Sun, 03/10/2019 - 1:55 pm

Disco Biscuit bassist, activist, and Philadelphia resident Marc Brownstein brought his new supergroup Star Kitchen to Ardmore Music Hall for the second time last night and did not disappoint. The Star Kitchen lineup includes guitarist Danny Mayer (Eric Krasno Band), keyboardist Rob Marsher (Addison Groove Project, Matisyahu) and drummer Marlon Lewis (Lauryn Hill, John Legend), along with different guests at every show. Brownstein noted that all members of the current lineup live in Philadelphia.

Danny Mayer and Marc Brownstein

Star Kitchen is rooted in improvisation, and cover songs from jazz, pop, funk and classic rock genres. Set one started out cool and included “Chank” from John Scofield’s A Go Go. The intensity was turned up quickly with a Led Zeppelin medley of “Bring It On Home,” “The Ocean” and “Trampled Underfoot,” as well as “Jungle Boogie” by Kool and the Gang. Shortly afterward, trumpeter/vocalist Jennifer Hartswick and saxophonist James Casey, both of the Trey Anastasio Band, and an unknown vocalist, joined the party on stage and closed out the set with vigor.

Jennifer Hartswick | Ardmore Hall

The second set opened with Star Kitchen’s four core members on stage. This did not last long as Disco Biscuit keyboardist Aron Magner emerged to a warm welcome from the crowd. Magner and Marsher exchanged smiles as they shared keyboard space. Later, Hartswick and Casey returned to the stage for more impressive horn improvisation with “After Midnight” by Eric Clapton and “Will It Go Round In Circles” by Billy Preston. Hartswick also sang both songs with her deep, soulful voice.

Star Kitchen | Ardmore Music Hall

At the end of the show, Brownstein noted how hard the band worked on playing a different set tonight versus last November, and it showed. The energy and execution was tight between the band members and guests, leaving the fans satisfied and hungry for more.

Star Kitchen | Ardmore, PA

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Tue, 04/23/2019 - 5:38 pm

Friends of the Devil’s Lettuce brought a full house to Ardmore Hall in Ardmore, Pa last Saturday night to celebrate the cannabis-themed holiday on April 20th. Delicious CBD treats were purveyed inside the venue, which was exciting to see, and was well received by the attendees.

Steve Kimock | Ardmore Hall

This supergroup was led by guitar virtuoso, Steve Kimock. George Porter, Jr. from The Meters supplied his skills on the bass, complimented by Aron Magner from the Disco Biscuits on keys. Vocalist Leslie Mendelson and Kimock’s son, drummer John Morgan Kimock, rounded out this talented group.

Chris Jacobs with Kimock and Leslie

The Cris Jacobs Band opened the show and got the crowd moving with their signature blend of southern soul, rock, and funk from New Orleans. The band recently released their acclaimed new album, Color Where You Are. “Jack the Whistle and the Hammer” exhibited their Americana roots and superb slide guitar from the Dust to Gold album. “Painted Roads,” the bluesy single from their new album which was described by Rolling Stone as one of the 10 Best Country/Americana songs of the week, was beloved by the audience.

Friends of the Devi's Lettuce

Friends of the Devil’s Lettuce took the stage shortly after that, and all members were seen tuning their own instruments. Kimock set the mood by wishing everyone a happy holiday and informing the audience that the band will play for a while, but will eventually play a song that everyone can sing along to. This is exactly what this talented group of musicians did.

The Kimocks with Leslie Mendelson

A ten-minute bluesy jam, reminiscent of the Grateful Dead, ushered the crowd into pure musical bliss. Mendelson then took the lead on vocals in “Sisters and Brothers”. Her soulful voice perfectly complemented Kimock’s guitar solos. “New Speedway Boogie” had the entire floor chanting “One Way Or Another,” while Porter laid down his legendary funky bass rhythms.

George Porter Jr. | Ardmore, PA

The second set rolled on with more Dead covers and soulful funk. “Eyes of the World” opened the second set, sung by the gentle Porter. Magner showed his depth by taking the lead with a sturdy keyboard solo that was a departure from his jamtronica roots. Kimock wove his stellar guitar chops, making this a memorable tune.

Aron Magner | Ardmore Music Hall

“Friend of the Devil” proceeded with incredible vocals by Mendelson. “Just Kissed My Baby G” brought the Louisiana funk directly to Pennsylvania, led by an energized Porter. “Sugaree” was another notable dead tune, sung by Porter, which had the crowd shaking it. The often-covered classic New Orleans tune “Iko, Iko” closed out this profound set, sending fans home full of spirit.

Cris Jacobs Band Setlist

Under the Big Top
Turn To Gold
Painted Roads
Delivery Man
Rooster Coop
Buffalo Girl
Jack the Whistle and the Hammer
We'll Act Like Strangers
Devil or Jesse James
I Am The Walrus
Afterglow
Ohoopee River Bottomland
Kind Woman
Ice Cold Daydream
Holler and Hum
Rocket Man
Bone Digger
Night Birds
Hold Close These Things
Shine Your Weary Light
E - Ghosts of Evangeline

Friends of the Devil’s Lettuce Setlist

Set I
Sisters and Brothers
They Love Each Other
New Speedway Boogie
Sitting in Limbo
The Maker
That’s What Love Will Make You Do

Set II
Eyes of the World
Friend of the Devil
Just Kissed My Baby G
Sugaree
Get Out My Life Woman
Scarlet Begonias
Miracle
You’re the One
Iko, Iko

Sun, 09/29/2019 - 1:30 pm

Steve Kimock and his adept friends delighted NYC with an early Friday night performance in the West Village at Le Poisson Rouge, featuring plenty of his signature guitar brilliance. Fresh off the release of new track “While We Wait,” Kimock is currently wrapping up a short, but sweet east coast fall tour. Tonight’s show included a memorial dedication for the recently departed Robert Hunter, and a special birthday shout out for one of the band members.

Jeff Chimenti, Leslie Mendelson, & Kimock

Mr. Kimock, a frequent Grateful Dead themed band teammate, was joined by several talented musicians from the jam scene. Jeff Chimenti, known for his work with numerous bands including Dead & Co, The Dead, and RatDog, was the keyboardist for the evening. Kimock’s son and current drummer for the Mike Gordon Band, John Morgan Kimock, was on the drum kit. Former Tea Leaf Green All-star Reed Mathis handled the bass duties. And finally, Leslie Mendelson, a frequent Kimock collaborator, made a guest appearance on vocals and piano.

John Morgan Kimock & Reed Mathis

Tonight’s show kicked off with the mellow and intricate “While We Wait,” Kimock’s brand new original song. Next up was a tasty Grateful Dead jam sandwich, with “Bird Song” > “The Other One” > “Bird Song.” The KVHW classic instrumental “5B4 Funk” proceeded and got the crowd grooving. Leslie Mendelson joined the party on vocals and piano to close out the first set for the Daniel Lanois cover “The Maker.”

Leslie Mendelson | NYC

After a short break, the band was all smiles and back on stage for round two. This set also began with a myriad of Kimock penned tunes, starting with “Tangled Hangers.” “Mother’s Song” and “Satellite City,” both from Kimock’s 2017 release Satellite City, were up next. Leslie Mendelson reclaimed her spot next to Jeff Chimenti during “Satellite City,” again adding vocals and piano to the mix. Mendelson stayed on stage for the next Grateful Dead jam sequence, which included fan favorites “Crazy Fingers” > “Dark Star” > “Crazy Fingers” > “Dark Star.” Before “Crazy Fingers,” Kimock took a few moments to acknowledge the recent passing of Grateful Dead lyricist Robert Hunter and dedicated this sequence to his profound memory. The show wrapped up with a birthday shout out for bass player Reed Mathis, and included an audience sung version of the classic “Happy Birthday.”

Steve Kimock | NYC

Steve Kimock and his band of musicians brought sheer joy to his NYC fans this weekend. The Empire State awaits the next visit from this talented musician.

Steve Kimock | (Le) Poisson Rouge

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Tue, 01/21/2020 - 7:58 pm

Sexy jam rockers Ghost Light lit up the stage at the iconic Brooklyn Bowl in Williamsburg, NY with their unique blend of acid and funk mixed with indie jam rock. The band is led by jam scene veteran and guitarist Tom Hamilton (Joe Russo’s Almost Dead, Brother’s Past, American Babies), as well as guitarist Raina Mullen (American Babies). Rounding out this talented squad is keyboardist Holly Bowling (Phil Lesh and Friends), drummer Scott Zwang and bassist Dan Africano.

Ghost Light | Brooklyn Bowl

The Brooklyn Bowl was packed with fans who arrived early and were eager for a double dose of dynamite guitar. Fans decorated the front row donning “Let Holly Sing” shirts. Several local tapers were on hand to document this show from the crowd perspective.

Holly Bowling | Ghost Light

The set began on a high note with the classic Derek and the Dominos cover, “Keep On Growing.” Both guitarists melded together like butter from the start, perfectly complimenting each other while paying tribute to this classic song. This segued into “Bullseye Blues”, with stellar vocals by Hamilton and Mullen, and exquisite stage coordination with Bowling.  The jam sandwich that followed was “Old Fashioned” > “Muse”, and included a great build-up between both songs. Both “Old Fashioned” and “Bullseye Blues” are American Babies covers, paying homage to both Hamilton and Mullen’s roots. The set closed out with a rocking original, “Diamond Eyes”, that contained delicious psychedelic moments reminiscent of Hamilton’s other gig, Joe Russo’s Almost Dead.

Ghost Light | Brooklyn, NY

After a short break, the band reemerged with more American Babies goodness, starting with “This Thing Ain’t Going Nowhere.” A vibrant sequence of American Babies covers followed, clocking in as our jam of the night. "Synth Driver" started out smooth and melodic, and transitioned into a deep funk jam. This jam vehicle segued into a delightful "Swimming at Night", led by Bowling and included more Grateful Dead-esque licks from Hamilton. The trifecta wrapped up with an electrifying "Cold Blooded." 

Raina Mullen | Brooklyn Bowl

The set ended with indie rock-infused original "Best Kept Secret" into "State Police", which included stellar vocals by Mullen and Hamilton. The crowd was hungry for more, and Ghost Light delivered with a cover of "I Want To See The Bright Lights Tonight" by Richard and Linda Thompson. Quite frankly, the fans would have welcomed this band playing late into the night, however, another show was scheduled. Fret not, however, as Ghost Light is on a comprehensive tour across the USA. Visit their website for tour dates in your area, as this dynamic new talent is not to be missed.

Raina Mullen & Tom Hamilton | Ghost Light

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Setlist:

Set One: Keep On Growing > Bullseye Blues, Old Fashioned > New Born > Diamond Eyes

Set Two: This Thing Ain’t Going Nowheres, Synth Driver > Swimming At Night > Cold Blooded, Best Kept Secret > State Police

Encore: I Want To See The Bright Lights Tonight

Tue, 02/11/2020 - 1:10 pm

Galactic brought their twenty-fifth-anniversary tour and signature New Orleans funk to the Fillmore in Philadelphia, Pa, complete with special guests and throwback covers. Anjelika Jelly Joseph was on hand providing vocals and an engaging stage presence, as well as rapper Chali 2na. Anders Osborne provided support as the opening act.

The Fillmore - Philadelphia, PA

Galactic’s line up included Stanton Moore (drums), Eric Gordon Jr (trumpet), Ben Ellman (saxophone), Jeff Raines (guitar), Robert Mercurio (bass), and an unidentified keyboardist.

Anders Osborne | Philadelphia, PA

Anders Osborne kicked off the evening with blues and good old rock and roll. Osborne’s soulful expressions and excellent guitar work were apparent from the very first song. The crowd enjoyed this high energy opener, as the floor was almost full by the time his set was over.

Anders Osborne | The Fillmore Philly

Shortly after Osborne wrapped up, Galactic took the stage with a dark introduction, albeit a fiery stage presence. Joseph eventually joined the band on stage, and belted out their recently released new track, “Float Up.” Chali 2na joined the party for two Jurassic 5 covers, “Freedom” and “Quality Control.” The highlight of the night included both Joseph and Chali 2na for an exciting version of the classic Police song, “Walking On The Moon.”

Galactic with Anjelika Jelly Joseph

Later in the set, Moore’s high hats were removed from his rig, and installed in front of the stage, where he performed an accomplished drum solo. This impressive display included his use of the stands as part of the solo. Stanton’s excitement and smiles could be felt throughout the venue.

Anjelika Jelly Joseph | Fillmore Philly

The show wrapped up with two encores, “Fabuloso” and “Dolla Diva”, and the latter included Joseph. The crowd was on their feet, cheering, and thirsty for more delicious grooves from the state of Louisiana. The band left no doubt in anyone’s mind regarding their love and skill for New Orleans funk. Head on over to Galactic’s tour page to find dates in your area on this soon to be legendary twenty-fifth-anniversary tour.

The Fillmore Philadelphia

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Sun, 05/30/2021 - 1:14 pm

Joe Russo’s Almost Dead took the stage in New Haven, Connecticut on May 29th, 2021 for the second night of a sold out run at the brand-new Westville Music Bowl, and left fans feeling that euphoric feeling they had forgotten in the fifteen months since their last live show because of the Covid pandemic. This was all despite a furious wind, unseasonably cool temperatures and rain on Memorial Day weekend. Smiles and good vibes permeated the crowd, staff and band throughout this inclement weather. The future is certainly bright for this band and their fans.

Drew Dreiwitz and Scott Metzger | New Haven, CT

The Westville Music Bowl opened in May 2021 at a former Tennis facility, giving music fans in the northeast their first taste of live music this year. Or perhaps since the pandemic started. The venue is nestled in a natural, scenic setting, next to West River Memorial Park, which is a popular New Haven spot for birding.

Marco Benenveto | Westville Music Bowl

The organic surroundings and all-weather conditions provided the perfect platform for Joe Russo and his talented friends to play incredible Grateful Dead inspired jams. The show began on a high note with Dylan/Hunter's “Silvio” into the classic “Bertha.” This was followed by “Me and My Uncle,” which is a cover by John Phillips. The first set closed out with a deliciously funky “Shakedown Street” > “Black Peter” > “The Music Never Stopped.”

Joe Russo's Almost Dead | New Haven, CT

Set two picked up where set one left off, starting with a cover by the late Dr. John, “Such a Night.” The jam vehicle for the evening left the station in the next song, “Cream Puff War, “which transitioned into the catchy Grateful Dead tune “Truckin’,” and included some tasty improvisation. The band didn’t stop, and segued into the jam of the night, “St. Stephen,” much to the delight of the crowd. This setlist sandwich with another Bob Dylan cover, “Tough Mama.” The second set concluded with an inspiring version of “I Know You Rider.” After a short break, the band gave one more dose of their elevated musical artistry with an “On The Road Again” encore.

Tom Hamilton | New Haven, CT

Joe Russo’s Almost Dead will take the stage once more this weekend at the Westville Music Bowl tonight to close out this meaningful Memorial Day Weekend run. They will also return in three weeks for another sold-out run on June 18-20, as well as on July 30-31 and September 4th at this socially distanced outdoor venue. Tickets are still available for the July and September shows at www.joerussosalmostdead.com.

Westville Music Bowl | New Haven, CT

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Set I

Silvio > Bertha, Me and My Uncle, Shakedown Street > Black Peter > The Music Never Stopped

Set 2

Such a Night, Cream Puff War > Truckin’ > St. Stephen > Tough Mama, I Know You Rider

Encore

On The Road Again

Mon, 05/31/2021 - 2:43 pm

Never miss a Sunday show. These words of wisdom are shared amongst jam band fans. Last night, the proverb lived up to its name as Joe Russo’s Almost Dead closed out a three-night run at the Westville Music Bowl in New Haven, CT on Memorial Day Weekend. There was nothing dry or warm about the conditions at this former outdoor tennis stadium, which only added fuel to the fire. The addition of Stuart Bogie on saxophone and flute to the evening’s lineup elevated the band musically in directions it had not gone the prior nights. The music was distinctively jazzier throughout the jams and transitions with Bogie in the roster.

Stuart Bogie sitting in with Joe Russo's Almost Dead

Bogie is a multi-instrumentalist, composer and music producer hailing in Brooklyn, NY. He has worked with a long list of notable artists, including the band Antibalas and producer Dave Sitek. He is also a frequent collaborator with Joe Russo, including Joe Russo’s Hooteroll and Boyfriends.

Tom Hamilton | New Haven, CT

The first set began as the rain poured down with a soulful “Eyes of the World,” sung by guitarist Tom Hamilton, into “Estimated Prophet.” The band and crowd were feeling it early tonight, and the rain seemed to bring the best out of both. An inspired “Cassidy” was up next, transitioning into “Going Down the Road Feeling Bad” and then “Candyman.” The classic Grateful Dead tune brought the energy down for a few moments, but quickly jettisoned back up during “The Eleven” > “Franklin’s Tower.” The set closed out with the intensity of the rain increasing as much as the band.

Joe Russo's Almost Dead | Westville Music Bowl

Set two began with many fans moving onto the second level of the stadium to take cover from the rain. The band picked up where set one left off with “Scarlet Begonias” > “Fire on the Mountain” > “Beat It on Down the Line.” The latter being a cover by Jesse Fuller. “He’s Gone” and “Playing in the Band,” followed. The rain, which was pouring extremely hard at this point, could not douse the band or the crowd’s flame. The set ended with a jazz fueled “Samson and Delilah.” Those on the field, who were completely soaked at this point, raised their hands with joy as the band sang “If I had my way, I would tear this whole building down.” The band quickly returned to play a fiery encore, closing out this memorably soggy night with “Born to Run” by Bruce Springsteen.

Marco Benevento | New Haven, CT

Joe Russo’s Almost Dead ended the exciting three day run with stellar jams and excellent vibes in the great state of Connecticut. The adage is alive and true, despite the lack of music during the recent Covid pandemic: Never miss a Sunday show.

Joe Russo's Almost Dead | May 30th, 2021

For those who missed this run, the band will return in three weeks for another sold-out run on June 18, 19, and 20th, as well as on July 30-31st and September 4th at this socially distanced outdoor venue. Tickets are still available for the July and September shows at www.joerussosalmostdead.com.

JRAD fans @ Westville Music Bowl | New Haven, CT

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Set One:

Eyes of the World > Estimated Prophet, Cassidy > Going Down the Road Feeling Bad > Candyman, The Eleven > Franklin’s Tower

Set Two:

Scarlet Begonias > Fire on the Mountain > Beat It on Down the Line, He’s Gone, Playing in the Band, Samson and Delilah

Encore:

Born to Run

Sat, 06/05/2021 - 4:00 pm

The Westville Music Bowl in New Haven, CT achieved lift off last night when the Disco Biscuits took the stage. Armed with their signature blend of jam rock and electronic dance music fusion, this Philadelphia based squad delivered inspiring jams to many fans who had not seen live music prior to the start of the covid-19 pandemic. The setlist incorporated fan favorites and a rare gem, which elevated the audience further.

Jon Barber | New Haven, CT

Located on the Yale University campus in a beautiful natural setting, the Westville Music Bowl opened in May 2021 inside a former tennis facility. This venue has brought many smiles to music fans around the northeast, as it has provided an outside facility with social distancing, allowing music to return despite the on-going pandemic. Current shows are being sold at half capacity and in pods, which offers the ability for fans to socially distance.

Disco Biscuits | Westville Music Bowl

The Disco Biscuits announced last week that they are unable to host their traditional Camp Bisco at Montage Mountain, PA this July, but instead will deliver two nights at the TD Pavilion at the Mann in Philadelphia, PA instead. The electronic lineup includes Lotus (two nights), Orchard Lounge and Luke the Knife.

Marc Brownstein | Disco Biscuits

Set one began with the “Safety Dance,” an electric cover by Men Without Hats. This began a stellar jam sequence into “Mr. Don” > “Rocket Science” > “Mr. Don”, with a notably delicious transition into “Rocket Science.” The band did not waste any time, and dove into another tasty song series, “Aceetobee” > “I Feel Love” > “Aceetobee” > “Confrontation.” This included the Diana Ross cover “I Feel Love, “ and closed out a high energy first set.

The Disco Biscuits | New Haven, CT

The band sent the venue and fans into orbit by starting out the second set with the rarity, “Sister Judy’s Soul Shack,” last heard at the beloved Playstation Theater in New York City on December 28th, 2017. “Sister Judy” transitioned into “Helicopters” > “Munchkin Invasion” > “Helicopters” > “Munchkin Invasion” > “Tractorbeam” (eden) > “Sister Judy’s Soul Shack.” The band was so inspired, that they did not stop playing until segueing back into “Sister Judy,” which closed out set two. They also delivered old school fan favorites “Munchkin Invasion” and “Helicopters.” After a short encore break, the band returned to play “Naeba,” and sent fans off into the stratosphere.

Allen Aucoin | Disco Biscuits

The Disco Biscuits wrap up their spring tour tonight with another show that is sure to satisfy any appetite for jamming and electronic dance music at the Westville Music Bowl. Tickets are still available at www.discobiscuits.com.

Disco Biscuits | Westville Music Bowl

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Set One

Safety Dance > Mr Don > Rocket Science > Mr Don, Aceetobee > I Feel Love > Aceetobee > Confrontation

Set Two

Sister Judy’s Soul Shack > Helicopters > Munchkin Invasion > Helicopters > Munchkin Invasion > Tractorbeam (eden) > Sister Judy’s Soul Shack

Encore

Naeba

Sun, 06/06/2021 - 11:37 am

The Disco Biscuits brought the heat once again to the Westville Music Bowl on June 5, 2021. Temperatures hit almost 90 degrees in New Haven, CT, raising the energy level substantially for everyone at the show. The band played more bust out songs, a Frank Zappa cover, a delicious deep house “Tractorbeam” track, and other creative setlist niceties on this beautiful night in the Constitution state.

The Disco Biscuits | New Haven, CT

Originally from Philadelphia, PA, the Disco Biscuit’s have been pioneering their signature blend of “trance-fusion” meets jam rock sound since 1995. During the Covid-19 pandemic, they were able to play shorter tours featuring drive-in and pod shows. The New Haven run wraps up the end of their Spring 2021 tour.

Jon "The Barber" Gutwillig | New Haven, CT

Tonight’s first set started with a bang, as the band launched into “7-11”, last played on November 29, 2020, and included an “It Wasn’t Me” by Shaggy tease. This transitioned into the rarity “Pat and Dex,” last played on May 29, 2018 at the Ogden Theater in Denver, CO. The band next treated fans to a tasty electronically infused Frank Zappa cover of “Pygmy Twylyte,” last played on November 24, 2020. “Pygmy Twylyte” transitioned into “4th of July” > “The Great Abyss” > “Story of the World” to wrap up the steamy set.

Alan Aucoin | New Haven, CT

The band kicked into high gear for the second set, and once again, did not stop playing until the set ended. “Strobelights and Martinis” initiated the sequence, and jettisoned into an inverted “Above the Waves.” Inverted means that the jam at the end was played first, before the lyrics and composed portion of the song. The composed portion of the song is used as a new jam vehicle into the next song. This is one form of creativity that the band has adopted to keep set lists fresh and exciting. 

Westville Music Bowl | New Haven, CT

“Basis for a Day” was up next, segueing into “Tractorbeam.” Tractorbeam began as a creative instrumental side project of the Disco Biscuits and has changed formats over time, but is rooted in electronica with a deep house vibe. Since November 14, 2019, the band has included a “Tractorbeam” segment during each show, similarly to the Grateful Dead’s inclusion of “Drums” and “Space.” The band focuses on playing a live version of house and disco songs like “White Rabbit” by Solomun, which is noted in the setlist. All band members are connected via Ableton live in order to replicate the layers of electronic music. During last night’s “Tractorbeam”, Bassist Marc Brownstein used a synthesizer while drummer Alan Aucoin utilized electronic drums. The track was noted as “fusion,” though the original DJ and track name are unknown.

Aron Magner and Marc Brownstein during "Tractorbeam" | New Haven, CT

From “Tractorbeam”, the band launched back into “Strobelights and Martinis” and “Basis for a Day,” which ended the second set. The crowd was on their feet, as the band came back for the encore. They played “Station” back into “7-11”, which book-ended a creatively infused set of jamtronica. 

Fans enjoy the Disco Biscuits | Westville Music Bowl

The fear of missing out after an epic show is real, but thankfully the Disco Biscuits are heading out on the road for their summer tour, with more “Tractorbeam” and inventive electronic jamming. This includes dates in South Carolina, Illinois, Georgia, and most notably at Philadelphia’s TD Pavilion at the Mann in July. Tickets are available at www.discobiscuits.com.

The Disco Biscuits | Westville Music Bowl

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Set One

7-111 > Pat And Dex, Pygmy Twylyte > 4th of July > The Great Abyss > Story Of The World

Set Two

Strobelights and Martinis > Above The Waves2 > Basis For A Day > Tractorbeam Jam3 > Strobelights and Martinis > Basis For A Day

Encore

Station > 7-11

Notes

1. with 'It Wasn't Me' (Shaggy) teases

2. Inverted version

3. Fusion

Sun, 06/13/2021 - 10:55 am

Connecticut’s own Goose descended into New Haven, CT at the Westville Music Bowl after an explosive tour opener in Swanzey, NH on Friday, picking up where they left off. This jam band darling has clearly elevated their game during the pandemic, and did not disappoint in their home state. This sold out show included two notable covers, teases, freestyle rapping and a surprise engagement.

Peter Anspach | Goose

Based out of Norwalk, CT, Goose has been winning over new fans faster than they can sell tickets. Prior to the pandemic, they were selling out venues like the Bowery Ballroom in New York City, which hold 575. The Westville Music Bowl is currently hosting shows in a socially distant capacity, and are selling approximately 2500 tickets per show for a venue that holds 11,000. Goose sold out last night’s allotment in a couple of hours, and left many fans scrambling to find tickets.

Rick Mitarotonda | Goose

Tonight’s first set began with the John Phillips cover and often Dead played “Me and My Uncle,” which was a brilliant homage to the band who began the jam band genre. The funky and dance friendly “Flodown,” followed, and had the audience dancing pretty hard. Two Goose setlist staples, “The Whales” and “Honeybee”, were up next. The band then dropped into a monster “Yeti,” with a tight electric guitar jam. At the end, guitarist and keyboardist Peter Anspach made a special announcement that “Becca has a question for Brendan.” Moments after, cheers from the audience were heard as Brendan accepted Becca’s marriage proposal. “Seekers on the Ridge Pt 1” and “Seekers on the Ridge Pt. 2” immediately followed, which happen to be Becca and Brendan’s favorite song. “Madhuvan” closed out this eventful set on an even higher note, and included a “Secret Agent Man” by Johnny Rivers tease.

Becca and Brendon's Engagement | Goose

After a short break, the band returned with more high energy jams, starting with “Fish in the Sea,” a cover by Fat Freddy’s Drop. The deliciously funky “Jive I” was up next, and utilized a start stop transition into “Earthling or Alien?.” Goose was joined by Greg Knight for some incredible freestyle rapping during the song. It was so good, that this band should consider making this a permanent component of “Earthling or Alien?.” The jam vehicle “Tumble” followed, and included another nod to the Grateful Dead with a “Shakedown Street” tease. “Tumble” segued into a firey “Factory Fiction,” which was also sound checked prior to the start of the show. The band left the stage with a screaming audience on their feet, thirsty for more jams. They returned for a “Slow Ready” encore, reprising the same song that they were unable to finish the night before, because the PA was cut at the venue’s curfew.

Goose | Westville Music Bowl

Goose is certainly one of the hottest band’s in the live music scene, and last night’s night show only added more fuel to the fire. Thankfully, they are just getting started with their tour, and plenty of opportunities    to see this band remain, including tonight at the Westville Music Bowl. The show is sold out, but extra ticket’s have been periodically released via the their website, www.goosetheband.com.

Fans enjoy Goose | Westville Music Bowl

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Set One
Me and My Uncle1, Flodown, The Whales, Honeybee, Yeti, Seekers on the Ridge Pt. 12, Seekers on the Ridge Pt. 2, Madhuvan3

Set Two
Fish in the Sea4, Jive I, Earthling or Alien?5, Tumble6 > Factory Fiction

Encore
Slow Ready7

Notes

1 - John Phillips cover

2 - Becca and Brendon Engagement before song

3 - Secret Agent Man tease

4 - Fat Freddy’s Drop cover

5 - With Greg Knight freestyle rapping

6 - Shakedown Street tease

7 - Reprise, completes version from 6/11/21

Mon, 06/14/2021 - 5:29 pm

Goose returned for another night of tight jams and an exciting set list full of shenanigans at the Westville Music Bowl in New Haven, CT yesterday. This included two new songs from their recent album release, Shenanigan’s Nite Club, a set list rarity and two covers. This sold out show certainly lived up to the hype.

Trevor Weekz | Goose

The band resides in Norwalk, CT, and is quickly becoming one of the most sought out jam rock bands to see live. The current line up includes Rick Mitarotonda (guitar, vocals), Peter Anspach (vocals, keys, guitar), Trevor Weekz (bass), Ben Atkind (drums) and Jeff Arevalo (vocals, percussion, drums).

Rick Mitarotonda and Peter Anspach | Goose

The evening started out with the band walking on stage dressed in colorful 70’s retro clothing, and immediately set the tone for the show by starting out with the never been played “Shenanigans Jam.” This tune was their theme song in the video trailer for Shenanigan’s Nite Club, which was released prior to their newly released album of the same name. This began the tasty jam sandwich that ensued, transitioning into “All I Need” > “Indian River” > “Time to Flee” > “Your Ocean,” with a notably delicious version of “Your Ocean.” An energetic “So Ready”, another Shenanigans tune, book ended the set with plenty of dancing and of course, shenanigans.  

Westville Music Bowl | New Haven, CT

After a short break, set two began with a fiery “Arrow,” and transitioned into “Nights in White Satin,” a cover by the Moody Blues. Up next was the heartfelt “Rosewood Heart,” which launched into another intense jam sequence full of shenanigans, segueing into “Bob Don” > “SOS” > (dawn). Both “SOS” and (dawn) are Shenanigans tunes. “SOS” was the bust out song of the evening, last played in 2019, whereas (dawn) was the second debut for the night. After quickly leaving the stage, the band returned with a smoking encore to remind fans why they spent Sunday night at the Westville. This began with the classic rhythm and blues tunes by Wilson Pickett, “Mustang Sally," and transitioned into the reggae inspired “Butter Rum.” Anspach sent the audience off by letting everyone know that there will be a big Goose show in Connecticut before the end of the year. Many speculate that this will be their annual Goosemas in December.

Westville Music Bowl | New Haven, CT

Goose delivered another heated set list of delicious jams and of course, shenanigans, to their home state fans. While the fear of missing out is real, this band is just getting started with their socially distanced summer tour. Up next are two shows in Perry, NY on June 15-16 as well as two shows in Thornville, Ohio on June 18-19. They have historically played some of their best shows in the state of Ohio. For more information on upcoming tour dates, visit www.goosetheband.com.

Fans enjoying the show | Westville Music Bowl

Check out more photos from the show.

Set One
Shenanigans Jam1 > All I Need > Indian River > Time To Flee > Your Ocean, So Ready

Set Two
Arrow > Nights In White Satin2, Rosewood Heart > Bob Don > SOS > (dawn)1

Encore
Mustang Sally3 > Butter Rum

Notes

1 - First time played

2 - Moody Blues cover

3 - Wilson Pickett cover

Sun, 06/27/2021 - 1:58 pm

The Westville Music Bowl in New Haven, CT was once again the hot spot in the Northeast for outstanding jam bands, as Pigeons Playing Ping Pong delivered a fiery evening of their signature psychedelic funk. Connecticut’s finest were on hand to elevate the festivities, including supporting artist Eggy and guitar virtuoso Tim Palmeri. Tonight’s show finally felt like summer, as temperatures were in the 80’s, which added more heat to an already hot event.

Jeremy Schon | Pigeons Playing Ping Pong

Pigeons Playing Ping Pong is from Baltimore, Md, and is known for their unparalleled live energy and great stage presence, as well as their catalog of explorative songs. The band consists of Greg Ormont (Vocals, Guitar), Jeremy Schon (Guitar, Vocals), Ben Carrey (Bass, Vocals) and Alex Petropulos (Drumagic, Electro-Swag).

Eggy | Westville Music Bowl

Connecticut’s own jam specialists, Eggy, supported the flock tonight. They are currently making a name for themselves in the jam band genre, and are scheduled to tour with Spafford this fall. Tonight, they entered the venue wearing tennis gear and took a lap around the floor, honoring the tennis history of the Westville Music Bowl. Their set included a tasty cover of the jazz classic "Birdland" by the Weather Report, which fired up the crowd and set the tone for the evening.

Greg Ormont | Pigeons Playing Ping Pong

Shortly after Eggy’s set concluded, Pigeons Playing Ping Pong took the stage, armed with smiles and excitement. The set began with the classic “Henrietta,” from the album Pizazz, which transitioned into “Lost in Line.” Another Pizazz tune, the funky “Something For Ya,” was up next, which segued into “Time to Ride,” from the album Psychology. The band dropped more delicious tunes with “Socerer," “Poseidon," and fan favorite “Sail On.” The first set closed out on a high note with “Born to Run,” a cover by Bruce Springsteen, sandwiched between jam vehicle “King Kong.”

Pigeons Playing Ping Pong | Westville Music Bowl

Set two resumed the psychedelic jam fest, starting with new tune “In the Bubble” and “Lowdown.” Another funky sequence followed with “Ocean Flows” into Psychology's “Sunny Day.” Ormont then grabbed the microphone and took a moment to acknowledge the bittersweet departure of Mike Rempel from the electronic jam band Lotus in September after 23 years. He assured fans that Lotus “is in good hands,” as Connecticut guitarist Tim Palmieri (The Breakfast, Kung Fu) is stepping in to replace Rempel. The audience applause was followed by Palmieri joining Pigeons on stage for an electrifying cover of Jimi Hendrix’s "Fire." The flawless guitar lick exchange between Schon and Palmieri during this song was worth the price of admission alone.

Tim Palmeri with Pigeons Playing Ping Pong | New Haven, CT

The set wrapped up with two songs from their 2016 release Pleasure, “Kiwi” > “Burning Up My Time.” The fired up audience quickly launched into a “one more song” chant when the band walked off stage. After a few moments, Pigeons obliged and encored with “Offshoot,” sending the crowd home thirsty for more.

Pigeons Playing Ping Pong | Westville Music Bowl

Thankfully, Pigeons Playing Ping Pong has a few dates on the calendar this summer including Peach Fest in Scranton, PA over the July 4th weekend. They also have shows scheduled in Swanzey, NH and Roseland, VA during July. Tickets and more details are available at www.pigeonsplayingpingpong.com.

Fans enjoying Pigeons Playing Ping Pong | New Haven, CT

Check out more photos from the show.

Set 1
Henrietta > Lost In Line, Somethin For Ya > Time to Ride, Socerer, Poseidon, Sail On, King Kong > Born To Run1 > King Kong

Set 2
In The Bubble, Lowdown, Ocean Flows > Sunny Day, Fire23, Kiwi > Burning Up My Time

Encore
Offshoot

Notes
1 Bruce Springstein cover
2 Tim Palmieri on guitar (Lotus)
3 Jimi Hendrix cover

 

 

Tue, 06/29/2021 - 3:09 pm

Marcus Rezak kicked off his Truth of Sound Tour with a bang at Cafe Wha?, nestled in New York City’s West Village last Sunday, with his band, Shred is Dead. The tour is promoting Rezak’s latest album, Truth of Sound, featuring several members of the Trey Anastasio Band, including the late Tony Markelis. The group collectively delivered inspiring progressive instrumentals and vocals of the Grateful Dead as well as new Truth in Sound tunes.

Marcus Rezak | Cafe Wha?

Currently residing in Denver, Co, Rezak is known for his jazz improvisational skills and the innate ability to shred. He formed the band Shred is Dead to channel this energy into jazzier takes on classic Grateful Dead songs. He is joined by Scott Hannay (Keyboards), John Colman (Bass) and John Kimock (drums).

Cafe Wha? | New York City, NY

The show began with an incredible version of “Bertha” that brought a smiles to the crowd. Many were seeing their first show in New York City since the start of the covid-19 pandemic, and Rezak made the first song memorable. Next, the band played the first song of the evening from Truth in Sound, “Borderline.” This was followed by a few Dead songs that got the crowd shaking it: “Sugaree”, “Estimated Phophet” and “Crazy Fingers.” Rezak’s incredible skills as a jazz guitarist shined very brightly, as he executed fresh takes on these beloved classics. The set wrapped up with another Truth in Sound tune, “Leaving.”

Scott Hannay | Cafe Wha?

After a short break, the band returned to share more Truth in Sound goodness, starting with “Light of the Moon.” “Shakedown Street” followed, and contained a healthy dose of the funk that we’ve missed during the recent pandemic. The band decided to shift into high gear with Bob Dylan’s “Tangled up in Blue.” The jam during this song contained an abundance of shredding before returning to “Tangled up in Blue.” After this heater, the band played another song from Truth in Sound, “Glitter Pillow.” Rezak told the crowd that this disco rooted song is about “a lot of glitter and pillows” and the “option to go both ways.” More Grateful Dead covers closed out the evening, with a fiery “Scarlet Begonias” > “Fire on the Mountain,” and a soulful “Terrapin Station.”

Fans enjoying the show | Marcus Rezak

Marcus Rezak and his esteemed musical colleagues are just getting started on the Truth of Sound Tour. The next stops include 118 North in Philadelphia, PA on June 30th and The Camel in Richmond, VA on June 2nd. More dates and tickets are available at marcusrezak.com.

Check out more photos from the show.

Set One
Bertha, Borderline, Sugaree, Estimated Prophet, Crazy Fingers, Leaving

Set Two
Light of the Moon, Shakedown Street, Tangled Up in Blue1, Glitter Pillow, Scarlet Begonias > Fire on the Mountain, Terrapin Station

Notes
1 - Bob Dylan cover

Sun, 07/04/2021 - 5:34 pm

Jamband darling Goose kicked off the July 4th weekend and the second leg of their summer tour like a firecracker at The Pines Music Park in Eau Claire, Wisconsin to a sold out crowd, many seeing the band for the first time. The weather cooperated, dairy products were plentiful, and the vibe was very chill compared to Goose’s home in the Northeast.

Goose | The Pines Music Park

Nestled in the woods within a suburban neighborhood that has a rural feel, The Pines Music Park hosts regional festivals in Western Wisconsin. This run is special, as the 1000 person capacity was intended for pod seating. When the covid-19 rules shifted, the pods were unnecessary, turning this into a very intimate mini camping festival. The venue normally holds 5000, which meant plenty of space for all. The Facebook forum for Goose fans across the country, El Goose, organized many activities for all fans in attendance as well.

Trevor Weeks | Goose

The show began with a familiar favorite, “Time to Flee," and was dedicated to Trey and Emmit by drummer Ben Atkind. The soft and melodic “A Western Sun,” followed, before Goose dropped their first cover of the night, “Movin’ Out” by Billy Joel. This was proceeded by the jam vehicle “Doc Brown,” which got the crowd fired up. Guitarist Rick Mitarotonda took to the microphone to dedicate the next tune to the camp sites. The next song happened to be the reggae inspired “Butter Rum," which included notably outstanding vocals and musical execution, followed by “Your Ocean.” The set closed with the first segue for the night, and thankfully the best was saved for last. The sublimely funky "Jive II” transitioned into the disco dance party, “Jive Lee,” leaving fans thirsty for more of Goose's deep jams.

The Pines Music Park | Eau Claire, WI

After a very brief set break, the show rolled on with a signature jam sandwich, starting with the high energy “Slow Ready.” At this point, anyone who could dance was moving and grooving like no one was watching. The band segued into another monster jam vehicle, “Drive.” The second cover of the night was unfurled next, “Can’t Get You Out of My Head” by Kylie Minogue, followed by “Mas Que Nada” by Sergio Mendez & Brazil 66. The jams in between these songs were nothing short of a jam band fan’s dream with flawless and inventive sequences. The show wrapped up on a high note with the Goose original, “Tumble.” Unfortunately, the band was unable to play an encore because of the curfew at The Pines, which added even more suspense for the following night's show. Thankfully, Doey Joey, a talented DJ from Connecticut who regularly performs late night shows after Goose, was on hand, and performed a late night set at the Eau Claire Best Western.

The crowd enjoying Goose | Eau Claire, WI

The Midwest was treated to an incredible show by Goose at a venue with a very caring staff and an overall genuine energy that is hard to find these days. Goose is on tour this summer at venues around the USA, with their blazing hot jams in tow. Summer tour dates and ticket information is available on their website, www.goosetheband.com.

Goose | The Pines Music Park

Check out more photos from the show.

Set One
Time to Flee1, A Western Sun, Movin’ Out2, Doc Brown, Butter Rum3, Your Ocean, Jive II > Jive Lee

Set Two
Slow Ready > Drive, Can’t Get You Out of My Head4 > Mas Que Nada5, Tumble

Notes
1 - Dedicated to Trey and Emmit
2 - Cover by Billy Joel
3 - Dedicated to the camp sites
4 - Cover by Kylie Minogue
5 - Cover by Sergio Mendez & 66

Mon, 07/05/2021 - 10:40 am

Wisconsin welcomed Goose back to the Cheese State for one more night of epic jams and good company on Saturday, July 3rd at The Pines Music Park in Eau Claire, WI. The band did not disappoint, as the pod shows turned mini festival included much more than just the music. The gaggle of fans participated in activities during the day, creating many new friends and memories. One lucky fan won two free tickets to Goose’s Fred Festival in Arrington, Va on the Lockn’ Farm.

Rick Mitarotonda | The Pines Music Park

The intimate setting at The Pines offered fans the ability to get to know one another, and that is exactly what they did. The El Goose Facebook forum, a group on Facebook dedicated to all things Goose, organized many activities, including an on-site Disk Golf challenge and a tubing expedition on the Chippewa River. Over 100 fans from around the country floated down the river together, and made many new friends in the process.

El Goose forum group shot | The Pines Music Park

The daytime activities were certainly exciting, but the main attraction, that being Goose, crushed both of their sets with tight jams, incredible lights and inspired energy. The set kicked off with the melodic “Honeybee,” and included a sit in by crew member Jon “Coach” Lombardi on the rain stick. This was not the last we saw of Coach for the evening. “Bob Don,” a new tune from 2020, was up next, followed by an electric “Turned Clouds.” Goose unleashed their first cover of the night with the Bruce Hornsby classic, “The Way It Is,” which was dedicated to Rich and Warren. Keyboardist Peter Anspach really shined in this version, with impeccable vocals by guitarist Rick Mitarotonda. Drummer Ben Atkind also made a shout out to Groove Safe, the organization dedicated to stop unwanted touching at concerts. “Indian River,” from their album Moon Cabin, followed. The set wrapped up with the high energy dance party inducing “Yeti,” with a deep bass, guitar and synthesizer groove.

Winner of the Coach Lookalike Contest with Coach | The Pines Music Park

Set break was extremely short based on The Pines curfew, but fans were raring to go after the monster “Yeti” from the first set. The band began by announcing the winner of the Coach challenge, where fans dressed up like Coach, and the winner earned two free tickets to Fred Fest in August. Coach notably wears NY Mets gear and cargo shorts. Ironically, one fan looked exactly like Coach, and Mitarotonda announced earlier with a chuckle that “looking like him won’t help you win the contest.” Coach presented the tickets to the winners, both wearing Doey Joey t-shirts, and knighted them with the rain stick as the band played the "Bingo Tour" theme, from their online Bingo Tour last summer.

Ben Atkind | Eau Claire, WI

After the winners exited the stage, the band picked up right where the dance party stopped with “Creatures” > “Shama Lama Ding Dong,” a cover by Otis Day and The Knights. This was another jam for the books. The band cooled things off with “Rosewood Heart,” which segued into an electric “Dark Horse.” Mitarotonda put on a clinic with his incredible guitar skills and lighting director Andrew Goedde dazzled the crowd with an impressive lighting display. The set closed out with “This Old Sea.” The band quickly returned to end these special shows with crowd favorite, “Hot Tea.” It’s safe to say that many new fans were created from this set alone.

The crowd enjoying the show | Eau Claire, WI

Goose is certainly hitting their musical stride in 2021, as each show is better than the next. They put in a lot of hard work during the covid-19 pandemic, which has yielded tremendous dividends. Tomorrow, they are back on stage for two nights in Livingston, MT and two nights in Denver, CO later this week. They are also hosting their own festival at the Lockn’ Farm August 20-22nd. Tickets are still available at www.goosetheband.com.

Goose | The Pines Music Park

Check out more photos from the show.

Set One
Honeybee1, Bob Don, Turned Clouds, The Way It Is23, Indian River, Yeti

Set Two
Coach Contest Winners with Bingo Tour Theme, Creatures > Shama Lama Ding Dong4, Rosewood Heart > Dark Horse, This Old Sea

Encore
Hot Tea

Notes
1 - Jon Lombardi aka Coach on rain stick
2 - Cover by Bruce Hornsby, dedicated to Rich and Warren
3 - Ben Atkind shouted out Groove Safe
4 - Cover by Otis Day & The Knights

Sun, 07/11/2021 - 6:08 pm

The Disco Biscuits delivered a tasty setlist of jamtronica in their hometown of Philadelphia, PA at The Mann Center last night. They were joined by frequent cohorts, Lotus, plus a DJ set by Luke the Knife for an evening of high energy dance music. This was the second night of the City Bisco run, which replaced the beloved Camp Bisco this year, as it was not possible to safely hold the festival because of the covid-19 pandemic. Fortunately, the Disco Biscuits unleashed a set list that brought smiles to fans old and new.

Disco Biscuits | Philadelphia, Pa

Many fans were unable to make City Bisco this summer, but thankfully Couchtour.tv was utilized to provide live video stream of the two day event.  Not only did they provide a high quality HD feed, but users also had the ability to toggle into an enhanced visual effects version all for one price. This creative option gave fans a more trippy experience while watching the feed, and complimented the music depending on one's state of mind.

Aron Magner | Disco Biscuits

Last night marked the last time that guitarist Mike Rempel will play with Lotus in Philadelphia. He is leaving the band and music entirely to pursue a new career. The set was bittersweet, but Lotus did their best to make it memorable with their classic house and hip hop beats intertwined with stellar jams.

Mike Rempel | The Mann Center

After Lotus got the crowd moving, the Disco Biscuits took the stage and immediately went into beast mode with “Mulberry’s Dream.” The rest of the set formed a giant exploratory jam sandwich, and felt more like a second set than the first. This kicked off with an unfinished “Reactor” that transitioned into “Champions,” which was last played at Montage Mountain on 10/24/2020. The first “Tractorbeam” of the evening followed, and was noted as “Revive” on the setlist. “Tractorbeam” is an experimental jam that is rooted in drums and bass, and more recently represents an effort to recreate existing electronic music in a live setting. The set heated up next with a fiery “Crickets” build up that exploded into the set list rarity, “Trucker’s Choice.” Last played on November 17, 2017, this dance friendly song brought huge smiles to faces in the crowd.

Disco Biscuits | The Mann Center

The Disco Biscuits returned after a much needed break, and blazed on with another set of continuous songs, starting with “Mindless Dribble,” from their album They Missed the Perfume, followed by “Anthem.” This segued into “Gamma Goblins,” a psychedelic cover by Simon Posford, and another “Tractorbeam” jam, though the second set’s version is based on an unnamed original tune by keyboardist Aron Magner. Drummer Alan Aucoin notably shined as the MVP throughout this sequence, and fueled the edgy electronic jams this evening. The jam sandwich rounded out with an inverted “Abraxas” and “Story of the World.” Inverted means that the jam was played first, and the composed section of the song was played last. The band left the stage briefly, and returned to a crowd on their feet and chanting for more. The Disco Biscuits obliged, and wrapped up the evening with the high energy “We Like to Party,” a tune written by bassist Marc Brownstein.

Alan Aucoin | Disco Biscuits

The Disco Biscuits executed a stellar set list and gave fans a reason to smile, despite the cancellation of their EDM based music festival, Camp Bisco. Lotus was also on hand to lay down their melodic beats, and give Philly the opportunity to see Mike Rempel for the last time. Fans were certainly satisfied with the almost non-stop set list full of electronic delights. Thankfully, both the Disco Biscuits and Lotus are on tour this summer and fall. For more information, visit their websites: discobiscuits.com and lotusband.com.

Disco Biscuits | Mann Center

Check out more photos from the show.

Set One
Mulberry’s Dream, Reactor1 > The Champions > Tractorbeam2 > Crickets > Trucker’s Choice

Set Two
Mindless Dribble > Anthem > Gamma Goblins3 > Tractorbeam4 > Abraxas5 > Story Of The World

Encore
We Like To Party

Notes
1 - unfinished
2 - Revive
3 - Cover by Simon Posford
4 - Disco Biscuit original, written by Aron Magner
5 - inverted

Sat, 07/17/2021 - 4:17 pm

Last Friday night in Sunset Park, Brooklyn, We Thee Funk elevated Industry City by a factor of funk. The eleven piece band was dressed in sparkles and ready to start the party. Hometown Barbecue, which is known to have some of the best BBQ in NYC, was on hand providing drinks and food, as well as two artists who painted while the band played.

Live Painting at We Thee Funk | Industry City

We Thee Funk is a group of NYC musicians who have been delivering exploratory and improvisational funk for just over two years. They play a catalog of well known covers from legendary funk musicians like Funkadelic, Sly and the Family Stone, and Kool and the Gang. Late night sets are their typical domain, and members are usually wearing 70’s themed or festive clothing. Tonight’s lineup included Eddie Arjun (guitar), Lenny Stein (guitar), Dan Purdom (keys), Oliver Burkat (drums), Pablo Rodriguez (trombone), Brittany Beckett (vocals, percussion), Bryan Walters (trumpet), Anna O (vocals), Jae Miles (vocals), Chris DiNardo (bass), and Seth Eisenstein (tenor saxophone).

Brittany Beckett | We Thee Funk

Starting with "Maggot Brain," this show began and ended with classic Funkadelic covers, as it should for a funk cover band. Incidentally, "Maggot Brain" was released fifty years ago this week, making the song a very timely cover and commemoration. The trio of singers joined the party for the next tune, “Thank You,” and provided lively 70's style dancing on the stage in this song and throughout the show. “It’s Your Thing” followed, and included a dedication to former band member, Chris Zegers. During the instrumental “Cissy Strut,” vocalists Brittany Beckett and Anna O both danced with illuminated hula hoops on the sides of the stage. Another first set highlight was James Brown’s “I Feel Good" with “Fire” by Jimi Hendrix teases. "I Feel Good" was sung by Beckett, who showed her incredible vocal range and skills during this song and for the duration of the night. At this point, the crowd was working up a serious dancing sweat, and not because it was 90 degrees out. The horns were a perfect marriage with the guitar, bass, keys, and drums, along with the inspired vocals, prompting anyone who could dance to be grooving on their feet. The set closed out with another Funkadelic gem, “Standing On The Verge of Getting It On.”

Fans enjoying the show | Industry City

After a quick break, the band delivered more exploratory funk, starting with “House Party” by Fred Wesley into “Jungle Boogie” by Kool and the Gang, and back into “House Party.” The second set highlight was the deliciously funky “Hollywood Swinging” by Kool in the Gang which segued into “Feels So Good” by Mase. Drummer Oliver Burkat contributed his stellar rapping vocals for the latter. The crowd was highly engaged and taking videos from all angles of the venue during this elevated sequence. The set also included another round of illuminated hula hooping, though this time in the audience. Another dedication was made prior to the last song for Lee Herman, and then the show wrapped up with a medley from the iconic “Give Up the Funk,” book-ending the show in Funkadelic heat.

Vocalist Jae Miles recognizes Drummer Oliver Burkat | We Thee Funk

New York City’s go to late night funk ensemble brought creative covers, feel good jams and energized vocals to Industry City last Friday night. They currently do not have any future events scheduled, but hinted that they will be playing a Rocks Off boat cruise this fall. Stay tuned to their website for more details as they are released.

We Thee Funk | Industry City

Check out more photos from the show.

Set One
Maggot Brain1, Thank you2, It’s Your Thing3, Pick Up the Pieces4, Jungle Love5, Yes We Can6, Soul Power7, Cissy Strut8, I Feel Good9 > Fire10 Medley, Standing On The Verge Of Getting It On1

Set Two
House Party11 > Jungle Boogie12 > House Party11, Good to your Earhole1, Rock Steady13, Sing a Simple Song2, Use Me14, Slipping’ into Darkness15, Hollywood Swinging12 > Feels So Good16, Dance Music Sex Romance17, Give Up the Funk Medley1

Notes
1 - Funkadelic
2 - Sly and the Family Stone
3 - Isley Brothers
4 - Average White Band
5 - Morris Day and the Time
6 - Pointer Sisters
7 - James Brown
8 - The Meters
9 - James Brown
10 - Jimi Hendrix
11 - Fred Wesley
12 - Kool and the Gang
13 - Aretha Franklin
14 - Bill Withers
15 - War
16 - Mase
17 - Prince

Sun, 08/01/2021 - 11:30 am

Everything was right last night in Alpharetta, Ga as Phish made their triumphant return to Ameris Bank Ampitheatre for a sold out crowd, and brought the heat that they famously deliver. The Vermont based jam rockers were armed with a new light rig that made a larger appearance for the first time this tour, as the rig was augmented at the two prior shows. The band's penchant for improvisation was stronger than ever, despite the humid Georgia summer weather.

Trey Anastasio | Alpharetta, Ga

This legendary band is already firing on all cylinders two nights into their first tour since February 2020. Only guitarist Trey Anastasio has formally performed for a live audience since the start of the pandemic, including solo dates at the Beacon Theatre and SPAC in June, as well as the virtual Beacon Jams run last fall. Other band members sat in with Anastasio and other artists, but ultimately all members have performed very little in the last seventeen months.

Page McConnell | Ameris Bank Ampitheatre

The show began on a high note with a groove provoking “Sand,” from their Farmhouse album. Lighting Director Chris Kuroda wasted no time, and unleashed a larger light display versus the past two nights during “Sand.” “Everything’s Right” was up next, from their recent release Sigma Oasis, and did not disappoint with a tight jam. The band was clearly feeling it early, and the audience reciprocated the energy ten fold. Kasvot Vaxt’s “Turtle in the Clouds” followed, and included a synchronized dance between bassist Mike Gordon and Anastasio, while keyboardist Page McConnell dropped the signature, mind melting synthesizer notes. McConnell showed his incredible versatility during the next tune, “Maze,” as he unfurled an eloquent solo on the Hammond B3 organ. Fan favorite “Destiny Unbound” was up next, and included a stunning pink sunset on mammatus clouds, thankfully sans the rain that often accompanies this cloud pattern. The first set waned with more old school favorites, much to the delight of the crowd. Junta’s “foam” preceded a second set worthy “Stash,” which included some tasty samples from drummer Jon Fishman’s new electric drum pad that he has been using this tour. The first set wrapped up with the classic “Bathtub Gin,” as everyone needed a break from the swampy Georgia heat.

Fans enjoying the show | Alpharetta, Ga

The band stepped away for a mere twenty minutes, which felt more like a bathroom break than a traditional set break. They picked up right where they left off with an exploratory “Chalkdust Torture,” and headed into type two jam territory to open the set. McConnell notably added an ambient and floating feel with more synthesizer goodness, while Kuroda colored the backdrop with multi color LED light bars. The song clocked in at 26:38, shorter only than the monster version from Randall’s Island on July 13, 2014. Yes, it was still “Chalkdust Torture.” Cheering was heard in the crowd as the band masterfully segued into “Steam,” while they concurrently cooled off and heated up the improvisation.

Mike Gordon | Alpharetta, Ga

Billy Breathe’s “Price Caspian” followed this flawless jam sequence, bringing down the energy for a much needed few moments. This blissfully transitioned into classics “Golgi Apparatus” and “AC/DC Bag.” The band had still not stopped playing since the start of the second set, and continued into “Shade,” dropping the energy once again for a much needed few moments. The second set jam sandwich rolled on with a funky “Mike’s Song.” This smoothly transitioned into “Silent in the Morning,” though notably without “The Horse," which typically precedes it. Phish closed out this monumental second set with a fiery “Weekapaug Groove." This song made a short appearance during their first show back since the covid-19 pandemic in Arkansas on July 28th, and was well received in a longer form. The band stepped off stage for a few moments, and returned to play “A Life Beyond the Dream”, a delightful ballad from Anastasio’s side project, Ghosts of the Forest. The show closed out with the high energy “Cavern,” sending fans off into the night thirsty for more tasty jams.

The crowd enjoys the new lighting display | Alpharetta, Ga

Phish delivered their signature improvisation and exploratory jams last night at the steamy Ameris Ampitheatre in Alpharetta, Georgia, reminding jam band fans to just hold tight. Their summer tour is mostly sold out, including tonight’s show at Ameris Ampitheatre, and with good reason. Tickets are still available for some shows at www.phish.com, as well as on the popular face value fan ticket exchange site, Cash or Trade. Phish is also streaming every show for those who are unable to attend at phish.com/from-the-road.

Check out more photos from the show.

Set One
Sand, Everything's Right, Turtle In the Clouds, Maze, Destiny Unbound, Foam, Stash, Bathtub Gin

Set Two
Chalk Dust Torture  > Steam > Prince Caspian > Golgi Apparatus > AC/DC Bag > Shade > Mike's Song > Silent In The Morning > Weekapaug Groove

Encore
A Life Beyond The Dream, Cavern

Sun, 08/08/2021 - 3:14 pm

Bluegrass guitar virtuoso Billy Strings has been one of the hottest artists in both the bluegrass and jam band communities since prior to the covid-19 pandemic. In addition to winning a Grammy in 2019, he has continued to build a dedicated following by releasing new songs as well as live streams to audiences that were stuck at home. On September 24th, 2021, his new album Renewal will be released. His middle name could perhaps be hustle, though his stage presence at the Westville Music Bowl in New Haven, CT last night exhibited nothing but patience and confidence as his band delivered their signature blend of traditional bluegrass meets jam rock fusion.

Billy Strings | Westville Music Bowl

Strings was joined on stage by Billy Failing (banjo), Jarrod Walker (mandolin), and Royal Masat (upright bass). The group chemistry is very apparent, as the band members feed off one another while executing both originals and exciting covers. Strings was very willing to let his talented band mates showcase their skills throughout the night.

Jarrod Walker and Royal Massat | New Haven, CT

The first set included several notable covers, starting with “Black Clouds” by The String Cheese Incident. This song began with a traditional bluegrass feel. During the jam, Strings transformed his acoustic guitar into an electric using a digital pedal effect. This gave a more modern, jam rock flavor to the music, much to the delight of jam band fans. Strings sprinkled this effect into the show throughout the night, though the majority of the music remained within the constructs of traditional bluegrass. Other covers included “Wild Horses” by The Rolling Stones and “Doin’ My Time” by Lester Flatt & Earl Scruggs.

Billy Strings | New Haven, CT

The second set included more deep jams and exciting covers. The jam sandwich of the night began with a dedication to fish by Strings. The band then dove into another tasty original “Bronzeback,” which included a stellar banjo solo by Failing. This transitioned into the Charlie Monroe cover “Bringin’ in the Georgia Mail,” where Strings again leveraged the electric guitar pedal effect and unfurled a notably tight jam build up. The band closed out the two night stand at the Westville with another traditional favorite, “Don’t Let Your Deal Go Down” by Charlie Poole & The North Carolina Ramblers.

Fans enjoying the show | Billy Strings

Strings and his band certainly crushed their performance at the Westville, and illustrated why this band is so hot right now. The good news is that they have not stopped hustling, and are on tour for the rest of the summer and fall across the country. Tonight, they are at the Levitate Music and Arts Festival in Marshfield, Mass, and will be in Pittsburgh, Pa on August 11th at Stage AE. Visit String’s website for more details about all tour dates and tickets.

Check out more photos from the show.

Set One
One Tin Soldier1, Everything's the Same, Taking Water > Ice Bridges, White Dove2, Black Clouds3, Love & Regret, Dust in a Baggie, Wild Horses4, Doin' My Time5

Set Two
Hide & Seek, Slipstream6 > Red Rocking Chair7, Show Me the Door, Bronzeback > Bringin' in the Georgia Mail8, Hellbender, Meet Me at the Creek

Encore
Don't Let Your Deal Go Down9

Notes
1. The Original Caste cover
2. The Stanley Brothers cover
3. The String Cheese Incident cover
4. The Rolling Stones cover
5. Lester Flatt & Earl Scruggs cover
6. Béla Fleck cover
7. Traditional cover
8. Charlie Monroe cover
9. Charlie Poole & The North Carolina Ramblers cover

Wed, 08/11/2021 - 2:44 pm

Despite an evening full of weather events, Phish delivered almond joy at HersheyPark Stadium last night in steamy Hershey, Pennsylvania, as the smell of chocolate filled the air. Fresh off a stellar run at Deer Creek in Indiana, the band continued crushing jams and playing sweet songs that reminded fans why they love this band so much.

Excited fans and rainbows | Hershey, Pa

The afternoon began as a typical August afternoon in central Pennsylvania: humid and hot. Clouds and thunderstorms sporadically popped up, but seemed to be at bay. The sky decided to open up around 5:30pm, soaking everyone in line who patiently waited to enter the venue. The rain was so intense, that the first set was delayed about 40 minutes.

Phish | Hershey Stadium

The band took the stage around 7:40pm, while a full rainbow appeared behind the Hershey Park roller coaster background, prompting the band to play an inspired “First Tube.” Guitarist Trey Anastasio held the guitar over his head with a huge grin on his face. The rain picked up again, though not nearly as intensely as before. This only added fuel to Phish’s fire as they played the electrified “Axilla I” and “Fuego.” The improvisation started early tonight in “Fuego,” and included a smooth transition into the classic “Runaway Jim.” “Gumbo” and “Sample in a Jar” followed with great execution. The rain had stopped by this point, and the air was heating up, but not as quickly as Phish’s Lighting Director, Chris Kuroda, who unleashed rainbow LED light bars in the backdrop behind the band during the next song, “Steam.” “Sugar Shack” and a high powered “Llama” continued to show the band’s incredible focus and attention to details. Anastasio enjoyed playing the song so much that he uttered “How come we never play that song? That’s a fun song” at the conclusion. The banter continued with Anastasio poking a little fun at drummer Jon Fishman, with “Fish is checkin’ his emails before this next one. See if anybody out there texted him. You guys are like, ‘Too much floor tom, man! Slow down!'” Fishman wittily replied “That’s just how you’re gonna get more!” The band then dove into Kasvot Vaxt's “Death Don’t Hurt Very Long” which segued into the quintessential “Run Like an Antelope,” closing out this monster set.

Mike Gordon | Hershey, Pa

The second set brought more surprising jams and tasty setlist treats. Big Boat’s “No Men in No Man’s Land” opened the set, and clocked in around sixteen minutes. This transitioned into the funky “Soul Planet.” Both were great jams, and an indication that Phish was in the groove. The jam sandwich continued with a flawless transition into “NICU” followed by “Joy.” The bluegrass flavored “Scent of a Mule” was up next, and Keyboardist Page McConnell brought some great synth notes to the table. Jam vehicle and TV On The Radio cover, “Golden Age” began the final non-stop song sequence of the set. McConnell continued bringing more synth driven heat while Kuroda coated the audience in golden lights. “Prince Caspian” was up next, and segued into "Backwards Down the Number Line.” The band then dropped into the first “Lizards” of 2021 and closed out the set with a fist pump inducing “Character Zero.” The band returned to play “Rock and Roll” for the encore, with only a few minutes left on the clock. This Velvet Underground cover brought smiles to many faces, as the first night in this two night stand came to a close.

Hershey Stadium | Hershey, Pa

Phish continues to bring their delicious improvisation and signature jams as the summer 2021 tour rolls on. They are back again tonight at Hershey Park in Hershey, Pa. Tickets are still available via their website.

Check out more photos from the show.

Set One
First Tube, Axilla I, Fuego1 > Runaway Jim, Gumbo, Sample In A Jar, Steam, Sugar Shack, Llama, Banter, Death Don’t Hurt Very Long > Antelope

Set Two
No Men In No Man’s Land > Soul Planet -> NICU > Joy, Scent of a Mule, Golden Age2 > Prince Caspian > Backwards Down the Number Line > The Lizards > Character Zero

Encore
Rock and Roll3

Notes
1. Unfinished
2. TV On The Radio Cover
3. Velvet Underground Cover

Sat, 08/14/2021 - 1:49 pm

Phish and their dedicated followers descended into Atlantic City, NJ last night, and took over the famed boardwalk for a night of chock full of jams on the Atlantic City Beach. Located on the north side of Playground Pier between Arkansas and Kentucky avenues, the venue had capacity for 40,000, which is the largest on the summer tour. The band is in town for the weekend, and will play three nights at this unique and special venue in the Garden State.

Trey Anastasio and Jon Fishman | Atlantic City Beach

The venue was large, weather was balmy, and close parking was not easy to come by. Hotels were expensive and the beer lines were long inside the venue. However, these details are of no concern to Phish’s fans, who have one priority: enjoy the explorative jams and improvisation that this band is famous for. In fact, fans were gladly lined up outside the Boardwalk Theater at 8am prior to the show in order to purchase a poster for the event.

Fans on the Boardwalk | Atlantic City

The show began with a “hometown favorite,” as announced by Guitarist Trey Anastasio before playing “Cars Trucks Buses.” This jazzy instrumental song was named after the northern section of the New Jersey turnpike that is split into lanes for cars and cars, trucks and buses. “AC/DC Bag” was up next, and included a “put ‘em on a beach” lyric. Also incorporated was a sweet transition into Big Boat’s “Blaze On,” where the band played on into a solid jam for the beginning of the first set. The tasty “Wolfman’s Brother” from Hoist proceeded, which lead into a funky jam sequence. “I Didn’t Know” proceeded and made it's first 2021 debut, fittingly with drummer Jon Fishman’s first vacuum solo. The funky jams rolled on with the Son Seals cover, “Funky Bitch.” Rift” followed by a monster “Sand” closed out the beach themed set.

Page McConnell and Trey Anastasio | Phish

Set two brought more classic jam vehicles to the Atlantic City Beach, beginning with “Tweezer,” and not stopping until the end of the set. Most fans in attendance were ready to step into the freezer, after enduring the heat all day. Keyboardist Page McConnell added a delicious synth texture to this jam, which had a nice build up before returning back from the stratosphere into “Tweezer.” The band then masterfully segued into “Bathtub Gin,” another jam heavy hitter in Phish’s catalog. Lighting director Chris Kuroda colored the sky with his stellar light rig, as the band dropped into a deep improvisational grove. Sigma Oasis’ “Everything’s Right” continued this jam sandwich, which was followed by an inspired “Possum.” Another stellar segue followed into the fiery “Also Sprach Zarathustra” and “Rise/Come Together.” The crowd was alive and screaming for more, and of course, Phish obliged with fan favorite, “Harry Hood.” The set closed out with another Big Boat tune, “More.” The band took a quick break before returning for a “Loving Cup” encore, which is a cover by The Rolling Stones. The crowd slowly dissipated from the venue, grinning from cheek to cheek after this excellent start to the Atlantic City Beach run.

