Tue, 08/12/2014 - 2:10 pm

With the final lineup announced and the secret guests unveiled, the annual YarmonyGrass is ready to roll this weekend, August 15-17.

YarmonyGrass will return to Rancho Del Rio Colorado, between Bond and Kremmling, about two and a half hours west of Denver. The festival is situated on the upper Colorado River, which allows festival-goers the perfect opportunity for prime water recreation. The river supports 1st-5th class whitewater rafting, canoeing, fishing, kayaking, or just a refreshing dip after a foot-stomping bluegrass jam. Bluegrass lovers and water aficionados will bask in the accessibility of it all. YarmonyGrass couldn’t be in a more beautiful setting.

The lineup this year is nothing short of impressive. Grateful Grass is bringing back the Dead, bluegrass style, with heavy hitters Keller Williams, Keith Moseley, Jeff Austin, and certainly more stand-in all-stars. The collaboration reminds us all where the music we love originated, and celebrates the life and influence of Jerry Garcia and the rest of the Grateful Dead family.

Wicked Messenger will kick off the picking madness Friday night, with Yonder Mountain String Band’s Adam Aijala, Ben Kauffman, Darol Anger, and John Frazier of FrazierBand.

The Motet will bring the funk late Friday night, with an exciting change of pace that will surely get feet moving and keep the party rolling just as they did at this years String Summit at Horning’s Hideout. Get ready to dance for this late night set.

After looking at all of the names on the schedule, it is clear that this weekend will be filled with musician packed stages and constant stand-ins. Bill Nershi will lead the annual late night Joint Set, featuring Rising Appalachia and an array of festival performers.

Such stand-in musicians may include Keith Moseley (The String Cheese Incident), Andy Thorn and his raging banjo of Leftover Salmon, Tyler Grant, Darol Anger, Ben Kaufmann and Adam Aijala (Yonder Mountain String Band), John Frazier, and the recently announced members of Railroad Earth Tim Carbone, John Skehan, and former member Johnny Grubb, as well as the fiddling Allie Kral will surely share the stage frequently this coming weekend.

Be sure to catch Gipsy Moon, a collection of young and very talented musicians from Nederland, Colorado. Referred to as “gipsy grass”, Gipsy Moon is a five piece stringed band that carries soothing harmonies and a fresh, clean sound. I was very impressed with Silas Herman’s delicate and fast mandolin skills and Mackenzie Page’s tranquil voice at Arise Festival last weekend. Keep an eye on this band for years to come.

YarmonyGrass will also host a Gravity Lounge, which will showcase over a dozen workshops including yoga, meditation, and classes on permaculture and gardening. Whether you want to swim in the river, listen to world-class pickers, or just soak in the beauty of it all, YarmonyGrass is surely a festival not to miss. For Colorado bluegrass lovers, this festival just couldn’t be any better!

Tue, 08/26/2014 - 12:50 pm

For bluegrass fans it doesn’t get much better than YarmonyGrass: picturesque Colorado weather, great friends, and top-notch picking in one of the most beautiful parts of Colorado. From August 15th to the 17th, bluegrass lovers gathered at Rancho Del Rio for the ninth annual YarmonyGrass festival, and the results were more than pleasing.

Rancho Del Rio

Rancho Del Rio is a resort campground in Bond, Colorado, located directly next to the Colorado River and smack-dab in the middle of the Colorado Rockies. As a venue and festival ground it truly doesn’t get more beautiful than Rancho Del Rio. The weather was perfect and festival-goers bore witness to some of the best collaborative pick sessions in modern bluegrass in a very small, tight-knit community.

“YarmonyGrass is Colorado’s biggest and best backyard party with all of our friends,” said BJ Cochran, a longtime bluegrass fan and 2nd year attendee of YarmonyGrass.

Small Grounds Big Sound

YarmonyGrass is just a fraction of the size of many other bluegrass festivals. The venue sells out at around 1,000 people, allowing attendees the opportunity to truly get to know each other, the land, the music and the artists. Days were filled with endless floats down a calm section of the cool Colorado River, and nights were occupied by foot-stomping all-star sit-ins with some of the best picking in the world.

The festival offers a unique combination of outdoor recreation and live music.  Although waking up to the 8 a.m. beating-hot sun was anything but welcomed, the refreshing plunge into the river, cold beer in hand, was the ultimate refuge.  Whether a 5th class whitewater raft was your mode of float, or a half inflated blow-up mattress, the water felt fantastically renewing and made up for the lack of showers at YarmonyGrass.

The beauty of Rancho Del Rio’s prime location was perfectly supplemented by the caliber of music being played.  To be honest, most of my favorite bluegrass musicians were there, and nearly every artist played with every other artist at some point in the weekend.  Music began in the early afternoon, giving everyone a chance to relax and spend time in the river.

Wicked Messenger

The ever-evolving Wicked Messenger played Friday afternoon with Yonder Mountain String Band’s Ben Kaufmann and Adam Aijala, joined by Darol Anger on the fiddle and Jon Frazier on the mandolin. I was surprised to hear Yonder hits “All the Time”, “40 Miles From Denver” and “Traffic Jam.” A definite highlight of this set was the Bob Dylan cover, “When I paint My Masterpiece,” led by Jon Frazier. After around 50 Yonder shows its still amazing seeing Adam’s fast and explosive guitar picking and Ben’s smooth bass riffs.

