member said "Goodnight. Goodbye." walking off stage, forever immortalizing this epic event.
“New Orleans has always felt like a second home to me musically and spiritually,” says Robbie Robertson. “I am honored to have this extraordinary lineup of musicians celebrate the tradition of The Last Waltz in one of my favorite cities.”
“We’ve waited two years to get back to presenting the greatest shows in New Orleans during this time of year,” says Keith Wortman (Executive Producer & Chief Creative Officer of Blackbird Presents), “when it came time to decide on the show for this year we knew it had to be extra special, so we knew it had to be the Last Waltz with this lineup of musicians.”
The Last Waltz New Orleans is an extension of Blackbird Present’s annual The Last Waltz tour, which plays to sold-out audiences around the country every November, including 2019’s The Last Waltz Nashville: An All-Star Celebration and 2016’s highly acclaimed two-night concert event The Last Waltz New Orleans: A Celebration Of The 40th Anniversary of The Last Waltz. "The last 30 minutes of The Last Waltz @SaengerNOLA was the best thing I've heard @jazzfest," said Keith Spera, music critic, The New Orleans Advocate.
This show continues Blackbird Presents’ annual “Second Weekend at The Saenger” concert series in New Orleans. Previous events include Nathaniel Rateliff & The Nightsweats, Ryan Adams: Exile On Bourbon St., New Orleans Is Waiting For Columbus, The Last Waltz New Orleans: A Celebration Of The 40th Anniversary of The Last Waltz, Nevilles Forever: A Celebration of The Neville Brothers and Their Music, and The Musical Mojo of Dr. John: Celebrating Mac and His Music.
FOR COMPLETE SHOW DETAILS, PLEASE VISIT
THE OFFICIAL CONCERT EVENT WEBSITE: http://thelastwaltz.com
In tandem with his North American tour kickoff tonight, visionary singer-songwriter-guitarist José González today releases the El Invento EP, the first in a series of EPs that will revisit the singles of his latest album, Local Valley. Included in this new offering is an airy, polyrhythmic remix by rising Peruvian artist Sofia Kourtesis as well as choral and dub reimaginings recorded by González himself.
On remixing “El Invento,” Kourtesis says, "It is a privilege to have been asked by José to do this remix! His voice is as warm and beautiful as a summer night around the people you love the most. He let me dream and fly using his voice! It’s definitely one of my favorite remixes I have ever done."
Reflecting on his approach to the choral and dub versions of “El Invento,” González says, “I used to sing in a choir when I was about 18 and I had the voice range to sing most of the harmonies except for the very highest and lowest, but close enough. This came in handy when I did all the vocals - trying to sound as different persons. To push the sound even more I tweaked some by changing the format slightly. For the dub version, I listened to Alpha & Omega for inspiration. During the early mornings on vacation in Bahía Feliz, I produced most of it with all the amazing tape-delay plugins that are getting better and better. Since until now, I’ve only listened with headphones I’m really looking forward to hear it on a fat PA! All in all a mighty EP that brings one of my favorites into new light.”
Local Valley is available now via Mute on CD, standard black vinyl, limited edition colored vinyl, and at all digital platforms. An assortment of exclusive bundles featuring such limited-edition extras as signed art prints, an original portrait painting, and Local Valley tote bag are available at the official Jose González webstore.
González’s North American tour begins tonight in Seattle and extends down the West Coast before wrapping in Austin. Later in the spring, González will play a number of European festivals and headline shows including a headline date at London’s Roundhouse on April 27. Tickets and further details are available here.