Incredible lights by Lighting Director Chris Kuroda | Phish

Phish always brings the heat to New Jersey and Anastasio’s home state, and last night was no exception with a non-stop second set. They are back at it again tonight and Sunday in Atlantic City, which are sure to be classics in the LivePhish catalog. Tickets are still available through Phish’s website.

Check out more photos from the show.

Set One
Cars Trucks Buses, AC/DC Bag > Blaze On, Wolfman's Brother, I Didn't Know, Funky Bitch, Rift, Sand

Set Two
Tweezer > Bathtub Gin > Everything's Right > Possum > Also Sprach Zarathustra > Rise/Come Together > Harry Hood > More

Encore
Loving Cup

Fri, 09/03/2021 - 5:37 am

Vermont’s own Twiddle will perform at the Stanhope House in Stanhope, NJ this weekend, bringing their tasty jams and positive vibes to the Garden State. This outdoor show is the third in their stealthy fall tour and the first performance for the band at this venue. It is sure to result in many smiles. The fall tour kicked off with a pair of dates in New York State, including Rochester on September 2nd and at the Adirondack Festival in Lake George on September 3rd, equating to the perfect warm up for the Stanhope House.

Drawing from influences like rock, jazz, bluegrass, reggae, and funk, this folksy jam band formed at Castleton State College in Vermont in 2004. The band members include Mihali Savoulisdis (guitar, vocals), Ryan Dempsey (keyboards, vocals), Zdenek Gubb (bass, vocals), and Brook Jordan (drum, percussion, vocals).

The Joe Cirotti Trio will be supporting Twiddle at the Stanhope House, and is the first time they are the opening act. Limited tickets are still available at this link. This is sure to be a memorable Labor Day weekend performance and great close out to the summer.

Twiddle Fall Tour 2021

 

 

Fri, 09/03/2021 - 8:34 am

Twiddle is an American folk band coming in to The Stanhope House parking lot stage for a great September show! They are a jam band, and utilize instrumental improvisation in their live performances. They incorporate influences from a variety of music genres, including rock, jazz, bluegrass, reggae, and funk. Twiddle formed at Castleton State College in Vermont in 2004.

Sun, 09/05/2021 - 9:53 am

Labor Day weekend arrived with a stellar performance by jam rocker’s Twiddle at the Stanhope House in Stanhope, NJ. Despite technical difficulties that abridged the outdoor performance, the band delivered their signature improvisation, positive vibes and several notable covers. This included an impromptu acoustic set to finish out the night inside the Stanhope House after the power for the PA mysteriously went out.

Mihali Savoulidis | Twiddle

The Stanhope House is located in Northwest New Jersey, and is over 200 years old. It has hosted the likes of Stevie Ray Vaughn, Son Seals, etc, and was a known hang out for Babe Ruth. The storied history of this establishment started in the 1700s, when the Stanhope House was a rooming house. Over time, this venue became haunted based on fires, fights and other legendary stories. In the 1970’s, the venue transformed into the modern bar and live music venue that we know today, including an indoor stage that is popular with local musicians. During the summer months, the bar utilizes their parking lot to erect a larger stage for bigger crowds.

The Joe Cirotti Trio | Stanhope House

The Joe Cirotti Trio began the festivities for the evening. Hailing from Hackettstown, NJ, this marked the first time that both bands played together. The trio specializes in bluegrass music. The band members include Joe Cirotti (acoustic guitar), Peter Lister (upright bass), and Mike Alexander (mandolyn).

Mihali Savoulidis and Zdenek Gubb | Twiddle

Twiddle took the stage shortly after, and unfurled a set full of deliciously funky jams, electric lights and a surprising cover. The jam of the night was “Being Hod Hoddle” > “Country Roads” > “Hook” > “Invisible Ink.” The crowd was certainly loving John Denver’s “Country Roads” sandwiched between Twiddle’s originals. Joe Cirotti returned to the stage with an electric guitar and sat in during “Mamunes the Faun,” adding more dimension to this tune. The set closed out on a high note with “Jamflow Man.”

Joe Cirotti sits in with Twiddle | Stanhope House

After a short break, the band picked up right where they left off with “Enter,” however power issues with the PA interrupted this song. The crew fixed the issues, and the band continued with “Orlando’s.” The PA eventually went out again during "Orlando's", but the band was not ready to give up just yet. Guitarist Mihali Savoilidis started an impromptu vocal “Row Row Row Your Boat” that the crowd quickly joined in on. The PA appeared to be working again, and drummer Brook Jordan took a drum solo, which segued into Nirvana’s “Smells Like Teen Spirit.” The band was halfway through this song when the PA finally gave out for the evening. The crew worked diligently to restore power, but were unsuccessful. The crowd was then instructed to head inside for an acoustic set with Savoilidis and bassist Zdenek Gubb. Was this the handiwork of the ghosts that allegedly haunt the Stanhope House?

Lights by Alex “Herm” Schneider | Stanhope, NJ

The inside bar at the Stanhope House was soon packed with fans who were were thirsty for more tasty jams, despite any potential paranormal activity. Savoilidis and Gubb opened the acoustic set with “Ghostbusters,” by Ray Parker Jr, paying homage to these legendary ghosts that allegedly haunt this historic building. Next up was “Rocky Racoon” by the Beatles, another noteworthy cover that was supposed to be played on the outdoor stage. Citizen Cope's “Son’s Gonna Rise” followed, along with “What I Got” by Sublime. Nearly everyone in the crowd was singing along joyously at this point, forgetting the inconvenience of being packed into a tiny, ostensibly haunted club. This incredible acoustic set appropriately wrapped up with “When It Rains It Pours,” and smiles were seen across the crowd.

Accoustic set inside the Stanhope House | Stanhope, NJ

Twiddle executed great jams and a friendly vibe at the Stanhope House. Despite technical difficulties and the metaphysical mischief potential, the band made lemonade out of lemons with a tight acoustic set inside the bar after the PA lost power for the evening. Thankfully, this is merely the beginning of their exciting fall tour. They are performing at the 4848 Festival in Snowshoe, WV tonight, and will pick up again on September 30th in State College, PA. Tickets are still available for many dates on their not to be missed fall tour. Visit Twiddle’s website for more details.

Fans loving the show | Twiddle

Check out more photos from the show.

Set One
Blunderbuss, Being Hod Hoddle > Country Roads1 > Hook > Invisible Ink, White Light > Barbeque, BCBC, Mamunes the Faun, Jamflow Man

Set Two
Enter, Orlando’s, Row Row Row Your Boat2, Drums > Smells Like Teen Spirit34

Acoustic Set
Ghostbusters5, Rocky Racoon6, Son’s Gonna Rise7, What I Got8, When It Rains It Pours

Notes
1. John Denver Cover
2. Sung by crowd during power loss
3. Nirvana Cover
4. Sound abruptly stopped working, fans were directed to go inside for an acoustic set with Mihali
5. Ray Parker Jr. Cover
6. Beatles Cover
7. Citizen Cope Cover
8. Sublime Cover

 

Wed, 09/08/2021 - 6:06 am

Dopapod, known for their technical precision and improvisational composition, will embark on a stacked fall tour, starting with two nights at the legendary Brooklyn Bowl in Brooklyn, NY on September 10th and 11th, 2021. This band recently took a hiatus in 2018 to recharge. They are now back, fully energized and ready to deliver their signature mix of funk, jazz, bluegrass and electronica, all while balancing the darker tones of heavy rock. The jam friendly Brooklyn Bowl is the perfect venue to begin their ambitious schedule.

Formed at the Berklee College of Music in 2007, the band consists of Eli Winderman (keys, vocals), Rob Compa (guitar, vocals), Chuck Jones (bass), and Neal "Fro" Evans (drums). They have been crushing performances together for over ten years, including a number of shows this summer in Denver, Co, Lafayette, NY, and Asheville, NC, just to name a few.

Muscle Tough and Dogs in a Pile will be supporting Dopapod this weekend. Muscle Tough is a self-described "Futuristic Funk Fusion Trio" from Philadelphia, PA. They combine a heavily improvised blend of modal jazz, funk and psychedelia. New Jersey's Dogs in a Pile are an up and coming jam band playing originals rooted in psychedelia, funk, jazz and rock & roll. They are popping up on national festival bills, and incredibly talented considering much of the band is barely out of high school. Both bands are not to be missed, and open the possibility for one-of-a-kind sit-ins this weekend.

Tickets are still available for both nights via this link.

Sat, 09/11/2021 - 1:05 pm

Dopapod started their 2021 fall tour with a bang last Friday night at the Brooklyn Bowl in Brooklyn, NY. The Brooklyn based quartet was all smiles as they delivered two sets of tasty originals and covers, including a few rarities. Friday night's performance marked the third show at the Brooklyn since the start of the covid-19 pandemic. Philadelphia, Pa's Muscle Tough lended support as the opening act.

Dopapod | Brooklyn Bowl

Dopapod formed at the Berklee School of Music in 2007, and has been creating innovative new music ever since. Playing a mix of funk, rock, pop, and psychedelia, this band utilizes synth tones while striking a balance between heavy and light. The band members include Eli Winderman (keys and vocals), Rob Compa (guitar and vocals), Chuck Jones (bass), and Neal “Fro” Evans (drums).

Muscle Tough | Brooklyn Bowl

MuscleTough got the crowd warmed up tonight, and brought their heavily improvised blend of modal jazz, funk, and psychedelia. Band members include Ross Bellenoit (Guitar/Effects), Joe Baldacci (Drums), and Jonathan Colman (Bass/Effects).

Dopapod | Brooklyn, NY

The first set began with music playing from the band's equipment, but the band was not quite there yet. The audience was hyped up awaiting their entrance. After they arrived, time was not wasted, as Dopapod's first set included two bust outs.The Muse cover "Micro Cuts" was last played on April 20, 2017, and segued into "Give It A Name," last played on December 14, 2019. The set ended with another exploratory jam sandwich, "Dracula's Monk > "Turn By Turn" > "Vol.3 #86."

Neal Evans and Chuck Jones | Brooklyn, NY

After a quick break, the band returned with more complex improvisational compositions. The high note of the set was "Eight Years Ended" > "Mucho" > "23 Forever." The lights were notably good, and complimented the music perfectly. Additionally, "Eight Years Ended" contained a "Frankenstein," by Edgar Winters, tease. The band also played "Squarefoot" in the second set, which is a cover by Rudder. Tonight's encore was no slouch either, with "Happy Song" > "Roid Rage." "Roid Rage" included a tease of the Talking Head's "Crosseyed and Painless," which sent fans off in to the night energized and ready for Saturday night's show at the Brooklyn Bowl.

Eli WInderman | Dopapod

Dopapod's two night stand at the Brooklyn Bowl was certainly a memorable homecoming for the band and audience. In case you couldn't make either date, fear not. The band is just getting started on their fall tour. Visit their tour page for more details.

Dopapod | Brooklyn, NY

Check out more photos from tonight's show.

Set One
Turnin' Knobs, Nerds, Micro Cuts1 > Give It A Name, Dracula's Monk -> Turn By Turn2 > Vol. 3 #86

Set Two
Off The Cuff2 -> Psycho Nature, Eight Years Ended23 -> Mucho2 -> 23 Forever, Squarefoot4, Braindead, Grow

Encore
Happy Song > Roid Rage5

Notes
1. Muse cover
2. Unfinished
3. Frankenstein (Edgar Winter) tease
4. Rudder cover
5. Crosseyed and Painless (Talking Heads) tease

Sun, 09/19/2021 - 8:28 am

Trombone Shorty closed out the annual BRIC Celebrate Brooklyn Festival with the high energy New Orleans flavor that he is known for. The weather cooperated and yielded a thoroughly enjoyable evening for all fans in attendance. Trombone Shorty was supported by the indie pop group MICHELLE and jazz vocalist Lady Blackbird.

BRIC Celebrate Brooklyn Festival | Brooklyn, NY

BRIC's Celebrate Brooklyn Festival is one of NYC's longest running free festivals that New Yorkers look forward to year after year. Located in the Prospect Park Band Shell, the festival includes events throughout the summer. Prospect Park was originally designed in 1865 by Frederick Law Olmsted and Calvert Vaux, and envisioned as the center piece of the cultural institutions in Brooklyn. The band shell was added in 1939, however fell into a state of disrepair in the 1960's following budget cuts and urban neglect. BRIC and Celebrate Brooklyn was founded in 1979 to reverse this trend and revitalize this local gem. Eventually, a second redesign of the band shell reduced the sound bouncing into the surrounding neighborhoods and upgraded the facilities to create one of the most robust outdoor experiences in New York City.

MICHELLE | Brooklyn, NY

The evening began with the plush harmonies and pop grooves by NYC's own MICHELLE. The band members include Sofia D’Angelo, Julian Kaufman, Charlie Kilgore, Layla Ku, Emma Lee and Jamee Lockard. Blending funk, dream pop and soothing jazz sounds, this young group brings a message of social justice along with joy. They certainly delivered an incredible on stage presence considering the oldest member is twenty two years old.

Lady Blackbird | BRIC Celebrate Brooklyn Festival

Lady Blackbird, a jazz vocalist from Los Angeles, took the stage next with her band, and wowed the audience from start to finish. Also known as Marley Munroe, she has been compared to the likes of Billie Holiday and Chaka Khan, and with good reason. Tonight's performance included "BlackBird", which is an inspiring interpretation of Nina Simone’s powerful civil rights anthem.

Trombone Shorty | BRIC Celebrate Brooklyn Festival

The crowd was raring to go as Trombone Shorty took the stage with his band Orleans Avenue. They certainly delivered the brass funk and r&b that they have cooked up at the New Orleans Jazz and Heritage Festival for many years. They have also closed out the BRIC Celebrate Brooklyn Festival every year since 2013, and are extremely popular with the Brooklyn locals. Led by multi-instrumentalist and singer Troy Andrews, the band meandered seamlessly between deep groove funk, blues, hip-hop/pop and jazz sounds, all to the delight of the crowd. It is no surprise that Andrews grew up in New Orleans, and has been playing jazz since the age of four. He is supported by a number of outstanding jazz musicians in Orleans Avenue, who were given ample time to shine in the Prospect Park Band Shell.

Trombone Shorty | Brooklyn, NY

The 2021 BRIC Celebrate Brooklyn Festival closed out on a high note with Trombone Shorty, along with support by MICHELLE and Lady Blackbird. The crowd was notably energized with the joy of seeing live music in stellar local setting. This festival is one of the many cultural pearls in Brooklyn, and did not disappoint. Head on over to the BRIC website for more details about other cultural events hosted by this unique organization, including the BRIC Jazz Festival in October.

The crowd loving the show | Trombone Shorty

Check out more photos from the show!

Mon, 09/20/2021 - 3:57 pm

Trey Anastasio brought his side project, the Trey Anastasio Band, to the Westville Music Bowl for the first time, along with the largest crowd the venue has seen since opening in May 2021. This high energy, jam rock meets big band ensemble brought many familiar qualities to the show, as well as new directions, including band members and song selection. The weather cooperated for this outside event, with summer-like weather conditions that only elevated an incredible night of music.

Trey Anastasio Band | Westville Music Bowl

As with all things, change is the only constant. Last night's line up included many familiar faces that fans enjoy seeing show after show, along with two new members. Most notably, the line up was missing the original bassist Tony Markelis, who passed away last May. In his place was Dezron Douglas, a brand new face to fans, but has been collaborating with Trey Anastasio and other band members for years. Another recent line up change was the addition of saxophonist Cochemea “Cheme” Gastelum, who is siting in this tour for James Casey while he battles colon cancer. Russ Lawton (drums), Ray Paczkowski (keywords), Jennifer Hartswick (trumpet/vocals), Natalie Cressman (trombone), and Cyro Baptista (percussion) rounded out the the rest of this all star squad.

Westville Music Bowl | New Haven, CT

Another change last night was the lack of pod style seating arrangements. At past Westville shows this season, the floor was filled with groups of chairs spaced apart to maintain social distancing. Last night, there were no chairs and about 2000 people packed together on the floor. The lower bowl section with seating was estimated at about 3000 people in attendance, while the upper bowl section was closed off. This marks the largest crowd at the Westville thus far, though despite this statistic, there was still plenty of room for everyone as the venue holds approximately 10000.

Natalie "Chainsaw" Cressman | Westville Music Bowl

The show began as the sun dropped down on the Western horizon with a familiar tune by Anastasio's other band Phish, "Set Your Soul Free." When the Trey Anastasio Band formed in 1999, they played originals and rarely covered Phish songs. That has all changed as the years roll on, especially after Anastasio's residency at the Beacon Theatre last fall.TAB original "Olivia" was up next, and was followed by "...And Flew Away," a new song that had been played only once prior, during the Beacon Jams last year. The highlight of the first set was certainly "Alive Again" > "Ghost," another song from Phish's catalog, with a sweet segue between the two. "Liquid Time" was proceeded by "I Never Left Home," the second song played only once prior to this tour during the Beacon Jams. The set closed out with Hartswick adding her deep vocals to the classic jam vehicle, "Night Speaks."

Russ Lawton | Trey Anastasio Band

After a quick set break, the band took the stage earlier than expected as the evening chill was making an appearance. The set kicked off with "In Rounds," another staple from the TAB collection. The funky Phish tune "Camel Walk" was up next, and had everyone moving and grooving. The feeling of familiarity elevated with the quintessential "Sand," from their Alive Again album. The next sequence was the highlight of the evening, and included innovative jams as well as songs old and new. This began with "Curlew's Call," from Plasma, and transitioned into "Quantegy," which was last performed in front of a live audience at the Township Auditorium on May 3rd, 2005. The jam sandwich continued with TAB requisite "Drifting" and "Traveler," another less frequent tune that was last seen at the Capitol Theater on January 11, 2020. "Traveler" included Gastelum on the flute, who showed his multi-instrumental skills. The set wrapped up with dark tones of "Mr. Completely," and included a solid build up at the end. Paczkowski and Anastasio connected flawlessly with Baptista, yielding a delicious synth heavy jam to end the set. The band returned to play the mellow "Ether Sunday" followed by the best song to close a TAB show with: "First Tube." The audience exited the show with delight after an incredible evening of tasty jams at the premiere outdoor concert venue in the Northeast.

Trey Anastasio | New Haven, CT

Last night proved the age old saying to be true: Change is like a holiday. The new band members and songs, combined with Phish favorites, along with the outstanding staff and ambience at the Westville Music Bowl was the perfect bittersweet goodbye to the summer concert season. The good news is that the Trey Anastasio Band has just begun their fall tour, and have many more stops to deliver their exploratory jams. Tomorrow night, the band will grace The Met, an ornate and storied venue in Philadelphia, Pa, for a sold out crowd. Head on over to Trey's website for more details about this show, live streams and other dates.

Fans enjoying the show | Westville Music Bowl

Check out more photos from the show.

Set One
Set Your Soul Free, Olivia, …And Flew Away, Alive Again > Ghost, Liquid Time, I Never Left Home, Night Speaks to a Woman

Set Two
In Rounds, Camel Walk, Sand, Curlew’s Call > Quantegy > Drifting > Traveler, Mr. Completely

Encore
Ether Sunday, First Tube

Sun, 09/26/2021 - 7:47 am

Genre defining electronic musicians Thievery Corporation kicked off their Outernational Tour last Friday at the ornate Wall Street Theater in Norwalk, CT to a packed house. Despite issues traveling to Connecticut, the band was thrilled to be performing together, as this marks the first tour since the start of the Covid-19 pandemic. Dessa was on hand and lended support for the event.

Rob Garza and Mr. Lif | Thievery Corporation

The historic Wall Street Theater has a storied history that began in 1915 as The Regent, featuring live vaudeville acts. The venue also hosted political events and eventually served as a movie theater after the Great Depression. The venue closed as a movie theater in 1989, and later reopened as a music venue in 1993, hosting bands such as David Lee Roth and Waylon Jennings. In 1999, the space was transformed into a dance club. More recently, the theater has rebranded as The Wall Street Theater, and reopened as a non-profit organization poised to be the go to destination for live events in the area.

Natalia Clavier | Norwalk, CT

For over twenty five years, the downtempo artists Thievery Corporation have released music that combine acid jazz, hip-hop, bossa nova, dub and reggae blended with components of Indian and Middle Eastern music. Led by producers and multi-intrumentalists Rob Garza and Eric Hilton, the band utilized a mix of singers to create the subtly sweet EDM fusion. This evening, Garza was joined by musicians Jeff Franca (drums), Rob Myers (sitar, guitar), and Ashish "Hash" Vyas (bass). The cast of singers included Natalia Clavier, Raquel Jones, Puma Ptah, Mr. Lif, and Loulou Ghelichkhani. Notably absent was Hilton, as he rarely performs with the live show these days.

Dessa | Wall Street Theater

The festivities began with Dessa, a singer, rapper and writer who brought mellow hip hop beats combined with electronica to create a melodic compliment to Thievery Corporation. She engaged with the crowd and certainly found new fans this evening with her charisma and unique musical style.

Thievery Corporation | Wall Street Theater

After the crowd was warmed up, Thievery Corporation took the stage and did not disappoint. The singing corps would rotate members onto the stage for each number. The global sounds had a welcoming chill vibe. Vyas moved about the stage freely, gliding past the other musicians. Myers rotated his instruments, opting for the sitar numerous times while perched on the sofa in front of Garza and Franca. Mr. Lif notably engaged the crowd with his hip hop rapping skills, while Puma Ptah dropped stellar reggae infused lyrics.

Puma Ptah engaging the crowd | Wall Street Theater

At one point, Garza grabbed the microphone and explained to the crowd that travel cancellations almost hindered the show tonight, but the band members found a way to convene in Connecticut, after renting a car to finish the final leg. He also revealed that he used to live in Connecticut many years ago, and was excited to be back in the Constitution State. He also showed his musical diversity by grabbing a guitar and vibing back and forth with Vyas, creating a rock meets trip hop transcendent bliss. Near the end of the show, Myers joined in with the sitar once again, adding tasty Indian tones to the downtempo electronic mosiac. Nearly everyone in the crowd was dancing and thoroughly enjoying this eclectic fusion.

Crowd loving the show | Thievery Corporation

Thievery Corporation certainly started their Outernational Tour with a bang at the Wall Street Theater in Norwalk, CT. The good news is that they are on the road this fall, with many more dates on the ledger. Visit their website for more information on shows near you.

Mr. Lif | Thievery Corporation

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Thu, 09/30/2021 - 9:21 am

Phish will return for their fourteenth New Years Run at the storied Madison Square Garden on December 29, 2021 through January 1st, 2022. This is the first time that the band has played at the venue since the December 31st, 2019 New Years show that left guitarist Trey Anastasio stuck in the rafters on a dangling platform after a mechanical failure during their annual New Years gag. He was eventually rescued after the show ended, and wrote the now legendary "Rescue Squad" tune while descending to the ground on drummer Jon Fishman's platform.

Phish returns to MSG

A Phish Tickets by Mail lottery request period is now underway, and ends on Monday, October 4th at noon EST. Fans will be informed of the results by October 6th at 11:59pm EST. The remaining tickets will go on sale to the general public beginning Friday, October 8th at noon EST via Ticketmaster. Additionally, a limited number of travel packages, including hotel and tickets, will go on sale Thursday, October 7th at noon EST.

Trey Anastasio | Phish

Proof of full vaccination against COVID-19 must be provided for those 12 and older. Childen who are 11 years old and under must provide proof of a negative COVID-19 test taken within 48 hours of doors opening each night. Phish requests that all ticketholders wear a mask at the shows for everyone's safety.

Thu, 09/30/2021 - 4:43 pm

Joel Cummins and Kris Myers from Umphrey's McGee will combine forces with Marcus Rezak on Friday, October 1st for an "after hours" gig proceeding the Afterburner Music Festival in Huntington Beach, Ca at My Place Sports Bar & Grill. The headliners for the Afterburner Festival include Sammy Haggar and Sam Hunt, with the former playing on Friday night along with Umphrey's McGee and 90's Rockshow. Saturday's festival lineup includes Sam Hunt, X Ambassadors, and Cassedee Hope.

After Hours gig with Marcus Rezak, Joel Cummins and Kris Myers

The "after hours" doors open at 9pm, with an 11pm start time. Bassist Pete Griffin and multi-instrumentalist Nate LaPointe will join this exploratory jam heavy hitters squad. Both are from Los Angeles, Ca. This talented group of improvisational musicians are ready to bring the heat for those who want to keep the festivities going.

Marcus Rezak and Shred is Dead

Sat, 10/09/2021 - 1:51 pm

Joe Russo’s Almost Dead kicked off their three night run at the Wellmont Theater in Montclair, NJ last Thursday to a packed house on a warm fall evening. This run was rescheduled from just over a year ago as a result of the covid-19 pandemic. Despite an injury to Tom Hamilton, the band delivered their unique take on the Grateful Dead without a hitch and made many new fans in the process.

Joe Russo's Almost Dead | Wellmont Theater

The Wellmont Theater was first built by theater manager H.H. Wellenbrick, and opened in 1922. The name was created by combining Wellenbrick with Montclair. The theater originally hosted vaudeville and stage plays, though ultimately served as a movie house. In the 1980’s, the venue was converted into a movie triplex, and continued as a movie theater until 2006 when it was renovated into the largest live music venue in the area. The historic venue changed hands again in 2013, and continues to host music, arts and live events.

Tom Hamilton and Joe Russo | Montclair, NJ

This talented band was excited to bring their jazzy Grateful Dead covers to the storied Wellmont Theater, despite an injury to guitarist Tom Hamilton. He broke his clavicle prior to the run, and was notably sitting for parts of the evening. His dedication to their loyal fans was unparalleled, as he was certainly playing through some pain this evening.

Fans Enjoying the Show | Wellmont Theater

The smoking hot first set kicked off with two tasty jam sandwiches, the first being “Comic Charlie” > “Mississippi Half Step” > “Queen Jane Approximately,” with “Queen Jane” being the first in a pair of Bob Dylan covers this evening. The energy gradually increased throughout this sequence, as the band warmed up. The second kept the energy in high gear with “The Wheel” > “Til the Morning Comes” > “My Brother Esau.” There was a notable “Hell in a Bucket” tease during the jam out of “The Wheel,” and showed how this band loves to keep the fans guessing. After this intense series, the band took a much needed break.

Marco Benevento | Joe Russo's Almost Dead

Set two picked up right where set one left off, and included another groups of songs segued into one another, starting with “They Love Each Other” > “Chinacat Sunflower” > “Gonesville” > “Shakedown Street.” A Bob Weir cover was nestled into the mix with “Gonesville.” The notable jam of the mix was the funky “Shakedown Street,” where bassist Dave Dreiwitz and drummer Joe Russo delivered a delicious groove that had the entire audience on their feet and grooving. “Viola Lee Blues” was up next, followed by the second Bob Dylan cover of the evening, “When I Paint My Masterpiece.” This song was often played by the Grateful Dead. This incredible set wrapped up with a rocking “US Blues.” The band left the stage for a brief moment, and returned to play the Grateful Dead’s most successful single, “Touch of Grey.”

Wellmont Theater | Montclair, NJ

Joe Russo’s Almost Dead unfurled a fantastic set list full of jams for their first night at the Wellmont Theater three night run in Montclair, NJ. They made many new fans this evening and certainly pleased the long timers with their creative and exploratory jams. The band has a couple of dates remaining on the ledger for 2021, including Hulaween in Live Oak, Florida. Visit their website for more details about upcoming shows this year and in 2022.

Joe Russo's Almost Dead | Montclair, NJ

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Set One
Cosmic Charlie > MIssissippi Half Step > Queen Jane Approximately1, The Wheel > Til the Morning Comes > My Brother Esau

Set Two
They Love Each Other > Chinacat Sunflower > Gonesville2 > Shakedown Street, Viola Lee Blues, When I Paint My Masterpiece1, US Blues

Encore
Touch of Grey

Notes
1. Bob Dylan cover
2. Bob Weir cover

Sun, 10/10/2021 - 11:46 am

Goose, the scorching hot jam band on the rise from Connecticut, achieved liftoff into their 2021 fall tour on Friday night at Terminal 5 in New York, New York for a sold out crowd that was five times larger than their prior New York City show. Despite the crowded setting, the band delivered a new original and a previously unplayed Vampire Weekend cover, among other set list niceties and surprises, to dazzle new fans and reward the veterans.

Goose | Terminal 5

Fans of this band are not strangers to crowded settings, especially those within driving distance of their hometown, Norwalk, CT. The last time Goose played in New York City was January 25th, 2020 for a sold out crowd of 650 at the Williamsburg Hall of Music in Brooklyn. This show sold out extremely fast, as the band was experiencing new found popularity after their breakout performance at The Peach Festival in 2019. The band continued to soar through the Covid-19 pandemic through copious live streams and by playing both pod and drive in shows. The tickets for Terminal 5 did not sell out quite as quickly as the Williamsburg Hall of Music, but the venue was just as crowded with many new fans raring to taste their exploratory jams and sizzling covers.

Peter Anspach | Goose

The first set began with the funky dance tune "So Ready" from their 2021 release, Shenanigan's Nite Club, and included a sexy clav fueled jam by keyboardist Peter Anspach. The first cover of the evening followed with The Band's "Look Out Cleveland," proceeded by "Honeybee." The band surprised the audience with a new feel on their classic "Indian River." The set rounded out with "The Whales" and "All I Need," before the band took a short break.

Goose | New York, NY

The band returned to play a non-stop jam for the second set, beginning with a never before played tune "2021" by Vampire Weekend. Goose was asked by Ezra Koenig earlier this year to record a version of this song with a caveat that the song must be twenty minutes and twenty-one seconds in length. This requirement was easily achievable given their penchant for extended jams.

Ben Atkind | Terminal 5

The surprises continued as the band unfurled a brand new, never played tune, "The Old Man's Boat." This segued into "Rosewood Heart," with a mellow build up that led into the bass driven "Into the Myst." The jam sandwich continued with "Echo of a Rose" and ended the set where it started as the band transitioned back into "2021," finishing the song. The band briefly stepped off the stage before launching into the hand clap inducing "Flodown" for the encore. This song is originally by Goose predecessor Vasudo, whose line up included guitarist Rick Mitarotonda, drummer Ben Atkind and bassist Trevor Weekz. It has since been adopted into the Goose repertoire and was also released on Shenanigans Nite Club.

Terminal 5 | New York, NY

Goose unfurled a tasty night of music to jump start their fall tour at Terminal 5 in New York City, and gave fans both old and new a reason to smile. Hop on over to their website for more details about future dates on their fall tour schedule.

Lights by Andrew Goedde | Terminal 5

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Set One
So Ready, Look Out Cleveland1, Honeybee, Indian River2, The Whales, All I Need

Set Two
20213 > The Old Man’s Boat4 > Rosewood Heart > Into The Myst > Echo of a Rose > 20213

Encore
Flodown

Notes
1. The Band cover
2. New feel
3. Vampire Weekend cover, FTP
4. New Song, FTP

Sun, 10/17/2021 - 11:02 am

Phish brought extended jams and a catalog of vintage tunes with a peppering of new tracks to the state of the art Chase Center in San Francisco, California last night. This was the first time the Vermont based rock band has performed at the Golden State Warriors' quarters, though they certainly felt at home. The band kicked off their west coast fall tour on Friday night in neighboring Sacramento, Ca. The Bay Area welcomed Phish for the second time this year, after a stellar run at Shoreline Amphitheater last summer.

Phish | Chase Center

Tonight's festivities began with "Possum," which included the vibrant opening piano sequence by keyboardist/pianist Page McConnell. Fan favorite "Halley's Comet" was up next, and segued into an exploratory "46 Days" > "Slave to the Traffic Light." This tasty jam sequence was a foreshadowing of the improvisation that was yet to come. "Simple" proceeded and included a dark, evil jam that almost ventured into type two jam territory. Bassist Mike Gordon drove this funky exploration with a raucous groove. A start stop style transition followed into "Shade," and the band continued this jam sandwich into "Winterqueen" and Story of the Ghost's "Meat," which included a notable synth jam from McConnell. The set wrapped up with the inspiring, tension and release classic, "Run Like an Antelope." Lighting director Chris Kuroda lived up to his name as the fifth member of the band, and utilized lights from the ceilings and various levels within the Chase Center to elevate this uplifting jam. The vibrations from the crowd yelling "You've got to run like an antelope, out of control!" could be felt throughout the building. Phish certainly made haste, and unfurled a first set that left many east coasters wishing they had made the trek.

Page McConnell | Phish

After a short break, the band returned to unleash more delicious improvisation, starting with an old favorite, "Bathtub Gin." This included more wicked improvisation before a tight segue into Sigma Oasis' "Everything's Right." The band continued to slowly show their cards as they transitioned into a monster seventeen minute "Frankie Says," another tune from Story of the Ghost, which has not been played since August 8th, 2015. Normally a much shorter song, this version included an extended jam that teased "Bathtub Gin." The throwbacks continued in this non-stop sequence with "The Wedge." The band stopped playing for a brief moment before dropping into a disco funk "The Moma Dance," led once again by McConnell's synth prowess, to close out this high energy second set. After stepping off stage for a few moments, the band returned to play a behemoth nineteen minute "Carini." This edgy tune continued the dark jams from earlier in the night, though this time with the hard rock elements of "Carini." Guitarist Trey Anastasio's tone from his newest Languedoc guitar reverberated throughout the audience, bringing smiles to many faces.

Incredible lights by Chris Kuroda | Phish

Phish is back again tonight for round two at the Chase Center. Phish is famous for delivering monumental shows on Sundays, hence the age old expression, "Never miss a Sunday show." For more details about this show and the rest of the fall tour, head on over to phish's website.

Mike Gordon | Phish

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Fans enjoying the show | Chase Center

Set One
Possum, Halley's Comet > 46 Days -> Slave to the Traffic Light, Simple > Shade > Winterqueen > Meat > Run Like an Antelope

Set Two
Bathtub Gin > Everything's Right > Frankie Says > The Wedge, The Moma Dance

Encore
Carini

Tue, 11/02/2021 - 9:14 am

Perpetual Groove returned to the Brooklyn Bowl in Brooklyn, NY last Friday to deliver an eclectic set of covers as PGramps, along with a set of originals. This Athens, Ga based jam band specializes in a fusion of southern rock, funk, jazz improvisation, indie rock and synth loops. New York City's Q104.3 disc jockey Ken Dashow joined them on drums for a few songs during PGramps set.

Ken Dashow | Brooklyn Bowl

The lineup for Perpetual Groove has shifted over the years. The current squad includes guitarist/vocalist Brock Butler, keyboardist Matt McDonald, bassist Adam Perry, and drummer Darren Stanley.

Perpetual Groove | Brooklyn, NY

The night began with opening act PGramps, which was actually just Perpetual Groove playing covers and songs that are normally not in the regular rotation. After the first song, Ken Dashow emerged on the stage and took a seat at the drum kit. Dashow is known for hosting the Sunday morning Beatle Brunch on Q104.3, the classic rock station in New York City. It's no surprise that Dashow immediately asked the crowd, "Who wants to hear the Beatles?" After a loud applause, the band dove into "Back in the USSR" by the fab four. More classic rock covers ensued before Dashow returned the drum sticks to Stanley, who finished out the PGramps set.

Brock Butler | Perpetual Groove

After a quick break, the band returned as themselves to unfurl their signature blend of jam rock. Tonight's set included an eclectic mashup of southern, alt and indie rock fusion, along with funk and up beat synth in the mix. Butler handled the vocals and showed his stellar prowess as a guitarist. At the end of the set, the band turned more dark and electronic with a cover of Nine Inch Nail's "I Want to Fuck You Like an Animal." McDonald kicked up the synth jam, as the dance party was in full effect. The band left the stage and returned for an encore, while the fans were on their feet and cheering for more.

Perpetual Groove | Brooklyn Bowl

Perpetual Groove is currently on the road for their fall tour. The next shows on the ledger are in the Palmetto State, including November 18th at the Pour House in Charleston, SC and November 19th at the Main Course in Columbia, SC. Head on over to their website for more details about these shows and other fall tour dates.

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Tue, 11/02/2021 - 10:32 am

Connecticut based jam rock quintet Goose unfurled sweet covers and tasty originals last Saturday on the first of their two night stand at the sold out Palladium in Worcester, Mass. This group has seen a remarkable growth surge compared to Halloween weekends past, having played at the 500 person capacity South Farm in 2020, albeit this capacity constraint was partly because of the covid-19 pandemic. In comparison, the Palladium capacity is 2600. The increase in fans is largely based on the group's ability to deliver stellar jams night after night. Last Saturday was certainly no exception, as the band delivered high energy improvisation and unexpected turns throughout the show.

Goose | The Palladium

Set one kicked off with two classics sandwiched together: "Wysteria Lane" > "Time to Flee." These two songs clocked in at almost 30 minutes. The dance party began when the band dove into "Jive II." The band took the energy down momentarily with "Whales," before ending on a high note and then launching into a never before played Vasudo cover, "Rockdale." Keyboardist Peter Anspach elevated this song by a level of funk. "Seekers on the Ridge Part 1" was up next, another rarity based on the placement without "Seekers on the Ridge Part 2" proceeding. The set ended on a high note with a fourteen minute "Tumble."

Peter Anspach | Goose

After a short break, the band returned and picked up right where they left off energetically with "Arrow" > "Bob Don." Next, an early Halloween jam sandwich was gifted to the fans, starting with the funk filled "Ghostbusters Rap" by Run DMC. The crowd was moving and having a honking good time as the band teased "David Bowie" by Phish, using the alternative lyrics "Fuck you, Tony Scavone" instead of "David Bowie." This transitioned into "Fish in the Sea" by Fat Freddy's Drop, which included more delicious synth moments from Anspach. The set wrapped up with a raucous jam between "White Lights" > "Arrow," book ending the set with the latter. After a brief moment off stage while the audience was on their feet cheering for more, the band returned to encore with "Moby" > "Mas Que Nada," which is a cover by Sergio Mendes.

The Palladium | Worcester, Mass

Fomo is real with Goose's set lists these days. Fortunately, they are currently on tour with a number of dates in the Southeast and Midwest left on the ledger. Head on over to their website for more details.

Lights by Andrew Goedde | Worcester, Mass

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Fans enjoying the show | Goose

Set One

Wysteria Lane > Time to Flee, Jive II, Whales, Rockdale1, Seekers On The Ridge pt 12, Tumble

Set Two

Arrow > Bob Don, Ghostbusters Rap3 > Fish in the Sea4, White Lights > Arrow

Encore

Moby > Mas Que Nada5

Coach’s Notes

 1. Cover by Vasudo, FTP
 2. FTP without pt 2
 3. Cover by Run DMC. David Bowie tease with lyrics, “Fuck You Tony Scavone”
 4. Cover by Fat Freddy’s Drop
 5. Cover by Sergio Mendes

Wed, 11/03/2021 - 5:14 am

Goose shagged and bragged last Sunday at the historic Palladium in Worcester, Mass in celebration of Halloween. The band dressed as characters from the movie Austin Powers: The Spy Who Shagged Me while playing covers from the soundtrack mixed with their originals. Covering other bands is a time honored tradition in the jam band world on Halloween. Goose raised the bar with this performance, delivering incredible improvisation and unexpected twists as the night progressed.

Goose | Worcester, Mass

The night began with the band marching on stage in costume. Multi-instrumentalist Peter Anspach was dressed as Austin Powers, and uttered the proverbial catch phrase "Yea baby!" Guitarist Rick Mitarotonda took the role of Mr. Power's antagonist, Dr. Evil, complete with a bald head and facial scar. Bassist Trevor Weekz was Mustafa, Dr. Evil's henchman, donning a red fez hat. Drummer Ben Atkind assumed the role of Mini Me, while percussionist Jeff Arevalo represented Scott Evil, Dr. Evil's son. Road manager Jon "Coach" Lombardi appeared in the background as Frau Farbissina, Dr. Evil's henchwoman, and Naveed Quarterman as Una Brow.

Trevor Weekz as Mustafa | Goose

The band began the festivities with a "Factory Fiction" tease, a coveted and rarely played Vasudo cover, which fittingly transitioned into "Soul Bossa Nova," by Quincy Jones. Two firsts immediately proceeded, starting with the first time played "Draggin' the Line" by Tommy James. This was followed by the first Goose original of the night, the funk filled "Earthling or Alien?" The band dropped one of the best jams this evening in the next tune, "My Generation" by The Who, clocking in at over sixteen minutes. Arevalo crushed the vocals as well. "My Generation" segued into "A Western Sun," bringing the tempo down, but only momentarily. Anspach then took the helm with "I'm a Believer" by the Monkees, leading the vocals and manning the keyboards for a smashing good, first time played tune. The band took the crowd back into "Earthing or Alien?" and then "So Ready," the upbeat fraternal twin to "Slow Ready," before taking a much needed set break.

Peter Anspach standing on his amp | Worcester, Mass

Set two resumed with more Austin Power's delights, starting with "American Woman" by the Guess Who, another first timer for the band. Anspach began the guitar intro off stage. Once on stage, he ran around and jumped from his amp like a 70's rock star, clearly enjoying the shagadelic mood. Arevalo contributed his vocal skills once again. New original "The Labyrinth" proceeded, and transitioned into a rocking "Magic Carpet Ride" by John Steppenwolf. Mitarotonda took his turn on vocals and unleashed a raucous guitar jam on this first time played tune. The jam and song were executed with perfection, and coupled with sublime lights by lighting director Andrew Goedde. Fans can only hope the band adds this cover to their repertoire.

Jeff Arevalo belting out incredible vocals | Goose

Stellar bass grooves by Weekz highlighted the next song, "Into the Myst." Once again, the band transitioned into another first timer, "Whip it" by Devo. "Seekers on the Ridge Part 2" followed, notably without normal set list companion "Seekers on the Ridge Part 1." The band took the energy down a few notches, and Mitarotonda stepped up to the mic to sing "Just the Two of Us," by Grover Washington Jr and Bill Withers. The famous Dr. Evil rap ensued, and included the iconic line, "Mini me, you complete me," uttered as Mitarotonda looked over at Atkind, who was dressed as his miniature evil clone. The set wrapped up with a smoking "Hot Tea." The band briefly stepped off stage, with the crowd on their feet and screaming for one more song. The band obliged with an appropriately placed, faster version of "All I Need." In this moment, everyone knew how special this show was, and felt honored to be part of it.

Fans are loving the band's energy | Palladium

Never miss a Sunday Halloween show by Goose, or perhaps just a show. This band's passion for inspired and explorative jams as well as fun covers has never been more apparent. They truly love performing and continue to elevate their game as time progresses. The good news is that they are smack in the middle of a fall tour, with two sold out shows this weekend at the Eastern in Atlanta, Ga. Hop on over to their tour page for more information. Also, check out cashortrade.org for face value tickets to sold out shows.

Rick Mitarotonda as Dr. Evil | Goose

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The crowd knew how special this show was | Palladium

Set One
Soul Bossa Nova1, Draggin’ The Line2, Earthling or Alien?3, My Generation4 > A Western Sun, I’m A Believer5 > Earthling Or Alien? > So Ready

Set Two
American Woman6, The Labyrinth > Magic Carpet Ride7, Into The Myst > Whip It8, Seekers On The Ridge pt. 29, Just The Two Of Us10, Hot Tea

Encore
All I Need11

Coach’s Notes
1. Quincy Jones, LTP 7.12.18
2. Tommy James, FTP
3. Peter asked the crowd if they were Earthling or Alien
4. The Who
5. The Monkees, FTP
6. The Guess Who, FTP, Peter started the song from off stage
7. Steppenwolf, FTP
8. DEVO, FTP
9. This was the first time Seekers On The Ridge has been split up.
10. Grover Washington Jr & Bill Withers, FTP, Rick did the Dr. Evil rap
11. Fast & original version of AIN, LTP 12.7.19 Boulder CO
Netflix & Chill Theme • Austin Powers 2 ‘The Spy Who Shagged Me’
Costumes: Rick – Dr. Evil; Peter – Austin Powers; Trevor – Mustafa; Ben – Mini-Me; Jeff – Scott; Jon L – Frau Farbissina; Naveed – Unibrow

Sun, 11/07/2021 - 9:25 am

Jazz, funk, soul and hip hop fusion specialists Lettuce delivered a high energy show of dancing fun last night at Brooklyn Steel in Brooklyn, NY. They are right in the middle of their "Bring Back the Love Tour 2021," and certainly finding their stride musically as they bring love to their fans through music.

Adam Deitch | Lettuce

This talented band contains many Berklee School of Music alum, and attracts a wide variety of concert goers who enjoy improvisation, from old dead heads to younger EDM fans. Their vibrant and original sound melds together modern and innovative techniques polished with classic grooves. The current line up includes Drummer Adam Deitch, guitarist Adam Smirnoff, bassist Erick "Jesus" Coomes, keyboardist and vocalist Nigel Hall, saxophonist Ryan Zoidis, and trumpet player Eric Bloom.

Adam Smirnoff | Brooklyn Steel

The evening began on a brisk evening, at the industrial themed venue, Brooklyn Steel, which is appropriately titled and located on the fringe of the industrial area in Williamsburg. The band emerged and seemed very excited be in New York City: Smirnoff donned NY Mets gear from head to toe and Deitch sported a Biggie E shirt. The first set included Smirnoff's wailing guitar layered with Hall's sophisticated yet soulful organ, and glued together with Deitch's incredibly spot on beats and Coomes' funk filled bass grooves. The horn section was no slouch either. Bloom and Zoidis were joined by an unnamed saxophonist on stage as well.

Crowd digging the jazzy vibes | Brooklyn, NY

After a short break, the band returned for the second set, which included two notable covers, the funky "Soul Power" by James Brown and soulful "I'm in Love With Mary Jane" by Rick James. The crowd was certainly digging the covers and feeling the jazzy funk vibes. The show wrapped up by the band taking a bow together, feeling the love from the crowd as they applauded these adept musicians.

Lettuce takes a bow | Brooklyn Steel

Lettuce is currently on tour across the country. The next shows on the agenda will be in Buffalo, NY on November 10th, followed by Mckees Rock, Pa on November 11th. Hop on over to their website for more details about these shows and the rest of the tour.

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Tue, 11/09/2021 - 6:01 pm

The Phryg album release party featuring We Thee Funk and Johnny Butler & Alex Oliva

 

Doors at 6pm, Show starts at 8pm

Tue, 11/09/2021 - 6:14 pm

The Phryg, a progressive funk band from Brooklyn, NY, will release a new album on Thursday, November 11th, titled Ways of Nowhere, at the Brooklyn Bowl in Brooklyn, NY. They will be supported by fellow New York City based funk ensemble, We Thee Funk, as well as Johnny Butler and Alex Oliva. Usher in your weekend by a level of funk with these talented bands. The doors open at 6pm and show time is 8pm. Tickets are available at this link.

Sun, 11/21/2021 - 1:55 pm

Boston based avant rock trio The Slip performed for the second night of a rare two night stand at the Brooklyn Bowl in Brooklyn, NY last Friday night. The show was part of the first formal tour by this band in over ten years. The band has evolved over the years from a high school jazz band into an edgy experimental rock and jazz fusion that tests the boundaries of jam bands with their art rock style and attention to song writing. They were supported by John Kimock and Friends.

Brad Barr | The Slip

The band consists of brothers Andrew (drums) and Brad (guitar) Barr, as well as Mike Friedman (bass). The squad formed in 1989 at the Tabor Academy in Marion, Mass as a student rock band that played at high schools. Band members came and went in the early days, with the current lineup inheriting the band around 1991. All three members attended the prestigious Berkelee School of Music for a short time, but dropped out to pursue The Slip full time.

John Kimock and Friends | Brooklyn Bowl

The evening kicked off with another jazz rock fusion band, John Kimock and Friends. Drummer Kimock was joined by bassist Karina Rykman and guitarist Dan Klug. The set consisted of many songs from Kimock's new album, Hikikomori.

Brooklyn Bowl | Brooklyn, NY

After a quick break, The Slip took the stage, and opened with "Aptos" > "Airplane/Primitive," the latter being from their album Eisenhower. "Wolof", from Live Is My Jumby, was up next and proceeded a brand new song that was noted as "New Brad" on the set list. The band decided to drop some tasty jam sandwiches up next, starting with "Hit Song" > "Driving Backwards With You," followed by more Eisenhower goodness with "Pandas in Space" > "The Soft Machine." They saved the best sandwich for last in this sequence with "The Shouters" > "Get With Me Fuiji" > "Moby Dick" > "Get With Me Fuji". They executed a sweet throwback to Led Zeppelin with "Moby Dick," and showed how impressively talented Andrew Barr is on the drums. This also included a bonus "Sweet Child of Mine" tease during the first rendition of "Fuji."

Brooklyn Bowl | Brooklyn, NY

The teases continued in "Through the Iron Gate", with the perennial jazz tune, "So What." Another Eisenhower tune graced the set list with the unfinished "Life in Disguise," which segued into "Jealous Guy." The set wrapped with another hot sequence of transitions, starting with "Autobody Experience." The band segued into a jazz fueled cover of The Band's classic tune, "The Weight," followed by "Dogs on Bikes" outro, which finished the set on a high note with the crowd on their feet. The band returned for one final tune from Eisenhower, "Children of December." Brad Barr was notably standing on his amp and feeling the vibes between him and his band mates, as well as the crowd.

The Slip | Brooklyn Bowl

After a decade long hiatus, The Slip proved that they've still got it. The Jam community can only hope that this tour was a taste of what is to come for this exciting and innovative band.

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Set

Aptos > Airplane/Primitive, Wolof, New Song1, Hit Song > Driving Backwards With You, Pandas In Space > The Soft Machine, The Shouters > Get With Me Fuji2 > Moby Dick3 > Get With Me Fuji, Through the Iron Gate4, Life in Disguise5 > Jealous Guy, Autobody Experience > The Weight6 > Dogs on Bikes7

Encore

Children of December

Notes

1. New song listed as "New Brad" on set list
2. Sweet Child of Mind tease
3. Cover by Led Zeppelin
4. So What tease
5. Unfinished
6. Cover by The Band
7. Outro

Mon, 12/06/2021 - 3:48 pm

Last Thursday marked the first show of the first Orebolo tour ever. Orebolo is an acoustic side project for three members of the upcoming and coming Connecticut based jam band, Goose. The concept came about during the covid-19 pandemic when Rick Mitarotonda (guitar), Peter Anspach (guitar, keyboards) and Jeff Arevalo (percussion) were stuck living together under one roof. They did what any talented quarentining musicians should do: live streams. This certainly helped build their following, and culminated with their biggest performance as the "aGOOSEtic Trio" at Goose's Fred Festival last summer. The historic Tarrytown Music Hall, in Tarrytown, NY hosted the band for their first show, which included new songs as well as surprising covers, and kicked off this exciting run.

Orebolo | Tarrytown Music Hall

Orebolo has a much more casual and laid back feel versus Goose, down to the blankets on the chairs. Living rooms lights were added to give the stage a homey feel. Both Mitarotonda and Anspach played acoustic guitars, while Arevalo played an upright bass.

Rick Mitarotonda | Orebolo

The first set began with relaxed vibe, as each band member strolled onto the stage with their respective instruments. Joan Baez's "Silver Dagger" started the festivities in the first set. Several Goose tunes followed, including "Elizabeth", "Indian River", "The Whales", and "Lead the Way." The band decided to alternate familiarity with the unknown for the rest of the set, and took a turn into reggae with Bob Marley & The Wailer's "Caution." The next tune was a brand new, first time played song called "Moonrise." The band then returned to jam band familiarity with the classic "US Blues," a cover by the Grateful Dead. The penultimate tune, "Dim Lights" was another tasty new song. The first set closed out with the normally raucous Goose dance party tune, "So Ready," albeit mellow and delightful.

Jeff Arevalo | Tarrytown, NY

After a quick break, the band returned to deliver more acoustic gems, starting with "Devil in Disguise" by Elvis. Two more Goose tunes made their way into the mix with "It Burns Within" and "Bob Don." A more traditional bluegrass rendition of "Rosalie McFall" by Charlie Monroe followed. A high energy, electric guitar based Goose song was up next in "Drive." The subtleties of "Drive" are certainly more apparent in this delicious, unelectrified version. "Arise" proceeded, and completed the new song trifecta for the evening. The set closed out with "Madhuvan," another Goose jam vehicle that has recently been featured as transition music on Fox Sports during NFL games. The band left the stage with the crowd on their feet and returned for a quick "Angel Band" traditional cover, as they were already out of time.

Orebolo | Tarrytown, NY

The chemistry between these three musicians is incredible. We can only hope that Orebolo makes another appearance on our future show calendars. In the meantime, hop on over to goose's website for more details on upcoming shows like Goosemas and the New Years Run in Chicago, IL.

Shasta | Orebolo

Check out more photos from the show!

Set One

Silver Dagger1, Elizabeth, Indian River, The Whales, Lead The Way, Caution2, Moonrise3, US Blues4, Dim Lights3, So Ready

Set Two

Devil In Disguise5, It Burns Within, Bob Don, Rosalie McFall6, Drive, Arise3, Madhuvan

Encore

Angel Band7

Coach’s Notes
1. Joan Baez
2. Bob Marley & The Wailers
3. Original, FTP
4. The Grateful Dead
5. Elvis
6. Charlie Monroe
7. Traditional
This was the first show of the first-ever Orebolo tour.

Sun, 12/12/2021 - 12:41 pm

Dopapod crushed the second night of their late fall two night run at the recently renovated Ardmore Music Hall in Ardmore, Pa with a signature blend of balance, symmetry and musical exploration. The band was in rare form, and treated the crowd to beloved originals, new covers, and teases from multiple genres. Solar Circuit was on hand for support.

Dopapod | Ardmore, PA

Ardmore Music Hall has been hosting concerts for over Forty years, and continues to keep the vibe fresh. The establishment has hosted the likes of Phish, Dave Matthews Band, and the Red Hot Chili Peppers, under the name 23 East Cabaret. This storied venue updated the interior during the covid-19 pandemic, which included an expansion of the second floor balcony, providing more seating and better views of the stage. The venue also notably reduced the size of the first floor bar, which created more space. Ardmore Music Hall should be on every jam band fan's list of venues to visit.

Solar Circuit | Admore Music Hall

Philly based jamtronica artist Solar Circuit started the festivities for the evening. Led by keyboardist Becca LeVan, this band had a very pleasing trance fusion sound that is reminiscent of Sound Tribe Sector 9. LeVan contributed her outstanding vocals for a spot on cover of "Hella Good" by No Doubt.

Drummer Neal "Fro" Evans | Dopapod

Dopapod's first set kicked off with "Trickery," and included some actual trickery as the music started before the band was on stage. Two fan favorites, "Plaese Haalp," from the album Megagem, and "Picture in Picture, " from Never Odd or Even, were up next. Guitarist Rob Compa took a moment to say hello to his niece Mae, who was dancing in the audience with her mom. The band delivered two tasty jam sandwiches, the first being "My Elephant vs Your Elephant" > "Hi Doggie." The set wrapped up with more of an open face sandwich, starting with set list staple "Trapper Keeper" > "Happy Colored Marbles," which was a first time played cover by Ween. Ween happened to be playing in Philadelphia at The Met on this same evening. After this heater, the band took a much deserved break.

Dopapod | Ardmore Music Hall

The band returned with "Happy Colored Marbles" on their mind, and started the second set by continuing this song. This eventually transitioned into "Onionhead" and back into "Trapper Keeper," closing the open face jam sandwich from the first set. "Sleeping Giants" preceded the jam sequence of the night, "Present Ghosts" > "Bats in the Cave" > "Off The Cuff" > "Psycho Nature." "Bats in the Cave" included a "Ruff Ryder's Anthem" tease and "Hottentot" jam. The "Ruff Ryder's Anthem" was part of the band's recent four night Woodstock Halloween cover theme, and fans were enamored to see this again. The set closed out with "Landmines," while fans were on their feet intensely shouting for "one more set."

Dave Peck aka MKDevo joins Dopapod | Ardmore Music Hall

The band was far from done, and headed back to the stage with videographer/youtuber Dave Peck, also known as MKDevo. Peck contributed his vocals and stage presence for the flawlessly executed Red Hot Chili Pepper's cover, "Around the World." While the band could have stopped here, bassist Chuck Jones grabbed the mic and decided to sing one final song called "23 Forever." This included a "Squadlive" tease from fellow Berklee School of Music alumni Lettuce, and segued into "Enter Sandman" jam. Both "Enter Sandman" and "Around the World" were from the aforementioned Woodstock Halloween themed run, and showed this talented band's true versatility. Fans can only hope more of these songs will transition into future set lists.

Ardmore Music Hall | Ardmore, PA

Dopapod is back in action tonight at the Broadberry in Richmond, Va. They have a few dates left on the ledger in the Southeast, before an exciting New Years run through Texas. Hop on over to their website for more details.

Bassist Chuck Jones | Dopapod

Check out more photos from the show!

Set One
Trickery, Plaese Haalp, Picture In Picture ¹, My Elephant vs. Your Elephant > Hi Doggie, Trapper Keeper -> Happy Colored Marbles ²

Set Two
Happy Colored Marbles > Onionhead ³ > Trapper Keeper, Sleeping Giant, Present Ghosts > Bats in the Cave ⁴ > Off The Cuff ³ > Psycho Nature, Landmines

Encore
Around The World ⁵, 23 Forever ⁶ > Enter Sandman jam > 23 Forever

Notes
1. Included "Hi, Mae!!" from crowd for Rob's niece in audience
2. First time played, Ween cover
3. Unfinished
4. Ruff Ryders' Anthem (DMX) tease and Hottentot (John Scofield) jam, unfinished
5. RHCP cover, with Dave Peck (MKDevo) on vocals
6. Squadlive (Lettuce) tease

 

Fri, 01/07/2022 - 5:15 am

Widespread Panic has postponed their Beacon Theatre run for the second time based on complications from COVID-19. The new dates are July 21-25, 2022, and were originally scheduled for January 13-17, 2022. Tickets for the rescheduled dates are available here.

The band shared the following message via their website:

The Widespread Panic concerts scheduled for January 13-17, 2022 at the Beacon Theatre in New York City have been rescheduled for July 21-25, 2022.

The Band has had to make a number of tough calls and last-minute rescheduling decisions over the past seventeen months. With our heartfelt apologies, this is one of them.

We are grateful to everyone for their understanding.

Tickets purchased for January 13 will be honored on July 21. Tickets purchased for January 14 will be honored on July 22. Tickets purchased for January 15 will be honored on July 23. Tickets purchased for January 16 will be honored on July 24. Tickets purchased for January 17 will be honored on July 25.

Sat, 01/08/2022 - 5:38 pm

The Baltimore based jam quartet Pigeons Playing Ping Pong moved their upcoming shows on January 14-15 at Philadelphia's Fillmore Philly to the Brooklyn Bowl Philly. Thankfully the venues are next door to each other, thus any fans who don't get word of the shift won't have to travel far. The band is kicking off their Winter 2022 tour at the Philadelphia shows, and ready to deliver their signature blend of psychedelic funk.

Pigeons Playing Ping Pong at the Brooklyn Bowl Philly

On Friday, January 14th, the jazz, funk and soul infused quintet Yam Yam will open for the flock. Dogs in a Pile, the up and coming jam band from Asbury Park, NJ, will support Pigeons on Saturday, January 15th. They are filling in for ElephantProof, who had to cancel their winter tour based on complications from the ongoing COVID-19 pandemic. Tickets for both nights are available via Pigeon's Playing Ping Pong's website.

Sun, 01/09/2022 - 10:32 am

The Park City Music Hall in Bridgeport, CT is a newly revitalized music venue teeming with emerging artists in the jam scene as well as other genres. It also provided the perfect location for assembling an all star squad of jam band and jazz musicians. Last Friday, Eric DiBerardino from Tea Leaf Green decided to do just that, and invited more than a bakers dozen of his talented musician friends from bands like Deep Banana Blackout and Kung Fu in honor of his birthday. This group played covers across many genres, including funk, jazz, rock and pop. Musicians popped in and out of the line up, keeping the crowd on their toes.

Eric Diberardino | Park City Music Hall

Opened in 1999 as the Acoustic Cafe, this venue is known for starting the music scene in Bridgeport, CT. After many recent renovations, including a 500 foot expansion, the venue is now updated with modern decor, state of the art sound and lighting systems, and a tasty menu that appeals to fans with sophisticated palates. Park City Music Hall is poised to become a hot spot for up and coming bands throughout the Northeast.

Park City All Stars | Bridgeport, CT

The evening began with DiBerardino on bass, Rory Dolan on drums (Lespecial), Fuzz Sangiovanni on guitar (Deep Banana Blackout), Eric Finland on keys (Eric Krasno's E3 Organ Trio), Rob Somerville on saxophone (Kung Fu), Michael Knobloch on percussion (Phat Astronaut), and Darian Cunning on guitar. The set appropriately kicked off with Michael Jackson's "The Way You Make Me Feel." The saxophone really elevated this jazzy take on the classic pop tune. DiBerardino stepped up to the mic for the next tune and lent his deep vocals for "Will It Go 'Round In Circles" by Billy Preston. Later on in the set, Kiran Edwards (KRIS) joined the party on guitar, notably during the funky "Expressway To Your Heart" by Steven Michael Bogarat. The set closed out with Peter Gabriel's "Sledgehammer."

Fuzz Sangiovanni, John Torres and Matt McNulty | Park City All Stars

After a quick break, the band returned for a hot cover of the Talking Head's "Life During Wartime" with a lively performance by vocalist John Torres (Color Fields), and Matt McNulty (TalkPeck Soundsystem) on guitar and vocals. McNulty's incredible high speed guitar skills launched a raucous dance party. The bad's fluid energy and cohesiveness continued into "Dance Hall Days" by Wang Chung, as nearly everyone in the venue was moving and grooving with delight. The funk continued as Sangiovanni contributed his stellar vocals for the delicious version "Boogie on Reggae Woman" by Stevie Wonder. DiBerardino was certainly the star of this tune as he laid down a thumping bass line that melded the other instruments together. The set ended on a high note with the classic Bill Wither's tune "Lovely Day." Drew Angus contributed his impressive vocals while Luke Bemand (Lespecial) slayed the bass. The crowd was engaged and and thirsty for more as the musicians left the stage. They quickly returned to play Nirvana's "In Bloom," which was a sharp pivot into grunge rock, exemplifying how truly talented this group was.

Park City Music Hall | Bridgeport, CT

After the show ended, Connecticut DJ Doey Joey took the stage and kept the crowd dancing. Known for his late night Goose after parties, Doey brought the same vibe to this collective gig.

DJ Doey Joey | Park City Music Hall

Overall, this evening of tasty music, great food and an outstanding crowd really hit the spot. Not only are all of these emerging artists highly recommended to catch when they are in your neck of the woods, but this venue is a true gem for the live music scene.

Happy Birthday, Eric! | Bridgeport, CT

Check out more photos from the show!

Set One
The Way You Make Me Feel, Will It Go 'Round In Circles, The Bump, Sister Sanctified, Little Sunflower, Expressway To Your Heart, Hey Pocky Way, Dracula,
Sledgehammer

Set Two
Life During Wartime, Dance Hall Days, Love The One You're With, Boogie On Reggae Woman, Let The Music Take Your Mind, Surfin', Sir Duke, Jeep on 35, Kissing My Love, Lovely Day

Encore
In Bloom

Tue, 01/11/2022 - 5:14 am

The palindrome inclined jam band Dopapod is making no haste in 2022, and about to kick off a stacked winter tour. They will hit the road with support from Eggy for most of the run.

Dopapod | Ardmore Hall

The tour starts in Baltimore, MD on Jan 20th, followed by stops in Cleveland, OH (Jan 21), Covington, KY (Jan 22), Bloomington, ID (Jan 23). Proceeding this leg are dates in the Mid-Atlantic/South, starting with Knoxville, TN (Jan 26), Raleigh, NC (Jan 27), Charlottesville, VA (Jan 28), Millvale, PA (Jan 29), and Winchester, PA (Jan 30). The band will then traverse the North and Northeast, beginning with Ann Arbor, MI (Feb 1), Rochester, NY (Feb 3), Stroudsberg, PA (Feb 4), South Burlington, VT (Feb 5), and Providence, RI (Feb 6). This marks the final date that Eggy will open for Dopapod this winter.

Eggy | Brooklyn Bowl

The winter tour will close out in Colorado, starting with Boulder, CO (March 2), Ft. Collins, CO (March 3), Frisco, CO (March 4), and Steamboat Springs, CO (March 5). Tickets for this run are available via Dopapod's tour page.

Dopapod Winter 2022 Tour Dates

Thu, 01/13/2022 - 4:21 am

AEG Presents has officially announced the Umphrey's Mcgee Peak Summer Colorado Run, which will include stops at Dillion Amphitheater, Red Rocks Amphitheater, and Gerald R. Ford Amphitheater.

Ryan Stassik | Umphrey's McGee

The run will begin on Thursday, June 16, 2022 in Dillon, Colorado at the Dillion Ampitheatre. On June 17-18, Umphrey's will ascend into the legendary Red Rocks Amphiteatre in Morrison, Colorado. They are joined by Lespecial on June 17th and Andy Frasco & The UN on June 18th. The run will close out at Gerald R. Ford Amphiteatre in Vail, Colorado on June 19, 2022.

Andy Frasco & The UN | Brooklyn Bowl

Ticket sales begin at 10am MST on January 14, 2022. A limited number of VIP packages are available starting January 13, 2022 at 10am MST. All ages are welcome at all shows in the Peak Summer Colorado Run.

 

Fri, 01/14/2022 - 4:57 pm

The inaugural Hog Farm Hideaway Festival will take place June 10-12, 2022 at Black Oak Ranch in Laytonville, Ca. The String Cheese Incident will perform every night of the festival. Other bands on the line up include Pigeons Playing Ping Pong, The Infamous Stringdusters, Ghost Light, Keller Williams, Kyle Hollingsworth Band, and more. See the official list of artists for the rest of the bands on the ledger. More will be added soon.

Hog Farm Hideaway Lineup

The Hog Farm has a long history of producing iconic music events, including the original Woodstock festival in 1969. The festivities will include three stages of music, interactive art installations, an eclectic assortment of artisans, food vendors, adult libations, a cannabis club, kids-zone, activist area, healing sanctuary, and more.

String Cheese Incident | Photo by Jamie Huenefeld/Killahwave

Tickets are available via this link.

Mon, 01/17/2022 - 12:37 pm

The Baltimore based jam quartet Pigeons Playing Ping Pong closed out the second date of a two night stand at the Brooklyn Bowl Philadelphia in Philadelphia, Pa on Saturday night with their signature blend of psychedelic funk and an unparalleled energetic vibrancy. Despite a venue change and an opening band cancellation, they soldiered on and delivered a tasty show that included a combination of new and old songs, as well as a bust out. Dogs in a Pile, the rising jam rock outfit from Asbury Park, NJ, was on hand lending their support.