“I really enjoyed John Frazier, Darol Anger, Ben and Adam this weekend as Wicked Messenger. It had a nice stripped down sound. I told friends this could be the Travelin’ Yonder. I wish they would do a little tour. I would go for sure! It was lively and fun!” said Lara Keithley, a YarmonyGrass attendant and Yonder fan.

Rising Appalachia

Inspired by the musical heritage of the Appalachian Mountains, the four-piece Rising Appalachia took stage Friday night.  Sisters Leah and Chloe Smith lent their truly harmonic voices on top of cycling banjos, stand-up bass, fiddles, guitars and minimal percussion. Rising Appalachia’s “Amazing Grace” with a soft sounding claw-hammer banjo was beautiful. The sister’s enigmatic vocals are definitely the center of this group. If there were words to describe Rising Appalachia’s sound, old-timey bluegrass mixed with heart-felt soul and harmonic vocals come to mind. With New Orleans as a second home, RA pays much homage to a city that inspired much of their sound.  “It is by far the most rich, creative, artistic, and slightly insane place I have ever lived on this planet,” said Chloe Smith, who might also be describing the sound of her music. 

Friday Night Funk Revival

The Motet brought the funk late Friday night, and proved to us all that standing still and The Motet do not mix. The change of pace from bluegrass to funk-fusion was welcomed. This is definitely one of my favorite bands to see live, and even though not bluegrass, The Motet was my favorite set of the weekend. Through a span of sound-outages, The Motet’s energy stayed high and kept the party going. It was impressive seeing Joey Porter on the electric keys continue as power to his keys went out. I can’t help but imagine myself at a raging disco whenever this band plays. Clean, fun, fresh, and funky at it’s finest. Vocalist Jans Ingber proved to be versatile as he flawlessly switched from percussion to vocals, almost too fast to notice. I, for one, won’t miss another Motet show.

Bill Nershi’s Saturday Solo Set

After much-needed hydration and rest, many began their hot and sunny Saturday afternoon with Bill Nershi (The String Cheese Incident) and his solo set. Billy is a fantastic guitar player with a sound of his own, and it’s rare to get to see him play alone. Nershi opened with “Two Dollar Bill”, also known as “Long Journey Home”, written by Elvis Costello. Per usual, Billy was given a two-dollar bill at the end of the song by a member of the audience.  Jillian Nershi, Billy’s wife, joined him near the beginning of the set for a much-loved Colorado duo.  About halfway through the “solo” set, guitarist Tyler Grant of Grant Farm was graciously welcomed on stage for a timely and feel-good 8-minute “Colorado Bluebird Sky.” Billy’s positive and special energy was felt and appreciated by all at YarmonyGrass this year.

Grateful Grass

Sandwiched between Keller Williams and Bill Nershi on guitar, former Yonder mandolin player Jeff Austin played a much anticipated role in Grateful Grass. At the end of the night I found myself wanting more from Jeff, but sharing the stage with hard-hitters Keller, Nershi, Allie Kral, Andy Thorn, and Keith Moseley made it difficult for my favorite mandolin player to shine as I’m used to.  With occasional help from Allie on the fiddle, Andy on the banjo, Nershi on the guitar, and Roosevelt Collier on the lap steel guitar, Grateful Grass played Dead favorites “Friend of the Devil”, “Ripple”,  “Eyes of the World”, and “Samson and Delilah”, bluegrass style.  Keller was the perfect leader for the set, front and center, calling out directions to both the crowd and the musicians. The bluegrass renditions of Dead classics were refreshing and fun. For many bluegrass fans such as myself, The Grateful Dead came first and bluegrass followed.

Bill Nershi’s Joint Set

Bill Nershi took stage at 1 AM Saturday night for his late night joint set. Tequila bottle in hand, he was joined by just about everyone I wanted to see on stage: Roosevelt Collier, Tim Carbone, Tyler Grant, Andy Thorn, Keith Moseley, Andy Goessling, John Skehan, Allie Kral, and Rob Eaton Jr. on the guitar, just to name a few.  After the liquor-fueled hour-and-a-half set, mixed reviews were flying around the campground about what had gone down. Many thought the set was aimless and sloppy. Multiple musicians on stage were obviously drunk, and I sensed frustration as the sober artists tried to follow the drunk ones. Jellyfish, a String Cheese original, and Bob Dylan’s Maggie’s Farm closed the set. I enjoyed the set and thought the shenanigans on stage were funny and semi-appropriate for the late night party atmosphere that was Saturday night. At the same time I completely understand festival-goer’s frustration, as the tickets were expensive and top-notch performing should be expected.

Sunday and the YarmonyGrass Allstars

Sunday morning came too soon as many people began packing and heading out under the bright Colorado sun. Andy Thorn and Tyler Grant, both on guitar, played a laid-back set at the Yarmony Creek Saloon as the main stage was disassembled. It was impressive seeing Andy thrive on another instrument besides the banjo. Andy has without a doubt become my favorite banjo player, and his guitar skills are an added bonus. About halfway through the set Zebulon Bowles joined on the fiddle.