March 9 – Seattle, WA – Neptune Theatre
March 10 – Seattle, WA – Neptune Theatre SOLD OUT
March 11 – Portland, OR – Revolution Hall SOLD OUT
March 12 – Bend, OR – Tower Theatre
March 14 – Oakland, CA – Fox Theater
March 15 – Los Angeles, CA – Walt Disney Concert Hall
March 17 – San Diego, CA – Balboa Theatre
March 18 – Tucson, AZ – Rialto Theatre
March 19 – Phoenix, AZ – Orpheum Theatre
March 20 – Albuquerque, NM – El Rey Theatre
March 21 – Santa Fe, NM – Lensic Performing Arts Center
March 23 – Mexico City, Mexico – Teatro Metropolitan
March 25 – Oklahoma City, OK – Tower Theatre
March 26 – Dallas, TX – Majestic Theatre
March 27 – Austin, TX – Dell Hall @ The Long Center
April 16 – Palma de Mallorca, Spain – Mallorca Live Nights
April 25 – Brussels, Belgium – Ancienne Belgique
April 26 – Bristol, UK – The Marble Factory
April 27 – London, UK – The Roundhouse
April 28 – Cambridge, UK – J1 @ Cambridge Junction
April 29 – Cardiff, UK – Tramshed
May 21 – Tel Aviv, Israel – Tel Aviv Opera House
June 9 – Warsaw, Poland – Palladium
June 10 – Riga, Latvia – Palladium
June 10-12 – Turku, Finland – Kesärauha
June 11 – Tallinn, Estonia – Alexela Kontserdimaja
June 17 – Aarhus, Denmark – VoxHall
June 18 – Oslo, Norway – Pipfest
August 28 – Port Townsend, WA – Thing 2022
The String Cheese Incident is thrilled to announce their annual Colorado amphitheater Incidents at Dillon Amphitheater and Red Rocks Amphitheatre. Joining SCI at Red Rocks will be Yonder Mountain String Band on Friday, Leftover Salmon on Saturday, and a very special Phil Lesh Incident on Sunday that will combine Phil Lesh with The String Cheese Incident for an unforgettable Sunday performance.
Presale and onsale Schedule:
SCI Presale: Tue, Mar 15 @ 11am MST
Local Presale: Thur, Mar 17 @ 10am - 10pm MST
Public Onsale: Fri, Mar 18 @ 10am MST
WATCH THE STRING CHEESE INCIDENT ON CBS SUNDAY MORNING'S FEATURE
"RED ROCKS: NATURE'S PERFECT MUSIC STAGE"
The String Cheese Incident also recently announced that they will headline two nights of "Daze Between" in New Orleans on May 3 & 4. Snarky Puppy, Lettuce, Eric Krasno, Rebirth Brass Band and more will be on hand to create a funky good time in between both weekends of the NOLA Jazz Fest. A portion of proceeds from ticket sales will go to benefit NOLA nonprofit organizations via Rex Foundation.
The past three decades have written a story packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments. The String Cheese Incident has been recognized for their commitment to musical creativity and integrity, for their community spirit, philanthropic endeavors, and for their innovative approach to the business of music.
When The String Cheese Incident’s growth first started gaining momentum in the 1990s, as the Internet was just beginning to take hold and the major-label business model was failing, the band decided to make music on their own terms.
Since then, The String Cheese Incident has gone on to carve out a completely unique approach to the business of music; they are truly pioneers of a new way of “making a band.” With the Internet as their tool, SCI was among the first artists to disseminate information online, such as tour dates, release information, and other news, to their growing fan base. Rather than doing business on such terms as “the bottom line,” SCI put their music and their fans first, opening companies of their own, including a ticketing company, a merchandise company and a fan travel agency, to best serve their community. The band’s record label, SCI Fidelity Records, has always operated under the same ideals. Even early on, SCI Fidelity embraced downloadable music and file sharing, delivering SCI’s “On The Road” series, where every show the band plays is made available for download on the Internet. Whether they realized it at the time or not, The String Cheese Incident was inventing grassroots band development. Today, literally hundreds of bands are using some version of this same approach to build their brand.
The String Cheese Incident’s commitment goes well beyond their immediate community, and even beyond the music community as a whole. Early on, the band took a serious interest in giving back to the communities that they visited, and they were among the first performers to encourage “Green” shows and tours. SCI’s support has helped give rise to such not-for-profit organizations as Conscious Alliance and HeadCount. All the while, The String Cheese Incident has stayed committed to music as a creative endeavor, not just in their recordings but also in their live performances. The list of SCI’s special guests and collaborators is long and diverse. Their annual events such as Electric Forest and Hulaween, and holiday shows such as New Year’s Eve, have helped redefine the concert experience and have garnered the band a reputation as live music vibe innovators.