Guitarist Greg Ormont and Bassist Ben Carrey | Pigeons Playing Ping Pong

Originally scheduled to play the Fillmore Philly, Pigeons moved their tour opening two night stand to the smaller Brooklyn Bowl Philadelphia after Omicron, the latest COVID-19 variant, grabbed hold of the Northeast. Additionally, ElephantProof, Saturday night's opening band, had to cancel the week prior based on complications from COVID-19. The band's resiliency emerged, as they tapped Dogs in a Pile to take ElephantProof's place and sold out the Brooklyn Bowl Philly.

Guitarist Jimmy Law | Dogs in a Pile

Dogs in a Pile kicked off the festivities for the evening, and delivered a stellar set of psychedelia, jazz, funk and rock and roll. This talented young group of musicians plays mostly originals, but dropped a few delicious covers, including Stevie Wonder's "Boogie on Reggae Woman" and The Champs' "Tequila." They are a true gem in the jam rock scene, and about to embark on their first national tour with dates along the East coast starting next week.

Guitarist Jeremy Schon | Pigeons Playing Ping Pong

Shortly afterwards, Pigeons took the stage, along with their warmth and smiles. The show began with "Fox and Toad," from the album Pizazz. This band is known for creative segues, and made no haste by diving into "Time To Ride" > "Penguins" > "Funkijam" > "Totally, Move Like That." The most notable mention of these older songs is the rare "Totally," which is only played once or a twice a year. Next up was yet another funky song sequence, starting with new 2020 tune "Move Like That." This transitioned into "Weightless," and eventually the classic "Fun in Funk," which caused the dance party to erupt. This skilled band was not finished, and shifted once again into Pink Floyd's "Young Lust," before returning to "Fun in Funk." The Pink Floyd cover debuted during their recent 2021 Halloween run, and fans are elated to see this song jump into the line up. The set closed out with a sit in by Philadelphia based musician Rob Marscher, who is in Star Kitchen. After a quick pause to set up Marscher's synthesizer, the group launched into "Snake Eyes," from the album Presto, before stepping off stage.

Rob Marscher from Star Kitchen sits in | Brooklyn Bowl Philly

After a quick break, the band returned and left nothing on the table. They began with another new song, "Skinner," that debuted at last year's Peach Festival. "Walk Outside," from their 2016 release Pleasure, followed, along with new track "My Own Way. "Kiwi," another Pleasure tune, was up next and sparked a raucous jam that inspired the band to finish "Time to Ride" from set one. The crowd was on their feet and showing genuine appreciation for this impressive display of musicianship. "Undivided," a new tune that debuted in 2020, proceeded. This transitioned into the funk fueled instrumental "Schwanthem," sending the dance party into high gear. The band was not done yet, and seamlessly moved into a blazing version of Haddaway's "What is Love," before returning to "Schwanthem" to close out set two. A fiery crowd yelling for more could be heard throughout the venue. The band returned to play "High as Five," and concluded this memorable run in the City of Brotherly Love.

Pigeons Playing Ping Pong | Brooklyn Bowl Philly

This show was certainly a scorcher, but the good news is that Pigeons Playing Ping Pong is just getting warmed up on their Winter 2022 tour. Hop on over to their tour page for more details about shows in your region.

Fans loving the show | Pigeons Playing Ping Pong

Check out more photos from the show!

Drummer Alex Petropulos | Pigeons Playing Ping Pong

Set One
Fox And Toad, Time To Ride1 > Penguins > Funkijam > Totally, Move Like That > Weightless > Fun In Funk > Young Lust2> Fun In Funk, Snake Eyes3

Set Two
Skinner, Walk Outside, My Own Way, Kiwi1 > Time To Ride, Undivided > Schwanthem > What Is Love4 > Schwanthem

Encore
High As Five

Notes
1. Unfinished
2. Pink Floyd
3. Rob Marscher (Star Kitchen) on keys
4. Haddaway

Sun, 01/30/2022 - 1:50 pm

The rising, self declared indie groove jam band Goose delivered a stellar performance on Saturday night's sold out show at San Francisco's iconic Regency Ballroom, and the first of a two night stand in the Bay Area. Prior to the 2022 Winter Tour, the band last played in California in February of 2020, just prior to the shutdown for the covid-19 pandemic, ironically at the Regency Ballroom. This night marked an exciting homecoming for the band and fans. Many in attendance were at their first Goose show, and the band did not disappoint with tasty covers and a new song that is also a rare bust out.

Guitarist Rick Mitarotonda strolls past the Regency Ballroom | San Francisco, CA

The Regency Building was built in 1909, and is considered an example of Scottish Rite Architecture. It features neoclassic and beaux art styles, including 22 antique teardrop chandeliers that are wired into the house lighting system. The Ballroom is a perfect example of modernized classic architecture, and a must visit location for any music fan.

Multi-instrumentalist Peter Anspach | Goose

The festivities for the evening kicked off with the high energy tune "Doc Brown," which was originally written for multi-instrumentalist Peter Anspach's other band, Great Blue. Next up was the Vasudo tune "Rockdale," which recently debuted in the Goose repertoire at their 2021 Halloween performance in Worcester, Mass. "Yeti," another Great Blue tune, followed with a disco jam into the Beatles' "Tomorrow Never Knows." The band made their way back into Yeti, completing a stellar transition. The first set closed out on a high note with two recent debuts from New York City's Terminal 5 on October 9th, 2021, "This Old Man's Boat" > "Dragonfly."

Lights by Andrew Goedde | Regency Ballroom

After a quick break, the band returned to debut a new song that was also last played on April 18th, 2015, prior to Anspach joining the band, called "Red Bird." The seventeen minute jam was a delicious treat for both the old and new fans in the crowd. Walter Murphy's "A Fifth of Beethoven" followed with a dance hall feel. Vasudo's "Echo of a Rose" proceeded, albeit more up beat than usual. This was dubbed the "Fast Feel" version, per the show notes by road manager Jon "Coach" Lombardi. "This Old Sea," an older tune that has seen more play recently, was next and included a tremendous build up. This flaming hot set closed out with a funk filled, twenty minute "Empress of Organos." "Organos" included several notable teases, including "Jive 1" and "Don't Do It." As the band walked off stage, the crowd was on their feet, thirsty for more, and emphatically yelling for more Goose. The band obliged, and delivered the final tune for the evening: the reggae inspired "Doobie Song."

Guitarist Rick Mitarotonda | Goose

Goose has yet again delivered a heater, this time for the deserving fans in the Golden City. They seem to find a way to raise the bar with every show, and attract friendly crowds that elevate the experience, no matter what state they play in. Thankfully, they are on the road this winter across the USA, and show no signs of slowing down. Hop on over to their tour page for more details on shows in your region.

Fans loving the show | Regency Ballroom

Check out more photos from the show!

Percusionist Jeff Arevalo | Goose

Set One
Doc Brown, Rockdale, Yeti > Tomorrow Never Knows1 > Yeti, The Old Man’s Boat > Dragonfly

Set Two
Red Bird2, A Fifth Of Beethoven3, Echo Of A Rose4, This Old Sea, Empress Of Organos5

Encore
Doobie Song

Notes
1. The Beatles
2. Original, FTP
3. Walter Murphy
4. Fast feel version
5. Jive I tease, Don’t Do It Tease

Bassist Trevor Weekz | Goose

Mon, 01/31/2022 - 6:17 pm

The jam rock quintet Goose has been selling out shows and headlining venues where they previously served as the opening band because they deliver epic shows night after night, engage with fans via social media, and find new ways to exercise their creativity. This Connecticut based squad continues to rise up and come together, while attracting a kind and friendly fan base to join them on the ride. Sunday night's show in San Francisco was no exception, as the time-honored jam band proverb rang true once again: "never miss a Sunday show." The band seamlessly closed out their two-night stand at the architecturally delightful Regency Ballroom with vigor. The show contained the essential aspects of an outstanding show, including heavy hitters, rare tunes, covers and a new song debut.

Bassist Trevor Weekz | Goose

The evening began by standing in a long line waiting to enter the venue, much like any night prior to a Goose performance. This could easily be viewed as negative, but rather is an incredible opportunity to get to know fellow honkers in person. The line was not only filled with local Californians, but also individuals who traveled from Ohio, New York, Colorado, Oregon, Virginia and Connecticut, just to name a few. Almost everyone was friendly and very willing to interact with new faces, which is one of the special aspects of this growing community.

Multi-Instrumentalist Peter Anspach | Goose

After the quality time spent on line and inside this elegant venue, the music finally kicked off with "Labyrinth," from the 2021 release, Shenanigans Nite Club. The band wasted no time, and transitioned this sweet jam they developed from "Labyrinth" into Father John Misty's "Writing a Novel." Two heavy hitters that originated from Goose's predecessor Vasudo followed, starting with "Tumble." Tonight's version had a slower cadence which created an overall softer take on this normally high energy albeit uplifting song. "Wysteria Lane" proceeded with a tasty disco funk jam. Upon the conclusion of "Wysteria", guitarist Peter Anspach announced that lighting director Andrew Goedde would join the band for the next song. The band immediately dove into Paul Simon's "Me and Julio Down by the School Yard," which turned into a giant sing along for the crowd. Goedde appeared on stage towards the end of the first riff with his arms in the air, and contributed his whistling skills to this classic tune. This rocking first set closed out with another Shenanigans tune, "So Ready." The already raucous dance party shifted into high gear, as Goedde's intense lighting display perfectly complimented the jam.

Andrew Goedde contributes his whistling skills | San Francisco, CA

After a quick break, the band returned with a new tune to Goose fans, penned by guitarist Rick Mitarotonda, called "Arise." This slower song was originally released ten years ago by a Mitarotonda side project called St. John's Revival on an album called The Heron. The Goose side project Orebolo debuted "Arise" during their recent December 2021 tour as well. "Elizabeth" was up next, and elevated the energy once again. Recent versions of "Elizabeth" have included a delicious jam, and this version was no exception. It was also a precursor for the synth heavy "Into the Myst." This version clocked in at thirteen minutes, before seguing into the Clash's "Rock the Casbah." Almost everyone in the venue was grooving to this well known cover. This explosive set was book ended with set list rarity and St. John's Revival tune, "Elmeg the Wise," last played at the 2021 Fred Festival in Arrington, Va. The deep jam in "Elmeg" was over twenty minutes long, and certainly brought smiles to many of the long time Goose fans in the crowd. The band then stepped off stage, with the crowd on the their feet and thirsty for more. After a few minutes, they returned to play the fan favorite, "Hot Tea," which was a fitting conclusion for this smoking hot run in the Bay Area.

Never miss a Sunday show | Regency Ballroom

Yet again, Goose found new ways to engage their creativity and keep the audience on their toes. This show was the perfect end for the 2022 Winter Tour's first weekend, and truly exemplified the "never miss a Sunday show" adage. Thankfully, they are just getting started on their Winter Tour, and head to Oregon for shows in Bend and Portland next week. Visit their tour page for more details on these shows, as well as the rest of the tour.

Fans loving the show | Regency Ballroom

Check out more photos from the show!

Guitarist Rick Mitarotonda is feeling it | Goose

 

Set One
Labyrinth > Writing A Novel1, Tumblé, Wysteria Lane, Me & Julio Down By The School Yard2, So Ready

Set Two
Arise3, Elizabeth , Into The Myst > Rock The Casbah4, Elmeg The Wise

Encore
Hot Tea

Notes
1. Father John Misty
2. Paul Simon, with Andrew Goedde on whistle
3. Rick Original, FTP w/ Göose
4. The Clash

Lights by Andrew Goedde | San Francisco, CA

Tue, 02/08/2022 - 3:22 pm

Melvin Seals and JGB brought their classic Jerry Garcia Band tunes to the sold out Sweetwater Music Hall in Mill Valley, CA last Saturday night. Both Seals and the original Sweetwater venue have long time ties to Jerry Garcia, making this performance extra sweet for the band and fans alike.

Melvin Seals and JGB | Mill Valley, CA

The current rendition of the Sweetwater Music Hall was opened in 2012, and the ownership includes the likes of Grateful Dead guitarist Bob Weir. The venue has a storied history in Marin County, and was originally named Sweetwater Saloon. A popular hang out for musicians, this well known bar hosted the likes of Jerry Garcia, Carlos Santana and Elvis Costello. The venue closed in 2007, and re-opened down the street in Mill Valley’s Masonic Temple with new management in 2012, as part of an effort to revitalize the Marin County music scene. The new configuration includes an adjoined restaurant that is currently serving cajun inspired dishes.

Guitarist John Kadlecik | Sweetwater Music Hall

The evening began with a packed house of friendly locals and residents from the greater San Francisco Bay Area, eager to hear their favorite Jerry Garcia Band tunes. They were not disappointed when an all smiles Seals emerged with his band, and delivered the classic “The Harder They Come,” originally by Jimmy Cliff. The energy slowed down for the next tune, “He Ain’t Give You None,” which also happens to be a cover by Van Morrison. Norton Buffalo’s “Ain’t No Bread in the Breadbox” as well as “Lonely Avenue” followed.

Sweetwater Music Hall | Mill Valley, Ca

The feel good “Tore Up Over You,” originally by Hank Ballard and the Midnighters, brought smiles to many faces, and was proceeded by Peter Tosh’s “Stop That Train.” The energy kicked back up with “That’s Alright Mama.” The jam of the night was up next, starting with Jesse Stone’s “Don’t Let Go.” This transitioned into a tasty drum fueled segment titled “Drum World,” and subsequently “Goin Down The Road Feelin Bad.” The latter is a traditional song that was often played by the Grateful Dead.

Bassist John Paul McLean | Melvin Seals and JGB

The Meter’s classic “Hey Pockey Way” popped into the set, and had a nice, funky feel. Charles Johnson’s “Sisters & Brothers” got the crowd moving. The show closed out on a high note with “Ruben & Cherise.”

Drummer Jeremy Hoenig | Melvin Seals and JGB

Melvin Seals and JGB put on a great show at the storied Sweetwater Music Hall, and is not to be missed. Hop on over to their tour page for more dates in your region.

Sweetwater Music Hall | Mill Valley, Ca

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Setlist
The Harder They Come, He Ain’t Give You None, Ain’t No Bread in the Breadbox, Lonely Avenue, Tore Up, Stop That Train, That’s Alright Mama, Don’t Let Go > Drum World > Goin Down The Road Feelin Bad, Hey Pockey Way, Sisters & Brothers, Ruben & Cherise

Sun, 02/13/2022 - 4:28 pm

The Floozies brought the funk back to the Brooklyn Bowl in Brooklyn, NY last Friday night. The house was packed with fans thirsty for their eclectic blend of electronica, hip hop, dub step, disco and of course, funk. Phyphr and Daily Bread were on hand to support and round out the high energy dance party.

Producer Nick Locke | Phyphr

Phyphr, from Denver, Co, kicked off the festivities with his self described electro soul music and contagious smile. Also known as Nick Locke, this producer mixes live guitar with electronic beats and samples, to create an upbeat blend of funk, soul and blues. A noticeably thick crowd was present at 8pm, as EDM artists generally take the stage later into the morning hours, which shows that this musician is certainly turning heads with his creative sounds. He sampled many songs, but two really stood out. The Beatles’ “Come Together” certainly brought the crowd back to the 60’s. Also, “Hot Like Sauce” by electronica heavy weight Pretty Lights elevated the dance party, and added a taste of hip hop to the already vibrant mix.

Producer Rhett Whatley | Daily Bread

Daily Bread followed and kept the party the rolling with a tight electronica set full of hip hop and disco funk, as well as elements of jazz. Currently residing in Atlanta, Ga, producer Rhett Whatley delivered tasty beats for an almost full house that included fans wearing bread slice head gear. His hip hop heavy set had a surprisingly organic feel, and even included a nice throw back to his Southern roots. Towards the end of the show, he mentioned that he was told to “bring some twang,” and dove into a tune that sampled Alan Jackson’s “Chattahoochee.”

Producer/Guitarist Mark Hill | Brooklyn Bowl

After a short break, the electronic duo The Floozies took the stage, and did not stop until their set ended. The Kansas City based squad consists of producer/guitarist Matt Hill and drummer Mark Hill. The show was so hot, that they both performed in shorts, which is a first for events at the Brooklyn Bowl in February. The brothers seamlessly wove pocket grooves with live instrumentation and modern electro-funk. Matt toggled between guitar and laptop, all in lockstep with Mark’s rock solid drumming. The organic sonic exploration combined with a stellar light show hit a high note with the Brooklyn based crowd, especially after the recent COVID-19 omicron wave halted some live events of late. They even mixed in a clever sample with Queen’s “Fat Bottomed Girls,” and had the entire room singing along.

Fans loving the show | Brooklyn, NY

Overall, this evening of futuristic funk and party rocking dance music was just what the doctor ordered. All three bands brought bold yet organic takes on the emerging EDM genre, and certainly created many new fans in the process. The good news is that these artists are on the road, and actively scheduling new dates into the summer. Visit the Floozies’ tour page, as well as Phyphr and Daily Bread, for more details on upcoming shows in your region.

Drummer Matt Hill | The Floozies

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The incredible light show | Brooklyn Bowl

Wed, 02/23/2022 - 6:55 am

Papadosio, the Jamtronica squad originally from Athens, Ohio, delivered a scorcher last Saturday for a full house at the Brooklyn Bowl in Brooklyn, NY. Their music incorporated a high energy blend of psychedelic rock, jazz, funk and electronica. Five LED display panels sat behind the band members and were synchronized with the lights to elevate the visual elements of the show. Cloudchord and Teddy Midnight were on hand to lend their support.

Guitarist Anthony Thogmartin | Papadosio

Teddy Midnight kicked off the festivities with a mysterious DJ set that included no band members on stage. The electronic set included a mix of house, techno, breakbeat and drum and bass, while the Brooklyn Bowl’s signature disco ball stayed illuminated with lights. The crowd certainly enjoyed this tasty, albeit band-less, set.

Producer Derek VanScoten takes a photo with the audience | Brooklyn Bowl

Cloudchord followed with a vibrant set of psychedelic chill hop beats. Producer Derek VanScoten artfully mixed electronic beats with guitar, creating an organic take on atmospheric dance music. This Emmy-winning band wrapped the audience in grooves that elevated the dance party.

No shortage of visuals at Papadosio | Brooklyn, NY

Papadosio finally emerged from the staircase leading to the green room, and received a boisterous welcome from the crowd. The band mentioned that they were excited to be here, and recalled the strange circumstances that were in play during last visit to the Brooklyn Bowl on March 11, 2020. The covid-19 pandemic was starting to heat up in New York City, and this was the last show at the Brooklyn Bowl before closing down to prevent the spread of covid-19.

Bassist Rob McConnell and Keyboardist Sam Brouse | Papadosio

The melodic “Paradigm Shift” started the set off, and transitioned into “Shiitake” from their recent album, Microdosio. The latter included a sweet build up and had the crowd in a full on dance mode. “The Plug,” with a psychedelic groove, was up next, and the LED panels were filled with soothing visuals from plants and mushrooms digitally transforming as the music progressed. “Reishi,” another synth heavy track from Microdosio, was up next.

Drummer Mike Healy | Papadosio

A pair of tunes from the 2016 album Pattern Integrities followed, starting with “Vactrollio”, and then “Euclidian Lights.” Both continued to delight the crowd with a beat heavy, space rock sound led by drummer Mike Healy. “New Love” kept the energy up, and included a tight segue back into “Paradigm.” The set closed out with “Unparalyzer,” which was from their 2019 release Live Selections, and had the crowd dancing under the stellar light display. The band briefly stepped off stage, and returned to a crowd that was on their feet and thirsty for another tune. The band obliged with another Pattern Integrities' tune, “Threes.”

Smiles all around | Brooklyn Bowl

The band was all smiles at this point, having knocked their set out of the park for the Brooklyn crowd. Thankfully, Papadosio is on the road this winter with many more beats to play. Hop on over to their tour page for more details.

Fans loving the show | Papadosio

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Setlist
Paradigm Shift > Shiitake, The Plug, Reishi, Vactrollio, Euclidian Lights, New Love > Paradigm, Unparalyzer

Encore
Threes XL

Papadosio | Brooklyn Bowl

Mon, 02/28/2022 - 4:38 pm

The rescheduled eighth annual Goosemas went off without a hitch last Saturday night and included many surprises, most notably the engagement of a band member during the second set. Hosted at the Mohegan Sun Arena in Uncasville, CT by the rising jam band Goose, this year's event sold out to a significantly larger crowd than the last in person Goosemas. The show delivered it all: three sets of classics, brand new tunes from their soon to be released album Dripfield, and a traditional cover that was popularized by a legendary social rights activist.

Goose sold out Mohegan Sun Arena | Uncasville, CT

The growth seen by this band in the past two years has been nothing short of remarkable, and Goosemas was no exception. Typically, the holiday themed Goosemas is held in December just prior to the Christmas holiday. This year, the event was postponed to February based on complications from the on going COVID-19 pandemic. The last in person event was held at the Norwalk Theater for a 1000 person capacity crowd in December 2019. This year, the band sold out the Mohegan Sun Arena with a 10,000 person capacity. They also offered a free stream on Twitch, which enhanced their reach remarkably.

Multi-instrumentalist Peter Anspach on his grand piano during Yeti | Goose

The festivities began with Vince Guaraldi's "Linus and Lucy," which has become a time honored tradition for annual Christmas event. This song took many attendees back to their childhood, and brought smiles to many faces. Heavy hitter "Yeti" was up next, and included an always invigorating guitar exchange between guitarist Rick Mitarotonda and multi-instrumentalist Peter Anspach, who jumped on top of his grand piano for a raging guitar solo. "Atlas Dogs" brought the energy down momentarily, followed by a vibrant build up into "Echo of a Rose." The dance party kept flowing with a raucous twelve minute "So Ready," followed by a set closing "Silver Rising."

Guitarist Rick Mitarotonda | Goose

The band returned for round two, and kicked off the set with a flaming hot "Rockdale," which is originally from Goose predecessor Vasudo. A tasty jam sequence proceeded with "Red Bird" > "Rosewood Heart" > "Sinnerman." "Red Bird" is an older tune from Mitarotonda that was recently revived at their San Francisco run in January 2022. This song seamlessly transitioned into the mellow "Rosewood Heart," which included an intense build up into "Sinnerman," a traditional tune popularized by social rights activist and vocalist Nina Simone. This song has never been played live by Goose, but was released by the band as part of the Secretly Canadian's Giving Tuesday Initiative in 2021. It was certainly a captivating treat to hear live. This powerful set closed out with another Vasudo tune, "The Empress of Organos," as the crowd bathed in rapture with the overwhelmingly positive vibe.

Drummer Ben Atkind proposes to Samantha | Goosemas

The set was not over quite yet, though. Drummer Ben Atkind called his longtime girlfriend Samantha on stage, got down on one knee and proposed to her. She gracefully obliged while the audience blissfully cheered for the happy couple.

Lighting director Andrew Goedde puts on another clinic | Mohegan Sun Arena

Goose returned for their final set, and teleported the crowd to another universe with "Borne," a new single from their not yet released album Dripfield. The Dripfield delights continued as the band masterfully transitioned into "Hungersite," marking the first time that this tune was played live. The exquisite lights by lighting director Andrew Goedde combined with the album aura summoned the crowd into a state of ecstasy. The set wrapped up with a smoking hot, first time played version of the new album's namesake, "Dripfield." This fifteen minute, face melting heater was elevated by percussionist Jeff Arevalo's layers. The band stepped off stage for a brief moment before returning for an encore to a fired up room. They treated the audience to one final surprise: the set list elusive and crowd favorite, "Arcadia."

Percussionist Jeff Arevalo | Goose

This band has been on an exciting ride since the last in person Goosemas in 2019. Delivering exhilarating and unpredictable shows is their mantra, and last Saturday was no exception. Their expertise at making lemonade out of lemons continues to pay dividends, including a December holiday themed show that was rescheduled in February. The future is very bright for this quintet, and includes a mostly sold out winter tour second leg as well as an exciting slate of summer shows. Head on over to their tour page for more details.

Soaking up the blissful vibes | Goosemas

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Fans can't get enough of this hot band | Goose

Set One
Linus and Lucy1, Yeti, Atlas Dogs > Echo of a Rose, So Ready, Silver Rising

Set Two
Rockdale, Red Bird > Rosewood Heart > Sinnerman2, The Empress of Organos3

Set Three
Borne > Hungersite4 > Dripfield4

Encore
Arcadia

Notes
1. Vince Guaraldi
2. Nina Simone, FTP
3. Ben proposes to Samantha
4. FTP

We wish you a Merry Goosemas | Mohegan Sun Arena

Bassist Trevor Weekz | Goose

Sat, 03/12/2022 - 2:27 pm

Goose, the self described indie jam band, descended into Philadelphia, PA and delivered a smoking hot first night of a two night stand at the Fillmore Philly. Last night’s show was their first ever performance in the City of Brotherly Love, and for an extremely packed, sold out crowd. Goose’s epic rise in popularity continued last night, as many in the crowd were at their first ever show. They dished out two sets full of classic originals, new tunes and spicy covers.

Guitarist Rick MItarotonda | Goose

The evening began with a guitar duel between guitarist Rick Mitarotonda and multi-instrumentalist Peter Anspach during the 22 minute, high energy, albeit unfinished opener, “Drive.” The funky “Earthling or Alien?” was up next, and delightfully transitioned into “Indian River,” from their 2016 release Moon Cabin. The space rock, groove based “Time to Flee” followed, and segued into “Jive I.” The set closed out with “Sinnerman,” a cover popularized by legendary social rights activist and singer Nina Simone. This is the second time that this cover made it into the setlist, with the debut at Goosemas in Uncasville, CT.

Fillmore Philly | Philadelphia, PA

The band returned after a quick break to play “Pancakes,” which is a newly adopted tune rooted in improv rock from Anspach’s side project, Great Blue. After a scorching twenty minute jam, the band dropped into the synth heavy, dance party enducing, “Slow Ready." This flowed into the bass driven “Moby,” from the 2021 Ted Tapes release, lead by bassist Trevor Weekz.

Multi-instrumentalist Peter Anspach | Goose

The clavinet fueled “Ghostbusters Rap” by Run DMC jumped into the setlist, and included stellar light accompaniment by Lighting Director Andrew Goedde. Following this funk meets rap breakdown was “Arise”, a tune by Mitarotonda that was recently debuted in San Francisco last January. This tasty second set closed out with a dark and dirty “Hot Tea.”

Fans catching air | Goose

The band stepped off stage briefly, and returned to roaring applause for an encore. They appreciatively obliged and rewarded the crowd with the dance friendly original “Creatures” > “Shama Lama Ding Dong” by Otis Day and the Knights.

Bassist Trevor Weekz | Goose

Goose dispatched another face melting show for the great people of Philadelphia. They continue to raise the bar with each show, and last night was no exception. They are back at the Fillmore tonight for round two. Visit their tour page for details on tickets.

Lighting excellence by Lighting Director Andrew Goedde | Fillmore Philly

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Goose made a lot of new fans | Fillmore Philly

 

Set One
Drive, Earthling or Alien >Indian River, Time to Flee >Jive I, Sinnerman1

Set Two
Pancakes, Slow Ready >Moby, Ghost Busters Rap2, Arise, Hot Tea

Encore
Creatures >Shama Lama Ding Dong3

Notes
1. Nina Simone
2. Run DMC
3. Otis Day and the Knights

Percussionist Jeff Arevalo | Goose

Tue, 03/15/2022 - 6:21 am

Raising the bar with incredible jams and set list delights has become a pastime for the rising jam band Goose. Last Saturday night was no exception, as they closed out their winter tour and two night stand in Philadelphia, Pa with an absolute bang. The jam packed Fillmore Philly alone was a testament to their unprecedented growth, as fans were clustered tightly in the back bars without any view of the stage. Despite the crowded conditions, the audience was in good spirits, and clearly enjoyed this performance as much as the band enraptured in their delivery.

Guitarist Rick MItarotonda | Goose

The show picked up where the band left off from the prior night’s show in Philadelphia and began with a fired up “All I Need.” This version clocked in at twenty four minutes, and included a developed jam that resembled a late set heater. New tunes have been the word for Goose in 2022, as they have added at least twelve new songs this year alone. The remainder of the set was comprised with these tunes, and they certainly lived up to expectations. Up next was a dark “California Magic” > “Dr. Darkness,” which included a “Super Ted Outro Jam,” as penned by Jon “Coach” Lombardi, during the segue. New tune “Red Bird” closed out this set with a twenty two minute raucous jam that gracefully took flight, and inspired an audience member to launch a scarf onto the stage.

Trevor Weekz aka Trevor Bass | Goose

The new songs continued into set two, as the band kicked this set off with bass driven “Hungersite,” which is a new tune from their not yet released album, Dripfield. Upon conclusion of this song, guitarist Rick Mitarotonda announced the words “Trevor Bass,” referring to bassist Trevor Weekz. David Grey’s “Please Forgive Me” was up next, and followed by the quintessential Goose tune, “Arcadia.” This song is not played as frequently as in years past, and has become an energetic moment. The entire crowd sang in unison, “though my pride has gone way down the line, I’m just fine.”

The fans were feeling it in Philly | Fillmore Philly

This face melting set continued with another tasty and funky cover by Fat Freddy’s Drop, “Fish in the Sea.” The nautical theme rolled on with “This Old Sea,” which masterfully transitioned into the elusive “Factory Fiction,” penned by Goose predecessor Vasudo. Prior to 2021, “Factory Fiction” had been played only four times. This jubilantly energetic song has seen more action recently, but remains a set list desire for fans. Lighting Director Andrew Goedde elevated the occasion with rainbow lights. Those in attendance donned smiles from ear to ear as they blissfully danced during this twenty three minute rendition, which also concluded the fiery second set.

Goose | Philadelphia, PA

The band stepped off stage, only to return to a boisterous applause. One more tune was played for this excited crowd: a deliciously funky, twenty one minute “Arrow.”

Andrew Goedde on the lights | Philadelphia, PA

This band has been turning heads for the past two years, and last weekend was no exception. The show contained it all, from dark jams to flaming hot new tunes to elusive originals. Thankfully, they are back on the road April 28th in North Charleston, SC. Hop on over to their tour page for more details about their stacked spring and summer tours.

Fans and band loving the show | Goose

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Goose | FIllmore Philly

Set One
All I Need, California Magic1 > Dr. Darkness, Red Bird

Set Two
Hungersite, Please Forgive Me2, Arcadia, Fish In The Sea3, This Old Sea > Factory Fiction

Encore
Arrow

Notes
1. Super Ted Outro Jam
2. David Gray
3. Fat Freddy’s Drop

Multi-instrumentalist Peter Anspach | Goose

Fillmore Philly | Philadelphia, PA

Sat, 03/19/2022 - 6:38 pm

Connecticut jam quartet Eggy channeled the luck of the Irish last Thursday night at the famed Mercury Lounge in New York, NY. The Woodbridge, CT based squad crushed their rescheduled post Phish YEMSG December after show on March 17th. This is the first time they have played in New York City since prior to the pandemic, opening for Spafford at the Brooklyn Bowl on February 6, 2020, and will certainly not be the last.

Guitarist Jake Brownstein | Eggy

This talented group consists of Michael Goodman (bass/vocals), Jake Brownstein (guitar/vocals), Dani Battat (keys/vocals) and Alex Bailey (drums/vocals). They are often found weaving tasty grooves with moving lyrics, and have opened for jam heavy weights such as Spafford, Motet, and Pigeons Playing Ping Pong. Founded in 2013 by Goodman, Brownstein and Battat, this group took advantage of the unexpected downtime during the Covid-19 pandemic by releasing a “Choose Your Own Eggventure” webcast series. The band created three set list tracks that allowed audience members to join them on a unique musical journey, similar to the “Choose Your Own Adventure” novel series.

Bassist Michael Goodman | Mercury Lounge

Last Thursday night, Eggy finally got their turn as the headliner in front of a discerning big apple audience, and did not disappoint. The 500 person Mercury Lounge was relatively full for a Thursday night, which is a testament to the growth they have seen recently. The show included a mix of funk, progressive rock, jazz and even a touch of heavy metal, which speaks to the versatility of this up and coming band.

Keyboardist Dani Battat and Guitarist Jake Brownstein lay down killer vocals | Eggy

The first set began as the band emerged with all smiles under a canopy of green lighting, ready to unleash plenty of exciting covers and teases. “Checking’ My Mic” kicked things off, and segued into “Between You and Me,” where Bailey took his turn as the lead vocalist for this original tune. A developed jam ensued and seamlessly transitioned into “12 Pounds of Pain,” which included a "Crazy" tease by Seal.

Fans were digging the two set show | Mercury Lounge

“Finding and Losing” was up next, and once again, the band delivered another tease, this time diving into “Heartless” by Kanye West. “Wireless” preceeded a profound “Necessary Evil” > “Shadow.” “Necessary Evil” is a relatively new cover in the bands repertoire by the Unknown Mortal Orchestra and featured a “Dixie Chicken” tease by Little Feat. This was first played in May 2021 at Warehouse at FTC in Fairfield, Ct. “Shadow," which was released as a single during 2021, brought a trio of teases from previously played songs including “Necessary Evil”, “Finding and Losing” and “12 Pounds of Pain” to wrap up this mind melting set.

Drummer Alex Bailey | Eggy

The band picked up right where they left off for set two, starting with “Here and Now.” New cover “Why Should I Worry,” by famous Long Island resident Billy Joel followed. This included a jam named after shredding guitarist Matt McNulty fromTalkpeck Soundsystem, which is a Connecticut based outfit that merges Talking Heads, Vulfpeck and LCD SoundSystem. The band delivered deeper jams with a touch of metal in “Burritos El Chavo 2” > “Fly Frederick Fly.” The former contained a well placed “Master of Puppets” tease by Metallica. The set closed out with “Zugzwang.” The band provided one last tune to etch in their fan’s memories: “Tom Corn Walker.”

Keyboardist Dani Battat | Mercury Lounge

Eggy is carving out a name for themselves in the jam band community, and continues to drop inspired set lists coupled with eclectic improvisations. Fans can only hope that they continue this trend as the two set headliner, exposing their creativity and passion for all things that jam. They are embarking on an ambitious spring tour and are not to be missed. Head over to their tour page for more details about shows in your region.

Two sets is better than one | Eggy

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Set One
Checking’ My Mic > Between You and Me1 > 12 Pounds of Pain2, Finding and Losing3, Wireless, Necessary Evil4 > Shadow5

Set Two
Here and Now, Why Should I Worry6, Burritos El Chavo 27  > Fly Frederick Fly, Zugzwang

Encore
Tom Corn Walker

Notes
1. Alternate version, Alex on lead vocals
2. Crazy tease (Seal)
3. Heartless tease (Kanye West) incomplete
4. Unknown Mortal Orchestra cover, w/ Dixie Chicken tease (Little Feat)
5. Necessary Evil, Finding and Losing & 12 Pounds of Pain teases
6. Billy Joel cover / First time played w/ Matt McNutty jam
7. Master of Puppets tease (Metallica)

Drummer Alex Bailey and Bassist Michael Goodman are the rock solid rhythm section | Eggy

Tue, 03/22/2022 - 6:15 am

Last Friday night, Twiddle closed out a fiery one-two punch at the Brooklyn Bowl in Brooklyn, NY, building off of the prior night’s St. Patrick’s Day festivities, as well as the birthday celebration of keyboardist Ryan Dempsey. The Vermont based quartet delivered inspiring jams for their dedicated fans who arrived hours before the show began. The show included two notable sit ins, as well as accolades from the Brooklyn Bowl’s famous owner, Peter Shapiro.

Lights by Alex "Herm" Schneider | Twiddle

The evening began around 6pm, as Twiddle’s die hard fans slowly streamed into the Brooklyn Bowl. Within an hour, the area in front of the stage was packed, despite the band not beginning the show for two more hours. This is a testament to the great relationship this band has had for years with their loyal following.

Guitarist Mihali Savoulidis | Twiddle

As an illuminated robot fan oscillated, the band emerged with Connecticut based drummer Adrian Taramonto from Kung Fu, who stepped in for Brook Jordan. He laid down some incredible beats throughout the show. The band kicked off the festivities with “Be There.” Keyboardist Scott Hannay from Mister F and Shred is Dead sat in for “Mamunes the Faun,” which included a back and forth synth battle with Dempsey.

Scott Hannay shares the keyboards with Ryan Dempsey | Brooklyn Bowl

“Carter the Candlestick,” from the 2007 release Natural Evolution of Consciousness, was up next. The band liberated a tasty sequence, starting with “Gatsby the Great” > “Zaza’s Flight” > “Gatsby the Great.” “Moments” proceeded, from the 2017 album Plump (Chapters 1 and 2). The set closed out with “Collective Pulse.”

Bassist Zdenek Gubb | Twiddle

“Blunderbuss,” another Plump track, opened the second set. A raucous, high energy jam sequence followed with “Polluted Beauty” > “Box,” and had fans enamored with joy. The latter is from the 2011 album, “Somewhere on the Mountain.” The band elevated the show by a factor of grunge with Nirvana’s “In Bloom.” “Slippin’ in the Kitchen” ended the set with a bang.

Fans were loving Twiddle's positive vibes | Brooklyn, NY

The band stepped off stage, while Brooklyn Bowl owner and jam band enthusiast Peter Shapiro stepped up to the mic to thank Twiddle for their incredible two night stand. The band humbly accepted as the crowd roared in applause. They delivered one final tune and manifested the Plump hat trick with “Lost in the Cold.”

Peter Shapiro thanks Twiddle for the rocking show | Brooklyn Bowl

Twiddle burned down the Brooklyn Bowl with their signature jams and positive vibes. They are back in action for Spring tour starting April 1st. Visit their tour page for more details.

Lots of gratitute from the audience | Brooklyn, NY

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Set One
Be There, Mamunes the Faun1, Carter Candlestick, Gatsby the Great > Zazu’s flight> Gatsby the Great, Moments, Collective Pulse

Set Two
Blunderbuss, Polluted Beauty > Box, In Bloom2, Slippin’ in the Kitchen

Encore
Lost in the Cold

Notes
1. Scott Hannay on keys
2. Nirvana

Keyboardist Ryan Demsey on the Keytar | Twiddle

Good vibes all around | Twiddle

Sun, 04/03/2022 - 2:20 pm

The Disco Biscuits descended into the Capitol Theatre in Port Chester, NY for night two of their rescheduled three night run from March 2020 last Friday, and unfurled a set list of fan favorites, covers and rarities to celebrate guitarist Jon "The Barber" Gutwillig's birthday. Their characteristic blend of jamtronica music was fueled by Gutwillig's guitar driven jamming this evening, and included a first time played Dead cover.

Bassist Marc Brownstein tells a story during "Nughuffer" | Capitol Theatre

The show began with "Nughuffer," a classic tune released in 1995 that included a story told by bassist Marc Brownstein about the band traveling to an island getaway after their March 2020 Philadelphia shows were cancelled because of the COVID-19 pandemic. This marks the first time this tune has been played in 2022.

The iconic Capitol Theatre | Port Chester, NY

"Spaga," another song that debuted prior to 2000, followed and ignited a non-stop jam sequence for the rest of the set. The song began with a tease of Beethoven's "Midnight Sonata," and went unfinished before cleverly transitioning into "Running into the Night," which debuted at New York City's Playstation Theatre in December 2019. Another dark guitar jam progression lead into an unfinished "Aceetobee." The set closed out with "Rock Candy." This song was released on an Electron album, a Disco Biscuit side project, titled This is Electron.

Happy Birthday, Jon "The Barber" Gutwillig | Disco Biscuits

After taking a break, the band resumed the raucous dance party with a huge jam sandwich filled with inversion and vintage tunes in set two. The Disco Biscuits are known to reverse the order of the jam and composed portions of songs, which is noted on the set list as inverted. The music began with Pink Floyd's "Run Like Hell." This unfinished cover smoothly transitioned into an inverted older tune, "Confrontation."

The dance party heats up | Capitol Theatre

The inversion rolled on as the band dove into "Crickets," followed by the set list chased "Aquatic Ape." The latter was last played at Mishawaka Amphitheatre in Bellevue, CO on October 16, 2021, and makes an appearance about once a year. Brownstein jumped up on drummer Allen Aucoin's drum platform, and locked into a tight rhythm during the smoking hot jam, while clearly enjoying the moment.

Keyboardist Aaron Magner | Disco Biscuits

The final segue for set two lead the band into "Basis for a Day," from the 1996 release Encephalous Crime. The crowd was on their feet, fired up and dancing as the band left the stage.

Fans soaking up the vintage tunes | Disco Biscuits

They returned to boisterous applause by the audience. With huge smiles on their faces, they delivered "Friend like Steve." This song recently debuted at The National in March 2022. The band paused before dropping into "Feel Like a Stranger" by the Grateful Dead. This first time played cover fit like a glove and will hopefully appear in future shows. Upon the conclusion, the quartet took a moment to thank the crowd, and walked offstage blissfully to end the stellar evening.

Bassist Marc Brownstein and Guitarist Jon "The Barber" Gutwillig are all smiles | Capitol Theatre

This Philadelphia based squad manifested a heated show teeming with tasty jamtronica and trance fusion, and are not to be missed. They are back in action later this week at the Mission Ballroom in Denver, Co and have released a healthy list of dates for their 2022 summer tour. Visit their tour page for more details.

The Disco Biscuits know how to throw a great party | Port Chester, NY

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Set One
Nughuffer, Spaga1 > Running into the Night > Aceetobee1 > Rock Candy

Set Two
Run Like Hell12 -> Confrontation3 -> Crickets3 -> Aquatic Ape3 -> Basis for a Day

Encore
Friend like Steve, Feel Like a Stranger4

1. Unfinished
2. Pink Floyd
3. Inverted
4. Grateful Dead, first time played

Stellar lights by Lighting Director Johnny Goode | Disco Biscuits

Good times were had by all | Capitol Theatre

Thu, 04/14/2022 - 3:40 pm

The Sweetwater 420 Festival is almost upon us. Here’s an insider’s primer to the festival, bands and everything in between.

Sweetwater 420 Festical 2022 Lineup

The event will take place at Centennial Olympic Park in Atlanta, Ga on April 29th - May 1st, and is sponsored by the Sweetwater Brewing Company. The festival will incorporate a spread of local food trucks including vegan, vegetarian and gluten free offerings. The Sweetwater Experience tent will house a craft beer centric event featuring twenty five different styles of Sweetwater beer. An artisan artist market will contain over two dozen vendors. A USATF certified 5K will also be an option for those runners out there, and includes a free beer. A Planet 420 Eco-village will enlighten festival goers on being more green, offer workshops and additional offerings from groups like HeadCount and the Georgia Conservancy. A charity auction will also take place, benefiting Notes for Notes and City of Refuge.

Oteil Burbridge | Oteil and Friends

The Thursday pre-party kicks off the musical festivities on the Sweetwater Stage packed with juicy performers. The lineup begins with the Asheville, NC based Empire Strikes Brass, who brings the NOLA style funk including a stacked horns section. None other than Oteil and Friends, featuring Oteil Burbridge, is up next. The bassist is best known for his work with the Allman Brothers and Dead & Co. TAUKing McGee follows, which is a collaboration between Umphrey’s McGee and TAUK.

The String Cheese Incident

The can't miss artists for Thursday include Umphrey’s McGee: All Night Wrong, which will manifest as a set of covers and include special guests. This jam rock meets metal, jazz and funk band with a love for song mashups will be an exciting set to catch. The String Cheese Incident will close out the night with two sets of their signature blend of psychedelic rock, bluegrass, Jamtronica, calypso and more.

Brandon "Taz" Neiderauer (right)

Friday’s line up begins with nineteen year old Brandon “Taz” Neiderauer, the guitar shredding virtuoso who began playing at age 8, and has already shared the stage with the likes of Warren Haynes, Derek Trucks and Gregg Allman. Catch him with his band on the Sweetwater Stage.

Karina Rykman

New York City’s Karina Rykman has made waves recently as the bassist for the Marco Benevento Trio, and will grace the H.A.Z.Y. stage with her own band of merry musicians. Known for her sparkles and flair, her band brings a bass driven mix of rock, jazz and funk.

Lotus

The must see events for Friday include Jamtronica heavy weights, Lotus. Last fall, guitar Jedi Tim Palmeri joined the squad after the departure of founding guitarist Mike Rempel, bringing a jazzier feel to their edm, post rock, funk and dance rock inspired sound. Colorado’s String Cheese Incident return for two more smoking sets to close out night. They are known to collaborate with talented musicians, and conditions are ripe for surprises during their performance.

TAUK will perform on Thursday with Umphrey's McGee

Saturday rolls on with the jam rock quartet Neighbor, who masterfully combine composition, ballads and improvisation on the Happy Ending Stage. Montana’s Kitchen Dwellers immediately follow Neighbor, bringing a combination of bluegrass, folk and rock. Both are emerging artists worth checking out.

Peter Anspach | Goose

The can't miss artists for Saturday begin with the self described “indie jam rock” quintet from Connecticut, Goose. Their popularity has exploded in the past two years, as they fluidly traverse genres and sell out venues like Radio City Music Hall and Red Rocks. Catch them on the H.A.Z.Y. Stage.

Umphrey's McGee

Umphrey’s McGee returns for two tasty sets on the Sweetwater Stage. This will be immediately followed by two sets from the Trey Anastasio Band, led by Phish guitarist, Trey Anastasio. The stellar horn section melds magically with the groove, funk and rock based band. Anastasio is known to collaborate with guests at festivals, and will certainly be a memorable performance.

Jennifer Hartswick (left) will sit in with The Nth Power

The Sunday lineup is considerably stacked, as well. As they say in the jam rock community, never miss a Sunday show. The festivities start with the Nth Power featuring Jennifer Hartswick. Drummer Nikki Glaspie leads this band rooted in soul, jazz, funk and world beats. Hartswick, best known for her trumpet and vocal work with the Trey Anastasio Band, will join this squad for a very special performance on the Happy Ending Stage.

Thievery Corporation

The H.A.Z.Y. Stage will include Boombox featuring Backbeat Brass, that translates to a classic live horn sound meshed with psychedelic rock and electronica.  The Grammy winning instrumental act Snarky Puppy will deliver an eclectic blend of jazz, rock, world music and funk later in the day.

Joe Russo | Joe Russo's Almost Dead

The must see acts on the Sweetwater Stage start with the genre defying Thievery Corporation, who are known for downtempo electronica, world, funk, and hip hop combined with powerful singers. They are proceeded by two vibrant sets of Joe Russo’s Almost Dead, which features an upbeat twist on songs from the Grateful Dead, as well as other artists.

Trey Anastasio | Oysterhead

The festival closes out with a fiery performance by the power trio, Oysterhead. Led by Anastasio, this alt-fusion funk based squad includes Les Claypool (Primus) on bass and Stewart Copeland (The Police) on drums. Formed in April 2000 at Jazz fest, the group has assembled a only few times over the years, making their rare performance extra exciting.

Sun, 04/10/2022 - 1:45 pm

The Greyboy Allstars returned to the Brooklyn Bowl last Friday night, wrapping up a stellar two night run at the storied venue in Brooklyn, NY's Williamsburg neighborhood. They are in the middle of the 2022 Get a Job Tour to promote their brand new album, Get a Job: Music from the Original Broadcast Series Soul Dream. This San Diego, Ca based squad dynamically elevated the Get a Job tunes as well as originals with a classy performance.

The Greyboy Allstars | Brooklyn Bowl

The band consists of Karl Denson (saxophone, flute, percussion, vocals), Elgin Park (guitar), Aaron Redfield (drums), Chris Stillwell (bass) and Robert Walter (keys). They formed originally in 1993 as a backing band for DJ Greyboy, and have seen their style evolve over the years. They have also released six albums in that time.

Multi-instrumentalist Karl Denson | Greyboy Allstars

Get a Job consists entirely of covers, and began in 2021 as a series of live shows via Nugs.net. The stand out songs made the final cut into the album, which was released on April 1st, 2022. Most of the songs are vintage jazz tunes that flow nicely with their soul jazz and boogaloo narrative.

The iconic Brooklyn Bowl | Brooklyn, NY

The show began with Denson on the saxophone, though he adeptly swapped instruments multiple times, often during the same song. The band dropped into a nice pocket in the first song, "Wynder K Frog," and never looked back. The set included "Left Coast Boogaloo" from their 2007 release What Happened to Television?, as well as "Tenor Man" from their first album, West Coast Boogaloo. "Walk On By" closed out the first set, which is a feel good jazz tune from Get a Job by Burt Bacharach and Hal Davis. Walter delivered a layered solo during this song while Parks was on point with his technical guitar skills, as the crowd grooved along with delight.

Organist Robert Walter | Greyboy Allstars

The second set began with after a quick break, and incorporated several song pairs from albums new and old. This began with two tasty tracks from What Happened to Television?, including "V-Neck" and "Back in the Game." "Lady Day & John Coltrane," originally by Gil Scott-Heron, was the second track from Get a Job on the ledger this evening. Denson lended his soulful vocals to this cover with lyrics that seek to empower escape from everyday stress, and included outstanding drumming by Redfield.

Elgin Park and Chris Stillwell switch up the game | Brooklyn Bowl

To shift the game, Park and Stillwell switched places and instruments for a couple of songs mid set. Two songs from the 2020 release, Come De Allstars, also rolled into the mix, with "Come De Allstars" and "Executive Party." Another funky Get a Job tune, "Got to Get Me a Job," originally by Don Alford, had the crowd moving and feeling good.

Drummer Aaron Redfield is all smiles | Greyboy Allstars

The Greyboy Allstars delivered an upbeat performance rooted in jazz, soul and funk that was equally refreshing and enjoyable. These unselfish and skilled musicians were constantly exchanging smiles with each other and the crowd, and clearly enjoyed playing together. They are back in action tonight at The Hamilton in Washington, D.C., and have a few dates left on their schedule. Head on over to their tour page for more details.

Fans enjoyed this performance | Brooklyn Bowl

Check out more photos from the show!

Set One
Wynder K Frog, Left Coast Boogaloo, Cramp Your Style, Steel Bender, Don’t Chin The Dog, Tenor Man, Hot Dog, Walk On By

Set Two
V-Neck, Back In The Game, Lady Day & John Coltrane, December’s Bicycle, Come De Allstars, Executive Party, Wandering, Got to Get Me a Job, Happy Friends

Guitarist Elgin Park looks on with delight | Greyboy Allstars

Fans were digging the feel good soul jazz tunes | Brooklyn Bowl

Mon, 04/11/2022 - 4:31 pm

Celebrating the moment and not wasting time on unimportant things is what Pigeons Playing Ping Pong does best. Living life to the fullest and elevating friends in the process is their mantra. The quartet brought this vibe to Brooklyn Steel in Brooklyn, NY last Saturday night, where they reveled in their new, appropriately titled album release, Perspectives. They were joined on stage by members of the Funky Dawgz Brass Band and had support from NYC natives, TAUK.

Greg Ormont and Jeremy Schon sat in with Tauk | Brooklyn Steel

The show began with the progressive rock fusion outfit from Oyster Bay, New York, TAUK. They delivered a solid set of originals mixing funk, edm, indie and soul, along with their characteristic progressive rock roots. Guitarists Greg Ormont and Jeremy Schon, both members of Pigeons Playing Ping Pong, joined them for an edgy rendition of Pink Floyd's "Sheep." This was certainly a memorable collaboration between both bands.

Guitarist Greg Ormont bounced around on stage | Pigeons Playing Ping Pong

Pigeons began their set with tenacious vigor, as Ormont jumped around wildly while announcing the release of their new album. They kicked the show off with "Water," from Perspectives, which featured an iconic solo from Schon. "The Liquid" ironically followed, from their 2017 release Pizazz. A jam sandwich with two Perspectives tunes jumped into the mix, with the upbeat "Move Like That" morphing into an eleven minute, dance party inducing "Beanstalk."

Drummer Alex "Gator" Petropulos | Brooklyn, NY

The psychedelic jams rolled on with "Time To Ride" > "Kiwi" > "Time To Ride." The crowd was grooving during the raucous "Kiwi," which is from their 2016 album, Pleasure, and clocked in over thirteen minutes. At this point, Ormont greeted two saxophonists from the Funky Dawgz Brass Band, Tommy Weeks and Colin Walters. They joined Pigeons for another Perspective tune, "Whirled," and unleashed a funky, NOLA style jam. This marked the first time that this song was played live with horns.

Tommy Weeks and Colin Walters of the Funky Dawgz joined the fiesta | Brooklyn Steel

Continuing the theme of living in the moment, Ormont announced that the next tune, "Overtime," was written the day before. This first time played song was the perfect funky precursor for another Pizazz tune, "Ocean Flows." A delicious segue followed into the Police's "Walking on the Moon," which melodically slid back into "Ocean Flows." One more Pleasure tune jumped into the line up with a face melting "Whoopie." "Lost In Line," the final Perspective's tune for the evening, preceded the set closing, vintage original, "F.U." Weeks and Walters from the Funky Dawgz Brass Band once again joined the festivities, boosting the energy by a factor of funk.

The mark of an epic show | Brooklyn Steel

The band returned to a boisterous applause, and concluded the night with a tasty "Schwanthem" > "Harder, Better, Faster, Stronger" > "Schwanthem." Schon's stellar guitar chops were on display in the quintessential Pigeons tune, "Schwanthem." They managed to wrap Daft Punk's "Harder, Better, Faster, Stronger" in between the layers, and serendipitously closed out this celebratory show with Ormont hoisting his guitar over head.

Fans unrolled toliet paper during the show | Pigeons Playing Ping Pong

Pigeons Playing Ping Pong are incredibly adept at cultivating fun and optimism during their shows. Last Saturday's performance was no exception. They are headed back on the road for a Southeastern tour starting April 20th at The National in Richmond, Va, and are sure to put a smile on your face. Hop on over to their tour page for more details.

Bassist Ben Carrey | Pigeons Playing Ping Pong

Check out more photos from the show!

Brooklyn Steel was packed for the album release | Brooklyn, NY

Set
Water, The Liquid, Move Like That > Beanstalk, Time To Ride > Kiwi > Time To Ride, Whirled12, Overtime3, Ocean Flows > Walking On The Moon4 > Ocean Flows, Whoopie, Lost In Line, F.U.1

Encore
Schwanthem > Harder, Better, Faster, Stronger5 > Schwanthem

Notes
1. w/ Tommy Weeks and Colin Walters of Funky Dawgz Brass Band on horns
2. First time played live with horns
3. Original debut
4. The Police
5. Daft Punk

Stage antics were on point | Brooklyn Steel

The flock soaked up the good vibes | Pigeons Playing Ping Pong

Sun, 04/17/2022 - 3:30 pm

The Denver, Co based funk and soul ensemble The Motet brought a fiery dance party to the jam friendly Brooklyn Bowl in Brooklyn, NY last Friday night as part of their Don't Keep On Stoppin' tour. They were accompanied by percussionist Mike Dillon, who is a veteran of the jam rock scene. Currently, the band is focused on instrumental sounds and reconnecting with their jazz improvisational roots. Eggy, the rising jam rock squad from Connecticut, provided support.

Percussionst Mike Dillion sat in the whole show | Brooklyn, NY

The Motet's line up included Dave Watts (drums), Joey Porter (keys), Garret Sayers (bass), Drew Sayers (keys/saxophone) and Ryan Jalbert (guitar). They have been together for over two decades, and their music brings a fusion of funk, soul, jazz and rock. The band has toured with a vocalist in the past, but has leaned in on the instrumental vibe with the present squad.

Eggy got excited when a fan awknowledged finding the hat the band hid | Brooklyn Bowl

The evening's festivities began with Eggy, who is quickly finding a home away from home in NYC. The band seamlessly transitioned their songs throughout the dynamic set, and barely stopped for air. The performance included teases by Ye, Phish and Muse during heavy hitter "12 Pounds of Pain." One lucky fan found a custom hat that was hidden by the band in the venue, which prompted delight both on stage and in the crowd.

Bassist Garret Sayers | Brooklyn Bowl

After a quick break, The Motet took the stage and unfurled their disco flow, finding a steady groove pocket early in the night. They never let up, either, as every song packed a powerful punch of synth, guitar and saxophone on top of a rock solid rhythm section. The set included two covers, "Dance Floor" by Zapp and "Wearing it Out" by Ramsey Lewis. Porter made use of the vocoder from time to time.

Drummer Dave Watts and Percussionist Mike Dillion led a ferocious drum solo | The Motet

The two hour long performance concluded with all band members walking off stage, except Watts and Dillon, who engaged in a mighty drum solo duel. Both are clearly masters of their crafts, and kept the audience engaged during this high energy sequence. The rest of the band returned, and joined the musical party for one final tune, "Cheap Shit."

No shortage of Disco vibes | Brooklyn, NY

The Motet reliably delivered a funky dance affair, as they have done many times in the past, and will continue to do in the future. Their tour rolls on starting April 22 in Atlanta, Ga at the iconic Tabernacle. Visit their tour page for more details.

The Brooklyn Bowl is perfect for funky jams |  Brooklyn, NY

Check out more photos from The Motet and Eggy!

Set
Evil Twin, Cloak and Dagger, Can’t Fool Me, Kneebone, Rippin’ Herb, All Day, ‘79, Draccus, Contraband, Sunshine, Fountain, Dance Floor1, Wearing it Out2, Nemesis

Encore
Drumz > Cheap Shit

Notes
1. Zapp cover
2. Ramsey Lewis cover

Eggy and thier lights are on a roll | Brooklyn Bowl

Fans loving the show | The Motet

Wed, 04/20/2022 - 1:20 pm

The Boston, Mass based power trio Lespecial delivered their signature blend of "heavy future grooves" at the Gramercy Theatre in New York, NY last Saturday night. Their performance included a full set dedicated to Primus, where they covered "Frizzle Fry." They were supported by the jam rock quartet, Peak.

Lespecial | New York, NY

Lespecial's current line up includes Luke Bemand (bass), Jon Grusauskas (guitar), and Rory Dolan (drums). They are all childhood friends and originally from Falls Village, CT. They have been playing together since 2005.

Peak | New York City, NY

The show began with Peak, a Brooklyn, NY based squad rooted in psychedelic indie funk. The band includes Jeremy Hilliard (guitar), Kito Bovenschulte (drums), Josh Carter (bass), and Johnny Young (keys). Their set was no slouch, and brought an upbeat mix of moody electrofunk, blues rock and exploratory yet danceable improvisations.

Rory Doland and Luke Bemand | Lespecial

Lespecial took the stage shortly afterwards, kicking off the festivities with a set of original songs. This included hypnotic rhythms, synth grooves, hip hop vibes and pensive indie rock, combined with jam rock improvisational exploration. The band's stage energy was dark, but very vibrant, as they feed off of one another during the entire show. Often, Bemand and Grusauskas were jamming face to face, or Bemand walked back to Dolan's platform, and fed off of his stellar drumming skills. At the end of the set, they alluded to the upcoming "Frizzle Fry" set, which brought excitement from the crowd.

Drummer Rory Doland | Lespecial

Set two kicked off with Bemand wearing sunglasses, and a much darker, heavier energy to the set dedicated to Primus' first album, "Frizzle Fry." Dolan contributed his skills at singing, and sounded remarkably similar to Primus' Les Claypool.This group elevated the bass driven alt rock songs and slam dunked the eccentric lyrical themes. Dolan's notable and profound drum solo showed his true versatility behind the kit. Grusauskas and Bemand had a pronounced stage presence that vibrated throughout the room. The show closed out with Mick Gordon's "The Only Thing They Fear is You."

Lespecial | Gramercy Theater

The post modern cultural climate was on point at the Gramercy Theater. Lespecial is back on tour starting April 28th at the Portland House of Music and Events in Portland, Maine. Visit their tour page for more details.

Guitarist Jon Grusauskas | Lespecial

Check out more photos from the show!

Set 1
Snell’s Fleet, The Vessel, Repeater, Machine Elf, Homieverse, Rays, Tonberry

Set 2 (Primus - “Frizzle Fry”)
To Defy the Laws of Tradition, Groundhogs Day, Too Many Puppies>Hello Skinny>Puppies, Mr. Knowitall, Frizzle Fry, John the Fisherman, You Can’t Kill Michael Malloy, The Toys, Go Winding Down, Pudding Time, Sathington Wiloughby, Drums (short) > Spegetti Western, Harold of the Rocks, To Defy

Encore
The Only Thing They Fear Is You

Bassist Luke Bemand | Lespecial

Lespecial | New York, NY

Fri, 04/22/2022 - 6:00 am

The jam rock icon Phish triumphantly returned to Madison Square Garden for the first night of a four night stand, rescheduled from December 2021 because of complications with the COVID-19 pandemic. The show kicked off with a bang, including a type II jam in the first song, despite not having played since February 27th, 2022. The band didn't stop there, and brought a mix of old and new songs, each elevating the show in a uniquely exciting way.

Guitarist Trey Anastasio | Phish

The band typically plays a four night run to close out the year at this storied venue, but hasn't played there since December 2019, when guitarist Trey Anastasio got stuck on a platform in the rafters during the annual new years gag for a set. The Garden has become a home away from home for this band, having played there 65 times counting this show, which is more than any other venue. In fact, they have played the third most shows of any artist, behind Billy Joel and Elton John, at the "World's Most Famous Arena." Tickets sell out in seconds, and this run was no exception.

Phish | Madison Square Garden

The first set began with the dark classic "Carini," which clocked in at nineteen minutes, igniting the fiery dance party early on. This version included an evil type II jam, which was a surprising treat for fans, especially in the opening song. The band clearly showed no signs of rust, as Anastasio and keyboardist Page McConnell interwove depth throughout this sequence. "Carini" profoundly transitioned into the high energy "Possum," from their 1993 release, Rift.

Bassist Mike Gordon | Phish

An unfinished "Moma Dance" was up next, as the band delivered a healthy dose of funk. The energy cooled off with a more reflective segue into "Leaves," from the 2020 album, Sigma Oasis. McConnell took the vocal lead for "Strange Design," which was last played on December 7th, 2019 in North Charleston, SC. Another set list heavy weight, "Stash" brought more stellar improvisation to this opening sequence. Fans celebrated 4/20, the unofficial cannabis holiday, with the set closing "Blaze On."

Lighting Director Chris Kuroda taps into the house lights | Madison Square Garden

The momentum continued to build in the second set. "Sigma Oasis," another tune from Sigma Oasis, began a non-stop chain of songs that lasted over fifty five minutes. This gushed into a twenty two minute "Down with Disease" that highlighted Anastasio's characteristic guitar shredding. Lighting Director Chris Kuroda masterfully complemented the music with multi-layered light rig that moved with the groove.

Drummer Jon Fishman | Phish

"Disease" meandered into new comer, "The Howling," which debuted in October 2021 as part of the band's new Sci-fi Soldier album. The funk infused jam smoothly transitioned into "Twist," from the 2000 release, Farmhouse. After a tasty build up, "Twist" profoundly wound down into the softer "Mountains in the Mist."

Madison Square Garden was sold out | New York, NY

The band took a moment to convene, and unleashed the penultimate tune of the set, "Reba." This vintage tune is loved by the fan base for the intense tension and release build ups followed by a blissful jam, and this version was no exception. The set ended with the soft but inspiring "Drift While You're Sleeping."

Keyboardist Page McConnell | Phish

After a few moments of boisterous applause, the band returned to play old favorites, "Gumbo" and "Slave to the Traffic Light." This was a certainly a rewarding encore for those who had not left to catch a train.

Fans loving the show | Phish

Phish once again brought a heated show packed with exploratory jams to Madison Square Garden. They are back in action all weekend, including a three set show on Friday night. Tickets are sold out, but can be acquired for face value on the face value ticket exchange, Cash or Trade. If Madison Square Garden isn't in your future, the band will embark on a 34 night tour this spring and summer. Visit their tour page for more details.

Phish | Madison Square Garden

Check out more photos from the show!

Set One
Carini > Possum, The Moma Dance1 > Leaves, Strange Design, Stash, Blaze On

Set Two
Sigma Oasis > Down with Disease > The Howling -> Twist > Mountains in the Mist, Reba, Drift While You're Sleeping

Encore
Gumbo, Slave to the Traffic Light

Notes
1. Unfinished.

Phish | Madison Square Garden

Phish fans convened at Madison Square Garden | New York, NY

Wed, 05/04/2022 - 4:30 pm

The Sweetwater 420 Music Festival returned after a three year hiatus, and kicked off on Thursday, April 28th with a pre-party to get the festivities going. Bands played on one stage only, which limited the options but packed in the fun. While the line up for this night shifted a number of times prior to the event start, the day went off without a hitch.

Mandolinist Michael Kang and Guitarist Billy Nershi | The String Cheese Incident

The artists originally scheduled to play on Thursday included moe., Gov’t Mule, and Oteil and Friends. These are all stellar additions to any festival line up in the jam band world. The dynamic duo of Umphrey’s McGee and TAUK as well as Spafford filled in for these heavy weights.

Spafford | Sweetwater 420 Festival

The day began with Empire Strikes Brass, the New Orleans style funk band, complete with horns. Afterwards, Prescott, Arizona’s Spafford brought their fresh take on jam rock for this eager crowd.

Tauk guitarist Matt Jalbert and Umphrey's McGee guitarist Brendan Bayliss | Tauking McGee

TAUKing McGee, a combination of Umphrey’s McGee and TAUK, took the stage next. The band members rotated in and out from both bands, and brought a tasty version of Pink Floyd’s "In the Flesh" > “Another Brick in the Wall.”

Bassist Ryan Stassik | Umphrey's McGee

Umphrey’s McGee also performed another set of covers with more guests, billed as “All Night Wrong.” The band was notably without guitarist Jake Cinninger, though the band delivered a high energy performance as a five piece. Guitarist Matt Jalbert from TAUK returned to the stage for the Beatles "I Want You (She's So Heavy)."

Brendan Bayliss announces Kyle Hollingsworth of The String Cheese Incident

Kyle Hollingsworth (keyboardist) and Michael Kang (mandolin, fiddle) from The String Cheese Incident joined Umphrey’s McGee for a face melting “Althea” by the Grateful Dead. They remained for the Talking Head’s favorite, “Making Flippy Floppy.”

Percussionist Jason Hann | The String Cheese Incident

The String Cheese Incident was up next for two rocking sets of their bluegrass meets electronica, rock, reggae and calypso vibe. The first set had a great jam close out with “Black and White” > “Whiskey Before Breakfast” > “Hi Ho No Show.” The traditional bluegrass tune “Whiskey Before Breakfast” was last played on July 19th, 2019, and the first of two bust outs for the show.