The final day of a good festival is always bittersweet. The skilled and diverse lineup, the beautiful festival grounds, and the friendships I made and rekindled will keep me coming back for years to come.

Check out more photos from YarmonyGrass 2014.

Thu, 08/28/2014 - 5:24 pm

Since Chicago-based bluegrass band Cornmeal formed in 2000, they have seen over 13 members in just four short album releases. Cornmeal is without a doubt a band of transition and change, holding on to a high level of skill and stage presence. Four-piece Cornmeal played at The Fox Theater in Boulder, CO on Thursday, August 21st. Although seemingly different members each show, Cornmeal has been playing hard-hitting jam-filled bluegrass for over a decade. This show was no different, with loud and heavy fiddle solos and an electric banjo that left me wanting more. With plenty of space to dance, the energy was high and the set was long.

The show had a decent turn out with about a little more than half the venue filled. The Acoustic Mining Company opened for Cornmeal, and brought an upbeat, old school bluegrass sound to the mix. The Fox Theater is the perfect venue for Cornmeal, as their truly dedicated fan-base is small and tight-knit. The good beer on tap and the good music drawn to The Fox make it a great theater worth coming back to.

Regardless of their consistent band member changes, I always love seeing Cornmeal. There is something about their folky and American roots sound that keeps me interested. Every time I see Cornmeal I am impressed by their speed and large stage presence.  It’s clear that this band’s soul is old and that they will continue to forge their own path through folk and bluegrass music. I look forward to catching them at Harvest Festival this October, where they always throw down and get people dancing in the late-night tent.

Sun, 09/28/2014 - 5:42 am

Mainly known for his work in Bright Eyes, guitarist and vocalist Conor Oberst is in the midst of a coast-to-coast tour showcasing his new solo album, Upside Down Mountain. Recently, Oberst played a nearly sold-out show at The Boulder Theater in Boulder, Colorado.

I didn’t exactly know what to expect for this show, as it had been nearly 10 years since I had seen Oberst live. I had been to quite a few bluegrass shows and festivals so far this summer and Oberst was a definite change of pace. Oberst is such an explosive solo artist, and his performance was high energy and entertaining. He was joined on stage by a solid band, with Jonathan Wilson on guitar. I was smitten by Bright Eyes classics Old Soul Song and We Are Nowhere And It’s Now. The John Prine’s Pretty Good cover was also a treat. The crowd was quiet per usual for this sort of music, with not a lot of dancing and a very low-key vibe.

Every music lover has a band or artist that is quintessential to the development of his or her musical taste. Conor Oberst was the first artist to truly speak to me. Either that or he was the first artist I chose to actually listen to. His songs scream honesty, and his delivery is relatable to anyone who has ever felt struggle, strife, and hope. For a bored, sometimes depressed Midwest kid like myself, Oberst’s lyrics supplied a much-needed outlet in a world I thought didn’t understand.

I started listening to Oberst in Bright Eyes when I was 14 or 15 years old. I lived in a wonderfully supportive middle-class household and received the best education available.  But like many adolescents, I was anything but appreciative of the life I had been given. I felt angry, depressed, and hopeless. I took refuge after school in my room, school uniform still on, with headphones blasting Fevers and Mirrors by Bright Eyes.

But in the dark mist that is often Oberst, there is much hope to be found. When we get down to the very bottom of everything, we can truly see a much different message. Under the politically charged, pain-ridden, and endlessly angry tones, bright and hopeful sounds arise. Within a year or two of listening to Oberst I found the same music that was keeping me down would in fact bring me back up. It was truly a beautiful contrast. It’s easy for me to compare Oberst’s musical career to my own progression of happiness, lacking purpose and joy at first and then eventually thriving. The Boulder show was exactly that, carrying a mature and folky sound that left me with a hopeful attitude and smile on my face.

The new album, Upside Down Mountain, lends a more confident, upbeat and uplifting Oberst. Hundreds of Ways is one of those songs.

 

Don’t look so forlorn

Don’t you look so scared

Don’t get so upset

This world was never fair

 

But there are hundreds of ways

To get through the days

There are hundreds of ways

Now you just find one

Thu, 10/02/2014 - 1:29 pm

Fruition and Grant Farm shared the stage September 25th at the Bluebird Theater in Denver to release their 4-song joint EP titled Meeting On The Mountain. The combination of Fruition’s bluegrass-Americana and Grant Farm’s country twang made for a great show with lots of friends, high-fives, and dancing.  Denver was Fruition’s second stop in an 8-show tour showcasing the new album.

Meeting On The Mountain is Fruition’s first recording since releasing Just One Of Them Nights in 2013. The EP is written and performed by all members of both Grant Farm and Fruition, who share the stage frequently. As a Fruition and Grant Farm fan, it is easy for me to pick up what I love about both bands in the new recordings.  Grant Farm’s country bass rhythms paired with Fruition's fresh vocals and fast mandolin are a match made in heaven.  When Grant Farm is too slow, Fruition steps up the pace, and vice versa.

The first song on the EP, Random Lee, immediately brings rhythms and guitar licks reminiscent of The Grateful Dead. Mimi’s vocals are powerful and inspiring. The second song, Meet Me On The Mountain, combines slow-paced and relaxing melodies with soulful vocals. Of all the songs on the EP, this song most fully represents Fruition’s sound and energy.