Keyboardist Kyle Hollingsworth | The String Cheese Incident

Set two was an almost non-stop set of The String Cheese Incident’s signature jams. Prior to this, the second bust out, “I Wish” by Stevie Wonder got the crowd moving. This was last played on October 26th, 2019. The Colorado based band bestowed an energetic non-stop sequence next, “One Step Closer” > “Sirens” > “Desert Dawn” > “Way Back Home” > “Rivertrance.” They flawlessly executed the transition into “Rivertrance,” and demonstrated their adept ability to close out the show with a bang during the encore of the vintage cheese original tune, “Restless Wind.”

Fans enjoyed the first night | Sweetwater 420 Festival

The first night of Sweetwater 420 Festival was certainly very memorable, and included outstanding performances by all artists. Check out more photos from the show!

Bassist Keith Moseley | The String Cheese Incident

String Cheese Incident
Set One

Sweet Spot, Song In My Head > Dudley’s Kitchen, Lend Me A Hand, Black and White > Whiskey Before Breakfast > Hi Ho No Show

Set Two
You’ve Got The World, I Wish, One Step Closer > Sirens > Desert Dawn > Way Back Home > Rivertrance

Encore
Restless Wind

Sweetwater 420 Festival | Atlanta, Ga

The String Cheese Incident | Sweetwater 420 Festival

Thu, 05/05/2022 - 6:30 am

The Sweetwater 420 Festival rolled on Friday, April 29th with another hot lineup and more delicious jams for day two. The weather cooperated perfectly, and the crowds were relatively calm for this session, though more intense than the day prior. Today's festivities were led by The String Cheese Incident, Gary Clark Jr., and Lotus. All three stages served up tasty tunes in Atlanta, Ga's Centennial Olympic Park.

Brandon "Taz" Niederauer | Sweetwater 420 Festival

Nineteen year old Brandon "Taz" Niederauer, hailing from Long Island, NY, brought his incredibly talented squad to kick off the music on The Sweetwater Stage. His fluid combination of blues, jazz and rock is phenomenal for such a young musician.

Karina Rykman | Atlanta, Ga

Another emerging artist from the New York City metro area, bassist Karina Rykman, lit up The Hazy Stage with her fiery band and spirit. Her bass driven blend of progressive rock got the crowd moving. She made many new fans with this high energy set.

Gary Clark Jr. | Sweetwater 420 Festival

Blues and rock guitarist Gary Clark Jr elevated The Sweetwater Stage, stepping in for Snopp Dogg. Fans were elated to hear this Grammy winning musician, as he dropped his modern day Jimi Hendrix licks much to their delight.

Lotus | Centennial Olympic Park

Jamtronica heavy weights Lotus carried fans into the late afternoon with a heater set. Kung Fu guitarist and musician-extraodinaire Tim Palmieri recently joined the band as the lead guitarist in place of founding member, Mike Rempel. This dynamite set showed how excited he is to be part of their musical journey.

Guitarist Tim Palmieri is known for shredding | Lotus

The show kicked off with the classic "Suitcases" from their first studio album, Nomad. They also dove into "Pluck," which is their most recent track release. Another notable track was a Tame Impala cover of "Elephant." This Philadelphia based squad finished out their set with more new and old tunes full of their signature trance and electronic beats.

Multi-instrumentalist Michael Kang | String Cheese Incident

The String Cheese Incident closed out the evening with a second helping of two face melting sets on The Sweetwater Stage. The show began with the recent release "Manga," which is a tribute to Cameroonian musician Andre Manga that combines popular music approaches from Cameroon and Congo.

Keyboardist Kyle Hollingsworth | String Cheese Incident

"Lost," from the 2002 release Outside Inside, was up next and delivered a sweet segue into the traditional "Rolling in my Sweet Baby's Arms." This was followed by the newer, Indian inspired electronic tune, "Bollymunster." The set closed out with two more Outside Inside tracks, the inspiring "Joyful Sound," which transitioned into a monster "Rollover."

Rhonda Thomas joins the String Cheese Incident | Sweetwater 420 Festival

The Outside Inside theme maintained steam with none other than "Outside and Inside." Rhonda Thomas, a singer from Atlanta, Ga who has joined the String Cheese Incident many times at Hulaween and other shows, teamed up with the band for a blazing rendition of Aretha Franklin's "Rock Steady." The bluegrass tune "Can't Stop Now" by New Grass Revival followed.

String Cheese Incident | Sweetwater 420 Festival

The bust out of the night was "Pack It Up," last played November 19th, 2019. The band veered back into jamtronica territory with "Tinder Box," from their 2003 release Untying the Not. The set closed out with new tune, "The Big Reveal," which segued into "Colorado Bluebird Sky." This band was not quite done yet, and welcomed Thomas back on stage for a exceptional take on Led Zeppelin's "Ramble On" to close out the day.

Percussionist Jason Hann and guitarist Billy Nershi | String Cheese Incident

The Sweetwater 420 Festival delivered yet another day of exciting jams, emerging artists and beautiful weather. Check out more photos from day two!

Drummer Michael Travis | String Cheese Incident

Lotus

Suitcases, Wooly Mammoth, MacGufin, Pluck, Spaghetti > Spiritualize, Elephant1, Sunrain > Intro to a Cell > Sunrain

String Cheese Incident

Set One
Manga, Lost > Rollin’ In My Sweet Baby’s Arms2, Bollymunster, Joyful Sound > Rollover

Set Two
Outside and Inside, Rocksteady34, Can’t Stop Now5, Pack It Up, Tinder Box, The Big Reveal > Colorado Bluebird Sky

Encore
Ramble On46

Notes
1. Tame Impala
2. Flatt & Scruggs
3. Aretha Franklin
4. with Rhonda Thomas
5. New Grass Revival
6. Led Zeppelin

String Cheese Incident | Sweetwater 420 Festival

Sweetwater 420 Festival | Atlanta, Ga

 

Sun, 05/08/2022 - 8:40 am

The Sweetwater 420 Festival in Atlanta, Ga continued into the third day with a high octane line up and the largest crowd the festival has ever seen. It was difficult moving around at times given the huge crowd, though nonetheless very enjoyable and full of southern hospitality. The music was anchored by The Trey Anastasio Band, Umphrey's McGee and Goose.

Kyle Hollingsworth sits in with Neighbor | Sweetwater 420 Festival

The day begin with emerging artist Neighbor, who is rooted in jam rock. They are certainly a band to not miss the next time they are in your area, as they deliver a dynamite high energy show. The Sweetwater 420 Festival was no exception, as they performed their set on the Happy Ending Stage. Kyle Hollingsworth from the The String Cheese Incident sat in for "Mighty Apple Tree", giving a nod to this up and coming quartet.

Guitarist Brian Moss | Spafford

Spafford ascended onto the Hazy Stage for their scheduled moment to shine. Huge swarms of "SpaffNerds" from the online Spafford community as well as folks representing "SpaffAtlanta" gathered for this tasty set of originals. This quartet lived up to the hype with deep improvisation and clever segues, most notably "Electric Taco Stand" > "Steak Sauce." Guitarist Brian Moss elevated the music with fresh guitar licks.

SpaffAtlanta represented at Spafford | Sweetwater 420 Festival

Concurrently, jam rock all stars Umphrey's McGee slam dunked their two sets on the Sweetwater Stage. The were without guitarist Jake Cinninger, but still delivered a memorable set. They played Pink Floyd's "Have a Cigar" for only the third time ever.

Guitarist Rick MItarotonda | Goose

Goose, the rising jam band from Connecticut, followed Spafford on the Hazy Stage. The crowd was more densely packed than any other show throughout the entire festival, causing many to wonder why they were not on the larger Sweetwater Stage. In fact, this was the largest crowd that this quintet has played for to date. They soaked in the attention like the true rock stars that they are.

Multi-instrumentalist Peter Anspach | Goose

The two hour set began with fan favorite, "Hot Tea", and launched into a fifteen minute jam. This was followed by a sixteen minute "Rockdale", which was originally written by Goose predecessor, Vasudo. The arena rock tune "Hungersite," from their soon to be released album Dripfield, transitioned into the melodic and bass heavy classic from the Ted Tapes, "Moby." Bassist Trevor Weekz really shined here.

The dense crowd at Goose | Sweetwater 420 Festival

Multi-instrumentalist Peter Anspach switched to guitar for a high energy "Yeti." Recently debuted songs proceeded with "California Magic," a nineteen minute "Pancakes," and "Silver Rising." The set closed out with the vibrant and funky Vasudo tune, "Empress of Organos." What a day to be living, indeed.

Bassist Trevor Weekz | Goose

Upon conclusion of the Goose set, concert attendees made the journey en masses to the Sweetwater Stage for two flaming sets of the Trey Anastasio Band. This marked the first time that the latest rendition of the band played together with new bassist Dezron Douglas. The first set kicked off with "Money, Love and Change," followed by "Olivia." The horn section of James Casey, Jennifer Hartswick and Natalie Cressman was in full force. The jams picked up with the funky Phish cover "Moma Dance," which segued nicely into the African themed "Mozambique" and "Valentine."

Guitarist Trey Anastasio | Trey Anastasio Band

The fiery Phish cover "Blaze On" jumped into the set list, and was proceeded by a lively "Alive Again" and "I Never Needed You Like This Before," which are Trey Anastasio originals. The set rounded out with "Dark and Down," "Night Speaks to a Woman", and "Sand."

Trombonist Natalie "Chainsaw" Cressman during a solo | Trey Anastasio Band

The second set opened with another blazing Phish song, "Set Your Soul Free." "Simple Twist up Dave," led by Casey on the saxophone transitioned into more Phish goodness with "No Men in No Man's Land." The band maintained the groove as they moved into the Trey Anastasio band classic "Cayman Review" and the Phish tune "A Life Beyond the Dream."

The crowd was also thick at Trey Anastasio Band | Sweetwater 420 Festival

The jam vehicle "46 Days" and "Everything's Right" from the 2020 Phish release Sigma Oasis continued the Phishy theme. Anastasio introduced a number of Phish tunes into the Trey Anastasio Band repertoire during their Beacon Jams residency in 2020, and hasn't looked back. The classic, phish funk based "Ghost" was up next, and found it's way into a raging "First Tube." Anastasio hoisted his Languedoc into the air and created those special feedback sounds that only this handmade guitar can make.

Bassist Dezron Douglas | Trey Anastasio Band

The set wrapped up with "Push on the Day", igniting an already fierce dance party. The band returned for one final Phish tune, the dark and edgy "Carini," and closed out the music for the evening. Check out more photos from day three of the Sweetwater 420 Festival!

Set Lists

Spafford
All In, Pursuit of Madness > Leave the Light On, Beautiful Day, Giants in the Light, Dirt Bath, Electric Taco Stand > Steak Sauce

Goose
Hot Tea, Rockdale, Hungersite > Moby, Yeti, California Magic, Pancakes, Silver Rising, The Empress of Organos

Trey Anastasio Band

Set One
Money, Love and Change, Olivia, The Moma Dance > Mozambique > Valentine, Blaze On, Alive Again > I Never Needed You Like This Before, Dark and Down, Night Speaks to a Woman, Sand

Set Two
Set Your Soul Free, Simple Twist Up Dave, No Men in No Man's Land > Cayman Review > A Life Beyond the Dream, 46 Days, Everything's Right, Ghost > First Tube, Push On Til the Day

Encore
Carini

Trey Anastasio Band | Sweetwater 420 Festival

Percussionst Cyro Baptiste | Trey Anastasio Band

Mon, 05/09/2022 - 7:20 am

The Sweetwater 420 Music Festival continued into day four, which had an equally impressive line up to the prior days. The weather continued to cooperate and made for a beautiful day at Centennial Olympic Park in Atlanta, Ga. The music was anchored by Oysterhead, Joe Russo's Almost Dead and Thievery Corporation.

Mr. Lif | Thievery Corporation

Thievery Corporation kicked things off on the Sweetwater Stage, and delivered a lively performance considering they were a late night act the night before at the Variety Playhouse. Their had incredible energy in their downtempo meets World Music vibe. The band's singers rotated into and out of the show, and included Mr. Lif, Puma, and Natalia Calvier. Percussionist Frank Orall lended his singing skills during "Heart's a Lonely Hunter" from The Cosmic Game.

Rob Garza | Theivery Corporation

Concurrently, Boombox got the beats going early on the Hazy Stage. Normally a late night act, guitarist/singer Zion Godchaux and Kinsman MacKay perfomed along side Backbeat Brass. The two horns added another layer and created a more full sound, especially for an afternoon show.

Drummer Joe Russo | Joe Russo's Almost Dead

Joe Russo's Almost Dead followed Thievery on the Sweetwater Stage for two smoking sets. They are always inventive with their takes on the Grateful Dead and others, and tonight was no exception. Notably missing from the line up was Dave Dreiwitz, who was with Ween at Jazz Fest. Bassist Jon Shaw filled in and meshed with the band well.

Keyboardist Marco Benevento | Joe Russo's Almost Dead

The first set started with a jam that lead into the Grateful Dead's "Feels Like a Stranger." They also executed perfectly on the "St. Stephen" transition into the traditional "Sitting On Top of the World." The set closed out with another jam sandwich: "Cats Under the Stars" > "Cumberland Blues" > "Big River."

Guitarist Tom Hamilton | Joe Russo's Almost Dead

Set two picked up where set one left off "Dancing in the Streets" dancing into "They Love Each Other," which was sung by guitarist Tom Hamilton. The set wrapped up with the classic Dead tune "Rueben and Cherise" > "Throwing Stones" > "Terrapin Station." The entire crowd was singing during "Terrapin Station" and everyone was feeling the love during this set.

Snarky Puppy | Sweetwater 420 Fest

The Grammy winning instrumental act Snarky Puppy took the stage during Joe Russo's Almost Dead on the Hazy Stage. The band was delayed to start, which was quite uncommon at this festival. They eventually emerged to deliver a jazz meets edgy rock and dance, and brought Jennifer Hartswick from the Trey Anastasio Band on stage for an exciting collaboration.

Les Claypool | Oysterhead

The last artist for the day and festival was the musical rarity Oysterhead on the Sweetwater Stage. This band is a joint effort between guitarist Trey Anastasio, bassist Les Claypool and drummer Stewart Copeland, and began at Jazz Fest in May of 2001. They tend to include darker prog rock riffs but blended with funk and a dose of weirdness. The power trio has officially played only twenty seven shows together prior to this appearance, which was rescheduled from their reunion tour in 2020.

Claypool and Anastasio in a guitar dual | Oysterhead

The set kicked off with the funky "Mr. Oysterhead" and high energy "Oz Is Ever Floating," both from their lone album release in 2001, The Grand Pecking Order. Claypool turned up the heat during "Rubberneck Lions" and "Little Faces." All three members contributed vocals to "The Grand Pecking Order."

Guitarist Trey Anastasio | Oysterhead

"Polka Dot Rose" got a bit jammy as Trey began to noodle for a few moments before the band dove into "Army's on Ecstasy." Claypool brought out the Whamola upright bass, while Anastasio turned to the Matterhorn antler guitar, to elevate the levels of weirdness during this song. The creepy "Shadow of a Man," sung by Claypool followed. "First Tube" made it's second appearance of the weekend, as Trey Anastasio Band played this song the night before. This version was complete with a "Southbound Pachyderm" tease by Primus. "Owner of the World" ended this set of great set.

Legendary drummer Stewart Copeland | Oysterhead

The band returned for one last tune, "Pseudo Suicide." Prior to this, Anastasio gave a nod to Copeland by asked Claypool, "When I was in high school, do you know who the best drummer was?" Claypool responded "I can introduce you," just as Copeland counted off this quintessential song. The festival ended on a high note, as good times were had by all. Check out more photos from day four.

Joe Russo's Almost Dead

Set One
Jam > Feel's Like a Stranger, St. Stephen > Sitting On Top of the World, Cats Under the Stars > Cumberland Blues" > Big River

Set Two
Dancing in the Streets > They Love Each Other, Reuben and Cherise > Throwing Stones, Terrapin Station

Oysterhead

Set
Mr. Oysterhead, Oz is Ever Floating, Rubberneck Lions, Little Faces, The Grand Pecking Order, Polka Dot Rose, Army's on Ecstasy, Shadow of a Man, First Tube, Owner of the World

Encore
Pseudo Suicide

Huge crowds to close out the festival | Oysterhead

Bassist Les Claypool | Oysterhead

Mon, 05/16/2022 - 5:23 am

The electronica jamband Lotus kicked off a blazing two night run at Union Transfer in Philadelphia, Pa last Friday night. These shows were rescheduled from December 2021 because of complications with covid-19, and were originally part of their year end run. The Philadelphia based squad brought a clever mix of new and old songs, as well as a bust out, much to the crowd's delight.

Lotus | Union Transfer

Originally based out of Indiana, the band members include Jesse Miller (bass), Luke Miller (keyboards), Tim Palmieri (guitar), Chuck Morris (percussion), and Mike Greenfield (drums). Palmieri recently joined in 2021, and replaced founding member Mike Rempel. His background in both jazz and electronica has meshed well with this group.

Bassist Jesse Miller | Lotus

The festivities began with the groove inducing disco tune "Bjorn Gets a Haircut," from their 2020 release Free Swim. The funky "Middle Road," from the 2011 album Build, followed. The dance party elevated into high gear with the tasty jam sequence "Anti-Gravity" > "Modular Improvisation" > "Bellwether," with notably stellar guitar work by Palmieri. "Modular Improvisation" was played for only the third time. The older, melodic song "Woolly Mammoth," was up next, and brought a flavorful jam rock build up. The set closed out with "Tip of the Tongue," from The Strength of Weak Ties.

Guitarist Tim Palmieri | Lotus

The band picked up right where they left off during set two, stopping only once for air. The music included a number of infrequently played tunes. "Lead Pipe," last played on November 30th, 2019, eloquently transitioned into "Space In Between," which has only been played nine times since 2006. "Space in Between" flowed into newer tune "Fortune Favors," another song that has not been played since December 31, 2019.

Lotus | Union Transfer

The set closed out with a raging jam sandwich that included a rare cover, starting with the bright "It's All Clear To Me Now." A raccous jamtronica groove ensued as the band moved into "Mega Man II (Dr. Wiley's Theme)", from the original Nintendo game Mega Man II. This classic video game tune was last played February 12, 2011, and appeared in the set list for the third time. Jesse Miller and Palmieri could been seen jamming together center stage, with Greenfield holding down the beats and looking on with a smile. The band jammed back into "It's All Clear To Me Now" and closed out this heated set with "Flower Sermon."

Jesse Miller and Tim Palmieri elevating the jam | Philadelphia, Pa

After stepping off stage for a few minutes, the band returned to boisterous applause. They played one more high energy tune, "Condor," led by Luke Miller's vibrant keyboard work and Palmieri's laser sharp licks.

Multi-instrumentalist Luke Miller | Lotus

Lotus kept fans on their toes with two flaming hot sets of electronica, and are not to be missed. They perform next on May 19 at Domefest, and are playing a number of festivals this summer. Hop on over to their tour page for more details.

Fans loved the music | Lotus

Check out more photos from show!

Set One
Bjorn Gets a Hair Cut, Middle Road, Anti-Gravity > Modular Improvisation > Bellwether, Wooly Mammoth, Tip of the Tongue

Set Two
Lead Pipe > Space In Between > Fortune Favors, It's All Clear To Me Now > Mega Man II (Dr. Wiley's Theme) > It's All Clear To Me Now > Flower Sermon

Encore
Condor

Drummer Mike Greenfield hands out a set list | Philadelphia, Pa

Lotus was feeling it | Union Transfer

Sat, 05/28/2022 - 9:45 am

Memorial Day weekend is upon us, and the jam rock quintet Goose ushered in the summer concert season with a heater at the Westville Music Bowl in New Haven, CT last night on the first of a two night stand. This feel good "hometown state" show, as described by multi-instrumentalist Peter Anspach, included a mix of new and old songs, with no shortage of heavy hitters. The band also used the event to promote awareness for the organization Kindness Over Muscular Dystrophy.

Multi-instrumentalist Peter Anspach | Goose

Some proceeds from merchandise sales this weekend will benefit Kindness Over Muscular Dystrophy, which provides hope for those diagnosed with the incurable disease, Duchenne Muscular Dystrophy. Goose's friend Conner Curran, who is diagnosed with Duchenne, and his family attended the show. The band took a few moments to bring awareness to this disease and gave a shout out to their brave friend. They will host their friend Will Kuhn, who is also diagnosed with Duchenne, at the Indianapolis show in two weeks.

Lights by Andrew Goedde | Westville Music Bowl

The first set began with a smoking hot "Atlas," a high energy cover by the Wood Brothers. The funky "Flodown" was up next, from their 2021 release Shenanigans. Drummer Ben Atkind was notably elated while laying down the complex beats for this tune. Two new songs from 2022 followed with "Dr. Darkness" and "Pancakes." The latter has certainly evolved into a formidable jam vehicle after only eight performances, as the dance party was dialed up to high rage.

Drummer Ben Atkind | Goose

"Seekers on the Ridge Part 1" followed and maintained the energy while flowing into set list companion, "Seekers on the Ridge Part 2." These two songs have grown dramatically since they debuted down the road in Morris, CT on November 7, 2020. Lighting Director Andrew Goedde put on quite a show during this tune, which included new equipment for this tour. This flaming hot set wrapped up with a fiery fan favorite, "Hot Tea."

Percussionist Jeff Arevalo | Goose

Set two followed with the face melting opener, "Madhuvan." Guitarist Rick Mitarotonda fell into the pocket in this tight this jam, which has also seen snippets played during NFL games on Fox Sports. This energy transitioned into the synth heavy "Creatures," and brought a raucous jamtronica jam. "Pancakes" made a second appearance, this time with a darker, spookier vibe.

Westville Music Bowl | New Haven, CT

The quintessential "Wysteria Lane" followed, and brought a vibrant disco jam rooted in funk. A jam sandwich with "Same Old Shenanigans," which ironically debuted at the Westville last year, flowed into "Dawn" to close out this dark jam set. Both tracks are from Schenanigans.

Guitarist Rick MItarotonda | Goose

After stepping off stage, the band returned to boisterous applause. They obliged the crowd with "Rockdale," a Vasudo tune that featured a tasty jam on the clavinet by Anspach.

Peter Anspach got the crowd clapping | Goose

Goose is back in action tonight at the Westville Music Bowl, and tickets are still available here. They are just getting started with their summer tour to promote new album Dripfield. Head on over to their tour page for more details.

Fans loving the show | Goose

Check out more photos from the show!

Set One
Atlas1, Flodown, Dr. Darkness, Pancakes, Seekers on the Ridge Part 1, Seekers on the Ridge Part 2, Hot Tea

Set Two
Madhuvan2, Creatures, Pancakes, Wysteria Lane, S.O.S > Dawn

Encore
Rockdale

Notes
1. Woods Brothers
2. Barracuda teases

Bassist Trevor Weekz | Goose

Westville Music Bowl | New Haven, CT

Mon, 05/30/2022 - 3:50 pm

Goose brought another tight performance to the always delightful former tennis stadium turned music venue Westville Music Bowl, in New Haven, CT, despite seemingly ominous skies to kick off the night on May 28th, 2022. The band was on fire night two of the Dripfield tour to promote the upcoming album release with the same name. An almost ethereal Dripfield vibe permeated this show in particular, and radiated love to attendees.

RIck Mitarotonda and Peter Anspach | Goose

The local Connecticut beer brewers Tribus created a juicy, drippy IPA, appropriately tilted Dripa, in partnership with Goose. This deliciously light citrus and lime ipa was available at the concessions during the show. Those who snagged a cup were lucky, as this beer was outstanding.

Multi-instrumentalist Peter Anspach | Goose

The set launched into a high energy, dance party inducing "Drive." Newer tunes "California Magic" and "This Old Man's Boat" were up next. Hearing these new tunes evolve this year has been great, and this evening was no exception.

Westville Music Bowl | New Haven, CT

"Turned Clouds," from the 2016 release Mooncabin, brought the heat. Long time manager Jon "Coach" Lombardi joined the band on rain stick during the vibrant and melodic "Honeybee," from Dripfield. His presense elevated the vibe in the room, and brought a dose of Dripfield, The set closed out with a monster "Empress of Organos."

Bassist Trevor Weekz | Goose

Set two kept the energy going with a fiery "Red Bird," followed by "Butter Rum." The dance party erupted during "Echo Of A Rose," which meandered jamtronically into a smoking "Into The Myst." This version was the first time that the band has finished the song since November 17, 2021.

Fans enjoyed the Dripfield vibe | Goose

"Dripfield" came full circle as the new song from Dripfield was played into the night, under heavy smoke. The band left the stage to close out the set under the cover of this smoke while their instruments were still playing. The band returned, though still hidden behind smoke, and closed out this stellar show by playing a tasty "Dripfield" jam.

Peter Anspach | Goose

This band delivered stellar jams at the Westville, and continues to do so night after night. Tonight's version dripped with the depth of "Dripfield," starting with the beer and ending on a high note with the tune. The next stop on the Dripfield 2022 Tour is Midway Lawn in Essex, VT on June 6th. Head on over to their tour page for details on shows in your region.

Lighting Director Andrew Geodde got new toys | Westville Music Bowl

Check out more photos from the show!

Set One
Drive, California Magic, The Old Man’s Boat, Turned Clouds, Honeybee1, The Empress Of Organos

Set Two
Red Bird, Butter Rum, Echo Of A Rose > Into The Myst2, Dripfield

Encore
Dripfield3

Notes
1. Coach on rain stick.
2. First finished Myst since 11/17/21
3. Continued from set-closing rendition

Percussionist Jeff Arevalo | Goose

More Andrew Goedde deliciousness | Goose

Goose ended the show with smoke | Westville Music Bowl

Wed, 06/22/2022 - 5:20 am

The Palindrome loving jam quartet Dopapod, who masterfully mix dark and light, made lemonade out of lemons at the Space Ballroom in Hamden, CT last weekend after their original booking was cancelled. And what tasty lemonade it was, mixed with elements of jazz, rock, progressive and electronica, as well as a number of exciting new and first time played tunes. One Time Weekend gave their support for an all-around enjoyable soggy summer night in New England.

Drummer Neal "Fro" Evans | Dopapod

The Connecticut residing emerging artist One Time Weekend kicked off the festivities for the evening. Their sound has a progressive edge that is rooted in jam. The band members include Adam Eytan (guitar), Ben Sullivan (drums), Zac Mulcahy (keyboards and guitar), and Ian D'Archangelo (bass). Their rocking set included thick grooves that oscillated between dark and light chords with an industrial flare, and was a perfect companion for Dopapod.

One Time Weekend | Space Ballroom

Shortly after the opening set ended, Boston, Mass based Dopapod took the stage for a short but sweet set that started with Never Odd or Even's "Psycho Nature." Not only is the band's name a palindrome, which is a word that is the same forwards and backwards, but all of the album titles are as well. This is very reflective of their high octane mix of dark and light, precisely woven into a groove. "Jawnmower" was up next, followed by vintage tune "Vol.3 #86", from Redivider. The band closed out this round with a brand new tune called "Ebb and Flow," which included a killer transition into "Mucho", from Megagem.

The band was feeling it | Space Ballroom

The band returned for a second set that included several more first time played tunes and a delicious magic middle jam sequence. This began with new tune "Black Holes." The band launched into a non-stop jam sandwich, starting with the classic Radar tune, "Eight Years Ended." A high energy segue followed, and flowed into the first time played Billy Eilish cover, "Bad Guy."

Guitarist Rob Compa | Dopapod

The band continued into another Radar tune that has been played only once prior, "Off the Cuff." "Trickery" was up next, and transitioned into another first time played tune, "Modular Jam," before grounding this truly mind blowing non-stop artistry with Drawn Onward's "Onionhead." Fan favorite and high energy tune "Trapper Keeper," from Redivided, ended the set.

Fans soaking up the great vibes | Dopapod

The band returned to boisterous applause and announced that they would play two songs about time. This started with the final first time played song for the evening, "Building a Time Machine." "Time is Funny," from the 2022 self titled release Dopapod, ended the show on a high note.

Keyboardist Eli Winderman | Dopapod

Every show gets better and better with this talented squad. The good news is that they are in the middle of a stacked summer tour and are back in action on June 23 in Canandaigua, NY with Dog's in a Pile. Hop on over to their tour page for more details.

Bassist Chuck Jones | Dopapod

Check out more photos from the show!

Set One
Psycho Nature, Jawnmower, Vol. 3 #86, Ebb and Flow1 > Mucho

Set Two
Black Holes1, Eight Years Ended > Bad Guy12 > Off The Cuff > Trickery > Modular Jam1 > Onionhead, Trapper Keeper

Encore
Building A Time Machine1, Time Is Funny

Notes
1. First time played
2. Billy Eilish cover

A good show was had by all | Space Ballroom

Space Ballroom | Hamden, CT

Fri, 06/24/2022 - 6:52 am

The Disco Biscuits presented City Bisco last weekend in Philadelphia, PA at the iconic Mann Center for Performing Arts. They gathered a number of their talented friends to join the jamtronica effort including The New Deal, Bob Moses, Township Rebellion, and LP Giobbi on a picture perfect June afternoon. These bands brought heat and excitement, with anything from special guests to inverted songs to the Disco Biscuits joining LP Giobbi on stage during her set and jamming into theirs.

Township Rebellion | City Bisco

The festivities kicked off with Township Rebellion, who shared some high energy dance music early in the afternoon. These two DJs delivered smooth house beats and a surprisingly cool light show. Additionally, early attendees were treated to stunning day light, which provided opportunities to admire the impressive architecture at the Mann Center.

The New Deal | The Mann Center

Just as the crowd started to warm up, The New Deal took the stage. The Toronto, Ca based squad brought Philadelphia's own drummer Mike Greenfield from Lotus to hold down the beats. The band had not played in the USA since prior to the COVID-19 pandemic, and were beyond ecstatic to bring their organic deep house sound to this event.

Vocalist Tom Howie | Bob Moses

The Canadian delights rolled on with the electro indie pop duo, Bob Moses. This Grammy winning pair, Jim Vallance (synth/production) and Tom Howie (vocals), from Vancouver, Canada eloquently wove electronica with vocals. They were backed up by a drummer and bassist to drive home the organic vibes.

Jon "The Barber" Gutwillig | Disco Biscuits

The crowd was primed and ready for the force of nature that is the Disco Biscuits. They typically deliver non-stop fan favorite filled setlists for these occasions, and this evening was no exception. "We Like To Party" started the set, and flowed into the end of "Spacebirdmatingcall," which went unfinished from the night prior. The music and energy was high as the band segued into new song "Freeze," followed by "Anthem," and wrapped up with the ending of classic tune "Above the Waves."

The Disco Biscuits sit in with LP Giobbi | City Bisco

While the Disco Biscuits took a much needed break, and Producer/DJ LP Giobbi dished out some tasty dance music to keep the party going. Melding unique piano loops with high energy beats is her specialty. Many have taken notice, including the Disco Biscuits, who decided to join her on stage to start their second set. The artists were collectively all smiles. Eventually, LP Giobbi's set wound down, and she left the stage to roaring applause.

Fans loving the show | Philadelphia, PA

Set two continued with new tunes "Lake Shore Drive" > "A Change To Save The World." The Biscuits dropped some of their signature inversion in the next vintage tune, "Confrontation." The beat didn't stop as the band continued this raucous jam into another new tune, "Space Train."

Guitarist Tom Hamilton sits in | Disco Biscuits

As the Disco Biscuits moved into beast mode, good friend and Philadelphia musician Tom Hamilton joined them on stage to elevate the dance party. This delicious non-stop set closed out with old school fan favorite, "Morph Dusseldorf," from the band's Uncivilized Area release. Hamilton stuck around for the encore, and joined the efforts to deliver a raging version of Pink Floyd's "Run Like Hell."

The Disco Biscuits | City Bisco

The Disco Biscuits are innately skilled at putting together a stellar line up of EDM and Jam artists, as well as delivering their own mind blowing performance. We can only look forward to future City Bisco musical collaborations. In the mean time, the Disco Biscuits are in the middle of a fiery summer tour. Hop on over to their tour page for more details.

What an epic performance | City Bisco

Check out more photos from the show!

Set One
We Like To Party > Spacebirdmatingcall1 > Freeze > Anthem > Above The Waves2

Set Two
Jam3 > Lake Shore Drive > A Chance To Save The World > Confrontation4 > Space Train > Morph Dusseldorf5

Encore
Run Like Hell56

Notes
1. Ending only; completes 6/18/22.
2. Ending only.
3. Segued out of LP Giobbi’s set.
4. Inverted.
5. With Tom Hamilton.
6. Pink Floyd

The Mann's iconic architecture | Philadelphia, PA

Drummer Mike Greenfield sat in for the New Deal's set | City Bisco

Tue, 06/28/2022 - 5:54 am

The Peach Music Festival is almost upon us with over fifty artists scheduled to play. Located in the beautiful landscape of Montage Mountain near Scranton, Pa, the event takes place on June 30 - July 3rd. Created by The Allman Brothers, this year marks the festival's ten year anniversary, which includes a stacked line up of artists, private VIP shows, a water park, a pop up photo gallery for the legendary Grateful Dead photographer Jay Blakesberg, and much more. This year's headliners include heavy weights Billy Strings, Goose, Trey Anastasio Band, The Black Crowes, The Revivalists and Joe Russo's Almost Dead. Read on for more details about must see performances.

Goose plays a hot late night set on Saturday | Peach Music Fest

In addition to music, this unique experience also includes a variety of food and vendors on site. Attendees will also have access to Montage Mountain's Ski Resort's water park, zip line, and ski lift rides. A photo gallery will be displayed at the Lodge displaying prolific live music photographer Jay Blakeburg's outstanding work. On Saturday July 2nd at noon, he will give an hour long Grateful Dead story telling presentation at the Lodge, which is sure to be as incredible as it is inspiring.

Photographer Jay Blakesberg will give a talk on Saturday at noon | Peach Music Fest

Special VIP sets will also take place for those with VIP tickets. The shows will occur above the water park in the Midland, complete with fire pits, a bar, and concessions. VIP Performances include Andy Frasco’s World Saving Podcast, Brandon “Taz” Niederauer with Kanika, the Cordovas, Daniel Donato, Dogs In A Pile, Duane Betts, Karina Rykman performing a DJ set, Kitchen Dwellers, and Maggie Rose.

Catch Pigeons Playing Ping Pong's Friday late night set | Peach Music Fest

The music begins on Thursday, June 30th, and is limited to two stages for the first day. Grammy winning bluegrass musician Billy Strings headlines with two sets on the Peach Stage. One man band Keller Williams and Trouble No More, performing the Allman Brother's Eat a Peach, are also scheduled for the Peach Stage. Emerging artist Yam Yam, residing in Harrisburg, Pa, will bring their unique blend of funk, jazz and r&b to the Groove Stage for a must see first night warm up.

Eggy will perform two sets on Friday | Peach Music Fest

Friday's throw down includes a double whammy of Eggy, 12 - 12:45pm on the Peach Stage and 9:45 - 11pm on the Mushroom Stage. Must see artists on the Peach Stage include The Bogie Band, two sets of Joe Russo's Almost Dead and a face melting late night set with Pigeons Playing Ping Pong. The Mushroom Stage features Eric Krasno & The Assembly, The Motet, and Andy Frasco & The UN.

Trey Anastasio Band headlines Saturday night on the Peach Stage | Peach Music Fest

Saturday's stacked line up begins with emerging jam rock artists The Cycles and One Time Weekend on the Groove Stage. Boston, Mass based Neighbor, Ripe and NYC's Brandon "Taz" Neiderauer will have sets on the Mushroom Stage. The Peach Stage includes heavy hitters like Jaimoe & Friends, The Revivalists, and Trey Anastasio Band followed by a special, fiery hot late night set with Goose, the rising indie groove squad from Connecticut. Will Trey join Goose on stage again this weekend?

Catch One Time Weekend on Saturday at the Groove Stage | Peach Music Fest

Peach festival closes out earlier on Sunday than the prior days, with raging sets from The Word and The Black Crowes. The Word is a super group featuring Robert Randolph, John Medeski and members of the North Mississippi All Stars. Dogs in a Pile and Tauk round out the stacked line up on the Mushroom Stage. Two Disco Biscuit side projects are also on the Mushroom Stage, with Spaga featuring Aron Magner and Marc Brownstein's Star Kitchen. The Groove stage includes more goodness from the bluesy GA-20 and country rockers The Wild Feathers.

Dogs in a Pile are on the Mushroom Stage on Sunday | Peach Music Fest

Mon, 06/27/2022 - 6:44 pm

The indie groove quintet Goose released their new album Dripfield on Saturday, June 25 to a sold out crowd at New York City's Radio City Music Hall. The show was the second of a two night stand, where both nights had three sets of music including a special acoustic first set. The band was joined on stage by two of their legendary musical influences, guitarist Trey Anastasio from Phish and indie folk singer-songwriter John Tillman, also known as Father John Misty.

Bassist Trevor Weekz | Goose

This weekend was the culmination of this band's perseverance, and showcased their outstanding musical journey, as they have ascended from an emerging artist playing small clubs in 2019 to selling out the iconic six thousand person capacity Radio City Music Hall. Famed Phish artist Jim Pollock designed the poster for this event. Goose also appeared on CBS Saturday Morning and offered a special album autograph session for lucky fans who acquired tickets in between shows. Hopefully the band found time to sleep last weekend.

Goose's accoustic set | Radio City Music Hall

The show began with the acoustic set, where the band was arranged in a straight line, and seated next to each other in chairs. Guitarist Rick Mitarotonda donned an acoustic guitar, and dove into "Atlas Dogs," followed by "Moonrise." The band delighted the audience with two first time played covers, starting with Arcade Fire's "Wake Up." Coincidentally, Stuart Bogie, who sat in with Goose the night before at Radio City, is a touring member of Arcade Fire. Bruce Springsteen's "Atlantic City" followed and got the crowd's attention. The original, high energy "Flodown" kicked off the dance party for the evening, as fans began to move and grove into the aisles. The set wound down with the elusive "Elmeg the Wise," last time played in San Francisco, Ca on January 30, 2022.

Guitarist Rick Mitarotonda | Goose

After a short break, the band emerged, albeit fully electrified. A sixteen minute "Rockdale" ignited the set, followed by a relatively standard "Seekers on the Ridge Part One." This melodically flowed into the layered "Seekers on the Ridge Part Two."

John Tillman aka Father John Misty joins Goose | Radio City Music Hall

The set took flight with a twenty two minute "Red Bird," as drummer Ben Atkind flapped his arms like wings deep into the jam. While mid-jam, multi-instrumentalist Peter Anspach welcomed one of their musical influences to the stage, Father John Misty, to contribute vocals for a cover of his tune, "I'm Writing a Novel." This legendary set closed with a monster "Creatures," and included a stellar multi-color lighting clinic that highlighted the arch over the stage by Lighting Director, Andrew Goedde. Before leaving the stage, Anspach announced that the band was playing an hour later than the night prior, much to the fan's delight.

Multi-instrumentalist Peter Anspach | Goose

About thirty minutes later, the band emerged, as the crowd buzzed with excitement over the extended set. They started this special set with "Silver Rising," from the new album, Dripfield. As the song ended, Anspach announced, "Everyone give it up for Trey Anastasio from Phish." The well known guitarist Trey Anastasio, who resides in New York City, appeared with his signature Languedoc guitar to much applause. The band was all smiles and beyond excited to be sharing the stage with this man.

Mitarotonda confers with Anastasio, before announcing "He's going to stay" | Radio City Music Hall

The set continued with "Hungersite," where Anastasio provided some vocals and wove his way into the mix. He and Mitarotonda took turns jamming this outstanding nineteen minute version. As the song wound down, the music flowed into the quintessential Goose tune "Arcadia." Anastasio sang the vocals for the third verse, which was a huge treat for Phish fans. Another fiery jam sequence ensued, with Anastasio and Mitarotonda building upon each other's licks.

Goose sold out Radio City Music Hall | New York, NY

At the conclusion of "Arcadia," Anastasio and Mitarotonda conferred on stage, with the former announcing, "he's going to stay." The sextet continued with "Dripfield" > "Loose Ends," which was last played on June 11, 2021 in Swanzey, NH. The band was truly appreciating Anastasio's presence on stage, as much as he was enjoying the experience. The set closed out with a face melting, twenty minute "Empress of Organos," that included another jam for the Goose history books. The musicians left the stage to boisterous applause.

Mitarotonda embraces Anastasio at the end of the bananas set | Goose

The band returned not only with Anastasio, but Father John Misty appeared as well. The band announced that Percussionist Jeff Arevalo would play guitar, where as Father John Misty took over Aervalo's drum kit. The all star group played "Tomorrow Never Knows" by the Beatles, and wrapped up a magical evening for Goose and their fans.

Radio City Music Hall | New York, NY

Goose has certainly come a long way. We can only hope that they will continue to build on their new found success. They are in the middle of a jam packed summer tour, appearing next at High Sierra Music Festival on June 30. Hop on over to their tour page for more details on shows in your area.

Check out more photos from the show!

Set One
Atlas Dogs, Moonrise, Wake Up18, Atlantic City28, Flodown, Elmeg the Wise

Set Two
Rockdale, Seekers on the Ridge Pt. 1 > Seekers on the Ridge Pt. 2, Red Bird> I'm Writing a Novel34, Creatures

Set Three
Silver Rising, Hungersite5, Arcadia5, Dripfield5 > Loose Ends5, The Empress of Organos5

Encore
Tomorrow Never Knows567

Notes
1. Arcade Fire cover
2. Bruce Springsteen cover
3. Father John Misty cover
4. With Father John Misty
5. With Trey Anastasio
6. Beatles cover
7. With Jeff Arevalo on guitar, plus Father John Misty on drums
8. First time played

Goose loved Trey Anastasio sitting in | Radio City Music Hall

Lighting Director Andrew Geodde for the win | Radio City Music Hall

Fri, 07/08/2022 - 4:00 pm

The tenth annual Peach Music Festival kicked off at Montage Mountain in Scranton, Pa last Thursday, June 30th. Daily headliners included the surging bluegrass artist Billy Strings, along with Keller Williams and the Allman Brothers tribute band, Trouble No More. The first day utilized only two stages and started later in the evening, allowing campers to get settled in. Overall, festival goers were treated to a special night of music.

Keller Williams | Peach Music Fest

The music started later on opening night at the Peach Music Festival, albeit with picture perfect weather. Campers needed time to set up camp on the hill behind the stage area. Only two stages were in action: the Groove Stage, which features emerging artists, and the Peach Stage, which is the largest stage.

The Peach Stage | Peach Music Festival

The Groove Stage hosted artists like Miss Mojo, JD Simo, Carly Moffa and Tand Band. The NYC based jazz trio Consider the Source performed an exciting late evening set. Pennsylvania local's Yam Yam brought their mix of funk and jazz to close out the night on this high energy stage.

Keller Williams | Peach Music Festival

The Peach Stage is the main stage at the Peach Music Festival, and hosted some heavy weights on this Thursday night. Midnight North and Samantha Fish got the party started. One man band Keller Williams delivered a fiery set mixed with covers and originals. He notably busted out "Freaker by the Speaker" from his 2002 release, Laugh.

Billy Strings | Photo by Killahwave/Jamie Huenefeld

Grammy winning Billy Strings brought his talented band of musicians to the Peach Stage. This evening's line up included Alex Hargreaves (fiddle). Strings notably welcomed Hargreaves into his band officially the following Sunday. The innovative bluegrass squad had multi-color LED panels behind them, coordinated with the stellar lights.

Fiddler Alex Hargreaves, who joined Billy String's band after Peach Fest | Peach Music Fest

Trouble No More handled the late night duties, and covered the the legendary Allman Brothers' album, Eat a Peach.

Billy Strings | Photo by Killahwave/Jamie Huenefeld

Check out more photos from the show!

The dance party got fuego during Trouble No More | Peach Music Fest

Sat, 07/09/2022 - 9:20 am

The tenth annual Peach Music Festival continued at Montage Mountain on Friday, July 1st, with a full slate of talented artists and three stages of music. Friday’s headliners included Pigeons Playing Ping Pong and Joe Russo’s Almost Dead on the Peach Stage, plus Eggy and Doom Flamingo on the Mushroom Stage. Weather did play into some cancellations as the day went on, but overall fun was had by all.

Stuart Bogie | The Bogie Band

The festivities began on the Peach Stage with the red hot jam rock squad from Connecticut, Eggy, along with Marco Benevento’s jazzy rock trio. The Bogie Band, led by Stuart Bogie, continued the jazz trend, before the Montana based bluegrass band the Kitchen Dwellers took over. The early slate of bands on the Mushroom Stage, which sits next to a wave pool in the Montage Mountain Resorts water park, kicked things off with The Jauntee and Lacuna, followed by Eric Krasno and the Assembly.

Bassist Garrett Sayers | The Motet

The weather decided to make an appearance later in the afternoon, as The Motet was mid set with Shira Elis on the Mushroom Stage, formerly of Turkuaz. She had joined the Denver, Co funk band for their full set. John Bonham’s Led Zeppelin Evening had just walked out on to the Peach Stage. All bands got the call that lightning was approaching. Everyone was instructed to stop playing and take cover.

Andy Frasco and the UN | Peach Music Fest

After the untimely break in music, which incidentally forged many new friendships while concert goers charged phones under cover, Andy Frasco and the UN brought his energetic gang of musicians back to the Mushroom Stage. Most notably, Andy crowd surfed into the wave pool during the show, and took his third ever swim while performing during a Peach Festival. Brandon “Taz” Niederauer, Eric Krasno, and Kanicka Moore from Doom Flamingo sat in.

Brandon "Taz" Neiderauer jams with Shawn Eckels | Andy Frasco and the UN

Joe Russo’s Almost Dead was up next on The Peach Stage. Though their time was reduced from two sets to one set based on the weather, they made haste and manifested a stellar Grateful Dead inspired set of tunes. Guitarist Tom Hamilton’s vocals were on point. The entire grounds vibrated when the band played “Terrapin Station,” while everyone sang along. The Mushroom Stage continued hosting flaming hot bands with the Nth Power featuring Jennifer Hartswick along with more late night Eggy goodness.

Drummer Joe Russo | Joe Russo's Almost Dead

The late night dance party raged on as Pigeon’s Playing Ping Pong descended onto the Peach Stage. They delivered two tasty covers, with Pink Floyd’s “Shine On You Crazy Diamond” and Elton John’s “Rocketman.” Nashville's Daniel Donato sat in with this face melting jam squad. Doom Flamingo, Ryan Stasik's band from Charleston, SC, handled late night duties on the Mushroom Stage. Both sets were unfortunately cut short once again based on extreme weather, ending all music for the day.

Guitarist Greg Ormont | Pigeons Playing Ping Pong

Check out more photos from the show!

Joe Russo's Almost Dead Set
My Brother Essau, Cats Under The Stars, Tell Me Momma, Estimated Prophet, Mississippi Half-Step Uptown Toodeloo, Terrapin Station, Throwing Stones, He’s Gone > St Stephen > He’s Gone

Pigeons Playing Ping Pong Set
Water, Henrietta, Slapjack > Shine On You Crazy Diamond1 > Rocketman2 > Slapjack, Posideon3, Beneath the Surface

Notes
1. Pink Floyd
2. Elton John
3. with Daniel Donato

Guitarist Jeremy Schon | Pigeons Playing Ping Pong

Pigeons Playing Ping Pong | Peach Music Fest

Sun, 07/10/2022 - 2:45 pm

Day three is when the magic happens at festivals and this year was no exception at the Peach Music Festival in Scranton, Pa. The weather behaved for the most part, which allowed the schedule to blossom with creativity. Trey Anastasio Band, Goose and The Revivalists were the headliners on the Peach Stage. Lodge activities included Grateful Dead photographer Jay Blakesberg’s talk about his incredible experiences with the band, and a live episode of the Great Beyond Podcast.

The Great Beyond Podcast interviews Melt | Peach Music Fest

Saturday’s activities began with the accomplished live music photographer, Jay Blakesberg, who gave a talk about his experiences throughout his forty years taking photos for the Grateful Dead. Afterwards, the Great Beyond Podcast, billed as "not a goose” podcast, recorded a live episode while interviewing Dogs in a Pile, Melt and Ripe. Led by Greg Knight, Bruce Robinson and Joey Parisi, the lucky fans in attendance were able to catch a more personal side of the artists during the insightful interviews conducted by our Goose guru hosts.

Legendary drummer Jaimoe | Jaimoe and Friends

The music kicked off on the Peach Stage with Indie soul rockers Melt, bassist Karina Rykman’s squad, and legendary Allman Brothers' drummer Jaimoe and his talented friends. Natalie Cressman, trombonist from the Trey Anastasio Band, sat in with Jaimoe's horns section and elevated the composition.

Fans loved the music | Peach Music Fest

The Allman Brothers theme continued on the Mushroom stage with Friends of the Brothers, followed by the busiest man at Peach, Daniel Donato along with Daniel Donato’s Cosmic Country. The rising Boston, Mass jam rock artist Neighbor followed. The emerging artist Groove Stage’s stellar line up began with Muskrat Lightning, Dry Reef, Pixie and the Partygrass Boys, and JB Strauss.

Singer Robbie Wulfsohn is feeling it, despite impending weather | Ripe

Ripe, the soaring funk, R&B, and jazz squad from Boston, Mass, took the stage with dark skies approaching. Percussionist Jeff Arevalo from Goose sat in, though the band's time was cut short based on approaching thunderstorms.

Singer David Shaw connected with the audience | The Revivalists

After the weather cleared, The Revivalists took the Peach Stage for their set. Lead singer David Shaw immediately jumped on the amps in front of the stage, and began singing directly to the crowd, much to the delight of fans. Other members of the band joined in the fun. Overall, their alternative rock meets jam band sound made a great show. By this point, the sky decided to pour rain with full force, but there was no lightning, and thus no music interruption.

Trey Anastasio Band | Peach Music Fest

The Trey Anastasio Band was up next, led by Phish Guitarist Trey Anastasio, which mixes jam rock with jazz and a stellar horn section. Many wondered if a member of Goose would join the party, as Anastasio sat in with Goose the prior weekend. Nonetheless, this band heated the room up early by diving into a Phish favorite, “Blaze On.”

Saxophonist James Casey, Trumpeter Jennifer Hartswich and Trombonist Natalie Cressman | Trey Anastasio Band

Singer and guitarist Celisse Henderson sat in for “The Moma Dance,” “A Life Beyond the Dream” and “Rise/Come Together,” where she contributed her always inspiring vocals. Anastasio and Henderson had a few exchanges on guitar as well. She contributed her beautiful vocals to Anastasio's Ghost of the Forest project in 2019.

Celisse Henderson joins the Trey Anastasio Band | Peach Music Fest

The Mushroom and Groove stages were alive and kicking as well. The American and country rock Cordovas delivered a raging set on the Mushroom Stage. Melt returned to the Groove Stage for take two. The edgy rock plus jazz artist One Time Weekend kept the Groove Stage going into the night. The Cycles handled late night duties on the Groove Stage, while Brandon “Taz” Niederauer, the nineteen year old guitar prodigy from Long Island, NY, played into the early morning hours on the Mushroom Stage.

Guitarist Peter Anspach | Goose

The self described indie groove rock band from Connecticut, Goose, closed out the music on the Peach Stage with a memorable late night heater. This band broke into the jam rock scene three years ago at the Peach Music Festival on the Groove Stage. They went from being virtually unknown to closing out the largest stage on the biggest night of the festival three years later.

Goose | Peach Music Fest

The set began with a guitar dueling, fist pumping, albeit short, “Yeti." Multi-instrumentalist Peter Anspach took a few notes from Shaw's performance, and jumped on the amp for a few rock star moments.

Bassist Trevor Weekz | Goose

The momentum rolled on with a twenty nine minute funk inferno “Arrow," which notably returned to the original song configuration. John Steppenwolf’s “Magic Carpet Ride” proceeded, and included a raging jam by guitarist Rick Mitarotonda.

Guitarist Rick MItarotonda | Goose

New jam vehicle “Animal” was followed by “Tumble” and Jim James’ “State of the Art (A.E.I.O.U.).” The infrequently played, albeit melodically blissful Vasudo tune “Factory Fiction” flowed into the line up next. For those keeping track, this band has ended the last four tours with “Factory Fiction” in the second set, and each one was equally delightful. The Peach Festival performance was Goose' last until the Newport Folk Fest on July 22.

Lighting Director Andrew Goedde for the win | Goose

The set closed out with new tune “Dripfield,” as the lights morphed into a smoky dark green, blue and red schema. Lighting Director Andrew Goedde continued to make a name for himself by dramatically elevating this red hot band's music with his LED wizardry.

Fans loved the Goose late night | Peach Music Fest

Check out more photos from day three at Peach Music Fest 2022!

Trey Anastasio Band Set List
Blaze On, Sand, Mozambique, Set Your Soul Free, Olivia, Everything’s Right, …And Flew Away, Gotta Jibboo, Ghost, Roll Like a River, Simple Twist Up Dave, The Moma Dance1, A Life Beyond the Dream1, Rise/Come Together1

Goose Set List
Yeti, Arrow, Magic Carpet Ride2, Animal, Tumble, State of the Art (A.E.I.O.U.)3, Factory Fiction, Dripfield

Notes
1. with Celisse Henderson
2. John Steppenwolf
3. Jim James

Goose | Peach Music Fest

Trey Anastasio Band | Peach Music Fest

Tue, 07/12/2022 - 7:00 am

The Peach Music Festival casually moved into day four, with the Black Crowes and The Word headlining this final day. Clear skies allowed the music to rage with out a hitch. Many folks left early today, and the crowd density was much less.

Maggie Rose | Peach Music Fest

The music began with the early birds on the Peach Stage, The Duane Betts Band and Maggie Rose. Hannah Wicklund and Daniel Donato and friends opened up the day on the Mushroom stage. Great Time and GA-20 did the honors on the Groove Stage.

Dogs in a Pile | Peach Music Fest

A sizable crowd emerged for Dog’s In A Pile, from Asbury Park, NJ, on the Mushroom Stage. This young group of jam band enthusiasts have generated a lot of buzz recently for high energy shows, and today’s performance was no exception.

Dogs In A Pile had a huge crowd on the final day | Peach Music Fest

The band welcomed Goose Percussionist Jeff Arevalo, who sat in for a tune. They also paid homage to the roots of the Peach Fest by playing “Jessica” by the Allman Brothers.

Aron Magner | Spaga

Spaga was up next on the Mushroom stage, and featured jazzy instrumentals penned by Disco Biscuits keyboardist Aron Magner. Some tunes are Disco Biscuits originals, and others are new songs by Magner. Guitarist Danny Mayer from Star Kitchen sat in for a song, as well.

Robert Randolph joins Star Kitchen | Peach Music Fest

Another Disco Biscuits alum took the stage next on the Mushroom Stage. Marc Brownstein, the bassist for the Disco Biscuits, and his band Star Kitchen cooked up a jazzy set of covers and originals. Magner joined them for a tune, as well as slide guitarist Robert Randolph.

The Word | Peach Music Fest

During the Disco Biscuit side project take over at the Mushroom Stage, The Wailers and G. Love & The Juice delivered tasty sets on the Peach Stage. Sicard Hollow, Bobby Lee Rodgers, and The Wild Feathers wrapped up the music on the Groove Stage.

Robert Randolph | The Word

The music was waning, but the artists played their hearts out until the very end. The Word, a super group of musicians including slide guitarist Robert Randolph and multi-instrumentalist John Medeski, wove together blues, gospel, rock and jazz like magicians on the Peach Stage. The Mushroom Stage hosted Tauk, a progressive and edgy quartet from Long Island, NY.

The Black Crowes | Peach Music Fest

The festivities wound down, but one fiery act remained: The Black Crowes. These Peach Fest veterans closed out this incredible weekend with a healthy does of American Rock and Roll. Singer Chris Robinson gave a nod to Otis Redding, before diving into their rendition of his famous tune, “Hard to Handle.” Another notable cover in the line up was “Papa Was a Rolling Stone” by the Temptations.

Singer Chris Robinson | The Black Crowes

Overall, the Peach Music Fest fostered outstanding music and collaborations, as well as provided a great environment to enjoy friends, family and amazing summer weather. The producers of this event have truly cultivated a special vibe, and we can only hope the festival will continue for ten more years.

Guitarist Rich Robinson | The Black Crowes

Check out more photos from day four at the Peach Music Festival!

Fans loved the music and the festival | Peach Music Fest

Nothing but love | Peach Music Festival

Mon, 07/18/2022 - 6:38 am

Baked Shrimp, the power funk rock trio from Long Island, NY, delivered a tasty pre-weekend dance party at Garcia's in Port Chester, NY last Thursday. They are in the midst of a fifty one date summer tour, and were firing on all cylinders. JEDD, a new jazz and rock jam project from Norwalk, CT, provided support and brought a taste of Connecticut's raging local jam music scene to the NYC metro area.

Guitarist Previn Edwards | JEDD

Connecticut has recently emerged as a hot spot for rising artists in the jam band genre, from established powerhouses like Goose and Eggy, to up and coming acts like jamtronica juggernauts Space Bacon and DJ extraordinaire Doey Joey. JEDD is firmly within this mix, and even contains Goose percussionist Jeff Arevalo, albeit as the drummer. He was joined by the dynamic brotherly duo of keyboardist Kiran and guitarist Previn Edwards, along with bassist Max Perroti.

Bassist Max Perroti | JEDD

JEDD kicked off a set that alternated jazz and classic rock songs, starting with the jazz funk classic "Black Market" by the Weather Report. This was followed by a bluesy "Ain't No Use" by the Allman Brothers and the laid back jazz funk tune "Jeep on 35" by John Scofield. The latter was highlighted by Arevalo's stellar and versatile drum chops.

JEDD | Garcia's

The music returned to the classic rock theme with "White Room" by Cream, including a fiery guitar solo by Previn Edwards. The band took a right turn back into funk with the Jeff Lorber Trio's "Tune 88." The set closed out on a high note with the Allman Brothers' "Stand Back."

Guitarist Jared Cowen | Baked Shrimp

JEDD stepped away from the stage, and the transition began for Baked Shrimp. Led by twenty four year old guitarist Jared Cowen, the band also includes bassist Scott Reill and firecracker drummer Jager Soss. In just four years, Baked Shrimp has released three albums, embarked on multiple extensive tours and frequently appear on festival bills around the USA. They are turning heads with their high energy rock and funk mix of covers and originals.

Baked Shrimp | Garcia's

After the gear was set, the high energy jam rock squad Baked Shrimp took the stage. They kept the dance party rolling with the funky "N02-4U" from their 2021 release Conscious. "More Or Less" was followed by "Dale the Celebrity," from their 2022 album, Pork Etiquette. Kiran Edwards and Arevalo joined the fun on keyboards and percussion, respectively for "Synth." They continued to lend their services into the prog rock original "Silk, Smooth, and Shiny Buttons."

Drummer Jager Soss | Baked Shrimp

Jam vehicle "Who Are You and What Am I?" was up next, and segued brilliantly into the shredding "Little Chameleon" and back into "Who Are You And What Am I?" The set closed out with the Beatles' "Rocky Racoon." Soss contributed his vocals to this memorable rendition. The band stepped off stage and returned for one final delicious tune: "Stomatopoda."

Baked Shrimp | Garcia's

Rising artists Baked Shrimp and JEDD both put on great shows at the iconic Garcia's last week, and most importantly, know how to jam. Baked Shrimp is currently headlining the Phish after party at Yasgur Road on July 22-23 in Bethel, NY. Hop on over to Baked Shrimp's tour page for more details about these after parties and the remainder of their Summer tour.

Baked Shrimp | Port Chester, NY

Check out more photos from the show!

JEDD Set
Black Market1, Ain't No Use2, Jeep On 353, White Room4, Tune 885, Stand Back6

Baked Shrimp Set
N02-4U, More Or Less, Dale the Celebrity, Synth7, Silk Smooth and Shiny Buttons, Who are You and What am I? > Little Chameleon > Who Are You And What Am I?, Rocky Racoon8

Encore
Stomatopoda

Notes
1. Weather Report
2. The Meters
3. John Scofield
4. Cream
5. Jeff Lorber Trio
6. Allman Brothers
7. With Jeff Arevalo and Kiran Edwards
8. Beatles

Percussionist Jeff Arevalo | Garcia's

Bassist Scott Reill | Baked Shrimp

Mon, 07/25/2022 - 6:43 pm

Phish returned to the home of the 1969 Woodstock Music and Arts Festival, Bethel Woods Center for the Arts, for a blast from the past set list last Friday in Bethel, NY. The beautiful weather yielded a mild evening in a historic and natural setting that the Vermont based quartet has not played in since 2011. They certainly channeled the peaceful vibes and delivered a set full of classics.

Bassist Mike Gordon | Phish

The evening also included an early performance by Philadelphia, Pa based future fusion trio Muscle Tough, who performed on a side stage within the Bethel Woods complex. Fans entered the venue early to grab a good lawn seat, purchase a poster designed by legendary artist Jim Pollock, catch the Muscle Tough set or explore the vast property that encompassed the venue. A museum dedicated to the history of the festival is attached to the venue, which many fans took advantage of as well.

Phish | Bethel Woods

The festivities kicked off with an entirely Phish 1.0 set list, starting with the high spirited "Golgi Apparatus" which transitioned nicely into a tasty fourteen minute "Sample in a Jar." This included some interesting percussion from drummer Jon Fishman. "My Soul" was up next, and got the crowd fired up. An unfinished "Gumbo" followed and segued into "Saw It Again." The music didn't stop as the disco dance party kicked off with "Timber (Jerry the Mule)" > "Meat." The mellow Story of the Ghost tune was driven by bassist Mike Gordon and rooted in bass.

Drummer Jon Fishman | Phish

"Lawn Boy", last played at the Chase Center on October 17, 2021, was short but sweet with organist Page McConnell front and center leading the vocals. This classic transitioned quickly into the dark "My Friend, My Friend," followed by another short transition into the infrequently played "Guelah Papyrus." This was last heard on December 8, 2019 in North Charleston, SC.

Fans loving the throws backs | Phish

The smooth "Brian and Robert," last played at Shoreline on September 1st, 2021, was up next. The set wrapped up with the high energy "Walk Away."

Bethel Woods | Bethel, NY

Set two followed after a short break with "Mr Completely," which launched into a twenty four minute "You Enjoy Myself." This quintessential tune had a delicious jam that flowed nicely into "Fuego." The jam sandwich was completed with "Joy."

Guitarist Trey Anastasio | Phish

The funky "Boogie on Reggae Woman," oozed with melodic goodness from McConnell's clavinet. "Scents and Subtle Sounds" started the final jam sequence of the set. This segued into a fist pumping "Wilson," which included the fiery call and response exchange with the crowd. The energy was sustained as the music transitioned into a wild "Possum." The raging set closed out with frequent set closer, "Cavern."

Phish played to a sold out crowd | Bethel Woods

The band returned for one more tune, "A Life Beyond the Dream," the inspiring song from Ghosts of the Forest.

Phish | Bethel Woods

Phish brought another face melting heater to the iconic site of the 1969 Woodstock Festival, and successfully channeled the peaceful vibes from the many musical legends who have played before. They continue to roll across North America on their summer tour. Hop on over to their tour page for more details on shows in your region.

Check out more photos from the show!

Set One
Golgi Apparatus > Sample in a Jar, My Soul, Gumbo1 > Saw It Again > Timber (Jerry the Mule) > Meat, Lawn Boy > My Friend, My Friend > Guelah Papyrus, Brian and Robert, Walk Away

Set Two
Mr. Completely > You Enjoy Myself > Fuego > Joy, Boogie On Reggae Woman, Scents and Subtle Sounds > Wilson > Possum > Cavern

Encore
A Life Beyond The Dream

Notes
1. Unfinished

Bassist Mike Gordon | Bethel, NY

Fri, 07/29/2022 - 3:50 pm

Widespread Panic finally kicked off their five night stand at the Beacon Theatre in New York, NY last Thursday, after two rounds of cancellations from COVID-19. The community finally got their chance to convene in the storied Upper West Side venue to hear their favorite southern jam rock tunes. The music was certainly worth the wait, as this six piece squad from Athens, Georgia crushed round one.

Guitarist John Bell | Widespread Panic

Originally scheduled for Fall 2021, this rare five contiguous night run saw multiple reschedules. The run was moved to January 2022 after a COVID-19 wave. That was later rescheduled for July 2022 when Omicron raged last winter. Fans have certainly waited a long time and had to pivot in a volatile market, which made the opener all the more exciting.

The iconic Beacon Theater | New York, NY

The band began the soon to be legendary run with a pair of vintage tunes: “Heroes,” from the 1994 release Ain’t Life Grand and “Rebirtha” from Bombs & Butterflies circa 1997.  “Rebirtha” flowed nicely into the first “Papa Johnny Road” of 2022, bringing the first segue of the evening. The band dropped another tasty jam sandwich with “Good People” > “Dark Bar” > “Good People.”

Bassist Dave Schools | Widespread Panic

More classic Panic was dished out with “Papa’s Home,” from the 1993 album Everyday. The band kept everyone dancing with “Shut Up And Drive.” This heated first set wrapped up with ’Til The Medicine Takes’ “Blue Indian” and “Wondering.”

Widespread Panic | Beacon Theater

After a quick break, the band emerged and was armed with covers for the second set. “Cease Fire” began the honors, and then the band dove into BloodKin’s “Henry Parsons Died.” “Time Zones” followed, and preceded a massive jam sequence that started with “Happy,” last played June 25, 2021 at Red Rocks Ampitheatre. This flowed into "Jamais Vu," as well as a pair of covers: "Four Cornered Room" by War and "Machine Gun" by Jimi Hendrix.

The entire run was sold out | Widespread Panic

The band kept the momentum pushing with "Impossible" and "Worry" before stopping for air.  The set closed out with the Beatles' "You've Got To Hide Your Love Away" into a raging "Ain't Life Grand," from the aforementioned album of the same name. Those lucky fans in attendance were feeling the love tonight. The musicians stepped off stage momentarily and returned for a pair of encores, much to the delight of the crowd. "Down" was followed by "Makes Sense To Me."

Jimmy Herring jams with John Bell | Beacon Theater

Widespread Panic brought their Southern charm and face melting jams to the Beacon Theatre, and kicked off a smoking hot run in the iconic Upper West Side venue. They are on tour in August, starting with a run at the Fox Theatre in Atlanta, Georgia. Hop on over to their tour page for more details.

Check out more photos from the show!

Set One
Heroes, Rebirtha > Papa Johnny Road, Good People > Dark Bar > Good People, Papa’s Home, Shut Up And Drive, Blue Indian, Wondering

Set Two
Cease Fire > Henry Parsons Died, Time Zones, Happy > Jamais Vu > Four Cornered Room > Machine Gun > Impossible > Worry, You’ve Got To Hide Your Love Away > Ain’t Life Grand

Encore
Down, Makes Sense To Me

Five nights of bliss | Widespread Panic

Widespread Panic | Beacon Theater

Tue, 08/02/2022 - 7:29 am

Vermont's jam rock titans Phish unleashed a raging inferno at Merriweather Post Pavilion in Columbia, Maryland last Saturday, complete with rare songs and teases. This included a song that was played depending on who answered the question. They are waist deep in their 2022 summer tour, and continue to bring exciting and fresh jams night after night.

Guitarist Trey Anastasio | Phish

The band wasted no time and dove immediately into deep jam territory with "Sand," from Farmhouse. The elevated albeit concise jam set the tone for the night. The melodically blissful "If I Could," from the 1994 release Hoist, followed. This tune greased the gears for the first fiery jam sequence of the night, which began with the fast paced "Buried Alive." A short but sweet segue led the music into a sixteen minute "Set Your Soul Free," followed by a face melting jam that morphed into a high octane "Llama." The classic version was played with a fierce cadence, and brought smiles to many faces.

Bassist Mike Gordon | Phish

"Halfway to the Moon," from the 2014 release Fuego, was up next. Keyboardist Page McConnell handled the singing duties in this ballad. As the band flowed into the jam, they may or may not have transitioned into "Shafty," an infrequently played original that is also rarely played in it's entirety. As a result, riveting debate developed regarding whether the now infamous MPP "Shafty" was teased or actually played. In this case, a rift and a verse from "Shafty" were played, however drummer Jon Fishman never played the beat for the song, making it slightly off tempo.

There is the strong contingency that counted "Shafty" as a tease, led primarily by Phish.net. They are considered the authority on Phish set lists. They have a very strict set of rules to discern a song from a tease given that Phish takes liberties with song structures. In this case, "Shafty" barely missed the criteria for counting as a song.

Drummer Jon Fishman | Phish

There are many others who categorized "Shafy" more prominently as a song and did not indicate that it was a tease, including the band's Youtube account. LivePhish.com, the Nugs.net project for live Phish soundboards, has the song tracked as "Shafty," versus leaving it as part of "Halfway to the Moon." Phish's Youtube account released "Halfway to the Moon" > "Shafty" in 4KHD. Phish statistician and historian David Steinberg tweeted, "I'm pretty sure if you froze time and asked all 4 band members in that moment what song they were playing, they all would say Shafty."

Phish | Merriweather Post Pavillion

"Shafty" is very hotly debated because the song has only been played seven times prior, and was last officially played on February 21, 2020 in Cancun, Mexico.

Merriweather Post Pavillion | Columbia, MD

While the debate rolled on, so did the show, as band dove into the gangster disco funk classic "Strawberry Letter 23" by Shuggie Otis. Lighting Director Chris Kuroda lit up the top of the pavilion with red lights, as the crowd danced with joy. The music flowed into the Gamehendge classic, "Lizards," and ended the set on a very high note.

Bassist Mike Gordon | Columbia, MD

The second set began a non-stop sequence with another Farmhouse heater, "First Tube," that moved impeccably into a raging eighteen minute "Fuego." Abbrieviated renditions of "Sigma Oasis" and "Prince Caspian" followed, and flowed nicely into a "Waves" that was reminiscent of the version from Madison Square Garden in April 2022. The music slowed as the band transitioned into the rarely played song with the audience participating dance, "Meatstick," last played in Santa Barbara, Ca on October 26, 2021.

Fans waiting to get in | Columbia, MD

Three fan favorites closed out this second set, starting with "Simple," which also included a nice, succinct jam. The energy started to build as the band moved into another vintage tune, "The Oh Kee Pa Ceremony." The set ended in high gear with the energetic "Suzy Greenburg."

Fans can't wait for the next show | Phish

The band stepped off stage momentarily, and returned to roaring applause for more. They obliged with more old school rarities, starting with "Alumni Blues" > "Letter to Jimmy Page" > "Alumni Blues." This sequence was last played at Dicks on September 4, 2021, and included the electrifying solo by Guitarist Trey Anastasio. The band was not quite done yet, and quickly exploded into known set list ending tune rager, "Character Zero."

Guitarist Trey Anastasio | Merriweather Post Pavillion

Show after show, Phish continues to find a way to exercise their musical creativity. From the MPP "Shafty" debate to the stellar "First Tube" > "Fuego," this show had all the elements of a magical night. The band is back in action at the Blossom Music Center on August 2nd. Hop on over to their tour page for more details about tickets and live streams.

Keyboardist Page McConnell | Phish

Check out more photos from the show!

Set One
Sand, If I Could, Buried Alive > Set Your Soul Free > Llama, Halfway to the Moon > Shafty1, Strawberry Letter 232 > The Lizards

Set Two
First Tube > Fuego > Sigma Oasis > Prince Caspian > Waves > Meatstick -> Simple > The Oh Kee Pa Ceremony > Suzy Greenberg

Encore
Alumni Blues > Letter to Jimmy Page > Alumni Blues > Character Zero

Notes
1. Considered a tease by Phish.net
2. Mike Gordon teases Miss You by the Rolling Stones
3. Mike Gordon teases Flash Light by Parliament

Phish | Merriweather Post Pavillion

Sun, 08/07/2022 - 4:30 pm

The jam rock icon Phish returned for their second three day stint in Atlantic City, NJ last Friday night, and turned the famous boardwalk into a raging dance party. The set was decorated with ocean themed songs from their vast catalog. This band loves playing in New Jersey, and found a new home at the Atlantic City Beach venue.

Phish fans on the Boardwalk | Atlantic City, NJ

They have also successfully created a festival-like environment during the run, as other bands play sets before and after Phish. Almost all pre and post show venues were walking distance from the Atlantic City Beach venue. The boardwalk was colorfully decorated with Phish fans in their donut covered clothing at all hours of the day. Enterprising fans hustled to sell creative goods, while phish pod casters interviewed willing fans.

Phish | Atlantic City Beach

The set kicked off with the high octane "Chalkdust Torture" and quickly transitioned into "Wilson," which got the fists pumping early in the evening. The music continued to flow into "Sand", from Farmhouse, as the crowd became one with this same grainy substance below their toes. "Sand" streamed into "Plasma," as the sand on the beach flowed into the ocean. The band continued to find their groove in Atlantic City, as they went swimming by with "Theme from the Bottom." A sweet transition took the crowd into another Farmhouse delight, "Get Back on the Train."

Phish | Atlantic City Beach

The music changed gears with a fiery, twenty one minute "Sigma Oasis." This pivotal song set the tone for the evening, and launched a memorable jam that resonated through out the rest of the show. A deep jam followed, and segued into the Talking Heads' "Cities." The set closed out with vigor, as the band made a final transition for the set into "More."

Trey Anastasio and Jon Fishman | Phish

After a quick break, the Phish returned to the stage firing on all cylinders for a non-stop second set, starting with the electrifying "Axilla (Part II)." This short, but raging song flowed into a blissful "Soul Planet," and the ocean was love for the crowd. The mood got dark as bassist Mike Gordon unleashed the bass line for "Down with Disease," and the rest of the squad dove in full throttle. The band and the resultant dance party were on fire.

Phish | Atlantic City Beach

The music continued to ebb and flow with the ocean theme into the sea of love, "Ruby Waves." Lighting director Chris Kuroda poured ruby waves of light down on everyone's heads. The music returned back to "Down with Disease," before another decisive moment where the band appeared to transition into "Say It To Me S.A.N.T.O.S." but instead played "Ghost." The funk jam evolved into the set closing jam vehicle, "Harry Hood."

Jon Fishman and Mike Gordon | Phish

The band stepped off stage, and returned to play the first "Sleeping Monkey" of 2022. This segued into the perfect ending for this ocean themed love fest: "Free."

Atlantic City Beach | Atlantic City, NJ

Phish's love for New Jersey was cemented last Friday with a face melting, ocean themed set on the Atlantic City Beach. They have cultivated a special run that has grown into a festival like event. We can only hope that they continue to play at this venue for years to come. They are back in action tonight on the beach for the last night of the Atlantic City run before heading to Toronto on Wednesday. Hop on over to their tour page for more details about their summer tour.

Check out more photos from the show.

Set One
Chalk Dust Torture > Wilson > Sand > Plasma, Theme From the Bottom > Back on the Train, Sigma Oasis > Cities > More

Set Two
Axilla (Part II) > Soul Planet > Down with Disease > Ruby Waves > Down with Disease > Ghost > Harry Hood

Encore
Sleeping Monkey > Free

Phish | Atlantic City, NJ

Thu, 08/11/2022 - 6:25 am

Pigeons Playing Ping Pong migrated to Atlantic City, NJ for a raging three hour Phish after party last Saturday night at Sound Waves inside the Hard Rock Hotel. This was their first time playing near the famous Boardwalk in ten years, and they certainly made up for lost time with plenty of jovial, funk fueled jams.

Guitarist Greg Ormont | Pigeons Playing Ping Pong

As jam rock titans Phish wrapped up their set on the Atlantic City Beach, Pigeons Playing Ping Pong geared up to bring the heat into the wee hours of the night. This kicked off with dance inducing "Funk E Zekiel" from their release Funk EP. The bouncy "Sail On" took the crowd on a funky journey with a tasty build up by guitarist Jeremy Schon.

Bassist Ben Carrey | Pigeons Playing Ping Pong

Guitarist Greg Ormont uttered, "Let's turn it up!" and launched the music into a disco funk "Avalanche" from the 2010 album, Presto. The breezy jam put smiles on faces. The band switched gears to new tune, "Hell Yea," before cleverly transitioning into Pink Floyd's "Run Like Hell." The crowd was fully engaged and fired up as fans yelled, "Run! Run! Run!" The band flowed nicely into the melodic "Lost In Line," and kicked the tempo up before diving into the lyrics. Another smooth transition into Pleasure's "Live It Up" followed, rounding out this fiery jam sequence.

Hard Rock Hotel | Atlantic City, NJ

The band put the "Fun in Funk" before jettisoning into "Miyagi," while bassist Ben Carrey led the charge. This version included a new extended structure with more guitar bliss from Schon. A face melting, fifteen minute "Julia" proceeded, which featured a flawless, high energy build up executed by drummer Alex Petropulos.

Drummer Alex Petropulos | Pigeons Playing Ping Pong

Many were starting to fade at this point, as the clock rolled past 2am. However, Pigeons Playing Ping Pong found a second wind, and slipped into beast mode with "Snake Eyes." The bass and drum fueled train, ushered by Carrey and Petropulos, drove the band into the funk jam of the night, "Upfunk." Schon nailed the guitar tension and release, which led into a laser sharp drum solo by Petropulos.

Pigeons Playing Ping Pong | Hard Rock Hotel

After that intense sequence, Ormont gave a shout out to Gator, aka Petropulos, and asked the crowd jokingly, "Did you enjoy Alicia Keys?" New tune "Fantasy" followed. The band closed out the set with a deliciously funky sequence that started with the Quad City DJ's "Space Jam." Those left were dancing with raucous intensity during this nineties classic.

Pigeons fans are known as "The Flock" | Atlantic City, NJ

"Spacejam" transitioned into "The Hop" and a twelve minute "F.U." The last cover of the night was up next, "Crescendolls" by Daft Punk. This segued nicely into "F.U." and closed out the set in high gear. The band stepped off stage, and returned after a few moments to play "Ocean Flows."

Fans loving the show | Pigeons Playing Ping Pong

Pigeons Playing Ping Pong played their hearts out in Atlantic City, NJ, and brought a feel good, funk experience that one can't help but dance to. They are on tour this summer and fall, with dates across the USA. Hop on over to their tour page for more details.

Guitarist Jeremy Schon | Atlantic City, NJ

Check out more photos from the show!

Set List
Funk E Zekiel, Sail On1, Avalanche, Hell Yeah > Run Like Hell2 > Lost In Line > Live It Up, Fun In Funk > Miyagi3, Julia, Snake Eyes > Upfunk > Drums > Upfunk, Fantasy, Spacejam4 > The Hop45 > F.U. > Crescendolls6 > F.U.

Encore
Ocean Flows

Notes
1. w/ Jam
2. Pink Floyd
3. w/ New extended structure
4. w/ Deep Greg vocals
5. Quad City DJ's
6. Daft Punk

Good times were had by all | Pigeons Playing Ping Pong

Hard Rock Hotel | Atlantic City, NJ

Sat, 08/13/2022 - 12:19 pm

Goose, the head turning indie jam rock squad from Connecticut who recently sold out Radio City Music Hall in New York City, kicked off the second leg of their stacked summer tour at The Chrysalis in Merriweather Park. Located in Columbia, MD, this was the first time Goose had played in this innovative space. The combination stage and artistic structure, nestled in the lush Symphony Woods surrounding the Merriweather Campus, provided the perfect place to fuse music, art, and blissful vibes.

Fans pose in front of The Chrysalis | Columbia, MD

The Chrysalis at Merriweather Park was completed in 2017, and has created a smaller, tranquil performing space next to Merriweather Post Pavillion that blends with nature. The sixty foot structure above the stage flows in every direction with the trees and was painted green to meld with the environment. The venue itself is located on a hill behind Merriweather Post Pavilion's lawn. The Chrysalis is often included for Festivals as a place for festival-goers to relax and get away from the sun.

Guitarist Rick MItarotonda | Goose

The evening began with the typical long entrance line that Goose fans have come to expect. The trees within Merriweather Park provided a perfect canopy of shade, which only increased the number of new friendships formed while waiting to go inside.

Goose | The Chrysalis

The band stepped on stage at 7:45pm. Guitarist Peter Anspach brought his camera and took a few snaps of the boisterous crowd. The show began with first time played tune "Butterflies," which was quite appropriate given the large butterfly population in the park. The Caribbean inspired tune, "Butter Rum," was up next, followed by "Lead the Way," which included a deep jam.

Guitarist Peter Anspach | Goose

The lone Dripfield tune of the night, "The Whales," brought the energy down for a few minutes. This was short lived as the band dove into a rocking "My Generation" by The Who. The set closed out with a face melting "Jive I" that incorporated a stellar jam led by guitarist Rick Mitarotonda.

Goose | The Chrysalis

After a healthy break, the band returned firing on all cylinders, and played a monster "All I Need." The crowd turned into a raucous dance party, as everyone collectively sang, "You have all I need." "The Old Man's Boat" proceeded. This smooth, feel good tune brought the energy down slightly for a few minutes.

Lighting Director Andrew Geodde's sublime lights during "Creatures" | Goose

This four song set closed out with a raging "Creatures" > "ShamaLamma Ding Dong." Lighting Director Andrew Goedde magnificently illuminated the top of the Chrysalis with textured purple lights, as the band dove into a raging jam that was over fifteen minutes long. The music flowed perfectly into the classic tune by Otis Day & The Knights, "ShamaLamma Ding Dong. This cover was last seen at the Fillmore in Philadelphia, PA on March 11, 2022, and ended the second set with vigor.

Fans loving the show and incredible vibe | Goose

The band returned for one final tune: the inspiring "Tumble." This version was played the original, fast paced style, and sent fans off into to the night with a huge smile.

The Chrysalis | Columbia, MD

Goose brought the heat last night, as they do night after night, in a stunningly beautiful natural environment that teemed with jovial energy. Despite the hype, they are the real deal, and are not to be missed. They are back in action tonight at The Chrysalis, and tickets are still available at this link.

Check out more photos from the show!

Set One
Butterflies, Butter Rum, Lead the Way, The Whales, My Generation1, Jive I

Set Two
All I Need, The Old Man's Boat, Creatures > ShamaLamma Ding Dong2

Encore
Tumble

Notes
1. The Who
2. Otis Day & The Knights

Goose | The Chrysalis

Drummer Ben Atkind | Goose

Fans can't get enough | Goose

Tue, 08/16/2022 - 7:43 am

Goose returned to The Chrysalis at Merriweather Park for round two last Saturday, and delivered dark, raging jams for a very packed crowd. This was the second time the Connecticut based squad played in this tranquil, natural environment that contains an artistic stage designed to meld with the surroundings. This band continues to grow their fan base, as many in attendance were at their first or second show, and loving it.

Fans wait for Goose under the canopy of trees | The Chrysalis at Merriweather Park

The evening began as concert goers lined up to gain access to the rail when doors opened. New friendships were forged during the wait. Eventually the fans made the journey into the venue from one of two entrances, either through the lawn of Merriweather Post Pavilion, or through the Symphony Woods entrance nestled in the woods. The venue was at the bottom of a hill, similar to the set up of the famous amphitheater on the other side of the hill.The long shadows of trees covered the grounds and stretched down the hill, providing much needed shade from the summer sun as fans waited for Goose to start playing.

Multi-instrumentalist Peter Anspach on guitar during "Elizabeth" | Goose

The show kicked off with "Elizabeth," sung by multi-instrumentalist Peter Anspach, and reached a peak early. Newer song "Atlas Dogs" was up next, and fluidly moved into a fiery twenty minute "Echo of a Rose" without stopping. Drummer Ben Atkind laid down his incredibly steady beats as Anspach's keyboard playing elevated the song's beauty. Eventually, guitarist Rick Mitarotonda took the song to the first apex, with Anspach switching to the clavinet momentarily. Mitarotonda brought the song back into a second, raging climax before diving back into the lyrics, "Looking from far above where I used to wait for an echo of a rose," which likely resonated with those fans at the top of the hill.

Bassist Trevor Weekz | Goose

Anspach moved from his seat to stand on the speaker with his guitar in front of the crowd for the high energy, dual guitar tune written by his other band Great Blue, "Yeti." Anspach and Mitarotonda proceeded to weave their guitars together as the jam progressed during this tune that is reminiscent of the Disco Biscuits. Upon the conclusion, Anspach turned to the crowd with a smile and said, "How are you guys feeling out there?"

Percussionist Jeff Arevalo | Goose

Newer tune "Turbulence & the Night Rays" followed, having only been played twice prior. The set closed out with the first dark jam of the night in "Jive II," as the band reminded the crowd that "a little bit goes a long, long way." Anspach once again switched to the clav, and a tasty funk jam ensued as bassist Trevor Weekz led the charge. When the song reached the final peaks, percussionist Jeff Arevalo and Atkind perfectly decorated the musical landscape.

Fans loved the show | Goose

The band returned from a short break for a twenty two minute "Earthling or Alien?" The dark funk theme rolled on as the band descended deep into an evil jam, led by Mitarotonda. Lighting Director Andrew Goedde illuminated The Chrysalis, elevating the minor chords with an edgy brilliance. Anspach introduced synth sounds that were reminiscent of the "Animal" from the 2022 Legend Valley show, before a stop start transition into the bouncy "So Ready." This song dove into a high speed jam with a nice helping of tension and release.

Lighting Director Andrew Goedde elevated the lights by factor of evil | Columbia, MD

The energy dipped as the band began "Travelers." The band flowed into a smooth, melodic jam that eventually ascended into a raging build up. Atkind took the lead, and switched into Pat Benatar's "Love is a Battlefield," last played at the Riviera Theatre in Chicago, IL on December 30th. The dark theme raged on as Weekz continued to set the tone. As the song wrapped up, both Mitarotonda and Anspach took a moment to watch Weekz with delight.

Guitarist Rick Mitarotonda beamed the crowd up | The Chrysalis at Merriweather Park

The set ending "Empress of Organos," by Goose predecessor Vasudo, was up next. The crowd and band smiled from ear to ear as everyone sang, "Oh what a day to be livin'." Goose continued to use darkness to play tricks on stage, as Goedde projected multi-colored lights throughout The Chrysalis. One wonders when he will finally be given the nickname, AG6. The song ended on a high note, with a vibrant applause from the crowd.

Andrew Goedde illuminates the stage with white lights | Goose

The band returned for one final tune, but before the music began, Anspach grabbed the mic to thank the crowd, and announce the Goose's latest ambition: playing at the main stage in Merriweather Post Pavilion. He said, "Hope you guys can help get us there. Tell your friends. We love you guys so much. Thanks for everything." The band then played "White Lights", as Goedde illuminated the entire rig with brilliant white lights.

Fans expressed joyous gratitude | The Chrysalis at Merriweather Park

Goose brought another face melting show to The Chrysalis, and found many new fans in the process. They are firing on all cylinders as they gear up for a sure to be legendary Colorado run, with two nights at Dillon Amphitheater on August 16-17 and one night at the iconic Red Rocks Amphitheater on August 18th. Tickets are sold out for all three shows, but can be obtained through the face value ticket exchange Cash or Trade. Also, for those who can't make the run, the band will be streaming all three shows via Nugs.Net. Don't miss out on these shows.

Check out more photos from the show!

Set One
Elizabeth, Atlas Dogs, Echo of a Rose, Yeti, Turbulence & the Night Rays, Jive II

Set Two
Earthling or Alien?, So Ready, Travelers, Love is a Battlefield1, Empress of Organos

Encore
White Lights

Notes
1. Pat Benatar

Goose | The Chrysalis at Merriweather Park

Fans of all ages enjoyed the show | Goose

Goose loves their fans | The Chrysalis at Merriweather Park

Thu, 08/18/2022 - 6:55 am

Tea Leaf Green celebrated twenty five years as a band this past week with a four night East coast run that began in Bridgeport, CT at the Park City Music Hall. The band hasn't played on the East coast since 2018, and the Leafers, also known as Tea Leaf Green fans, were certainly eager to catch them in person. This band has certainly still got it, as they played a high energy set complete with special guests and raging jams. On the Spot Trio was on hand to lend their support.

On the Spot Trio | Park City Music Hall

Park City Music Hall has turned into a premiere spot for live music and emerging jam rock artists in Connecticut. Their lights and sound are on par with much larger venues, and the food is outstanding. The Torres family owns and operates this excellent venue, and could not be more hospitable to their patrons.

Keyboardist Trevor Garrod | Tea Leaf Green

The evening began with On the Spot Trio, a jazzy jam rock band that consists of keyboardist Kris Yunker, guitarist Danny Mayer and drummer Andrew Klein. Mayer is currently the lead guitarist for the Philadelphia jam rock squad Star Kitchen. The band delivered tasty tunes that were jazz based with elements of funk and rock, plus a mostly danceable beat. The band members had great chemistry and are very much worth a listen.

Guitarist Josh Clark | Tea Leaf Green

Shortly after On the Spot Trio finished, Tea Leaf Green took the stage and kicked off their set with a classic pairing of sing along songs, "The Garden (Part I)" > "The Garden (Part III)." These two gems are "just like we are supposed to be," and certainly brought many folks back to the band's glorious hay days. "These Two Chairs," from their 2006 release Rock and Roll Band contained a bluesy rock jam complete with keyboardist Trevor Garrod on the harmonica. "Bouncin' Betty" was up next, followed by "If It Wasn't for the Money." This contained a nice jam with back and forth between Garrod and guitarist Josh Clark.

The Leafers | Park City Music Hall

"Papa's in the Backroom," from the 2001 album Midnight on the Reservoir, took the energy down for a much needed few minutes, while Garrod's melodic keyboard playing eventually built up into a raging jam by Clark. Drummer Scott Rager laid down an incredibly smooth beat. In between songs, bassist Eric DiBerardino took a few moments to thank the hard working staff at the venue. "Keepin' the Faith" was up next, and included more of Garrod's vibrant vocals.

Rob Somerville and Cyrus Madan sat in | Bridgeport, CT

The first of two high energy sit-ins followed, as Rob Somerville (saxophone) and Cyrus Madan (keyboards) joined the party for a stellar "Let Us Go." The song clocked in at thirteen minutes, making this the longest jam of the night. Garrod switched to harmonica to start the song. The saxophone added a jazzy feel, and the back and forth with Clark on guitar sent the crowd into a raucous dance party.

Guitarist John Torres brought the heat during a sit in | Park City Music Hall

The band didn't stop there, and swapped out these musicians for another special sit in with keyboardist Kris Yunker from On The Spot Trio and guitarist John Torres, who is part of the Torres family that owns Park City Music Hall. They sat in for the electrifying song, "Incandescent Devil." The dueling keyboards kicked off the jam, and eventually led into a mind warping guitar exchange between Torres and Clark.

Josh Clark and Eric DiBerardino | Tea Leaf Green

The energy cooled off for a few minutes as the band flowed into "One Reason" and "Shelter." Clark took the microphone next to sing "Space Hero III," and segued into the penultimate, fist pumping "Space Hero II." He jumped around as he sang, "I'm gonna be your space hero." This led into one of Clark's signature tension and release solos, which showcased his incredible guitar skills.

Tea Leaf Green | Park City Music Hall

The set closed out on high note with "Red Ribbons." The crowd was certainly drunk on the blood red lights and tasty ten minute closing jam. The band stepped off stage for a moment, before returning for a pair of encores. This started with the quintessential Tea Leaf Green song, "Truck Stop Sally." Clark shared his infinite wisdom mid-song, "You know I'm getting old, and every year I'm getting dumber. And I'm fine with that, because ignorance is bliss my friends," before diving into another face melting guitar solo.

Tea Leaf Green | Bridgeport, CT

The band wasn't finished quite yet, and ended the show with Rock and Roll Band's "Taught to be Proud." This song brought a huge smile across the collective faces of the Leafers as Garrod sang "Gone, gone, gone, not gone for long, if you're taught to be proud of where you come from." A fiery funk jam ensued with Garrod and DiBerardino front and center.

Fans loved the show | Tea Leaf Green

Tea Leaf Green returned to the east coast after an almost four year hiatus for an old school throw down at Park City Music Hall, complete with their incredible catalog of songs. If you missed this show, an audience recording is available here. We can only hope that this talented quartet will reassemble for more face melting jams much sooner than later. In the mean time, hop on over to their stacked on-line merchandise store which features fresh designs and customization.

Check out more photos from the show!

Set List
The Garden (Part I) > The Garden (Part III), These Two Chairs, Bouncin' Betty, If It Wasn't for the Money, Papa's in the Backroom, Keepin' the Faith, Let Us Go1, Incandescent Devil2, One Reason, Shelter, Space Hero III > Space Hero II, Red Ribbons

Encore
Truck Stop Sally, Taught to be Proud

Notes
1. With Rob Somerville (saxophone) and Cyrus Madan (keyboards)
2. With Kris Yunker (keyboards) and John Torres (guitar)

On the Spot Trio | Bridgeport, CT

Trevor Garrod | Tea Leaf Green

Tea Leaf Green brought the heat | Park City Music Hall

Sun, 08/21/2022 - 9:08 am

Tea Leaf Green returned to the 8x10 in Baltimore, MD last weekend for the high energy conclusion of their four night east coast stint. They doubled down on another fresh set list and tasty jams, much to their delight of their fans, the Leafers. This band is no stranger to this well known, intimate club, and closed out their run with vigor.

Trevor Garrod and Josh Clark | Tea Leaf Green

Last Sunday marked at least the eighth time that this foursome played at the storied 350 person capacity venue, according to Archive.org. Described as a "rocket ship" by guitarist Josh Clark, the room is eighteen feet wide, and includes two levels, with the band in the center. The staff is surely another bright spot at the 8x10, as they are very friendly and accommodating.

Tea Leaf Green | The 8x10

The evening began with a familiar, sing along favorite, "The Garden Part I." This shifted nicely into the melodic "Slept Through Sunday," from the 2008 release, Raise the Tent. "Looney Bin" was up next, and the band fell into the first pocket of the night during this jam. Clark took a moment to cheers the audience, prior to launching into a bouncy "Germinating Seed," sung by keyboardist Trevor Garrod. He shepherded the jam on the keyboard, which transitioned to a fiery end by Clark.

Tea Leaf Green | The 8x10

The energy was reduced once again with "Faced with Love," including Garrod on the harmonica. The tempo picked up during the jam, which featured another raging solo by Clark. This frequency was maintained as they dove into a face melting "Dragonfly." A fist pumping funk jam ensued, as Tea Leaf Green locked into a groove, with a rock solid foundation by bassist Eric DiBerardino and drummer Scott Rager. This gave Clark wings to fly like a dragonfly.

Bassist Eric DiBerardino was all smiles | The 8x10

Garrod lent his singing skills on the next tune, "Fallen Angel." The band dealt with some intermittent sound issues for a moment as Garrod entertained the Leafers on harmonica. Within a few moments, Rager kicked off the next song, "Incandescent Devil," with his laser sharp drumming skills. The quartet from San Francisco locked into one another for this scorcher, as the Leafers danced with joy. Clark launched into one of his machine gun guitar solos during this classic tune from their 2005 album, Taught to be Proud.

Tea Leaf Green | Baltimore, MD

The excitement dropped for a much needed break as Garrod began playing the melody of "Don't Let It Down." Before heading into the song, Clark announced, "This is my good friend Trevor Garrod over here who will sing you a song." Garrod's emotionally charged vocals elevated this beautiful ballad. The bluesy "I've Got a Truck," another tune from Raise the Tent, proceeded, followed by "Innocence." Clark took a turn on vocals during "Make a Connection," before catapulting into another blazing hot guitar solo.

The Leafers | The 8x10

Clark continued to morph into the next song while the other members briefly stopped playing, with Rager joining the party when Clark was fully playing the deliciously funky, "Sex in the 70's." This was the first time the band played this coveted song during the east coast run, and was certainly the highlight of tonight's show. Garrod layered in the synth in sync with DiBerardino, which set up the perfect groove for Clark to dispatch a healthy serving of tension and release. The band did a stop start transition into the last song of the set, "Truck Stop Sally," which disperses the perennial knowledge that "if you want to get high with the band, you've got to get the band high too." A breezy jam followed, and wrapped up this dynamite set.

Guitarist Josh Clark was on fire this evening | Baltimore, MD

Tea Leaf Green stepped off stage briefly, and returned for not just one encore, but four. Another Raise the Tent tune began the sequence with "Stick to the Shallows." The band was all smiles while singing, "oh, what a hell of a day." What a hell of day, indeed, thanks to these musicians. Another smooth transition followed into the vintage sing along favorite, "The Garden Part III," complete with more soulful vocals by Garrod. The entire crowd sung in unison, "just like we are supposed to be," as Garrod tickled the ivories.

Keyboardist Trevor Garrod | Tea Leaf Green

Fan looked on with glee upon realizing that band was not quite done yet, as they slowly built up into the euphonic "Space Hero Part III." A smooth changeover followed into the familiar, electrifying riff of "Space Hero Part II," coupled with an on point bass line from DiBerardino. This led into one final shred fest by Clark, who was undoubtedly this show's space hero.

Tea Leaf Green | The 8x10

Tea Leaf Green had a very memorable run on the East Coast last weekend, and concluded these shows with an absolute rager at the 8x10. This squad doesn't play as often as they used to, however make no mistake, they have still got it. We've said it before, and we'll say it again: we can only hope that this incredible band reassembles much sooner than later. In the interim, head on over to the band's impressive online merchandise store, which includes numerous customization options.

Check out more photos from the show!

Set
The Garden Pt. I > Slept Through Sunday, Looney Bin, Germinating Seed, Faced with Love, Dragonfly, Fallen Angel, Incandescent Devil, Don’t Let It Down, I’ve Got a Truck, Innocence, Make a Connection, Sex in the 70s, Truck Stop Sally

Encore
Stick to the Shallows > The Garden Part III, Space Hero Part III > Space Hero Part II

Drummer Scott Rager | Tea Leaf Green

The Leafers can't wait to see this band again | Tea Leaf Green

Sat, 09/10/2022 - 5:20 am

The time honored tradition of bands playing after Phish was alive and well in Denver, Colorado, as not one, but two bands kept the party going upon the conclusion of the Dick's Sporting Good Stadium event at both Cervantes Masterpiece Ballroom and Cervantes Other Side last Friday night. The larger room hosted a Prince Tribute with an all star roster of musicians, while the emerging Garden State band Dogs in a Pile raged in the more intimate space. These venues are conjoined by a door and owned by the same team. This was not only a luxurious ADHD indulgence, but the party rolled on past 3am. It was hard to decide which show to attend, but thankfully fans were allowed to ebb and flow between the two rooms.

Singers Lyle Divinsky, Kim Dawson and Shira Elias | Cervantes Masterpiece Ballroom

Located in downtown Denver, Cervantes Masterpiece Ballroom is a well known 900 person capacity venue with an open floor and balcony that wraps around the venue. Cervantes Other Side is located next door, and holds 500 people. One surprisingly notable delight at Cervantes Other Side was the delicious, made from scratch, late night food options. The hummus plate included freshly chopped rainbow carrots, which was an unexpectedly tasty, not to mention healthy, late night bonus.

Keyboardists Joey Porter and Casey Russell | Denver, CO

The Cervantes Masterpiece Ballroom hosted a rocking Prince Tribute, complete with purple lights and many local Denver musicians who are well known across the country in the jam scene. The dynamic duo of Casey Russell (Magic Beans) and Joey Porter (The Motet) handled the keyboards, while Isaiah Sharkey, Craig Brodhead (Turkuaz) and Ryan Jalbert (The Motet) brought incredible guitar riffs. Tauk's Isaac Teel and Will Trask delivered steady beats on the drums, in tandem with Nate Edgar (Nth Power) on bass. Lyle Divinsky (The Motet), Shira Elias (Turkuaz), and Kim Dawson contributed stunning vocals that Prince himself would have been honored by. The horn section added a jazzy element, and included saxophonist James Casey (Trey Anastasio Band), trumpeter Gabe Mervine (The Motet), and saxophonist Nicholas Gerlach.

Prince Tribute | Cervantes Masterpiece Ballroom

Musicians rotated in and out during their over two hour set. The singers, keyboardists, drummers, and bassist were on stage the entire time, anchoring the music, while the others rotated in and out. These talented musicians dug into Prince's vast catalog, and played many of the hits from "Purple Rain" to "When Doves Cry."

Dogs in a Pile | Cervantes Other Side

The party heated up next door at Cervantes Other Side with the rising jam rock squad based in Asbury Park, NJ, Dogs in a Pile. The band members consisted of guitarists Jimmy Law and Brian Murray, Bassist Sam Lucid, keyboardist Jeremy Kaplan and drummer Joe Babick, many of whom have studied at the prestigious Berklee College of Music.

Guitarists Jimmy Law and Brian Murray | Dogs in a Pile

Dogs in a Pile's set contained mostly of high energy, face melting originals that included jams rooted primarily in rock and jazz. They served up several notable covers, starting with the Grateful Dead's "Help on the Way" > "Slipknot!" They also nailed the classic Allman Brother's instrumental, "Jessica," with a stellar performance by Kaplan on the keys. This band is an absolute must see, and is embarking on a stacked tour this fall across the Midwest and East coast.

Keyboardist Jeremy Kaplan | Dogs in a Pile

Cervantes Masterpiece Ballroom and Cervantes Other Side certainly know how to throw a fiery Phish after party, and kept the music going well into the late night. They booked exceptionally talented musicians, from James Casey to Casey Russell, as well as the ascending Dogs in a Pile. This stellar place should be on all jam rock fans list of venues to attend.

Check out more photos from the Prince Tribute and Dogs in a Pile!

Dogs in a Pile | Cervantes Other Side

Cervantes Masterpiece Ballroom | Denver, CO

Thu, 09/15/2022 - 6:02 pm

Emerging artists the Light Warriors played a breezy afternoon show under the gorgeous Mid Hudson Bridge at Kaal Rock Park in Poughkeepsie, NY last Saturday, as part of a free concert series presented by the Poughkeepsie Public Arts Commission. The Stamford, CT based quintet was supported by the Moonlight Initiative.

Kaal Rock Park | Poughkeepsie, NY

The Poughkeepsie Public Arts Commission connects art with people in this robust city, located seventy five miles north of New York City. In addition to their Saturday afternoon concert series, they offer weekly Wednesday night meetings that share cultural information and help to make the City of Poughkeepsie a better place to work and live. The commission was present at the show, and welcomed all guests to the event.

Moonlight Initiative | Poughkeepsie, NY

The afternoon kicked off with a vibrant set by the Moonlight Initiative. Their music was mix of funk, r&b, and hip hop, with a hint of rock. Singer Kaela's lovely voice was able to meld with each of these genres. Members of the Light Warriors sat in for a song, in addition to a talented djembe player.

Guitarist Eric Rabasca and Saxophonist Kris Brewer | Light Warriors

The Light Warriors were up next, and delivered a two hour set of mostly originals. Their sound was primarily a mix of reggae, funk and indie rock. The band members were comprised of guitarist Eric Rabasca, saxophonist Kris Brewer, Keyboardist Herm Mayer, bassist Angel Sanchez and drummer Steven Jean Baptiste. They promoted a sense of oneness and connection through their music, and often encouraged the audience to bond with their neighbors. One notable cover included "Get Up Stand Up" by Bob Marley.

Moonlight Initiative joined the Light Warriors for a tune | Poughkeepsie, NY

Members of Moonlight Initiative joined the Light Warriors on stage, which created a power collective of musicians. They played the Light Warrior's original tune, "One," while everyone, both band and audience, held their hand in the air, symbolizing the number one. This song was released by the band as a single and on their recent album, Book of One. They certainly united the crowd with their overwhelming sense of positivity.

Keyboardist Herm Mayer | Light Warriors

The Light Warriors lifted spirits and elevated the hearts of Poughkeepsie residents last weekend. They are currently gigging around the Northeast, and are back in action with the Moonlight Initiative on October 1st at Prohibition River Live in Nyack, NY.

Check out more photos from the show!

Light Warriors | Kaal Rock Park

Bassist Angel Sanchez and Drummer Steven Jean Baptiste | Light Warriors

Wed, 09/21/2022 - 7:00 pm

Brooklyn Comes Alive returned to the Brooklyn Mirage, located in Brooklyn, NY's East Williamsburg neighborhood last Saturday night featuring diverse genres and heavy hitters from the jamband scene. Jamtronica icons Sound Tribe Sector 9 headlined the event, along with Lettuce, Medeski Martin & Wood, and the first ever performance by Cool Cool Cool. The full range of sound and video projection at the Mirage created a sensory pleasing immersive environment that facilitated plenty of smiles, and of course, dancing.

Shira Elias and Sammi Garett | Cool Cool Cool

The festivities were began with Cool Cool Cool, which included seven members from the incredibly funky, albeit now defunct Brooklyn based band, Turkuaz. Saturday's show marked the first time that this group assembled together on stage, and the magic was certainly there from the start. Singers Shira Elias and Sammi Garett led the charge with their spot on vocals and energetic vibrancy. The rest of the band included guitarist/keyboardist Craig Broadhead, drummer Michelangelo Carubba, saxophonist Greg Sanderson, and trumpeter/keyboardist Chris Brouwers, along with guests bassist Nate Edgar and guitarist Collin Miller.

Cool Cool Cool | Brooklyn, NY

Cool Cool Cool delivered deliciously funky songs that got the crowd dancing early on during this jam packed night of music. One of two notable covers included "Don't Do It" by the Band, with Elias and Garett singing together harmoniously through this well known chorus. This flaming hot set closed out with Fleetwood Mac's "The Chain."

Chris Wood | Medeski Martin & Wood

The avant jazz groove artist Medeski Martin & Wood took the stage next, and for the first time since 2019, with organist John Medeski, bassist Chris Wood and drummer Billy Martin. This trailblazing NYC squad originally came together in 1991, and emerged into the jam scene in 1995 after playing with Phish. Their musicianship and sense of harmonic adventure was as strong as ever last Saturday, as they delivered their signature inventive improvisation that included jazz, funk and hip hop.

Medeski Martin & Wood | Brooklyn Mirage

The band did not disappoint, playing multiple tunes from their uber tasty 2000 release The Dropper, including a set opening "Philly Cheese Blunt," as well as "Shacklyn Knights." The melodic "Last Chance to Dance Trance" from their 1995 album Friday Afternoon in the Universe found it's way into the mix. The band dropped into a deep groove for "Start-Stop," from another late 90's release, Combustication. We can only hope that this clever trio reassembles once again, much sooner than later.

Guitarist Adam Schmirnoff | Lettuce

The jazz vibes rolled on as Lettuce took the stage next. The larger than life sound and visuals at the Mirage kicked into high gear as this band brought their blend of jazz, funk, hip hop and r&b to a fired up crowd. The Boston based squad included the full line up of drummer/producer Adam Deitch, guitarist Adam Schmirnoff, keyboardist Nigel Hall, bassist Eric Coomes, saxophonist Ryan Zoidis, and trumpeter Eric "Benny" Bloom.

Lettuce | Brooklyn, NY

The set began with an illuminated Lettuce logo behind the band, which over time transitioned to visuals that traversed the screens that stretched past the length of the large stage. The band brought two heated r&b covers that sandwiched a fiery original with  "Family Affair" by Sly and the Family Stone transitioning into "Let it Go Go" and "Everybody Want to Rule the World" by Tears for Fears. Coomes' booming bass and Deitch's spot on drums could be felt from every corner of the Mirage. This venue's sound system brought immense depth to their already full sound, which made their set even more enjoyable.

Brooklyn Mirage | Brooklyn, NY

Brooklyn Comes Alive saved the best for last, with the post rock dance music titans, Sound Tribe Sector 9. This band last visited the NYC metro area almost three years ago to the day at the Brooklyn Mirage on September 20, 2019. The venue upgraded their sound and audiovisuals significantly in that time, which only benefited this Santa Cruz, Ca based EDM squad. The quintet consisted of drummer Zach Velmer, guitarist Hunter Brown, bassist Alana Rocklin, keyboardist David Phipps, and percussionist Jeffree Lerner.

Bassist Alana Rocklin | Sound Tribe Sector 9

STS9's set included a mix of old and new songs, and touched many genres, from funk to hip hop and deep house. New tune "Big Basin" kicked off the two hour set. The rarely played old tune "Frequencies Peace 1" followed, and was last played Feburary 16, 2020. This transitioned into the more common classics "Frequencies Peace 2" and "Frequencies Peace 3." Two newer songs followed with "Like I Do" and "Menacer," which flowed exquisitely into "Arigato." This formerly hip hop inspired tune was slowed down and reworked into a smooth funk trance. As the band headed into the signature notes, Velmer raised his arms into the air, inviting the crowd to follow his lead.

Projections of STS9's iconic artwork from their album Artifact behind the band | Brooklyn Mirage

At this point, images from city scapes, nature and many of STS9's albums traversed the screens behind the band. Most notably, the artwork from their unequivocally stellar 2004 release Artifact, which contains outlines of people, recurred as a backdrop. Vintage tune "Move My Peeps," led by the one two punch of Velmer and Rocklin, launched into the best twenty musical minutes from the evening. The Artifact imagery as well as visuals of a dual setting sun raced across the screens behind the band. A flawless segue into "New Forms," which is a cover by Roni Size & Reprazent, eventually led back into a high energy wrap up of "Move My Peeps." "New Forms" was last played live on December 28, 2019.

Hunter Brown and Jeffree Lerner | Sound Tribe Sector 9

Another older synth heavy tune, "Potamus," jumped into the set, followed by the uplifting dance tune "20-12." Images of rocket ships, along with the classic sts9 logo, launched the crowd to the moon during this feel good sequence. This outstanding set closed out with one last jam sandwich, starting with the hip hop influenced original "Be Nice." This melded nicely into "Scheme," from their 2011 release When the Dust Settles, with electrifying sounds from Brown on the guitar. The show ended on an extremely high note as the band jettisoned into another mid 2000's hip hop flavored dance tune, "Rent." The crowd was absolutely thirsty for more, despite the time being 2:45am. Velmer took the mic to express gratitude to the crowd and threw his drumsticks to a lucky audience member, as the old school Sound Tribe Santa Cruz logo displayed behind the stage.

Sound Tribe Sector 9 | Brooklyn Mirage

The sixth installment of Brooklyn Comes Alive brought pure delight and plenty of dancing to those who were able to attend. This annual affair highlights artists plus the vibrant musical community behind the jam scene, and was certainly one for the ages. NYC looks forward to the next iteration of this truly special event.

Check out more photos from the show!

Sound Tribe Sector 9 Set
Big Basin > Frequencies Peace 1 > 2 > 3, Like I Do, Menacer > Arigato, Move My Peeps > New Forms1 > Move My Peeps, Potamus, 20-12, Be Nice, Scheme > Rent

Notes
1. Roni Size & Reprazent

Drummer Zach Velmer threw his drumsticks to a lucky fan | STS9

Fans loved the marathon show | Brooklyn Comes Alive

Sun, 09/25/2022 - 6:39 pm

New York, NY was treated to a fun night of dancing and covers by Pink Talking Fish last Friday night at the iconic Brooklyn Bowl in Brooklyn's Williamsburg neighborhood. The show went on late into the night, as the band played two high energy sets. Many dynamite covers were also contributed to the mix by supporting band and new comers, Residual Groove.

Guitarist Previn Edwards | Residual Groove

Emerging artist Residual Groove played their first show ever in New York, NY, and certainly made a lasting impression on this Brooklyn based, jam loving crowd. This Norwalk, CT squad included brothers Kiran Edwards on keys and Previn Edwards on guitar, along with drummer Henry Thomas, percussionist Garrett Halstead and bassist Miles Livolsi. Self described as a "funk fusion improv heavy dance band," this versatile quintet jammed through a myriad of genres, from jazz to rock and funk, along with everything in between.

Cal Kehoe sits in with Residual Groove | Brooklyn Bowl

Residual Groove kicked off the evening's festivities with the classic tune "Them Changes" by Buddy Miles, along with a stellar transition into "Goodbye Face," which is an original by Kiran Edwards other band KRIS. They nailed a stellar jazz tune by fellow Connecticut musician John Scofield, "Boozer," with notably delicious licks by Previn Edwards. "Cabana Beach," another KRIS tune, jumped into the line up. The band then changed gears by diving into a jam sandwich with Pat Metheny's "The Girls Next Door" and "Undermind" by Phish.

Kiran Edwards | Residual Groove

By this point, many folks were dancing hard and thoroughly enjoying this relatively unknown, albeit incredibly adept band. The heat turned up a notch as Cal Kehoe, the guitarist from Pink Talking Fish, joined Residual Groove for a raging version of the Talking Heads "Crosseyed and Painless." Residual Groove closed out their inaugural New York City set with disco tune "Night Fever" jammed into Led Zeppelin's "No Quarter." Kiran Edwards contributed his spot on vocals to this beloved classic rock cover. For those who are thirsty for more, this band has a weekly residency at Dunville's in West Port, CT on Tuesday nights, and has many exciting shows planned for the fall with details via this link.

Bassist Eric Gould | Pink Talking Fish

The show rolled on, as Pink Talking Fish emerged from the Brooklyn Bowl's second floor green room, and donned matching t-shirts with different lunch foods. This group is known for raging covers from three well known rock bands: The Talking Heads, Pink Floyd and Phish. The line up for the evening, along with each member's lunch food shirt, consisted of bassist Eric Gould (pinwheel sandwich), keyboardist Richard James (salad), drummer Zack Burwich (mozzarella sticks), and guitarist Cal Kehoe (chicken parm).

Brooklyn Bowl | Brooklyn, NY

The first set began with the elegantly melodic "This Must Be The Place," by the Talking Heads, which was sung by Kehoe. The band picked up the intensity with Phish's "Punch You In The Eye," which flowed nicely into "Happiest Days Of Our Lives" by Pink Floyd. The non-stop sequence continued with well known Pink Floyd tunes "Another Brick in the Wall Part 2" > "Another Brick in the Wall Part 3," all sung by James, and "Cities" by the Talking Heads. The latter was played with the original, fast paced tempo from the Talking Heads, versus the slower version that Phish currently plays.

Pink Talking Fish | Brooklyn Bowl
"Have a Cigar," another Pink Floyd original, built up to the fiery "What a Day That Was" by the Talking Heads. The crowd was fired up with arms in the air during this dance inducing jam. The quartet elevated the music into high gear to wrap up the first set, with more Pink Floyd goodness, "Pigs (3 Different Ones)" seguing into "Run Like An Antelope" by Phish.

Guitaist Cal Kehoe | Pink Talking Fish

The second set started around 11:30pm, and cleverly alternated tunes in groups of three by Pink Floyd, the Talking Heads and Phish without coming up for air. This began with  "Time," and was followed by "Moon Rocks." The jams had more depth than the first set, and most notably during "David Bowie," where Gould and Burwich were in lock step. James dominated the vocals and elevated the funk on keyboards during "Sheep," as the intensity continued to build. The jam vivaciously slid into "Making Flippy Floppy," as the dance party equivalently heated up.

Bassist Richard James | Pink Talking Fish

Kehoe signaled the change to move into the traditional tune by Richard Strauss "2001," though played in the jam rock fashion that Phish currently delivers. The audience was feeling the love as Kehoe slammed these well known chords. James took the helm on "Run Like Hell," before the band ended the set with a flaming hot "Burning Down The House." Anyone who was at the Brooklyn Bowl was on their feet and cheering for more as the band left the stage. They quickly returned, and interrupted the established second set song flow with the 90's punk tune by Green Day, "Basketcase." The show ended with vigor as the band returned to their second set cadence for "Suzy Greenburg."

Fans loved the show | Brooklyn Bowl

Pink Talking Fish brought lovable covers and a lively dance party to the Brooklyn Bowl well into the early morning. They are currently on tour, and play next at the Warehouse at FTC in Fairfield, CT on September 30th. Hop on over to this link for tickets.

Check out more photos from the show!

Residual Groove Set
Them Changes1> Goodbye Face,  Boozer2, Cabana Beach, The Girls Next Door3 > Undermind4>The Girls Next Door, Crosseyed and Painless5, Night Fever6> No Quarter7

Notes
1. Buddy Miles
2. Scofield
3. Pat Metheny
4. Phish
5. Talking Heads with Cal Kehoe
6. Bee Gees
7. Led Zeppelin

Pink Talking Fish

Set One
This Must Be The Place (Naive Melody)1, Punch You In The Eye2 > Happiest Days Of Our Lives3 > Another Brick In The Wall Part 23 > Another Brick In The Wall Part 33 > Cities1, Have A Cigar3 > What A Day That Was1, Pigs (3 Different Ones)3 > Run Like An Antelope2

Set Two
Time3 > Moon Rocks1 > David Bowie2, Sheep3 > Making Flippy Floppy1 > 20014, Run Like Hell3 > Burning Down The House1

Encore
Basket Case5 > Suzy Greenberg2

Notes
1. Talking Heads
2. Phish
3. Pink Floyd
4. Richard Strauss
5.Green Day

Brooklyn Bowl | Brooklyn, NY

Fri, 09/30/2022 - 2:05 pm

The self described indie jam band Goose kicked off their Dripfield fall tour last Thursday night at The National in Richmond, Va with a fiery show. The sold out crowd created intense energy at this historic venue that holds 1500 people. This first of fourteen shows across the South and Midwest was broadcast for free to Nugs.net subscribers. The band showed only minor signs of rust and with many strong points during the show. If last night's heater is any indicator for the rest of the tour, fans are in for a treat.

Goose fans getting warmed up outside | The National

The band was all smiles as they walked on stage to a boisterous welcome from the fans. The show began with "Dr. Darkness" followed by the reggae inspired "Doc Brown." Multi-instrumentalist Peter Anspach debuted his new guitar amp, which shined during his "Doc Brown" guitar solo. Moon Cabin's "Jive One" followed with a healthy dose of funk, led by bassist Trevor Weekz. The longest and arguably best jam of the night was up next, with a twenty three minute "Rosewood Heart," also from Moon Cabin, that had beautiful moments of exploration, despite the fact that the band did not build this into a peak.

Multi-instrumentalist Peter Anspach | Goose

Goose brought out two tasty covers next, starting with the 462 show bust out "Spain" by jazz legend Chick Corea. This song was last played on April 16, 2016 at Stella Blues in New Haven, CT. This jazz song exposed their Berklee School of Music background, where learning this classic tune is a requirement for some musicians. The band shifted gears for another more well known cover, "Green River" by Creedance Clear Water Revivial. Lighting Director Andrew Goedde illuminated the stage and crowd with stellar green lights. An incredibly peppy "Jive Lee" closed out this diverse set. Fans anticipated a second set Jive trifecta though were thrilled with the first set Jive double shot.

Goose | The National

Set two kicked off with a high energy "Flodown," followed by an almost fifteen minute "Into the Myst." Weekz once again led the charge on bass during this jam, as the crowd felt the floor shake. "Myst" also included the delicious ending vocals by guitarist Rick Mitarotonda. The audience began clapping as the band dove into a dark, sixteen minute "Pancakes," which was one of the best versions of this song yet. Mitarotonda changed his tone mid song, which elevated the jam, as the band started to find their groove.

Bassist Trevor Weekz | Goose

"A Western Sun" slipped into the set list next, with the lovely lyrics, "go everywhere, feel everything, see everyone you want." This brought the energy down for a much needed few minutes. The set ended on a very high note with a raging nineteen minutes "Arrow." The band stepped off stage to a fired up crowd who was thirsty for more. The band returned with one of the managers, Jon "Coach" Lombardi, who provided an assist on the rain stick for the encore, "Honey Bee."

Goose | The National

The rising jam band Goose brought a stellar tour opener at The National, including a rare cover and many exciting jams. They are not to be missed this fall, and back at it again tonight at The National for another sold out show. Tickets can be found via the face value ticket exchange site, cash or trade. Also, tonight's show is also broadcast for free to Nugs.net subscribers. Hop on over to their tour page for more details about their fall tour.

Fans loved the show | Goose

Check out more photos from the show!

Set One
Dr. Darkness, Doc Brown, Jive I, Rosewood Heart, Spain1, Green River2, Jive Lee

Set Two
Flodown, Into the Myst, Pancakes, A Western Sun, Arrow

Encore
Honey Bee3

Notes
1. Chick Corea
2. Creedance Clearwater Revival
3. With Jon "Coach" Lombardi on the rain stick

The National | Richmond, Va

Drummer Ben Atkind | Goose

Sun, 10/02/2022 - 12:44 pm

Goose returned to The National in Richmond, Va last Friday night for another barn burner, and the second of a two night stand for their Fall tour opener. The weather was quite soggy in the River City, but that did not stop fans from waiting in line for hours to secure a good spot for this very sold out show. They were not disappointed as this rising band delivered more heaters, including a tasty pair from their new album Dripfield, and high energy from start to finish inside this iconic and intimate theater.

Guitarist Rick Mitarotonda | Goose

The show kicked off shortly after 8pm with newer tunes "Butterflies" and "Turbulence & The Night Rays." Both songs have been paired within the same set together four times since their debut at Legend Valley in the Summer of 2022, and have already shown measurable growth in that time. A twenty one minute, crowd inciting "Drive" followed, where guitarist Rick Mitarotonda stepped to the plate during the second jam, and hit a home run. Multi-instrumentalist Peter Anspach earned a notable funky assist on the clavinet, which created a vintage vibe, as he does not always play the keyboards during this tune.

Lighting Director Andrew Geodde brought the stellar visuals | The National

Mitarotonda switched from the electric guitar to the slide guitar for Tom Wait's "Gun Street Girl," which showed his versatility. This tune was last played February 9, 2022 in Minneapolis. A breezy vibe followed with the island themed "Butter Rum." Anspach elevated this bubbly tune on the electric guitar, with vocals from him, Mitarotonda and drummer Ben Atkind. The set ended with a raging sixteen minute "Madhuvan," which had the entire crowd dancing and losing their minds to this outstanding tune.

Multi-instrumentalist Peter Anspach on the guitar | Goose

Set two picked up right where set one left off, though not before Anspach threw off the fans by quoting the lyrics from "Animal," with a monster twenty three minute "Empress of Organos." The overjoyed crowd turned this song into a giant singalong, as the band's vocals were hard to distinguish during the inspiring lyrics, "We say 'Oh, what a day to be living.'" What a day to be living, indeed.

Fans loved the show | Goose

The first jam sandwich of the Fall tour followed, starting with a mellow gem from Dripfield, "Borne." A smooth transition followed into another Dripfield delight, "Hungersite." The crowd was once again joining the band for vocals in full force during both tunes. Mitarotonda flexed more guitar muscle during this jam, which eventually flowed nicely into a set closing, fourteen minute "Can't Get You Out Of My Head," by Kylie Minogue. Given the hard 11:15pm curfew, the band quickly returned for one final tune fiery tune that manifested as a vintage "Hot Tea" encore.

The National | Richmond, VA

Goose is firing on all cylinders after a successful one two punch at The National. They are back in action tonight at Pullman Yards in Atlanta, Ga. Tickets are still available via this link. Visit their tour page for more details about this show and the rest of the Fall tour. For those who can't be there in person, the remaining shows will be streamed for purchase via Nugs.Net.

Goose | Richmond, Va

Check out more photos from the show!

Set One
Butterflies, Turbulence & The Night Rays, Drive, Gun Street Girl1, Butter Rum, Madhuvan

Set Two
The Empress Of Organos, Borne > Hungersite > Can’t Get You Out Of My Head2

Encore
Hot Tea

Notes
1. Tom Waits
2. Kylie Minogue

Percussionist Jeff Arevalo | Goose

Fans of all ages enjoyed Goose | The National

Tue, 10/04/2022 - 6:30 am

Montclair, NJ was the place to be last Saturday night, as Joe Russo's Almost Dead packed the historic Wellmont Theater to cap off another enjoyable three night run in this vibrant New York City suburb. The line to enter the show wrapped around the corner as dead heads of all ages eagerly awaited a mind melting performance by this talented quintet, and they were not disappointed. Both drummer Joe Russo and keyboardist Marco Benevento are originally from Northern New Jersey, and always seem to light up this special venue. The band delivered a tasty slate of exploratory Grateful Dead covers, and included rarely played gems along with numerous teases.

Drummer Joe Russo | Joe Russo's Almost Dead

Set one began shortly after 8:15pm with "Iko Iko," last played at the Westville on June 20, 2021. "Cats Under The Stars," from the Jerry Garcia band's lone studio release of the same name followed, and included a notable "Bathtub Gin" tease that brought a smile to the Phish fans in the crowd. This flowed nicely into "Feel Like A Stranger," sung by guitarist Scott Metzger, and found it's way into a "Brown Eyed Woman jam."

The house was packed | Joe Russo's Almost Dead

The band launched into "Alabama Getaway", that segued into "I Need A Miracle," which included a "Wang Dang Doodle" tease. The crowd was in full on dance party mode as set list rarity "Standing On The Moon," from Built to Last, emerged. This song was last played on August 17, 2019. The first set ended on a high note with "Not Fade Away," as guitarist Tom Hamilton energized the crowd with his electric guitar licks.

Keyboardist Marco Benevento | Wellmont Theater

After a quick break, the band was back on the stage, and dove head first into jam that sailed into a lively "Jack Straw." The tease party rolled on with Benevento's "Real Morning Party," a lively instrumental that is often played with his band. "Easy Wind" from the classic Workingman's Dead, kicked off another sequence of deep jams, and was followed by an unfinished "Here Come Sunshine." Hamilton belted out "Friend of the Devil," as the crowd sang along in unison.

Joe Russo's Almost Dead | Montclair, NJ

The band continued into a bass heavy "Dancing In the Street," led by bassist Dave Dreiwitz, which was one of the highlights from this show. Hamilton added multiple "Here Comes Sunshine" teases, as well as a "Some Like It Hot" by Russo to this already deliciously funky tune. "Franklin's Tower" proceeded with Hamilton changing the well known lyrics from "If you get confused, listen to the music play," to "If you get confused, listen to Marco play." Benevento unleashed a sweet jam with a huge smile. The set closed with familiar tune "The Weight," by The Band, as the crowd joined in for another fun sing a long. 

The Wellmont Theater | Montclair, NJ

At this point, the crowd was on their feet, hoping for another high energy tune. The band returned and responded with a more mellow "Morning Dew" to close this joyous event.

Fans loved the three night run | Wellmont Theater

Joe Russo's Almost Dead never fails to deliver inventive jams and creative musicianship. They are back in action at Hulaween in Live Oak, Florida on October 30th followed by a performance at the iconic Metropolitan Opera House in Philadelphia, Pa on November, 11th. Hop on over to their tour page for more details on these shows and the rest of the tour.

Check out more photos from the show!                                   

Set One
Iko Iko @, Cats Under The Stars # > Feel Like A Stranger $, Alabama Getaway % > I Need A Miracle ^ > Standing On The Moon & > Not Fade Away

Set Two
Jam > Jack Straw *, Easy Wind > Here Come Sunshine + > Friend of the Devil > Dancing In The Street @@, Franklin's Tower ##, The Weight $$

Encore
Morning Dew

Notes
@ - Not Played By Almost Dead since 2021-06-20 Westville Music Bowl, New Haven, CT, a gap of 52 shows
# - With "Bathtub Gin" (Phish) Teases (Band / SM)
$ - With a Brown Eyed Women Jam
% - Not Played By Almost Dead since 2022-02-11, Fillmore Philadelphia, Philadelphia, PA, a gap of 31 shows
^ - With a Wang Dang Doodle Tease (Band)
& - Not Played By Almost Dead Since 2019-08-17 Frost Amphitheater, Stanford, CA, a gap of 74 shows
* - With a "Real Morning Party" (Marco Benevento) Jam
+ - Unfinished
@@ - With multiple Here Come Sunshine Teases (TH) and a "Some Like It Hot" (Power Station) Tease (JR)
## - With a Dancing In The Street Tease (TH)
$$ - Not Played By Almost Dead Since 2021-10-02, Private Residence, Washington, CT, a gap of 39 shows

Guitarist Tom Hamilton | Joe Russo's Almost Dead

Good times were had by all | Montclair, NJ

Mon, 10/10/2022 - 1:45 pm

The elegant John F. Kennedy Center for Performing Arts was overtaken by the passionate fans of Bobby Weir & Wolf Brothers, as well as the Grateful Dead, last week when they joined forces with the National Symphony Orchestra in Washington D.C. for the first of four historic shows together. The Wolf Pack string and brass quintet, which is an expanded version of the band, provided their support. Fans young and old were filled with delight hearing their favorite Dead tunes backed by this impressive orchestra. The Kennedy Center was equally enamored to host this devoted audience at their unique Kennedy Center Concert Hall, which is the home of the National Symphony Orchestra.

Patrons enjoyed the marvelous sunset on the River Terrace | Kennedy Center

This four night run was certainly different than normal gigs for the band, as Weir and his band mates abandoned their standard casual concert attire for dapper black tuxedos, matching the iconic venue's ambiance. The Wolf Brothers consist of guitarist Weir, keyboardist Jeff Chimenti, bassist Don Was and drummer Jay Lane. The Wolf Pack's members include cellist Alex Kelly, trumpeter Brian Switzer, trombonist Adam Theis, violinist Mads Tolling and woodwindist Sheldon Brown. The shows were originally scheduled to take place in February 2022, but were rescheduled in an abundance of caution because of concerns about covid-19.

A dancing bear in the Hall of Nations | Kennedy Center

The evening's festivities began in and around the gorgeous Kennedy Center campus. Fans were seen mulling about the Hall of Nations and Hall of States, as well as the breathtaking River Terrace, which overlooks the Potomac River and Theodore Roosevelt Island. They were intermixed with patrons headed to see the play Hamilton, which was held in the adjacent Kennedy Center Opera House.

Conductor Steven Reineke and the National Symphony Orchestra | Washington D.C.

The National Symphony Orchestra took the stage on time at 8pm, albeit without the Grateful Dead icons that the audience was ready to see. Led by conductor Steven Reineke, the orchestra began with an overture that included delightful instrumental sections of "Brokedown Palace", "Cassidy", "Terrapin Station", and "The Other One." Upon the conclusion of this tasty warm up, Weir, the Wolf Brothers and the Wolf Pack emerged from the green room. They received a boisterous applause not only from the crowd, but also the orchestra. Reinecke mentioned that this is first time they have collaborated with celebrated rock and roll artists, and expressed their excitement for the occasion.

The National Symphony Orchestra applauded the arrival of Bobby Weir & Wolf Brothers | Washington D.C.

The short but sweet first set continued with "Row Jimmy," giving the fans their first taste of orchestral arrangements intermixed within the songs. The set wrapped up with the gem of "China Cat Sunflower" > "I Know You Rider," and included moments of improvisation by Weir & Wolf Brothers. Despite the formal setting, this band felt at home to play their music with the exploratory mindset that Weir has fostered for over fifty years.

Guitarist Bobby Weir | Bobby Weir & Wolf Brothers

The musicians left for intermission, and graciously returned for a long set of tunes that began with "Uncle John's Band." The most commercially successful tune by the Grateful Dead, "Touch of Grey," was up next, and meshed well with the orchestral arrangements. The dance inducing "Shakedown Street" followed, as the fans proceeded to twirl in the aisles, much to the chagrin of the ushers who attempted to keep them clear. The energy dipped while emotions soared during the masterful segue into the mellow Jerry Garcia/Robert Hunter ballad, "Days Between," which was performed by only Weir and the National Symphony Orchestra.

Bobby Weir thanks composer Giancarlo Aquilanti | Kennedy Center

The Wolf Brothers and Wolf Pack returned upon conclusion of the heart felt "Days Between." Before the next tune, Weir took a moment to introduce and thank Giancarlo Aquilanti, the Stanford University composer who orchestrated the Grateful Dead tunes and helped make this momentous show possible. He also alluded to the fact that a copious amount of time remained during tonight's performance. The large group of musicians then played the melodic "Cassidy." Afterwards, Weir took a moment to chat with Reinecke, announced "We have a plan," and dove head first into a profound "Dark Star."

Bobby Weir & Wolf Brothers with the National Symphony Orchestra | Washington D.C.

The bubbly "Sugar Magnolia" emerged next, and included the beloved "Sunshine Daydream" ending. The energy fell with emotions on high, once again, for the National Symphony Orchestra's final tune, "Brokedown Palace." The orchestra left, but Weir and his talented group of musicians were not quite ready to end the show. They delivered a rocking "Bird Song" > "Loose Lucy," to conclude the evening, or so they thought. The fans willed an encore by clapping the beat of "Not Fade Away," which normally occurs when the band closes out with "Crickets." Weir and the Wolf Brothers returned to the stage one final time for a fiery "Loose Lucy" reprise, sending the fans home with huge smiles on their faces.

The stunning Kennedy Center Concert Hall | Kennedy Center

Weir & Wolf Brothers continued their truly special, sold out, four night stand through the weekend at the architecturally stunning Kennedy Center. Those in attendance were very fortunate to be part of history in the making. The shows may have ended, but there is still plenty of programming at the Kennedy Center for people of all ages. Head on over to their event calendar for details on upcoming performances. Weir & the Wolf Brothers are also on tour this fall, with shows primarily on the West coast. More information can be found on their tour page.

Check out more photos from the show!

Set One
Overture1,  Row Jimmy, China Cat Sunflower, I Know You Rider

Set Two
Uncle John's Band, Touch of Grey, Shakedown Street > Days Between2, Cassidy, Dark Star, Sugar Magnolia, Brokedown Palace, Bird Song3 > Loose Lucy3

Encore
Loose Lucy3

Notes
1. National Symphony Orchestra only
2. Bobby Weir and the National Symphony Orchestra only
3. Bobby Weir and Wolf Brothers only

Bobby Weir & Wolf Brothers | Kennedy Center

The iconic Kennedy Center | Washington D.C.

Grateful Dead fans packed the Kennedy Center campus | Washington D.C.