Grant Farm and Fruition first joined forces in 2011, when Tyler Grant noticed lesser-known Fruition playing in the cold during the set break of a Grant Farm show. Tyler Grant brought Jay Cobb-Anderson, (Fruition vocals, lead acoustic & electric guitar, and harmonica), on to the stage to play harmonica. Since then it has become a familiar sight seeing them play together.  The two bands work as a catalyst for each other’s success, and sound good together at the same time.

The third song on the EP, Lazy Gold, lends a familiar Grant Farm sound with Tyler Grant on vocals and electric guitar. Meeting On The Mountain closes with Spliff, a song written by lead fruition vocalist Naja. The song puts a humorous spin on Woodie Guthrie’s Crawdad Song.

If you got the spliff then I got the fire honey

If you got the spliff then I got the fire babe

If you got the spliff than I got the fire lets get together and get a little higher

You got the spliff and I got the fire babe

Fruition has to be one of the hardest working bands on the circuit today, travelling tirelessly to take their unique and heart-warming sound to fans all across the country.  They have played nearly ten shows this year in Colorado alone, earning every bit of attention they have so suddenly gained. I first saw this band two years ago at Horning’s Hideout in Oregon at the annual String Summit. Since then I have loved their sound, filled with youth, soul, and positivity.

The band is young, their energy is special and their sound is highly developed. They have propelled themselves into fame with such speed that it has knocked fans off their feet. If Fruition continues to grow at this speed, who knows what music icons they will play with next or what path they will forge for themselves in the world of bluegrass. One thing is for sure, the future is bright for Fruition.

Check out more photos from the show.

Tue, 10/07/2014 - 10:34 am

iCitizen, a non-partisan group promoting political awareness, has created an app that connects people with relevant political issues and allows voters to be confident and aware about their vote. iCitizen has spent the summer at various festivals and concerts, alongside HeadCount registering voters. Grateful Web recently interviewed iCitizen to get the full story.

GW: What is iCitizen?   

IC: iCitizen is a free, nonpartisan app designed as a solution to the lack of transparency, accountability, and public engagement in American politics right now. Statistics show that more Americans than ever are frustrated with our government, but most don’t feel empowered to do anything about it.

GW: How does the app work?

IC: Our app works to change that by allowing each individual user to construct their own “political DNA”—in other words, the personalized set of issues they care most about. Then they can read news articles about those issues, review and vote on related legislation, and directly tell their representatives what they want, all with the tap of a finger. It has never been so easy access and then act on political information, and the team behind iCitizen really believes it has the power to revolutionize a system that simply doesn’t work anymore.

GW: Where has iCitizen been this summer?

IC: This summer we have been all over the country with our partner HeadCount, a nonpartisan nonprofit that registers voters at concerts and music festivals. They do amazing work promoting civic engagement, having registered over 300,000 people at these events in the last decade, so joining forces with them on this festival tour seemed like a natural fit (not to mention a lot of fun). The coast-to-coast tour included eleven festivals such as Bonnaroo in Tennessee, Newport Folk Festival in Rhode Island and Outside Lands in California. We even hopped on some of the stops for Jay-Z and Beyoncé’s “On The Run” tour.

GW: What is iCitizen's primary goal?

IC: iCitizen’s primary goal is simple. We want every citizen of the United States to have a meaningful voice in our government, which is why we’ve created a tool that allows you to do that from the palm of your hand. We often hear politicians referencing “the American people” and speaking on our behalf. But if you ask most Americans if our government knows or cares what they want, regardless of party affiliations, the answer is a resounding “No.” As a free platform that revolves completely around each user’s individual needs and interests, iCitizen can’t be influenced by lobbyists, corporations or special-interest groups. We’re 100% citizen-focused and citizen-driven, and we want to put everyday Americans back in control of our democracy.

GW: Have you had success at festivals this summer reaching out to the youth?

IC: Yes! The “millennial” generation is publicly much-maligned as apathetic, disengaged and self-involved. Even if that were true, they would still be an essential piece of the puzzle if we are going to solve the problem of getting our political system back on track. But we actually found that many of the concert and festival-goers who were the most excited about iCitizen this summer were people from this age group. As a generation that has been raised on technology, they have the highest understanding and expectations of what technology can do. Those encounters were some of the highlights of the summer, and confirmed that people of all generations DO have hope that we can fix what’s wrong with our government.

GW: What do you think makes it difficult for young people to be aware of voting issues and politics?

IC: Historically, political activism hasn’t usually been a top priority for youth unless there is a major issue that directly affects their way of life, like what the country saw during the Vietnam War. But we want to change the conversation by making it so easy to follow issues, track representatives and inform their decisions that it becomes surprising when youth aren’t aware of voting issues and politics.

This generation of youth is incredibly mobile, social, and adventurous, but they are used to information being easily available at their fingertips. Despite its importance, political information is often scattered, convoluted or biased one way or another. They don’t have the time or the patience to dig through mountains of political information to find the things they care about. But now they don’t have to! iCitizen collects this information into feeds, so that news, legislation, and information about their representatives’ voting records and campaign contributions is all in one place, in your pocket and ready to go. Once staying politically informed becomes this simple, the list of excuses for anybody staying in the dark start to disappear.