Fri, 10/14/2022 - 5:00 pm

Melvin Seals and JGB are no strangers to the New York City jam scene, and bring out fans time and time again. They returned once again to the lively Brooklyn Bowl in Brooklyn, NY last weekend for a magical set of classic Jerry Garcia Band songs and covers. Local New Jersey band One Eyed Jack provided their support.

One Eyed Jack | Brooklyn Bowl

This evening of fun and dancing began with East Rutherford, NJ's One-Eyed Jack. The Garden State sextet started their psychedelic jam rock set with original tune "Middle of the Road," from their 2006 release of the same name. "Living on Fear" followed, along with another Middle of the Road tune, "Keep Your Head." The band paid homage to the band who started the jam rock movement, the Grateful Dead, with a tasty cover of "The Other One." The best was saved for last, with a high energy, southern rock fueled cover of the Allman Brothers' "Stateboro Blues" which ended their set with a bang.

Saxophonist Ron Holloway | Melvin Seals and JGB

Shortly after One-Eyed Jack left the stage, Seals and his merry squad ascended from the green room stairs behind the stage. The line up included keyboardist Seals, guitarist John Kadlecik, bassist John-Paul McLean, and drummer Jeremy Hoenig. Saxophonist Ron Holloway joined the band for the entire show, and added a jazzy feel.

Brooklyn Bowl | Brooklyn, NY

They kicked off their fiery set with "How Sweet It Is," the classic Motown hit written by the Holland-Dozier-Holland trio, and also the name of a Jerry Garcia Band album. The Rolling Stone's "Let's Spend the Night Together" elevated the heat. "Cats Under the Stars," a quintessential JGB original on the 1978 release of the same name, energized the smiling crowd who was fully engaged in a sing a long. This carried into the Jerry Garcia solo song, "The Wheel", from his 1972 release Garcia.

Melvin Seals and JGB | Brooklyn Bowl

The set rolled on with two deep blues staples performed by the Jerry Garcia Band, "That's Alright Mama," by Arthur Crudup, proceeded by Doc Pomus' "Lonely Avenue." The crowd erupted during the infectious "Hey Pockey Way" by the Meters, complete with plenty of signature smiles by Seals. "Drum World" was up next, and led into another fan favorite "I Want You (She's So Heavy)," by the Beatles. This raucous dance party flowed into the set closing "U.S. Blues" by the Grateful Dead. The crowd was on their feet and thirsty for more. Thankfully the band obliged with the vintage Bob Dylan tune "Tangled Up In Blue."

Fans enjoyed this fun show and killer venue | Brooklyn Bowl

Melvin Seals and talented squad brought another outstanding night of tunes to the Brooklyn Bowl that Jerry Garcia himself would be proud of. The band is currently on tour, and plays next at the Cabot Theatre in Beverly, Mass on October 14th. Tickets are available via this link. Also, hop on over to the Brooklyn Bowl's event page for details on their always stellar slate of bands and happenings.

Check out more photos from the show!

One-Eyed Jack Set
Middle of the Road, Living on Fear, Keep Your Head, The Other One, Statesboro Blues

Melvin Seals and JGB Set
How Sweet It Is, Let's Spend the Night Together, Cats Under the Stars, The Wheel, That's Alright Mama, Lonely Avenue, Hey Pockey Way, Drum World, I Want You (She's So Heavy), U.S. Blues

Encore
Tangled Up In Blue

Guitarist John Kadlecik | Melvin Seals and JGB

Melvin Seals and JGB | Brooklyn Bowl

Melvin Seals and JGB | Brooklyn, NY

Sat, 10/15/2022 - 3:11 pm

After over two and a half years, the jam band super group Ghost Light finally returned to the New York City metro area last week. This absence was not by choice, as COVID-19 forced many cancellations for this band, including a 2022 winter tour that included an appearance at the iconic Brooklyn Bowl in Brooklyn, NY. This quintet of all-star musicians took the delays in stride, and used the time to record their sophomore album, The Healing. They showed up with their compositional and improvisational chops honed and ready to impress at the Homestead Bar & Grill in Morristown, NJ. This new Garden State music venue, donned in Halloween decor, was just as excited to host Ghost Light as the band was to return to the Tri-State area.

Ghost Light | Homestead Bar & Grill

The band's line up included founding members guitarist Tom Hamilton, guitarist Raina Mullen, keyboardist Holly Bowling and drummer Scotty Zwang. New comer and bassist Shell Taylor, formerly from the disbanded funk outfit Turkuaz, joined the party in March 2022, and was present this evening as well.

Guitarist Tom Hamilton was feeling it | Ghost Light

The first set kicked off shortly after 8pm with an American Babies' tune, "What Does It Mean to Be." American Babies was Hamilton's band prior to forming Ghost Light. Mullen displayed her versatility and impressive guitar skills early in this tune, along with a glowing smile. This music flowed into "Diamond Eyes," from their first release Best Kept Secrets, as well as the Brother's Past tune, "State Police." The band was in the jam pocket early, and capped off this non-stop improvisational sequence by returning to "Diamond Eyes."

Bassist Taylor Shell | Ghost Light

Another Brother's Past song entered the first set equation with "Winter War Games," and went unfinished, only to be completed the following night in Fairfield, CT. Hamilton continued to wow with rapid fire riffs on his custom Lotto Guitar. The twenty one year old guitar maker behind Lotto Guitars was in the crowd enjoying Hamilton's incredible tone. The band closed out this mind melting sequence with "The Healing," from their latest release of the same name, and jammed back into "What Does It Mean To Be," which book ended the electrifying first set.

Ghost Light | Homestead Bar & Grill

The second set started with another song from The Healing, "Take Some Time," followed by the psychedelic "Don't Come Apart." A pair of American Babies' covers slipped into the mix next, starting with "Swimming at Night." The second, "This Thing Ain't Going Nowheres," featured a dark jam that was highlighted by Bowling. The dark theme blended into two set closing tunes from The Healing. "Don't Say Goodnight Just Yet" featured a hypnotic one two punch from Zwang and Shell, as Hamilton and Mullen fed off each other, wailing on their collective guitars. This energy flowed into the show ending "Dig a Hole," which dug a delightful hole in the crowd's hearts.

Keyboardist Holly Bowling | Ghost Light

Ghost Light is back in action again tonight at the Brooklyn Bowl Philadelphia and on October 16th at the Thunderbird Music Hall in Pittsburgh, PA. Hop on over to their tour page for more details on the rest of the tour.

Check out more photos from the show!

Set One
What Does It Mean to Be > Diamond Eyes > State Police > Diamond Eyes, Winter War Games > The Healing > What Does It Mean to Be

Set Two
Take Some Time > Don’t Come Apart > Swimming at Night > This Thing Ain’t Going Nowheres, Don’t Say Goodnight Just Yet, Dig a Hole

Guitarists Raina Mullen and Tom Hamilton | Ghost Light

Homestead Bar & Grill | Morristown, NJ

Lotto Guitars was in the house | Ghost Light

Mon, 10/17/2022 - 6:15 pm

Blazing musical trails with a mix of progressive rock, jazz and jam rock while remaining authentic to his style is what adept guitar journeyman Marcus Rezak does best. He released a new album in 2021 with three members of the Trey Anastasio Band, Truth in Sound, and made the recording at Anastasio's Barn in Vermont. Despite the extensive waiting list, he recently purchased his second Languedoc Guitar, which only enhanced his refined sound. This Berklee School of Music alum also successfully recruits incredibly talented musicians to hop on tour with his band Shred is Dead, and continues to wow audiences with reimagined Grateful Dead tunes, as well as his own songs. This was certainly the case at Cafe Wha? in New York City on October 9, 2022, as his current squad delivered a mix of originals and tasty Grateful Dead covers.

Guitarist Marcus Rezak | Shred is Dead

Shred is Dead's fall tour headed into the Empire State with a stacked line up that included Rezak on guitar, Jeff Mann on drums (Consider the Source), Jonathan Coleman on bass (Muscle Tough) and Josh Dobbs on keyboards. Both Mann and Coleman are part of notable jam rock fusion bands from NYC and Philadelphia respectively, while Dobbs is well known around the Vermont music scene.

Bassist Jonathan Coleman | Shred is Dead

The intimate setting of Cafe Wha? provided the perfect location for plenty of shredding. Their set was short but sweet, and kicked off with a psychedelic meets prog rock inspired instrumental version of the Grateful Dead's "Estimated Prophet" > "Crazy Fingers." The transition between the two contained a free flowing vibe with a jam reminiscent of Phish. Rezak unleashed more vibrant guitar solos while Dobbs maintained balance on keys in the breezy tune from Truth in Sound, "Light of the Moon." Both Rezak and Coleman contributed vocals. "Borderline", another Truth in Sound tune, followed.

Shred is Dead | New York, NY

The band shifted gears back to the Grateful Dead for "Terrapin Station," and Rezak showed his strength on vocals once again for this melodic tune. Mann and Coleman flashed smiles at each other as the collective groups of musicians locked into a tight groove.

Keyboardist Josh Dobbs | Cafe Wha?

The mood elevated with the prog rock influenced "Oceans 413," from Rezak's catalog, which displayed his stellar dexterity and jazz roots in this technical tune. The shredding rolled on into the jam rock meets 70's fusion "Glitter Pillow," another gem from Truth in Sound. The band closed out the show on a high note with a psychedelic, funk fueled, Grateful Dead instrumental sequence, "Shakedown Street" > "2001" > "Shakedown Street."

Drummer Jeff Mann | New York, NY

Rezak continues to bring his genre defying sounds and skillful group of musicians around the country. They are shredding next at Cage Brewing in St. Petersburg, Fl on October 20th and Revolution Live in Ft. Lauderdale, Fl on October 21st. Head on over to his tour page for more details on future dates.

Check out more photos from the show!

Set List
Estimated Prophet > Crazy Fingers, Light of the Moon, Borderline, Terrapin Station, Oceans 413, Glitter Pillow, Shakedown Street > 2001 > Shakedown Street

Shred is Dead | Cafe Wha?

Cafe Wha? | New York, NY

Tue, 10/25/2022 - 4:33 am

October is quickly rolling to a close, but not without the excitement of the Phil-O-Ween residency at the Capitol Theatre in Port Chester, NY. The Grateful Dead's legendary bass player Phil Lesh wrapped up the second of three weekends with another group of all stars on Sunday, October 23rd, 2022. Ironically, the Grateful Dead played numerous residencies at this storied venue many years ago, and it was only fitting for Phil to return for another Halloween run.

Bassist Phil Lesh | Phil and Friends

Phil has been playing under the Phil and Friends moniker for many years, and countless talented musicians are eager to join him on a musical journey. Tonight's line up included a slate of young stars, most notably Rick Mitarotonda, the guitarist for the rising jam band Goose. Three members of the Trey Anastasio Band horn section joined the party: saxophonist James Casey, Trombonist Natalie "Chainsaw" Cressman, and Trumpeter Jennifer Hartswick. Both Goose and the Trey Anastasio Band are ramping up for a combined Northeastern fall tour, and this collaboration gave fans a glimpse into what may transpire during next month's unprecedented shows.

Phil-O-Ween is a family affair with Phil's son Grahame | Capitol Theater

This residency is also a family affair, as Phil's son, guitarist Grahame Lesh, was front and center throughout the night and the duration of the run. Rounding out this impressive squad was jazz organist John Medeski and drummer John Molo.

Phil Lesh and Friends | Capitol Theater

The collective group played together all three nights this past weekend, and their energies gelled into high gear by Sunday night. They had never practiced together until the sound check on Friday, which highlights how truly adept they all are. The set list included a mix of Grateful Dead and classic songs that are second nature to these musicians and certainly warmed the hearts of everyone in attendance.

Guitarist Rick Mitarotonda | Phil Lesh and Friends

Bluesy tune "New Speedway Boogie" kicked off the evening's festivities, with Mitarotonda providing his stellar singing skills. A back and forth guitar dual ensued between Grahame and Mitarotonda during this vintage tune from the 1970 Grateful Dead release Workingman's Dead. Mitarotonda belted out the next song, "Mississippi Half-Step Uptown Toodeloo," which is another song from the Dead that is occasionally played by his band Goose. Medeski provided the perfect glue on the organ between all band members during this Wake of the Flood tune.

Natalie Cressman, Jennifer Hartswick and James Casey | Phil Lesh and Friends

Grahame took his turn at lead vocals for the mellow "Wharf Rat," and reminded the crowd how musically brilliant the Lesh family is. The jam included a layered build up on top of the rock solid rhythm section led by the one two punch of Phil and Molo. The Beatles' "Dear Prudence" followed, with Casey crushing vocals as his TAB band mates harmonized behind him.

Capitol Theater | Port Chester, NY

The vibe turned psychedelic meets folk with the traditional tune "Jack-A-Roe," sung by Mitarotonda. The song escalated into a tasty peak with Grahame leading the charge. Hartswick reminded the crowd that her outstanding bluesy voice fills the room during Little Milton's "That's What Love Will Make You Do." Cressman's trombone added the perfect accompaniment, along with Mitarotonda's impeccable guitar tone. Hartswich joined in on trumpet for a high spirited solo to round out this vibrant tune. The set closed out with a short but mighty "U.S. Blues," sung by Mitarotonda as though the song was written for him. Goose fans can only hope the band adds this upbeat Grateful Dead tune to their cover repertoire.

John Medeski | Phil Lesh and Friends

After a quick break, the high energy "Shakedown Street" got the crowd moving with the funky bass line that Phil has played for many years. The horn section added a unique twist to this psychedelic jam vehicle, with Casey on vocals. The mood stayed dynamic as the band moved into a rocking "Mason's Children," with both Grahame and Phil on vocals. Otis Redding's "Hard to Handle" slipped in next, and Mitarotonda provided soulful vocals for this bluesy tune. The horn section and both guitarists created a euphonious back and forth jam.

Capitol Theater | Port Chester, NY

The band veered back into psychedelic territory with "Estimated Prophet." Grahame contributed vocals during this trippy tune, while tye dye colors were projected on the walls of the iconic Capitol Theater. Medeski showed his true versatility, as his inspired organs melded the  guitars, horns and rhythm section. Peter Shapiro, the owner of the Capitol Theater, was seen enjoying the throwback jam in one of the presidential boxes.

Phil Lesh | Phil Lesh and Friends

Phil finally took the lead on vocals for the musically complex "Unbroken Chain," which he wrote the music for and appeared on the From the Mars Hotel album. "Looking for the secret, searching for the sound." These words seem to sum up Phil's historic career, and yet were apropos for this meaningful moment. A fiery jam unfurled with more back and forth between Mitarotonda and Grahame.

The fans loved the show | Capitol Theater

The mood dipped once again as the music navigated into the mellifluent "Stella Blue," with Hartwich providing her resonant vocals. Bobby "Blue" Bland's "Turn On Your Love Light" wrapped up this set with vigor. Mitarotonda's deep vocals, along with a jam reminiscent of the Grateful Dead, transported the crowd to that happy place.

Phil Lesh and Friends | Port Chester, NY

The band left the stage, with Phil returning alone for his well known "Donor Rap." After receiving a liver transplant in 1998, he always takes a moment to advocate for organ donation, and this evening was no exception. The remaining band members joined their fearless leader for one final tune, the heartfelt "Ripple," sung by none other than Phil.

The band takes a bow | Phil Lesh and Friends

Phil Lesh and Friends are back in action next weekend for the conclusion of Phil-O-Ween at the Capitol Theater on October 28, 29 and 31. More details about the shows can be found on the Capitol Theater's event page. Tickets are still available for night one here, and can be procured via Cash or Trade for the other nights.

Check out more photos from the show!

Set One
New Speedway Boogie, Mississippi Half-Step Uptown Toodeloo, Wharf Rat, Dear Prudence, Jack-a-Roe, That's What Love Will Make You Do, U.S. Blues

Set Two
Shakedown Street, Mason's Children, Hard to Handle, Estimated Prophet, Unbroken Chain, Stella Blue, Turn On Your Love Light

Encore
Donor Rap, Ripple

Guitarists Rick Mitarotonda and Grahame Lesh | Port Chester, NY

Sun, 10/30/2022 - 10:09 am

The traditional present for a thirty year wedding anniversary is pearls, because they are something that is extra special and take time to grow. Zero, the San Francisco based prodigy of guitarist Steve Kimock and drummer Greg Anton, gave musical pearls in the form of a newly released album and a fun show for the first night of their thirtieth anniversary tour celebrating the recording of their breakout album, Chance in a Million, on October 27, 2022 at the Brooklyn Bowl in New York, NY.

Zero | Brooklyn Bowl

The new double release live album, Naught Again, features previously unreleased material from their three day stint at the Great American Music Hall in October of 1992. Prior to these shows, the band was primarily an instrumental collaboration, however famed Grateful Dead lyricist Robert Hunter joined the effort and instantly transformed the music. The band members have included many well known musicians throughout the years. The Brooklyn Bowl's line up began with Kimock and Anton, as well Pete Sears on bass, Hadi Al Sadoon on trumpet, Spencer Burrows on vocals/keys, and Ritchie Nagan on percussion. Kimock's son, drummer John Morgan Kimock, joined the party for a double drum experience.

Drummers John Morgan Kimmock and Greg Anton | Zero

The show began with their thirty year old breakout song, "Chance in a Million," which brilliantly led into the ending sequence from Eric Clapton's "Layla," appropriately titled "Layla Outro." The jazzy "Theme From Nancy Germany," from their 1989 release Nothin' Goes Here, followed. Two songs from their self titled release Zero were up next, with "Pits of Thunder" and "Kissin' the Boo Boo." The set closed out with a fiery cover "Won't Get Fooled Again" by the Who. Burrows provided stellar vocals for this rocking cover.

Zero | Brooklyn, NY

Set two kicked off with the smooth bluesy tune "Baby Baby," followed by the mellow albeit jazzy "Catalina", from Chance in a Million, that included a sweet build up. The band introduced their good friend Keyboardist Jeff Denin, who sat in for the remainder of the show. Al Sadoon delivered a tasty solo during "Rigor Mortis," on top of the dual keyboardists. Burrows flexed his vocal cords once again for another song rooted in blues, the appropriately titled "End of the World Blues." This Chance in a Million tune flowed into "Gregg's Eggs," and wrapped up the set with a layered but mellow jazz inspired jam. The band stepped off stage to vibrant applause. They returned for a high energy version of Jimi Hendrix's "Little Wing," and ended the evening on a high note.

Guitarist Steve Kimock | Zero

Zero continues their Thirtieth Anniversary Tour into December 2022. They are back in action on October 30th at the Baltimore Sound Stage in Baltimore, MD and November 2nd at the Bearsville Theater in Woodstock, NY. Head on over to their tour page for more details about the rest of this exciting tour.

Check out more photos from the show!

Set One
Chance In A Million > Layla Outro1, Theme From Nancy Germany, Pits Of Thunder, Kissin’ The Boo Boo, Won’t Get Fooled Again2

Set Two
Baby Baby, Catalina, Rigor Mortis3, End Of The World Blues3 > Gregg’s Eggs3

Encore
Little Wing34

Notes
1. Clapton
2. The Who
3. With Jeff Denin
4. Jimi Hendrix

Drummer Greg Anton | Zero

Brooklyn Bowl | Brooklyn, NY

Zero | Brooklyn, NY

Tue, 11/01/2022 - 6:25 am

The time honored jam band tradition of covering other bands as a "Halloween costume" was unequivocally alive and well this past Halloween weekend. The highly creative quartet Pigeons Playing Ping Pong dressed up as the Who Fighters at College Street Music Hall in New Haven, CT on October 29, 2022. They mashed up songs from the 70's rock legends The Who and the 90's alternative rock band the Foo Fighters while wearing clever matching jumpsuits for the occasion. This Baltimore, MD based band is also in the midst of their 15-Year Anniversary tour, which is certainly a notable accomplishment. The Funky Dawgz Brass Band, the high energy New Orleans funk squad from Connecticut, provided support.

The Funky Dawgz | College Street Music Hall

The chilly fall weather did not stop the great people of New Haven from wearing costumes without jackets, as the streets were teeming with all kinds of fun imagination. Many of these folks made their way into College Street Music Hall early for the high energy opening act from the Constitution State, The Funky Dawgz. This incredibly talented brass band covered songs from genres such as hip hop, funk and pop, as well as their own originals, with a New Orleans flare. From Beyonce's "Crazy in Love" to Stevie Wonder's "I Wish," this band might as well be in the business of getting crowds hyped up. The raucous dance party heated up early, and those with jackets were starting to wonder why they brought one.

Guitarist Greg Ormont | Pigeons Playing Ping Pong

The floor and balcony filled out as Pigeons Playing Ping Pong took the stage for their first set. The band donned matching brown jumpsuits, made by Rachel of Arclectic, as well as aviator sunglasses as they appeared to roaring applause. The music kicked off with a vibrant "Henrietta," from their album Pizazz, which built into a layered jam early, let by guitarist Jeremy Schon. The band quickly shifted gears by a factor of The Who, and delivered the first cover of the night, "Won't Get Fooled Again." Guitarist Greg Ormont slammed the vocals as the crowd joined in on the well known lyrics. "Smile and grin at the change all around, Pick up my guitar and play." And play they did. The quartet transitioned into a raging funk jam that featured a high energy drum solo by drummer Alex Petropulos, before jettisoning back into "Won't Get Fooled Again."

Drummer Alex Petropulos | Pigeons Playing Ping Pong

Newer tune "Skinner" followed, and seamlessly transitioned into the first Foo Fighter's song of the night, "Best Of You." The lyrics were cleverly changed to the "Best of Who." The band returned to "Skinner," before playing another Pizazz tune, "Posideon." The audience joined Ormont with the lyrics once again. Both Schon and Ormont jammed together harmoniously as the music flowed into another Who classic, "Pinball Wizard." Petropulos drove the charge as the band sailed into "Ocean Flows," which completed the Pizazz set one trifecta. Bassist Ben Carrey stood out during this mind melting funk jam.

Fans spread a spider web during "Borris The Spider" | New Haven, CT

The set was not over quite yet, with "Donkey Hotel" up next. Carrey picked up and wore a conductor hat that was thrown from the crowd. The band jammed into dark territory, and the stage lights got black and spooky, before launching into "Borris The Spider" by The Who. This included a large spider that was passed through the crowd, and of course, plenty of spider web that stretched the floor. Schon's stellar guitar work brought the set home as the band transitioned into the Foo Fighers' "All My Life," and closed out the first set with a bang.

College Street Music Hall | New Haven, CT

The band returned for round two, starting with "Su Casa" from the release Perspectives. This led euphoniously into the Foo Fighter's "My Hero," which was last played at Dome Fest in May 2022. The crowd joined in for a fun sing along during this well known tune. Petropulos exhibited his strong skills on drums as the Pigeons Playing Ping Pong segued back into "Su Casa."

Brandon "Taz" Niederauer sat in during "Eminence Front" | Pigeons Playing Ping Pong

The band welcomed their first guest for the evening, nineteen year old guitarist Brandon "Taz" Neiderauer for a fiery version of The Who's "Eminence Front." Neiderauer showcased his exemplary guitar skills during a solo that Pete Townsend would be proud of. Both Schon and Neiderauer channeled the energy into the aisle of funk, as they played off one another. The song hit a vibrant apex before finishing off "Poseidon" from set two.

Fans loved this rocking show | Pigeons Playing Ping Pong

Petropulos took a moment to wish his mom a happy 60th birthday, and the eclectic squad played the "Fun in Funk" card. A tasty funk jam ensued that set up a sweet dive into "The Seeker," another smoking song by The Who, and then back into "Fun in Funk." "Sir Real" followed, with Schon deep in the pocket. Another perfectly executed transition ushered the band into the last song of the evening by the Foo Fighters, "Everlong." This blazing hot set wrapped up with "The Town."

Guitarist Jeremy Schon | Pigeons Playing Ping Pong

The show was not over quite yet, as Pigeons Playing Ping Pong returned with three members of the Funky Dawgz to accompany them with their quintessential funky tune, "F.U.," which included a riff from the Who's "5:15." The musicians hoisted the energy higher, as the music unfurled into "You Should Be Dancing" by the Bee Gees. The Funky Dawgz executed the timeless disco melody perfectly. This high spirited evening closed out with brief jaunt back into "F.U."

The Funky Dawz joined Pigeons Playing Ping Pong during the encore | New Haven, CT

This show was unquestionably Pigeons Playing Ping Pong at their best, and could not have been more fun. This convivial bird band is back on stage December 2nd and 3rd with a two night stand at the Jefferson Theater in Charlottesville, Va. A number of dates on the east coast follow, culminating with a sure to be legendary new years run in Pittsburgh, Pa. Fly on over to their tour page for more details.

Check out more photos from the show!

Set One
Henrietta, Won’t Get Fooled Again* > Drums > Won’t Get Fooled Again, Skinner > Best Of You*^ > Skinner, Poseidon” > Pinball Wizard+ > Ocean Flows, Donkey Hotel” > Boris The Spider*~ > All My Life*

Set Two
Su Casa > My Hero > Su Casa, Eminence Front*$ > Poseidon$, Fun In Funk > The Seeker* > Fun In Funk, Sir Real > Everlong* > The Town

Encore
F.U.%= > You Should Be Dancing% > F.U.%

Notes
“The Who Fighters” Halloween Night 2
* First time played
^ w/ “Best of Who” lyrics
“ Unfinished
+ First time playing full song
~ Spiderwebs and giant spider on the crowd
$ Brandon Niederauer on guitar
% The Funky Dawgz on horns
= 5:15 riff*

Bassist Ben Carrey and Guitarist Greg Ormont | Pigeons Playing Ping Pong

College Street Music Hall | New Haven, CT

Pigeons Playing Ping Pong | College Street Music Hall

Fri, 11/04/2022 - 6:43 am

Imagine jamming with jam rock legend Phil Lesh, along with John Scofield and Robert Randolph, and having the opportunity to ask questions plus hone your musical craft from seasoned veterans. Combine this with traveling to New York, NY for a four day immersive and creating a new band with people you've never met. Add in the visual of performing a live set on stage with legendary musicians.This dream was a reality for those Grateful Dead and jam rock fans who took part in the most recent installment of the Rock 'n' Roll Fantasy Camp from October 26th - 30th, 2022.

The Cutting Room | New York, NY

This rendition of Rock 'n' Roll Fantasy Camp was sponsored by the jam rock enthusiast outlet Relix and produced by Pete Shapiro and David Fishov. The journey began when campers met one another one on Thursday, and formed bands with one of many talented camp counselors, including Scott Sharad, Leslie Mendelson and James "Fuzz" Sangiovanni. Over the next four days, these bands learned new songs, forged friendships and practiced with Lesh, Scofield and Randolph.

James "Fuzz" Sangiovanni | Rock 'n' Roll Fantasy Camp

The camp culminated with an event at the Cutting Room in midtown Manhattan on the final day, where the bands performed in front of their friends and family, along with their respective camp counselors. Five bands took the stage, with some campers taking part in multiple bands. These hard working participants showcased their talents, flashed smiles and had a great time in the process.

Rock 'n' Roll Fantasy Camp | New York, NY

The next installment of Rock 'n' Roll Fantasy camp is scheduled for January 2023 in Nashville, Tennessee with a Women's Only edition featuring country legend Wynonna Judd. Head on over to their site for more details.

Check out more photos from the show at the Cutting Room!

The Cutting Room | New York, NY

The Cutting Room | New York, NY

Rock 'n' Roll Fantasy Camp | New York, NY

Tue, 11/15/2022 - 1:30 pm

The jazzy big band meets jam rock side project of Phish guitarist Trey Anastasio, the Trey Anastasio Band, embarked on a special eight show tour with the rising, indie jam band Goose this past week. This included a stop at the Mohegan Sun Arena, which is smack in the middle of Goose's home territory inside the Mohegan Sun Casino in Uncasville, CT on November 12, 2022. Both bands performed ninety minute sets, and each set included sit-ins by members of the other band. This particular show was truly a royal flush, including a couple of rarely played covers and a coveted original for Goose, as well as all members of both bands joining forces for the edgy Phish song, "Carini."

Guitarist Rick Mitarotonda | Goose

The evening began in a typical fashion for Goose shows, starting with a very long line to enter the venue. The show was completely sold out, including all seats behind the stage. Goose recently played at the arena last February for their annual Goosemas show, and did not sell any seats behind the stage. Oh what a difference ten months plus the Trey Anastasio Band can make.

Goose | Mohegan Sun

The Norwich, CT based squad took the stage for their home state fans around 7:30pm. Multi-instrumentalist Peter Anspach greeted the crowd, before unleashing the tasty synth opener for newer tune "Animal." "You're an animal. It's a carnival." This carnival seamlessly flowed into the high energy, "Flodown," which included an energetic build up. The dance party was firmly in high gear as guitarist Rick Mitarotonda unfurled the song's signature tension and release. Upon conclusion, Anspach vibrantly acknowledged that this was their first show with fans behind the stage.

Keyboardist Peter Anspach | Goose

The band kept their feet on the gas, and dropped into a mind melting "Arrow." This was the longest song of their set, clocking in at fifteen minutes and twenty three seconds, according to the tracking at nugs.net. Thinking back to their performance of "Arrow" at Mohegan last February with Stuart Bogie and company on horns, it would certainly be nice to see the Trey Anastasio Band horns section join Goose for "Arrow" at some point this tour. However, this raging version was no slouch, as Mitarotonda's precise notes along with drummer Ben Atkind and percussionist Jeff Arevalo's dynamic beats elevated the jam with absolute perfection. Like a freight train, the music rolled into Bob Seger's "Hollywood Nights," last played on May 4, 2018. This blazing pace continued, as the band seamlessly began singing "Arrow's" signature "Ooo ooo ooo" to close out this smoldering sequence.

Percussionst Jeff Arevalo | Goose

Anspach picked up his guitar for a one two guitar punch during the jam vehicle "Dripfield." This song debuted during their February Mohegan show, and has evolved into a set list staple. All band members were in the pocket, with Anspach layering synth and keys, bassist Trevor Weekz holding down the bass and Mitarotonda emanating fiery guitar licks.

Fans loving the show | Mohegan Sun

Upon conclusion of "Dripfield," the crowd got what they had been waiting for when Anspach announced that the Trey Anastasio Band horns section was joining the band for "Fish In The Sea" by Fat Freddy's Drop. This talented trio includes James Casey on saxophone, Jennifer Hartswick on trumpet and Natalie "chainsaw" Cressman on trombone. The arena was instantly transformed into an underwater paradise by Goose lighting director Andrew Goedde. The horns elevated this spacey meets funky rendition, with each TAB member taking an elevated solo. Mitarotonda's was clearly enjoying this euphonious collaboration.

Drummer Ben Atkind | Goose

The horn section left the stage, but the set was not over quite yet. Trey Anastasio joined the Constitution State based band, as Anspach complimented Trey's shirt. He also thanked the seventy seven member crew for their dedication during this run. The music began with that familiar riff that Goose fans hope to hear, but is only played perhaps once per tour. There have been times where "Factory Fiction" was teased, only to dive into another song. Not tonight, though as the band leapt into a juicy rendition of this beloved tune by Goose predecessor, Vasudo. Anastasio's unmistakable tone elevated "Factory Fiction" to new heights, and included the first of many delightful duels with Mitarotonda. The raging peaks were certainly what dreams are made of for Goose fans, and closed out the set with an unquestionable bang.

Goose | Mohegan Sun

After a short break, Anastasio returned with his all start septet, the Trey Anastasio Band. They kicked their set off with "Sand," as the band vaulted full throttle into this deep jam tune. Keyboardist Ray Paczkowski layered funky clav notes while drummer Rus Lawton laid down vigorous beats. "Shine" was up next, with the TAB horns sections radiating during this bubbly tune. The energy stayed high as the set twisted around into "Twist."

Trumpeter Jennifer Hartswick | Trey Anastasio Band

The harmonious instrumental, "Mozambique" followed. Anastasio grinned as his tasty licked melded with the inspired solos by the respective horn squad. The song closed out with Cressman taking a vibrant solo that lead into Casey followed by Hartswick's taking center stage. Hartswick lended her incredible voice for the upbeat "Night Speaks to a Woman." The mood dipped momentarily for the first time this evening with "Mercy," before ratcheting up again with the breezy Phish tune "Undermind."

Trey Anastasio Band | Mohegan Sun

The set continued into a newer tune "...And Flew Away," with more tasty treats layered in from bassist Dezron Douglas, Percussionist Cyro Baptiste and Paczcowski. The TAB horns section contributed more back up vocals, exemplifying their multi-dimensional skills. The song concluded with another explosive late night feel saxophone solo from Casey. The mellifluous "Pigtail" followed, with more of Trey's signature guitar tone and smiles.

Trey Anastasio | Trey Anastasio Band

The mood got darker for the rocking tune, "About to Run," as Anastasio wailed like the rock star he is. The dynamic jams continued as the band flowed into "Push on to the Day," from Anastasio's self titled 2002 release. The horns were in lock step for this racing tune, as Lawton, Douglas and Baptiste maintained a rock solid foundation.

Keyboardist Ray Paczcowski | Trey Anastasio Band

Anastasio decided to elevate the set by a factor of Goose, and invited Mitarotonda and Anspach to the party for "No Men in No Man's Land." Mitarotonda showed he has the chops to hang during this Phish song as the guitar duel picked up where it was left off in the first set. The groove went deeper with Paczcowski and Anspach layering synth, clav and organs, along with the well placed notes by the horns section. Baptiste continued to throw in the notable percussive moments with his larger than life percussion instruments.

Trey Anastasio Band | Mohegan Sun

Another Phish staple entered the line up with "46 Days." Mitarotonda shined as he played the bluesy notes alongside Anastasio. Baptiste wandered over to the keyboard corner, while Anspach flashed an almost perma-grin. Anastasio closed out this ripping song and the set with his indisputable guitar excellence, backed by the delightful horn section vocals. Trey thanked his talented band mates, as well as Goose, before exiting the stage.

Saxophonist James Casey | Trey Anastasio Band

The crowd was fired up and screamed for one more song. Thankfully, these artists obliged, and returned to the stage with not only the Trey Anastasio Band, but also all five members of Goose. Anastasio remarked "Sometimes you need two bassists. This is one of those times." The expanded group of twelve treated the Phish fans in the audience to an extra murky version of "Carini." Everyone was screaming when they saw the lump, indeed. Trey's familiar dark guitar riff was explosively expanded with Mitartonda's presence. If this wasn't a dream show for fans of both bands, than it's questionable if such a show exists.

Trey Anastasio | Trey Anastasio Band

Both bands are back in action tonight in Carnot-Moon, PA at the UPMC Event Center and Thursday at the Eagle Bank Arena in Fairfax, VA. Carnot-Moon is sold out, but tickets are still available for the Fairfax show at this link.

Drummer Rus Lawton | Trey Anastasio Band

Check out more photos from the show for the Trey Anastasio Band and Goose!

Goose Set
Animal, Flodown, Arrow -> Hollywood Nights[1] -> Arrow, Dripfield, Fish In The Sea[2], Factory Fiction[3]

Trey Anastasio Band Set
Sand, Shine, Twist, Mozambique, Night Speaks to a Woman, Mercy, Undermind, …And Flew Away, Pigtail, About to Run, Push On ‘Til The Day, No Men in No Man’s Land[4], 46 Days[4]

Encore
Carini[5]

Notes
1. Bob Seger & The Silver Bullet Band.
2. Fat Freddy’s Drop. With Natalie Cressman on trombone, Jennifer Hartswick on trumpet, and James Casey on saxophone.
3. With Trey Anastasio on guitar.
4. With Rick on guitar and Peter on keys.
5. With Rick on guitar, Peter on keys, Ben and Jeff on percussion, and Trevor on bass.

The house was packed | Mohegan Sun

Percussionist Cyro Baptiste | Trey Anastasio Band

Mohegan Sun | Uncasville, CT

Thu, 11/17/2022 - 2:00 pm

The dynamic duo of the Trey Anastasio Band, led by Phish guitarist Trey Anastasio, and Goose flew like a red bird into Cool Insuring Arena in Glens Falls, NY on November 13, 2022 for the fourth of eight shows on their collaborative Northeastern Fall run. Their sets grew wings and took flight with monster sit-ins by both bands. This tour has been a jam rock fan's dream, and this show at the classic hockey arena in the Capitol region of New York was no exception.

Goose | Cool Insuring Arena

Goose, the Connecticut based indie jam band who sold out Radio City Music Hall earlier this year, kicked off the festivities in this old school Empire State venue. This band walked on stage with guns blazing, and dropped into the high energy "So Ready." Guitarist Rick Mitarotonda used the TC Helicon Voicelive 3 to enhance his already stellar vocals, and this familiar sound brought instant joy to fans. Multi-instrumentalist Peter Anspach fired up the clav early, while drummer Ben Atkind and percussionist Jeff Arevalo laid down racing beats in lock step. This jam went deep early, as the guitar and drums mingled with euphony.

Multi-instrumentalist Peter Anspach | Goose

Newer tune "California Magic" was up next, and included a tasty build up. The band decided to play a brand spanking new tune next, "Thatch." Anspach commented that the song was merely two days old, and included a thumping, funky bass line by Trevor Weekz. This is sure to evolve into a heater over time.The Band's "Don't Do It" followed, with a healthy serving of soulful vocals by Mitarotonda. Jam vehicle "Madhuvan" proceeded with a twenty minute rager full of tension and release that proves this band can clearly hold their own.

Percussionist Jeff Arevalo | Goose

Anspach grabbed the mic to express their gratitude for being on tour with the legendary guitarist Anastasio, and welcomed him to the stage for a searing rendition of "Red Bird." Not only did Anastasio contribute his signature tones, but this red bird sang the second verse, much to the delight of the Phish fans in the crowd. The guitar duel between Mitarotonda and Anastasio continued with vigor as both musicians played off of one another jubilantly. Anastasio stayed on stage for a fiery, set closing "Hot Tea." The crowd sang in unison during this fan favorite closer. The funky, high speed, bluesy guitar weaving made this rendition quite memorable, and ended this blazing set on a high note.

Fans loving the show | Goose

After a short break, the Trey Anastasio Band took the stage, and started their set with the bubbly "Drifting." The band unleashed a tight groove, and delved into Phish territory early with "Set Your Soul Free." The horns section, consisting of saxophonist James Casey, trumpeter Jennifer Hartswick and trombonist Natalie "chainsaw" Cressman, lent their talented voices along with horn accompaniment. The crowd was loving this tune as expressed by the raucous dance party. "Ocelot," another breezy Phish tune, followed. The horns added a distinctive jazzy feel. This song flowed perfectly into a lesser played Phish tune, the instrumental "Magilla."

Bassist Trevor Weekz | Goose

The sextet continued with "A Wave of Hope" next, which Anastasio penned during the recent covid-19 pandemic, while being locked up in his New York City apartment. Casey gave a great solo on the saxphone, complete with a late night feel. Anastasio's precise guitar licks layered nicely atop the percussive machine of drummer Russ Lawton and percussionist Cyro Baptiste. Upon conclusion of the song, Anastasio mentioned how good it felt to be back home, referring to his time in spent in jail nearby. He also acknowledged that there are no pillows in jail, which ushered chuckles from the crowd.

Trey Anastasio | Trey Anastasio Band

The mood dipped for a much needed chill moment during the Phish tune, "Shade." This dip was fleeting as the band dove right back into the high energy "Burlap Sack and Pumps." "Spin" was up next, followed by a short but ripping "Last Tube." "Hey Stranger," from Anastasio's recent release Mercy, flowed nicely into "Valentine."

Natalie "chainsaw" Cressman | Trey Anastasio Band

Anastasio decided it was time to invite two members of Goose to join this jazzy jam party on stage, Mitarotonda and Anspach, for a face melting "Mr. Completely." The dual guitars were just one magical component of this sweet jam. Keyboardist Ray Paczkowski and Anspach melded together like butter, along with Baptiste's perfectly placed percussion and solos by each member of the horn section. One final Phish tune closed out this truly special set, "Rise/Come Together."

Trey Anastasio Band | Cool Insuring Arena

As the musicians left the stage, the crowd erupted with applause. All twelve band members from both bands returned for the last song of the evening, Phish's "Possom." Baptiste took a tour of the stage with his large instruments. He eventually ended up on the side, along with Atkind, Weekz and Arevalo who were also utilizing his incredible cache of percussion toys. Mitarotonda once again showed he has the chops to play almost anything. The show ended on another incredible note, as everyone on stage and in the crowd had a huge smile.

Percussionist Cyro Baptiste with his larger than life instruments | Trey Anastasio Band

These two flaming hot bands are back in action again tonight at Eagle Bank Arena in Fairfax, Virginia. Tickets are still available at this link. Catch them while you still can, as only three shows remain.

Trey Anastasio Band | Cool Insuring Arena

Check out more photos of Goose and Trey Anastasio Band from the show!

Goose Set
So Ready, California Magic, Thatch[1], Don’t Do It[2], Madhuvan, Red Bird[3] > Hot Tea[4]

Trey Anastasio Band Set
Drifting, Set Your Soul Free, Ocelot > Magilla, A Wave of Hope, Shade, Burlap Sack and Pumps, Spin, Last Tube, Hey Stranger > Valentine, Mr. Completely [5], Rise/Come Together[1]

Encore
Possum [6]

Notes
[1] FTP.

[2] The Band.

[3] With Trey Anastasio on guitar and vocals.

[4] With Trey Anastasio on guitar.

[5] Peter Anspach on keys and Rick Mitarotonda on guitar.

[6] Peter Anspach on keys, Rick Mitarotonda on guitar, and Jeff Arevalo, Ben Atkind, and Trevor Weekz on percussion.

Saxophonist James Casey | Trey Anastasio Band

This show was a treat for fans of both bands | Glens Falls, NY

Cool Insuring Arena | Glens Falls, NY

Wed, 11/23/2022 - 3:45 pm

Upstate New York was pummeled by a historic lake effect snowstorm that brought almost six feet of snow last weekend. This wasn’t the only storm in the region, as the raging infernos known as the Trey Anastasio Band and Goose brought some serious heat to Upstate Medical Arena at The Oncenter War Memorial in Syracuse, NY on November 18, 2022. In the penultimate show during an eight day joint fall tour, these two jam rock heavy hitters took Syracuse by storm, no pun intended.

Guitarist Rick Mitarotonda | Goose

One notable addition in Orange Country to the Trey Anastasio Band line up was the return of saxophonist and producer James Casey. He missed the show in Fairfax, Va the prior night to undergo chemotherapy treatment for colon cancer. Not only is Casey an incredible, well sought after musician, but he is also an inspiration to us all for attempting to maintain his dedication to live music with a smile through this difficult process. He recently spoke to Andy Frasco on Andy Frasco’s World Saving Podcast about his condition, and it is absolutely worth a listen. If you are reading this, James, thank you for all that you do. We love you.

Saxophonist James Casey | Trey Anastasio Band

The weather outside was frightful, but inside the Upstate Medical Arena was delightful as soon as the indie jam rock squad Goose took the stage. Multi-instrumentalist Peter Anspach quipped that “we should call this Syra-goose now.” The set began with “Slow Ready,” also known as the slower sister to the up beat “So Ready.” Both songs have the same lyrics, but “Slow Ready” meanders into jamtronica territory, and is reminiscent of Sound Tribe Sector 9. Tonight’s version was no exception as the synth and bass jam ramped up early, led by Anspach and bassist Trevor Weekz. Guitarist Rick Mitarotonda executed a tasty tension and release build up to get the crowd going early.

Multi-Instrumentalist Peter Anspach | Goose

The disco dance party rolled on into “Jive I,” as the band dove full throttle into a funk jam. This flowed right on through to “Jive Lee,” albeit with more of a space funk feel. Anspach was notably rocking the clav early, while Weekz layered in smooth bass thumps. The illusive “Bob Don” followed, which was released on an LP that same day titled “Undecided.” This edgier rock tune was last played on October 14, 2022 in Oklahoma City, OK. "Now I'm looking for something to escape with." Mitarotonda built the mellow melody into a mind escaping monster as drummer Ben Atkind and Percussionist Jeff Arevalo adeptly delivered raging beats.

Goose | Syracuse, NY

As “Bob Don” came to end, the band dropped into that oh so familiar bass line. Could they actually be playing “Factory Fiction” twice in a tour? The answer was a resounding yes. This song was written over ten years ago by Vasudo, a band that predated Goose and contained both Mitarotonda and Weekz. It was requested by manager Jon “Coach” Lombardi at his wedding in 2018, and has been infrequently played ever since. This flaming hot version clocked in at seventeen minutes and fifty five seconds according to the tracking at Nugs.net, and certainly kept the ice from freezing atop of the arena. Weekz did not back down as the jam thickened, and unequivocally emerged as the MVP this evening.

Percussionist Jeff Arevalo | Goose

The plot thickened as Goose invited Trey Anastasio, better known as the guitarist for the iconic jam band Phish, on stage to play “Madhuvan.” The on going guitar engagement between Mitarotonda and Anastasio picked up steam and engulfed the soundscape as this already mind melting song went into new directions. Both guitarists knitted their unmistakable tones like colorful yarn on a loom into a warming blanket of jam bliss. Goose fans had been waiting for Anastasio to sit in during “Madhuvan,” and were not disappointed.

Fans loved the show | Syracuse, NY

Drummer Russ Lawton from the Trey Anastasio Band joined the collective group on stage for one final tune: “Animal.” The added beats contributed a serendipitious punch to this dance friendly, synth heavy tune, and closed out their set with intensity that mirrored the opening.

Trey Anastasio Band | Upstate Medical Arena

After a short break, the septet known at the Trey Anastasio Band took the stage, albeit without percussionist Cyro Baptista. They began their set with a disco meets gospel version of "I Never Needed You Like This Before." This tune from Lonely Planet was recorded and released in 2020 by Anastasio in his New York City residence. The Phish tunes infiltrated the set next with a horn fueled, funky blues "Blaze On." Anastasio was all smiles as Casey took center stage for the first of many memorable saxophone solos. The euphonious horns extended into the next song, "Wolfman's Brother." Keyboardist Ray Paczkowski elevated the layered groove by a factor of the clav, while Lawton dispatched smooth and dynamic beats.

Keyboardist Ray Paczkowski | Trey Anastasio Band

The breezy "Blazing Down the Twisted Wire," from Anastasio's recent release Mercy, followed. An introspective "Sand" followed, which encompassed a thick groove with delicate horn layers alternating between the keys and guitar. Casey swapped the saxophone for a synthesizer, during this lively jam. A mentally stimulating "Shine" was up next, and contained well placed, uplifting segments by the horns section, whose members included trumpeter Jennifer Hartswick, trombonist Natalie "chainsaw" Cressman, and Casey. "When the day's come and gone, you know we all ride on." The jam vehicle "46 Days" brought the momentary departure of the horns section for a jam rock focused instance of this Phish tune, which incorporated a sweet tension build up by Anastasio.

Trumpeter Jennifer Hartswick | Trey Anastasio Band

As soon as "46 Days" ended, the horn section returned, as well as Mitarotonda and Anspach from Goose for a raging version of the dark TAB tune, "Mr. Completely." The plot thickened as the guitars melded into a mellifluous synergy, while each horn section member took a well played solo. The bubbly combined keyboards of Paczkowski and Anspach fluidly transitioned into a harmonious mirroring exchange between Anastasio and Mitarotonda. The energy dipped momentarily as the nonet delved into another classic TAB tune, "Plasma." This smoothly segued into another exhilarating tune, "A Wave of Hope," which included another on point solo from Anspach. The set ended on a very high note.

Trey Anastasio | Trey Anastasio Band

The band left the stage to boisterous applause, only to return a few moments later with both Mitarotonda and Anspach in tow. The encore was kicked off by the infrequently played, savory Phish tune, "Quantegy." The mood quickly escalated as the band transitioned into the high energy "Money, Love and Change." The multi-dimensional horns section once again contributed stellar backing vocals, particularly Hartswick. Anastasio and Mitarotonda interwove their harmonious guitar tones together for this final song, invigorating the audience with the strength to battle the inclement weather on the other side of the concert doors. Fans can only wish that these two talented bands could play together like this every night.

Trey Anastasio Band | Syracuse, NY

Check out more photos of Goose and Trey Anastasio Band from the show!

Goose Set
Slow Ready > Jive I > Jive Lee, Bob Don[1], Factory Fiction, Madhuvan[2], Animal[3]

Trey Anastasio Set
I Never Needed You Like This Before, Blaze On, Wolfman’s Brother, Blazing Down the Twisted Wire, Sand, Shine, 46 Days, Mr. Completely [4] > Plasma[4] > A Wave of Hope[4]

Encore
Quantegy[4] > Money, Love and Change[4]

Notes
[1] With.
[2] With Trey Anastasio on guitar.
[3] With Trey Anastasio on guitar and Russ Lawton on percussion.
[4] Rick Mitarotonda on guitar and Peter Anspach on keys.

Trey Anastasio Band | Syracuse, NY

The dance party was fuego | Upstate Medical Arena

Bassist Dezron Douglas | Trey Anastasio Band

Fri, 11/25/2022 - 7:30 am

As with most things in life, the end is usually bittersweet and ripe with emotion. This was certainly the case for the eighth and final collaborative performance by the Trey Anastasio Band and Goose. For Goose, this tour was a "pinch me" moment, enabling them to play along side legendary musicians that they have looked up to. Conversely, the Trey Anastasio Band was given the opportunity to vibe with a rising, innovative artist, who experienced an explosion in popularity during the COVID-19 pandemic, when musicians were mostly side-lined from live performances. This fortuitous run wrapped up for a sold out crowd on November 19, 2022 at the seven thousand person capacity Santander Arena in Reading, PA.

Goose | Santander Arena

Goose began this final night with a high energy Flopener, also known as "Flodown." Lighting Director Andrew Goedde was firing on all cylinders from the gate, as the lighting space was much larger than their normal rig for this tour. "Pancakes" followed, with multi-instrumentalist Peter Anspach getting the crowd to clap in unision early in this song. The jam built up nicely as drummer Ben Atkind and percussionist Jeff Arevalo steadily increased the speed. Bassist Trevor Weekz and Anspach created a smooth groove that gave guitarist Rick Mitarotonda the space to explore. And explore he did, as the music morphed into a mind melting tension and release explosion.

Guitarist Rick Mitarotonda | Goose

The bluesy, funk fueled "Turned Clouds" jumped into the set next, complete with soulfully sung lyrics by Mitarotonda. Anspach uplifted the music with a vibrant organ effect during the jam. The band dove into newer indie inspired tune, "Dripfield." Anspach traversed the stage with his wireless guitar, playing for those sitting behind the stage, and as synth loops he orchestrated played concurrently. The blue, green and pink lights drenched the stage throughout this song. Weekz held the bass steady while the band fell into a tight jam pocket during this jam.

Bassist Trevor Weekz | Goose

Anspach gave a huge shout out to the seventy seven person crew who made this tour happen, and expressed gratitude for being on tour with Trey Anastasio. Anastasio was then welcomed on to the stage, and walked out wearing white pants. Mitarotonda joked "I should have worn my white pants." The group of six began playing "Rockdale," as both Anastasio and Mitarotonda's guitars combined to create a bluesy Allman Brother's sound during this Vasudo tune. As the jam got dark, Anspach layered in the synth. Atkind and Arevalo set the consummate foundation for a blazing tension and release build up between Anastasio and Mitarotonda.

Fans loved this final show | Santander Arena

The rarely played "Elmeg the Wise" flowed into the set next, last played at Red Rocks Ampitheatre on August 18, 2022. This dropped the intensity momentarily for the first time this evening. Weekz stood out during this jam, and meshed perfectly with the percussion section. Mitarotonda and Anastasio continued to masterfully weave their guitars, elevating intensity with each note.

Multi-Instrumentalist Peter Anspach | Goose

Goose invited the Trey Anastasio Band horns section, including saxophonist James Casey, trumpeter Jennifer Hartswick, and trombonist Natalie "chainsaw" Cressman, on the stage for one final tune, "Hot Tea." The well placed horn solos elevated this tune to new places. This Constitution State based band was all smiles, as Anspach once again rallied the crowd in clapping fury. Anastasio joined the tea party with more of his signature tones while Mitarotonda layed down a funky, rhythmic base. This quickly transitioned into one final raging guitar duel between the two skilled guitarists, before wrapping up on an incredibly high note.

Santander Arena | Reading, PA

After a quick break, the Trey Anastasio Band took the stage ready to delight with a fiery "Push On To The Day." Anastasio was in rare form early, as he proceeded to dance and jump with joy front and center during this bouncy tune. The mood mellowed for a few moments as the band played the heartfelt "Love Is What We Are." Percussionist Cyro Baptista shot a love arrow into the crowd towards the end of the tune. The horn section stepped up to the plate for the classic TAB instrumental, "Mozambique." Each member took a spirited solo as the fans boogied to this afro-beat salsa song. Baptista contributed well played percussive notes that broadened the sound of this technical tune.

Trey Anastasio Band | Santander Arena

The vintage Trey Anastasio Band tunes took a trip to the islands with the quintessential "Cayman Review." Keyboardist Ray Paczkowski hoisted the funky groove with the clav as Anastasio emitted those signature guitar licks that fans can not get enough of. The funky theme rolled on with a horn fueled "Camel Walk," which is also a Phish song that is near and dear to the phans out there. Drummer Russ Lawton and Baptista showcased their percussive proficiency as they filled out the immersive soundscape. Anastasio, Cressman and Hartswick stepped to the side while Casey took a memorable late night inspired solo.

Percussionist Cyro Baptista | Trey Anastasio Band

The band maintained the Phish theme, and leapt into "Twist," followed by a racing "No Men in No Man's Land." Casey engaged in a duel with Anastasio in what can only be described as a jam off between the two. This resulted in more dancing and jumping by Anastasio, as well as a tasty solo by Lawton and Baptista. After the song ended, Anastasio took a moment to acknowledge the crew and how much fun this tour with Goose has been. He even engaged in a "Goooooose" chant.

James Casey and Jennifer Hartswick | Trey Anastasio Band

A profound "A Life Beyond The Dream" ensued, proceeded by newer tune "...And Flew Away." The mood got heavier with the introspective "Dark and Down," which led directly into an almost scary percussion and vocal solo by Baptista. During this dark moment, Mitarotonda, Atkind, Weekz, Arevalo, and Anspach, alternatively Goose, quietly emerged from back stage, and joined in on the next tune, "Ghost." Baptista's evil voice overs continued into Ghost, and added a daunting element to this well known Phish jam vehicle. "Hey Stranger," from Anastasio's recent release Mercy followed, complete with backing vocals from the talented horns section. Paczkowski and Anspach brought a delightful keyboard jam to the mix.

Drummer Russ Lawton | Trey Anastasio Band

As this well rounded show waned, the band played the "Everything's Right" card. "Focus on today, and you'll find a way. Happiness is how, rooted in the now." Everyone on stage was undoubtedly feeling the love, and knew how truly special this set, and moment, was. Smiles were frequently flashed reaffirming this ideal. The set closed out with the same intensity that it began with, as the band jettisoned into "First Tube." Mitarotonda and Anastasio wove their chords together once again for a parting jam. And, of course, Anastasio waved his custom guitar in the air, making those unusual feedback sounds that only a Languedoc guitar can make, to end the set.

Guitarist Trey Anastasio | Trey Anastasio Band

The crowd went wild with applause until both bands returned to the stage one last time for an encore. The music kicked off with a exceptionally funky, slowed down version of the high speed Phish tune, "Llama," led by TAB bassist Dezron Douglas. Atkind, Arevalo and Weekz joined Baptista on percussion for this round. The last lyric from the song was changed from "taboot" to "taboose," honoring this exceptional mashup. The show was not over just yet, as the mood dipped briefly for the ardent "Show of Life." "It's a limited time that we exist. We slowly make our way into the mist." Perhaps this was Anastasio's way of quantifying this noteworthy moment.

Trey Anastasio Band | Santander Arena

Anastasio quickly thanked Goose, mentioned that he hoped to see everyone soon, and expressed his desire to keep the party going. This evolved into the elusive "Party Time" by Phish, complete with Baptista on the whistle. As the song wound down, Casey and Hartswick delivered monster solos, before Baptista rounded up the troops into a line. All non-horn playing band members picked up a percussive instrument, and paraded off the stage in a line, led by a whistle toting Baptista. This ended what can only be described as an undeniably outstanding show with vigor.

Santander Arena | Reading, PA

Fans of both bands who were able to attend any part of this tour were very fortunate. Goose unequivocally brought a vibrant burst of fresh energy to the Trey Anastasio Band, and also learned immeasurably from this veteran squad. We can only hope to see future collaborations for any subset of this accomplished group of musicians.

Bassist Dezron Douglas | Trey Anastasio Band

For more coverage from prior stops in this soon to be celebrated tour, visit our reviews for Mohegan Sun Arena, Cool Insuring Arena, UPMC Events Center and Upstate Medical Arena.

Check out more photos of Goose and Trey Anastasio Band from the show!

Goose Set
Flodown[1], Pancakes, Turned Clouds, Dripfield, Rockdale[2], Elmeg The Wise[2], Hot Tea[3]

Trey Anastasio Band Set
Push On ‘Til the Day, Love Is What We Are, Mozambique, Cayman Review, Camel Walk, Twist, No Men In No Man’s Land, A Life Beyond The Dream, …And Flew Away, Dark and Down, Ghost [4], Hey Stranger [4], Everything’s Right[4], First Tube [5]

Encore
Llama [6], Show of Life [7], Party Time [8]

Notes
[1] Flopener.
[2] With Trey Anastasio on guitar.
[3] With Trey Anastasio on guitar, James Casey on saxophone, Jennifer Hartswick on trumpet, and Natalie Cressman on trombone.
[4] Rick Mitarotonda on guitar and Peter Anspach on keys.
[5] Rick Mitarotonda on guitar, Peter Anspach on keys, Trevor Weeks on bass, and Jeff Arevalo and Ben Atkind on percussion.
[6] Rick Mitarotonda on guitar, Peter Anspach on keys, and Jeff Arevalo, Ben Atkind, and Trevor Weeks on percussion; performed in an alternate arrangement. Final lyric changed to “Taboose.”
[7] Rick Mitarotonda on guitar, Peter Anspach on keys, and Jeff Arevalo, Ben Atkind, and Trevor Weeks on percussion.
[8] Rick Mitarotonda on guitar, Peter Anspach on keys and vocals, and Jeff Arevalo, Ben Atkind, and Trevor Weeks on percussion. Ended with the horns and everyone else on percussion playing as everyone walked off stage.

Percussionist Jeff Arevalo | Goose

Trey Anastasio | Trey Anastasio Band

Wed, 11/30/2022 - 8:00 pm

The high energy, Brooklyn based dance meets jam rock squad Escaper released their brand new album Spaceship to a full house at the Sultan Room in Brooklyn's Bushwick neighborhood on November 5, 2022. Led by guitarist Will Hanza, this group is a well known local gem amongst those in the NYC metro region. The talented line up included keyboardist Phil Kadet, along with the recent additions of jam scene veterans bassist Luke Bemand (Lespecial) and Sam Crespo (Space Bacon). The New Jersey based progressive jam/funk quartet Marsoupial provided their support.

Will Hanza | Escaper

This exciting new album by Escaper contains lyrics inspired by the concept that “relationships built on trust better our ability to be an Escaper,” or “one who breaks free from confinement.” Spaceship was recorded at the U.S. headquarters of well known microphone manufacturer Telefunken Elektroakustik. The high tech equipment provided extra resonance within the four track recording. The album was finalized in NYC at Brooklyn's The Bunker Studio, and released on Ropeadope Records.

Luke Bemand | Escaper

Marsoupial began the evening with a fiery set that got the crowd ready for lift off, and kicked off the raging dance party. Escaper sent the crowd into orbit with all four tracks from their new album: "Spaceship", "Hydra", "Cicada", and "Spaceship Reprise."

Escaper | The Sultan Room

Escaper performs next at the Brooklyn Bowl on January 20, 2023, and will take on opening duties for Spafford.

Check out more photos from the show!

Phil Kadet | Escaper

Sun, 12/11/2022 - 3:00 pm

Thievery Corporation kicked off their Winter 2022 Tour on December 3, 2022 in New Haven, CT's College Street Music Hall to a crowd that was ready to dance. Known for their genre-defying electronic music, this Washington D.C. based squad's fourteen night December run includes venues up and down the East coast. Alt pop artist Lucius Arthur provided his support for this always lively New England college town. This evening marked the first of two dates without Emancipator.

Lucius Arthur | College Street Music Hall

Inglewood, CA, based musician, producer, and songwriter Lucius Arthur handled opening duties this evening in the Constitution State. From his Inglewood studio, Arthur has written and produced tracks for some of LA’s most influential underground artists. According to his website, "his current project, A Violent Dichotomy, is infused with the high energy and chaotic ethos of the screamo and emo music of the San Diego music scene of his adolescence." Screamo is defined as "an aggressive subgenre of emo that emerged in the early 1990s and emphasizes 'willfully experimental dissonance and dynamics,'" and this avant garde stage presence was very much a part of Arthur's emotionally charged show.

Thievery Corporation | New Haven, CT

Thievery Corporation took the stage shortly there after, and brought their eclectic mix of world, electronic, reggae, and hip-hop that they have delivered for over 25 years. This evening's line up included founder Rob Garza (bass, guitar, production), Jeff Franca (drums), Frank Orrall (percussion, vocals), Rob Myers (guitar, sitar), and Dan Africano (bass). Racquel Jones, Mr. Lif and Puma were amongst the singing troupe. This group wove precise elements of dub, acid jazz, Indian classical and Brazilian with a chill, downtempo beat that was quite memorable and danceable.

Mr. Lif | Thievery Corporation

The first song of the evening  "A Warning (Dub)," from the vintage Sounds From the Thievery Hi-Fi, was a tasty dive back into to this groovy vibe. The singers added a larger than life feel to the melodic, rock solid rhythm from the drum, bass, percussion and guitars. The refreshingly positive energy of Thievery Corporation was felt from the very start of the set, and reverberated throughout the venue.

Thievery Corporation | College Street Music Hall

Percussionist Frank Orrall lent his singing skills for The Cosmic Game's "Heart's a Lonely Hunter," and included swinging an illuminated poi around the crowd. This elevated the dance party and closed out this set on blazing hot note. The band returned for a lengthy five song encore, including a euphonious "The Outernationalist" from the Richest Man in Babylon. The show was not quite over, as the band returned two the stage for two more encores before ending this enjoyable night.

Thievery Corporation | College Street Music Hall

Thievery Corporation is in the middle of their Winter tour, with a stop at Wally's Pub in Hampton, NH. Tickets are still available at this link. Hop on over to their tour page for details on the remaining dates.

Check out more photos from the show!

Set
A Warning (Dub), Web of Deception, Letter to the Editor (Remix), Encounter in Bahia, Un simple histoire (Rewound), Lebanese Blonde, Amerimacka, Mandala, Satyam Shivam Sundaram, San San Rock, Voyage Libre, Vampires, The Heart's a Lonely Hunter

Encore
The Outernationalist, Air Batucada, (Unknown), Sweet Tides, Culture of Fear

Encore Two
Interlude (Remix), Warning Shots

Encore Three
The Richest Man in Babylon

Mr. Lif | Thievery Corporation

Theivery Corporation | College Street Music Hall

Thievery Corporation | New Haven, CT

Fri, 12/16/2022 - 4:04 pm

The architecturally iconic Kings Theatre hosted the genre defying EDM artists Thievery Corporation on December 8, 2022 in Brooklyn, NY. They are currently smack in the middle of their Winter 2022 tour, and were firing on all cylinders this evening. The show also included a notable appearance by founder Eric Hilton. Emancipator was on hand to provide support.

Thievery Corporation | Brooklyn, NY

As one of the five original "Loew's Wonder Theatres," Kings Theatre was originally a classy movie and live performance space that was built in 1929. More recently, this vintage location was transformed into a world class live event venue. The ceiling, decor and sound are certainly some of the many highlights.

Emancipator | King's Theater

Emancipator, also known as Douglas Appling, began the evening with a mellow DJ set. This Portland, OR based musician recently released his eighth album in September 2022, 11th Orbit. His set included elements of downtempo, dub-step and trip-hop, as well as a violinist.

Eric Hilton | Thievery Corporation

Thievery Corporation followed, which notably included both of the band's founders: Eric Hilton and Rob Garza. These days, Hilton opts to stay in Washington D.C. to manage the thriving restaurants and clubs he owns, while Garza leads the band on the road. Tonight was different, and that vibrant energy was felt throughout the squad.

Rob Myers and Puma Ptah | Thievery Corporation

The band brought their euphonious global sound, which included a fusion of dance, acid jazz, hip-hop, bossa nova, dub and reggae melded with elements of Indian and Middle Eastern music. This sound is accomplished via a combination of electronic and traditional instruments, which creates an organic feel. Talented vocalists rotate in and out of the dynamic mix, and raised the musical depth. Thievery Corporation spent over twenty five years perfecting the live synergization of chill dance music with a world vibe, and we are just the fortunate mortals who are able to watch in person.

Rob Myers perched below Eric Hilton and Rob Garza | Thievery Corporation

"Lebanese Blonde" was certainly a highlight this evening, as Rob Myers perched himself below Garza and Hilton on the sitar. This classic Mirror Conspiracy tune was elevated by the combination of Myers and the female vocalist. "The Outernationalist" was another song that not only ignited the dance party, but also made fans thirst for the quintessential older tunes.

Puma Ptah | Thievery Corporation

Thievery Corporation is back in the groove tonight at the Taberacle Theater in Atlanta, GA and tomorrow at Jannus Live in St. Petersburg, FL. Tickets are still available via the links provided. Hop on over to their tour page for details about the rest of the Winter 2022 Tour dates.

Check out more photos from the show!

Set
Sound the Alarm, Web of Deception, Letter to the Editor(Remix), Encounter in Bahia, Amerimacka, Un Simple Histoire (Rewound), Lebanese Blonde, Mandala, Satyam Shivam Sundaram, San San Rock, Holographic Universe, Vampires, Voyage Libre, The Heart's a Lonely Hunter

Encore
The Outernationalist

Encore 2
Air Batucada, Unknown, Sweet Tides, The Richest Man in Babylon, Warning Shots

Encore 3
Heaven's Gonna Burn Your Eyes

Thievery Corporation | Brooklyn, NY

Loulou Ghelichkhani | Thievery Corporation

King's Theater | Brooklyn, NY

Tue, 12/20/2022 - 9:23 am

It's beginning to look a lot like Christmas, especially at the 1stBank Center in Broomfield, CO, who hosted Goose's annual holiday themed Goosemas event. The first night was held on December 16, 2022, and included a huge display of red and green balls, along with copious sharpies. Fans used these items to write requests for the band, and the band in turn drew the balls from Santa's bag to determine the second set. This included entropy created surprises for both the band and audience members, as well as a very memorable experience in the Centennial State. 