GW: Where there any difficulties associated with your presence at festivals this summer?

IC: Well besides the usual trials and tribulations of music festivals (mosquitoes, tangled tent poles, inclement weather), the greatest challenge at many of the festivals was simply trying to get people’s attention. Most people don’t come to concerts and music festivals with political engagement on their minds. They’re excited about seeing music, spending time with friends and family, etc. There was also a healthy amount of skepticism at first that iCitizen doesn’t come with any kind of catch or hidden agenda…”free” and “nonpartisan” are two qualities you don’t see often these days. However, we had iPads set up to demonstrate the app and once people could see what we were doing they were usually pleasantly surprised and enthusiastic about it.

GW: At the end of the day, do you think iCitizen successfully influences young people to vote?

IC: iCitizen is really the first technology that personalizes the political experience and consolidates so much information into one place, which we think is going to make it encourage young people to be more politically active. It’s compatible with every tablet and smartphone platform, so it’s incredibly mobile. And voting is one of the focal points of the app. Users can vote to support or oppose federal and state legislation, information which we will then send directly to their representatives.

And since we realize real change is going to happen with citizens working together, not independently, there’s a social component of iCitizen too. Users can easily share their favorite polls, articles and legislation with friends and even their representatives through text, email and social media. This is going to be very appealing to a generation so fond of sharing that economists had to invent the term “sharing economy” to explain their spending habits.

Moreover, there is a large range of polling questions, through which users can see how their political opinions compare to other users in the state and the nation. Engagement typically spikes during presidential elections years, but we think that by prioritizing voting in between election cycles and showing young users why it matters, we can help them form a lasting habit of regular civic engagement.

 

GW: Can iCitizen register voters?

IC: iCitizen employees registered hundreds of voters this summer as part of our partnership with HeadCount, but the app doesn’t currently have the ability to register new voters. There are a lot of people who think the future of voting is mobile—that in the near future, voters will be able to participate in elections right through their handheld mobile devices. We hope to lead that charge, so who knows? Maybe one our next presidents will be elected through iCitizen.

GW: Does iCitizen side with any specific political belief? 

IC: This is a question we get all the time. Many people are surprised when they find out that the answer is absolutely not. From the top down, both the company and the app are powered by the idea of total nonpartisanship and a team that exemplifies it. We don’t care whether you are Democrat, Republican, or anything in between. We want to give all citizens the tools to engage with politics on their own terms and develop their own unique voice. Political neutrality can be a difficult line to walk. That’s why we have current and former elected representatives from both sides of the aisle advising us to help us make sure that as we continue to develop the app it stays as unbiased as possible.

GW: How many people work with iCitizen?

IC: As a young technology startup, we have a relatively small staff that’s growing in concert with our user base. Partnerships such as the one we’ve formed with HeadCount help us to extend our reach and work together with other organizations whose missions align with our own. While we’re not a nonprofit, there are no advertisements in the app and there will never be a cost to the user. We want the app to be accessible to everyone and we won’t take money to promote certain perspectives.

GW:Young voters are important. But so many young people decide not to vote. Why do you think this is?

IC: There are many answers to this question. Young people often don’t feel like they have as much at stake in an election as older people do. Medicaid, Medicare, Social Security, taxes…these issues, while hugely important, don’t affect young people as directly as they affect older generations. As a result, they’re less likely to drive youth to the polls.

Additionally, young people’s lives are often in a constant state of flux. The uncertainty about their future absorbs a lot of time and energy as they try to figure out where they’ll be living, working, or going to school. As people get older and their lives stabilize, they have more time, wisdom and experience to invest in voting, and more strongly held convictions about how they want to vote.

One thing I heard over and over again this summer from young people was that Democrats and Republicans are equally responsible for the polarizing and ineffective partisanship characterizing our country’s politics recently. They believe neither party has proven itself capable of successful leadership and voting for one is no different than voting for the other. This perception has to change if we want more young people to turn out at the polls. The more people we can get to express their opinions through iCitizen, the more accountable our representatives are to the people that elected them and the more our views will be reflected in their policies.

GW: How do you get young people's attention?

IC: We don’t expect America’s youth to show up at our door begging for ways to be more politically engaged, so we have to take iCitizen to them. Concerts and festivals are a great start, but we’re just warming up. We’re going to take iCitizen to classrooms and college campuses, and get involved with politically active student organizations like College Democrats and College Republicans. This week we’re launching the iCitizen CEO (Campus Engagement Officer) program, a nationwide initiative looking for students who want to get involved helping us spread the word about the app in exchange raising money and other prizes for themselves or their favorite organizations. College students can find more information about that at this link:

http://bit.ly/iCitizenProgram

At iCitizen we believe that political engagement at all levels and from all generations has never been more important than it is now, and youth are an essential part of our movement to change American politics forever. For the first time in history we are making it just as simple to influence government as it is to send a tweet, post a picture or check your email—that’s why think this app is one of the most powerful political tools of all time, regardless of your age.

Wed, 10/22/2014 - 1:19 pm

Greensky Bluegrass returns to The Odgen Theater in Denver for an epic two nights this weekend to showcase their new album, If Sorrows Swim.  It’s been an incredible past year for Greensky, with a spotlight during the world famous Telluride Bluegrass Festival, and a shared headline with Railroad Earth and The Wood Brothers at Red Rocks Amphitheatre. The ball will undoubtedly keep rolling with these two upcoming shows in Denver, which are expected to sell out. A definite highlight of my summer was catching Greensky’s explosive late night set at the Palm Theater at Telluride Bluegrass Festival.

Since 2000 Greensky Bluegrass has worked tirelessly to bring bluegrass music lovers a new, clean, and full bluegrass sound. In 2006 Greensky won the band competition for Telluride Bluegrass Festival, debatably throwing them headfirst into success and popularity. Now they tour all year long, selling out venues and headlining festivals. It’s been cool watching this band grow as well as the ever-increasing love their fans have for them.

The new album, If Sorrows Swim, is awesome -- everything and more than I expected. I have heard Greensky play most of the songs on the new album live, so it was good to get stripped-down, super-clean studio versions of songs I love. The album is perfectly mixed, with Paul’s vocals and Michael’s banjo loud and clear. The jams on the albums are long, which was surprising for a “jam-grass” album, as jams are usually non-existent or short on studio mixes. My favorite song on the album is Wings For Wheels, with guitar player Dave Bruzza singing a soulful ballad about being grounded, in my interpretation. I love Bruzza’s old-timey voice with Greensky’s new sound.

As usual, Greensky fans should expect a packed Ogden Theater this weekend. The energy and spirits will be high, as Greensky will surely give it their all to get people moving and captivated. A two night run in Denver, for any band, is always a major highlight of the tour and definitely should not be missed.

Fri, 10/31/2014 - 9:34 am

Last weekend Greensky Bluegrass hosted two sold-out shows at The Odgen Theater in Denver, Colorado. The shows were nothing short of spectacular - with killer sets that match the energy and skill Greensky fans love. The two performances showcased their new album, If Sorrows Swim, released last September. On Friday, Greensky mixed a few of those new songs with old songs, and a few old classics to boot. The crowd’s energy almost matched that of Greensky, who with a little bit more fervor would have started breaking strings. Denver sure felt special being one of four cities to welcome Greensky for a two night run out of a 41 show Fall tour.

Bruzza and Beck

“I know we have to play in other states but I don’t want to, I just want to play here in Colorado.”  Said dobro player Anders Beck on Friday.

Set 1:

01. Just Listening

02. Gumboots

03. Eat My Dust

04. Working On A Building

05. Rafters

06. All Four

07. Road To Nowhere

08. Long Gone

09. Kerosene

Set 2:

10. In Control

11. Can't Stop Now>

12. That's What Love Will Make You Do>

13. Can't Stop Now

14. Middle Mountain Towns

15. Tarpology>

16. One Slip>

17. Tarpology>

18. One Slip>

19. Tarpology

20. The Four

21. Tied Down

22. Wings For Wheels

23. Leap Year

Encore:

24. Breadbox

GSBG

The venue was packed, which obviously has its downfalls. As a show-roamer, I find it more enjoyable to walk around the venue instead of securing one spot, getting different angles and variations of sound quality. This was semi-impossible to achieve at The Ogden last weekend. Both shows sold out surprisingly early on Friday. The sardine-packed outside smoking section seemed roomy in comparison to the shoulder-bumping crowd inside. But I was happy to see Greensky with such a large, sold-out crowd. It was no doubt a huge success for the band to play for such large numbers and to be greeted with such excitement.

I loved Rafters which lead to a 16 minute All Four. Pure gold for this Greensky fan. In addition, Greensky covered Little Milton’s Thats What Love Will Make You Do.

Since forming in 2000, Greensky Bluegrass has been one of the most hardworking bands I have ever seen (they play 41 shows in two months this coast-to-coast Fall tour). In 2006 they finally gained the widespread recognition they deserve at Telluride Bluegrass Festival, winning the annual band competition and the hearts of many. Every time I see Greensky I’m impressed by their speed, insanely high energy, and large stage presence and volume. They play a rowdy, foot-stomping show every time, and that’s what keeps me coming back. The funny thing is, every Greensky show I see seems to be louder and more entrancing than the last.

Check out more photos from the show.

Fri, 11/14/2014 - 4:10 pm

Last weekend Elephant Revival returned home for a sold-out two night run at the Boulder Theater in Boulder, Colorado. The set of shows was called “Birds of a Feather Autumnal Ball”. The band Horse Feathers from Portland, Oregon kicked things off on Friday and opened for Elephant Revival.

Elephant Revival, originally from Nederland, Colorado, is a quintet that I find hard to describe but easy to love. They carry a humble, yet powerful energy with them that I haven’t seen in any other band. Their sound is so delicate and gentle - making the heaviness and soul in their music impossibly real. It’s music to share with your parents, your friends, your lovers and your enemies. Elephant Revival is as soothing as they are entrancing.