Lighting Director Andrew Geodde at his best | Goosemas

This year, the band flipped the script, and took a field trip to Colorado instead of holding the event in their home state of Connecticut. They also added a second night, much to the delight of fans, as Goosemas has historically always been one night. The inclusion of the second night plus the rescheduled Goosemas from 2021 that was held in February earlier this year perhaps indicates that Goose fans have been very good this year. Good enough to earn three Goosemases in one year, at the least.

Guitarist Rick Mitarotonda | Goose

When the band walked out onto a stage adorned with giant balls hung from the ceiling and stage seats as "Big Balls" by AC/DC played, the fans knew they were in for a fun ride. That ride began with a tension and release filled "Flodown," also known as a "Flopener" when positioned as the set opener. Newer tune "Everything Must Go" followed, which included a new chill jam section. Guitarist Rick Mitarotonda was in the pocket early during a raging "Butter Rum."

Goose | 1stBank Center

The energy dropped for a much needed break at the beginning of "The Old Man's Boat," which included another new musical arrangement change, this time during the chorus. Instead of steadily entering it, they now drop the volume at the start, and slowly build it up throughout the section. An inspired "Drive" kept the energy flowing, as the jam kicked the band into high gear.

Fans really loved dressing up for Goosemas | Goose

The quintet played "Christmas Must Be Tonight" by The Band next, and for the first time since December 19, 2021. Mitarotonda sang this soulful cover, and once again illustrated his dexterity. This balls to walls set closed out with a funky "Same Old Shenanigans".

1stBank Center | Broomfield, CO

Set two kicked off with multi-instrumentalist Peter Anspach uttering "We're doing the balls." He announced that they would be choosing wishes from Santa's bag, and playing songs from the wishes as their gift to the fans. The first selection was "Pancakes" for Al V. "Rosewood Heart" was selected next, with both Anspach and Mitarotonda in lock step during a face melting jam.

Drummer Ben Atkind | Goose

The band continued to play as the next ball was pulled from the bag, which desired to hear Bassist Trevor Weekz read a poem, and read a poem he did. His song "Wysteria Lane" was ironically the subsequently grabbed wish. This twenty three minute heater showed Weekz as the dynamic glue between himself and his talented band mates as they embarked on a racing jam journey. About seventeen minutes in, Anspach drew another ball, from Laura Lou, which read "Audience Group Hug." Anspach took a moment to soak in the love as the audience hugged it out.

Goose | Goosemas

The Ted Tapes rarity "Moby" was plucked next, for Ryan. This melodic instrumental preceded the selection of "Rockdale." At one point, the jam got dark, and Mitarotonda dropped into a "Crazy Train" riff. Both Anspach on the clavinet and Weekz on the bass hopped onto this train, no pun intended, for a legit Ozzy Ozbourne "Crazy Train" tease. This returned to "Rockdale," and ended the second set with an affirmative bang.

Multi-Instrumentalist Peter Anspach Twerks | Goosemas

The band returned to the stage and drew a few more non-song balls, starting with "Rick kisses Jeff." Mitarotonda clearly looked as though kissing Jeff was the last thing on earth that he wanted to do at that moment. But, being the good sport that he is, he took out his ear plugs and walked back to give Jeff a nice peck on the cheek to roaring applause and inquiry. The next ball was "Peter Twerk." Anspach of course obliged, turned around and stuck his butt out towards the crowd. The final non-song ball was "Ben Yodel." Drummer Ben Atkind did not appear comfortable yodeling, so the crowd assumed those duties with him.

Goosemas | Broomfield, Colorado

Anspach drew the final wish of the evening, "White Lights." Lighting Director Andrew Goedde filled the tapestry with radiant white lights as this show full of giving came to a close.

Bassist Trevor Weekz | Goose

Goose is back in action next week in Cincinnati, OH for new years festivities on 12/30-12/31. If you weren't able to catch the first night of Goosemas, check out their upcoming Spring tour that traverses both coasts. Hop on over to this link for more details.

Check out more photos from the show!

Set One
Flodown[1], Everything Must Go, Butter Rum, The Old Man’s Boat, Drive, Christmas Must Be Tonight[2], Same Old Shenanigans

Set Two
Pancakes, Rosewood Heart > Trevor Reads Poetry, Wysteria Lane[3] > Moby, Rockdale[4]

Encore
White Lights

Coach’s Notes
[1] Flopener. With River Lullaby tease.
[2] The Band.
[3] With “Audience Group Hug” ball.
[4] With Crazy Train teases.

Goosemas | Broomfield, Colorado

Goose | Goosemas

White Lights by Andrew Goedde | Goose

Thu, 12/22/2022 - 2:20 pm

It was the right time to rock the night away, and Goose did just that for the second night of their ninth annual holiday themed Goosemas on December 17, 2022 at the 1stBank Center in Broomfield, CO. The band continued the theme of drawing wishes written on green and red balls by audience members to determine the second set, as well as dusted off a pair of holiday rarities and more unexpected holiday shenanigans.

Guitarist Rick Mitarotonda | Goose

The music began similarly to the night before, though this time the set commenced with a jazzy holiday rarity, "Carol of the Bells," last played December 19, 2019. Multi-instrumentalist Peter Anspach's melodic keyboards rounded out this classic Christmas tune. "Turbulence & The Night Rays" followed, with a stellar intensity build up led by drummer Ben Atkind. A short but sweet "Atlas Dogs" proceeded. Now, the jingle hop had begun.

Multi-instrumentalist Peter Anspach | Goose

The longest tune of the night, "Time to Fleeze," clocked in next at twenty three minutes. Guitarist Rick Mitarotonda was firing on all cylinders during this extended jam, and nailed the tasty tension and release. The more reflective "Western Sun" gave everyone a few slower moments to recover, and reminded the crowd why they decided to attend this special holiday show. "Go everywhere, feel everything, see everyone you want." The set closed out with a fiery Tumble that included another heater.

Goosemas | 1stBank Center

The band returned to the stage with Santa, and several bags of balls that contained holiday wishes from the crowd. The first wish drawn was for "Thatch," a funky new song that debuted last month at Glen's Falls, NY. This song featured some notable bass thumping by bassist Trevor Weekz as well as Mitarotonda shredding on his guitar early in the set. The subsequent wished selected was for "Creatures," which sent the dance party into high gear during this dark, electronica inspired jam. As the band fell into a natural segue, Anspach plucked another wish, this time for "Berkowitz,"and the squad launched into "Slow Ready," but only the instrumental part of the song. This coupling with "Creatures" was truly a perfect pairing. Giddy-up jingle horse, jingle your feet.

1stBank Center | Broomfield, CO

Mitarotonda read the next ball and said, "This is for Stoller." The band dropped into that unquestionable riff for the elusive "Factory Fiction," and the crowd went wild. Lighting Director Andrew Goedde illuminated the area behind the stage with brilliant multi-colored lights during this raging jam that saw Mitarotonda in that delightful pocket. He has been playing in another stratosphere since their recent tour in November with the Trey Anastasio Band.

Drummer Ben Atkind | Goose

Upon conclusion of "Factory Fiction," Anspach reached for the large bag. As he went through the wishes, he commented "There are some great wishes in here. You guys are funny." He then selected a ball and said "how about a group goooose chant?" The crowd proceeded to chant "Goooooose!" The synthy beast known as "Animal" was tapped next, this time for Yogurt. The band doubled down on the synth and animals noises. Elephants and chimpanzees could be heard after the chorus. Jingle around the clock, indeed.

Goosemas | Broomfield, Colorado

Anspach took a moment to thank the fans for traveling to Colorado, before selecting another wish, which proved to be the end of the set: "Dripfield." This indie influenced song was first played at Goosemas in February 2022, and has evolved into a jam monster. As the band dropped into the chorus, confetti was blasted from all directions into the arena. Both Anspach and Mitarotonda played dueling guitars with one another while the confetti continued to drop. As the song rolled to a close, the band stepped off stage.

Red and Green Candy Cane Lights | Goose

Goose returned to stage armed with another bag of holiday balls with wishes. The first selection was submitted by Santa, who asked the crowd to do the wave. Next, a ball was selected that requested a joke. Percussionist Jeff Arevalo obliged the crowd in his elf costume. The penultimate draw was "A group bow," followed by a warming "Hot Tea." The band dove into this tea party, and the crowd was dancing and prancing in 1stBank Center. After the first chorus, the band jumped into another Goosemas favorite, Vince Guaraldi's "Linus and Lucy." Goedde illuminated the lights behind the band in green and red candy cane colors. As the band transitioned back into "Hot Tea," more confetti was unfurled. The light rig behind Goose displayed the words "G O O O O S E" horizontally. As the song wound down, the band took a group bow to end this joyous holiday fueled event. That's the jingle bell rock.

Goose | 1stBank Center

If you couldn't make it out to Colorado for this merry and bright Goosemas run, fear not. Not only are they playing a two night stint for new years in Cincinnati, OH at the Andrew J Brady Center, but they also recently announced a stacked spring tour. Head on over to their tour page for more details about all up coming dates.

Check out more photos from the show, and our coverage from Goosemas Night 1!

Set One
Carol Of The Bells [1], Turbulence & The Night Rays, Atlas Dogs, Time to Flee, A Western Sun, Tumble

Set Two
Thatch, Creatures, Slow Ready [2], Factory Fiction, Animal [3], Dripfield

Encore
Hot Tea > Linus And Lucy [4] > Hot Tea

Coach’s Notes
[1] Traditional.
[2] Jam only.
[3] With animal sounds.
[4] Vince Guaraldi.

Coach’s Corner
The second set was decided based on a random selection of balls with fan requests written on them. Before the encore, the crowd did the wave and Jeb told an elf joke as prompted by the balls. Carol of the Bells was played for the first time since December 21, 2019 (178 shows).

Goose | 1stBank Center

Goose was feeling it in Colorado | Goosemas

Goose | Goosemas

Sat, 12/31/2022 - 3:21 pm

Jam rock titans Phish kicked off their annual new years eve four day run at the famed Madison Square Garden in the heart of New York, NY for the first time in three years. This time honored tradition was rescheduled in 2021 and never scheduled in 2020 based on complications from the COVID-19 virus. This year's attendance was also affected by the Southwest Airlines meltdown, as many fans were left stranded and unable to walk though the doors of this legendary building. However, thousands of ticket-less fans fortuitously benefited from this debacle in the form of an unusually vibrant after-market for these sold out performances, and were able to enjoy the copious micro-jams in person.

Phish | Madison Square Garden

The festivities began shortly after 8pm with a racing "Buried Alive," which immediately set the tone and firmly established the raging dance party. An abundantly funky "Wolfman's Brother" proceeded, and synthesized a short but sweet major key jam. Lighting Director Chris Kuroda was on point early with stellar use of the distinct house lights at the Garden. "Maze," from the band's 1993 release Rift, took the music down another path, albeit brief.

Bassist Mike Gordon | Phish

The blissful vibes rolled on with "Sigma Oasis," as the jam took to the air. "Sigma Oasis, you're already there." Bassist Mike Gordon was firing on all cylinders as the band smoothly transitioned into the high energy "NICU." A slow burn jam manifested next with "Steam," as the band found another micro pocket towards the end of this tune. The gamehendge delight "Tela" followed. This song was last played at the Mann Center on July 20, 2022.

Keyboardist Page McConnell | Phish

Jam vehicle "Stash" hopped into the line up next. The trippy jam started in dark territory, only to coalesce back into a bubbly feel. The lights swirled around the stage like a vortex, emanating out from the band. Guitarist Trey Anastasio hit the tasty, beloved peaks in this classic tune. The set wrapped up with another vintage favorite, "Split Open and Melt," complete with a solid, face melting jam. Song selection certainly was on point for this set, and the signs of rust were minimal, despite the band not having played a show since September 4, 2022 in Commerce City, Co.

Fans loved the show | Madison Square Garden

Set two began where the first set left off, as the band kept their collective feet on the gas for the duration. A smooth as butter "Free" started this non-stop set, with drummer Jon Fishman delivering dynamically steady beats that pulled together his band mate's musings. "Free" included "Your Pet Cat" teases, which proved to be a foreshadowing for night two at Madison Square Garden. The energy escalated as the band dove into newer tune "A Wave of Hope." Written during the pandemic, this reflective tune has shown incredible muscle during its short tenure in Phish's catalog. Gordon was once again dropping his well known bass bombs, adding a layer of edginess to his fiery jam.

Guitarist Trey Anastasio | Phish

Anastasio went deep as the band euphoniously transitioned into "It's Ice." The song is always a bonus on any set list, despite being succinct at this show. The band skillfully moved into "Leaves," before a dynamite segue into "Simple." Shorter jams were certainly the theme tonight, and "Simple" was no exception. The passageway between "Simple" and the following tune, "Plasma," was perhaps the jam of the night.

Phish | Madison Square Garden

The band developed more space for exploration in "Twist," which contained "A Wave of Hope" teases. This led into the set closing powerhouse "Harry Hood," which ended this show on a high note. The band stepped off stage momentarily, and returned to the stage with the crowd thirsty for one more tune. Not only did Phish oblige, but also played "Esther," the carnival inspired tune that is not often played in the Phish 3.0 era. Another stellar segue proceeded, along with monster "46 Days" to end the show.

Phish | Madison Square Garden

Phish is back in action again tonight at Madison Square Garden, as the band rings in the new year with their annual gag. Hopefully Anastasio won't get stuck in the rafters this time. Tickets are sold out, but there is plenty of action in the after market on Cash or Trade. For those who can't make the show in person, live streams are available via this link.

Check out more photos from the show!

Set One
Buried Alive, Wolfman’s Brother, Maze, Sigma Oasis > NICU, Steam, Tela, Stash, Split Open and Melt

Set Two
Free > A Wave of Hope -> It’s Ice > Leaves > Simple > Plasma -> Twist > Harry Hood

Encore
Esther > 46 Days

Madison Square Garden | New York, NY

Phish | New York, NY

Sat, 01/07/2023 - 8:20 am

The rising indie jam squad from Connecticut, Goose, have yet again made a name for themselves as they embarked on their second ever New Years run in Cincinnati, Ohio on December 30, 2022 at the Andrew J Brady Center. This effort evolved into the Cincinnati Mayor declaring December 30th "Goose Day." While the band had never played within the Queen City limits before, they are no strangers to the area having performed twelve times in neighboring Covington, KY. They subsequently consider this region a second home. They certainly hit a home run musically, as fans both new and old were enamored with the deep jams and stellar song selection.

Multi-Instrumentalist Peter Anspach | Goose

The evening began as it does when Goose is on the ledger: with a long line of eager fans. There were many long lines to discern, including regular VIP, CityView VIP and the sprawling gen pop line for everyone else. The message is very clear: don't arrive late for a Goose show, or you'll spend even more time figuring out which line to be in. The venue was located on the Ohio River, which at least provided stunning scenery for those who were waiting.

Percussionist Jeff Arevalo | Goose

The first set started with the breezy "Elizabeth," sung by multi-instrumentalist Peter Anspach. The song got funky early, as Anspach layered in the clav while guitarist Rick Mitarotonda took the jam deep. This transitioned nicely into "Bloodbuzz Ohio," by the National, and was the third time that this song has been played. New tune "California Magic" followed.

Goose | Andrew J Brady Center

The perennial pair "Seekers On The Ridge Part 1"  and "Seekers On The Ridge Part 2" saw some nice highs and lows. However, no one was prepared for the raging, twenty three minute "Echo of a Rose" that proceeded. This very uptempo instance poured on the tension and release multiple times, and was one of the best "Echos of a Rose" that we have ever seen. Compound this with the projection screen used by Lighting Director Andrew Goedde to further extend the already impressive light display. If only time travel was in beta testing. This smoking hot set wrapped up with "Turned Clouds" which included another sweet funk jam.

Fans loved the show | Cincinnati, OH

Set two kicked off with more inspired playing, starting with the high energy "Into The Myst." Mitarotonda was firing on all cylinders with his guitar work, as drummer Ben Atkind delivered beats like a freight train. A smooth, melodic progression ensued, led by bassist Trevor Weekz, which eventually raced back into "Myst." This set the stage for a twenty two minute, mind melting "Arcadia" that included a Heartbreaker tease. The crowd's vocals during this tune were notably almost as loud as the bands.

Goose | Andrew J Brady Center

This Constitution State based quintet dropped into "Slow Ready" next, which continued the theme of long songs teeming with savory jams. Both "Slow Ready" and "Myst" are jamtronica influenced songs that often ignite the dance party, and tonight was no exception. A mellow segue into "This Old Sea" gave the crowd a much needed chill moment. This moment was fleeting as the band fluidly moved into Bob Seger's "Hollywood Nights." This cover was recently dusted off during Fall Taboose 2022 run at Mohegan Sun on November 12th, and ended this set exuberantly.

Andrew J Brady Center | Cincinnati, OH

The band stepped off stage momentarily, and returned to a fired up crowd. Anspach grabbed the microphone with a huge smile to thank Mayor Mike Moroski from Cincinnati for declaring December 30th "Goose Day." He also saluted the loyal fans in Covington, KY who came out to Goose shows when no one knew who they were. Finally, the band obliged the crowd for an island themed encore of "Butter Rum" along with a melodious "Doobie Song," to end the night.

Check out more photos from the show!

Set One
Elizabeth > Bloodbuzz Ohio (The National), California Magic, Seekers On The Ridge Pt. 1 > Seekers On The Ridge Pt. 2, Echo Of A Rose [1], Turned Clouds

Set Two
Into The Myst, Arcadia [2], Slow Ready > This Old Sea -> Hollywood Nights (Bob Seger)

Encore
Butter Rum, Doobie Song

Coach’s Notes
[1] Fast version.
[2] With Heartbreaker tease.

Coach’s Corner
Before the encore, Peter thanked Mike Moroski and the mayor of Cincinnati for declaring December 30 as “Goose Day.”

Bassist Trevor Weekz | Goose

Andrew J Brady Center | Cincinnati, OH

Goose | Cincinnati, OH

Sun, 01/08/2023 - 6:00 pm

2022 might have been the year of the tiger, but easily could have been the year of Goose, as this band achieved numerous significant milestones. From selling out Radio City Music Hall and Red Rocks, to a co-headlining fall tour with the Trey Anastasio band, this Norwalk, CT based squad literally lived out their own dreams last year. This remarkable year closed out in style for this jam rock band at the Andrew J Brady Center in their second home of Cincinnati, Ohio on December 31, 2022.

Guitarist Rick Mitarotonda | Goose

This past year has certainly been coming up Goose. The band sold out two nights at the iconic Radio City Music Hall, Red Rocks Ampitheather in Morrison, CO and Mohegan Sun Arena in Uncasville, CT. They also shared the stage with the Trey Anastasio for a co-joined, colaborative fall tour that featured sit-ins by both bands. They released a brand new album, Dripfield. The late night talk shows got on the Goose bandwagon, as they made appearances on Jimmy Fallon, Jimmy Kimmel, and Seth Meyers. They had memorable performances at many festivals including Peach, Bonnaroo, Sweetwater 420, Newport Folk Festival and High Sierra. A two night stand for Goosemas, their December Holiday themed event, was held in Broomfield, CO, and marked the first time that Goosemas occurred outside Connecticut. The year wrapped up with a sold out two night stand in Cincinnati, and included for many fans who have been part of the Goose community since the beginning.

Balloons hanging above the Andrew J Brady Center | Goose

Fans arrived later this evening than the prior night based on the late start for the new year set. The multi-line set up was easier to navigate after learning the ropes on night one. The venue was decorated with three large bags of balloons that were attached to the ceiling. The atmosphere was certainly ripe for killer jams.

Goose | Andrew J Brady Center

Goose decided to step on stage firing on all cylinders. The jams picked up where they left off the night before with a deep dive during "All I Need." This included a nice drum solo by drummer Ben Atkind. Multi-instrumentalist Peter Anspach and guitarist Rick Mitarotonda were in lock step early. The band kept their feet on the gas for the dynamic duo, "Borne" > "Hungersite," two songs from their latest album Dripfield.

Peter Anspach | Goose

New tune "Mr. Action," followed, which debuted two weeks prior at the Fox Theatre in Boulder, CO. This included a dedication by Anspach to the entire Goose crew and team. A monster, twenty minute "Red Bird" took flight next. The set ended with a fiery "Drive" that set the stage for the new years festivities.

Set two began in black and white | Goose

The band eventually returned for their last set of 2022. They had changed from their regular show attire into all white pants/shorts and white sleeveless shirts, except for Anspach who opted to wear a short sleeved white shirt. Only white lights were used on the stage and projection screen behind the band as began playing "Dr. Darkness." The dark theme rolled on with the 80's version of "Indian River," and the lights continued in the black and white schema.

Lighting Director Andrew Goedde with the "Gooose" lights | Cincinnati, OH

Time was quickly running out as the band leapt into the jam vehicle "Madhuvan" about twelve minutes before midnight. The projector displayed a ten second count down as midnight approached. The band built up tension leading into the new year, and segued into the traditional "Auld Lang Syne." Balloons and confetti dropped from the sky, as colorization returned to the lighting display. The band went back into Madhuvan before another full throttle "Empress of Organos."

Fans truly enjoyed this run | Goose

This exciting new year's eve set wrapped up with the bluesy "Thatch" transitioning into a green, pink and blue light fueled "Dripfield." The band left the stage, but only Anspach and Mitarotonda returned for the encore. Anspach thanked everyone for the great year. They performed "This Year's Love" by David Gray as a duo for a few minutes, before bassist Trevor Weekz joined them on stage. At the conclusion, percussionist Jeff Arevalo and Atkind returned to play "Animal." This final tune reminded the crowd that "You're an animal. It's phenomenal."

Goose | Andrew J Brady Center

Goose is back in action next weekend at Playing in the Sand. They also announced a full spring tour beginning in March 2023. Hop on over to their tour page for more details.

Check out more photos from the show, as well as our coverage from the first night of the run!

Set One
All I Need, Borne > Hungersite, Mr. Action, Red Bird, Drive

Set Two
Dr. Darkness, Indian River, Silver Rising, Madhuvan > Auld Lang Syne (Robert Burns) > Madhuvan, The Empress of Organos, Thatch > Dripfield

Encore
This Year’s Love (David Gray), Animal

Drummer Ben Atkind | Goose

Goose | Cincinnati, OH

Percussionist Jeff Arevalo | Goose

Tue, 01/24/2023 - 6:40 am

Jam rock heavy hitters Spafford returned to the Brooklyn Bowl in Brooklyn, NY for this first time in almost three years last Friday, January 20, 2023. They brought their new keyboardist Cory Schechtman, from the New Motif, a slate of thick grooves with deep improvisation, and a pair of vibrant covers along for the occasion. Escaper, the jamtronica inspired quartet from Brooklyn, NY, provided their support.

Escaper | Brooklyn Bowl

The evening began at the Brooklyn Bowl as bowling balls cruised down the alleyways for several birthday parties on this Friday night. The hometown squad Escaper took the stage at 8pm with a decent sized crowd waiting. They wasted no time, diving into "No Strings" from their 2020 release Apotheosis, including raging beats and prog rock build ups. This was followed by "Breakaway." The band welcomed a saxophonist on stage for "Cicada," which was released as part of their album Spaceship in November 2022, and really elevated the dance vibes. Guitarist Will Hanza was in full on rock star mode during this melodic tune. The floor was full by the time Escaper rolled into their final song for the evening, "Chance."

Newcomer and Keyboardist Corey Schectman | Spafford

After a short break, Spafford appeared from the green room staircase, and carefully walked onto the stage, as their music and lighting gear took up so much space that limited room was left for movement. They began their set ready to explore with breezy tune, "The Remedy." The was followed by two twenty one minute plus jams, starting with a cavernous "Leave The Light On" that ignited the tension and release early. "The Postman" proceeded, and included some nice synth layering by Schechtman. Bassist Jordan Fairless led the charge during this ambiently tasty funk jam.

Spafford | Brooklyn Bowl

Reminiscent of their performance at the Brooklyn Bowl in 2020, the band played the 90's alternative rock classic, "Peaches" by the Presidents of the United States of America. The peaches breakdown vocal jam within was a nice touch. With more niceties from Schechtman, this groove found it's way into "Windmill." Guitarist Brian Moss discovered a nice pocket, and ended this set on a high note.

Guitarist Brian Moss | Spafford

The jams got thicker in set two, though not before Spafford debuted new song and future funk jam vehicle, "Shelter in Place." The band then moved into a stellar transition to reach the bubbly "Left on the Runway." The walls literally came down at the iconic Williamsburg venue during the next tune, "Walls." A twenty three minute heater ensued that started as a tight funk jam and morphed into a face melting guitar sequence by Moss. Drummer Nick Tkachyk showed his range during the successive segue into an alt rock fueled "Virtual Bean Dip."

Brooklyn Bowl | Brooklyn, NY

The 80's vibes went into high gear as the Arizona based quartet started playing Men at Work's "Who Can It Be Now," which was played last played on October 21, 2022 in Portland, OR. This smoking hot set wrapped up with a spacey, electronica inspired "Weasel." The band stepped off stage for a moment, and returned to a crowd screaming for more music. The band obliged with "Space Gadget," followed by an instrumental "Fünkenseven," to cap off another memorable evening for this band in the Empire State.

Drummer Nick Tkachyk | Spafford

Spafford's next performance is at Soundcheck Studios in Pembroke, MA on January 25, 2023. Hop on over to their tour page for more details about this show and the rest of the Winter 2023 tour.

Check out more photos from the show of Spafford and Escaper!

Escaper Set
No Strings, Breakaway, Cicada, Chance

Set One
The Remedy, Leave The Light On, The Postman, Peaches1> Windmill

Set Two
Shelter In Place2 > Left on the Runway, Walls > Virtual Bean Dip, Who Can It Be Now3, Weasel

Encore
Space Gadget, Fünkenseven

Notes
1. The Presidents of the United States of America
2. Debut
3. Men at Work

Bassist Jordan Fairless | Spafford

Spafford | Brooklyn, NY

Brooklyn Bowl | Brooklyn, NY

Wed, 01/25/2023 - 4:50 pm

The Wellmont Theater, located in the sprawling New York City suburb of Montclair, NJ, hosted moe. last Saturday, January 21, 2023 for an evening of exploratory rock and roll. This show marked the fourth time the band has played at the Garden State venue. This was also the fourth show back for guitarist Chuck Garvey, who suffered a stroke in late 2021. Garvey looked excited to be playing, and the fans were certainly thrilled to have him in the line up.

Guitarist Chuck Garvey | Moe.

This evening's show began with "Happy Hour Hero," and the band looked out with delight as they played this familiar tune one moe. time. Multi-instrumentalist and new comer Nate Wilson demonstrated his range early with a flute solo during "Mar De Ma." This groove sailed into a melodic, nineteen minute "George." Wilson added a nice keyboard solo that eventually turned into Garvey unleashing raging tension and release on the guitar.

Guitarist Al Schneider | Moe.

"Jazz Cigarette," from their album This is Not, We Are, was led by the song's percussive heavy rhythms, and especially percussionist Vinnie Amico. Bassist Rob Derhak lent his vocals for another vintage tune, "Nebraska," released in 1998 on Tin Cans and Car Tires. A bluesy vibe ensued during the next tune, "Mexico," as well as a dual guitar jam that proved Garvey is back. This smoothly segued into a first time played tune by Crosby, Stills, Nash and Young: "Long Time Gone," and also served as an ending tribute to the recently deceased rock-n-roll legend, David Crosby.

Moe. | Wellmont Theater

After a short break, the band returned for set two. Guitarist Al Schnier was armed with a double neck electric guitar, in order to play "Fearless" by Pink Floyd, last played by this Upstate New York based squad at Summer Camp on August 21, 2021. This tune quickly morphed into "Starship Trooper" by Yes, and played only the second time ever. This quintet then put more fuel on the dance party's fire as they transitioned into a twenty three minute version of the quintessential "Meat." Derhak was the star in this dark, prog rock exploration.

Bassist Rob Derhak | Moe.

Another classic moe. tune followed, with Fatboy's "Yodelittle." The twenty two minute jam expanded in many directions, though eventually found it's way into another iconic song from this great band, "Rebubula." A stellar transition found the music in yet another old school moe. song, "Buster," which included on point drumming from drummer Jim Loughlin. The band nailed the composed sections, and brought the set home by heading back into "Rebubula."

Moe. | Montclair, NJ

The band stepped off stage, and returned for a final tune. Schnier made several announcements about birthdays, engagements, etc, before heading into the complex "Seat of My Pants." The band teased "On Broadway," with the crowd singing a lyric from the chorus of "On Broadway," before closing out this high energy affair with a dark bang.

Moe. | Wellmont Theater

Moe., along with Garvey, is back on tour this winter. They perform next at the The State Theater in Portland, Maine on February 17, 2023. Head on over to their tour page for more details about the rest of the tour.

moe. is excited to have Chuck Garvey back | Montclair, NJ

Check out more photos from the show!

Set One
Happy Hour Hero, Mar De Ma > George, Jazz Cigarette, Nebraska, Mexico > Long Time Gone1

Set Two
Fearless2 > Starship Trooper3 > Meat, Yodelittle > Rebubula > Buster > Rebubula

Encore
Seat of My Pants

Notes
1. First time played song by Crosby, Stills, Nash and Young
2. Pink Floyd
3. Yes

Moe. | Wellmont Theater

Moe. | Wellmont Theater

Wellmont Theater | Montclair, NJ

Sun, 01/29/2023 - 3:45 pm

New Orleans funk specialists Galactic performed at the iconic Blue Note Jazz Club in New York, NY last Thursday, January 26, 2023 as part of an intimate five night residency. Special guest pedal steel guitarist Robert Randolph, from Robert Randolph and the Family Band, sat in and complemented the jazzy quintet well.

Drummer Stanton Moore | Galactic

The Blue Note is a famous jazz club in New York City's Greenwich Village neighborhood that serves dinner and seats about 200 guests. This provides a very up close and personal experience, especially for a band like Galactic, who has played at places like Brooklyn Steel in NYC and the Fillmore in Philadelphia recently. Galactic plays two one set shows each night of the residency.

Guitarist Robert Randolph sat in | Galactic

Each night, the band plays with a different rotating special guest, including Randolph, saxophonist James Carter, rapper/singer Matisyahu and trumpeter Nicholas Payton. Galactic's current line up consists of drummer Stanton Moore, bassist Robert Mercurio, saxophonist Ben Ellman, guitarist Jeffrey Raines and keyboardist Richard Vogel. They are also supported by singer Anjelika “Jelly” Joseph and trumpeter Eric Gordon.

Galactic | Blue Note Jazz Club

The band began with "Snowball." They soon called on Joseph to join them for "Higher and Higher" and "Float Up." Randolph decided to join the party for a rocking "I Need More Love" and "Baptize Me."

Singer Angelika "Jelly" Joseph | Galactic

This talented Louisiana based band played a few songs on their own, namely "CrazyHorse Mongoose," from their album of the same name, and "Chris Cross." Joseph returned for "Something's Wrong" and the set closed out on a high note with Randolph elevating the funky "Ain't Nothing Wrong With That." Joseph returned with Galactic for one more tune: "I Can't Stand the Rain."

Saxophonist Ben Ellman | Galactic

Galactic wraps up their sold out, five day residency at the Blue Note tonight. They are back in action on Jam Cruise 19 from February 6-12 and at their club, Tipitina's, on February 18. Head on over to their tour page for more details. The Blue Note Jazz Club is also hosting artists like Talib Kweli and Karl Denson next month. Visit their event schedule for more information.

Check out more photos from the show!

Set: Snowball, Higher and Higher1, Float Up1, I Need More Love12, Baptize Me2, Crazyhorse Mongoose, Chris Cross, Something's Wrong1, Ain't Nothing Wrong With That2
Encore: I Can't Stand The Rain1

Notes
1. With Anjelika “Jelly” Joseph
2. With Robert Randolph

Galactic | New York, NY

Galactic | Blue Note Jazz Club

Blue Note Jazz Club | New York, NY

Mon, 01/30/2023 - 5:07 pm

Ten year anniversaries are certainly something to celebrate, and that is exactly what Joe Russo's Almost Dead did this past weekend with a four night run of shows in the New York City metro region. The performances were at the Brooklyn Bowl for the first night and the Capitol Theatre for the rest. This quintet started out as a concept act for the 2013 NYC Freaks Ball, and have evolved into selling out the likes of Red Rocks Amphitheatre. Mr. Bob Weir sat in with them at the Brooklyn Bowl, which was unquestionably a nice tip of the hat to this hardworking group of musicians.

Drummer Joe Russo | Joe Russo's Almost Dead

The band was unequivocally reeling on the first night of the Capitol Theatre run, January 27, 2023, after having played with Weir the night before. This was not drummer Joe Russo's first collaboration with the famed Grateful Dead guitarist, because Russo served as the drummer for Phil and Bobby's prior project, Furthur. In addition to the sit in, he and his band mates, keyboardist Marco Benevento, bassist Dave Dreiweitz, guitarist Tom Hamilton and guitarist Scott Metzger, unleashed two sets of Grateful Dead inspired bliss that incorporated a first time played cover as well as a 90's alt rock throwback.

Joe Russo's Almost Dead | Capitol Theater

The band walked out on stage and was set up in front of roses strung together and hung from the ceiling, almost like curtains. The show began with an extended build up to "Scarlet Begonias," which was led by Hamilton's guitar work and eventually exploded into this breezy Grateful Dead tune. The music flowed into the first time played "Six Days on the Road" by Dave Dudley, as well as the fiery "Hell in a Bucket." Metzger layered in tasty guitar licks and contributed his vocals for this song.

The Capitol Theater | Port Chester, NY

The mellow "Black Peter," from the 1970 release Workingman's Dead, gave all in attendance a much needed chill moment. The cadence slowly picked up, as Russo's drumming guided the charge into the bubbly "The Eleven." Hamilton was fired up as he unfurled his guitar effects leading into the vocals. A psychedelic segue usered into a set closing "I Know You Rider." This included a nice piano breakdown by Benevento and face melting electric guitar by Hamilton.

Keyboardist Marco Benevento | Joe Russo's Almost Dead

Set two brought more raging heat, starting with King Radio's "Men Smart, Women Smarter." Metzger sang this fun tune, which dove into another complex jam that found Russo in the center. A brilliant segue into the classic Jerry Garcia tune, "Cats Down Under The Stars," followed. The band collectively dropped into the pocket, and masterfully built this tune into an ambient jam followed by a bluesy, tension and release heater. It was perhaps the highlight of the evening. Another electrifying transition ensued into "Feels Like a Stranger," before the band stopped for air.

Bassist Dave Dreiwitz | Joe Russo's Almost Dead

The spirited "Franklin's Tower" was up next. Benevento elevated this jam euphoniously. "Throwing Stones" was subsequent, complete with more on point vocals from Metzger. A deep jam followed, and ascended triumphantly back into the original song, with more guitar niceties from Hamilton. The set wrapped up with the easy going "Days Between."

Joe Russo's Almost Dead | Capitol Theater

The band stepped off stage, only to return to boisterous applause. Russo thanked the crowd sincerely. They obliged the crowd with a pair of tunes, starting with The Cricket's "Not Fade Away." This song is symbolic of this incredible band who has not faded away after ten years. The band then took the crowd back to the 90's with Spacehog's "In the Meantime." This alt rock fueled conclusion ended this spectacular show with an indisputable bang.

Guitarist Tom Hamilton | Joe Russo's Almost Dead

Joe Russo's Almost Dead is back on tour next week with a three night stand at The Eastern in Atlanta, Ga. Head on over to their tour page for more details about these shows and the rest of the ledger.

Check out more photos from the show!

Set One: Scarlet Begonias1 > Six Days On The Road2 > Hell In A Bucket1, Black Peter1 >The Eleven1, I Know You Rider3

Set Two: Man Smart, Women Smarter4 > Cats Down Under The Stars5 > Feels Like a Stranger1, Franklin’s Tower1, Throwing Stones1, Days Between1

Encore: Not Fade Away6, In The Meantime7

Notes
1. Grateful Dead
2. Dave Dudley, FTP
3. Traditional
4. King Radio cover
5. Jerry Garcia
6. The Crickets
7. Spacehog

Joe Russo's Almost Dead | Capitol Theater

Capitol Theater | Port Chester, NY

Joe Russo's Almost Dead | Capitol Theater

Mon, 02/13/2023 - 7:30 am

Recently, we had the opportunity to chat with our good friend Mike Smith from The Mike Smith Group. This jam rock power trio from Northern New Jersey recently released an EP and is in the process of recording an LP. The band also has a few winter dates on the calendar in New Jersey and Connecticut.

Jamie: Thanks for making some time to chat with me. Let's start with how you got into being a musician?

Mike: I've been doing this for the better part of my whole whole life and have been performing musically since I was five, six years old, in choruses and choirs and stuff like that. I got into guitar around age ten and started songwriting from there.

Jamie: Wow, that's really cool.

Mike: Huge part of my life. I've been going to see music since I was an infant.

Jamie: What was your first concert?

Mike: I saw The Grateful Dead with Jerry before he died in 1995.

Jamie: How old were you?

Mike: I was three, three and a half. And I've got memories from the event still. I remember the stage lighting, and oftentimes equate a lot of my reasoning for being so into music to that specific moment. It kind of just turned me on to everything. Not just like jam band music.

Mike Smith Group's 2023 Winter Tour Dates

Jamie: How many concerts have you seen?

Mike: Somewhere between between 400-500. I know there's a lot of people who have seen 300 plus of certain band, but I haven't seen one band more than 30 times.

Jamie: That's not a bad thing. It's easy to get jaded.

Mike: I was heavily into heavy metal and hardcore, and had a lot of friends who would perform. I would go see them all the time. I was really tuned into the local scene of that type of music for a very long time. And then after that, I had my musical awakening, where I felt like, "I don't wanna watch anymore. I wanna start playing." And I got my first band started.

Mike: My first band, Pandamonium, came out of my third year of college. I started taking music a little bit more seriously. We're still technically a cover band, but, you know, I was messing around writing my own music, and that's where it started to build. And after a few years, I got tired of just being in a cover band. And that's where Mike Smith Group came from. Almost two years ago I made that decision. Dakota Singerline has been my drummer since Pandamonium. And then a year ago, we met up with Evan Tosi, our bass player, and it all fell into place.

Drummer | Mike Smith Group

Jamie: That's really cool. I thought you just started in the last few months. it sounds like you're just starting to sort of branch out and play some shows. And are also in the recording studio lately.

Mike: Now we're trying to get all the ideas that have been floating around, and and actually transfer them to the musical medium, rather than just playing them live, and that's the only place you could hear them. This is definitely different from a lot of jam bands, because it seems like many don't really spend time in the studio. They just sort of play their songs and let them evolve.

Jamie: Yeah, and there's a lot that can be said there.

Mike: You should always give your your projects and your ideas space to grow and but there's something that could be said for having an actual catalog. Even the best jam bands have some of the best studio albums you'll ever hear. Doesn’t mean that they include everything that you'd love to hear them play, but they are still great.

Jamie: Sounds like it takes time to get ideas down on paper?

Mike: For sure.

Mike Smith | Tribus Beer Company

Jamie: And then, speaking of getting your ideas on paper, who wrote your songs?

Mike: Well, I mean, as far as like, individual parts, the drummer and the bass player, Dakota and Evan have free rein. It's not like I write the drum and the base parts, but everything else, as far as lyrics and the basic chord work is all written by me.

Jamie: What is the inspiration behind some of these lyrics?

Mike: My inspiration comes from the life that I've lived. I've led a pretty wildlife in 30 years. I was trained originally as a Blue Brothers musician, so a lot of my feel for my songs comes from the blues and the lyrics and everything are all just part of personal experience. And then I also do a lot of writing that is stream of consciousness. I look at the things around me that's going on and see things that I notice happening, either with my friends, friends of friends, the scene as a whole. And usually when I hit a good flow, I'll just roll with it, and then everything seems to just fall into place.

Mike Smith Group

Jamie: That's very cool. One thing that really particularly stood out to me was the sped up cover of "Take Me to the River" by The Talking Heads. Where did you guys get the idea for that? That song sounds better faster.

Mike: I agree.

Mike: The song that plays before "I Can" and "Take the River" have kind of been married together. I've been playing that since we were in Pandamonium.

Mike: That was one of the first songs I wrote coming out of this very long, three and a half year like mental block where I wasn't able to put anything down on paper. I couldn't get my cords together. I was going through a very rough period of time. And I was like, "this sounds pretty cool." I've always been a huge fan of ska, and that's where kind of the inspiration for the song's movement comes from. Also, a mixture of staying true to the All Green, and Talking Heads versions. I mixed the two together, and then I add a little ska flare in there.

Jamie: That's really cool. Ska was really big when I was in high school.

Bassist Evan Tosi | Mike Smith Group

Mike: It's one of my favorite things on the planet. My girlfriend hates it, so it's a contention point in the house. But I love ska. I love the mixture of the Fourth Wave. I'm a Street Light Manifesto and Big D in the Kids Table fan. And it's just the energy of punk meets the orchestration of horns, and everything needs to be right.

Jamie: Another thing that I really noticed about your band and actually you in particular, is your voice is really outstanding, which is uncommon in the jam scene. Generally, vocals are kind of an after thought. You have a very soulful, Chris Robinson-like voice. Have you always been into both playing guitar and singing?

Mike: Well, initially, I had started out as a singer, and was in choirs as a young child. I've always been proficient at singing, but It took me a long time to get comfortable with being able to play and sing at the same time. My voice was my first instrument, so I kind of just threw the guitar in there. It's always been my favorite things to do. I've recently been working with a great voice coach, Keith Harker, who works with a lot of different jam bands. He has worked with the folks in Aqueous and Hailey Jane. We've been focusing on strengthening my vocal chords so that I'm able to sing for longer periods. After the most recently three night run, and my voice was toast afterwards.

Jamie: I'm sure our readers would love to hear more about this LP that you guys have been working on.

Mike: it's a collection of songs that I've written in the past few months, and also the songs that were on our live EP, but presented in a more refined and recorded studio setting. There will be about seven three songs that we haven't played live yet. I’m really, really proud of the the work that we've been putting in and what's gonna be coming out. The LP is more than likely gonna be called Big Sound, and it's our first foray into studio recorded music. A whole bunch of merch is coming out also.

Guitarist Mike Smith | Mike Smith Group

Jamie: That's big time.

Mike: Yeah, it was all designed by Marc Chiavon

Jamie: Yeah, I know Marc, from the Goose community.

Mike: He's a great guy.

Jamie: Really cool that he's doing the artwork for you.

Mike: I'm really excited to see it now.

Jamie: Where can people find this music after it is released?

Mike: It will be available on all major streaming services, band camp, and anywhere else that music can be listened to, honestly. We try to make it as free as possible. Obviously, we'd love to recoup some funds from the recording process, but are more interested in people listening to the music.

Mike Smith Group

Jamie: It's unfortunate that the world is inclined to expect things to not cost anything,

Mike: I mean, everybody loves a free thing. You can't blame them though, especially in the world we live in right now.

Jamie: I get it for sure. At least I can direct people to your merch and music.

Mike: Sounds good. Wow, it's really cool talking to you.

Jamie: Same. Thanks again for taking the time to chat!

Mikey Smith with Doey Joey | Tribus Beer Company

Check out the Mike Smith Group's live EP via this link.

 

Wed, 02/08/2023 - 6:15 am

The Big Apple's premier Grateful Dead cover band High Time delivered an inspired performance for a full house at the iconic Brooklyn Bowl in Brooklyn, NY last Friday, February 3, 2023. They barely stopped playing during their two sets of Dead favorites. The creative folks at Macrodose NYC provided liquid like visuals on the rustic walls of the Williamsburg venue.

Drummer Adam Kriney | High Time

High Time emerged in 2018, and played many sold out shows at Union Pool in Brooklyn, NY before upgrading to the nearby Brooklyn Bowl. The vibrant Dead scene in New York City continues to support this band who focuses on the "Primal Dead" era from 1965-1974, which represents the early years of musical discovery for the Grateful Dead. The band members consist of drummer Adam Kriney, guitarists Pete Tonti and Michael O'Neill, bassist Gideon Helf and keyboardist Kevin Uehlinger.

Visuals by Macro Dose NYC | Brooklyn Bowl

The show kicked off with a vibrant "Scarlet Begonias." The band then launched into a non-stop sequence that lasted for most of the set, starting with "Truckin'." The music seamlessly moved into "Nobody's Fault But Mine Jam, " followed by "The Other One Part I" and "You Know You Know." Kriney showed his adeptness on drums during the stellar transition into "The Other One Part II." "New Speedway Boogie" closed out this high spirited, continuous series.

Guitarist Pete Tonti | HIgh Time

The set was not quite over just yet, as the band delivered a tasty "China Cat Sunflower" that included vocals from O'Neill. This quintet gelled during the segue into "Sitting on Top of the Word," and was on top of the world, no pun intended, as the packed crowd sang along during this Howlin' Wolf tune. The set ended, and the band took a much deserved break.

High Time | Brooklyn Bowl

High Time returned for another smoking hot set, starting with "Viola Lee Blues," and picked up right where they left off. Tonti showed his impressive guitar licks during this euphonious jam. The band boogied into a raging "Playing in the Band" sandwich that spanned the remainder of the set next. Uehlinger was front and center during the transition into "Dark Star." The energy mellowed as the band rolled into "Space."

Guitarist Michael O'Neill | High Time

By this point, all fans in attendance were absorbed into the music and their minds had left their bodies. It was only fitting that the band shifted into the bouncy "Mind Left Body Jam," as well as "Wharf Rat." O'Neill once again contributed uplifting vocals during "Eyes of the World." The "Playing in the Band" sandwich, and the set, ended with none other than a high flying "Playing in the Band Reprise." The band returned for one final tune in "Cold Rain and Snow," and capped off another stellar evening at the Brooklyn Bowl.

Keyboardist Kevin Uehlinger | High Time

High Time is back in action on February 15, 2023 at Garcia's in Port Chester, NY. Tickets are available via this link.

Check out more photos from the show!

Set One: Scarlet Begonias, Truckin' > Nobody's Fault But Mine Jam > The Other One Part I > You Know You Know > The Other One Part II > New Speedway Boogie, China Cat Sunflower > Sitting on Top of the World

Set Two: Viola Lee Blues, Playing in the Band > Dark Star > Space > Mind Left Body Jam > Wharf Rat > Eyes of the World > Playing in the Band Reprise

Encore: Cold Rain and Snow

High Time | Brooklyn Bowl

Brooklyn Bowl | Brooklyn, NY

Mon, 02/20/2023 - 2:00 pm

Fifty years of popularity in the music industry is a stunning feat in this day and age of instant gratification that favors the latest and greatest. Few bands see their albums remain extraordinarily relevant and still consistently churning new fans a half century past the initial release. This is certainly the case for Pink Floyd's Dark Side of the Moon, which celebrates fifty years as an album this year, and continues to be a shepherd for new fans into the classic rock genre.

Guitarist Cal Kehoe | Pink Talking Fish

Pink Talking Fish, the jam rock cover band that features the work of Pink Floyd, The Talking Heads and Phish, decided to elevate the fiftieth anniversary festivities by playing this iconic album in it's entirety at shows during 2023. The first such tribute occurred last Friday, February 17, 2023 at The Vogel in Red Bank, NJ for a packed house of fans. Psychedelic funk rockers Fungkshui, from neighboring Asbury Park, NJ, provided their support.

Fungkshui | The Vogel

The Garden State quartet Fungkshui took the stage first, and lead the music on a experimental, genre bending journey into jam rock and funk. The band consists of guitarist and founder Jack Reed, guitarist Max Vitale, Drummer Kyle Donovan, and Bassist Jon Scheps.

Keyboardist Richard James | Pink Talking Fish

After a quick break, Pink Talking Fish emerged from shadows to dive head first into Dark Side of the Moon. The first three songs, "Speak to Me" > "Breathe" > "One the Run," were woven together well. It was perhaps at this point that those who has not heard realized that the band was covering the famed Pink Floyd album. The band breezed through "Time," "Great Gig in the Sky," and "Money." The band closed out the set strong with "Us and Them" > " Any Colour You Like" > "Brain Damage" > "Eclipse."

Tom Marshall sang "Antelope" | Pink Talking Fish

The band returned for a second set mix of classic PTF combinations. This began with Phish's "The Curtain" > The Talking Head's "Girlfriend," which tastily transitioned into part of "The Curtain With." "Young Lust" by Pink Floyd and "Nothing But Flowers" by The Talking Heads followed, and transitioned into Phish's "Run Like an Antelope." The band was joined on stage by none other than Phish lyricist Tom Marshall, who resides in New Jersey and sang the famed lyrics that he helped write many years ago.

The Vogel | Red Bank, NJ

This fun and enjoyable set rolled on with "Astronomy Domine" by Pink Floyd into a high energy "Cities." The set wrapped up Phishy with a dark but delightful "My Friend My Friend" into 2001. The crowd was on their feet and thirty for more, which the band obliged via The Talking Heads with Remain in the Light's "Once in a Lifetime." This flowed into an "Eclipse Reprise," and ended the show on a very high note.

Drummer Zack Burwick | Pink Talking Fish

Pink Talking Fish is heading to the West Coast as part of their 2023 Winter Tour. They are up next in Bend, Oregon on February 22, 2023 at the Middletown Ballroom. Tickets are available here. Head on over to their tour page for more details about the rest of the tour.

Check out more photos of Fungkshui and Pink Talking Fish from the show!

Fungkshui
Set: Didn’t Know Anything, Vested* > Blue Rat Bastard, Ante Up, Ready To Go, Orange Cadillac, That’ll Do
Notes: * First Time Played

Pink Talking Fish
Set One: Speak To Me > Breathe > On the Run, Time, Great Gig in the Sky, Money, Us and Them > Any Colour You Like > Brain Damage > Eclipse
Set Two: The Curtain > Girlfriend is Better > With, Young Lust, Nothing But Flowers > Run Like an Antelope*, Astronomy Domine > Cities, My Friend My Friend > 2001
Encore: Once In a Lifetime > Eclipse Reprise
Notes: *-w/ Tom Marshall on vocals

Bassist Eric Gould | Pink Talking Fish

Fans loved the show | Pink Talking Fish

Pink Talking Fish | Red Bank, NJ

Tue, 02/28/2023 - 5:14 pm

Eggy, the genre bending jam rock quartet from Woodbridge, CT, played for the first time at The Belly Up in Solana Beach, CA on February 23, 2023, and also supported fellow jam rockers, Twiddle. In fact, this rising band is starting to make a name for themselves nationally and is smack in the middle of an eighteen date winter west coast tour with Twiddle. Many of the venues are brand new to the band and thousands of miles away from home, which is a testament to their recent growth and maturity.

Eggy | The Belly Up

Connecticut has been a current hot spot for emerging artists in the jam rock genre. Certainly, many are familiar with Wilton, CT's Goose after their recent tour with the Trey Anastasio Band. Eggy is following in Goose's footsteps by stepping out into new markets and winning over new fans with their unique style. Other notable squads include Space Bacon, The Breakfast, Kung Fu, Doey Joey, and Residual Groove, many of whom have sat in with Eggy and/or had members of Eggy sit in.

Eggy | The Belly Up

Given their current level of success, it is no surprise that this band contains many Berklee School of Music Alumni, with a subset playing together since high school. The line up includes guitarist Jake Brownstein, bassist Michael Goodman, keyboardist Dani Battat, and drummer Alex Bailey.

Bassist Michael Goodman | Eggy

The set kicked off with the melodic "Last of Kin." Brownstein contributed his stellar vocals to this electrifying opening tune. "All Wheels Turnin'" followed, and included a deliciously funky synth sequence care of Battat. Goodman led the charge on bass, which added depth to this feel good jam.

Guitarist Jake Brownstein | Eggy

Little Feat's "Time Loves a Hero" jumped into the mix next, and felt like a song that was written for this band. Bailey showed his versatility by contributing lead vocals to this classic tune, while the collective group flexed their vocal muscles during the refrain harmonies. Brownstein fell into the pocket and manifested his rock star capabilities during the subsequent jam that eventually transitioned into "Wayless." The set finished up strong with "Watercolor Days," which featured Goodman and Brownstein playing off one another during this fiery closing jam.

Michael Goodman and Jake Brownstein playing off one another | Eggy

Eggy continues to impress with their layered jams and collective talent. We unquestionably can not wait for them to be playing two set shows more consistently, but will take one set any day, no questions asked. They are back in action on March 1, 2023 at the Star Theater in Portland, Oregon, along with Twiddle. Head on over to their tour page for more details about the remaining dates.

Check out more photos from the show!

Set: Last of Kin, All Wheels Turnin’, Time Loves a Hero1-> Wayless, Watercolor Days
Notes: 1. Little Feat

Fans loved the show | Eggy

Drummer Alex Bailey | Eggy

The Belly Up | Solana Beach, CA

Tue, 03/14/2023 - 10:10 am

The jamtronica scene in Philadelphia, PA has been fiery for many years, starting with heavy hitters like the Disco Biscuits and Lotus. There is a new band from the City of Brotherly Love who is expanding the jam rock meets trance fusion EDM offerings, and has already built a lively fan base: Solar Circuit. This quartet has well developed, feel good dance songs coupled with mesmerizing textures and raging guitar riffs. They continue to hone their talent by gigging across the Northeast and Mid-Atlantic, and hosting their own festival-like shows in conjunction with their fans. This was especially true for their two set performance at the Sherman Showcase, in Stroudsberg, PA, on March 4, 2023. Lehigh Valley's Richard provided support for this dance marathon.

Richard | Sherman Showcase

Solar Circuit's line up included Becca LeVan (keys/synth/vocals), Taylor Jamison (bass), Nick Orlove (guitar) and Rob Fray (drums). At the show, Jamison and Orlove, along with a large part of the crowd, donned "I'm with Bob" t-shirts. By the end of the show, Bob had emerged from the crowd as the host of Solar Circuit's late night private ragers in Pennsylvania, and was wearing the same shirt, of course. This congenial and welcoming group of friends rounded out an unexpectedly pleasant vibrant experience of hospitality and love.

Nick Orlove acknowledges his "I'm with Bob" shirt | Solar Circuit

The evening began with Richard, an improvisational groove quartet from Bethlehem, PA. The band members contained guitarist Kyle Gishel, keyboardist Devin Marshall, drummer Alex Shambo and bassist Neil Underwood. Their set encompassed melodic dance beats, layered textures and deep, extended jams, as they played almost without stopping.

Drummer Rob Fray | Solar Circuit

Solar Circuit took the stage next with a fired up crowd. Before playing, Orlove recognized Bob and the gang by pointing to the shirt that they were all collectively wearing. The set began with the funky "Loophole," which transitioned into "Skyward," followed by "17 Year Cicada." This sequence showed Orlove falling into the pocket early, and was complimented by Jamison's thumpy bass lines. Fray was on another planet during "Skyward." LeVan elevated the spacey jam during "17 Year Cicada" on the synth with her delicious undertones.

Fans loved the show | Solar Circuit

The set closed out with another non-stop trance filled sequence, starting with "Stir Crazy." This song was bass driven, and catapulted the dance party into the stratosphere. The dirty jams rolled on as the band segued into "Fire For You," by the Cannons. This first time played tune had the crowd inspired and yelling for more. Another seamless transition lead into the final song of the set: "Puddle Jumper."

Guitarist Nick Orlove | Solar Circuit

After a quick break, the band returned for more heat, starting with "Pryzm." This drove into the well known Phil Collins tune, "In the Air," sung by the talented LeVan. It is worth noting that most bands under the jamtronica umbrella struggle with vocals and often prefer instrumentals. This is not the case for Solar Circuit, as LeVan elevated this tune and others with her incredible voice. The band maintained intensity as they moved into "Upward Spiral," followed by "Snapshot."

Keyboardist Becca LeVan | Solar Circuit

Negotiations on stage followed, as the band decided where to go next. "Through the Fog" was the agreed upon direction, and LeVan unfurled more synth goodness. Fray continued to show his machine-like qualities on the drums. The band flowed into the upbeat "Moonroof," which included some tasty tension and release. The set wrapped up on a very high note with the ending of "Mirage."

Sherman Showcase | Stroudsberg, PA

Solar Circuit is back in action this week at the Tally Ho Theater in Leesburg, Va on March 17th and the Dogtown Roadhouse on March 18th in Floyd, Va. Head on over to their tour page for more details about the rest of their spring tour.

Check out more photos of Solar Circuit and Richard from the show!

Richard
Set: RadioFace, Disco Cowboy, Doggy

Solar Circuit
Set One: Loophole > Skyward > 17 Year Cicada, Stir Crazy > Fire For You% > Puddle Jumper
Set Two: Pryzm^ > In the Air+ > Upward Spiral > Snapshot, Through the Fog^ > Moonroof > Mirage*
Notes: %Cannons (first time played), ^unfinished, +Phil Collins, *ending only

Bassist Taylor Jamison | Solar Circuit

Wed, 03/15/2023 - 7:00 am

A five night stand in the music world is a rarity. Five contiguous nights is almost unheard of in this day and age of short attention spans. This did not phase Goose, the self described indie jam rock band, from attempting this infrequent feat at the Capitol Theatre in Port Chester, NY, which is within striking distance of their hometown, Norwalk, CT. In fact, these shows sold out instantly, especially given the close proximity to the fan base that has supported them for years. As a result, the number of ticket less fans was uncanny compared to any other prior show, and perhaps on par with the high ticket demand for jam rock bands like Phish and Widespread Panic in the NYC region.

Guitarist Rick Mitarotonda | Goose

As the band took the stage for night one of this glorious run on March 8, 2023, multi-instrumentalist Peter Anspach acknowledged the fact that this band has never played more than two nights in a row on the same stage. This run was clearly paving new, deeply significant trails for this band, and that feeling reverberated throughout "the Cap" as they descended into their ever expanding catalog.

Goose | The Capitol Theater

Rather than starting off with a fresh tune, this quintet decided to finish off "Electric Avenue," which was cut short based on time constraints during their prior show at the Okeechobee Music & Arts Festival on March 3, 2023. A dark, trance like jam led into this rarely played cover, and perhaps threw even the most seasoned fan for a loop. Upon the transition back into "Electric Avenue," the fans knew it was time to buckle up, and enjoy this soon to be legendary ride.

Drummer Ben Atkind | Goose

The jam went deep early with a slow but euphonious, twenty minute plus "All I Need." Guitarist Rick Mitarotonda was delightfully in the pocket. A back and forth ensued between Anspach, drummer Ben Atkind, and percussionist Jeff Arevalo during the transition into "Dr. Darkness." The first of three tunes from Anspach's band Great Blue hopped into the lineup next, starting with "Butterflies." This song debuted on June 10, 2022 at Legend Valley, and has been a set list staple ever since.

Lighting Director Andrew Goedde had new toys | Capitol Theater

The funky jams rolled on as the band dove into "Jive II." Anspach layered in the clavinet, while bassist Trevor Weekz unleashed his signature bass thumps. If there is anything that Goose has taught us during this journey, it's that "a little bit goes a long, long way." This vibe carried over into a groove laden "Earthling or Alien?" The set ended on a high note during "So Ready", which was coupled with plenty of tension and release care of Mitarotonda.

Percussionist Jeff Arevalo | Goose

The second set was brimming with classics from the Goose catalog, starting with a mind numbing "Wysteria Lane." Weekz lead the charge during this spacey, disco jam, as Arevalo soulfully hit those complementary percussive notes. A mellow transition unfurled the sweet reggae sounds of the "Doobie Song," and gave the crowd a much needed chill moment to "feel ok" after the "Wysteria" heat.

The fans were enamored on night 1 | Capitol Theater

The slowness was fleeting, as the band immediately dove into a raging "Drive," complete with Anspach on the guitar and Arevalo on the gong. The dual guitars continued into a high energy "Yeti," which marked the second of three Great Blue songs. Anspach showed his rock star capabilities as the roof started to lift off the Capitol Theater. Mitarotonda channeled his famous Star Trek Piccard shirt to engage the crowd for one final tune: the melodic "Your Ocean."

Multi-instrumentalist Peter Anspach | Goose

The band returned for one final tune, but before doing so, gave a shout out to Atkind, and announced that Arevalo would be featured on hand claps. The familiar sound of "Pancakes" emerged, which also completed the Great Blue hat trick. The show capped off with vigor, and set the bar high for the four remaining nights. Stay tuned to Grateful Web for more coverage from this exciting run.

Check out more photos from the show!

Set One: Jam > Electric Avenue1, All I Need > Dr. Darkness, Butterflies2, Jive II, Earthling or Alien?3, So Ready
Set Two: Wysteria Lane > Doobie Song, Drive, Yeti2, Your Ocean
Encore: Pancakes2
Notes: 1 - Eddy Grant, 2 - Great Blue Cover, 3 - with Jive II teases by Trevor Weekz

Goose | Capitol Theater

The Capitol Theater was packed | Port Chester, NY

Fri, 03/17/2023 - 7:40 am

The half way mark is a significant moment, especially during a five night run of contiguous shows by the same band. A sense of accomplishment can be felt by all after two outstanding nights of musical bliss. Goose reached that milestone prior to their show last Friday, March 10, 2023, and like Ground Hog Day, the show was again for a sold out crowd at the Capitol Theatre in Port Chester, NY. This performance marked the first time that the band has ever played on the same stage for three nights in a row. Not only did they deliver a show full of raging jams, but the evening also included a sit in by Tonight Show Host and jam band fan Jimmy Fallon.

Goose | Capitol Theater

By day three, almost everyone knew the ropes. Many camped outside the Capitol Theatre all day in order to get a poster or prime real estate on the general admission floor. Fans enjoyed the brisk, pleasant weather in Westchester County outside, while the band's crew finalized last minute changes inside the building. The security prepared to handle fans lined up in more than one direction down the busy sidewalks that wrapped around this iconic venue.

Multi-Instrumentalist Peter Anspach | Goose

The show started much as it did the prior two nights: with a lot of energy. "Animal" was the first song, and included an uptempo, high velocity jam that had everyone dancing. Multi-instrumentalist Peter Anspach layered in animal noises on top of his trance inspired synth. Anspach continued this synth curiosity into "Flodown." Drummer Ben Atkind and percussionist Jeff Arevalo picked up the beat, and sounded like a freight train in unison as the band built up to the chorus. The energy dipped down during "Everything Must Go" for a much needed moment, before picking back up during Dripfield's "The Whales."

Guitarist Rick Mitarotonda | Goose

Guitarist Rick Mitarotonda sang the tasty Vasudo original "Turbulence & The Night Rays" next. "Sell your soul for rock and roll." Closing in on five sets of music, this theme was starting to feel very real, but in a good way. A fiery, tension and release guitar sequence was then delicately woven with the incredible light display, care of Lighting Director Andrew Goedde. New tune "Lead Up," as announced by Anspach, was up next, and brought some fresh heat. The set wrapped up with the funky "Thatch."

Goose | Capitol Theater

The band returned engaged for set two, and jumped into a full throttle "Into the Myst." The electronica influenced undertones shifted into high gear, as the stage filled with a smoky mist. It was at this point that Tonight Show host Jimmy Fallon appeared with venue owner Peter Shapiro in one of the balcony's Presidential Boxes. Fallon was recently turned onto the Grateful Dead by television host and long time dead head, Andy Cohen. Fallon has since appeared at Dead & Co shows, and performed with Joe Russo's Almost Dead in 2020 at the Capitol Theatre. Goose performed on Fallon's late night show during December 2022.

Jimmy Fallon watches the show from the Presidental box | Capitol Theater

As the jam wrapped up, the lights took on a distinctive red hue, and the band shifted into another jam vehicle: "Red Bird." Anspach sang this set list staple, which debuted just over a year ago in San Francisco, Ca at the Regency Ballroom on January 29, 2022. Mitarotonda was in the pocket during the mind melting tension and release that followed.

Drummer Ben Atkind | Goose

The clock was instantly turned back to the 90's when Anspach began playing the melody for "In Your Eyes" by Peter Gabriel. This song was played for just the fifth time ever in this band's repertoire, and was last played at The Greek Theater in Los Angeles, Ca on August 21, 2022. Tonight's extended version was certainly a highlight for this storied Capitol Theater run. Newer and more mellow tune "Arise" proceeded, and offered a chill moment prior to the band doubling down on a set list closing "Hot Tea."

The fans were ready for more after six sets | Capitol Theater

The band stepped off stage for what appeared to be a standard encore break. However, prior to the band's return, manager Jon Lombardi stepped onto the stage and raised his arms to hype the crowd. The band walked out, and Anspach announced, "Everyone give it up for Jimmy Fallon. We were on his show, and now he's on our show." Fallon emerged from the green room wearing sunglasses with red donuts, which are a reference to Phish. He grabbed the mic, and sang the classic Sir Mack Rice tune, "Mustang Sally," while jumping around and showing his moves. The crowd loved every moment of this fun sit in.

Jimmy Fallon sang "Mustang Sally" | Capitol Theater

Some fans left the building, while others piled into Garcia's for a late night DJ set with Becky Chinman as well as Peter Anspach on the synthesizer. This after party was full of succulent beats and went late into the night.

Peter Anspach and Becky Chinman | Garcia's

Check out more photos from the show! Also, view our prior coverage from Wednesday Night during Goose's legendary run at the Capitol Theater.

Set One: Animal, Flodown, Everything Must Go, The Whales, Turbulence & The Night Rays, Lead Up, Thatch
Set Two: Creatures, Red Bird, In Your Eyes1, Arise, Hot Tea
Encore: Mustang Sally23
Notes: 1 - Peter Gabriel, 2 - Sir Mack Rice, 3 - with Jimmy Fallon

Goose | Capitol Theater

Trevor Weekz and Peter Anspach high five after Set Two | Capitol Theater

Capitol Theater | Port Chester, NY

Sat, 03/18/2023 - 2:30 pm

Six sets of music in, the jams and song selection by Goose remained impressive. Every component of their five night run was magically falling into place. This included another sold out night of music at the Capitol Theatre on March 11, 2023.

Guitarist Rick Mitartonda | Goose

Show number four began with less fanfare than the prior night, which boasted an encore with Jimmy Fallon providing guest vocals. Nonetheless, Goose continued to do what they always have done: crush the improvisation and bring fresh music. That began with an uptempo "Echo of a Rose." The segues went deep early as the band raced into Bob Seger's "Hollywood Nights," last played at the Andrew J Brady Center on December 30, 2022. The jam soon got dark as the music moved into "Bob Don," mellowed out, and then seamlessly flowed back into "Echo of Rose."

Peter Anspach | Goose

The band was showing no signs of exhaustion on this musical marathon, as they delved into the beautiful and composed "Seekers On The Ridge Part 1," followed by "Seekers On The Ridge Part 2."  Drummer Ben Atkind and percussionist Jeff Arevalo shined as they nailed the intricate cadences. Newer tune "Mr. Action" precluded a fiery "Same Old Shenanigans" that ended this set with a bang. Bassist Trevor Weekz was notably front and center weaving his band mates together during "SOS."