Friday night’s show was outstanding. Boulder Theater is smaller than most venues, and Elephant filled the space very well, making for an intimate show with an intimate band. As with most Elephant shows, the crowd was respectful and easy going. The venue, though sold-out, was not overly packed. About halfway through the show during an instrumental song, two acrobats joined the band on stage. The whole band watched the acrobats in amazement, as they continued to play in awe of the other performers sharing the stage. It reminded me of aerial silk dancers I saw at another Elephant show in Colorado.

They played favorites Ring Around The Moon, The Pasture, and Jet Lag Blues.  It was, as usual, a truly beautiful evening with a beautiful band. It was easy to sense the excitement Elephant had playing so close to their hometown, so close that I’m sure it almost felt like home. Although I don’t conventionally like slower, softer sounding bands like Elephant, I will always love this band and see them whenever I can.

Check out more photos from the show.

Thu, 02/12/2015 - 9:50 am

The Jeff Austin Band played last week at the Bluebird Theater in Denver to showcase their new album, The Simple Truth. The performance proved loud and clear that the future is bright for Jeff Austin and his compadres, and that Austin is anything but done playing music after his separation from Yonder Mountain String Band earlier this year. Austin was joined by banjo troubadour Danny Barnes, Ross Martin on the guitar, and Eric Thorin on the upright bass. They filled the quaint Bluebird Theater with a great crowd and played an impressively long set with no breaks. The Jeff Austin Band was opened by Boulder’s own the Caribou Mountain Collective, and Nashville-based solo artist Sarah Siskind.

It was clear how much Jeff, who played with Yonder Mountain String Band since 1998 until about a year ago, missed playing music for an audience. His energy was right where it used to be, if not higher. Jeff Austin always throws down, and thats what I love about him. With or without Yonder, his shows are fun and electric, and bring a mood thats unmatchable by any other band or artist playing music. Having seen Yonder a good ten times since the separation, it was such a relief hearing what has been lacking with Yonder, in my opinion. Whatever your relationship is with eccentric, slightly-egocentric Jeff, it’s good as hell to have him back.

Danny Barnes and Jeff Austin are a match made in heaven. Danny’s twangy, near-haphazard banjo picking with Jeff’s accurate and heavy mandolin is something that every music fan needs to hear. Individually Danny and Jeff are as unconventional as a musician can be, and combined make for a truly entertaining pair to watch. Ross Martin lends an upbeat and fast guitar to the mix. Meanwhile, Eric Thorin holds down the rhythm with a loud, jazz-reminiscent standup bass.

The entire set was filled with gems. Reuben’s Train>Follow Me Down To the Riverside>Reuben’s Train was great. Rag Doll and the Boatman’s Dance closer was also highly welcomed. Many Yonder fans, myself included, thought that with the separation of Jeff and Yonder the Jeff originals would disappear, but they seem to be sticking around (Raleigh and Spencer opener at the Boulder Fox Theater the night after).

“Some people get lucky in life and they get to start a band in Nederland, Colorado once. And then some lucky a$$-mother@#!%@&$ get to do it twice,” Jeff Austin said at their first show at Nedfest in 2014.

Jeff Austin and his support aren’t going anywhere but up from here. Jeff made it very clear that he is back and at ‘em in full force, and the people seem to be happy about that. With such a self-propelled musician that is Jeff Austin, The Jeff Austin Band has much promise for an exciting future.

Check out more photos from the show.

The Jeff Austin Band | 2/6/15

Band introductions

Rundown

15 Steps

Instrumental

Fiddling Around

Reuben’s Train

Riverside

Reuben’s Train

Sisters & Brothers

Everything Fades

Living In Between

Rag Doll

Instrumental

Maintain

Lick 6 w/ Ruby tease

Encore: Simple Truth

Boatman’s Dance

Thu, 03/12/2015 - 5:11 pm

Last week Denver bluegrass fans were smitten by the presence of a seven-piece bluegrass super-group of some of our favorite musicians for a two night run at the Cervantes Masterpiece Ballroom. Adam Aijala and Ben Kaufmann from Yonder Mountain String Band, Drew Emmitt and Andy Thorn from Leftover Salmon, Bridget Law and Bonnie Paine from Elephant Revival, and guitarist Larry Keel all shared the stage for a first tier, foot stomping picking party. Gipsy Moon opened on Friday night, bringing their soulful, eclectic sound to an upbeat collaboration.

Yonder fans heard favorites Bloody Mary Morning, Left Me In a Hole, Casualty, and Rain Still Falls.  Star Of Munster, an old Irish folk song, was incredible to hear from the seven-musician shared stage. For the majority of the show all seven musicians were present on stage, though they did take turns sharing spotlight for band specific songs.

This show represented what I love about living in Colorado and the music that comes with. No where else in the world can I find a small, personal show with musicians that I love to hear so much. The crowd was large enough for a successful show but small enough to wander and mingle without bumping and grinding, which is unusual for Cervantes. For this show, there wasn’t a bad view in the house. It was such a relief when Cervantes announced the show would be moved to the main side, from The Other Side. I wish more bluegrass shows were on the main side.

It’s always great to see our favorite musicians assembled in different ways. The chemistry of the group changes drastically, and brings out sounds unfamiliar yet welcomed. If only it happened more! One thing is certain, if Larry Keel is leading, it’s guaranteed to be a good time.

Check out more photos from the show.

Fri, 04/03/2015 - 3:08 pm

Last week Denver based bluegrass band Trout Steak Revival played a sold-out show at The Bluebird Theater to showcase their new album Brighter Every Day. Banjo player Chris Pandolfi from The Infamous Stringdusters produced the album and sat in with the band for their album release.

Trout Steak Revival is killing it - bringing a developed sounding freshness to the bluegrass world one packed show at a time. It’s so nice hearing something new and seeing a group of young, humble musicians get people dancing just like the bluegrass veterans do. Although Colorado based, most of the members are transplants from the midwest, with the fiddle player Bevin Foley as the only native.

Comprised of a stand up bass, mandolin, dobro, banjo, and fiddle, five-piece Trout Steak won the Telluride Band Competition in 2014. As an Infamous Stringdusters fan, I can definitely hear a strong influence in their collective sound.

Brighter Every Day was funded by the support of their fans, through Kickstarter. The album is positive, hopeful, fun, and gets better and better every time I listen to it. For such a young band, their support and following is incredible. A sold out show at The Bluebird is something to be very proud of. If I were a betting man, I would bet this band will go far, soon.

Sat, 05/16/2015 - 5:47 pm

The third annual Beanstalk Music & Mountain Festival is set to return to the State Bridge Amphitheater in Bond, CO May 29-31. This years lineup is nothing short of fantasti, with three sets from The Magic Beans, two sets from Joe Russo’s Almost Dead, The Kyle Hollingsworth Band featuring Michael Kang, Iron Horse, The Main Squeeze, Vine Street Vibes, Juno What?!  American Babies, and more.

Supergroup Hollywood Nights, featuring members of The Disco Biscuits, JRAD, and Particle will also play, as well as The Magic Brownies, a collaboration between member of The Magic Beans and The Disco Biscuits. Beanstalk features a wide array of outdoor recreation such as hiking, stand up paddleboard, rafting, and much more. This small, personal festival will surely be a blast, with much more than music to offer its attendants.

Beanstalk tickets are on sale now. For more information or to buy tickets, visit www.beanstalkfestival.com.

Mon, 06/15/2015 - 12:50 pm

The third annual Beanstalk Music and Arts Festival returned to the State Bridge Amphitheater in Bond, Colorado this past May, proving once again that The Magic Beans, perfect Colorado weather, and a slew of other incredible acts are the perfect recipe for a fun-filled weekend. The Magic Beans played all three nights, filling State Bridge with their mixed-genre, upbeat space funk. Joe Russo’s Almost Dead played two sets Saturday night, as well as The Kyle Hollingsworth Band featuring Michael Kang, Hollywood Nights featuring members of The Disco Biscuits, JRAD, and Particle. The Magic Brownies also played, featuring members of The Magic Beans and The Disco Biscuits, to name a few.

Overall, the festival was great. Camping was held down the road from State Bridge at Rancho Del Rio, which is situated right on the Colorado River. For me, the river and the camping are a major reason I go to most events at this space. The skies were blue, river cold, and sun shining. The music started late afternoon, giving fans plenty of time to lounge by the river, with the occasional frigid but refreshing plunge into the water. Attendants can also float many segments of the river, on tubes, stand up paddle boards, or boats.

I have few complaints other than I wish the music was located at Rancho Del Rio. State Bridge is incredible, one of the coolest venues I have ever been to. But the bus system that transported festival goers to State Bridge was undeniably shaky, with unpredictable pick up times and hordes of people crowding the front (and back) bus doors. I waited an hour to get on a bus once because I didn't feel like pushing through people to get to my deserved space in line. There’s nothing like returning to your camp for a beer or a rest without having to get on a bus to and from the venue.

The crowd was very mixed, with all sorts of fans there for different reasons. Joe Russo attracted a lot of people, as well as the members of the Disco Biscuits and Kyle Hollingsworth.

The Beans were the definite highlight of the weekend. Their energy is untouchable; bringing a fresh, young, upbeat sound that combines aspects of many genres into one cohesive performance. If you like music of any kind, chances are you’re going to love the Magic Beans. It’s been fun watching them grow in the past few years. They are on fire, and will go far without a doubt.

Joe Russo’s Almost Dead blew my mind, once again. They play the music we love so dearly, so well. I’m not apprehensive to say that JRAD is the Dead of our generation, it’s what we got and it’s damn good.  JRAD is pertinent to current times, while holding on so tightly to the message and the vibes of the Grateful Dead. They have transformed the music of The Dead into something else, stretching and shrinking the sounds into something familiar but at the same time something very different. JRAD gives the people what they want. I walked away from those two sets feeling better than before.

Joey Porter’s Juno What!? was very funky and fun to watch. It’s pretty much guaranteed to be a party if Joey is there. As always, I had a blast with The Kitchen Dwellers. Young, fresh, fast bluegrass at its finest. The Kyle Hollingsworth Band featuring Michael Kang brought the cheesy vibe to State Bridge, with upbeat and positive sounds that got people dancing and smiling. It definitely felt like a String Cheese show.

Beanstalk was a great time. The lineup was diverse, the weather was amazing, and the venue was incredible. For anyone looking for an outdoor Colorado festival with tons of great music, this is the one.

Check out more photos from Beanstalk Music Festival.