Percussionist Jeff Arevalo | Goose

"Hungersite" kicked off the second set with a smoking hot version of this fan friendly tune. Guitarist Rick Mitarotonda took the fans on a wild guitar journey during this jam, which is often short but sweet. Weekz brought his "A" game as things wound down. The energy shot right back up as Goose sunk into the melody of "Silver Rising." The vocals were sung by Mitarotonda and multi-instrumentalist Peter Anspach, and exemplify how well rounded this quintet is. Anspach debuted a new, funky tune titled "Feel It Now," which quickly set sail into a disco space jam.

Capitol Theater | Port Chester, NY

The funky vibes were unceasing with another familiar tune from the band's repertoire: "Arcadia." This jam vehicle began with the slap happy Trevor Weekz taking the helm. Peter Anspach layered in the clavinet as Rick Mitarotonda masterfully engulfed the music with tension and release during this classic Goose original. This version is surely one for the ages. The final song of this set emerged with the melodic "726." The band quietly stepped off stage.

The emerging lights during "Dripfield" | Goose

For the fourth time in four days, the band returned to a crowd that was thirsty for more Goose. They once again delivered a raucous dance party in the form of "Dripfield." The signature blue, pink and green lights that accompany this song have emerged as their own larger than life element of sensory overload. "Calling for the rhythm." Fans soaked in the last few minutes of this incredible show.

Goose certainly lived up to the hype at the Capitol Theater. This already legendary run had many outstanding jams. For more coverage, view our reviews from Wednesday, October 8th and Friday, October 10th, 2023. Goose's spring tour dates can be found here.

Check out more photos from the show!

Set One: Echo Of A Rose -> Hollywood Nights1 > Bob Don -> Echo Of A Rose, Seekers On The Ridge Pt. 1 > Seekers On The Ridge Pt. 2, Mr. Action, Same Old Shenanigans
Set Two: Hungersite, Silver Rising, Feel It Now2, Arcadia, 726
Encore: Dripfield
Notes: 1 - Bob Seger & The Silver Bullet Band, 2- First time played

Capitol Theater | Goose

Fans were ready for more after eight sets | Goose

Goose | Capitol Theater

Tue, 03/28/2023 - 7:00 am

Goose, the head turning, indie jam rock band from Connecticut, followed their galvanized performances at the Capitol Theatre in Port Chester, NY and the Roadrunner in Boston, Mass with another mind melting musical experience at the iconic Met Philly in Philadelphia, PA on March 24, 2023. The City of Brotherly Love is no stranger to blazing hot jams from this band, as Goose delivered a pair of ragers at the Fillmore Philadelphia in 2022. This show was light on songs, but heavy on the deep, tasty improvisation.

Bassist Trevor Weekz | Goose

The band had never played at this beautiful venue before, which was built in 1908 by Oscar Hammerstein, originally called the Metropolitan Opera House, and used as a lavish Grand Old Opera House. The usage of the building has changed over the years, and evolved into a church, movie theater, vocational school and sporting venue. The venue hosts a wide range of events presently, and remains the city's largest performance stage.

The stunning Met Philly | Philadelphia, PA

It's hard to tell what was inspiring Goose this evening, from the building's rich history to their recent run of epic shows, but they walked on stage with more vigor than ever. They wasted no time, and immediately stepped into a twenty minute "Rockdale." Multi-instrumentalist Peter Anspach layered in the organ during this Vasudo original, which felt like it was heading into type two jam territory, before landing snugly back in "Rockdale." This is one of many songs that were repeated from the incredible Capitol Theatre run. However, the band unquestionably elevated the music beyond what felt like legendary renditions two mere weeks ago in Port Chester, NY. "Atlas Dogs" followed, which then flowed into Pat Benatar's "Love is a Battlefield," as Lighting Director Andrew Goedde unleashed brilliantly rich sheets of color behind the band.

Guitarist Rick Mitarotonda | Goose

Newer, heartfelt tune "Everything Must Go" jumped into the set list next, and was played for only the sixth time ever. The mellow "Old Man's Boat" allowed bassist Trevor Weekz to shine while giving the crowd a much needed down moment. The characteristic slow build of "Old Man's Boat" flowed into a monster "Thatch" with more blissful moments of unhinged jamming to end this high octane first set.

The Met Philly | Philadelphia, PA

The second set kicked off with the band not so subtly reminding the crowd that "You're an animal. It's phenomenal," during "Animal." They also added in a bonus "Dripfield" tease at the beginning, which included a green, pink and blue "Dripfield" lighting tease from Goedde and his team. Drummer Ben Atkind and Percussionist Jeff Arevalo were in full force during this bouncy, opening tune. Multi-instrumentalist Peter Anspach sang his new song "Feel It Now," which debuted at the Capitol Theater. This synth heavy, upbeat tune is sure to be a dance party staple as the song evolves.

Percussionist Jeff Arevalo | Goose

The band took a right turn into an up beat, boot skootin tempo-ed "Echo of Rose" next. The nearly thirty minute tune was Goose at their best, as they quietly waited for this jam to build. Around the ten minute mark, Guitarist Rick Mitarotonda and Weekz subtly ushered the jam into a dark, bass heavy exploration, which peaked with tenacity. The performance of this vintage tune at the Capitol Theater was also mind blowing, and somehow, they managed to top themselves.

LIghting Director Andrew Goedde for the win | Goose

The set wrapped with another classic, "Turned Clouds," which included a final luscious jam sequence from Mitrotonda and Anspach. The band returned for one final tune, "Mr. Action," which was written to celebrate Goose's impressive forty eight person crew. Fans were certainly energized as they walked out into the streets of Philadelphia.

Fans loved the show | Goose

This band has consistently leveled up on their best efforts every time they visit the gracefully gritty city of Philadephia. Perhaps the adage "Never miss a Sunday show" should be changed to "Never miss a Goose Philly show."

Goose | The Met Philly

Check out more photos from the show!

Set One: Rockdale, Atlas Dogs, Love is a Battlefield1, Everything Must Go, Old Man's Boat > Thatch
Set Two: Animal, Feel It Now, Echo of a Rose2, Turned Clouds
Encore: Mr. Action
Notes: 1 - Pat Benetar, 2 - Boot Skootin Tempo

Drummer Ben Atkind | Goose

Goose | The Met Philly

Goose | The Met Philly

Wed, 03/29/2023 - 5:00 pm

Goose returned to The Met Philly on March 25, 2023, after the raging inferno they set off the night prior, and decided to add more fuel to the improvisational fire. They delivered two spirited covers, numerous teases, and of course plenty of extended, raucous jams for the sold out crowd in Philadelphia, PA.

Multi-instrumentalist Peter Anspach went into rockstar mode | The Met Philly

The band kicked off night two with a short but sweet "Dr. Darkness." Multi-instrumentalist Peter Anspach picked up his guitar for the high energy "Yeti," along with guitarist Rick MItarotonda. He went into full rockstar mode during this jam and danced around the stage wielding his guitar with bliss. The dueling guitars' tension and release invigorated the crowd, and set the stage for the heat that was coming next: a twenty nine minute "Borne." This was not just any "Borne," though, as the tempo was considerably faster in this rendition. Normally, this tune is more mellow, but drummer Ben Atkind and percussionist Jeff Arevalo were both on their respective drum kits driving the beat like a rhythmic freight train. Mitarotonda dove into an explorative jam straight out of the 70's, unleashing "W.S. Walcott Medicine Show" teases as the music progressed. Bassist Trevor Weekz masterfully wove the intensity of both drummers with Mitarotonda's fiery guitar build up. The music reached a glorious climax, before a melodic transition into The Band's "The W.S. Walcott Medicine Show," last played June 14, 2022.

Bassist Trevor Weekz | Goose

The music quickly shifted to the tropics, as the band flowed into the bubbly, island themed "Butter Rum." The call and response from the crowd was notably loud, as this was clearly not the first show for many in attendance. Another galvanized musical escalation ensued, along with on point light coordination care of Lighting Director Andrew Goedde and his team, and concluded with what felt like the end of the set. But this set was not over yet, as they quickly moved into "Seekers On The Ridge Pt.1." Divinely sung by Mitarotonda, this beautifully composed song hit the spot. Goose segued into "Seekers On The Ridge Pt. 2," and ended this savage set with a bang.

Goose | The Met Philly

Goose returned for round two, and more shenanigans. "Same Old Shenanigans" to be exact, from their 2021 release Shenanigans Nite Club. Mitarotonda was in the pocket early, with Weekz also elevating the disco funk dance tune. The music progressed into a feel good jam that had everyone smiling and was lead by Anspach on the organ. Newer tune "Lead Up" was next, and recently debuted at the Capitol Theater two weeks prior. "So Ready" kicked the energy back up into the stratosphere, with Anspach layering in the clav.

Guitarist Rick Mitarotonda | Goose

The euphonious vintage tune "Rosewood Heart," started out as an upbeat lamb, and built into a roaring lion. Mitarotonda hit multiple apexes during this deep, emotional jam. The music eventually melded into a twenty two minute, set closing "Dripfield." This song is truly Goose at their best, and emanates from within their souls. They took the crowd on a wild journey that culminated with a several face melting moments, as Goedde and his team displayed lights that spell "G O O O S E" behind the band.

Andrew Goedde and his team illuminate the "G O O O S E" lights | The Met Philly

After stepping off stage for a moment, the quintet returned, with Anspach thanking the crowd and expressing love for the fans on behalf of the band. The band played one final tune, Bobby Blue Bland's "Turn On Your Love Light," which was a treat for those Grateful Dead fans in the crowd. They also put a cherry on top of this epic performance with a full band "Secret Agent Man" tease, before ending the show with dynamism.

Fans were over the moon | Goose

We mentioned in our prior review for the March 24, 2023 Philly show that the adage "Never miss a Goose Philly show" is going strong. Goose has leveled up every time they play in this Mid-Atlantic metropolis, and has shown no sign of faltering, including this show. We can only hope that they return very soon for the next round.

Goose | The Met Philly

Goose is on tour this spring across the USA. They will play a pair of shows at the Ryman Auditorium in Nashville, TN on March 30-31. Head on over to their tour page for more details about their Spring, Summer and Fall tours.

Goose took a bow after their stellar performance | The Met Philly

Check out more photos from the show!

Set One: Dr. Darkness, Yeti, Borne[1] -> The W.S. Walcott Medicine Show[2], Butter Rum, Seekers On The Ridge Pt. 1 > Seekers On The Ridge Pt. 2
Set Two: Same Old Shenanigans, Lead Up, So Ready, Rosewood Heart > Dripfield
Encore: Turn On Your Love Light[3]
Notes:
[1] Double time version. With W.S. Walcott Medicine Show teases from Rick.
[2] The Band.
[3] Bobby Blue Bland. With Secret Agent Man teases.

Goose | The Met Philly

Goose | The Met Philly

The Met Philly | Philadelphia, PA

Sun, 04/09/2023 - 4:49 pm

Twiddle, the upbeat jam rock quartet from Vermont, continued their "Distance Makes the Heart" tour at Webster Hall in New York, NY on April 6, 2023. This bittersweet run has become very special for both the band and their fans after Twiddle announced that they will take an indefinite hiatus upon the conclusion of 2023. The band put on a raging show for this highly engaged Tri-state crowd, which included a special guest, for what might be their last performance in the Big Apple. The show notably did not include an opening band, and was a 100% Twiddle treat.

Guitarist Mihali Savoulidis | Twiddle

The band certainly made haste this evening, and started their set shortly after 8pm with newer tune, "The Devil." Mihali's heartfelt lyrics set the tone for the evening, and perhaps reminded many of the fans as to why they love this band so much. "Be proud of who you are. Trust what's inside your heart." This transitioned into another song released in 2022, "Breakadidown." "Brick of Barley" followed, and and included a jazzy drum solo by drummer Adrian Tramontano.

Twiddle | Webster Hall

The foursome dove into a non-stop sequence for the remainder of the set, beginning with "Every Soul." Bassist Zdenek Gubb lead the charge, as he thumped through this funky tune. Lighting Director Alex "Herm" Schneider added to the depth with well timed lights on the stage and disco ball during this deep jam. Mihali fell into the pocket as the band moved into "Apples," while the lights alternated between green and candy apple red. The music mellowed out as Mihali and Gubb coordinated moves on stage before the collective group leapt into a disco funk jam. Keyboardist Ryan Dempsey layered in the synth as the music moved into "Brown Chicken Brown Cow." Gubb continued mesmerizing the crowd on the bass, and showed his rock star capabilities. The music flowed into a less intense vibe, and the band ended this fiery sequence with "Lost in the Cold." The fans joined in to sing this inspiring tune. "It's hard to see the future, when the present doesn't suit ya." Dempsey elevated this jam, as the band brought this well executed set to a close.

Keyboardist Ryan Dempsey | Twiddle

Twiddle returned energized for set two and delivered a melodic "The Fantastic Tale Of Ricky Snickle," from their 2017 release Plump (Chapters 1 & 2). The uplifting lyrics combined with the vibrant major chords felt almost like an internally blissful therapy session. Mihali slammed the composed section during this opening tune. The music shifted gears into "Nicodemus Portulay," another tune from Plump. Vintage song, "Gatsby the Great" hopped into the set list next, which prompted cheers from the crowd. Dempsey delivered more tasty notes on the synth during this euphonious jam that lasted about seventeen minutes. Mihali once again proved that he is a well oiled machine on guitar, as he and his band mates brought this tune home.

Fans loved the show | Twiddle

The Plump trifecta rounded out with "Syncopated Healing." "Relax and dream one day at a time. Let the beauty of the music start to heal your life." The band made this directive easy with their galvanized musicianship. The fans once again notably joined in on vocals, as Tramontano dispatched a tight beat that kept everyone dancing. This blazing hot set ended on a high note with another recently released song, "Collective Pulse," from Every Last Leaf.

The iconic balcony at Webster Hall | New York, NY

The show as not over quite yet, as Twiddle returned for an encore armed with their friend, trumpeter Michael Bafundo. He joined this gang of talented musicians for Jimi Hendrix's "All Along the Watchtower," which was unquestionably a performance that Jimi himself would have been proud of. Crew member and keyboardist Scott Hannay jumped in on the synth next to Dempsey, as they fist bumped during a euphoric moment. The musical therapy session continued into the upbeat "Hattie's Jam." "Well it's ok to be alone, you learn a lot about your own." Bafundo returned, and layered in the trumpet, as the show finished on a definitive high note with "When It Rains It Pours."

Trumpeter Michael Bafundo | Twiddle

As they say, all good things must come to an end. This outstanding band has built an impressive community that is rooted in good vibes and positive messages, which is undoubtedly a rarity in this day and age. Thankfully, Twiddle will be making a number of festival appearances this summer, including Northlands and Peach Music Festival. Hop on over to their tour page, and catch this band while you still can!

Scott Hannay and Ryan Dempsey fist bumped during "All Along the Watchtower" | Twiddle

Check out more photos from the show!

Set One: The Devil -> Breakadidown, Brick of Barley, Every Soul -> Apples -> Brown Chicken Brown Cow -> Lost in the Cold
Set Two: The Fantastic Tale Of Ricky Snickle, Nicodemus Portulay -> Gatsby the Great, Syncopated Healing, Collective Pulse
Encore: All Along The Watchtower [1] [2], Hattie's Jam -> When It Rains It Pours [2]

Notes:
[1] Jimi Hendrix
[2] with Michael Bafundo on Trumpet

Twiddle | Webster Hall

Drummer Adrian Tramontano | Twiddle

Twiddle | Webster Hall

Bassist Zdenek Gubb | Twiddle

Thu, 04/13/2023 - 7:15 am

When names like Baked Shrimp are mentioned, images of the delicious seafood dish often fill the mind, particularly for those who live on the coast of Long Island where shrimp are native. There is another Baked Shrimp in town, and they are the equally tasty, progressive funk trio from Long Island, NY. They headlined the Rockwood Music Hall's Stage Two on April 7, 2023, along with New Jersey's One Eyed Jack, for a refreshing night of original tunes, extended improvisation, and a few notable covers.

One Eyed Jack | Rockwood Music Hall

The psychedelic rock sextet One Eyed Jack took the stage around 8:30pm. Their lineup for the evening included guitarist Gary Gallagher, bassist Adam Riley, singer Rosie Lazroe, drummer Vincent Smith, and guitarist Pete Tonti. Keyboardist Joe Biglin was notably missing, but his talented band mates soldiered on. The group brought some stellar grooves that felt reminiscent of the Grateful Dead. Lazroe layered inspiring vocals into the mix, which is often missing from jam rock bands. The crowd was energized towards the end of their short, but sweet set when the band dove into the Allman Brother's "Midnight Rider," and would have loved to hear more.

Guitarist Jared Cowen | Baked Shrimp

Baked Shrimp took the stage shortly thereafter, and unleashed plenty of explorative jams. Their line up for the evening incorporated guitarist Jared Cowen, drummer Jager Soss, and bassist Scott Reill. Their set began with the musical parody by Terry Adams "Howard Johnson's Got his HoJo Workin." The power funk trio found themselves in the pocket early, as the jams went deep. Towards the end of the set, Cowen sang the soulful "Ain't No Sunshine" by Bill Withers, as the fans enjoyed this well known cover. During the encore, Cowen announced that Baked Shrimp will play a pre-party for Phish on July 29th, 2023.

Bassist Scott Reill | Baked Shrimp

Both One Eyed Jack and Baked Shrimp put on a great show, and are emerging artists that are worth checking out. Baked Shrimp is up next at Putnam Place in Saratoga Springs, NY on April 19th, with more dates on their tour page. One Eyed Jack will be at the Crossroads in Garwood, NJ on April 20th, with additional dates on their ledger as well.

Check out more photos of Baked Shrimp and One Eyed Jack from the show!

One Eyed Jack
Set: Middle of the Road, Keep Your Head, In So Many Ways, Midnight Rider1, Drivin' Nails

Baked Shrimp
Set: Howard Johnson's Got his HoJo Workin2, Stomatopoda, The Maverick, Robinhood, Smoke 'em If You Got 'em, Dick Turk34, All the Way Back Home, Little Chameleon -> Ain't No Sunshine5, The Narcissist
Encore: Ugly Girl, Boom Boom at the Buc-ee's

Notes
1. Allman Brothers
2. Terry Adams
3. "Hava Nagila" tease
4. "Rock Lobster" tease
5. Bill Withers

One Eyed Jack | New York, NY

Baked Shrimp | Rockwood Music Hall

Baked Shrimp | Rockkwood Music Hall

Baked Shrimp | Rockwood Music Hall

Drummer Jager Soss | Baked Shrimp

Singer Rosie Lazroe | One Eyed Jack

Tue, 04/18/2023 - 3:00 pm

Three night stands are a luxury for jam rock fans and bands, as neither has to travel and can enjoy the surroundings for the run's duration. This was certainly the case for Pigeon's Playing Ping Pong's three night run at the famed Brooklyn Bowl in Brooklyn, NY, which kicked off on April 13, 2023. The band rewarded their dedicated fans with a Thursday night inferno at the former warehouse in the popular Williamsburg neighborhood, which included two hot covers. This heat was on top of the temperature being an unseasonably warm eighty five degrees in the Big Apple. They were supported by the emerging funk band from Harrisburg, Pa, Yam Yam.

Singer and Guitarist Greg Ormont | Pigeons Playing Ping Pong

The evening began with a high energy set from Yam Yam, which was layered in funk, gospel and fun. Their lineup included Michael Dempsey (piano/organ), Xander Moppin (bass), Tyler Fuller (drums), Tom Fuller (guitar), and Jason Mescia (saxopohone). Mescia would play on the very edge of the stage, leaning into and engaging with the crowd as the band played on. This quintet brought a lot of good dance party vibes, and is on many upcoming festival bills, including Peach Fest and Hulaween. They are worth checking out for sure.

Drummer Alex Petropulos | Pigeons Playing Ping Pong

Pigeons Playing Ping Pong exited the green room, walked down the stairs, and started their first set with "Distant Times," from their recent release Perspectives. This included an early solo from drummer Alex Petropulos. The band was fired up, and launched into a funk fueled "Henrietta" > "Live It Up." Newer tune "Hit The Ground Runnin'" led into an inspired cover of the Red Hot Chili Pepper's "Around The World," which was sung by guitarist Greg Ormont.  This tasty cover segued into "Overrun." "Fun in Funk" grew wings as the band's improvisation soared into flight. This vibrant set closed out with "Skinner," which was named after psychologist B.F. Skinner, who famously taught pigeons to play ping pong.

Brooklyn Bowl | Brooklyn, NY

The band returned after a quick break, and glided into a fiery "Distant Times" > "Water." "Beneath The Surface," which debuted at Domefest last year, followed. The raucous dance party flew into high gear during "Bad For You," as the fans were loving this feel good set.

Pigeons Playing Ping Pong | Brooklyn Bowl

The music then flowed into a non-stop, raging, disco trance, starting with "Melting Lights." Bassist Ben Carrey jumped on to the speakers as the jam heated up. The foursome transitioned into a new cover by White Denim, "Ha Ha Ha Ha (Yeah)," followed by "Su Casa." Guitarist Jeremy Schon went into beast mode, and finished strong during the instrumental, guitar driven "Schwanthem." The Baltimore, MD based quartet returned to play "Dawn a New Day" for the encore, from their 2020 album Presto, and ended this blazing hot performance on a high note.

This show was a family affair for some lucky fans | Pigeons Playing Ping Pong

Stay tuned for more coverage of Pigeons Playing Ping Pong's exciting run at the Brooklyn Bowl. Check out more photos from the show!

Set One: Distant Times, Henrietta > Live It Up, Hit The Ground Runnin’ > Around The World1 > Overrun, Fun In Funk, Skinner
Set Two: Fall In Place > Water, Beneath The Surface, Bad For You, Melting Lights > Ha Ha Ha Ha (Yeah)2 > Su Casa > Schwanthem
Encore: Dawn A New Day
Notes: 1 - Red Hot Chili Peppers, 2 - White Denim, first time played

Pigeons Playing Ping Pong | Brooklyn, NY

Pigeons Playing Ping Pong | Brooklyn Bowl

Guitarist Jeremy Schon | Pigeons Playing Ping Pong

Fans loved the show | Pigeons Playing Ping Pong

Bassist Ben Carrey | Pigeons Playing Ping Pong

Fans were excited for this run | Pigeons Playing Ping Pong

Fri, 04/21/2023 - 8:14 am

Pigeons Playing Ping Pong returned for another night of high flying funk and good times at the Brooklyn Bowl in Brooklyn, NY on April 14, 2023. They played a rare three night stand at the well known New York City venue. Night two was one for the ages and almost non-stop for two sets. Several members of the indie soul band Melt joined the fun at various points. Kendall Street Company provided their support this on this very warm evening, as the temperatures were close to ninety degrees once again.

Guitarist Greg Ormont | Pigeons Playing Ping Pong

Kendall Street Company got the sold out crowd going on this unseasonably mild Spring day with their blend of psychedelic and progressive jazz rock. The Virginia based squad consisted of Louis Smith (Rhythm Guitar/Lead Vocals), Brian Roy (Bass), Ryan Wood (Drums), Ben Laderberg (Lead Guitar), and Jake Vanaman (Saxophone/Keys). They brought a laid back spunk and feel good set that included crowd participation and comedy from the band. Incidentally, none of the band members were wearing shoes, which is part of their easy going schtick.

Pigeons Playing Ping Pong | Brooklyn Bowl

The Brooklyn Bowl was packed as Pigeons Playing Ping took the stage later in the evening. The band was full of smiles, eager to oblige the crowd with musical improvisation, and kicked things off with "Move Like That." Guitarist Jeremy Schon was in the the pocket early. The music funkily flowed into "Weightless" and ended with "Doc," which is on their 2017 release Pizazz.

Members of Melt join Pigeons Playing Ping Pong | Brooklyn Bowl

A breezy "Fade Fast" was up next, and set the stage for "The Pretender," by the Foo Fighters. Saxophonist Nick Sare and trumpeter Evan Lane, from the band Melt, joined the foursome for this alt rock tune, and really elevated the dance party. Newer song "Alright Tonight" precluded a fiery "Poseidon," also from Pizzaz, and ended this steamy set.

Saxophonist Nick Sare and trumpeter Evan Lane from Melt  | Brooklyn, NY

The Baltimore, MD based quartet returned to the stage after a quick break, started the set with a melodic "Lowdown." This transitioned into a bass driven "Upfunk," with bassist Ben Carrey leading the way into a disco funk inspired jam. Pigeons' drummer Alex Petropulos showed his skills during a monster drum solo. The band then traveled back into "Upfunk," leaving "Lowdown" unfinished.

Pigeons Playing Ping Pong | Brooklyn Bowl

The crowd had worked up a sweat by this point, albeit ready for the next tune. The band unfurled more, as they moved into "Burning Up My Time." Guitarist and singer Greg Ormont was animated as the band transitioned into the Quad City DJ's "Space Jam," from the popular 90's movie of the same name. Carrey jumped onto the amps in true rock star fashion. The music moved into "The Hop," followed by the quintessential "F.U." The band continued to play, as both Sare and Lane returned to the stage with their band mate and singer Veronia Stewart-Frommer from Melt. This now septet dove into Bob Marley's "Could You Be Loved," with Stewart-Frommer and Ormont sharing vocal duties. This tune was last played on June 10, 2016 by Pigeons Playing Ping Pong.

Guitarist Greg Ormont and Singer Veronica Stewart-Frommer | Brooklyn Bowl

The second set closed out with a raging "Donkey Hotel." The band returned to encore with an inspired "Ocean Flows," which completed the Pizazz hat trick.

Brookyln Bowl | Brooklyn, NY

Pigeons Playing Ping Pong galvanized the Brooklyn crowd with their memorable run at the Brooklyn Bowl. They are on tour, and making appearances this weekend at the Backwoods at Mulberry Mountain and Sweetwater 420 Festivals. Head on over to their tour page for more details about their schedule.

Fans loved the show | Pigeons Playing Ping Pong

Check out more photos from the show, and our previous coverage of Pigeons Playing Ping Pong at the Brooklyn Bowl on April 13th.

Set One: Move Like That > Weightless > Doc, Fade Fast, The Pretender12, Alright Tonight > Poseidon
Set Two: Lowdown3 > Upfunk > Drums > Upfunk, Burning Up My Time > Space Jam4 > The Hop > F.U. > Could You Be Loved256 > F.U., Donkey Hotel
Enncore: Ocean Flows
Notes:
1. Foo Fighters
2. With Evan and Nick (Melt) on trumpet and saxophone
3. Unfinished
4. Quad City DJ's
5. Bob Marley
6. With Veronica (Melt) on vocals

The fans were ready early | Pigeons Playing Ping Pong

Guitarist Jeremy Schon | Pigeons Playing Ping Pong

Bassist Ben Carrey | Pigeons Playing Ping Pong

Fans enjoyed the space before the Flock arrived | Brooklyn Bowl

Drummer Alex Petropulos | Pigeons Playing Ping Pong

Tue, 04/25/2023 - 7:29 am

The Magic Beans celebrated 4/20, the relatively new, legalized cannabis holiday in New York state, last Thursday, April 20, 2023 at the Sultan Room in Brooklyn, NY. Nestled in the vibrant Bushwick neighborhood, the sweet smells of THC were omnipresent this evening all around the venue. The Beans kicked the festivities up a notch with a Steely Dan parody, along with their catalog of jam rock, funk, r&b and hip hop originals. Peak, the indie progressive rock outfit from Brooklyn, lent their support.

Peak | Sultan Room

Brooklyn, NY's own Peak got the evening started with a set of psychedelic indie funk. The band line up included Jeremy Hilliard on guitar, Kito Bovenschulte on drums, Josh T. Carter on bass, and Johnny Young on keys. Hilliard showed his stellar chops as he wailed on the guitar and also provided vocals on many songs. The band cultivated danceable, exploratory improvisations that had the crowd highly engaged for their hour long set.

Guitarist Scott Hachey | Magic Beans

The two hundred fifty person room was packed and fired up after Peak's set. The Magic Beans took the stage to much applause, and moved into a feel good "Alibi." Keyboardist Casey Russell elevated the low key trance early on the synth during this song. The soulful "As You Like It" was up next, and went on an exploratory journey during the twenty two minute tune. Guitarist Scott Hachey layered in the space funk as Russell and bassist Chris Duffy kept the EDM feels alive during this absolute heater.

Magic Beans | Bushwick, NY

A more mellow "More" followed, and was sung by Hachey. The jam intensified as Duffy unfurled those tasty bass thumps. The band shifted gears into a more country vibe with "Story Goes," which featured Hachey on the acoustic guitar and a boot scooting tempo by drummer Cody Wales. "Sharon is Karen" followed, and included more 80's sounding synth goodness from Russell. The jam built into a raging space trance, with notable guitar work from Hackey, as a raucous dance party erupted in the crowd.

Keyboardist Casey Russell | Magic Beans

"Satan in Satin" brought a much darker, evil sound, which was driven by Duffy. The band elevated the 420 celebration next with "Dirty Wook," a cover by Steely Dan whose name was changed from "Dirty Work." "Handshake of a Hug" followed, and really highlighted the band's overall skills with a wild jam. This tune was all Duffy once again, as he continued to deliver noteworthy EDM bass lines. The r&b and gospel inspired "Give Me Something Real" was up next, and was sung with a lot of soul by Russell. The set closed out with the quintessential Magic Beans tune, "Contraband," as the jam went dark once again during this heated tune. The quartet returned for an encore, and played a short but sweet "The Table." The show ended on a high note with a twelve minute "Hello" that incorporated a final, high energy, synth driven jam.

Magic Beans | Sultan Room

The Magic Beans brought a face melting dance party to the Sultan Room. Their music is full of good vibes, and will leave you thirsty for more. Head on over to their tour page for more details about dates near you.

Bassist Chris Duffy | Magic Beans

Check out more photos of Peak and the Magic Beans from the show!

Magic Beans
Set: Alibi, As You Like It, More, Story Goes, Sharon is Karen, Satan in Satin, Dirty Wook1, Handshake of Hug, Give Me Something Real, Contraband
Encore: The Table, Hello
Notes: 1 - Steely Dan parody with lyrics changed to being about a wook in honor of 4/20

Fans loved the show | Sultan Room

Magic Beans | Sultan Room

Drummer Cody Wales | Magic Beans

Magic Beans | Sultan Room

Wed, 05/03/2023 - 7:00 am

Star Kitchen returned for another great show at the Brooklyn Bowl in Brooklyn, NY on April 22, 2023. Created by Marc Brownstein of the Disco Biscuits, this jazz meets jam rock quartet cooked up a tasty two sets of psychedelic funk that included rapper Matisyahu as a special guest.

Bassist Marc Brownstein | Star Kitchen

This Philadelphia, PA based squad included Brownstein on bass, Danny Mayer on guitar, Marlon Lewis on drums, and Rob Marscher on keys. They come together with their vast musical experiences to form a super group, and often have other guests in the mix.

Star Kitchen | Brooklyn Bowl

Tonight's show kicked off with "Punches" and healthy dose of blues guitar from Mayer. The band ushered the funk early starting with Kool and the Gang's "Let the Music Take Your Mind." Next up was Bob James' "Nautilus," which brought out the percussive side of Lewis. Brownstein executed this stand out bass line well, and led the EDM inspired jam like a rock star.

Rapper Matisyahu | Brooklyn Bowl

"Bubble Gum" by the Nth Creative, was up next, and started with mellow tempo that eventually saw a one two funky punch from Marscher and Brownstein. Marscher also layered in gospel vibes on the organ. The band continued into "Hot Pants Road" by James Brown, which enveloped the crowd in a thick, deep, chill funk. Mayer took over on guitar and showed his profound skills.

Guitarists Danny Mayer and Aaron Dugan | Brooklyn Bowl

As the music flowed into "Do That Stuff" by Parliament,  Lewis announced that the crowd should get involved by singing "do that stuff" with the band, and sing they did. The first set wrapped up on a high note with "Entirely."

Star Kitchen | Brooklyn Bowl

The band returned for round two, and began with Prince's "Kiss," which was sung by Lewis. A nice segue followed with Brownstein getting extra funky into "Demons." Guitarist Aaron Dugan joined the band on stage for the remainder of the set, starting with Grant Green's "Jan Jan," which evolved into an up-tempo, car race like funk. Upon the conclusion of "Jan Jan," rapper and reggae singer Matisyahu joined the band on stage and performed his tune "Ancient Lullaby."

Guitarist Danny Mayer | Star Kitchen

He was all smiles and thanked the crowd before diving into Bob Marley's "Rastaman Chant." The beat slowed down and rasta vibe heated up as Matisyahu had the crowd mesmerized with his vibrant vocals. This continued into "Crazy Baldhead" and "Running Away," which are deep from Marley's catalog. Mayer injected a sweet jam into "Running Away." "Lord Raise Me Up" followed, and brought a trancey dubstep feel with this Matisyahu original tune. Matisyahu beatboxed to open the next tune, "One Day," which included a nice melody from the band. This fiery set ended with Marley's "No Woman No Cry," as the entire audience sang these memorable lyrics together. The band returned with Dugan for one final dose of funk with Cashmere's "Do It Any Way You Wanna."

Check out more photos from the show!

Star Kitchen
Set One: Punches, Let The Music Take Your Mind1, Nautilus2 > Bubble Gum3 > Hot Pants Road4 > Do That Stuff5, Entirely
Set Two: Kiss6 > Demons, Jan Jan7 *, Ancient Lullaby8 *@ > Rastaman Chant9 *@ > Crazy Baldhead9 *@ > Running Away9 *@ > Lord Raise Me Up8 *@, One Day8 *@ > No Woman, No Cry9 *@
Encore: Do It Any Way You Wanna+ *

Notes:
1. Kool and the Gang
2. Bob James
3. The Nth Creation
4. James Brown
5. Parliament
6. Prince
7. Grant Green
8. Matisyahu
9. Bob Marley
+ Cashmere
* w/ Aaron Dugan - Guitar
@ w/ Matisyahu - Vocals

Keyboardist Rob Marsher | Star Kitchen

Star Kitchen | Brooklyn Bowl

Brooklyn Bowl | Brooklyn, NY

Star Kitchen | Brooklyn, NY

Thu, 05/04/2023 - 8:45 am

Goose descended into the Bay Area on April 27, 2023 for an inspired show at the storied Warfield Theatre in San Francisco, CA, where the Grateful Dead played 15 shows and Jerry played 88 shows. This self-described indie jam band from Connecticut has been turning heads around the country as they continue to flourish and unleash original music with raging jams. This show included plenty of this, as well as a pair of notable covers.

Goose | The Warfield

What a difference a year can make. In 2022, Goose played at the iconic Regency Ballroom in San Francisco. This venue is certainly beautiful and has about the same capacity as the Warfield at 2200. However, the Warfield has been a San Francisco institution for over eighty six years, and has hosted names like Bob Dylan, John Prine and Nirvana, just to name a few. Originally built as a vaudeville and movie palace in 1922, this century old building has been rocking out since 1979 after famed promoter Bill Graham booked Dylan for a two week stand.

Guitarist Rick Mitarotonda | Goose

The Norwalk, CT based quintet had big shoes to fill in this legendary venue, and fill they did, starting with the joy inciting "Drive." The dynamic duo of Guitarist Rick Mitarotonda and multi-instrumentalist Peter Anspach played their respective guitars during the jam that followed to create an electrifying, 70's classic rock vibe. "Jive II," from the 2016 release Moon Cabin, was next. Anspach elevated the funk on the clavinet while percussionist and Gong Gang member Jeff Arevalo layered in the gong. Another Moon Cabin tune jumped into the set with "Lead the Way," and brought a subtle, mellow bass jam from bassist Trevor Weekz. The percussion and drums were notably resonant and deep.

The Warfield Theater | San Francisco, CA

Weekz continued to influence this vibrant show with a thumping bass line during "SOS," from Shenanigans Nite Club. Mitarotonda's spectacular tone was omnipresent during the jam, which also included a feel good synth build up by Anspach. This flowed into a cheerful sequence unfurled by the collective band that had everyone in the room smiling. The dark and melodic "Bob Don" was the penultimate tune in this predominantly vintage first set. Mitarotonda put on another short but sweet clinic, with plenty of bass honey from Weekz. This emotion rolled into a set closing "Pancakes," which is originally by Anspach's side project, Great Blue.

Happy Birthday to Band Manager Sam King | San Francisco, CA

Set two began with a special birthday shout out to Goose's tour manager, Sam King. She stepped on the stage, and was presented with balloons and a fancy cake as the crowd sang "Happy Birthday." Upon exiting the stage, she was all smiles.

Percussionist Jeff Arevalo | Goose

The band wasted no time, and immediately launched into Devo's "Whip It," which caused the audience to further erupt with delight. This was last played on December 18, 2022 at the Fox Theater in Boulder, Co. The mood went dark once again as the band moved into "Animal." The synth and bass build up was extra evil, though the percussion and drumming, via drummer Ben Atkind and Arevalo, stood out most.

Visuals by Lighting Director Andrew Goedde | Goose

The Moon Cabin goodness continued with "Into the Myst." A bluesy guitar jam by Mitarotonda was complimented by racing percussion. This segued into a stellar "Dragonfly," with a dashing tempo that felt like a tornado swirling around, and culminated with a raging build up at the end of a face melting jam. "Red Bird" carried on this improvisational notion, and was notably debuted during the band's last stint in the Golden City on January 29, 2022 at the Regency Ballroom. The twenty two minute jam clocked in the longest, and certainly had wings to fly, from Weekz' refined bass jam to Mitarotonda's high speed guitar flutters at the end.

Fans loved the show | Goose

It felt like the band might have been finished, but this set was far from over. Steppenwolf's "Magic Carpet Ride" hopped into the line up for the first time in 2023, and was last played in St. Louis, MO at the Pageant Theater on October 4, 2022. Anspach's organ combined with Mitarotonda's shredding had a psychedelic gospel feel in this tasty cover. The set ended with the euphonious "Your Ocean." The band returned to encore with a breezy "Butter Rum," and capped off another galvanized, exploratory performance.

Goose | The Warfield

Check out more photos from the show!

Set One: Drive, Jive II, Lead the Way, SOS, Bob Don, Pancakes
Set Two: Happy Birthday Sam, Whip It1, Animal, Into the Myst > Dragonfly, Red Bird, Magic Carpet Ride2, Your Ocean
Encore: Butter Rum

Notes:
1. Devo
2. Steppenwolf

Goose | San Francisco, CA

The Warfield | San Francisco, CA

Multi-instrumentalist Peter Anspach | Goose

Drummer Ben Atkind | Goose

Fri, 05/05/2023 - 4:10 pm

Goose returned for an epic round two at the legendary Warfield Theatre in San Francisco, CA on April 28, 2023, complete with Phil Lesh as a special guest in the presidential suite overlooking the stage. The band knocked this performance out of the park at this well known and culturally significant venue in the Union Square neighborhood by doing what they do every night: create fresh, exploratory, and creative jams.

The architecture at the Warfield is stunning | San Francisco, CA

Tonight's event began with multi-instrumentalist Peter Anspach mentioning how great it is to be back in this legendary venue. There was a certain magic in the air, which was only heightened by Goose diving into "California Magic." "Turbulence & The Night Rays," originally by Goose's predecessor Vasudo, followed. Guitarist Rick Mitarotonda heated up the room with his soulful vocals. An upbeat jam proceeded, and Mitarotonda showed off his new impressive guitar. Anspach took his turn on vocals during "Elizabeth." This eighteen minute version dialed up the intensity early with a racing beat lead by drummer Ben Atkind and percussionist Jeff Arevalo. This came to a peak, and flowed into a mellow section that was all bass, aka bassist Trevor Weekz or Trevorbass. The jam melded back together and intensified, ending this tune on a high note.

Guitarist Rick Mitarotonda | Goose

The melodic "Not Alone" was up next, and played for only the second time ever after it's debut at the Capitol Theater on March 9, 2023. This version was short, though showed some potential to develop into a deeper jam. "Everything Must Go" featured more of Anspach on the organ, creating a cheerful vibe. Mitarotonda and Weekz continued to weave around each other during this high flying jam that is worth a listen.

Goose | San Francisco, CA

The band kept this uptempo pace strong into the beautiful "Seekers on the Ridge Part 1." The percussion was notably on point, as the band executed this sequence with perfection, including the melodic transition into "Seekers on the Ridge Part 2." Mitarotonda showed his true rock star capabilities during this set closing tune. The fans could not contain themselves as the band walked away for set break.

Bassist Trevor Weekz | Goose

Set two opened with a rare poem reading by Weekz. Without further ado, the band played new tune and jam vehicle "Thatch" for a raging twenty one minute funk jam. At one point, Anspach layered clavinet goodness on top of Weekz bass slaps. Mitarotonda wailed to close out this mind blowing set opener. "Feel It Now," another tune that was first played at the Capitol Theater in March 2023, maintained the space funk vibe. Arevalo and Atkind complimented each other exquisitely as the song began. The trance quickly heated up, as did the dance party.

Grateful Dead Bassist Phil Lesh watched the show | Warfield Theater

The fans were feeling the rush as this talented quintet moved into "Silver Rising." The drums and percussion once again shined during this vibrant tune. Goose saved the best for last with a twenty four minute "Arrow" to end the second set. The improvisation in this jam was what fans migrated to this venue for. The collective group really came together as the jam veered into the unknown and then back into "Arrow," ending the set with a definitive bang.

Goose took the fans on a journey | San Francisco, CA

The fab five returned to encore with vintage jam monster, "Madhuvan." This song was not played during the 2022 run in San Francisco, and the Golden City was due for a delightful, fifteen minute shred fest by Mitarotonda. The band mates assembled in the middle of the stage after the song ended, as the crowd was going wild. They took a bow, and soaked up the love from the fans with smiles.

Goose | The Warfield

Goose is on fire and the road this summer, starting with a performance at Summer Camp. Head on over to their tour page for more details.

Check out more photos from this show! Also, read more about their mind blowing night one performance at the Warfield Theater on April 27, 2023.

Set One: California Magic, Turbulence & The Night Rays, Elizabeth, Not Alone, Everything Must Go, Seekers on the Ridge Pt. 1 > Seekers on the Ridge Pt. 2
Set Two: Thatch1, Feel It Now, Silver Rising, Arrow
Encore: Madhuvan
Notes: 1. Trevor reads a poem

Drummer Ben Atkind | Goose

Multi-instrumentalist Peter Anspach | Goose

Goose | The Warfield Theater

Lighting Director Andrew Goedde hard at work | Goose

Goose | The Warfield

Wed, 05/10/2023 - 6:40 pm

No moments are ever guaranteed in life. No band has felt that harder than Lotus recently, having lost their longtime percussionist Chuck Morris, along with his son Charley, in a tragic kayaking accident on March 16, 2023. The remaining members of Lotus, along with many friends, gathered at the Capitol Theatre in Port Chester, NY on May 6, 2023 to honor the lives of Chuck and Charley. This already scheduled show was converted into a Morris Family Benefit show, as all of the proceeds went to the Morris Family. Musicians from bands like Dopapod, Pigeons Playing Ping Pong and Twiddle joined the musical party to honor this acclaimed percussionist. Space Bacon provided their support.

Percussionist Chuck Morris | Sweetwater 420 Festival 2022

Space Bacon is a Brooklyn, NY based jamtronica quartet. This evening's lineup incorporated bassist Kevin LeGall, keyboardist Chris Gironda, drummer Sam Crespo, and new guitarist Fred Rylands. They brought non-stop, high speed edm songs for their short but sweet set. The crowd was warmed up to say the very least.

Space Bacon | Capitol Theatre

Lotus began their show with the familiar "Hammerstrike," from their 2008 release of the same name, and included plenty of tasty synth. Guitarist Tim Palmieri layered in steel guitar effects. The band moved into a slower, but dark jam that eventually returned to "Hammerstrike" with a blues inspired jam. Original Lotus drummer Steve Clemens, along with Dopapod keyboardist Eli Winderman and Twiddle drummer Adrian Tramontano were welcomed on stage for another vintage Lotus original, "Sift." This feel good tune contained elements of EDM, funk and reggae. The percussion was on point by Tramontano and Clemens, with drummer Mike Greenfield holding down a solid beat within the sweet groove that was building.

Guitarists Jeremy Schon and Tim Palmeri | Port Chester, NY

"Neon Tubes Pt. 1" was up next. Clemens stayed on for this upbeat, synth heavy tune that saw multi-instrumentalist Luke Miller shine. The mood got dark and robotic during a smooth transition into "Modular Jam." A guitar and synth battled then heated up and the music jettisoned into a raging "Neon Tubes Pt 2." "Catacombs," from their album Free Swim, followed, and included more from Tramontano as well as Jeremy Schon from Pigeons Playing Ping Pong. These musicians got locked into a thick jungle beat with multi-instrumentalist Jesse Miller leading the charge on bass. Schon added in his funky guitar flavor to this epic collaboration.

Guitarist Rob Compa joined the party | Lotus

Rob Compa, the guitarist from Dopapod, and Jamie Doyle, from Blend Mode, swapped places with Schon and Tramontano for "Time Dilates." A high energy, tension and release guitar jam ensued during this penultimate tune. Compa remained and Tramontano assumed the helm with Chuck's gear as the set closed out on a deliciously funky note with "128."

Percussionst Adrian Tramontano sat in | Lotus

"Pluck" kicked off the second set with more deep house vibes, along with Winderman and Tramontano. The music flowed into a heavy percussive sequence, and Tramontano really shined. Windermin owned the organ while Luke Miller and Palmieri shredded on guitar during this stellar set opening tune. This eventually flowed into the bright, quintessential Lotus tune, "Spiritualize." A synth heavy trance followed, and ended on a beautiful note.

Lotus | The Capitol Theatre

Clemens returned for another vintage tune, "Did Fatt." Jesse Miller and Greenfield drove the fast paced, drum and bass inspired jam. The tempo picked up as the band transitioned into "Mink & Shoes" by PsycheMagik, last played on December 30, 2022. Palmieri unfurled a sweet jam before the band collectively dialed into the synth, and had everyone in the Capitol Theater dancing.

Lotus | The Capitol Theater

The music shifted into "Livingston Storm," and Schon appeared on stage once again for this melodic tune from their 2004 release Nomad. The uplifting, euphonious beats created a more chill jam, which was much needed by this point. Greenfield, along with Doyle, Tramontano and Clemens on percussion, delivered a mesmerizing drum solo that was certainly a great way to honor Chuck. "Bellweather" closed out this almost non-stop set with vigor. The band returned to play "Sunrain" with Compa, Tramontano and Clemens.  This encompassed more luscious back forth between Compa and Palmeri and blew what was left of the roof off.

Fans loved the show | The Capitol Theatre

Lotus put on an outstanding show at the Capitol Theatre last weekend, as they always do, and meaningfully honored their former percussionist, Chuck Morris. They are a class act though and through, and it's unfortunate that events like this are what highlight these great traits. We send our best to this band as they heal, and look forward to when they regroup.

Their tour schedule is limited at the moment, but they are currently scheduled to play at Summer Camp and High Sierra Music Fest, amongst other festivals. Hop on over to their tour page for more details.

Check out more photos of Lotus and Space Bacon from the show!

Space Bacon
Set: Eucharist > Escape Room*, Computervision >< Ice Planet > Eucharist
Notes: * new song, first time played

Lotus
Set One: Hammerstrike, Sift (Eli Winderman, Steve Clemens, Adrian Tramontano), Neon Tubes Pt. 1 (Steve) > modular jam > Neon Tubes Pt. 2, Catacombs (Adrian, Jeremy Schon), Time Dilates (Rob Compa, Jamie Doyle), 128 (Compa, Adrian)
Set Two: Pluck (Eli, Adrian) > Spiritualize (Eli, Adrian), Did Fatt (Steve) > Mink & Shoes > Livingston Storm (Schon), Drums (Adrian, Jamie, Steve), Bellwether (Schon, Steve, Adrian)
Encore: Sunrain (Compa, Steve, Adrian)

Keyboardist Eli Winderman | Lotus

Lotus | Capitol Theater

Lotus | Capitol Theatre

Eli Winderman embraces Tim Palmieri | Capitol Theatre

Wed, 05/17/2023 - 8:15 am

It was a family affair at the Westville Music Bowl in New Haven, CT for Joe Russo's Almost Dead on May 13, 2023, as the daughters of both Joe Russo and Marco Benevento joined the band on stage during this late spring, pre-Mother's Day event. This show marked the first show on the Westville's calendar for 2023, and had over 4600 fans in attendance for this most righteous Dead cover band.

Drummer Joe Russo | Joe Russo's Almost Dead

The evening's festivities began on a lovely New England afternoon. The band took the stage around 6:15pm, and wasted no time by diving into an exploratory build up prior to "Eyes of the World." Drummer Joe Russo dug into deep percussion early, and keyboardist Marco Benevento unfurled a beautiful sequence on the piano. A bluesy jam ensued, followed by a funky transition into "The Music Never Stopped." The vibe became mellow as the music flowed into a "Black Peter" tease, but quickly picked up, with a raging guitar jam via guitarists Tom Hamilton and Scott Metzger back into "The Music Never Stopped."

Joe Russo's daughters sat in during the first set | Westville Music Bowl

Joe Russo welcomed his two young daughters with pint-sized guitars on stage before the band performed "Here Comes The Sun" for the first time. Both Russo and Hamilton contributed vocals to this classic Beatles' tune. The girls remained for the rest of the set, and unleashed a few rock star moves of their own.

Joe Russo's Almost Dead | Westville Music Bowl

A very spacey jam lead into "Estimated Prophet," proceeded by a layered jam, with notable contributions by Metzger. A slower, more melodic improvisational section gave way for an edgy jam into "The Wheel," with an emphasis by bassist Dave Dreiwitz. Both Dreiwitz and Hamilton raced through an incredible build up that transformed into a perfectly placed "Real Morning Party" tease, which is a song by Benevento. The music rolled into a deliciously psychedelic "Uncle John's Band," before these fine musicians stopped for a breath of air. With Russo like a freight train on the drums, "Bertha," was up next, and concluded this stellar set.

Keyboardist Marco Benevento | Joe Russo's Almost Dead

The band returned for round two, and picked up where they left off with "St. Stephen." This raging opener lead into more improvisational pleasantries on the piano by Benevento. The guitars elevated this jam, ushering the music back into "St. Stephen," before a face melting segue into "I Need a Miracle." I need a miracle everyday, indeed. The crowd assisted Metzger with these famous lyrics, followed by a boot scooting, bluesy breakdown. The music rolled into a euphonious "Ramble On Rose," with a breezy jam by Hamilton.

Illa and Ruby Benevento sat in during "Fire on the Mountain" | Westville Music Bowl

More psychedelic goodness emerged with "Scarlet Begonias," which flowed into a reggae inspired improvisation that was almost spooky at times. Benevento's daughters Illa and Ruby joined their father on the keys as the band moved into a heated "Fire on the Mountain." The layers of piano brought a huge smile to proud papa Benevento. This tune was all Hamilton, from the soulful vocals to the galvanized jam. After returning to "Scarlet Begonias," Russo announced, "It's daughter night here at JRAD. Big hand for Illa and Ruby Benevento. It's feeling like Father's Day on Mother's Day. We're just lucky to be here. Happy Mother's Day."

Bassist Dave Dreiwitz and Guitarist Scott Metzger | Joe Russo's Almost Dead

The music was not over quite yet, as this talented bunch served up a monster, sixteen minute "Throwing Stones" that went into type two territory. A melodious jam skillfully jettisoned back into "Throwing Stones." The set ended on the heart felt "So Many Roads." The band returned to play a high energy "Good Lovin," which returned to "The Wheel," before ending the show with an affirmative bang.

Fans loved the show | Westville Music Bowl

Joe Russo's Almost Dead always brings fresh jams and vibrant tunes. We as fans are extremely lucky to experience music from them with their children, on top of that. They are back in action on June 3 - 4 at Red Rocks Amphitheater in Morrison, Co. Head on over to their tour page for more details on their summer tour.

Check out more photos from the show!

Set One: Eyes of the World -> The Music Never Stopped1, Here Comes the Sun23, Estimated Prophet -> The Wheel45 > Uncle John's Band, Bertha
Set Two: St. Stephen > I Need A Miracle > Ramble On Rose, Scarlet Begonias -> Fire on the Mountain6, Throwing Stones > So Many Roads
Encore: Good Lovin7

Notes:
1. Black Peter tease
2. First time played
3. With Joe Russo's daughters
4. The Real Morning Party tease
5. Here Comes the Sun tease
6. With Illa and Ruby Benevento
7. The Wheel tease

Guitarist Tom Hamilton | Joe Russo's Almost Dead

Westville Music Bowl | New Haven, CT

Dad night was a success | Joe Russo's Almost Dead

Westville Music Bowl | New Haven, CT

Joe Russo's Almost Dead | Westville Music Bowl

Sun, 05/21/2023 - 3:50 pm

Buffalo, NY's moe. returned to the Brooklyn Bowl in Brooklyn, NY on May 18, 2023 for the first time in four years to kick off a rare three night run at the storied venue. This band has seen their ups and downs lately, particularly with the untimely medical hiatus of guitarist Chuck Garvey after suffering a stroke in 2021. Thankfully Garvey has recovered, and the band is on the upswing having just wrapped up a stacked Spring tour. They were all smiles while delivering moe. classics, along with some well placed teases, rare covers and a special guest appearance by guitarist Tim Palmieri.

Guitarist Chuck Garvey | moe.

The first set was immediately off to the races with "The Man in Me" by Bob Dylan. This soulful cover was played for the third time ever, and last played on November 7, 2014 at the Belly Up Tavern in Solana Beach, CA. After a subtle transition, "Seat of My Pants," from their 1996 release Loaf, followed. The band dove into multiple jazzy mini jams that included an "On Broadway" tease. The audience joined in the second time by singing "On Broadway." Guitarist Al Schnier was in the pocket and the band was feeling it early. They veered into a dark, racing "Sensory Deprivation Bank" fake out, pivoted magically back into "Seat of My Pants," and landed squarely in "LL3." Bassist Rob Derhak provided vocals, and a funky bass line during this newer tune. The jam that followed really had it all, from jazzy moments to raging guitar jams. This was ushered by the one two punch of drummer Jim Loughlin and percussionist Vinnie Amico, who drove the fast pace. The music eventually shifted into the prog rock "Tailspin," before the band finally stopped for a breath of air.

moe. | Brooklyn Bowl

The newer, instrumental "Jazz Cigarette" was up next. Schnier declared that his weekends "are only Tuesday at this point. And even that is negotiable," before the band slid into the bouncy "Spine of a Dog." From their 1999 release Fatboy, this version included plenty of percussive muscle, and a feel good jam with notable contributions by keyboardist and new comer Nate Wilson. Derhak stepped in for lead vocal duties as well. Another on point transition flowed into the equally happy, prog rock delight "Buster." The band slayed the composed section, while Garvey brought the music home during the tasty exploratory jam that followed, and ended this high flying set.

Brooklyn Bowl | Brooklyn, NY

The sextet was energized after the set break, emerged from the green room, and leapt into the vintage "Kyle's Song." A dark and guitar driven jam got things heated up quickly. A melodic transition into "Livin' Again" proceeded, which was last played on July 25, 2021 at the Loft Nightclub in Oak Bluffs, MA. This roughly fourteen minute version did not disappoint, and skillfully moved into "Down Boy."

Bassist Rob Derhak | moe.

Jam vehicle "McBain" was up next, and the band unfurled a well executed jam rock sequence, from within every layer of the music. Amico stood out with more of his euphonious xylophone goodness, as well as the disco funk fury lead by Derhak that dashed into a "Crosseyed and Painless" tease. This jam shows that not only does a band who formed in 1989 still "got it," along with working through Garvey's recent hiatus from a stroke, but they are also fostering fresh jams and taking the music to new places.

moe. | Brooklyn Bowl

Another Fatboy tune made it into the set list with "Sensory Deprivation Bank." Amico and Loughlin showed their skills as they went in and out of composed and jazz improvisation. A vibrant jazz guitar solo showed the band's range, as well as more niceties from Wilson on keys. This melded together, and ultimately glided into "Bring You Down," from their album No Doy. The tempo for the jam was slightly more chill in comparison to prior songs, but eventually built back up with a fiery prog rock progression to end the second set. 

Chuck Garvey embraces Brooklyn Bowl Owner Peter Shapiro | Brooklyn, NY

The band stepped off stage. As they slowly returned, Brooklyn Bowl owner and jam band enthusiast Peter Shapiro grabbed the microphone to express his excitement that "moe. is back." He also addressed the impressive recovery that was made by Garvey, and also the desire to give him an award for his efforts. He brought forth a trophy that had been on display at the Bowl since opening, and has been present for every show. He added that "Chuck Garvey is about the only person that we'd give this trophy to." Shapiro and an all smiles Garvey embraced, followed by Garvey raising the trophy in the air for an emotional display of gratitude regarding his recovery. The band also joked that "no one has seen him bowl."

Keyboardist Nate Wilson and his trophy | Brooklyn Bowl

Schnier made his usual "al.nouncements" regarding fan milestones and events. The band then started to play "Letter Home", but abruptly stopped, and Derhak asked if there was a tiny bowling trophy that could be given to Nate. A miniature action figure appeared, and was presented to Wilson, which he received with much delight. The band finished this short but sweet tune, and invited Tim Palmeri from Lotus and Kung Fu on stage for a face melting rendition of "Immigrant Song" by Led Zeppelin. This turned into a raging, three way guitar collaboration via Palmeri, Garvey and Schnier, that included bluesy and jazz inspired elements. The music flawlessly shifted back into "Immigrant Song," and ended this outstanding show.

Rob Derhek and Tim Palmieri | Brooklyn Bowl

moe. is back and playing better than ever. They are performing next at the Summer Camp Festival in Chillicothe, IL, and a two night stand in their home territory at the Sarinac Brewery in Utica, NY. Hop on over to their tour page for more details about these dates and the rest of the tour.

The band and their fans had a great time | Brooklyn Bowl

Check out more photos from the show!

Set One: The Man In Me1, Seat Of My Pants23 > LL3 > Tailspin, Jazz Cigarette, Spine Of A Dog4 > Buster
Set Two: Kyle's Song > Livin' Again > Down Boy, McBain5, Sensory Deprivation Bank > Bring You Down
Encore: Al.nouncements6, Letter Home, Immigrant Song78

Notes:
1. Bob Dylan cover
2. Segue from SOMP > LL3 included a SDB fakeout.
3. On Broadway tease
4. Rob on lead vocals.
5. Crosseyed and Painless tease
6. Peter shapiro presents a trophy to Chuck Garvey prior to al.nouncements
7. With Tim Palmieri on guitar
8. Led Zeppelin cover

Guitarist Al Schiener and Keyboardist Nate Wilson | moe.

moe. | Brooklyn Bowl

Tim Palmieri from Lotus sat in | Brooklyn, NY

Tue, 05/23/2023 - 6:00 am

The music only heated up for moe.'s second night of three at the Brooklyn Bowl on May 19, 2022 in Brooklyn, NY. The band continued to dig into their extensive catalog coupled with exciting, and in some cases new, covers. 

Chuck Garvey and Rob Derhak | moe.

Tonight's show was written by percussionist Vinnie Amico, and began with nothing other than "New York City," from the 2001 release Dither. This song was last played on September 4, 2022 in Lake George, NY, and felt very appropriate for this New York City run. Next up was "The Road," from The Conch, which went deep early and saw plenty of funk and blues jamming by guitarists Chuck Garvey and Al Schnier.

Fans loved the intimate setting | Brooklyn Bowl

The band veered into spacey territory, with "Yellow Tigers," by the Ghosts of Jupiter, and played for only the third time ever. Keyboardist Nate Wilson elevated the melodic groove and showed his profound skills, along with the solid rhythmic base of Amico and drummer Jim Loughlin. The spacey vibes continued with "George." Garvey unleashed a wailing guitar solo during this tune. The Upstate NY based sextet seamlessly transitioned into "Lazarus," with bassist Rob Derhak on vocals. The percussive machine of Loughlin and Amico drove this exploratory train into layered jam rock improvisation. Wilson continued to boost this vintage tune with a burst of freshness as the song rolled on, and ended the first set.

Guitarist Al Schnier | moe.

"Billy Goat," from their 2014 release No Guts No Glory, commenced set two, complete with tasty explorations by Derhak on bass and Amico on xylophone. As the band built a solid groove, Schnier changed guitars, and they transitioned into "Not Coming Down," from Wormwood. Schnier sang this tune like a true rock star. The music quickly transitioned into another Wormwood tune, "Wormwood." Wilson showed his stellar chops once again in this melodic and chill tune that debuted in 2003. Another well orchestrated segue followed into the inspiring Pink Floyd tune, "Fearless."

moe. | Brooklyn Bowl

As the band decided where to go next, things quickly devolved on stage regarding "monkey balls." The Buffalo, NY based squad ultimately decided on Dither's "Faker." Schnier unleashed his fury during the electrifying jam that followed, as McLoughlin kept the beat both steady and dynamic. Wilson flexed his multi-instrumentalist muscle on the flute and contributed a sweet jam of his own, before the song worked it's way back into "Faker." moe. continued to push the tight groove in other directions, namely "Recreational Chemistry." This tune debuted in 1994, and turned the mood dark for this prog rock rager. A spooky bass jam followed with more tension and release excellence by Schnier, along with more rock star moves. The band really came together and ended this almost non-stop set with a bang.

Brooklyn Bowl | Brooklyn, NY

The band quietly stepped off stage, and then returned for an encore. This began with al.nouncements, which are fan milestones and events read by Schnier. The percussion then started to play "Do It Again" by Steely Dan on the congas. The crowd started to realize what was up when Wilson joined in on keys. Wilson contributed his vocals for this fun tune that could not be more perfect for moe. to play. He continued to dazzle on the keys during this classic 70's rock song. "Blue Jeans Pizza" ended the show on a high note.

Guitarist Chuck Garvey | moe.

moe. doubled down on fresh jams and exciting sets for night two at the Brooklyn Bowl. They are performing next at the Summer Camp Festival in Chillicothe, IL, followed by a two night stand in their home territory at the Sarinac Brewery in Utica, NY on June 9-10. Hop on over to their tour page for more details about these dates and the rest of the tour.

moe. | Brooklyn Bowl

View our prior coverage of moe. at the Brooklyn Bowl on May 18, 2023, as well as more photos from this show!

Set 1: New York City, The Road, Yellow Tigers1, George > Lazarus
Set 2: Billy Goat > Not Coming Down > Wormwood > Fearless2, Faker > Recreational Chemistry
Encore: Do It Again3, Blue Jeans Pizza
Notes:  1 - Ghosts of Jupiter, 2 - Pink Floyd, 3 - Steely Dan

moe. | Brooklyn Bowl

Percussionist Vinnie Amico | moe.

Al Schnier makes his al.nouncements, which include milestones like birthdays

Sun, 06/11/2023 - 5:15 pm

Connecticut's Eggy began their summer 2023 tour at the Homestead Bar and Kitchen in Morristown, NJ, last Wednesday, June 7, 2023, with smoke literally surrounding the building from the Canadian Wild Fires that unleashed their fury last week. The band took the stage despite the perils and rewarded those fans who braved the almost apocalyptic weather to be at the show for a delicious, smoking hot, midweek two-set show. There was also talk on social media during the day prior that Eggy offered Mark Wahlberg a free ticket because he was in the area, which created another fun storyline. Abby Bryant and the Echoes provided their support.

Keyboardist Dani Battat | Eggy

Asheville, NC's Abby Bryant and the Echoes opened for Eggy, and were playing in the Garden State for the first time. Abby Bryant showed her skills on keyboards and vocals, and the band developed some nice southern rock jams. Hopefully, this band is able to stick around the Northeast.

Homestead Bar and Grill | Morristown, NJ

Eggy's set began with "One More Dance", and showed that this band returned from break energized and ready to explore. Bassist Michael Goodman was on fire early during "One More Dance." The collective quartet nailed the composed section before guitarist Jake Brownstein launched into a tasty, psychedelic-inspired jam. A masterful percussive-fueled conclusion by drummer Alex Bailey ended this tune. "Evergreen" was up next, and sung by Bailey. Mark Wahlberg had not made an appearance yet.

Eggy | Homestead Bar and Grill

"Northern Lights" brought more jam rock goodness, with keyboardist Dani Battat and Goodman weaving together an upbeat groove. Brownstein and Battat played off of one another for an improvisational treat. "Wireless" brought more inspired vocals and a soulful original tune. Goodman was impressive on bass and kept the mood chill while Brownstein explored. "Balls of Yarn" followed, last played at the Parish Public House in Albany, NY on October 22, 2022. This tune saw edgier guitar riffs and an intense beat that was easily captivating.

Eggy | Homestead Bar & Grill

"Bad Side of the Moon" by Elton John, played for only the sixth time ever by this Connecticut-based squad, was up next. Fans slowly started to realize what was going on as they moved into vocal harmony. Goodman and Battat held down the funk while Brownstein dove into a raging progressive rock jam. The set wrapped up with the classic, soulful "Burritos El Chapo 2." The lyrics made mention of "losing their voice from the smoke," in reference to the smoke that was in the upper atmosphere from the Canadian Wild Fires and causing poor air quality. A raging jam dropped into a composed section, which was nailed by the collective unit. The exploration continued into this sixteen-minute jam, and Brownstein brought a proper face melting prior to ending this smoking hot set.

Homestead Bar and Grill | Morristown, NJ

Set two picked up with "One Stop Shop" > "All Wheels Turning." Battat was back to his tricks on the synth. A nice transition ensued into the slow-burning funk "All Wheels Turning." Soulful new tune "You" found its way into Eric Clapton's "Lay Down Sally." The crowd and band were both energized during this famous blues tune. The intensity elevated further with "Hux," during a wild exploration by Brownstein and Battat.

Eggy | Homestead Bar and Grill

A more heartfelt tune, "Island Afterlife" hopped into the set next. The mood quickly elevated during a heated transition into "12 Pounds of Pain." Brownstein showed his rock star capabilities as the band ended the set on a very high note. The band stepped off the stage and returned to acknowledge the smoke once again. They also asked if Mark Wahlberg had shown up, to which the audience replied "no," much to their chagrin. The surprisingly hot Wednesday show ended with "Zugzwang."

Fans loved the show | Eggy

Eggy is off to a great start for their 2023 Summer tour. They are up next on Jun 15, 2023 - Jun 17, 2023, at Jammin’ the Gulch in Montana. Hop on over to their tour page for dates in your part of the country.

Drummer Alex Bailey | Eggy

Check out more photos from the show!

Set One: One More Dance, Evergreen, Northern Lights, Wireless, Balls of Yarn, Bad Side Of The Moon[1], Burritos El Chavo 2[2]
Set Two: One Stop Shop > All Wheels Turnin', You[3] > Lay Down Sally[4], Hux, Island Afterlife > 12 Pounds of Pain
Encore: Zugzwang

Notes:
[1] Elton John cover
[2] Included commentary on the haze from the Canadian fires
[3] Debut
[4] Eric Clapton cover

Bassist Michael Goodman | Eggy

Guitarist Jake Brownstein | Eggy